Achebe's Receding Male Chauvinism

Total Page:16

File Type:pdf, Size:1020Kb

Achebe's Receding Male Chauvinism ADAM MICKIEWICZ UNIVERSITY IN POZNAŃ Journal of Gender and Power Vol. 6, No. 2, 2016 POZNAŃ 2016 2 Submissions Journal of Gender and Power is aimed at providing an international forum for discussing various issues and processes of gender construction. It is a scholarly, interdisciplinary journal, which features articles in all fields of gender studies, drawing on various paradigms and approaches. We invite scholars to submit articles and reviews reporting on theoretical considerations and empirical research. Journal of Gender and Power is published by Faculty of Educational Studies, Adam Mickiewicz University (Poznań – Poland). Editorial Board Editor-in-Chief Agnieszka Gromkowska-Melosik Adam Mickiewicz University, Poland Editorial Assistant Michał Klichowski Adam Mickiewicz University, Poland Cecilia Asberg (Linkoping University, Sweden), Zygmunt Bauman (University of Leeds, England), Francesca Bettio (University of Siena, Italy), Mary Blair-Loy (University of Califor- nia, USA), Doris Chang (Wichita State University, USA), Miranda Christou (University of Cyprus, Cyprus), Lorraine Dowler (Pennsylvania State University, USA), Catherine Driscoll (University of Sydney, Australia), Virginia Ferreira (University of Coimbra, Portugal), Eva Fodor (Central European University, Hungary), Eleanor Gordon (University of Glasgow, Scot- land), Lawrence Grossberg (University of North Carolina at Chapel Hill, USA), Anita Harris (Monash University, Australia), Beata Kowalska (Jagiellonian University in Cracow, Poland), Michael A. Messner (University of Southern California, USA), Joanna Pawelczyk (Adam Mic- kiewicz University, Poland), Adriana Piscitelli (State University of Campinas, Brazil), Lydia Potts (Carl von Ossietzky University of Oldenburg, Germany), Renata Siemieńska (University of Warsaw, Poland), Krystyna Slany (Jagiellonian University in Cracow, Poland), Vappu Sunnari (University of Oulu, Finland), Boguslaw Sliwerski (The Maria Grzegorzewska Acad- emy of Special Education & Christian Theological Academy, Poland), Sarah Thebaud (Universi- ty of California, USA), Iris van der Tuin (Utrecht University, Netherlands), Valentina I. Uspen- skaya (Tver State University, Russia), Denise Walsh (University of Virginia, USA), Eva Zamojska (Adam Mickiewicz University, Poland) Language Editor Łukasz Pakuła Adam Mickiewicz University, Poland Statistical Editor Krystyna Katulska Adam Mickiewicz University, Poland Publikacja sfinansowana przez Wydział Studiów Edukacyjnych UAM © Uniwersytet im. Adama Mickiewicza w Poznaniu, Wydawnictwo Naukowe UAM, Poznań 2016 Wersja pierwotna czasopisma: drukowana Opracowanie komputerowe okładki: K. & S. Szurpit Na okładce: Indian woman with little daughter carrying water from well by Getty Images ISSN 2391-8187 Contents Editor’s Preface (Agnieszka Gromkowska-Melosik) ........................................................... 5 ARTICLES GONZALO BUSTAMANTE-KUSCHEL Modern Androgyny as the Basis for Corporal Republicanism: the Case of Marriage .......................................................................................................................................... 11 ANTHONY NJOKU Achebe’s Receding Male Chauvinism: A Study of Anthills of the Savannah ... 33 MARK CHINGONO Women, the Informal Economy and the State in Lesotho ..................................... 51 MARIOLA CHOMCZYŃSKA-RUBACHA, KRZYSZTOF RUBACHA Readiness to Resist: Biological Sex and the Cultural Definition of Femininity and Masculinity .................................................................................................. 77 STACEY FLEMING, MELINDA R. PIERSON, ERICA J. HOWELL The Effects of Exercise on Academic Performance for Boys and Girls ............ 89 HARASANKAR ADHIKARI Determinants of Infertility among Couples in Urban India and its Impact ... 103 MONIKA FARKASOVA Violence Against Women Living in Marginalized Social Environment — Romani Women ..................................................................................................................... 121 FRANCES SANTOS-CAMPOY, DEBRA L. COTE, KRISTIN STANG Technology and Special Education: Implementation and Instructional Practice for Students with Special Needs ...................................................................... 