Young to Younger Made-Up Universe Cute But

Total Page:16

File Type:pdf, Size:1020Kb

Young to Younger Made-Up Universe Cute But 12 centre spread centre spread 13 OCTOBER 13-19, 2019 OCTOBER 13-19, 2019 CGIng is Believing How VFX was used to transform Spencer Wilding into the extraterrestrial mobster Luca Brasi in Men in Black: International De-ageing of actors in films has now become so common that in the new Ang Lee film Gemini Man, a 51-year-old Will Smith is pitted against a much younger version of himself. With new breakthroughs in visual effects (VFX) and computer-generated imagery (CGI), today's Hollywood movies have entered mind-bending territories :: Sourabh Gupta Young to Younger Well, fi lm stars consider themselves forever young. Now technology is making them younger. Cute But Virtual How is it Done: it's digital make-up that reduces the effects of age using a 3-D scan of the face. In other words, a 3-D mask is overlaid on the actor’s face to make her look wrinkle-free. Jurassic Park is Jurassic era now. The CGI technique reaping box-offi ce rewards is the trend of deploying “virtual produc- tion” on fi lming animals or what looks like animals. In the 2019 reboot of The Lion King, there were life-like lions and hyenas fi ghting it out in the African savannah. How is it Done: The technique uses live-ac- ROBERT DE NIRO & WILL SMITH, JOHNNY DEPP, Pirates NICOLE KIDMAN, SHAH RUKH KHAN, ARNOLD ROBERT DOWNEY Jr, tion production but in a virtual reality space. AL PACINO, The Irishman Gemini Man of the Caribbean 5 Aquaman Fan SCHWARZENEGGER, Avengers: Endgame Every frame is digitally Terminator Genisys rendered (nothing is what it really is) and key-frame animated. The same tech- nique was used to create AQUAMAN a fl ying baby elephant in Dumbo and Made-up The actors never went underwater. They shot in dry environments and later CGI experts took a fl uffy Pokémon in the characters underwater. This meant making Detective Pikachu. Universe their hair and clothes sway in digitally simulated versions. Usually, action-packed DETECTIVE PIKACHU DUMBO movies have smooth visual effects. Entire sequences are computer- generated or the scenes JOHN WICK 3 are digitally enhanced Every scene was augmented to give a visceral Fantasy Makers feel, including CGI glass shattering in a gory sword Hollywood’s top CGI & VFX companies fi ght, a gunfi ght inside a pool and a horse scene with a CGI-enhanced chase through the streets of New York. Lola Visual Effects Works The Curious Case of Benjamin Moving Picture Company Button, Ant-Man And The Wasp Works & Captain America Lion King & Godzilla: King of the Monsters AD ASTRA To show moonscape and low gravity, the animators Scanline VFX Method Studios used live action footage, shot on a sound stage against black screen and in deserts and augmented them all. Works Works Game of Thrones, Men in Black International, Black Panther Spiderman: Far from Home Sources: cartoonbrew.com, animationboss.net, methodstudios.com, moving-picture.com, scanlinevfx.com, lolavfx.com.
Recommended publications
  • Kam Williams, “The “12 Years a Slave” Interview: Steve Mcqueen”, the New Journal and Guide, February 03, 2014
    Kam Williams, “The “12 Years a Slave” Interview: Steve McQueen”, The new journal and guide, February 03, 2014 Artist and filmmaker Steven Rodney McQueen was born in London on October 9, 1969. His critically-acclaimed directorial debut, Hunger, won the Camera d’Or at the 2008 Cannes Film Festival. He followed that up with the incendiary offering Shame, a well- received, thought-provoking drama about addiction and secrecy in the modern world. In 1996, McQueen was the recipient of an ICA Futures Award. A couple of years later, he won a DAAD artist’s scholarship to Berlin. Besides exhibiting at the ICA and at the Kunsthalle in Zürich, he also won the coveted Turner Prize. He has exhibited at the Art Institute of Chicago, the Musee d’Art Moderne de la Ville de Paris, Documenta, and at the 53rd Venice Biennale as a representative of Great Britain. His artwork can be found in museum collections around the world like the Tate, the Museum of Modern Art, and the Centre Pompidou. In 2003, he was appointed Official War Artist for the Iraq War by the Imperial War Museum and he subsequently produced the poignant and controversial project Queen and Country commemorating the deaths of British soldiers who perished in the conflict by presenting their portraits as a sheet of stamps. Steve and his wife, cultural critic Bianca Stigter, live and work in Amsterdam which is where they are raising their son, Dexter, and daughter, Alex. Here, he talks about his latest film, 12 Years a Slave, which has been nominated for 9 Academy Awards, including Best Picture and Best Director.
