Songs of Freedom
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Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
Who's Who at Metro-Goldwyn-Mayer (1939)
W H LU * ★ M T R 0 G 0 L D W Y N LU ★ ★ M A Y R MyiWL- * METRO GOLDWYN ■ MAYER INDEX... UJluii STARS ... FEATURED PLAYERS DIRECTORS Astaire. Fred .... 12 Lynn, Leni. 66 Barrymore. Lionel . 13 Massey, Ilona .67 Beery Wallace 14 McPhail, Douglas 68 Cantor, Eddie . 15 Morgan, Frank 69 Crawford, Joan . 16 Morriss, Ann 70 Donat, Robert . 17 Murphy, George 71 Eddy, Nelson ... 18 Neal, Tom. 72 Gable, Clark . 19 O'Keefe, Dennis 73 Garbo, Greta . 20 O'Sullivan, Maureen 74 Garland, Judy. 21 Owen, Reginald 75 Garson, Greer. .... 22 Parker, Cecilia. 76 Lamarr, Hedy .... 23 Pendleton, Nat. 77 Loy, Myrna . 24 Pidgeon, Walter 78 MacDonald, Jeanette 25 Preisser, June 79 Marx Bros. —. 26 Reynolds, Gene. 80 Montgomery, Robert .... 27 Rice, Florence . 81 Powell, Eleanor . 28 Rutherford, Ann ... 82 Powell, William .... 29 Sothern, Ann. 83 Rainer Luise. .... 30 Stone, Lewis. 84 Rooney, Mickey . 31 Turner, Lana 85 Russell, Rosalind .... 32 Weidler, Virginia. 86 Shearer, Norma . 33 Weissmuller, John 87 Stewart, James .... 34 Young, Robert. 88 Sullavan, Margaret .... 35 Yule, Joe.. 89 Taylor, Robert . 36 Berkeley, Busby . 92 Tracy, Spencer . 37 Bucquet, Harold S. 93 Ayres, Lew. 40 Borzage, Frank 94 Bowman, Lee . 41 Brown, Clarence 95 Bruce, Virginia . 42 Buzzell, Eddie 96 Burke, Billie 43 Conway, Jack 97 Carroll, John 44 Cukor, George. 98 Carver, Lynne 45 Fenton, Leslie 99 Castle, Don 46 Fleming, Victor .100 Curtis, Alan 47 LeRoy, Mervyn 101 Day, Laraine 48 Lubitsch, Ernst.102 Douglas, Melvyn 49 McLeod, Norman Z. 103 Frants, Dalies . 50 Marin, Edwin L. .104 George, Florence 51 Potter, H. -
Raymond Burr
Norma Shearer Biography Norma Shearer was born on August 10, 1902, in Montreal's upper-middle class Westmount area, where she studied piano, took dance lessons, and learned horseback riding as a child. This fortune was short lived, since her father lost his construction company during the post-World War I Depression, and the Shearers were forced to leave their mansion. Norma's mother, Edith, took her and her sister, Athole, to New York City, hoping to get them into acting. They stayed in an unheated boarding house, and Edith found work as a sales clerk. When the odd part did come along, it was small. Athole was discouraged, but Norma was motivated to work harder. A stream of failed auditions paid off when she landed a role in 1920's The Stealers. Arriving in Los Angeles in 1923, she was hired by Irving G. Thalberg, a boyish 24-year- old who was production supervisor at tiny Louis B. Mayer Productions. Thalberg was already renowned for his intuitive grasp of public taste. He had spotted Shearer in her modest New York appearances and urged Mayer to sign her. When Mayer merged with two other studios to become Metro-Goldwyn-Mayer, both Shearer and Thalberg were catapulted into superstardom. In five years, Shearer, fueled by a larger-than-life ambition, would be a Top Ten Hollywood star, ultimately becoming the glamorous and gracious “First Lady of M-G-M.” Shearer’s private life reflected the poise and elegance of her onscreen persona. Smitten with Thalberg at their first meeting, she married him in 1927. -
COMMON CORE Lessons & Activities ORE Ivities