133 BOOK REVIEWS FEDERICA FORMATO Ruth Wodak. The politics of fear: what right-wing populist discourses mean. London 2015: Sage, pp. 238. .................................................................................... 149 4 Contents MARTA DZIARNOWSKA Dorota Hall. Searching for a Place: LGBT Christians in Poland. Warsaw 2016: IFiS Publishers, pp. 395. ............................................................................................. 154 Submissions ............................................................................................................................................ 159 List of Reviewers for 2016 Year ..................................................................................................... 161 Editor’s Preface In debates on the situation of contemporary women, the notion of emancipation seems to be a kind of picklock that opens all possible doors. It has been used in dozen, if not hundreds of ways. As a result, to a larger and larger degree, it starts sharing the destiny of other critical notions and categories. That is why nowadays it is so difficult to answer questions such as: “emancipation from what?”, “emancipation for what?”. It is even more so as in the 20th century women gained the same rights and opportunities as men. They obtain university degrees, they are doctors, attorneys and university professors. They are MPs and sometimes they hold highest possible offices: these of state presidents, prime ministers, Supreme Court judges. Contraceptives liberated them from unwanted pregnancies and, as a consequence, abandoning their carriers and devoting themselves to child rearing. From what should we thus emancipate already emancipated women? There is also another problem: specific trends in the feminist move- ment prefer different interpretation and “content” of the notion of emancipation. At the same time, they perform a very typical procedure (in the case of ideological or political battle): they present their version as the only right one, final and unquestionable. They want their particu- lar understanding of emancipation to gain universal status by aiming at marginalization of other modes of understanding of this very notion. This is a case of an attempt at creating Foucault's regime of truth and imposing knowledge on the meaning of contemporary women's emanci- pation as the only true one. From the post-structuralist perspective, this is nothing else than just an attempt at gaining power over meanings and identities. Emancipation always constitutes a social construct and is defined by specific socio-historical conditions that give political strength to selected postulates while forcing others into silence. In the past, in the first phases of existence of the feminist movement, relative agreement reigned as to the content of women's emancipation (which was connect- 6 Editor’s Preface ed with preference for obvious requests in equality of rights of women). In the last decades, the number of social constructs (and those aiming at getting meta-narrative status) rivalling in definition of women's emanci- pation and, even broader, in defining what does it mean to be a woman increased that much that probably only a “professional feminist” can get a full grasp of the issue (participants of never-ending polemics whose essence lies on accusing one another of “false feminism”). An average female sympathizer of feminist movement creates, at the level of her own common sense, her own interpretation of women's emancipation being an eclectic product of her own biography and feminist postulates she encountered. Sometime she also rejects all the proposals concerning emancipation, she escapes freedom for fear of responsibility for her own life and for fear of necessity of making never-ending choices. In a world dominated by ambiguity, indeterminacy and lack of clear success rules, apart from unquestionable limitation the rhythms of life of a prisoner or a slave has one significant advantage: it is established in an unambigu- ous manner which eliminates all the insecurity and shifts responsibility for one life to others. What is my own opinion on emancipation of women? As a point of departure, I would like to note that each emancipation programme should refer to a specific historical “here and now”, to concrete socio- cultural conditions and concrete female identity constructs. Creation of “universal” programmes in emancipation irrevocably leads to an attempt at making some particular experience, biographies, opinions and