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AtlantaTHE MONTHLY MAGAZINE OF THE ATLANTA MEMORIALArts ARTS CENTER NOVEMBER 1976 HesOneOf The Souths Brightest Architects, An MIT Graduate, AnLIrbanRevitalist And AGoodOl Boy

Harry Charles Wolf III of step back and look at it in what this New South, is Charlotte, North Carolina, relation to older buildings all about. It’s actually the was bom and reared in the around it. We make sure real South.” South same as his father and that the new building will The New South. It’s full grandfather. Harry of real Southerners. watched the emergence Oh, they ’re movers of the New South and and shakers alright. is now helping build it, But beneath it all that revitalizing Southern good ol’boy is still cities. “Everybody down alive and well. It’s the here was trying to catch part of us that holds up with the North and onto that little bit of old that wasn t all good. amidst all this new. Whole city blocks were You can see it in the demolished, the good buildings Harry builds with the bad. Up went and in the bourbon he the shiny buildings like drinks. Rebel Yell. The you’d see anywhere. The t bourbon of the South. went part ofour heritage.’’ be an intruder. It must Made and sola only below Harry Wolf believes the strengthen the individual the Mason-Dixon line, and South should rebuild instead characteristics of the city. We tailored exclusively for ofiust build. “Weshould keep must recognize what they are ■■ Southern tastes. and build on them and ..ij| Rebel Yell's whisper not be bringing ourselves of wheat imparts a one graphic step closer luxurious flavor to conformity. |3| found in no other We re fortunate to ■ premium bourbon. have an identity Next time ask and a heritage. The for Rebel Yell and South isn’t like any water. A part of place else and doesn ’t » the real South what’s not, instead of just have to be. We can have REBEEYELt enjoyed in the changing everything. When the best of both u>orlds. New South by we start a new building we Were unique. That’s •‘"taai'yij!*-1 those who know. DEEP S(

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HIGH MUSEUM OF ART Special Exhibition ", . . Remember the Ladies . . Women in America 1750-1815 On View at the High Museum Through November 14 This exhibition gathers together portraits (including paintings by Copley and Peale), furniturejewelry, needlework, silverware, costumes, implements, and manuscripts to provide an overview of the American woman of the Revolutionary period. Organized by Conover Hunt and historian Linda Grant de Pauw, the exhibition seeks to illustrate class differences while looking at women participating in war, education, politics, arts, and child-rearing. ", .. Remember the Ladies ...” is supported by grants from Philip Morris, Inc., Clairol, the National to come to our collections Endowment for the Arts, and the National Endowment for the Humanities. An of fashion for the illustrated catalogue, published by Viking Press, containing essays by Ms. Hunt and entire family, the home, Ms. De Pauw. is available in both hard and gifts and antiques too. soft cover. Do stay for luncheon

New Installations of 18th Century or tea at our Bird Cage Ceramics Opens November 29 on Museum's Third Floor restaurant, open every Through the generosity of Mr. and Mrs. shopping day. Lord & Taylor, G. Ryland Scott and their families, the nationally-celebrated Scott-Allen Phipps Plaza, Peachtree Collection of porcelains has been made Road between Wieuca available to the High Museum on long­ term loan. This remarkable collection is and Lenox Roads. 266-0600 broad in scope, with tablewares and figures from more than 25 factories, including Monday through prime examples by leading modelers and painters, tracing the production of Saturday 10:00 a.m. to European porcelain from its discovery at 6:00 p.m., Monday and Meissen in 1709 to the rare Welsh Nantgarw made a century later. Thursday evenings until In conjunction with this special installation, the English ceramics from the 9:00 p.m. . ______3 MUSE’S PROUDLYANNOUNCES THE RETURN TO • ELEGANCE. T

-IFVE fHE eaning jk

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Frances and Emory Cocke Collection will be displayed along with other English Sears wares from the museum’s permanent collection (gifts of Mrs. Thomas K. Glenn, Mrs. Clifford Early and others). In all, the McBurney Decorative Arts Gallery will present over 350 pieces, illustrating a So many ways to magnificent century of European art and Shop at Sears technology. and SAVE! Got a Match? The High Museum has received its 8 BIG STORES IN ATLANTA open every night and Sunday afternoons fourth matching grant from the National Endowment for the Arts for the purchases of works of art by living American artists. 17 Appliance Catalog Stores all around the Atlanta area Needless to say, we are terribly pleased about this, but now we are obliged to find $20,000 necessary to match the grant. We 24 Hour Catalog Shopping by phone from home, call 892-4242 have, in the past, been able to acquire some of our major contemporary works through Surplus and Bargain Stores these grants and the interest on the part of with closeouts from catalog and stores our members or suggestions on funding sources will be welcomed by the museum PLEASE SEE YOUR staff. TELEPHONE DIRECTORY FOR MORE SPECIAL SERVICES INCLUDING ■ ATLANTA CHILDREN'S THEATRE SEARS CARPET CLEANING ACT on Tour call 351-4082

