The Great Ziegfeld" Has More Man Bing

Total Page:16

File Type:pdf, Size:1020Kb

The Great Ziegfeld TUKKAiN v_.J«J j Flo Ziegfeld's Career Screened Spectacular Film Insurance Rates Original "Ziegfeld" Coming Cut In Redondo GREAT NEW SONG HITS; 200 A glamorous photographer's Estimated Saving Is Said When Famed Romance Begins Here Uncut; Runs Two Hours model intent upon marrying a $10,000 Annually GLORIFIED GIRLS IN 16 REELS • —Ziegfeld Meets Billie Burke millionaire, falls in love with a seemingly penniless young man A reduction of five cents on with whom she poses for adver­ each $100 of insurance for one "Tho Great Ziegfeld," Metro- Bu'-kc and Miss Kainer as Anna tising pictures. This is the ro­ year or 10 cents for three years, Goldwyn-Mayer's giant picture, Ht'.d. mantic conflict which forms the was announced late last week opening Sunday at the Fox Supporting the star triumvi­ basis of the up-to-date story en by the Board of Fire Under­ Plaza theatre In Hawthorne, can rate are such players as Vir­ acted by Ann Sothern and Gene writers of the Pacific for the be described In three words... ginia -Bruce, Frank Morgan, Nat Raymond In "Smartest Girl In city of Redondo Beach. The re­ World's Greatest Entertainment! Pendleton, Reginald Owon, Jean Town," their latest romantic duced rates are estimated to Challenging all competition, Chatburn, Ernest Cossard, Her­ comedy hit which opens Thurs­ mean a saving of $10,000 an­ "The Great Ziegfeld" has more man Bing. day at the Torrance theatre. nually In fire insurance prem­ first rate entertainment values The entertainment value be The ambitious Miss Sothern iums for residents of that com­ crowded within its 16 reels than comes a Parade of Ziegfeld, fo munity. any other picture labeled "mu­ has no idea that her associate, the cast also, features sue! Raymond, is a millionaire who The board made the reduction sical" or otherwise. world famous entertainers has carefully concealed the fact. following a survey of Improve­ Aside from being a musical Fanny Brlce, the ruling Ameri The situation leads to a hilar­ ments in Redondo Beach fire extravaganza this story of can comedienne; Harriet Hoctor ious series of adventures and a fighting equipment and facili­ America's greatest showman whom Ziegfeld acclaimed th hair-raising climax before the ties. The underwriters represent .ind the Glorification of the Pavlowa of America; and Ra; romance is straightened out. board insurance companies who American Girl also possesses a "Rubber Legs" Bblger, Broad Helen Broderick, Eric Blore, were joined by the California fine dramatic quality. way dancing- star. Erik Rhodes and Harry Jans Insurance Bureau, service and It has a triple-star threat have the principal supporting rating organization for . non- William Powell, Myrna Loy and SUBSCRIBE TODAY! roles in this delightful RKO board companies, in the slash. Luise Rainer to tell a story The TORRANCE HERALD Radio picture, directed by suggested by the career of carries ALL Hie NEWS. Don't Joseph Santley from Viola RAPID RECOVERY Florenz Ziegfeld, with Powell as •>e an "OUTSIDER"—Subscribe William Powell, Frank Morgan, Myrna Loy Brothers Shore's screenplay. Ziegfeld, Miss Loy as Billie today! Rapid progress toward com­ .in "The Great Ziegfeld" William Powell and Luise Rainer in "The Great Ziegfeld" plete recovery i§<-tJeingk made The elongated Pannfe Brice wriggled down the illumi­ Fine Paid In Dimes by Jared Sidney Torranc*Mem­ nated runway .in a Hollywood studio reproduction of the HAVERHILL, Mass. (U. P.) orial hospital's two pneumonia WALTER G. LINCH'S old Dewey Burlesque theatre and "The Great Ziegfeld" All activity