    [Show full text]
  • Film & Literature
    Name_____________________ Date__________________ Film & Literature Mr. Corbo Film & Literature “Underneath their surfaces, all movies, even the most blatantly commercial ones, contain layers of complexity and meaning that can be studied, analyzed and appreciated.” --Richard Barsam, Looking at Movies Curriculum Outline Form and Function: To equip students, by raising their awareness of the development and complexities of the cinema, to read and write about films as trained and informed viewers. From this base, students can progress to a deeper understanding of film and the proper in-depth study of cinema. By the end of this course, you will have a deeper sense of the major components of film form and function and also an understanding of the “language” of film. You will write essays which will discuss and analyze several of the films we will study using accurate vocabulary and language relating to cinematic methods and techniques. Just as an author uses literary devices to convey ideas in a story or novel, filmmakers use specific techniques to present their ideas on screen in the world of the film. Tentative Film List: The Godfather (dir: Francis Ford Coppola); Rushmore (dir: Wes Anderson); Do the Right Thing (dir: Spike Lee); The Dark Knight (dir: Christopher Nolan); Psycho (dir: Alfred Hitchcock); The Graduate (dir: Mike Nichols); Office Space (dir: Mike Judge); Donnie Darko (dir: Richard Kelly); The Hurt Locker (dir: Kathryn Bigelow); The Ice Storm (dir: Ang Lee); Bicycle Thives (dir: Vittorio di Sica); On the Waterfront (dir: Elia Kazan); Traffic (dir: Steven Soderbergh); Batman (dir: Tim Burton); GoodFellas (dir: Martin Scorsese); Mean Girls (dir: Mark Waters); Pulp Fiction (dir: Quentin Tarantino); The Silence of the Lambs (dir: Jonathan Demme); The Third Man (dir: Carol Reed); The Lord of the Rings trilogy (dir: Peter Jackson); The Wizard of Oz (dir: Victor Fleming); Edward Scissorhands (dir: Tim Burton); Raiders of the Lost Ark (dir: Steven Spielberg); Star Wars trilogy (dirs: George Lucas, et.
    [Show full text]
  • The Uses of Animation 1
    The Uses of Animation 1 1 The Uses of Animation ANIMATION Animation is the process of making the illusion of motion and change by means of the rapid display of a sequence of static images that minimally differ from each other. The illusion—as in motion pictures in general—is thought to rely on the phi phenomenon. Animators are artists who specialize in the creation of animation. Animation can be recorded with either analogue media, a flip book, motion picture film, video tape,digital media, including formats with animated GIF, Flash animation and digital video. To display animation, a digital camera, computer, or projector are used along with new technologies that are produced. Animation creation methods include the traditional animation creation method and those involving stop motion animation of two and three-dimensional objects, paper cutouts, puppets and clay figures. Images are displayed in a rapid succession, usually 24, 25, 30, or 60 frames per second. THE MOST COMMON USES OF ANIMATION Cartoons The most common use of animation, and perhaps the origin of it, is cartoons. Cartoons appear all the time on television and the cinema and can be used for entertainment, advertising, 2 Aspects of Animation: Steps to Learn Animated Cartoons presentations and many more applications that are only limited by the imagination of the designer. The most important factor about making cartoons on a computer is reusability and flexibility. The system that will actually do the animation needs to be such that all the actions that are going to be performed can be repeated easily, without much fuss from the side of the animator.