Atlanta Children’s Theatre concludes its SEARS DRAIN & SEWER SERVICE Atlanta run of Legend of the Silver Arrow call 892-6565 with a special performance for the ACT Guild Night November 5. SEARS DRIVING SCHOOL The company then begins a tour call 352-3400 throughout Georgia with a week’s run at FLOWERS BY SEARS the Cobb County Civic Center followed by call 325-0337 (Atlanta) performances in Jackson, Griffin, and or 422-0656 (Marietta) Macon. Once again the wizardry of production SEARS MEAT & FROZEN FOOD stage manager D. Wayne Hughes, call 325-5359 technical director Reid Pierce, light SEARS RENT-A-CAR designer Carol Graebner, and company call 261-6700 (Buckhead) manager Bix Doughty will be required to or 659-5010 (Downtown) set up a production of this magnitude on tour. The Alliance Theatre stage in Atlanta SEARS TERMITE & PEST CONTROL is 60 feet wide while in several tour stops call 351-4082 I the stage width is half that. Pierce carefully constructed the elaborate set to be completely portable and the entire set up can be accomplished in a few hours including the complicated special effects. During the one hour show I 27 lightning bolts explode, thunder roars, 5 THE FLUID LINES OF GREAT DESIGNS. From our very complete collection of Omega watches for women, these ideas in 14 karat yellow gold, with and without diamonds. Classics all, and only a sampling of what we can show you when you come in. Something Beautiful for Everyone. SM Bailey Banks & Biddle World Renowned Jewelers Since 1832 181 Peachtree Street, N.E. • Atlanta Greenbriar Center • South DeKalb Mall Perimeter Mall • Northlake Mall Lenox Square Also Macon Mall • Macon boulders spew out of the mountain and the entire mountain becomes inflamed in actual fire. “After the Georgia tour ACT is considering the possibility of touring the show nationally plus a three week engagement in Toronto,” explained Doughty.

SPIRIT OF RAIN ... is just one of the formidable foes Little Eagle must face in his quest to earn the silver arrow, the symbol of manhood. Thomas Price plays the role in the ACT production of Legend of the Silver Arrow.

Acting Workshops Underway For Atlanta Area Youngsters A new program to provide Atlanta area youngsters with a diversified theatre arts curriculum is underway co-sponsored by the Atlanta Children’s Theatre and the Atlanta Junior League. Designed for fourth through seventh graders, a series of acting workshops is conducted after school in the schools in Fulton, DeKalb, and Cobb counties. The introductory course includes theatre games, acting exercises, scene j.p Allen study, role preparation and public presentation of improvisations and scenes. A second course follows with emphasis Ptlonto on play construction, building the role, Women’s and children’s fashions, scene dissection, and acting technique. Each series is composed of 15 hour and a cosmetics and gifts. half sessions. All areas of technical production also are discussed, such as A luxurious designer costume lighting, costumes, make-up, set design, in camel. One from an elegant and construction. collection in our Sports Shop. Director of these workshops is Joe Catalinotto who came to Atlanta from We invite you to visit any of Weston, Connecticut, to assume this post. our five stores. Catalinotto has years of experience as a DOWNTOWN, LENOX SQUARE. GREENBRIAR. (continued on pageZfLlIII NORTHLAKE. CUMBERLAND MALL 7

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Thursday, Friday, Saturday, 8:30, November 18, 19, 20, 1976 & Sunday, 2:30 November 21, 1976 HIROYUKI IWAKI Conducting WALTER KLIEN, Piano

PROGRAM

TAK.EMITSU * Winter

MOZART * Concerto No. 16 in D major for Piano and Orchestra, K. 451 (1784) Allegro assai Andante Allegro di molto

INTERMISSION

BERLIOZ Symphonic Fantastique (1830; rev. 1831) Visions and passions A ball In the country Procession to the stake The Witches Sabboth

* First performance at these concerts. The use of cameras or recording devices during concerts is strictly prohibited.

