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A Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature
A Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature Robert A. Taylor RESEARCH IN MEDIEVAL CULTURE Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature Medieval Institute Publications is a program of The Medieval Institute, College of Arts and Sciences Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature Robert A. Taylor MEDIEVAL INSTITUTE PUBLICATIONS Western Michigan University Kalamazoo Copyright © 2015 by the Board of Trustees of Western Michigan University All rights reserved Manufactured in the United States of America This book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Taylor, Robert A. (Robert Allen), 1937- Bibliographical guide to the study of the troubadours and old Occitan literature / Robert A. Taylor. pages cm Includes index. Summary: "This volume provides offers an annotated listing of over two thousand recent books and articles that treat all categories of Occitan literature from the earli- est enigmatic texts to the works of Jordi de Sant Jordi, an Occitano-Catalan poet who died young in 1424. The works chosen for inclusion are intended to provide a rational introduction to the many thousands of studies that have appeared over the last thirty-five years. The listings provide descriptive comments about each contri- bution, with occasional remarks on striking or controversial content and numerous cross-references to identify complementary studies or differing opinions" -- Pro- vided by publisher. ISBN 978-1-58044-207-7 (Paperback : alk. paper) 1. Provençal literature--Bibliography. 2. Occitan literature--Bibliography. 3. Troubadours--Bibliography. 4. Civilization, Medieval, in literature--Bibliography. -
Roberts & Tilton
ROBERTS & TILTON FOR IMMEDIATE RELEASE March 12, 2016 Daniel Joseph Martinez IF YOU DRINK HEMLOCK, I SHALL DRINK IT WITH YOU or A BEAUTIFUL DEATH; player to player, pimp to pimp. (As performed by the inmates of the Asylum of Charenton under the direction of the Marquis de Sade) April 9 – May 21, 2016 Sade: “Justine (or The Misfortunes of Virtue)” 1791 Opening Reception Saturday, April 9th, 6-8pm Roberts & Tilton is pleased to present a new installation by Daniel Joseph Martinez. “IF YOU DRINK HEMLOCK, I SHALL DRINK IT WITH YOU or A BEAUTIFUL DEATH; player to player, pimp to pimp. (As performed by the inmates of the Asylum of Charenton under the direction of the Marquis de Sade)” is an immersive environment referencing Jacques-Louis David’s seminal portrait The Death of Marat (1793). Whereas David’s painting represents a single moment, Martinez’s interpretation is conceived as a mise en scène, constantly oscillating between past and present. Entering the gallery, the viewer is confronted by a pair of aluminum bleachers dividing the gallery space. Monitors depicting slow moving clouds are hung over each set, suggesting windows. In the space carved out between the bleachers are three life-like sculptures of Martinez as Marat, his assassin Charlotte Corday, and of the artist himself. A closer look reveals that while the figures are modeled after the artist’s own body, each appropriate the signifiers specific to their character: a knife; fresh wounds; a bathtub; a chore jacket. Confronting this hyper-awareness of the physical body is the fourth character, who appears in the deadpan recital of Corday’s monologues from Peter Weiss’s play “Marat/Sade” (1963) projected throughout the installation. -
'The Collection of Marat's Bibliographer' at the British Library
'THE COLLECTION OF MARAT'S BIBLIOGRAPHER' AT THE BRITISH LIBRARY JACQUES DE COCK 'TELL me what you do and I shall tell you who you are.' We are reminded of this saying when considering the personality of Francois Chevremont, an enthusiastic collector, a scholar and the author of two works on Jean-Paul Marat. From 1845 onwards throughout fifty years of patient research/ Chevremont assembled the most important collection of documents relating to the * Friend of the People'. His works are highly regarded and yet we know almost nothing about this man, who was born in 1824 and died in 1907, who lived in Paris in the Avenue de Clichy, before moving to Lizy-sur-Ourcq in the department of Seine-et-Marne. His destiny is, therefore, especially connected with that of his work and his collection. It is with the fate of the latter that we shall be concerned here.