was halted when patients this week. They are TWO-SOMES IN "PARADE" Harry G. Emmons of Methuen Robert Earl Denney, 10-year-old was on its way to challenge supremacy as the outstanding paid his $10 fine on a driving son of Mrs. Anna M. Denney, of production of its kind, of all motion picture history. charge. He paid the fine in Gardena, and Thomas Fair, of Pre-Xmas Sale of After- two years of prepara-^ dimes.; Hermosa Beach. tion,, ."The Great Ziegfeld," original Ziegfeld, beauty, was which will be screened at the chosen for the role of Audrey Torrance theatre starting- Mon­ Dane, one of the most glorious day, starring William Powell, of Ziegfeld's Glorified Girls. Robert Z. Leonard directed Myrna Loy and Luise Raine"r, the new- musical extravaganza was launched at the Metro- which has a background of the 50 UCED oldwyn-Mayer studios by Pro­ most spectacular sets ever con ducer Hunt Strotnberg with a structed for one film, running the gamut from th£ blataht din PHONE TORRANCE 132 CARS 105. The local theatre will, show of circus carnivals and World's the original, uncut "roadshow" Fair midways thru a quarter of Wednesday Only, Dec. 23 'ilm in two complete perform­ a century' of gambling casinos, "CASE OF THE BLACK CAT** "SELECTED", "RECONDITIONED", "GUARANTEED" fashionable hotels, small thea­ ances starting at 6 and 9:10 with RICARD0 CORTEZ, JUNE TRAVIS o'clock each evening during ters, middle-size' theatres, and and The Great Ziegfeld's" run here. New York playhouses. 8 DODGES—'28 to '36 Models [ here will be no advance in "MR. CINDERELLA** prices. ' Your rent money will buy a with., JACK HALEY Priced from $35 to $699 Virginia Bruce, home. SURPRISE NIGHT 4 PLYMOUTSSS—'34 and '35 Models 2 SHOWS 6 and 9 P. M. Priced Srom$515 to $599 Thursday, Friday, Saturday, Dec. 24, 25, 26 15 MODEL "A" FORDS— "PIGSKIN* PARADE** '28 t$!'31 Models with STUART ERWIN, ARLINE JUDGE, Coupled for laughter, music and romance are Betty Grable HAWTHORNE,! fiAUFORNIA PATSY KELLY •^ Priced from $75 to $269 and Johnny Downs, Dixie Buntotr and Anthony Martin, Jack Telephone 299 ' "The Friendly Family Theatre" Haiey, and Patsy Kelly,'and Stuart Erwln, and Arllne Judge, hi : and "Pigskin Parade," showing Thursday at the, Torrane« theatre. "SMARTEST GilULIN TOWN" 25 CHEYROI.£T$, BUiqKS, CrjRYSLERS, DESOTOS, 1 . ——————— ,. ^-————-——————————:———.———————————————. Tuesday and Wednesday, Dec. 22-83 FRAMR'LINS, HupsoNS, OLDSMOBILES, STUDE: Merrier than "Thanks A Mil- EIX "Wild Brian Kent'* with ANN STtt*IWRN, GENE RAYMOND Elks Entertain BAKERS '29 to '33 MODELS Ion" and swingier than "Sing, with RALPH BELLAMY—and CHRISTMAS DAY Baby, Sing," the new Twentieth Children Dec. 22 CONTINUOUS SHOW Priced from $100 to $479 fentury-Fox football musical The Man I Marry lit, "Pigskin Parade," opening There will be no admission $$$?—WEDNESDAY— $$$? Starts 2 P. M. ALL BODY STYLES Thursday on a double bill at charge for the Kiddies' Christ COME EAELY - DOORS OPEN 6 P.M. he Torrance theater, is one of mas party to be given by, the Thursday, Friday, Saturday, Dec. 24-25-26 he most uproarious . hits ever Redondo Beach Elks lodge Dec. ONLY wrought to the screen. CONTINUOUS SHOW XMAS DAY FROM 2 P. M. Sun., Mon., Tues., Wed., fiec. 27, 28, 29, 30 28 at 7 o'clock at the hall. LIBERAL A boisterous, roisterous story STUART-ERWIN and « The lodge is also sponsoring a Pigskin Parade" TRADE-IN of college cut-ups, campus PATSY KELLY in "The Great Ziegfeld" EZ cuties, football, romance and New Year's Eve party, begin­ and MARTHA (C with WILLIAM POWELL, LUISE RAINER ALLOWANCE Minutes From ;ong, the film features Stuart ning at 9 o'clock, with music by • RAYE in Hide-away Girl" Torrance Terms ORIGINAL UNCUT ROADSHOW PRODUCTION Erwin, Johnny Downs, Arlinej cilngerman's band and special Sunday, Monday, Tuesday, Dec. 27-28-29 Judge, Betty Grable, Patsy I t tei t DODGE \AfALTFR G- PLYMOUTH Kelly, Jack Haley, the Yacht enlerlalnmenr-- FULL ROAD SHOW LENGTH On Monday, Tuesday, Wednesday Club Boys, Dixie Dunbar, An hony Martin and Judy-Garland Pair Enter Hospital - 2 Complete Shows Opposite Elks Club Phone "The Great Ziegfeld" First Show Starts at 6 P. M. with WM. POWELL, MYRNA LQY. LUISE RAINER Redondo Beach LINCH Redondo 2122 Your rent money will buy a For Medical 'Aid Second Show Starts at 9:10 P. M. Wednesday, One Day Only, Dec. 30 home. Two. new patients at Jared Sidney Torrance Memorial hos­ JANE ta <<TH£ LUCK,EST G|RL IK TH£ W()RUr NO RAISE IN PRICES pital are taking medical treat­ ment this week. -They are Etta Surprise Night Will Be Changed McCulloch, 1107 Portola avenue, 3 BS^SSft, "Mad Holiday" to Thursday Night received Saturday, and' Mrs. $f$$—COME EARLY—DOORS OPEN 6 P.M.—$$$$ Bessie Mpyer, 2012 Loma drive, $160 CASH DIVIDEND Hermosa Beach, received Friday. KITTY KELLY AND NELLIE SHANNON GIVE HER A \Vestinghouse'' Here's a glorious gift...» gift that keep* on giving dally savings in time, health, energy. And it pays for iuclf in dollars aaved. ' > Payments on a Westinghouse average only a BOZO AND THE BARON NICKEL per member of the family per day. Attractive Models $ « « jg CQ As Low As................................- V * At*' Small Down Payment and 'Liberal Trade-In lor Your Old Ilefrigerixtor CD EC UMITUUL VANITY CAJl TO AHNOUNd THEE OIK WUTINGHOUSE Make it a thrilling turprUe. We will give you thil hand- tome Vanity Case with en- gravid card inside to announce your gift Weitinghouse. TORRANCE ELECTRIC SHOP "Pioneers of Electrical Goods and Services Since 1923" 1419 Mwceltna Avenue Phone 5*7.
Recommended publications
  • Elizabeth Taylor: Screen Goddess
    PRESS RELEASE: June 2011 11/5 Elizabeth Taylor: Screen Goddess BFI Southbank Salutes the Hollywood Legend On 23 March 2011 Hollywood – and the world – lost a living legend when Dame Elizabeth Taylor died. As a tribute to her BFI Southbank presents a season of some of her finest films, this August, including Giant (1956), Cat on a Hot Tin Roof (1958) and Who’s Afraid of Virginia Woolf? (1966). Throughout her career she won two Academy Awards and was nominated for a further three, and, beauty aside, was known for her humanitarian work and fearless social activism. Elizabeth Taylor was born in Hampstead, London, on 27 February 1932 to affluent American parents, and moved to the US just months before the outbreak of WWII. Retired stage actress Sara Southern doggedly promoted her daughter’s career as a child star, culminating in the hit National Velvet (1944), when she was just 12, and was instrumental in the reluctant teenager’s successful transition to adult roles. Her first big success in an adult role came with Vincente Minnelli’s Father of the Bride (1950), before her burgeoning sexuality was recognised and she was cast as a wealthy young seductress in A Place in the Sun (1951) – her first on-screen partnership with Montgomery Clift (a friend to whom Taylor remained fiercely loyal until Clift’s death in 1966). Together they were hailed as the most beautiful movie couple in Hollywood history. The oil-epic Giant (1956) came next, followed by Raintree County (1958), which earned the actress her first Oscar nomination and saw Taylor reunited with Clift, though it was during the filming that he was in the infamous car crash that would leave him physically and mentally scarred.
    [Show full text]
  • Films Winning 4 Or More Awards Without Winning Best Picture
    FILMS WINNING 4 OR MORE AWARDS WITHOUT WINNING BEST PICTURE Best Picture winner indicated by brackets Highlighted film titles were not nominated in the Best Picture category [Updated thru 88th Awards (2/16)] 8 AWARDS Cabaret, Allied Artists, 1972. [The Godfather] 7 AWARDS Gravity, Warner Bros., 2013. [12 Years a Slave] 6 AWARDS A Place in the Sun, Paramount, 1951. [An American in Paris] Star Wars, 20th Century-Fox, 1977 (plus 1 Special Achievement Award). [Annie Hall] Mad Max: Fury Road, Warner Bros., 2015 [Spotlight] 5 AWARDS Wilson, 20th Century-Fox, 1944. [Going My Way] The Bad and the Beautiful, Metro-Goldwyn-Mayer, 1952. [The Greatest Show on Earth] The King and I, 20th Century-Fox, 1956. [Around the World in 80 Days] Mary Poppins, Buena Vista Distribution Company, 1964. [My Fair Lady] Doctor Zhivago, Metro-Goldwyn-Mayer, 1965. [The Sound of Music] Who's Afraid of Virginia Woolf?, Warner Bros., 1966. [A Man for All Seasons] Saving Private Ryan, DreamWorks, 1998. [Shakespeare in Love] The Aviator, Miramax, Initial Entertainment Group and Warner Bros., 2004. [Million Dollar Baby] Hugo, Paramount, 2011. [The Artist] 4 AWARDS The Informer, RKO Radio, 1935. [Mutiny on the Bounty] Anthony Adverse, Warner Bros., 1936. [The Great Ziegfeld] The Song of Bernadette, 20th Century-Fox, 1943. [Casablanca] The Heiress, Paramount, 1949. [All the King’s Men] A Streetcar Named Desire, Warner Bros., 1951. [An American in Paris] High Noon, United Artists, 1952. [The Greatest Show on Earth] Sayonara, Warner Bros., 1957. [The Bridge on the River Kwai] Spartacus, Universal-International, 1960. [The Apartment] Cleopatra, 20th Century-Fox, 1963.
    [Show full text]
  • Selling Masculinity at Warner Bros.: William Powell, a Case Study
    Katie Walsh Selling Masculinity at Warner Bros.: William Powell, A Case Study Abstract William Powell became a star in the 1930s due to his unique brand of suave charm and witty humor—a quality that could only be expressed with the advent of sound film, and one that took him from mid-level player typecast as a villain, to one of the most popular romantic comedy leads of the era. His charm lay in the nonchalant sophistication that came naturally to Powell and that he displayed with ease both on screen and off. He was exemplary of the success of the new kind of star that came into their own during the transition to sound: sharp- or silver-tongued actors who were charming because of their way with words and not because of their silver screen faces. Powell also exercised a great deal of control over his publicity and star image, which is best examined during his short and failed tenure as a Warner Bros. during the advent of his rise to stardom. Despite holding a great amount of power in his billing and creative control, Powell was given a parade of cookie-cutter dangerous playboy roles, and the terms of his contract and salary were constantly in flux over the three years he spent there. With the help of his agent Myron Selznick, Powell was able to navigate between three studios in only a matter of a few years, in search of the perfect fit for his natural abilities as an actor. This experimentation with star image and publicity marked the period of the early 1930s in Hollywood, as studios dealt with the quickly evolving art and technological form, industrial and business practices, and a shifting cultural and moral landscape.