This concert will be broadcast on a delayed basis by Atlanta Public Radio, WABE-FM, 90.1, Tuesday evening at 8:30.

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A whole new season of cooking classes and demonstrations ... all in Rich’s Cooking School, Downtown. In the classes, you do the cooking. In the demonstrations, you watch and taste. Classes are available in basic and advanced levels. For prices, schedules and details, call 586-2525. PROGRAM NOTES by David Hinshaw

Winter Toru Takemitsu Symphonie Fantastique (b. October 8, 1930) Hector Berlioz (1803-1869) “It seems to me that most contemporary This third and last Berlioz work of our music carefully avoids the past. 1 am not 1976-1977 season is the best known of his afraid of it. On the contrary, I need at the amazing output. Historically speaking, the same time whatever is newest just as much Symphonie Fantastique is the first in as I need whatever is oldest. However, the several innovations. It is the first Unknown is found neither in the past nor symphony ever composed to be exclusively in the future, but in reality, simply in the a program symphony. It is the first use of immediate present.” So states the 46 year the idee fixe and it is the first symphony old Japanese composer of Winter. which strays from the classical forms. Takemitsu is the leading composer of Everyone is aware that this work was Japan and a favorite of Mr. Iwaki. inspired by Berlioz’s unrequited love for Winter was composed for the opening the Irish actress Harriet Smithson. of the Winter Olympics in 1972 held in Eventually his persistence and ever Sapuro. It is a work that combines both increasing love won her. Shortly meter and time in terms of seconds. Color afterwards he began having an affair with or orchestration appears to be the main Marie Recio, a reputed “bad singer.” element taking precedent over melody. Much has been written and discussed about the real or imaginary trip of Berlioz Concerto No. 16 in D Major for Piano and in this work. The Grove's Dictionary of Orchestra, K. 451 Music has, to this writer, placed the work (1756-1791) in the correct historical perspective. “With Written in 1784 while living in all its insufficiencies, its faults, its this 16th of 25 piano concerti is monstrosities, its composite nature devoid representative of Mozart’s third and last of any other unity than that of its program period of concerti writing. The first four and the idee fixe, this powerful symphony (K. 37, 39-41) were adaptations from is of considerable historical importance; works by other composers written while he not by reason of its form or even of its lived in Salzburg in 1767. The second original inventions, mingled as they are period comprises original concerti (K. 175, with banalities and platitudes, but by 238, 246, 271) also written in Salzburg reason of its psychological content. It between 1767 and 1773. The third and last marks the striking entry, the indiscreet period consisting of the last seventeen were intrusion, even, of a musician’s private life written between 1782 and his death in into his work. Remove its dramatic 1791. significance or its program, and the work Mozart took the stagnant concerto form ceases to deserve all the regard it enjoys; its and developed it not only in terms of form, artificiality and its looseness become but also expanded on the melodic and apparent, and pure musicians see only too technical range of the instrument. Further clearly that it does not bear comparison he developed the accompaniment. The with Beethoven’s symphonies, with which orchestral effects prior to this time had it is roughly contemporary. Nevertheless, been less imaginative. Mozart developed this domination of a man’s life—real or this to the point that no longer were the imaginary—and a man’s feelings—true or orchestra musicians playing boring invented—over a musical work is a subordinate themes but began even to play staggering event of incalculable portent.” the principal themes in contrast to the This work is the first use of idee fixe, a soloist. recurring motive representing the com­ This work scored for one flute, two poser’s obsession with his love for “that oboes, two bassoons, two horns, two •girl Smithson,” which eventually leads him trumpets, timpani, and strings was written to suicide. The idee fixe was later taken by for Mozart himself to perform on one of Richard Wagner and developed into the the many concerts he arranged in Vienna. leitmotiv. 11 ii ELSA PERETTI’S DIAMOND CROSS PENDANT OF 18 KARAT GOLD SET WITH ) DIAMONDS ON A FOURTEEN | INCH CHAIN, * 375. ALSO IN PLAIN £ GOLD, « 99.