    [Show full text]
  • The Academy Award Nominations Are out and the Winner Is.....Digital Artistry
    The Academy Award Nominations Are Out and the Winner Is.....Digital Artistry February 24, 2014 Autodesk Software Plays an Integral Role in the Creation of Great Movies – Including 8 of the 9 Best Picture Nominees SAN FRANCISCO--(BUSINESS WIRE)--Feb. 24, 2014-- Great movies are defined by great stories and increasingly, great storytelling is being empowered by digital technology. Autodesk, Inc. (NASDAQ:ADSK) media and entertainment staff and software played a starring role in the creation of many of this year’s Academy Award nominees across many categories and were recognized by the Academy of Motion Picture Arts and Sciences with two Scientific and Technical Achievement Awards (Sci-Tech Awards). “This year has been especially gratifying. Not only is it the 19th consecutive year Autodesk software has enabled Academy nominated filmmakers to push the boundaries of what is possible by enabling them to tell stories that just would not be possible practically – whether it’s creating the weightlessness of outer-space or the ice-locked beauty of a frozen world,” explains Chris Bradshaw, Autodesk senior vice president. “But Autodesk staff were also recognized by the Academy for two of the technologies they developed, and were instrumental in helping Mark Gill bring ‘The Voorman Problem,’ to the big screen. We are delighted to be such an integral part of innovative filmmaking.” Scientific and Technical Achievement Awards Every year, the Academy hosts a special awards ceremony two weeks before the Oscar ceremony to recognize the “discoveries and
    [Show full text]
  • Kromag04.Pdf
    Kromag 04 /:/ Automne-Hiver 2007 edito Duler Après bien des péripéties, le Kromag nouveau est arrivé. Ce qui nous vaut une parution à Noël là où l’on Equipe désespérait de voir arriver ce numéro d’automne (rappelons qu’à cet instant la saison reste d’actualité). Profitons d’emblée de ce hasard du calendrier pour vous souhaiter de bonnes fêtes de fin d’année. Quant à cette nouvelle fournée, aux habituelles rencontres avec des studios et des créatifs de la planète Rédaction et direction vient s’ajouter une rubrique du nom de ZoomArt. Conçue sous forme de portrait dédié à des artistes, qu’ils artistique soient seuls ou en équipe, cette rubrique à géométrie variable aura les atouts de ses défauts : une écriture Stéphane Zissu toujours passionnée pour une parution aléatoire. Bruno Aveillan ouvre le bal avec une oeuvre envoû- Sophie Malinge tante qu’on souhaitait vraiment vous présenter. Le reste de la distribution est à l’avenant : Duler nous livre ses impressions, entre design industriels et opportunités télévisuelles, Ben Morris nous ouvre grand les portes de Fulltank et enfin Umeric innove en nous offrant un Behind the scene des plus instructifs. Maquette Bref, ce numéro sera festif ou ne sera pas... Vos réactions sont donc toujours les bienvenues. Il nous reste Sophie Malinge qu’à vous souhaiter à nouveau d’excellentes fêtes, un bon réveillon et surtout une bonne année si on ne se revoie pas d’ici-là ! [email protected] After many events, new Kromag issue is finally launched. Even if this is a Christmas where one desperate www.kromotion.com to see this issue fall (note that the season is still effective).
    [Show full text]
  • Before Night Falls
    Before Night Falls Dir: Julian Schnabel, 2000 A review by A. Mary Murphy, Memorial University of Newfoundland, Canada There are two remarkable things about Before Night Falls, based on Reinaldo Arenas's homonymous memoir, and one remarkable reason for them. First, director Julian Schnabel maintains a physically-draining tension throughout much of the film; and second, he grants a centrality to writing that Arenas himself demands. He is able to accomplish these things because his Arenas is Javier Bardem. The foreknowledge that this is a film about a man in Castro's Cuba, and a man in prison there for a time, prepares an audience for explicit tortures that never come. The expectation persists, as it must have for the imprisoned and persecuted man, so that the emotional tension experienced by the audience provides a tiny entry into the overpowering and relentless tension of daily life for Arenas and everyone else who is not a perfect fit for the Revolutionary mold. In the midst of this the writer finds refuge in his writing. Before Night Falls is the story of a writer who has been persecuted even for being a writer, never mind for what he wrote or how he lived, and who writes regardless of the risks and costs. In the childhood backgrounding segment of the film, Schnabel clearly establishes this foundation by showing a grandfather who is so opposed to having a poet in his house that he relocates the family in order to remove young Reinaldo from the influence of a teacher who dares to speak of the boy's gift.