^ Around 1880 Francois Chevremont, then almost sixty, was extremely worried about keeping his collection together; he therefore sent various French libraries a form letter worded as follows: Fig. I. Jean Paul Marat; frontispiece engraving from Les Chaines de Pesdavage (1833). 645.3.4 44 Dear Sir, For thirty years I have been collecting everything relating to J.-P. Marat. Apart from the complete set of the scientific, philosophical and political works of the scholar, philosopher and journalist, today this collection consists of: 1° The seven original folio placards 2° The plan for critninal legislation reprinted by Marat's widow 3" A considerable number of brochures and documents all relating to Marat 4'' An important collection of engravings and drawings 5" Two paintings, a miniature, some medallion portraits, two copper engravings one of which is by Copia etc. -
Analysing the High Art of Propaganda During the French Revolution
Thema Close to the Source: Analysing the High Art of Propaganda during the French Revolution Jacques-Louis David’s The Death of Marat reveals the blurred lines between historical fact and fiction. Cam Wilson, undergraduate student, The University of Melbourne Analysing primary source material is both an The Death of Marat (1793, see Figure 1) by Jacques- important and highly rewarding exercise in historical Louis David is a uniquely complex historical source scholarship. The ability to critically examine and that captures both the brutal reality and the elaborate evaluate primary documents is the foundation of fiction of the French Revolution. The tragic depiction quality historical research. Analysis requires historians of Jean-Paul Marat, the radical journalist and political to look far beyond first impressions of a historical agitator lying dead in his bath, reveals the methods source. They must examine it in fine detail and be employed by political propagandists to manufacture able to communicate their description to the reader. a new ideological reality for the revolutionary state. Reconstructing the historical context of the source Simultaneously, it serves to accentuate the sense of both deepens the analysis and frequently provides tragedy and death the revolution has left in its wake. This analysis examines the multiple meanings of inspiration for further research. Armed with detailed David’s iconic painting to explain how a historical research and observation, the focus of the analysis source with such a deliberate political agenda can is to uncover the intentions of the author and the reveal so much about revolutionary France. message they are trying to convey. -
The Middle Ages: the Approach to the Truce of God
THE MIDDLE AGES: THE APPROACH TO THE TRUCE OF GOD. more than one thousand years from Constantine’s THEreign until the close of the Hundred Years’ War re- cords the decline of the nationalism of Rome, and the rise of Christian Civilization throughout Western Europe, and finally the return to nationalism. This long period of history cannot be represented as a period of peace but as one seek- ing peace, seeking limitation as to just cause in war and, with it, limitation consistent with the just peace. The races of Western Europe were as diverse as they are today. They were as vigorous. Their primitive instincts for war had by no means disappeared. Their militant claim for justice and right was never silent. It was persistent. Feudal society sought to create order but often failed within itself. Still the story is one of creative and courageous continuity. When the invaders from beyond the Alps had been held in check, and the Saracens’ thrust driven back to southern Spain and to Africa, there prevailed probably the longest period of continued progress, invention, and development our history reveals. From the beginning of the ninth century well on to the close of the fourteenth century, Christian civilization with its architecture and its art came into completeness, slowly, steadily, and surely. Increasing because of like understand- ing of values and undertakings common to all the people, it grew up in many regions separate and remote from each 291 292 Western Tradition: Rome to Britain other. Each region had its local nature, but an all-pervading clarity of purpose gave to each a similar directness. -