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12 GUEST ARTISTS

HIROYUK1 IWAKI Hiroyuki Iwaki was Hollywood Bowl, directing three much- born in Tokyo in 1932. acclaimed performances of the Los Although his family Angeles Philharmonic. was non-musical, he His 1972-73 season included a tour of learned to like music by Australia, with the NHK Symphony, as listening to the radio. well as guest appearances with the He studied music at Minnesota, Toronto and Atlanta Tokyo’s Toho Con­ symphony orchestras. servatory, and his first Iwaki is now music director of the NHK important post was assistant conductor of Symphony, a radio orchestra in Tokyo, the NHK Symphony, which was regarded and the chief conductor of the Melbourne as one of Japan’s finest orchestras. Symphony. Since January of 1973 he had Iwaki became chief conductor of the been the chief conductor of the Hague NH K Symphony in 1956. During his years Philharmonic, until he accepted the with the NHK he led the Orchestra on a Melbourne post. number of tours throughout the world. He Iwaki last visited Atlanta as a guest has also guest conducted some of the conductor in February of 1975. John worlds foremost orchestras, including the Schneider of the Atlanta Journal wrote of Berlin Philharmonic, the Vienna his performance, “Although Iwaki is by no Symphony, the Leningrad Philharmonic means an advocate of the motionless and the NDR Orchestra. school of conducting his movements all Iwaki’s United States debut came in seemed geared to provide a maximum flow 1967 when he was invited to conduct the of energy into the music itself. . . .” Detroit Symphony at the Meadow Brook Iwaki is married to a pianist, who also Festival. From there he went to the travels the world.

"DON'T BE A NO-SHOW" If you cannot come to a concert in your series, please avoid leaving your seat empty. Please turn your unused ticket in to the box office for resale. You will help the Orchestra, someone else will have a chance to hear the concert, the house will be full and you will obtain a tax credit far the amount of the ticket resold. To release your ticket, simply call the number below, preferably before 5 P.M. on the day of the concert, and give your name and seat location. 892-2414

13 HARRY LAMBERT’S GOING TO HAVE A BABY. Harry’s over the hill. His wife’s over the pill. And the stork’s gaining on both of them. Which all goes to show. It’s never too late. Evening performances Tuesday, Wednesday, Thursday and Sunday, $15. Friday and Saturday, $17. Sunday and Wednesday matinees, $10.50. Free parking in Peachtree Cain Garage. American Express and other major credit cards accepted.

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14 ARTISTS (continued)

WALTER KLIEN Walter Klien is a major since 1954 he has toured extensively, performer in the music performing in recitals and with major world today. A London orchestras around the world. news release once wrote After his performance with the Scottish that, “He is in every National Orchestra, the Glasgow Herald respect a perfect artist.” said, “He played powerfully but not Walter Klien is one over-percussively, and his superb technique performer for whom was matched by his deep feeling for the reviewers around the music’s individual idiom.” world have nothing but praise. In Walter Klien’s performance with the Washington, Israel, Cleveland, Detroit, Philadelphia Orchestra merited Los Angeles, and Vienna, they have lauded paragraphs of praise from the Albany his performances as “superb,” “grandiose,” Times-Union's music critic, “Klien draws “unforgettable,” and of the “highest the music inward with quicksilver fingers. quality.” His runs are meltingly smooth. Each note This Austrian born pianist graduated seems to float off the keyboard onto the air from the Academy of Music in Vienna and and hang there suspended. . . . We deserve completed his studies with Arturo to hear more of his marvelous playing.” Beneditti-Michelangeli and Paul Walter Klien, a performer of perfection, Hindemith. He began his public life at the is a man who indulges himself in the music age of 18, and for the first 10 years he he plays; and “one who,” according to the remained mostly inside of his own Philadelphia Evening Bulletin, “has homeland. absorbed the music and found the kind of His outstanding performances have expression that convinces and justifies the merited him numerous prizes in intent of the creator.” international piano competitions, and

The broadcast of tonight’s concert, which can be heard on Atlanta Public Radio, WABE-FM, 90.1, at 8:30 p.m., on Tuesday evening, is made possible by the special permission of the Atlanta Federation of Musicians, Local 148-462, the Atlanta Symphony Players’ Association and with the support of the Georgia Council for the Arts and the National Endowment for the Arts.

SAVE YOUR STUBS!

If you purchased a single ticket to tonight’s concert and liked what you heard, you may want to consider buying season tickets to the Atlanta.Symphony’s 1976-77 season. If so, the price of your single tickets will be deducted from the cost of the series subscription you purchase—and there are 12 different series to choose from. And you will join hundreds of Atlantans who are already enjoying the benefits of the season subscriptions to the Atlanta Symphony Orchestra—savings of up to 41 per cent over single ticket prices and up to 10 free concerts. So SAVE YOUR STUBS—and. for further information, call Mrs. Nancy Burke, Director of Season Tickets, at 892-3600, Ext. 253.