COMMON CORE COMMON CORE Lessons & Activities Lessons & Activities Are you expected to change how you teach because of new CCSS for English Language Arts & new CCSS for Literacy and Writing in History/ Social Studies and Science? Are you expected to continue to meet existing science and social studies standards, AND integrate new, more rigorous expectations for reading, writing, analysis, inference, and more into your daily instruction? This series of 48+ little books is a HUGE help! Supplement the resources you already have by choosing the books in this series that Common match the science and social studies topics Core at an you teach. Each book will provide you with Uncommon ready-to-use reproducible pages that are the exact kinds of Common Core lessons and Value! activities you need to meet the new added requirements of Common Core! “You’ll want these for every topic you teach!” You don’t have to –Amy Johnson, Common Core Specialist start from scratch. This brand new series meets Common Core State Standards for ELA + Common Core State Standards for Literacy and Writing in History/Social Studies and Science! ODAY! T T I ISBN 13: 978-0-635-10619-3 H C A www.gallopade.com E T About this Book Common Core Lessons & Activities Books This Common Core Lessons and Activities Book allows you to immediately meet new Common Core State Social Studies Titles: Standards for English Language Arts, as well as Literacy and Writing in History/Social Studies. It is designed to Declaration of Explorers supplement your Social Studies resources, adding new Independence The Olympics • • Common Core rigor, analysis, writing, inference, text- U.S. -
Review and Herald for 1960
October 20, 1960 GENERAL CHURCH PAPER OF THE SEVENTH-DAY ADVENTISTS G0 0 ot By R. A. Wilcox, President, Middle East Division BOUT a year ago our 100-bed his guard who were wounded and in Several new church buildings are A Dar Es Salaam Hospital in Bagh- the hospital. This opened the door to being planned. At the moment in the dad was taken over by the Iraqi many new experiences. very heart of Baghdad a fine new Government. The entire staff, with For many years in Iraq the Seventh- church seating 600 is nearing comple- one exception, was moved to various day Adventist Church was not rec- tion. There will be ample space to places in the Middle East. This ex- ognized by the Government. Church house the new mission headquarters. ception was a national nurse by the services and schools were permitted The final touches to this building are name of Sohila Khalil Nabood. She but we were not recognized as a de- already completed and the day of remained when the others left. nomination. Now, however, we are dedication is drawing nigh. This It must have been a difficult ex- pleased to report that the Government event will mark the opening of a pub- perience for Sohila to watch the Ad- has granted full and unrestricted de- lic series of evangelistic meetings. ventist doctors move out through the nominational recognition. The church There is a growing interest in the gates and away from the institution, is at liberty to carry on its general pro- Advent truth in Iraq. -
December 5, 2016 Group TPCASTT Analysis-- Fireside Poets You Will
Due: December 5, 2016 Group TPCASTT Analysis-- Fireside Poets You will work as a team to analyze a poem by one of the great Fireside Poets. 1. Pick a poet (tell Mrs. Peden -- first come, first served) a. Henry Wadsworth Longfellow d. John Greenleaf Whittier b. Oliver Wendell Holmes e. James Russell Lowell c. William Cullen Bryant 2. Pick a poem (minimum of 20 lines) by that poet. 3. Complete the artifacts below Artifacts 1. Complete the TPCASTT as a group via GoogleDocs and share it with me. Make sure EVERYONE’s name is on the document. Answer all questions using complete sentences. 