Press Release 05.06.2021
PRESS RELEASE 05.06.2021 REPURCHASE OF OWN SHARES FOR ALLOCATION TO FREE SHARE GRANT PROGRAMS FOR THE BENEFIT OF EMPLOYEES Within the scope of its share repurchase program authorized by the April 22, 2021 shareholders' meeting (14th resolution), Kering has entrusted an investment service provider to acquire up to 200,000 ordinary Kering shares, representing close to 0.2% of its share capital as at April 15, 2021, no later than June 25, 2021 and subject to market conditions. These shares will be allocated to free share grant programs to some employees. The unit purchase price may not exceed the maximum set by the April 22, 2021 shareholders' meeting. As part of the previous repurchase announced on February 22, 2021 (with a deadline of April 16, 2021), Kering bought back 142,723 of its own shares. About Kering A global Luxury group, Kering manages the development of a series of renowned Houses in Fashion, Leather Goods, Jewelry and Watches: Gucci, Saint Laurent, Bottega Veneta, Balenciaga, Alexander McQueen, Brioni, Boucheron, Pomellato, DoDo, Qeelin, Ulysse Nardin, Girard-Perregaux, as well as Kering Eyewear. By placing creativity at the heart of its strategy, Kering enables its Houses to set new limits in terms of their creative expression while crafting tomorrow’s Luxury in a sustainable and responsible way. We capture these beliefs in our signature: “Empowering Imagination”. In 2020, Kering had over 38,000 employees and revenue of €13.1 billion. Contacts Press Emilie Gargatte +33 (0)1 45 64 61 20 [email protected] Marie de Montreynaud +33 (0)1 45 64 62 53 [email protected] Analysts/investors Claire Roblet +33 (0)1 45 64 61 49 [email protected] Laura Levy +33 (0)1 45 64 60 45 [email protected] www.kering.com Twitter: @KeringGroup LinkedIn: Kering Instagram: @kering_official YouTube: KeringGroup Press release 05.06.2021 1/1 . -
View Annual Report
2016 ANNUAL REPORT CONTENT MESSAGES FROM THE SUPERVISORY BOARD AND THE MANAGEMENT BOARD 02 1 4 Profile of the Group and its Businesses | Financial Report | Statutory Auditors’ Report Financial Communication, Tax Policy on the Consolidated Financial Statements | and Regulatory Environment | Risk Factors 05 Consolidated Financial Statements | 1. Profi le of the Group and its Businesses 07 Statutory Auditors’ Report on 2. Financial Communication, Tax policy and Regulatory Environment 43 the Financial Statements | Statutory 3. Risk Factors 47 Financial Statements 183 Selected key consolidated fi nancial data 184 I - 2016 Financial Report 185 II - Appendix to the Financial Report: Unaudited supplementary fi nancial data 208 2 III - Consolidated Financial Statements for the year ended December 31, 2016 210 Societal, Social and IV - 2016 Statutory Financial Statements 300 Environmental Information 51 1. Corporate Social Responsibility (CSR) Policy 52 2. Key Messages 58 3. Societal, Social and Environmental Indicators 64 4. Verifi cation of Non-Financial Data 101 5 Recent Events | Forecasts | Statutory Auditors’ Report on EBITA forecasts 343 1. Recent Events 344 2. Forecasts 344 3 3. Statutory Auditors’ Report on EBITA forecasts 345 Information about the Company | Corporate Governance | Reports 107 1. General Information about the Company 108 2. Additional Information about the Company 109 3. Corporate Governance 125 6 4. Report by the Chairman of Vivendi’s Supervisory Board Responsibility for Auditing the Financial Statements 347 on Corporate Governance, Internal Audits and Risk 1. Responsibility for Auditing the Financial Statements 348 Management – Fiscal year 2016 172 5. Statutory Auditors’ Report, Prepared in Accordance with Article L.225-235 of the French Commercial Code, on the Report Prepared by the Chairman of the Supervisory Board of Vivendi SA 181 ANNUAL REPORT 2016 ANNUAL REPORT 2016 The Annual Report in English is a translation of the French “Document de référence” provided for information purposes. -
STATE and SOCIETY in the EARLY MIDDLE AGES the Middle Rhine Valley, –
STATE AND SOCIETY IN THE EARLY MIDDLE AGES The Middle Rhine Valley, – MATTHEW INNES The Pitt Building, Trumpington Street, Cambridge , United Kingdom The Edinburgh Building, Cambridge , United Kingdom http://www.cup.cam.ac.uk West th Street, New York, NY -, USA http://www.cup.org Stamford Road, Oakleigh, Melbourne , Australia © Matthew Innes This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published Printed in the United Kingdom at the University Press, Cambridge Typeset in /pt Monotype Bembo [] A catalogue record for this book is available from the British Library Library of Congress Cataloguing in Publication data Innes, Matthew. State and society in the early Middles Ages: the middle Rhine valley, –/Matthew Innes. p. cm. – (Cambridge studies in medieval life and thought) Includes bibliographical references and index. . Political culture – Rhine River Valley – History – To . Cities and towns, Medieval – Rhine River Valley. Elite (Social sciences) – Rhine River Valley – History. Rhine River Valley – Social conditions. Church and state – Rhine River Valley – History – To . Local government – Rhine River Valley – History – To . Monasticism and religious orders – Rhine River Valley – History – Middle Ages, –. Germany – History – To . France – Social conditions – To . Germany – Religious life and customs – Middle Ages, –. Title. Series. -
PUMA Relay 2014 Annual Report 2014 Puma Timeline Our Highlights in 2014
PUMA RELAY 2014 Annual Report 2014 PUMA TIMELINE OUR highlights IN 2014 JAN FEB MAR apr maY june julY aUG SEP oct noV DEC evoPOWER Launch “PUMA Lab” Roll-Out World Cup Kit Launch Lexi Thompson’s First Major PUMA Village Closure FIFA World Cup™ in Brazil Arsenal FC Kit Launch “Forever Faster” Campaign Retail Business Relocation Becker OG Release F1-Championship for Hamilton New Global Ambassador Rihanna PUMA introduces its most Together with Foot Locker PUMA reveals the new COBRA PUMA golfer Lexi PUMA continues to optimize The FIFA World Cup™ in PUMA becomes the official kit PUMA’s global ”Forever With the finalization of the PUMA reissues the Becker Lewis Hamilton of PUMA PUMA and Rihanna powerful football boot USA, PUMA starts rolling national kits for its eight Thompson becomes the its organizational setup Brazil proves to be a great partner of top English Premier Faster” campaign, relocation of its Global and OG, the classic mid-top partnered MERCEDES AMG announce a new multi- to date, the evoPOWER. out its “PUMA Lab” retail national football teams second-youngest major – with the closure of the stage for PUMA’s innovative League club Arsenal FC. The the biggest marketing European Retail Organiza- shoe that 17-year-old PETRONAS F1 team wins year partnership, starting Inspired by barefoot concept in over 125 doors heading to the World Cup winner in LPGA Tour PUMA Village Development kits and eye-catching partnership kicks off with the campaign in the company’s tion from Oensingen, Swit- Boris Becker wore during his second drivers’ World January 2015. -
Press Release Very Good Performance in The
PRESS RELEASE 04.17.2019 VERY GOOD PERFORMANCE IN THE FIRST QUARTER Group revenue in the first quarter of 2019: €3,785.3 million up 21.9% as reported up 17.5% on a comparable basis “Delivering a solid start to 2019, Kering continued to outperform. On top of very strong increases in the first quarter of last year, Gucci, Saint Laurent and our Other Houses all posted excellent revenue growth, fueled by the creativity of their offers and the innovativeness of their execution. As Bottega Veneta implements a fundamental reset, early indicators are highly encouraging. The agility we have put at the heart of our organization positions us well to continue achieving steady, sustainable and profitable growth.” François-Henri Pinault, Chairman and Chief Executive Officer • Sharp growth in Gucci sales (up 20.0% on a comparable basis) on top of very high bases of comparison. • A very solid start to the year for Yves Saint Laurent (up 17.5% on a comparable basis), with balanced growth across all regions. • Contraction in sales for Bottega Veneta (down 8.9% on a comparable basis) and a promising response to Daniel Lee’s first creations. • Very strong momentum at Kering’s Other Houses (up 