15 THE FASHIONS AND "fin Evening BEAUTY CONCEPTS ATLANTA WOMEN LOVE Without AT Buchwald... gegenstem’s or Where DOWNTOWN, BUCKHEAD, NORTH DEKALB, PERIMETER MALL is firt?" COLUMNIST ART BUCHWALD S FAN­ CIFUL IMAGINATION COMES ALIVE AS ONLY THE WITS CAN DO IT In song In dance In pantomime Insanely tunny A First Art Buchwald writes for the Wits A presentation of the Empire Suite Dinner Showcase Tuesday through Saturday 7 PM Dinner and Show. Sf4 per person Saturday 1115 PM Late Show S3 50 per person Tues­ day Buffet Luncheon at 12 with Show Best of Wits at 1 15PM. S4 95 per person Group Rates THE WITS END. 14TH SEASON. MORE OUT-OF-SIGHT THAN EVER! RESERVATIONS 892-2227.

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ROBERT SHAW Music Director and Conductor MICHAEL PALMER Associate Conductor and EXXON/Arts Endowment Conductor John Head Assistant Conductor John Naskiewicz Conducting Fellow

The Mr. & Mrs. Howard R. Peevy Concertmaster Chair is endowed by the Tommie & Howard Peevy Foundation

VIOLIN* FRENCH HORN William Steck Kathleen Kee Bruce Klingbeil John Henigbaum Concertmaster Principal Martin Sauser Larry LeMaster Nan Maddox Brice Andrus Co-Concert master Assistant Principal Robert Harrison Bonita Potts Paul Warner Thomas Witte Associate Concertmaster Christopher Scheufler Willard Shull BASS* TRUMPET Assistant Concertmaster Dale Schmidt David Arenz Principal John Head Principal Second Violin Jane Little Principal Oscar Pereira Associate Principal Joseph Walthall Assistant Principal Ralph Jones Assistant Principal Second Violin Assistant Principal Prin. Second Trumpet Jaqueline Anderson Harvey Kaufman Larry Black Frances Arm Michael Kenady TROMBONE Shalom Ben-Uri Thomas Thoreson Sharon Berenson Randolph Ujcich Harry Maddox Piotr Haase Wiley Weaver Principal Martha Reaves Head Richard Hansbery Stephen Horvath FLUTE Donald Wells Ruth Little Warren Little BASS TROMBONE Karen Matthews Principal David Myford Paul Brittan Donald Wells Thomas O'Donnell Assistant Principal Alice Oglesby TUBA Prin. Second Flute Michael Moore Lorentz Ottzen Angela Allen Benjamin Picone TIMPANI Susan Pitard PICCOLO Carol Ramirez Paul Yancich Juan Ramirez Angela Allen Principal Ronda Respess William Wilder OBOE Assistant Principal Richard Robinson Elaine Douvas Patricio Salvatierra PERCUSSION Edward Scruggs Principal Ann Pinney Steck Elizabeth Camus Jack Bell Patricia Vas Dias Assistant Principal Principal Frank Walton Prin. Second Oboe Eugene Rehm Patrick McFarland William Wilder VIOLA* ENGLISH HORN HARP Robert Jones Principal Patrick McFarland Judy Beattie Peter Bertolino CLARINET KEYBOARD Assistant Principal Norman Baker Alice Oglesby Ardath Cohen Acting Principal John Detrino William Rappaport PERSONNEL MANAGER Manuel Diaz Douglas Smith Martin Sauser Enid Jones Marion Kent BASS CLARINET PERSONNEL MGR. EMERITUS Haskell Marrinson Douglas Smith Harry Robkin Heidi Moss Nitchie Robert Parcells BASSOON LIBRARIAN Carl Nitchie David Hinshaw CELLO* Principal Stephen Horvath, Ass't. Robert Marsh Charles Nussbaum STAGE MANAGER Principal Assistant Principal Edmond Basson Prin. Second Bassoon Michael Destazio Assistant Principal Daniel Dowdakin Patrick Noon, Ass't. Jere Flint Kay Gardner CONTRA BASSOON Daniel Dowdakin 'Players Listed Alphabetical!>