2. Create a slide with poet’s biographical information on it. Include a picture. Share your slide with me. 3. Create an artistic representation of the poem (poster, diorama, model, movie, skit, etc.). It may NOT be submitted on copy paper or notebook paper. Bring your representation on Monday, December 5th. 4. Answer the question: how does your poem reflect the values/characteristics of American Romanticism? Names:____________________________________Group Leader:___________________________ *The artifacts will be submitted TOGETHER using the group leader’s Henry County Gmail account. They must be shared with me BEFORE class starts so as to aid with presentations. Rubric: COLLABORATION (Peer survey).....................................................................____/25 ● Did ALL members of the team work together? COMPLETED TPCASTT (using complete sentences).................................____/25 ● Correctness ● Depth of analysis PRESENTATION………………………………………………………………..____/50 1. Present your biographical information slide to the class. Include pictures, but keep it simple (10 points). a. CITE your sources! b. Is it: Visually appealing? Correct? Informational? 2. -
The Faded Stardom of Norma Shearer Lies Lanckman in July
CORE © The Editor(s) (if applicable) and The Author(s) 2016. This is a post-peer-review, pre-copyeditMetadata, version of citation a chapter and published similar papers in at core.ac.uk Provided by University of Hertfordshire Research Archive Lasting Screen Stars: Images that Fade and Personas that Endure. The final authenticated version is available online at: http://dx.doi.org/10.1057/978-1-137-40733-7_6 ‘What Price Widowhood?’: The Faded Stardom of Norma Shearer Lies Lanckman In July 1934, Photoplay magazine featured an article entitled ‘The Real First Lady of Film’, introducing the piece as follows: The First Lady of the Screen – there can be only one – who is she? Her name is not Greta Garbo, or Katharine Hepburn, not Joan Crawford, Ruth Chatterton, Janet Gaynor or Ann Harding. It’s Norma Shearer (p. 28). Originally from Montréal, Canada, Norma Shearer signed her first MGM contract at age twenty. By twenty-five, she had married its most promising producer, Irving Thalberg, and by thirty-five, she had been widowed through the latter’s untimely death, ultimately retiring from the screen forever at forty. During the intervening twenty years, Shearer won one Academy Award and was nominated for five more, built up a dedicated, international fan base with an active fan club, was consistently featured in fan magazines, and starred in popular and critically acclaimed films throughout the silent, pre-Code and post-Code eras. Shearer was, at the height of her fame, an institution; unfortunately, her career is rarely as well-remembered as those of her contemporaries – including many of the stars named above. -
Radio Essentials 2012
Artist Song Series Issue Track 44 When Your Heart Stops BeatingHitz Radio Issue 81 14 112 Dance With Me Hitz Radio Issue 19 12 112 Peaches & Cream Hitz Radio Issue 13 11 311 Don't Tread On Me Hitz Radio Issue 64 8 311 Love Song Hitz Radio Issue 48 5 - Happy Birthday To You Radio Essential IssueSeries 40 Disc 40 21 - Wedding Processional Radio Essential IssueSeries 40 Disc 40 22 - Wedding Recessional Radio Essential IssueSeries 40 Disc 40 23 10 Years Beautiful Hitz Radio Issue 99 6 10 Years Burnout Modern Rock RadioJul-18 10 10 Years Wasteland Hitz Radio Issue 68 4 10,000 Maniacs Because The Night Radio Essential IssueSeries 44 Disc 44 4 1975, The Chocolate Modern Rock RadioDec-13 12 1975, The Girls Mainstream RadioNov-14 8 1975, The Give Yourself A Try Modern Rock RadioSep-18 20 1975, The Love It If We Made It Modern Rock RadioJan-19 16 1975, The Love Me Modern Rock RadioJan-16 10 1975, The Sex Modern Rock RadioMar-14 18 1975, The Somebody Else Modern Rock RadioOct-16 21 1975, The The City Modern Rock RadioFeb-14 12 1975, The The