Newton's Lantern Slide Catalogue: Section 9 -- Art, Literature, And

Total Page:16

File Type:pdf, Size:1020Kb

Newton's Lantern Slide Catalogue: Section 9 -- Art, Literature, And NINTH 8ECTI0N OF THE COMPLETE CATALOGUE OF PUBLISHED AND MANUFACTURED BY \rrn17iiin\1 a nn ltd. formerly Newton a Co., of a, fleet street. ESTABLISHED OVER aoo YEARS. TO THE ENGLISH SOVEREIGNS CONTINUOUSLY FOR OVER SIXTY YEARS, LANTERN SLIDE GALLERY MAKERS. TO THE ADMIRALTY. WAR DEPARTMENT, THE INDIAN AND FOREIGN GOVERNMENTS, THE BOARD OF EDUCATION, ETC, By Special Appointment TO THE ROYAL INSTITUTION OF GREAT BRITAIN SOCIAL WELFARE. 2., SCIENCE ASTRONOIVTY, PHYSICS, CHEMISTRY ; &c. 3. NATURAL HISTORY, AGRICULTURE AND NATURE STUDY. 4. GEOLOGY AND PHYSICAL GEOGRAPHY. 5. GEOGRAPHY. ' 6. HISTORY. 7 INDUSTRIES AND MANUFACTURES. 8 ARCHITECTURE. 9. ART, LITERATURE, AND MISCELLANEOUS. 10. SCRIPTURE, LANTERN SERVICES CHURCH HISTORY AND MISSIONARY SUBJECTS. DIPLOMAS OF HONOUR Trade Mark, AND -PRIZE MEDALS. 1851. 1862. 1868. 1878., 1884, 1885. 1893, 1904, 1906. Facsimile oi fha Signature at J. NEWTON, the Head of Messrs. dEWIOtrS Firm in 1704, the year ksfore Silt ISAAC NEWTON was Copyright, Price Sixpence, — EDUCATION. It has been found, in practice, that to instruct visually as well as orally, is by far the most effective method of teaching—seeing a fact illustrated is of great assistance in memorizing it, and in consequence, the use of the Lantern in teaching has become almost universal among all classes—we believe that most of the best-known schools in the United Kingdom, India and the Over- seas Dominions now employ this means of instruction. In our earnest desire to meet this-great demand, we have taken steps to secure* many thousands of new Educational Slides, and are now publishing lists of them in the most comprehensive and exhaustive catalogue everdssUed, Our complete Catalogue of Lantern Slides is now so large that we publishing it in Sections, so that it may be kept yp-to-date rqore con- veniently, and intending customers need only take the Section in which they are interested. * The following Sections are now ready, or in course of preparation : Newton’s Lantern Slide ;Catalogu/E. - sectiov 1. HEALTH. COMPRISING’ MEDICAL SCIENCE, HYGIENE SOCIAL WELFARE. 2. SCIENCE; ASTRONOMY, PHYSICS, CHEMISTRY, &c S. NATURAL HISTORY, AGRICULTURE AND NATURE STUDY. 4. GEOLOGY AND PHYSICAL GEOGRAPHY. 5. GEOGRAPHY. 6. HISTORY. 7. INDUSTRIES AND MANUFACTURES. 8. ARCHITECTURE. 9. ART, LITERATURE, AND MISCELLANEOUS TO. SCRIPTURE, LANTERN SERVICES, CHURCH HISTORY AND MISSIONARY SUBJECTS. ,* ART. The first portion of this Section (9) of our Catalpgue is concerned with Art and Artists, and on the earlier pages, 905 to 936, will be found a list of Slides from the pictures of great Artists, on a scale never before attempted. Though far from exhaustive, this list is the most comprehensive hitherto published, and we are constantly adding to it. By the courtesy of Sir Whitworth Wallis an extremely fine Series of pictures from the Birmingham Art Gallery is now available, together with inter- esting Lecture Notes. The above, with other sets which will be found in the Catalogue, provides* ’ “ sufficient Slides to enable Talks about Famous Artists ” to be given as well as lectures on the different Schools of Painting ' " '• ’ x . ,f * * ’ * < ’’-r . - / A S • •. 