ADMINISTRATIVE STAFF FRANK RATKA, General Manager RICHARD W THOMPSON. Assistant Manager WILLIAM W. BROWN, Director of Public Relations PETER J. STELLING, Director of Development MRS. IRENE MOORE, Asst. Dir. of Public Relations MRS. NANCY BURKE, Director of Season Tickets MISS PAT PERRY, Fund Raising Coordinator ROBERT A. HOLZER, Symphony Hall Manager MISS BETTY DAVENPORT, Secretary MISS NOLA FRINK, Choral Secretary MISS HILDA EVANS, Secretary MRS. MARILYN HAASE, Secretary, Women's Assn. MS. MARY WALTON, Receptionist/Secretary

17 MAN SHALL NOT

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Wednesday, Friday, Saturday, 8:30, November 24, 26, 27, 1976 HIROYUKI IWAKI Conducting VLADIMIR ASHKENAZY, Piano

PROGRAM

PROKOFIEV Symphony No. 1 in D major, Op. 25 (Classical) (1916-1917) Allegro con brio Larghetto Non troppo allegro Molto vivace

BARTOK Concerto No. 3 for Piano and Orchestra (1945) Allegretto Adagio religioso Allegro vivace

INTERMISSION

RACHMANINOFF Concerto No. 3 in D minor for Piano and Orchestra, Op. 30 (1909) Allegro ma non tanto Adagio Alla breve

The use of cameras or recording devices during concerts is strictly prohibited.

This concert will be broadcast on a delayed basis by Atlanta Public Radio, WABE-FM, 90.1,Tuesday evening at 8:30.

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20 PROGRAM NOTES by David Hinshaw Classical Symphony Sergei Prokofiev we hear a good example of Bartdk’s “Night (1891-1953) Music.” He had a life long predeliction for After showing remarkable gifts as both a imitating the sounds of night. composer and pianist, at the early age of six While at first glance Bartdk’s chordal Prokofiev entered the St. Petersburg structure appears to be simple, his use of Conservatory. It was here that be began his them within a particular tonality is free and studies of theory and composition with complex. He extended the tonalities of the Rimsky-Korsakov, Liadov, Wihtol and 18th century by simply using a number of Tcherepnin. Following his graduation at nonfunctionary chords. The most the age of eighteen in 1909, he stayed at the important feature of his extension of conservatory to continue his studies tonality was the simultaneous use of leaving in 1914 with the highest prize several different modes on a common awarded to a pianist. tonic. The major-minor chord is an The Classical Symphony is often example of this technique and can be heard reputed to be a mere imitation of the throughout this concerto. Haydn Mozart period. Written during 1916 and 1917 this work follows the form Concerto No. 3 in D Minor for Piano and and orchestra of the earlier classical Orchestra, Op. 30 Sergei Rachmaninoff composers, but projects a definite sense of (1873-1943) originality in its thematic material. Often Like Bartok, Rachmaninoff migrated Prokofiev remarked that he wrote simple because of political reasons to the United music because he was writing for simple States. He divided his time between his people. home in Beverly Hills and his home on Unlike the other Russian composer on Lake Lucerne in Switzerland. Unlike tonight’s concert, Rachmaninoff, Bartok, he received much praise during his Prokofiev remained in Russia following life as a composer. the Revolution. His music, in particular his This third of four concerti was written early works, was designed to exhilerate the for an American tour in 1939. It was in listener, not transmit an emotional November of that year that Rachmaninoff, statement. It is for this reason among himself a noted pianist, played the work others that he never received the official with Walter Damrosch conducting. endorsement of the Russian State. It is interesting to note that while this work is less popular than his Second Concerto No. 3 in D Minorfor Piano and Concerto it was, however, Rachmaninoffs Orchestra Bela Bartok (1881-1945) favorite. It was played innumerable times Concluding tonight’s concert, the gifted at memorial concerts for Rachmaninoff Vladimir Ashkenazy will play two concerti after his death. by two composers living at the same time The biographer of Rachmaninoff, John yet with a very distinctive difference in Culshaw, has called this work “a style. masterpiece of conciseness.” It is Bartok never finished his third concerto. interesting to note, however, that most Death took him while he was still working performances of this work are done with on the end of the third movement. After his several cuts thus concising the conciseness. death it was finished, a job of mostly orchestration. The broadcast of tonight’s concert, Bartok, himself a virtuoso pianist, which can be heard on Atlanta Public discarded nearly all the conventional Radio, WABE-FM, 90.1, at 8:30 p.m., pianistic figures and concentrated on the on Tuesday evening, is made possible chordal, homophonic and percussive by the special permission of the Atlanta possibilities of the piano. This is very Federation of Musicians, Local 148- clearly heard in the exquisite second 462, the Atlanta Symphony Players’ movement, a movement so technically Association and with the support of the simple yet so peacefully beautiful. Georgia Council for the Arts and the It is also in this second movement that National Endowment for the Arts. 20 a Industrial, Office, Retail or Residential, we know real estate... from the ground up.

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20 b GUEST ARTIST

VLADIMIR ASHKENAZY the piano,” “the greatest living pianist of Since nineteen years his generation,” and “one of the finest of age, when Vladimir living keyboard artists.” Ashkenazy won the Ashkenazy’s subsequent tours to the first prize in the Queen United States have met with equal Elizabeth Competition acclaim. His American engagements have in Brussels, he has been included appearances with the orchestras astounding audiences of Philadelphia, New York, Chicago, and capturing the Cleveland, Boston, San Francisco, laudations of critics worldwide. Detroit, and Los Angeles; in addition to Born in Russia in 1937, he began his solo recitals and a series of duo recitals musical studies at the age of six, and two with the renowned violinist Itzhak years later entered the Central Music Perlman. School in Moscow where for ten years he Concerning one of the recitals he gave in studied with Anaida Sumbarian, which Washington in February, 1974, the was followed by further study at the Washington Post commented, “He was Moscow State Conservatory with the great clearly a phenomenal talent when he first teacher, Lev Oborin. came to international attention over two His success at nineteen years of age decades ago. By now, he has developed created demands for his appearance into one of the foremost performing around the world. His first tour took him musicians of his era. ... He has reached the to Belgium, Holland, West Germany, and plateau of accomplishment to which all Poland. In 1958 he made his first tour of artists aspire, in which every facet of his art North America, and he has returned seems complete: physical facility, repeatedly since. musicianship, intellectual grasp, style and His first performances in the United expressive power.” States generated “sell-out” crowds, and he Ashkenazy is now an Icelandic citizen. became a favorite of the music reviewers. He lives in Reykjavik, with his wife Dody They extolled him as “the young poet of and their four children.

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ATLANTA SYMPHONY ORCHESTRA LEAGUE

President Robert G. Edge Lawrence J. McEvoy, Jr. LIFE SPONSORS David Goldwasser Herbert R. Elsas Tom M. McLain, Jr. Mrs. Frank L. Burns Vice Presidents Mrs. Edward E. Elson George K. McPherson, Jr. Mrs. Murdock Equen Dr. Dan Burge Richard C. Everett Paul E. Manners Mrs. Lon Grove Bradley Currey, Jr. Washington Falk, III N. Barnard Murphy Mrs. Granger Hansell Mrs. Charles E. Watkins, Jr. Arthur G. Foster F. W Nichols Byron Harris Mrs. L. Neil Williams Ms. Shirley Franklin H. Burke Nicholson, Jr. Mrs. Julian Hightower Secretary Mrs. Henry Geigerman, Jr. Dr. Marvin B Perry, Jr. Mrs. Lewis Hirsch Paul A. Ebbs, Jr. L. L. Gellerstedt, Jr. Mrs. Theophile Raphael ♦Charles Jagels Treasurer Mrs. John R. Guy Mrs. David A. Reinach C. K. Liller Mrs. Drew R. Fuller * Joseph F. Haas Mrs. William E. Schatten Mrs. Mason Lowance Mrs. John R. Hall Shouky A. Shaheen Michael McDowell BOARD OF SPONSORS Dr. J. Rhodes Haverty Grant G. Simmons, Jr. Mrs. Lawrence J. McEvoy Peter Abreu Mrs. J. Rhodes Haverty Dr. Grace B. Smith Mrs. Louis Moss A. Leigh Baier Lee H. Henkel, Jr. H. Hamilton Smith Mrs. Bernard Neal James E. Barnett Mrs. Jesse Hill, Jr. W. Rhett Tanner Mrs. T. Erwin Schneider John M. Bragg Samuel E. Hudgins Mrs. Ralph K. Uhry G. Maynard Smith Tom M. Brumby Mrs. Bunnie Jackson John A. Wallace Mrs. Howard C. Smith Mrs. Robert W. Chambers Dr. Herbert Karp L. Neil Williams * Charles L. Towers William F. Clark Louis Kunian Murray D. Wood * Charles R. Yates Dr. B. Woodfin Cobbs, Jr. Dr. Noah Langdale, Jr. Robert M. Wood Eugene Young Dr. John W. Cooledge Mrs. Elizabeth Lochridge Mrs. William B. Wylly Edward S. Croft, Jr. Frank Ratka, General Manager *Past Presidents

20 c 1975 Commonwealth of Puerto Rico

In tonight’s martini the part of gin and vodka will be played by white rum.

■> ■».’

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White rum from Puerto Rico in a nationwide test. That’s because will finally play the role its distinctive all white rum from Puerto Rico is clarity and smoothness have so well aged for at least a year—by law. prepared it for. White rum is ready to take a In fact, white rum has already leading role in the martini. proven itself in rehearsal. It beat gin Like any new star, all it and vodka on taste and smoothness needs is a chance. PUCRTO RKRR RUHIS TRAVELOGS

SYMPHONY HALL SUNDAY, NOVEMBER 28 2:30 & 5:00 P.M.

Bill Herring’s WORLD TRAVEL FILMS

present ^>l)aiioto anb l&pteniior ... anb its (impress ^It^abetlj

Presented in person by HOWARD MEYERS & LUCIA PERRIGO

Shadow and Splendor is the culmination of three years of research and filming by husband-wife team Howard Meyers & Lucia Perrigo. the Meyers worked closely with Archduke Hubert Salvator of Austria and with Prince Constantine and Princess Augusta of Bavaria, great-granddaughter of the Empress. Through their gracious assistance, access was gained to private royal letters and diaries and to State Archives. Recalling the royal and romantic age of the Austro-Hungarian Empire, Shadow and Splendor is set to the waltz-time of Strauss, a travel-theater tale of the most radiant queen who ever lived. Born to the splendor of a throne, doomed to the shadow of tragedy, the story of Elizabeth is high drama set upon a stage of unsurpassing beauty . . . Austria! The film focuses on Elizabeth, bride of Emperor Franz Josef and mother of that royal rebel, the Crown Prince Rudolf. It penetrates the mystery of Mayerling, commands your presence at the most brilliant court in Europe, steps inside resplendent palaces, the royal rooms and private apartments of the Hapsburgs. It bids you enter the magnificent Winter palace, the Hofburg; be guest in the great halls and glorious gardens of the Summer palace, Schoenbrunn. In colorful cavalcade, the screen story commences in a castle beside an Alpine lake in Bavaria where Elizabeth was born, unfolds superb scenes of baroque Munich where she grew up, moves to courtship in the mountain wonderland of Austria’s Salzkammergut and journeys down the Danube, flower-decked for Spring, to a royal wedding in Vienna. Scenes of vintage Vienna come vividly alive as all the excitement and elegance of the Hapsburgs is spread before your eyes . .. their palaces, carriages, crown jewels, gold table 21 Barbara Pickett "ios panache. It’s in the way she works. Managing the Nearly New Shop, getting involved with a political cause, or taking charge of a charity drive. And it’s in the way she plays. Skiing down a white powder slope in Vail, or whacking a tennis ball at the club. And it's in the way she looks. Casually elegant, yet excitingly different. Barbara has it. Panache. And now Atlanta has it. Panache. Four excitingly different hair salons for the excitingly different woman. Styling for the creative you, the casual you, the unique you. Styling that holds up at work. And at play. Panache locations are in Dunwoody (451-8386), Sage Hill (873-1849), Toco Hills (636-3029), and Sandy Springs (252-2306). Panache. Hairstyles for the way you live. panache service, fabulous furnishings and sumptuous art. All the glories of monarchy dazzle the eye while an entrancing musical score enthralls the ear. For the first time, come to the forest fastness of Piber, wild and wonderful home of those royal horses, the Lippizans, who race its mountain pastures until summoned to a palace of their own, the majestic Spanish Riding School in Vienna. Towering climax comes in the shadows of the Swiss Alps, beside the Lake of Geneva, where the Empress was martyred.

There will be one short intermission

Introducing . . . HOWDEE MEYERS and LUCIA PERRIGO The Meyers are Chicagoans by birth. Howdee is head of his own film producing firm, Howard B. Meyers Productions, and Lucia is assistant to management and director of public relations for the Ambassador Hotels and the fabulous Pump Room. This husband-wife team is unique in the travelog business, being the first couple to combine their talents and knowledge of show business to produce travel-theater, dramatic documentaries that wed story-line to superb scenery. