Copyright by Krzysztof Piekarski 2013
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Performance, Everyday Life, and the Self in the Novels of David Foster Wallace
Kent Academic Repository Full text document (pdf) Citation for published version South, Daniel (2015) Watching As The World Turns: Performance, Everyday Life, and the Self in the Novels of David Foster Wallace. Master of Arts by Research (MARes) thesis, University of Kent. DOI Link to record in KAR https://kar.kent.ac.uk/54755/ Document Version UNSPECIFIED Copyright & reuse Content in the Kent Academic Repository is made available for research purposes. Unless otherwise stated all content is protected by copyright and in the absence of an open licence (eg Creative Commons), permissions for further reuse of content should be sought from the publisher, author or other copyright holder. Versions of research The version in the Kent Academic Repository may differ from the final published version. Users are advised to check http://kar.kent.ac.uk for the status of the paper. Users should always cite the published version of record. Enquiries For any further enquiries regarding the licence status of this document, please contact: [email protected] If you believe this document infringes copyright then please contact the KAR admin team with the take-down information provided at http://kar.kent.ac.uk/contact.html Watching As The World Turns: Performance, Everyday Life, and the Self in the Novels of David Foster Wallace Mr. Daniel South A thesis submitted for the Degree of Masters in Drama by Research School of Arts, University of Kent September 2015 33,421 words Daniel South MA by Research Abstract This thesis examines the manifestation of performance in the novels of David Foster Wallace. -
Signifying Rappers PDF Book
SIGNIFYING RAPPERS PDF, EPUB, EBOOK David Foster Wallace | 176 pages | 29 Aug 2013 | Penguin Books Ltd | 9780241968314 | English | London, United Kingdom Signifying Rappers PDF Book But so too you know all this already , the book is dated. His final novel, The Pale King , was published posthumously in For example, my favorite quote from the book: "Ironies abound,of course, as ironies must when cash and art do lunch. I agree to the Terms and Conditions. But, like my diet Dr Pepper left outside overnight or a green pear eaten too soon, this book hints at DFW's later genius without quite delivering the thing you want. Both of the authors are brilliant men, but I felt as if their arguments were often dressed in such intricate language that it was easy to lose track of the overarching idea. Legendary thriller writer David Morrell transports readers to the fogbound streets of London, where a It's interesting to see our hero in his youth; his brief descriptions of his grad school life are priceless. Joyce A. David Foster Wallace and Mark Costello's exuberant exploration of rap music and culture. They aren't trying to make personal con After reading this, I'm still shocked that it even exists. Less about rap than the dystopia that was Reagan's s. I Dream of Jeannie vs race riots. He could conjure up an absurd future If this is desegregation, then shopping malls hold treasure Are pop-products ever relevant? But this does not invalidate their thoughts, nor does it make reading this a waste of time. -
David Foster Wallace: Media, Metafiction, and Miscommunication
Bard College Bard Digital Commons Senior Projects Spring 2018 Bard Undergraduate Senior Projects Spring 2018 "Becoming" David Foster Wallace: Media, Metafiction, and Miscommunication Gordon Hugh Willis IV Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_s2018 Part of the American Literature Commons, and the American Popular Culture Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Willis, Gordon Hugh IV, ""Becoming" David Foster Wallace: Media, Metafiction, and Miscommunication" (2018). Senior Projects Spring 2018. 133. https://digitalcommons.bard.edu/senproj_s2018/133 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. !i “Becoming” David Foster Wallace: Media, Metafiction, and Miscommunication Senior Project submitted to The Division of Languages and Literature of Bard College by Gordon Hugh Willis IV Annandale-on-Hudson, New York May 2018 !ii Dedicated to Nathan Shockey for keeping me on track, something with which I’ve always -
Understanding David Foster Wallace, Marshall Boswell LEG the Legacy of David Foster Wallace, Ed
