Journal of Politics and Law; Vol. 9, No. 3; 2016 ISSN 1913-9047 E-ISSN 1913-9055 Published by Canadian Center of Science and Education Social and Cultural Context Affecting the Activities of Women Painters of Pahlavi Era (1925-1978) Azadeh Alipoor Heris1 & Abolghasem Dadvar1 1Art Faculty, Azzahra University, Tehran, Iran Correspondence: Azadeh Alipoor Heris, Art Faculty, Azzahra University, Tehran, Iran. E-mail:
[email protected] Received: December 23, 2015 Accepted: April 2, 2016 Online Published: April 27, 2016 doi:10.5539/jpl.v9n3p1 URL: http://dx.doi.org/10.5539/jpl.v9n3p1 Abstract Different factors were affecting the presence of women during the Pahlavi era. In new structures after the constitutional period and along with the absolute modernism of Pahlavi, discourses changes were made based on democracy, socialism, Shia resistance and autonomy, court to government and political figures to people. During this period the role of women was formed on the basis of their social position and in their gender approach it changed from a <class in itself> to a <class for self>. The consequences of social contexts led to witness more active presence of women during Pahlavi era compared with the past periods particularly in the visual arts arena; so that the history of the Tehran galleries from 1953-1978 which reflects their activities during that time confirms this fact. The purpose of the present essay is to analyze the social contexts which have attracted women from margin to the center and attending to them since no study