    [Show full text]
  • CG Supervisor Film Maker / Writer / Director Lead Generalist TD Le
    RYAN GROBINS – RESUME – FEB 2020 [email protected] | +1 7788401373 #1806, 1755 Haro Street, Vancouver, Canada Recent work experience: CG Supervisor November '17 – Present SCANLINE VFX Vancouver, Canada Currently splitting my time between supervising on shows, and implementing facility wide improvements. Films: Ant-Man and the Wasp, Captain Marvel, (Emmy winning) Game of Thrones (S08), Dark Phoenix, and more. Film Maker / Writer / Director March '08 – Present NEZUI Otherworld Making award winning animated short films to tell interesting and entertaining stories. Films: Sneeze Me Away (2010, www.sneezemeaway.com) The Rose of Turaida (2013, www.theroseofturaida.com) Cyan Eyed (in production, www.cyan-eyed.com) Lead Generalist TD November '16 – November '17 SCANLINE VFX Vancouver, Canada Initially brought on to light shots on Power Rangers, I then lead a sequence on Guardians of the Galaxy 2. After which I was a lead on the The Meg. Lead Lighting TD August '12 – September '16 RISING SUN PICTURES Adelaide, Australia I became the studio's lead lighter, responsible for all lighting related teams and tasks on all projects. Coming up with new and novel solutions for all problems that arise as well as implementing Houdini as the main lighting package. Films: X-Men: Days of Future Past, The Wolverine, The Great Gatsby, The Seventh Son + more. Lighting TD / Lead Lighting TD January '11 – February '12 RISING SUN PICTURES Adelaide, Australia Within two weeks of working, I had already written a suite of tools that enabled the rest of the lighters to get shots out faster. Then I was invited to continue on for another film, where I expanded upon my lighting tools suite.
    [Show full text]
  • Actors Anonymous of Legion the Watching from Thrill Different a Be Will That Me, for But, Audience
    NOTES FROM THE DREAM FACTORY BY TOM ROSTON he first met when they were both in the 2002 Broadway play Burn This. And although we’re talking about Burrell, Norton might as well be speaking about his own brilliant debut in 1996’s Primal Fear, when he, seemingly out of nowhere, rocketed to recognition. “It is a very particular kind of excitement,” he says. “There is no sense of the artifice. That’s what’s really thrilling.” I am always hoping for pure moments when I watch a movie: those times when my disbelief is so entirely suspended that I forget that I’m watching one. Going into a theater, I often feel overwhelmed with baggage—who the main actor slept with last week, how the director mortgaged his house to get the movie made, and how the production designer only used three shades of green on the set. It even bugs me that once I like a director or an actor, I expect something from him or her, and so the work has an added layer of self-consciousness. When the lights go down, it’s hard to wash the slate entirely clean and just watch. That’s why my eyes tend to drift toward the margins for something surprising. And, often, I see it in an actor whom I know nothing about, and who brings something deeper and richer to his character even though he may have just two minutes of screen time. This may seem random (and that’s the point), but do you remember in the Will Smith movie Hitch, which I just caught on DVD, that there’s this misogynist asshole who is, well, such an asshole? Actor Jeffrey Donovan gets it just right.