    [Show full text]
  • Billie Burke
    FIVE Series of Lectures and WILL BE EAST WINNER. Plays During Winter II II ?f Vote for Woodrow Wilson New York, Novf. 6. William LAST TIME TONIGHT O. Redfield, secretary of com- Entirely new, yet in keeping with the II merce, visited democratic head- progressive civic spirit of the modern II quarters here today and de- American community is the class room II clared a trip through Indiana theatre movement which will be bitro-duce- d II and Ohio has assured him that to Salem this winter by Prof. President Wilson will be an Wallace MacMurray, of Willamette uni- UNITED STATES easy winner in those states. versity. BILLIE BURKE As an educational factor working for In Chapters 16 and 1 7 of "Gloria's Romance" - the cultural uplift and inspiration oi Far Electors of President and Vice-- I resident of the United States the highest civic ideals this new dra- VOTE FOB FIVE matic movement has been an instantan- Qualifications of eous success wherever introduced. Thil largely due R R., Republican has been to the possibilities 12 BUTLER, Voters In Oregon which its limited is capable Wasco 3 atmosphere II of County of demonstration. Lionel Barrymore In order to give the facts regarding Originating with Percy MacKaye, jj In "The Upheaval" 13 COTTELL, WILLIS I., Republican the qualifications of voters in the na who. is recognized as America's lending of Multnomah County dramatic writer and composer of the 10 o tional election Tuesday the following w set forth in the statutes relat- present, the civic tbeatre, has had a ha rules as phenomenal past Sisters 14 KEADY, W.
    [Show full text]
  • Florenz Ziegfeld Jr
    CALIFORNIA STATE UNIVERSITY, NORTHRIDGE ZIEGFELD GIRLS BEAUTY VERSUS TALENT A thesis submitted in partial fulfillment of the requirements For the degree of Master of Arts in Theatre Arts By Cassandra Ristaino May 2012 The thesis of Cassandra Ristaino is approved: ______________________________________ __________________ Leigh Kennicott, Ph.D. Date ______________________________________ __________________ Christine A. Menzies, B.Ed., MFA Date ______________________________________ __________________ Ah-jeong Kim, Ph.D., Chair Date California State University, Northridge ii Dedication This thesis is dedicated to Jeremiah Ahern and my mother, Mary Hanlon for their endless support and encouragement. iii Acknowledgements First and foremost I would like to express my deepest gratitude to my thesis chair and graduate advisor Dr. Ah-Jeong Kim. Her patience, kindness, support and encouragement guided me to completing my degree and thesis with an improved understanding of who I am and what I can accomplish. This thesis would not have been possible without Professor Christine Menzies and Dr. Leigh Kennicott who guided me within the graduate program and served on my thesis committee with enthusiasm and care. Professor Menzies, I would like to thank for her genuine interest in my topic and her insight. Dr. Kennicott, I would like to thank for her expertise in my area of study and for her vigilant revisions. I am indebted to Oakwood Secondary School, particularly Dr. James Astman and Susan Schechtman. Without their support, encouragement and faith I would not have been able to accomplish this degree while maintaining and benefiting from my employment at Oakwood. I would like to thank my family for their continued support in all of my goals.
    [Show full text]
  • MEMORY of the WORLD REGISTER the Wizard of Oz
    MEMORY OF THE WORLD REGISTER The Wizard of Oz (Victor Fleming 1939), produced by Metro-Goldwyn-Mayer REF N° 2006-10 PART A – ESSENTIAL INFORMATION 1 SUMMARY In 1939, as the world fell into the chaos of war, Metro-Goldwyn-Mayer released a film that espoused kindness, charity, friendship, courage, fortitude, love and generosity. It was dedicated to the “young, and the young in heart” and today it remains one of the most beloved works of cinema, embraced by audiences of all ages throughout the world. It is one of the most widely seen and influential films in all of cinema history. The Wizard of Oz (1939) has become a true cinema classic, one that resonates with hope and love every time Dorothy Gale (the inimitable Judy Garland in her signature screen performance) wistfully sings “Over the Rainbow” as she yearns for a place where “troubles melt like lemon drops” and the sky is always blue. George Eastman House takes pride in nominating The Wizard of Oz for inclusion in the Memory of the World Register because as custodian of the original Technicolor 3-strip nitrate negatives and the black and white sequences preservation negatives and soundtrack, the Museum has conserved these precious artefacts, thus ensuring the survival of this film for future generations. Working in partnership with the current legal owner, Warner Bros., the Museum has made it possible for this beloved film classic to continue to enchant and delight audiences. The original YCM negatives have been conserved at the Museum since 1975, and Warner Bros. recently completed our holdings of the film by assigning the best surviving preservation elements of the opening and closing black and white sequences and the soundtrack to our care.