The Journal of David Foster Wallace Studies is published by the International David Foster Wallace Society. Copyright © 2019 International David Foster Wallace Society The Journal of David Foster Wallace Studies (Print) ISSN 2576-9995 The Journal of David Foster Wallace Studies (Online) ISSN 2577-0039 Interior designed by David Jensen Cover art copyright © 2019 Chris Ayers STAFF Editor Clare Hayes-Brady, University College Dublin Managing Editor Matt Bucher Editorial Board Grace Chipperfield Alexander Moran Ándrea Laurencell Sheridan Rob Short Matthew Luter Advisory Board David Hering Jonathan Laskovsky Adam Kelly Mike Miley Nick Maniatis Lucas Thompson Linda Daley Subscriptions To subscribe to the Journal of David Foster Wallace Studies, simply join the International David Foster Wallace Society (http://dfwsociety.org). Membership includes a subscription to our journal as well as access to electronic editions of the journal. Submissions All submissions are welcome. Send directly to [email protected]. Follow us on Twitter @dfwsociety Volume 1, Number 2 Fall 2019 Special Issue Guest Editors: Alice Bennett and Peter Sloane Volume 1, Number 2 • Fall 2019 Preface by Clare Hayes-Brady ...................................................... 7 Wallace Short Things by Alice Bennett and Peter Sloane .......... 11 Footnotes, Footsteps, Ghostprints by David Punter .................... 25 Wallace’s Ambivalence toward Insight: The Epiphany in “Octet” and “Adult World” (I) and (II) by Jacob Hovind ......................... 45 “The lie is that it’s one or the other”: Extracting “Forever Overhead” and “Church Not Made with Hands” from the Short Story Cycle by Rob Mayo ........................................................... 71 The Case of “Think” in Brief Interviews with Hideous Men: Is Dialogism Possible? by Pia Masiero ............................................ 95 “The Fragment”: “Cede,” Ancient Rome, and The Pale King by Tim Groenland ................................................................... -
Trilogy—The Broom of the System (1987), Infinite Jest (1996), and the Pale King (2011)—According to His Philosophy of Post Postmodernism
Critical Literary Studies Vol. III, No. 2, Series 6 Spring and Summer 2021 Abdolreza Goudarzi (Corresponding Author) 1 Instructor, Department of English Language and Literature, Borujerd Branch, Islamic Azad University, Borujerd, Iran Morteza Lak 2 Assistant Professor, English Department, Science and Research Branch, Islamic Azad University, Tehran, Iran DOI: https://www.doi.org/10.34785/J014.2021.945 Article Type: Original Article Page Numbers: 143-158 Received: 6 January 2021 Accepted: 21 June 2021 The progression of culture and literature in the three subsequent eras of Modernism, Postmodernism and Post Postmodernism since the late-20th-century can be considered as one of the vivid factors that has led to the chain of transformation of man. In Modernism, the superiority of authentic and governmental power over people was dominant and later in the era of Postmodernism or the late capitalism, the notion of fragmentation controlled the life of the people; but in the third one, Post Postmodernism, a freshgenus of humanism was introduced by innovative authors such as David Foster Wallace who, in his philosophy of writing, illustrates not only the pain and limitations of man but also the healing instruments. Philosophically speaking, through the critical gates of Wallace’s philosophy, the subjectivity of man is given a niche, and thanks to the opportunity he has gained in the social networks, he could have made it possible to create a type of sharing and mutual communication amongst the fragmented individuals. That is to say, all alienated and limited individuals can have the role of active agents, communicators, and producers instead of being passive watchers, readers, and one-way communicators organized by the structures of the past eras. -
Of Postmodernism in David Foster Wallace by Shannon
Reading Beyond Irony: Exploring the Post-secular “End” of Postmodernism in David Foster Wallace By Shannon Marie Minifie A thesis submitted to the Graduate Program in English Language and Literature in conformity with the requirements for the Degree of Doctor of Philosophy Queen's University Kingston, Ontario, Canada August 2019 Copyright © Shannon Marie Minifie, 2019 Dedicated to the memory of Tyler William Minifie (1996-2016) ii Abstract David Foster Wallace’s self-described attempt to move past the “ends” of postmodernism has made for much scholarly fodder, but the criticism that has resulted focuses on Wallace’s supposed attempts to eschew irony while neglecting what else is at stake in thinking past these “ends.” Looking at various texts across his oeuvre, I think about Wallace’s way “past” postmodern irony through his engagement with what has come to be variously known as the “postsecular.” Putting some of his work in conversation with postsecular thought and criticism, then, I aim to provide a new context for thinking about the nature of Wallace’s relationship to religion as well as to late postmodernism. My work builds on that of critics like John McClure, who have challenged the established secular theoretical frameworks for postmodernism, and argue that such post-secular interventions provide paradigmatic examples of the relationship between postmodernism and post-secularism, where the latter, as an evolution or perhaps a mutation of the former, signals postmodernism’s lateness—or at least its decline as a cultural- historical dominant. I also follow other Wallace critics in noting his spiritual and religious preoccupations, building on some of the great work that has already been done to explore his religious and post-secular leanings. -
Editing David Foster Wallace