    [Show full text]
  • CSE 132C Database System Implementation
    CSE 132C Database System Implementation Spring 2021 Arun Kumar 1 About myself 2009: Bachelors in CSE from IIT Madras Summer: 110F! 2009-16: MS and PhD in CS from UW-Madison Winter: -40F! 2016-Now: Asst. Prof. at UC San Diego CSE 2019-Now: Asst. Prof. at UC San Diego HDSI Ahh… :) 2 What is this course about? Why take it? 3 Large-scale data management systems are the cornerstone of many digital applications, both traditional and modern 4 Our primary focus will be the relational data model and Relational Database Management Systems (RDBMS) 5 Relational model in a nutshell Basically, Relation:Table :: Pilot:Driver (okay, a bit more) RatingID Rating Date UserID MovieID 1 3.5 08/27/15 23294 20 2 4.0 07/20/15 4232 293 3 2.5 08/02/15 54551 846 … … … … … The model formalizes “operations” to manipulate relations 6 Relational model in a nutshell Invented by E. F. Codd in 1970s at IBM Research in CA 7 Relational DBMS in a nutshell First RDBMSs: System R (IBM) and Ingres (Berkeley) in 1970s A rare photo of the original Mike Stonebraker won the Turing System R manual Award in 2015! 8 CSE 132 Database Course Series <latexit sha1_base64="4ffEk4IQP/eG/drN/sd9HAaspz4=">AAAB63icbVBNSwMxEJ2tX7V+VT16CRbBU9kVUY9FLx4r2A9ol5JNs21okg1JVihL/4IXD4p49Q9589+YbfegrQ8GHu/NMDMvUpwZ6/vfXmltfWNzq7xd2dnd2z+oHh61TZJqQlsk4YnuRthQziRtWWY57SpNsYg47USTu9zvPFFtWCIf7VTRUOCRZDEj2OZSn6RqUK35dX8OtEqCgtSgQHNQ/eoPE5IKKi3h2Jhe4CsbZlhbRjidVfqpoQqTCR7RnqMSC2rCbH7rDJ05ZYjiRLuSFs3V3xMZFsZMReQ6BbZjs+zl4n9eL7XxTZgxqVJLJVksilOObILyx9GQaUosnzqCiWbuVkTGWGNiXTwVF0Kw/PIqaV/Ug6u6/3BZa9wWcZThBE7hHAK4hgbcQxNaQGAMz/AKb57wXrx372PRWvKKmWP4A+/zBx+9jks=</latexit>
    [Show full text]
  • One-Word Movie Titles
    One-Word Movie Titles This challenging crossword is for the true movie buff! We’ve gleaned 30 one- word movie titles from the Internet Movie Database’s list of top 250 movies of all time, as judged by the website’s users. Use the clues to find the name of each movie. Can you find the titles without going to the IMDb? 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 EclipseCrossword.com © 2010 word-game-world.com All Rights Reserved. Across 1. 1995, Mel Gibson & James Robinson 5. 1960, Anthony Perkins & Vera Miles 7. 2000, Russell Crowe & Joaquin Phoenix 8. 1996, Ewan McGregor & Ewen Bremner 9. 1996, William H. Macy & Steve Buscemi 14. 1984, F. Murray Abraham & Tom Hulce 15. 1946, Cary Grant & Ingrid Bergman 16. 1972, Laurence Olivier & Michael Caine 18. 1986, Keith David & Forest Whitaker 21. 1979, Tom Skerritt, Sigourney Weaver 22. 1995, Robert De Niro & Sharon Stone 24. 1940, Laurence Olivier & Joan Fontaine 25. 1995, Al Pacino & Robert De Niro 27. 1927, Alfred Abel & Gustav Fröhlich 28. 1975, Roy Scheider & Robert Shaw 29. 2000, Jason Statham & Benicio Del Toro 30. 2000, Guy Pearce & Carrie-Anne Moss Down 2. 2009, Sam Worthington & Zoe Saldana 3. 2007, Patton Oswalt & Iam Holm (voices) 4. 1958, James Stuart & Kim Novak 6. 1974, Jack Nicholson & Faye Dunaway 10. 1982, Ben Kingsley & Candice Bergen 11. 1990, Robert De Niro & Ray Liotta 12. 1986, Sigourney Weaver & Carrie Henn 13. 1942, Humphrey Bogart & Ingrid Bergman 17.
