Concerning the Calculation of the Color Gamut in a Digital Camera
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Repositorio Institucional de la Universidad de Alicante Concerning the Calculation of the Color Gamut in a Digital Camera Francisco Martı´nez-Verdu´,1* M. J. Luque,2 P. Capilla,2 and J. Pujol3 1Department of Optics, University of Alicante, Apartado de Correos n° 99, 03080 Alicante, Spain 2Department of Optics, University of Valencia, Dr. Moliner s/n, 46100 Burjassot, Valencia, Spain 3Department of Optics and Optometry, Center for Development of Sensors, Instrumentation and Systems (CD6), Technical University of Catalonia, Rambla de Sant Nebridi n° 10, 08222 Terrassa, Barcelona, Spain Received 3 January 2004; revised 25 November 2005; accepted 11 January 2006 Abstract: Several methods to determine the color gamut of INTRODUCTION any digital camera are shown. Since an input device is additive, its color triangle was obtained from their spectral Color devices1–7 are basically divided into input or capture sensitivities and it was compared with the theoretical sen- devices (scanners and digital cameras) and output devices sors of Ives-Abney-Yule and MacAdam. On the other hand, (softcopy, such as displays, and hardcopy, such as printers). the RGB digital data of the optimal or MacAdam colors Scanners, digital cameras, and displays (CRT, LCD/TFT, were simulated to transform them into XYZ data according plasma, etc.) are additive color devices. However, most to the colorimetric profile of the digital camera. From this, printing devices8 (inkjet, electro-photography, offset, etc.) the MacAdam limits associated to the digital camera are perform by additive and subtractive color mixing.
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