'v . ‘ * . LITERATURE.t;' Under this heading new and important groups of Slidqs have been added? The works of Charles Dickens have been arranged to occupy several evenings, and most effective lectures can be given by taking the Life of some poet, or other prominent man of letters, such as are mentioned on pages 971 to 977. 'Stories for Children will be founds on pages 982,to TOO©,' many of them delightfully illustrated by such famous artists as to make these sets not only- “ acceptable to but also highly appreciated by children of a larger growth.” • * Temperance subjects are dealt with on pages 1005 to 1010. t - INDEX OF LANTERN SLIDES OF SECTION 9, ART, LITERATURE AND MISCELLANEOUS. I PAGE PAGE I PAGE A Christmas Carol 963 Browning, Robert, and his Famous Artists and their Additional Scripture Subjects 1016 Friends ... 975 Work ... 938 Artists of Aegean Art ... ... ... 943 Buy your own Cherries ... 1007 Famous the Nine- Aesop’s Fables 980 Byron, Lord, Life of ... 975 teenth Century 941 Farmer’s A Farmer went Trotting ... 990 Byzantine Art ... ... 945 Boy ... ... 989 Aladdin 997 Five Little Pigs 998 Fox Jumps over the Parson’s Alice in Wonderland ... 997 Caldecott, An hour with ... 938 Gate „ through the looking-glass 997 Caldecott’s Pictures 989-990 990 Friendless Bob ... 983 A Little Child shall Lead them 984 Carrier for Slides ... ... 1002 Frog, Alone in London 984 Characters from Dickens... 969 A., he would a-wooing go Alphabetical Lyrics ... 996 Characters from Shakes- 990 Frog and the Ancient and Medieval Art 942 peare’s Plays 962 Ducks 998 Frost and Snow Scenes ... An Evening with Dickens ... 969 Charles Dickens 968 956 An Extra Barrel for you ... 1007 Chaucer the Canterbury and Gallant Deeds 986 Angels’ Christmas 985 Xfllcs 974 Gambler, The 1010 An hour with Randolph Childrens Stories ... 989-1000 Gems, Artistic, from the Pic- Caldecott 938 Children’s Stories of the War 986 ture Galleries 936 An Old Story 1007 Child Studies 949 Gentleman and the Robbers 998 A Peep into Punch 981 Chine Cabin 984 Gin Fiend 1008 Arabian Art 945 Chinese Art 943 Going to Market 984 Army and Navy Drolleries 998 Chinese Fireworks ... ... 1002 Golden Goose, The ... 994 Art, Aegean 943 Christie’s Old Organ ... 983 Goldsmith, Oliver Arabian 945 976 „ Christmas Carol ... 963, 966 Goosey, Goosey, Gander Assyrian 943 ... 995 ,, Christmas Time 981 Gordon League Ballads 982-983 Babylonian ... ... 943 ,, Chromotropes 1002 Gothic Art 945 Byzantine 945 Cinderella ,, and the Glass Gray’s Elegy 979 Chinese ... ... 943 ,, Slipper 997 Great Masterpieces of Paint- Egyptian 942 Cloud „ Studies 953 ing 941 „ Gallery, Birmingham 938-940 Cock Robin, Marriage of ... 997 Great Painters ... ... 1014 „ Gothic 945 Cock Robin, Death and Burial 998 Great Panjandrum Greek 944 himself 990 ,, Cole, J 983 Greek Art 944 ,, Italian 950 Coleridge, S. T. Life of ... 975 , Grimbeard the Wolf ... 999 ,, Nineteenth Century ... 941 Come Lasses and Lads ... 989 Paleolithic „ 942 Comic Slides' ... ... 1002 Hamlet 959 „ Roman 944 Conundrums and the Answers 1000 Hans in Luck 999 ,, Romanesque 945 Cowper, W., Life of 974 Harry Beckwith 1008 ,, Russian 936 Cruikshank—The Bottle ... 1007 Heart of Ice 997 ,, Studies ... 949 Henley , The Drunkard’s Regatta 1003 Artistic Gems from the Pic- Children 1007 Henry V., play of 961 ture Galleries 936 Henry VIII., play of ... 