    [Show full text]
  • Virtuality Conference Program
    Virtuality Conference Turin, November 3-6, 2005 Program THURSDAY, NOVEMBER 3rd morning TORINO INCONTRA CONVENTION CENTRE 8:30 Registration and opening of the XBOX Room, of the Immersive ART Room and of the exhibition stands Cavour Hall 9:00 WELCOME AND INTRODUCTION Gianfranco Balbo Computer Science Department’s Vicerector at the University of Turin and President of the Virtuality Organizing Committee. 10:00 TRIBUTE TO The Moving Picture Company (MPC) With Michael Elson Executive Director of Production at MPC. Moving Picture Company, MPC, is one of the most important studios worldwide concerning animation and digital effects for commercials, television and cinema. MPC created very high profile advertising campaigns for clients like Nike, Levi’s, Stella Artois and Adidas, TV programs for BBC, Channel 4 and Discovery Channel, and it took care of the visual effects for many blockbusters: from Tomb Raider to the Harry Potter series, from Troy to Alien vs Predator, from Batman Begins to the recent Charlie and the Chocolate Factory and the coming Wallace & Gromit: The Curse of the Were-Rabbit. During the MPC’s presentation, Michael Elson traces its history, telling it through its most important productions. 11:15 ANIMATION AND VISUAL EFFECTS. SESSION I INVITED TALK The Past, Present and Future of Motion Capture Alberto Menache Digital Effects Supervisor at Sony Pictures Imageworks A motion capture pioneer, Alberto Menache collaborated with most of the test Sony Pictures Imageworks productions, including the recent The Polar Express and the Academy Award nominated Stuart Little2 and Superman Returns. He has worked on many TV commercials and videogames, and he is the author of Understanding Motion Capture for Computer Animation and Video Games, a fundamental text about the use of motion capture in modern animation.
    [Show full text]
  • Hauptprogramm2005 21.09.2005 15:07 Uhr Seite 15
    Hauptprogramm2005 21.09.2005 15:07 Uhr Seite 15 Sonntag, 9.10.2005 Sunday 10/9/2005 Kino 1 Kino 2 Kino 3 Kino 6 9.00 9.00 9:30 From 9.30 on Registration 9:30 9:30 and Petit Déjeuner in the lobby. eDIT: eDucation im Kino 6. 10:00 Filmproduction in the Digital Age Der Crashkurs für Jugendliche 10:00 Tagesseminar (in German language) und Quereinsteiger: 10:30 10:30 a&t 10:30 p&i 10:30 f&s Arbeit und Karriere in der 10:30 Film- und Medienbranche. AVANTGARDE! Storyboard und Previsualisierung War of the Worlds Eintritt frei bei Anmeldung. Hermann Vaske & Klaus Funk, Studio Funk: Blixa Mareike Hilgenfeldt. presented by Marshall Krasser, Compositing Programm unter 11:00 Bargeld liest Hornbach. Michel Goldschmidt, ar- Supervisor, Industrial Light & Magic. 11:00 www. edit-ves.com. te: Das CD von arte. Tina Kowatsch, Die Manuf- (In German Language) 11:30 aktur: Die adc-Trailer. 11:30 p&i 11:30 Arbeiten mit HD Kamera Thomas Bergmann, DoP. 12:00 12:00 12:30 12:30 c&a 12:30 p&i 12:30 12:30 The Next Generation of Computergames HDTV: der digitale Adobe presents Henry LaBounta, EA Games. kinematographische Workflow Making of Kampfansage 13:00 Volker Kersbaum, Panasonic Broadcast. Steffen Hacker. 13:00 13:30 13:30 14:00 14:00 a&t 14:00 Truth Well Told – Storytelling in Commercials Amir Kassaei, DDB: Golf GTI – Für Jungs, die schon 14:15 14:30 immer Männer waren. Jan Wentz/Fabian Heine, 14:30 p&i 14:30 f&s eDward:Shortfilm Award 14:30 Erste Liebe Film: Smart – Parkuhr.
    [Show full text]