    [Show full text]
  • One Night with Fanny Brice
    The American Century Theater presents Audience Guide Edited by Jack MarshallNovember 5–27 Rosslyn Spectrum Theater you can afford to seesee———— ppplaysplays you can’t afford to miss! About The American Century Theater The American Century Theater was founded in 1994. We are a professional company dedicated to presenting great, important, but overlooked American plays of the twentieth century . what Henry Luce called “the American Century.” The company’s mission is one of rediscovery, enlightenment, and perspective, not nostalgia or preservation. Americans must not lose the extraordinary vision and wisdom of past playwrights, nor can we afford to surrender our moorings to our shared cultural heritage. Our mission is also driven by a conviction that communities need theater, and theater needs audiences. To those ends, this company is committed to producing plays that challenge and move all Americans, of all ages, origins and points of view. In particular, we strive to create theatrical experiences that entire families can watch, enjoy, and discuss long afterward. These audience guides are part of our effort to enhance the appreciation of these works, so rich in history, content, and grist for debate. The American Century Theater is a 501(c)(3) professional nonprofit theater company dedicated to producing significant 20th Century American plays and musicals at risk of being forgotten. The American Century Theater is supported in part by Arlington County through the Cultural Affairs Division of the Department of Parks, Recreation, and Cultural Resources and the Arlington Commission for the Arts. This arts event is made possible in part by the Virginia Commission on the Arts and the National Endowment for the Arts, as well as by many generous donors.
    [Show full text]
  • 1944-03-31, [P ]
    Friday, March 31, 1914 THE TOLEDO UNION JOURNAL Page $ These Charming Old New York Customs Lots of Kissing, Petticoats, and Hol Beer The extensive researching endeavor# which converged upon “Knickerbocker Holiday,” the romantic comedy with music, produced and directed by Harry Joe Brown as the first offering ot Producers’ Corporation of America for United Artists release, playing this week at the Esquire Theatre, churned up some Manhattan memorabilia under the 17th century dateline which should prove highly pleasing to those Girl Friend of a Pvt affected with nostalgia for the Eddy Enjoys His Punishment past. Some of these felicitous cus- torns of the old New Amster* darners could, in fact, elicit a By ETHEL VINE pang of envy from more mod­ ern-minded individuals. As a bit of social naivete, for example, Hedy Lamarr, who has prob­ rather than clotheshorse parts, kissing was unreservedly termed ably won more collegiate popu­ and she doesn’t like to pose in a gesture of friendship, whicli larity-poll sweepstakes than any giddy make-up or dress; she'd earned the otherwise staid Man­ other Hollywood actress, and much rather be photographed in hattanites the appellation of who is California's number one overalls in her garden. MW. “Kissing Dutchmen.” Hot beer exponent of the Viennese tradi­ Just an adolescent school girl as the popular beverage, and tion, again appears opposite with large, bright, staring eyes petticoats dotting the scene, debonair William Powell in “The when she first visited a picture were two other earmarks oi thia Heavenly Body,’’ coming to the set in suburban Vienna, Miss generous era.
    [Show full text]
  • Glorious Technicolor: from George Eastman House and Beyond Screening Schedule June 5–August 5, 2015 Friday, June 5 4:30 the G
    Glorious Technicolor: From George Eastman House and Beyond Screening Schedule June 5–August 5, 2015 Friday, June 5 4:30 The Garden of Allah. 1936. USA. Directed by Richard Boleslawski. Screenplay by W.P. Lipscomb, Lynn Riggs, based on the novel by Robert Hichens. With Marlene Dietrich, Charles Boyer, Basil Rathbone, Joseph Schildkraut. 35mm restoration by The Museum of Modern Art, with support from the Celeste Bartos Fund for Film Preservation; courtesy The Walt Disney Studios. 75 min. La Cucaracha. 1934. Directed by Lloyd Corrigan. With Steffi Duna, Don Alvarado, Paul Porcasi, Eduardo Durant’s Rhumba Band. Courtesy George Eastman House (35mm dye-transfer print on June 5); and UCLA Film & Television Archive (restored 35mm print on July 21). 20 min. [John Barrymore Technicolor Test for Hamlet]. 1933. USA. Pioneer Pictures. 35mm print from The Museum of Modern Art. 5 min. 7:00 The Wizard of Oz. 1939. USA. Directed by Victor Fleming. Screenplay by Noel Langley, Florence Ryerson, Edgar Allan Woolf, based on the book by L. Frank Baum. Music by Harold Arlen, E.Y. Harburg. With Judy Garland, Frank Morgan, Ray Bolger, Bert Lahr, Ray Bolger, Margaret Hamilton, Billie Burke. 35mm print from George Eastman House; courtesy Warner Bros. 102 min. Saturday, June 6 2:30 THE DAWN OF TECHNICOLOR: THE SILENT ERA *Special Guest Appearances: James Layton and David Pierce, authors of The Dawn of Technicolor, 1915-1935 (George Eastman House, 2015). James Layton and David Pierce illustrate Technicolor’s origins during the silent film era. Before Technicolor achieved success in the 1930s, the company had to overcome countless technical challenges and persuade cost-conscious producers that color was worth the extra effort and expense.
    [Show full text]
  • The Silent Film Project
    e t 02-28-2018 Films that have completed scanning:Th Silen Film Project TITLE YEAR STUDIO DIRECTOR STAR e 13AdventuresWashington of BillSquare and [1921]1928 UniversalPathegram MelvilleRobert N.W. BradburyBrown JeanBob SteeleHersholt Alic Joyce Bob, The (Skunk, The) After the Storm (Poetic [1935] William Pizor Edgar Guest, Al Shayne Gems) African Dreams [1922] Agent (AKA The Yellow 1922 Vitagraph Larry Semon Larry Semon Fear), The Aladdin And The 1917 Fox Film C. M. Franklin Francis Carpenter Wonderful Lamp (Aladdin) Alexandria 1921 Burton Burton Holmes Holmes An Evening With Edgar A. [1938] Jam Handy Louis Marlowe Edgar A. Guest Guest Animals of the Cat Tribe 1932 Eastman Teaching Films Arizona Cyclone, The 1934 Imperial Prod. Robert E. Tansey Wally Wales Aryan, The 1916 Triangle William S. Hart William S. Hart At First Sight 1924 Hal Roach J A. Howe Charley Chase Auntie's Portrait 1914 Vitagraph George D. Baker Ethel Lee, Sideny Drew Autumn (nature film) 1922 Babies Prohibited 1913 Thanhouser Lila Chester Barbed Wire 1927 Paramount Rowland V. Lee Pola Negri Barnyard Cavalier 1922 Christie Bobby Vernon Barnyard Wedding [1920] Hal Roach Battle of the Century 1927 Hal Roach Clyde Bruckman Oliver Hardy, Stan Laurel Bebe Daniels & Ben Lyon 1931- Bebe Daniels, Ben Lyon home movies 1935 Bell Boy 13 1923 Thomas Ince William Seiter Douglas Maclean Below The Deadline 1929 Chesterfield J. P. McGowan Frank Leigh Big Pal 1925 William John G. Adolfi William Russell Russell Blackhawk Silent Tailers / 1920- Blackhawk [Our Next Attraction] 1927 Black Sambo's Escape [1925] Keystone e al f e e f , e e f Th go o th Silent Film Project at th Library o Congress is to borrow catalog, digitally preserve, and ensur th availability o silent (and selected sound era) films for public viewing and research.
    [Show full text]
  • The Movies and Music of the 1930S the Depression Was a Tough Time for Families and Kids Since Money Was Scarce
    The Movies and Music of the 1930s The depression was a tough time for families and kids since money was scarce. Even though this was the case and there were no television sets to watch, people managed by swimming in the canals, dancing at the Women’s Club for 25 cents, or going to the movies in Glendale. Here are the top movies that came out during the ’30s as well as the music that came out during this period. 1930 - Top Movies - Tom Sawyer, Top Hat, Animal Crackers, and Hell’s Angels Top Music “Happy Days Are Here Again” (Ben Selvin), “These Little Words” (Duke Ellington), “On the Sunny Side of the Street” (Ted Lewis and his Orchestra) 1931 – Top Movies – Frankenstein, City Lights, Mata Hari, Cimarron - Top Music - “Minnie the Moocher” (Cab Calloway), “Dream a Little Dream of Me” (Wayne King), “Goodnight Sweetheart” (Bing Crosby) 1932 - Top Movies – Tarzan the Ape Man, Trouble in Paradise, The Old Dark House. - Top Music – “All of Me” (Louis Armstrong), “It Don’t Mean a Thing” (Duke Ellington), “Night and Day” (Fred Astaire and Leo Raisman) 1933 - Top Movies – King Kong, 42ndStreet, Dinner at Eight, Sons of the Desert - Top Music – “Stormy Weather” (Ethel Waters), “Sophisticated Lady” (Duke Ellington) “We’re in the Money” (Dick Powell) 1934 - Top Movies – The Thin Man, Cleopatra, It Happened One Night - Top Music – “Moon Glow” (Benny Goodman), “Tumbling Tumbleweeds” (Paul Whitman), “Smoke Gets In Your Eyes” (Paul Whitman), “Cocktails for Two” (Duke Ellington) 1935 - Top Movies – Mutiny on the Bounty, Top Hat, Captain Blood, A Night At the Opera - Top Music – “On the Good Ship Lollipop” (Shirley Temple) “Cheek to Cheek” (Fred Astaire), “The Isle of Capri” (Ray Noble), “Lullaby of Broadway” (Blue Moon) 1936 - Top Movies – The Great Ziegfeld, Mr.
    [Show full text]
  • 1 Evolving Authorship, Developing Contexts: 'Life Lessons'
    Notes 1 Evolving Authorship, Developing Contexts: ‘Life Lessons’ 1. This trajectory finds its seminal outlining in Caughie (1981a), being variously replicated in, for example, Lapsley and Westlake (1988: 105–28), Stoddart (1995), Crofts (1998), Gerstner (2003), Staiger (2003) and Wexman (2003). 2. Compare the oft-quoted words of Sarris: ‘The art of the cinema … is not so much what as how …. Auteur criticism is a reaction against sociological criticism that enthroned the what against the how …. The whole point of a meaningful style is that it unifies the what and the how into a personal state- ment’ (1968: 36). 3. For a fuller discussion of the conception of film authorship here described, see Grist (2000: 1–9). 4. While for this book New Hollywood Cinema properly refers only to this phase of filmmaking, the term has been used by some to designate ‘either something diametrically opposed to’ such filmmaking, ‘or some- thing inclusive of but much larger than it’ (Smith, M. 1998: 11). For the most influential alternative position regarding what he calls ‘the New Hollywood’, see Schatz (1993). For further discussion of the debates sur- rounding New Hollywood Cinema, see Kramer (1998), King (2002), Neale (2006) and King (2007). 5. ‘Star image’ is a concept coined by Richard Dyer in relation to film stars, but it can be extended to other filmmaking personnel. To wit: ‘A star image is made out of media texts that can be grouped together as promotion, publicity, films and commentaries/criticism’ (1979: 68). 6. See, for example, Grant (2000), or the conception of ‘post-auteurism’ out- lined and critically demonstrated in Verhoeven (2009).
    [Show full text]