Sound Modern Rock RadioJun-16 10 2 Pac Feat. Dr. Dre California Love Radio Essential IssueSeries 22 Disc 22 4 2 Pistols She Got It Hitz Radio Issue 96 16 2 Unlimited Get Ready For This Radio Essential IssueSeries 23 Disc 23 3 2 Unlimited Twilight Zone Radio Essential IssueSeries 22 Disc 22 16 21 Savage Feat. J. Cole a lot Mainstream RadioMay-19 11 3 Deep Can't Get Over You Hitz Radio Issue 16 6 3 Doors Down Away From The Sun Hitz Radio Issue 46 6 3 Doors Down Be Like That Hitz Radio Issue 16 2 3 Doors Down Behind Those Eyes Hitz Radio Issue 62 16 3 Doors Down Duck And Run Hitz Radio Issue 12 15 3 Doors Down Here Without You Hitz Radio Issue 41 14 3 Doors Down In The Dark Modern Rock RadioMar-16 10 3 Doors Down It's Not My Time Hitz Radio Issue 95 3 3 Doors Down Kryptonite Hitz Radio Issue 3 9 3 Doors Down Let Me Go Hitz Radio Issue 57 15 3 Doors Down One Light Modern Rock RadioJan-13 6 3 Doors Down When I'm Gone Hitz Radio Issue 31 2 3 Doors Down Feat. -
Through the Iris TH Wasteland SC Because the Night MM PS SC
10 Years 18 Days Through The Iris TH Saving Abel CB Wasteland SC 1910 Fruitgum Co. 10,000 Maniacs 1,2,3 Redlight SC Because The Night MM PS Simon Says DK SF SC 1975 Candy Everybody Wants DK Chocolate SF Like The Weather MM City MR More Than This MM PH Robbers SF SC 1975, The These Are The Days PI Chocolate MR Trouble Me SC 2 Chainz And Drake 100 Proof Aged In Soul No Lie (Clean) SB Somebody's Been Sleeping SC 2 Evisa 10CC Oh La La La SF Don't Turn Me Away G0 2 Live Crew Dreadlock Holiday KD SF ZM Do Wah Diddy SC Feel The Love G0 Me So Horny SC Food For Thought G0 We Want Some Pussy SC Good Morning Judge G0 2 Pac And Eminem I'm Mandy SF One Day At A Time PH I'm Not In Love DK EK 2 Pac And Eric Will MM SC Do For Love MM SF 2 Play, Thomas Jules And Jucxi D Life Is A Minestrone G0 Careless Whisper MR One Two Five G0 2 Unlimited People In Love G0 No Limits SF Rubber Bullets SF 20 Fingers Silly Love G0 Short Dick Man SC TU Things We Do For Love SC 21St Century Girls Things We Do For Love, The SF ZM 21St Century Girls SF Woman In Love G0 2Pac 112 California Love MM SF Come See Me SC California Love (Original Version) SC Cupid DI Changes SC Dance With Me CB SC Dear Mama DK SF It's Over Now DI SC How Do You Want It MM Only You SC I Get Around AX Peaches And Cream PH SC So Many Tears SB SG Thugz Mansion PH SC Right Here For You PH Until The End Of Time SC U Already Know SC Until The End Of Time (Radio Version) SC 112 And Ludacris 2PAC And Notorious B.I.G. -
1934-11-30 [P C-6]
assigned by Paramount to write RUSSIAN in Dietrich's next film. Which doesn't Back to Pioneer Days Best-Dressed Film Girls look as If that company expected her MALE Columbia's New Film to leave it, as has been rumored. CHORUS Other rumors are to the effect that Film Wheels' Classified for Directors Metro-Goldwyn-Mayer is testing Rosa- Story,'Wagon mund Plnchot for a part in "The Good Earth," though she is supposed to be scheduled to appear in "The «eat· BSc. SI.10. Sl.SS. Sî.tn. Mrs. Some Hard Fighting and Riding in New Picture Committee Will Select Smartest-Looking Extras •Brave Live On." Porter » (Dr—»·«)■ IMP Gi NA. 71St (Copyright. 1934, by the North American CeneUtntl·· Ball· Tact· 4:40 f. a. at the Metropolitan—The Star's Santa to Receive More Money for Appearing Newspaper Alliance, Inc.) in Claus Expedition by Plane. Society Scenes. Mammoth School of Fish. World-famous Vlellnlat. TAMPA, Fla. OP).—Aviators flying S1.6S. S2.20, W.Î5. SS.S0. over the Gulf of Mexico recently Mrs. Dtmr'· (Or··»'·) WHEELS." film in the accepted manner, accomplish- BY MOLLIE MERRICK. ous casting men from the studios and isoo o. s "Τ TAGON sighted a school of kingfish extending able a hard- two fashion artists, as unan- Comtitotlon Ball. 8m.. Dm. ». 4 P.m. ol the hard only by clean-living, calif., November yet a front. It / saga fighting along 35-mile appeared Firit Tim· mt Per alar Price·: \/\ fighting son of the West. In so doing 30 (N.A.NA.).—One of the nounced. -