960 Artists and their Work 905-936, Dame Perkins 998 Hey diddle diddle 989 1016 Dan Dabberton’s Dream ... 1009 Hire of Slides 1017 Artists of the Nineteenth Dante, Life and Works 976,1015 His Luck 982 Century 941 Darby and Joan 978 His Majesty’s Beggars ... 984 A Short History of Ancient David Copperfield 964 History of Ancient and Medi- an \ Medieval Art ... 942 Devon and Somerset Stag- eval Art 942 Assyrian Art 943 Hounds 1003 Histoty of Music and Musi- Assyrian Sculptures ... 953 Dickens 963-970, 996 cians 948 of Cities A Tale Two ... 963 An evening with ... 969 Hogarth and his Work ... 946 Auld Lang ,, Syne 973 ,, Characters from ... 969 Hop O’My Thumb 994 Visit to Birmingham A Mu- „ Land, Scenes from 967 House that Jack Built ... 989 seum and Art Gallery ... 940 „ Life Model Sets 970 How Bill Adams won the A Winter’s Tale 960 Dick Whittington and his Battle of Waterloo ... 980 Cat 998-999 How Harry won his Wife... 982 Baa, Baa, Black Sheep ... 995 Difficulties Overcome ... 985 Humorous Drawings ... 948 Babes in the Wood ... 990 Diogenes 998 „ Scenes from Pickwick 965 Baby Bunting 989 Disasters at Sea 956 ,, Slides with Rapid Babylonian Art 943 Dissolving Pictures ... 1002 Changes 1000 Bay of Biscay Storm ... 956 Doctor’s Fee, The 982 Humpty Dumpty 995 Beatrice Potters Pictures ... 993 Double Slide Carriers ... 1002 Hymns for Jessica’s First Beauty and the Beast ... 994 Downey’s Art Studies ... 949 Prayer 983 Bel’s Baby 984 Drake, Stirring Story of ... 977 Hymns for J. Tregenoweth 1008 Bible and the Drunkard ... 1007 Big Arm-Chair, The ... 982 Illustrated Songs 978 Effects, Moveable and Rack- and Little Klaus 996 In Flower Alley ... ... 983 Big Klaus work 1001-2 Bill Adams at Waterloo ... 980 Italian Art ... ... ... 950 Egyptian Art 942 Birdie's Benefits 984 Italian Statuary 950 Elephant Hunt by a Native, 998 Birmingham Museum and Art Its a long, long way to Tip- of Ireland, Wreck of 956 938-940 Empress perary 978 Gallery Enoch Arden 972 Black Beauty 988 Eva, from Uncle Tom’s Cabin 983 Jack and the Beanstalk ... 994 Blob the Spider ... ... 998 Extra barrel for you ... 1007 Jackdaw of Rheims Boxes and Cabinets... 1018-19 999 Boys and the Raven’s Nest 997 Jack, the Conqueror ... 985 Jack, the Giantkiller 994, 999 Brock, H. M., Pictures ... 994 Fables, Aesop’s 980 Conquest Brookes, Leslie, Pictures 994-995 Fairy Tales ... ... ... 994 Jane 980 4 — Index of Lantern Slides continued. PAGE PAGE PAGE esslca’s First ' Prayer . 983 Paleolithic Art 942 Squire s Christmas Present 999 'ohn Gilpin . 989 Paradise Lost 974 S.S. Naming after Storm ... 956 Crow’s ohnny Garden . 995 Pastimes of the World ... 1003 Stag Hounds, With the ... 1003 Crow’s ohnny Party . 995 Penny Readings 980 Statuary, Italian 950 'ohnson, Dr. Samuel, . 977 Pepyf, Samuel, Life and Times 977 Statues, Photographic ... 952 ohn Tregenoweth ... 1008 Phil May 948 Stories of War 986 Photographic Kate Greenaway’s Pictures 992 Statues ... 952 Storm in Bay of Biscay ... 956 Pickwick 965 Story ... Killamey of a Toadstool 1000 978 Pictures by G. F. Watts 947 Story of Moonbeam and the Lads of Devon 979 Pictures from Famous Galleries Birdies 1000 Lamb, Charles, Life of ... 976 1011-1014 Studies, Art 949 Land of Hope and Glory ... 978 Picture Galleries, Gems from 936 „ Child ..