‘NEUROTIC AND OBSESSIVE’ BUT ‘NOT TOO INTRANSIGENT OR DEFENSIVE’: Editing David Foster Wallace By Zac Farber 1 In December of 1993, David Foster Wallace printed three copies of a manuscript he had taken to calling the “longer thing” and gave one to his editor, Michael Pietsch, one to a woman he was trying to impress, and one to Steven Moore, a friend and the managing editor of the Review of Contemporary Fiction, whose edits and cuts Wallace wished to compare with Pietsch’s. The manuscript, which Little, Brown and Company would publish as Infinite Jest in 1996, was heavy (it required both of Moore’s hands to carry) and, Moore recalled, unruly: It’s a mess—a patchwork of different fonts and point sizes, with numerous handwritten corrections/additions on most pages, and paginated in a nesting pattern (e.g., p. 22 is followed by 22A-J before resuming with p. 23, which is followed by 23A-D, etc). Much of it is single-spaced, and what footnotes existed at this stage appear at the bottom of pages. (Most of those in the published book were added later.) Several states of revision are present: some pages are early versions, heavily overwritten with changes, while others are clean final drafts. Throughout there are notes in the margins, reminders to fix something or other, adjustments to chronology (which seems to have given Wallace quite a bit of trouble), even a few drawings and doodles.1 Wallace followed some of Pietsch and Moore’s suggestions and cut about 40 pages from the first draft of the manuscript2, but before publication he added more than 200 pages of additional material, including an opening chapter that many critics have praised as the novel’s best and more than 100 pages of (often footnoted) endnotes.3 Editing Wallace could be demanding, and those who attempted it found themselves faced with the difficulty of correcting a man with a prodigious understanding of the byzantine syntactical and grammatical rules of the English language. -
E 349S David Foster Wallace—Honors
E 349S l David Foster Wallace—Honors Instructor: Houser, H Areas: I Unique #: 35465 Flags: Writing Semester: Fall 2012 Restrictions: English Honors Cross-lists: LAH 350 Computer Instruction: N Prerequisites: Six semester hours of upper-division coursework in English. Description: This course covers the truncateD career of DaviD Foster Wallace (1962-2008), one of the most examineD anD lauDeD authors of his generation. We will read all of Infinite Jest (fasten your seat belts!) along with essays, short stories, anD selections from his other two novels, Broom of the System anD The Pale King. The following questions will motivate the course: ⋅ What is Wallace's place in US literary history? What is his project for a new fiction? ⋅ What are his positions on 20th-century US culture, meDia, anD technology? Can particular ways of reaDing anD writing intervene in these domains? ⋅ How can the inDiviDual navigate the onslaught of information in the 20th-21st centuries through the novel? By the end of the semester, you will be able to: ⋅ Read analytically across an author's body of work, and craft probing questions that participate in debates about this work. ⋅ Create compelling written responses to these questions by close reading, conducting careful research (if you choose), and integrating textual evidence. ⋅ Articulate opinions about the state and direction of contemporary fiction based on DFW's contributions to it. ⋅ Assess and revise your own and classmates' writing through peer review. Texts: Books at the University Co-Op. Packet at Jenn's Copies (2200 GuaDalupe St., 473.8669) Course Packet (also on BlackboarD anD blog) All by David Foster Wallace Brief Interviews with Hideous Men Consider the Lobster and Other Essays Girl with Curious Hair Infinite Jest The Pale King A Supposedly Fun Thing I'll Never Do Again Requirements & Grading: Participation (15%), 10 blog posts anD comments (10%), 2 short essays + revisions (15% each), final paper prospectus (5%), final presentation (10%), final essay + revision (30%). -
The Work of David Foster Wallace and Post-Postmodernism Charles Reginald Nixon Submitted in Accordance with the Requirements
- i - The work of David Foster Wallace and post-postmodernism Charles Reginald Nixon Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of English September 2013 - ii - - iii - The candidate confirms that the work submitted is his own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. © 2013 The University of Leeds and Charles Reginald Nixon The right of Charles Reginald Nixon to be identified as Author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. - iv - - v - Acknowledgements (With apologies to anyone I have failed to name): Many thanks to Hamilton Carroll for guiding this thesis from its earliest stages. Anything good here has been encouraged into existence by him, anything bad is the result of my stubborn refusal to listen to his advice. Thanks, too, to Andrew Warnes for additional guidance and help along the way, and to the many friends and colleagues at the University of Leeds and beyond who have provided assistance, advice and encouragement. Stephen Burn, in particular, and the large and growing number of fellow Wallace scholars I have met around the world have contributed much to this work's intellectual value; our conversations have been amongst my most treasured, from a scholarly perspective and just because they have been so enjoyable. -