21.7% on a comparable basis), powered by Balenciaga and Alexander McQueen. Solid performances of Watches and Jewelry. Press Release 04.17.2019 1/5 WorldReginfo - dbd00872-0385-4eb3-8c2b-9a5a8729feca Revenue Q1 2019 Q1 2018(1) Reported Comparable change change (2) (in € millions) Total Houses 3,648.1 2,997.7 +21.7% +17.4% Gucci 2,325.6 1,866.6 +24.6% +20.0% Yves Saint Laurent 497.5 408.2 +21.9% +17.5% Bottega Veneta 248.1 261.2 -5.0% -8.9% Other Houses 576.9 461.7 +25.0% +21.7% Corporate and other 137.2 108.5 +26.5% +21.5% Kering – Continuing operations 3,785.3 3,106.2 +21.9% +17.5% (1) Figures restated for PUMA, Stella McCartney, Volcom and Christopher Kane (IFRS 5). -
An Analysis of Jacques-Louis David's History
Bound Away: The Liberty Journal of History Volume 4 Issue 1 Article 2 February 2021 Death and the Transformation of Women’s Roles Surrounding Death: An Analysis of Jacques-Louis David’s History Paintings Miranda Boljat [email protected] Follow this and additional works at: https://digitalcommons.liberty.edu/ljh Part of the Cultural History Commons, European History Commons, Fine Arts Commons, Other History of Art, Architecture, and Archaeology Commons, Painting Commons, and the Social History Commons Recommended Citation Boljat, Miranda (2021) "Death and the Transformation of Women’s Roles Surrounding Death: An Analysis of Jacques-Louis David’s History Paintings," Bound Away: The Liberty Journal of History: Vol. 4 : Iss. 1 , Article 2. Available at: https://digitalcommons.liberty.edu/ljh/vol4/iss1/2 This Article is brought to you for free and open access by Scholars Crossing. It has been accepted for inclusion in Bound Away: The Liberty Journal of History by an authorized editor of Scholars Crossing. For more information, please contact [email protected]. Death and the Transformation of Women’s Roles Surrounding Death: An Analysis of Jacques-Louis David’s History Paintings Abstract Jacques-Louis David is remembered today for his contributions to the world of Neoclassical art before the French Revolution, during the Revolution, and during the reign of Napoleon Bonaparte. His body of work represents an impressive journey from his Rococo roots to his Neoclassical political works to his many different portraits of Napoleon. In comparing his pieces, an observer can track the development of a variety of themes. Specifically, it is possible to see the different ways David portrayed the event of death in his history paintings. -
Leyla Cárdenas Especular (Threshold)
Leyla Cárdenas Especular (Threshold) Presented by LACMA and the UCLA Chicano Studies Research Center Curated by Chon Noriega The Colombian writer Manuel Hernández B. defines his nation’s capital, Bogotá, as a permanent threshold that announces the promise of a place that never arrives. Leyla Cárdenas’s Especular provides a real-world yet ghost-like image of this insight with her set of photographic prints of Bogota’s neoclassical train station façade. First built in the late 1880s—concurrent with the formation of the Republic of Colombia—the station is a once-hopeful symbol of the nation that then became a long abandoned modern ruin. Cárdenas represents the façade with two printed scrims suspended back-to-back from the ceiling, over twenty feet up, and running a similar distance along the floor. These discontinuous panels are cut to match the different track gauges used in Colombia that made a unified national transportation infrastructure impossible. Especular is part of a series in which the artist documents the architectural remnants of the urban fabric. Cárdenas reflects on these artworks as illustrating “History repeating itself: vicious circles and accumulation of thresholds that lead nowhere.” Daniel Joseph Martinez IF YOU DRINK HEMLOCK, I SHALL DRINK IT WITH YOU or A BEAUTIFUL DEATH; player to player, pimp to pimp. (As performed by the inmates of the Asylum of Charenton under the direction of the Marquis de Sade) Presented by LACMA and the UCLA Chicano Studies Research Center Curated by Chon Noriega Daniel Joseph Martinez’s immersive environment references Jacques-Louis David’s seminal portrait The Death of Marat (1793), painted and also reproduced shortly after Marat’s assassination during the French Revolution.