concepts universal while marginalizing others. Usually in such cases we are also dealing with essentialization of femininity i.e. exposing one or several features of femininity as immanent. In such a case, one ver- sion of feminism claims the right to speak for “all women” which leads to an attempt at appropriation of all the dissimilar voices and dissimilar experiences as well as to never-ending debates on what feminism is and what it is not combined with mutual accusations of “false identity” (and attempts and raising the true awareness). Therefore, it is necessary to agree on pluralisation of the feminist discourse even if it introduces theoretical chaos and political conflicts (within the movement). If biog- raphies, experience, and aspirations to different groups
Recommended publications
  • The Concept of Tragedy in Achebe's Anthills Of
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by International Institute for Science, Technology and Education (IISTE): E-Journals THE CONCEPT OF TRAGEDY IN ACHEBE’S ANTHILLS OF THE SAVANNAH AND MOFOLO’S CHAKA Okain Teiko Lecturer, Department of English, Methodist University College Ghana Abstract The literary landscape has been dominated by the singularly fascinating theme of power, its acquisition, its use and abuse. Chinua Achebe and Thomas Mofolo in Anthills of the Savanna and Chaka examine the nature of power and authority and its corrupting influence in humans. The novelists’ artistic reconstruction of the image of dictatorship follows the universal literary discourse which seeks to find out how each artist contributes to the subject of abuse of political power and authority. Achene employs a significant African philosophical principle of “Chi” as the chief determinant for the incidence of tragedy in his novel while Mofolo exploits the principle of moral choice as the chief determinant for the incidence of tragedy in his work. Introduction Chinua Achebe and Thomas Mofolo follow the universal tradition of artistic reconstruction of the image of dictatorship to examine the nature of power and authority in Anthills of the Savannah and Chaka . In doing so, they bring into relief the corrupting influence of the exercise of power and authority in humans (which invariably leads to conflict). From antiquity to contemporary times, creative works and theories on political governance show evidence of the primary nature of these themes. Literary artists, throughout the ages, have succeeded in reconstructing this human phenomenon of how leaders abuse power, confirming the proposition of “how great calamity can come to man through man’s perversity” (Sophocles, 1954:159).
    [Show full text]
  • Portrayal of Human Struggle for Identity and Prosperity in Things Fall Apart and Anthills of the Savannah by Chinua Achebe
    February 2018, Volume 5, Issue 2 JETIR (ISSN-2349-5162) PORTRAYAL OF HUMAN STRUGGLE FOR IDENTITY AND PROSPERITY IN THINGS FALL APART AND ANTHILLS OF THE SAVANNAH BY CHINUA ACHEBE Author 1: Dr. Vekateswaran, Prof and Head, Dept of English, Bangalore University, Bangalore, India. Author 2: Prof. Stany R Miranda, Head, English Department, East West Institute of Technology Bangalore-560091, Bangalore, India. ABSTRACT: Chinua Achebe is one of the most imperative African writers. He is best known for his novel Things Fall Apart (1958). He is also considered as one of the remarkable and high ranking African authors due to his revolutionary work in post-colonial literature and his politically-conscious writing that offered the world with the view of colonial understanding from the perception of the colonized. This research paper emphasizes on comparative study of the first and the last Achebe’s novels, namely Things Fall Apart and Anthills of the Savannah. Let’s try to examine the author’s inspiration for crafting stories that talks about the drastic changes took place in African societies persuaded by colonization. Similarly, the paper explores the narrative techniques Achebe employed in his writing to appropriate English language for the purpose of challenging the dominant image of Africa, which was represented in colonial discourse as the continent of savage. Further, the paper tackles the elements of Igbo oral poetic tradition that Achebe threads his narratives and the major role he ascribe to writers (storytellers) as social critics, educators of the common people and preservers of African history and culture in post-independence period.