Platform of the American Anti-Slavery Society and Its Auxiliaries
ELBERT collection American anti-slavery society. Platform* •• New York, 1855. PLATFORM OF THE American ^nti-^Iakrg ^orieij AND ITS AUXILIARIES. NEW YORK: Published by the American Anti-Slavery Society. 18 5 5. TO THE READEK. The principles, purposes, and measures of the American Anti-Slavery Society and its auxiliaries having been extensively misunderstood, and quite as extensively misrepresented, its friends would respectfully submit to the candid perusal ot the public its Constitution, the Declaration of Sentiments adopted at its formation, and an Exposition of its Platform by William Lloyd Garrison, its President. By these documents, and by its official acts, not by the opinions and acts of individuals upon other subjects, wholly foreign to the object for which it was organized and to which its efforts have ever been scrupulously devoted, the Society asks to be judged. Inviting the co-operation of every lover of human freedom, of whatever sect, party, or sex, in the one great work of abolishing Slavery, it interrogates no person as to his or her views of Theology, or of any other foreign topic whatever ; it knows neither Catholic nor Prot- estant, Orthodox nor Heterodox, Male nor Female, but addresses itself to every human being, and seeks to kindle the fire of Anti-Slavery in every human heart. The documents herewith submitted will, it is believed, be deemed a sufficient answer to those who are attempting to destroy its influence by falsely representing it to be a "Jacobinic " and ' infidel" association. SOCIETIES AND NEWSPAPERS. Office of the American Anti-Slavery Society, 133 Nassau Street, New York, where is published weekly the National Anti-Slavery Standard, its official organ; S. -
Song & Music in the Movement
Transcript: Song & Music in the Movement A Conversation with Candie Carawan, Charles Cobb, Bettie Mae Fikes, Worth Long, Charles Neblett, and Hollis Watkins, September 19 – 20, 2017. Tuesday, September 19, 2017 Song_2017.09.19_01TASCAM Charlie Cobb: [00:41] So the recorders are on and the levels are okay. Okay. This is a fairly simple process here and informal. What I want to get, as you all know, is conversation about music and the Movement. And what I'm going to do—I'm not giving elaborate introductions. I'm going to go around the table and name who's here for the record, for the recorded record. Beyond that, I will depend on each one of you in your first, in this first round of comments to introduce yourselves however you wish. To the extent that I feel it necessary, I will prod you if I feel you've left something out that I think is important, which is one of the prerogatives of the moderator. [Laughs] Other than that, it's pretty loose going around the table—and this will be the order in which we'll also speak—Chuck Neblett, Hollis Watkins, Worth Long, Candie Carawan, Bettie Mae Fikes. I could say things like, from Carbondale, Illinois and Mississippi and Worth Long: Atlanta. Cobb: Durham, North Carolina. Tennessee and Alabama, I'm not gonna do all of that. You all can give whatever geographical description of yourself within the context of discussing the music. What I do want in this first round is, since all of you are important voices in terms of music and culture in the Movement—to talk about how you made your way to the Freedom Singers and freedom singing.