David Foster Wallace's Communal Middle Ground
AN ABSTRACT OF THE THESIS OF Daniel E. Randlemon for the degree of Master of Arts in English presented on May 25, 2012. Title: David Foster Wallace’s Communal Middle Ground Abstract approved: __________________________________________________________________ Raymond J. Malewitz Throughout the course of this thesis, I argue that the prose of David Foster Wallace, specifically his posthumously published novel The Pale King, inhabits a middle ground between universal sincerity and the particularized authenticity of postmodern irony. I examine Lionel Trilling’s definitions of sincerity and authenticity before moving toward an examination of the diverging critical response to Wallace’s work, which, I argue, suggests that because so many critics have read his work as either inherently sincere or inherently authentic, his work inhabits a communal middle ground somewhere in between. To explain, I analyze Wallace’s so-called manifesto of sincerity, “E Unibus Pluram: Television and U.S. Fiction,” as well as other instances in interviews and conversations to develop a clearer understanding of what this middle ground consists of. Further, I analyze two passages in The Pale King in which characters seek to communicate moments of profound revelation. Though these characters finally fail to truly communicate these revelations, I argue that it is the communication itself that allows both communicator and listener, and thus both reader and writer, to experience a moment of, as Wallace puts it in The Pale King, “value for both sides, both people in the relation” (227). ©Copyright by Daniel E. Randlemon May 25, 2012 All Rights Reserved David Foster Wallace’s Communal Middle Ground by Daniel E. -
Consider David Foster Wallace, Or Reconsidering DFW : Literary Self-Fashioning and Slacker Genius
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 5-2013 Consider David Foster Wallace, or reconsidering DFW : literary self-fashioning and slacker genius. Michael Franklin Miller University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Recommended Citation Miller, Michael Franklin, "Consider David Foster Wallace, or reconsidering DFW : literary self-fashioning and slacker genius." (2013). Electronic Theses and Dissertations. Paper 979. https://doi.org/10.18297/etd/979 This Master's Thesis is brought to you for free and open access by ThinkIR: The nivU ersity of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The nivU ersity of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. CONSIDER DAVID FOSTER WALLACE, OR RECONSIDERING DFW: LITERARY SELF FASHIONING AND SLACKER GENIUS by Michael Franklin Miller B.A., University of Kentucky, 2011 A Thesis Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville In Partial Fulfillment of the Requirements For the Degree of Master of Arts Department of English University of Louisville Louisville, Kentucky May 2013 Copyright 2013 by Michael Franklin Miller All rights reserved CONSIDER DAVID FOSTER WALLACE, OR RECONSIDERING DFW: LITERARY SELF FASHIONING AND SLACKER GENIUS by Michael Franklin Miller B.A., University of Kentucky, 2011 A Thesis approved on May 11, 2013 by the following Thesis Committee: _______________________________________ Dr. -
El Posposmodernismo: La Narrativa De David Foster Wallace
UNIVERSIDAD COMPLUTENSE DE MADRID FACULTAD DE FILOLOGÍA TESIS DOCTORAL El posposmodernismo: la narrativa de David Foster Wallace MEMORIA PARA OPTAR AL GRADO DE DOCTOR PRESENTADA POR Carlos Cerdeña de la Rosa Directora Esther Sánchez-Pardo Madrid, 2018 © Carlos Cerdeña de la Rosa, 2017 UNIVERSIDAD COMPLUTENSE DE MADRID FACULTAD DE FILOLOGÍA DOCTORADO EN ESTUDIOS LITERARIOS EL POSPOSMODERNISMO: LA NARRATIVA DE DAVID FOSTER WALLACE MEMORIA PARA OPTAR AL GRADO DE DOCTOR PRESENTADA POR Carlos Cerdeña de la Rosa Bajo la dirección de la profesora Dra. Esther Sánchez-Pardo Madrid, 2017 Imagen de portada propuesta para la primera edición de Infinite Jest. A toda la gente que ha creído en mí y me ha apoyado a lo largo de este proceso. A los cuatro pisos por los que ha pasado esta pantalla iluminada en la madrugada. A los cuatro trabajos que me han permitido hacerlo. A quienes están y quienes han decidido no estar. A mis padres. A Marta. A Esther. Por supuesto, a David Foster Wallace, sin quien nada de esto tendría sentido. Si te has sentido aludido por alguna de las líneas anteriores, esta dedicatoria también va dirigida a ti. Like most North Americans of his generation, Hal tends to know way less about why he feels certain ways about the objects and pursuits he’s devoted to than he does about the objects and pursuits themselves. It’s hard to say for sure whether this is even exceptionally bad, this tendency. (Infinite Jest, 54) You know, why are we—and by “we” I mean people like you and me: mostly white, upper middle class or upper class, obscenely well educated, doing really interesting jobs, sitting in really expensive chairs, watching the best, you know, watching the most sophisticated electronic equipment money can buy —why do we feel empty and unhappy? (Although Of Course You End Up Becoming Yourself, 82) ÍNDICE 1.