    [Show full text]
  • Post-Colonial Literature: Chinua Achebe
    Aula 4 POST-COLONIAL Literature: CHINUA ACHEBE META Introduce students to Chinua Achebe’s life and work OBJETIVO Ao final desta aula, você deverá ser capaz de: Outline a short biography of Chinua Achebe, placing some emphasis on his contribution to what could be loosely called ‘African literature’. Make a concise presentation of Achebe’s novels and a list of his short stories and poems. PRERREQUISITO Notions about the historicity of the concept of literature; Notions of the process of formation and institutionalization of Literary History and literary theory as disciplines that have in Literature its object of study. Notions of the relationship between Literary History and literature teaching. Luiz Eduardo Oliveira José Augusto Batista dos Santos Literatura de Língua Inglesa VI INTRODUÇÃO In this lesson, we will be studying Chinua Achebe, a very important author in African literature. He was born in Nigeria on November 16th 1930 in the Igbo village of Ogidi. His real name was Albert Chinualumogu Achebe. Although his parents had been converted into Christianity by missionaries from the Protestant Church Mission Society (CMS), Achebe’s father seemed to respect his ancestor’s traditions, of which fact the name Chinualumogu is a reminder, since it is a prayer for divine protection and stability that could be translated as “May God fight on my behalf ”. Having to live between two worlds, namely, that of Christianity and that of tradi- tional beliefs has no doubt played a significant role in Achebe’s education and, later, in his work. He was born Albert Chinualumogụ Achebe, 16 November 1930 – 21 March 2013.
    [Show full text]
  • An Analysis of Achebe's Women in Things Fall Apart and Anthills of The
    Advances in Literary Study, 2018, 6, 109-119 http://www.scirp.org/journal/als ISSN Online: 2327-4050 ISSN Print: 2327-4034 Shifting the Canon: An Analysis of Achebe’s Women in Things Fall Apart and Anthills of the Savannah Maina Ouarodima Department of Modern European Languages and Linguistics, Usmanu Danfodiyo University, Sokoto, Nigeria How to cite this paper: Ouarodima, M. Abstract (2018). Shifting the Canon: An Analysis of Achebe’s Women in Things Fall Apart and This paper analyses the image of women in Chinua Achebe’s Things Fall Anthills of the Savannah. Advances in Apart and Anthills of the Savannah to bring into focus on the shifting of the Literary Study, 6, 109-119. canon through Achebe’s depiction of female characters in the two novels. The https://doi.org/10.4236/als.2018.63009 study focuses on some of the evil practices against the freedom of women, in Received: April 3, 2018 the Igbo society, as reflected in Things Fall Apart and then contrasts with the Accepted: July 3, 2018 positive image of women as reflected in Anthills of the Savannah. While the Published: July 6, 2018 citizens, in general, and women, in particular, are ignorant in Things Fall Copyright © 2018 by author and Apart, written in the colonial period; they are, both, educated in Anthills of Scientific Research Publishing Inc. the Savannah, written in the postcolonial period. As findings, this study fore- This work is licensed under the Creative grounds the dynamism of the Igbo society, which allows Achebe, as a writer, Commons Attribution International License (CC BY 4.0).
    [Show full text]
  • The Dynamics of Change in African Sensibility: Anthills of the Savannah
    www.ijird.com March, 2015 Vol 4 Issue 3 ISSN 2278 – 0211 (Online) The Dynamics of Change in African Sensibility: Anthills of the Savannah Dr. Pallavi Bhardwaj Assistant Professor, Baddi University of Emerging Sciences and Technology, Baddi, Solan, HP, India Abstract: Anthills of the Savannah delineates the problems inflicting newly independent African states. The prevailing theme and the major problem in this novel is the corrupt dictatorial set up of Kangan. The theme in the work is 'overcoming the history of suffering' through the inculcation of a strong sense of community among the people. The people want change and peace, but they are unsure how to attain a suitable system of government. Thus, the first step towards national salvation is to throw out the colonizers. Being a witness to the failure of social justice and democracy to take root in postcolonial Nigeria, Achebe dramatizes the impasse in Anthills of the Savannah. The two major characters alongwith their girlfriends were obviously chosen by the writer to reflect his own frustrations with Nigeria and mixed feelings about Africa's tomorrow. Novel as a literary form is a convenient medium in the hands of an author to project his ideas in an effective way. As a form of literature, it has twofold purposes: Highlighting the major issues, conflicts and problems that beset a society, and suggesting the effective means and measures required to cure the society from these serious diseases. It also facilitates the readers to understand and recognize the social forces that shape and influence their lives. Chinua Achebe is honoured as one of the founders of modern Nigerian literature for his historically receptive and discerning writings on contemporary Africa.
    [Show full text]
  • A Stylistic Study of Characterisation and Point of View in Chinua
    UNIVERSITY OF CAPE COAST A STYLISTIC STUDY OF CHARACTERISATION AND POINT OF VIEW IN CHINUA ACHEBE’S ANTHILLS OF THE SAVANNAH: A FUNCTIONAL-SEMANTIC PERSPECTIVE BY ISAAC NUOKYAA-IRE MWINLAARU Thesis submitted to the Department of English of the Faculty of Arts, University of Cape Coast, in partial fulfilment of the requirements for award of Master of Philosophy Degree in English FEBRUARY, 2012 1 DECLARATION Candidate’s Declaration I hereby declare that this thesis is the result of my own original work and that no part of it has been presented for another degree in this university or elsewhere. Candidate’s Signature: .............................. Date: .......................... Name: Isaac Nuokyaa-Ire Mwinlaaru Supervisors’ Declaration We hereby declare that the preparation and presentation of the thesis were supervised in accordance with the guidelines on supervision of thesis laid down by the University of Cape Coast. Principal Supervisor’s Signature: ....................... Date: ......................... Name: Professor Lawrence K. Owusu-Ansah Co-Supervisor’s Signature: ................................ Date: ......................... Name: Dr. Joseph Arko 2 ABSTRACT Following insights from stylistic studies on European literature and a few earlier attempts on the stylistic analysis of African literature, there has been a recent growing interest in the stylistic analysis of the African novel. The present study is meant to contribute to this growing body of studies by using the Hallidayian model of transitivity to explore Achebe’s Anthills of the Savannah. The aim of the study is two-fold. First, foregrounded transitivity patterns associated with six characters are explored in relation to character and the thematic concern of the novel. Second, the study investigates the relationship between point of view and the transitivity patterns in which a character is inscribed.
    [Show full text]
  • ANTHILLS of the SA VANN AH London: William Heinemann, 1987
    sections dealing with Arab fiction, I must say that the great Arab masters of the art are well represented, mostly Egyptian, but there are a few others from Syria, Iraq, Lebanon, Palestine, Algeria, Tunisia, Sudan, and Saudi Arabia. The Egyptian Najib Mahfuz is deservedly given twelve pages, the others an average of about four pages each. The critical excerpts are not all equal in quality, many of them being descriptive or prescriptive. But there are quite a few that are analytical. It is a pity that most excerpts are too short (about three-quarters of a page each on the average), and they end almost before one can begin to form an idea of the novel criticized or of the approach of the critic. But the cumulative effect of several critical excerpts on one author, and of a succession of authors thus treated succeeds in showing how vibrant is the art of fiction in the Arab world; how well it reflects the concerns and preoccupations of Arab men and women, and the social conditions of Arab cities and villages; how innovative some Arab fiction writers are, particularly ones like Jamal al-Gbitani (Egypt), al-Tayyib Salih (Sudan), Zakariyya Tamir (Syria), and 'Abd al-Rahman Munif (Saudi Arabia/Resident of Iraq, then France); and how far Arab fiction has progressed since its beginnings early in this century. The se­ lected critical excerpts do not reflect the new theories of literature and criticism adopted from the West by Arab critics, though one can sense the structuralist approach of Ceza Draz in her excerpt on Jamal al-Ghitani, and the social realist approach of Mahmud Amin al-'Ahm in his excerpts on Jamal al-Ghitani and Sa 'dallah Wannus.
    [Show full text]
  • The Post-Colonial Reality in Chinua Achebe's Novels [PP: 88-94] Nirupa
    The Post-Colonial Reality in Chinua Achebe’s Novels [PP: 88-94] Nirupa Saikia Department of English, Government Aizawl College Aizawl, Mizoram, India ARTICLE INFO ABSTRACT Article History The primary concern of Chinua Achebe, the recipient of the Man Booker The paper received on: International Prize, 2007, was his society, more precisely, the destiny of his 20/11/2014 people. As the fundamental feature of his novels was social realism, they Accepted after peer- served as an authentic record of the changing African world. Achebe, perhaps review on: the most authentic literary voice from Africa, wrote not only to record the 17/02/2015 African, especially Nigerian, life but to analyse the reality experienced by the Published on: native people in different times and situations. In his view, the writer must be 07/03/2015 accountable to his society. To him it was absurd to think of art as a pure and autonomous entity coming into existence by itself in an aesthetic void. Keywords: Accordingly, his aim was to make his fiction an instrument of awareness Chinua Achebe’s Novel, seeking to elevate the social reality to a higher level. In this regard, the paper Feminism, is an attempt to show Achebe’s endeavour to expose the rampant corruption Igbo, and evil in Nigeria to exert a decisive and positive influence on his people. Nigeria, His faith in female power as an agent of traditional morality is also Post-colonial, highlighted in the paper. Social commitment, Suggested Citation: Saikia, Nirupa. (2015). The Post-Colonial Reality in Chinua Achebe’s Novels.
    [Show full text]
  • UCLA Ufahamu: a Journal of African Studies
    UCLA Ufahamu: A Journal of African Studies Title The African Writer and the Phenomenon of the Nation State in Africa Permalink https://escholarship.org/uc/item/1fq3k2w8 Journal Ufahamu: A Journal of African Studies, 18(1) ISSN 0041-5715 Author Agovi, K.E. Publication Date 1990 DOI 10.5070/F7181016845 Peer reviewed eScholarship.org Powered by the California Digital Library University of California THE AFRICAN WRITER AND THE PHENOMENON OF mE NAnON STATE IN AFRICA by K.E. Agovi IotrocluclioD This study focuses largely on fOUf major contemporary African writers who have sought to draw anention to the rise of the modem state in Africa in their creative writing. Although these writers and their works have been randomly selected. it is they who. in my estimation, have actually projected a direct concern with what I have chosen 10 call the ftphenomenon" of the modern nalion State in Africa. They have celebrated the anguish. pain, bewildennent, complexity, and violence which have engulfed the modem stale in ilS attempt to come to terms with processes of change. modernization. and development. Such emotionaltunnoil, which tends to acquire the statute ofinstitutionalized violence and disorder, is what I mean by the term "phenomenon." Although Ihis phenomenon has long been the concern of Africanist scholars in history, sociology, politics, and economics, it has not been possible to witness the same development in African literary circles. While the material for this is available. as we shall soon see, literary critics have tended to pay more attention to other considerations in African literature. such as social change, cultural nationalism.
    [Show full text]
  • Achebe's Anthills of the Savannah
    IRWLE VOL. 6 No. II July 2010 1 Sexist Matters: Power Play and Gendered Space in Chinua Achebe’s Anthills of the Savannah - Uzoechi Nwagbara Introduction The setting of Anthills of the Savannah is Kangan, an imaginary country in West Africa, where Sam, a Sandhurst-trained military officer – also known as His Excellency, has taken the rein of power by coup d'état. There is a distancing of authorial voice via the use of varied narrative channels, multiple point-of-views; while at the same instance, Achebe orchestrates his social vision for postcolonial Nigeria, which is in the throes of prebendal pillage and misguided leadership. The national tragedy – considered as the gist of this fictive work is principally relayed by three friends: Ikem, Chris and Beatrice. The intricate postcolonial malaise is captured here by Beatrice: For weeks and months after I had definitely taken on the challenge of bringing together as many broken pieces of this tragic history as I could lay my hands on I still could not find a way to begin. Anything I tried to put down sounded wrong – either too abrupt, too indelicate or too obvious – to my middle ear. (82) The above intractable tension in the polity occasioned by bungling military junta and socio-economic dissonance, are what The Anthills of the Savannah prefigures. The political crises in the novel escalate to counter coup d'états , power game, political assassination, feminist agitation and other integers of unwholesome state of affairs. However, in conspectus, the political turmoil in the novel basically stems from class struggle and power play, which are arguably fuelled by cultural materialist imperatives.