Recommended publications
  • Influence of the Spatial Pressure Distribution of Breaking Wave
    Journal of Marine Science and Engineering Article Influence of the Spatial Pressure Distribution of Breaking Wave Loading on the Dynamic Response of Wolf Rock Lighthouse Darshana T. Dassanayake 1,2,* , Alessandro Antonini 3 , Athanasios Pappas 4, Alison Raby 2 , James Mark William Brownjohn 5 and Dina D’Ayala 4 1 Department of Civil and Environmental Technology, Faculty of Technology, University of Sri Jayewardenepura, Pitipana 10206, Sri Lanka 2 School of Engineering, Computing and Mathematics, University of Plymouth, Drake Circus, Plymouth PL4 8AA, UK; [email protected] 3 Faculty of Civil Engineering and Geosciences, Delft University of Technology, Stevinweg 1, 2628 CN Delft, The Netherlands; [email protected] 4 Department of Civil, Environmental and Geomatic Engineering, Faculty of Engineering Science, University College London, Gower Street, London WC1E 6BT, UK; [email protected] (A.P.); [email protected] (D.D.) 5 College of Engineering, Mathematics and Physical Sciences, University of Exeter, Exeter EX4 4QF, UK; [email protected] * Correspondence: [email protected] Abstract: The survivability analysis of offshore rock lighthouses requires several assumptions of the pressure distribution due to the breaking wave loading (Raby et al. (2019), Antonini et al. (2019). Due to the peculiar bathymetries and topographies of rock pinnacles, there is no dedicated formula to properly quantify the loads induced by the breaking waves on offshore rock lighthouses. Wienke’s formula (Wienke and Oumeraci (2005) was used in this study to estimate the loads, even though it was not derived for breaking waves on offshore rock lighthouses, but rather for the breaking wave loading on offshore monopiles.
    [Show full text]
  • Observing Protest from a Place
    VISUAL AND MATERIAL CULTURE, 1300-1700 Knox Giles Knox Sense Knowledge and the Challenge of Italian Renaissance Art El Greco, Velázquez, Rembrandt of Italian Renaissance Art Challenge the Knowledge Sense and FOR PRIVATE AND NON-COMMERCIAL USE AMSTERDAM UNIVERSITY PRESS Sense Knowledge and the Challenge of Italian Renaissance Art FOR PRIVATE AND NON-COMMERCIAL USE AMSTERDAM UNIVERSITY PRESS Visual and Material Culture, 1300–1700 A forum for innovative research on the role of images and objects in the late medieval and early modern periods, Visual and Material Culture, 1300–1700 publishes monographs and essay collections that combine rigorous investigation with critical inquiry to present new narratives on a wide range of topics, from traditional arts to seemingly ordinary things. Recognizing the fluidity of images, objects, and ideas, this series fosters cross-cultural as well as multi-disciplinary exploration. We consider proposals from across the spectrum of analytic approaches and methodologies. Series Editor Dr. Allison Levy, an art historian, has written and/or edited three scholarly books, and she has been the recipient of numerous grants and awards, from the Nation- al Endowment for the Humanities, the American Association of University Wom- en, the Getty Research Institute, the Dumbarton Oaks Research Library of Harvard University, the Whiting Foundation and the Bogliasco Foundation, among others. www.allisonlevy.com. FOR PRIVATE AND NON-COMMERCIAL USE AMSTERDAM UNIVERSITY PRESS Sense Knowledge and the Challenge of Italian Renaissance Art El Greco, Velázquez, Rembrandt Giles Knox Amsterdam University Press FOR PRIVATE AND NON-COMMERCIAL USE AMSTERDAM UNIVERSITY PRESS This book was published with support from the Office of the Vice Provost for Research, Indiana University, and the Department of Art History, Indiana University.
    [Show full text]
  • 'British Small Craft': the Cultural Geographies of Mid-Twentieth
    ‘British Small Craft’: the cultural geographies of mid-twentieth century technology and display James Lyon Fenner BA MA Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy August 2014 Abstract The British Small Craft display, installed in 1963 as part of the Science Museum’s new Sailing Ships Gallery, comprised of a sequence of twenty showcases containing models of British boats—including fishing boats such as luggers, coracles, and cobles— arranged primarily by geographical region. The brainchild of the Keeper William Thomas O’Dea, the nautical themed gallery was complete with an ocean liner deck and bridge mezzanine central display area. It contained marine engines and navigational equipment in addition to the numerous varieties of international historical ship and boat models. Many of the British Small Craft displays included accessory models and landscape settings, with human figures and painted backdrops. The majority of the models were acquired by the museum during the interwar period, with staff actively pursuing model makers and local experts on information, plans and the miniature recreation of numerous regional boat types. Under the curatorship supervision of Geoffrey Swinford Laird Clowes this culminated in the temporary ‘British Fishing Boats’ Exhibition in the summer of 1936. However the earliest models dated back even further with several originating from the Victorian South Kensington Museum collections, appearing in the International Fisheries Exhibition of 1883. 1 With the closure and removal of the Shipping Gallery in late 2012, the aim of this project is to produce a reflective historical and cultural geographical account of these British Small Craft displays held within the Science Museum.
    [Show full text]
  • Walk 0A# Mortehoe And
    Walking on Exmoor and the Quantock Hills saurus’s back. Pick your way carefully down to the point (25mins, [1]), then turn around and exmoorwalker.uk take the coast path on what is now your le -hand (north) side, heading for the lighthouse at Bull Point. You may see seals among the rocks here. Connuing along the coast path ignore Walk 0A. Mortehoe and Lee Bay. the turn to Mortehoe, but follow a short diversion soon a er where the original path is dan- gerously close to crumbling cliffs. Go through a gate, climb upwards, and pass a short secon 7.2 miles, ascents and descents of 550 metres. 3 hours 5 minutes constant walking, next to a sheer drop before heading down again. Through another gate, then another path allow 4-5 hours overall. from Mortehoe comes in from the right; keep le here. The path goes up and down before Terrain: A mix of roads, tracks, and paths, some uneven and potenally slippery. Morte Point is going through a third gate, just a er another Mortehoe path (55mins, [2]), and bearing le . uneven rock. A er the next gate the path diverts briefly inland; the 2014 storms washed away the way Access: Start from the car park in Mortehoe (SS 458 452, EX34 7DR, £). Bus 31 runs roughly down to the beach, leaving wooden steps hanging precariously over the cliff. Take a narrow hourly between Ilfracombe, Mortehoe and Woolacombe on weekdays and Saturdays. The walk path to the le , bringing you to Bull Point lighthouse (1hr10mins, [3]). You can walk all the can also be started from the car park at Lee (SS 480 464, near EX34 8LR).
    [Show full text]
  • Ldu: 578 Lct: 4H, 2C, 4C
    LDU: 578 LCT: 4H, 2C, 4C Area of LDU within AONB: 236.5 hectares % of LDU within AONB: 69% Date surveyed: 24 February 2010 Survey points: SS479464, SS478465, SS454447, SS454446, SS456445 Summary of landscape character This LDU comprises the dramatic north-western coastline of the AONB, stretching from the western fringes of Ilfracombe (Torrs Point) to Morte Bay. The majority of the coast is unsettled, with rocky cliffs displaying complex, folded strata backed by coastal heath and rough maritime grassland. The landscape retains high levels of tranquillity and evokes a wild, exposed character, disrupted in the south by tourism-related development around the coastal headland from Woolacombe. All of the landscape falls within the North Devon Heritage Coast and most is owned by the National Trust. LANDSCAPE DESCRIPTION LANDFORM / TOPOGRAPHY Landform description Undulating, rocky coastline punctuated by small coves and bays. Cliffs up to 100 metres high display a complex geology of mainly Upper Devonian sandstones and slates. Cliffs are backed by often steeply sloping land with rounded summits. LAND USE AND PATTERNS Agriculture Main agricultural land use Other agricultural land use(s) Rough grazing Pasture fields, particularly on the north coast. Field patterns and Field patterns and origins Size (note Boundary type / boundaries variations) description The majority of the LDU N/A There are some comprises rough grazing land stone-faced Devon on open cliff slopes and hedges in parts (many in a poor state of summits. repair) Other land uses (e.g. Recreation: walking along the South West Coast Path and Tarka Trail. recreation) The coastline above Morte Point is open access land.
    [Show full text]
  • Report and Accounts March 2010
    Report and Accounts to 31 March 2011 Table of Contents Directors of the Lighthouse Board 1 Office and Advisers 2 Executive Chairman’s Review 3-5 Directors’ Report and Management Commentary: 6 - Nature, Objectives and Strategy of the Business 6-10 - Current Developments and Performance 10-19 - Resources 20-21 - Risks and Uncertainties 21 - Relationships 22 - Financial Position 22-25 Remuneration Report 26-28 Statement of Accounting Officer’s responsibilities 29 Executive Chairman’s Statement on Internal Control 30-33 Statement of Comprehensive Net Income for the Year Ended 31st March 2011 34 Statement of Financial Position as at 31st March 2011 35-36 Statement of Cash Flows for the Year Ended 31st March 2011 37 Statement of Changes in Reserves for the Year Ended 31st March 2011 38 Notes to the Accounts 39-71 Five Year Summary 72 Appendix A – Letter of Comfort 73 DDirireecctotorrss o of ft hThe eL iLgighhththoouuses eB Booarad rd: ReRaera Ar dAmdimrairl aSl irS iJr MJ Md ed He aHlpaelpret rKt CKVCOV OC BC BFR FIRNI* N* ExEexceuctuivteiv Ce hCahiramiramn an CaCpatpatina inR DH CB aGrklaesrs (retired 21st May 2009)* DiDreircetoctro or fo Nf aNvaigvaigtaiotnioanl aRl eRqeuqirueirmeemnetns ts CoCmapmtoadino rRe HS BJ aSrckoerre (ra*p FpCoMinIted 21st May 2009)* DiDreircetoctro or fo Of pNearvaitgioantisonal Requirements J SC oWmemdgoed,o CreI PSF AJ SMcBoAre Br*A F(CEcMoI n) Hons** DiDreircetoctro or fo Ffi nOapnecrea taionnds Support Services CaJp Sta Wine Nd gRe ,P CryPkFeA, MCBIAT B FAN (IE* con) Hons** DeDpiruetcyt oCrh aoifr mFianna nacned
    [Show full text]
  • The Pictured Child in Victorian Philanthropy 1869-1908 Heather
    The pictured child in Victorian philanthropy 1869-1908 HeatherParis April 2001 Submitted for the award of PhD Awarding body: University of Central Lancashire Total numberof volumes:2 Volume I of 2 Abstract This study sets out to investigate the nature of the Victorian child's standing in society using pictorial means. It takes the view that the picture, or visual image, has something important to tell us about attitudes towards childhood, and how children were regarded as a group, between 1869 and 1908. As a piece of scholarship, it is situated between the disciplines of art history and social history. Little work has been done on the child's visual representation, and its contribution to the historical record. The rich visual material that forms part of the archive of Victorian philanthropy in general, and temperance in particular, remains largely untapped. The study is a response to this scholarly neglect, with the uses made by charity of the pictured child forming its central site of inquiry. Philanthropic images of childhood will be set in their pictorial context by reference to their appearance in other parts of the public domain. The history of the relationship between adults and children has been called `age relations' by one historian. This study will apply general and specific practical approaches, drawn from critical visual techniques, to age relations, leading to an interpretation of how Victorian childhood was pictured for its audiences. Images will be approached as pictorial puzzles, and priority will be given to those solutions which formed part of the historical record. The main analytical tool to be usedis adoptedfrom critical theory's notion of the metapicture.
    [Show full text]
  • Art Feature Elizabeth Sparhawk-Jones
    New Mexico Quarterly Volume 24 | Issue 2 Article 6 1954 Art Feature Elizabeth Sparhawk-Jones Follow this and additional works at: https://digitalrepository.unm.edu/nmq Recommended Citation Sparhawk-Jones, Elizabeth. "Art Feature." New Mexico Quarterly 24, 2 (1954). https://digitalrepository.unm.edu/nmq/vol24/iss2/6 This Contents is brought to you for free and open access by the University of New Mexico Press at UNM Digital Repository. It has been accepted for inclusion in New Mexico Quarterly by an authorized editor of UNM Digital Repository. For more information, please contact [email protected]. Sparhawk-Jones: Art Feature ART FEATURE Elizabeth Sparlzawk-Jones NOTES ON THE PAINTINGS AL THO UGH MOD E RN in spirit, Sparhawk-Jones is one of those artists who continues the tradition of previous centuries. Many of her paintings are frankly and recognizably pictures of people, and of the way people feel about themselves and their situation. Other examples of her work are pictures of ideas poeti­ cally viewed, such as romantic love, or injustice. AIl of her paint­ ings may be described as icons of personality, highly stylized and symbolic images. Icons encourage iconography, the study of the forms of representation. Although a painting by Sparhawk-Jones can be appreciated as an abstract, esthetic image apart from its literary- meaning, the subject represented is as important, if not more important, than the composition and color in determining the total impreSsion the painting gives. The purpose of the notes that, follow is to suggest (without attempting to be definitive or fanciful) , meanings inherent in a few of these paintings.
    [Show full text]
  • Fretam Inventory 030#17270D
    ALKEN, Henry. Ideas, Accidental and Incidental To Hunting and Other Sports. London: Thomas M'Lean, n.d.[1826-1830]. First edition, early issue, with plates watermarked 1831-32. Upright folio. Engraved title and forty-two hand colored soft- ground etchings with interleaves. Full forest green crushed morocco for Hatchards of London (stamp-signed) by either Riviere or Sangorski and Sutcliffe (ca. 1940). Occasional mild spots to margins not affecting imagery. A neat professional repair to closed margin tear. Otherwise, a beautiful copy of the most desirable edition. DB 02149. $16,500 DJB-2 ALKEN, Henry. Scraps From the Sketch-Book of Henry Alken. Engraved by Himself. London: Thomas M'Lean, 1825. Third edition (plates still dated 1820), preceded by those of 1821 and 1823, and equally scarce. Tall octavo. Title leaf and forty- two hand-colored engraved plates, twelve with multiple images. Contemporary half crimson morocco over paper boards. Red leather title label lettered in gilt to upper board. Small bookplate to front free-endpaper. DB 01902. $2,750 DJB-2 ALKEN, Henry. Specimens of Riding Near London. Drawn from Life. London: Published by Thomas M'Lean,. Repository of Wit and Humour, No. 26, Haymarket, 1823. Second edition. Oblong folio (8 3/4 x 12 3/4 in; 222 x 323 mm). Printed title and eighteen hand-colored engraved plates. Late nineteenth century half red roan over red cloth boards, ruled in gilt. Rectangular red roan gilt lettering label, bordered in gilt on front board. Spine with two raised bands, paneled and lettered in gilt. Clean tear in the inside margin of the seventeenth plate (just touching image) expertly and almost invisibly repaired.
    [Show full text]
  • Layout 1 Copy
    STACK ROCK 2020 An illustrated guide to sea stack climbing in the UK & Ireland - Old Harry - - Old Man of Stoer - - Am Buachaille - - The Maiden - - The Old Man of Hoy - - over 200 more - Edition I - version 1 - 13th March 1994. Web Edition - version 1 - December 1996. Web Edition - version 2 - January 1998. Edition 2 - version 3 - January 2002. Edition 3 - version 1 - May 2019. Edition 4 - version 1 - January 2020. Compiler Chris Mellor, 4 Barnfield Avenue, Shirley, Croydon, Surrey, CR0 8SE. Tel: 0208 662 1176 – E-mail: [email protected]. Send in amendments, corrections and queries by e-mail. ISBN - 1-899098-05-4 Acknowledgements Denis Crampton for enduring several discussions in which the concept of this book was developed. Also Duncan Hornby for information on Dorset’s Old Harry stacks and Mick Fowler for much help with some of his southern and northern stack attacks. Mike Vetterlein contributed indirectly as have Rick Cummins of Rock Addiction, Rab Anderson and Bruce Kerr. Andy Long from Lerwick, Shetland. has contributed directly with a lot of the hard information about Shetland. Thanks are also due to Margaret of the Alpine Club library for assistance in looking up old journals. In late 1996 Ben Linton, Ed Lynch-Bell and Ian Brodrick undertook the mammoth scanning and OCR exercise needed to transfer the paper text back into computer form after the original electronic version was lost in a disk crash. This was done in order to create a world-wide web version of the guide. Mike Caine of the Manx Fell and Rock Club then helped with route information from his Manx climbing web site.
    [Show full text]
  • Trinity House to Decommission Royal Sovereign Lighthouse End of Serviceable Life
    Trinity House to decommission Royal Sovereign Lighthouse End of serviceable life Trinity House London* has begun preparatory work on a project to decommission Royal Sovereign Lighthouse** (English Channel, South coast of England, 50°43′24″N 0°26′08″E). It is the intention that the now-deteriorating lighthouse will be completely removed clear to the seabed. This has necessitated that Beachy Head Lighthouse be upgraded to ensure the safety of the mariner in those waters. Trinity House aims to commence work in 2020. Royal Sovereign Lighthouse was built in 1971 with a design life of 50 years. Having monitored the fabric of the lighthouse over the last decade and observing the expected signs of deterioration, Trinity House concluded that the ongoing safety of the mariner requires that the structure be fully decommissioned. Royal Sovereign Lighthouse has provided nearly 50 years of reliable service as an aid to navigation, one of over 600 that Trinity House operates for the benefit and safety of the mariner. In anticipation of its intention to remove Royal Sovereign Lighthouse, Trinity House upgraded Beachy Head Lighthouse; it will also increase the capability of the offshore CS2 buoy and will retain the nearby Royal Sovereign buoy. The upgrade to Beachy Head Lighthouse has increased the number of solar panels around the base of its lantern gallery and installed a longer-range LED light source; the CS2 lighted buoy will also benefit from an increase in range. The upgrade to Beachy Head Lighthouse will come as good news to mariners and the local community alike. Once Trinity House decommissions Royal Sovereign Lighthouse as proposed, Beachy Head Lighthouse’s future is secured as the principal aid to navigation in the area.
    [Show full text]
  • Shetland Altered2 (Page 1)
    ESSENCE OF SCOTLAND Shetland Front cover: St Ninian’s Isle This page: Fiddler Never have the one hundred or so islands that make up the Shetland archipelago been so accessible to the rest of Britain, and yet they are all a world away in character and culture. For so long part of the Norse Empire, the islands and islanders have retained much of their traditional heritage, seen in the unique craftwork, the music which fills local pubs and halls, and in the fire festival of Up Helly Aa which celebrates the Viking legacy. Awe-inspiring cliff scenery, abundant wildlife, world-class seafood and convivial natives complete the picture in Scotland’s very own ‘land of the midnight sun’. GETTING TO SHETLAND LOCATION MAP 8 welcome Shetland is more accessible than ever now, Baltasound DON’T MISS £ Paid Entry Seasonal Hearing Loop Disabled Access Dogs Allowed Tea-Room Gift Shop WC with a range of air and ferry options available. A968 UNST By air, direct flights to Sumburgh Airport with YELL 25 British Airways Loganair , operated by , 12 Mid are available from Glasgow, Edinburgh, Yell FETLAR A968 Inverness and Aberdeen, with connections 15 11 available throughout the UK and international Hillswick A970 airport network (www.ba.com). NorthLink A968 Brae Ferries 20 depart daily from Aberdeen and 16 26 Voe 1. Jarlshof – Records 2. Noss – The island of 3. Walk Shetland Week – 4. Shetland Folk Festival 5. A trip to Foula – one of Muckle Roe Vidlin WHALSAY Kirkwall, providing a cruise-style experience Papa Stour show human occupation at Noss, off the east coast of At the end of August, a free – Taking over a range of Britain’s most remote 17 A970 which will add to the enjoyment of your Sandness MAINLAND Jarlshof dating back some Shetland, is one of the most event comprising more than very individual venues inhabited islands.
    [Show full text]