    [Show full text]
  • After Decolonization, After Civil Rights: Chinua Achebe and James Baldwin
    ESSAY After Decolonization, After Civil Rights: Chinua Achebe and James Baldwin Bill Schwarz Queen Mary University of London Abstract The escalation of systematic, if random, violence in the contemporary world frames the concerns of the article, which seeks to read Baldwin for the present. It works by a measure of indirection, arriving at Baldwin after a detour which introduces Chinua Achebe. The Baldwin–Achebe relationship is familiar fare. However, here I explore not the shared congruence between their first novels, but rather focus on their later works, in which the reflexes of terror lie close to the surface. I use Achebe’s final novel, Anthills of the Savanah, as a way into Baldwin’s “difficult” last book, The Evidence of Things Not Seen, suggesting that both these works can speak directly to our own historical present. Both Baldwin and Achebe, I argue, chose to assume the role of witness to the evolving mani- festations of catastrophe, which they came to believe enveloped the final years of their lives. In order to seek redemption they each determined to craft a prose—the product of a very particular historical conjuncture—which could bring out into the open the prevailing undercurrents of violence and terror. Keywords: James Baldwin, Chinua Achebe, decolonization, U.S. civil rights, literature, terror, redemption We have lost the twentieth century; are we bent on seeing that our children also lose the twenty-first? God forbid. Chinua Achebe, 1983.1 Fanaticism. The One Way, One Truth, One Life menace. The Terror that lives completely alone. Chinua Achebe, 1993.2 To counter “racial terror” we require “a ruthless cunning, an impenetrable style, and an ability to carry death, like a bluebird, on the shoulder.” James Baldwin, 1985.3 James Baldwin Review, Volume 1, 2015 © The Authors.
    [Show full text]
  • Disillusioned Expectations of Post-Independence Epoch in Chinua Achebe’S Selected Novels
    US-China Foreign Language, ISSN 1539-8080 September 2014, Vol. 12, No. 9, 750-760 D DAVID PUBLISHING Disillusioned Expectations of Post-Independence Epoch in Chinua Achebe’s Selected Novels Hossein Karamiamidabadi Jalal Sokhanvar Islamic Azad University (Karaj Branch), Karaj, Iran Shahid Beheshti University, Tehran, Iran Islamic Azad University (Tehran Central Branch), Tehran, Iran The phenomena that have penetrated deep into the flesh of Africa and shattered the dreams of glory in this dark land are colonialism and postcolonialism. According to these political and social upheavals caused by the arrival of the white men to the dark land, some questions flash into the conscious mind as to whether national consciousness, which was forged by the native intellectuals and even some literati, managed to achieve a cornucopia of delights pursued in the anticolonial period. The other controversial question that springs to mind is whether national bourgeoisie, who came to power by the annihilation of the colonial power, helped to establish social and political change for the betterment of society as a whole. By raising these fundamental questions, the researcher strives to shed light on the duplicitous role of national consciousness and native intellectuals in pre- and post-independent epochs based on Frantz Fanon’s “Pitfalls of National Consciousness” in his seminal book The Wretched of the Earth (1963). Interestingly enough, all these cataclysmic colonial and postcolonial events can be analyzed in Chinua Achebe’s novels Things Fall Apart (1959), A Man of the People (1966), and Anthills of the Savannah (1987). In other words, the unbridgeable differences between the ideologies in anticolonial and postcolonial eras, which brought disillusionment in post-independent time among the indigenous people, lie in the lines of these novels.
    [Show full text]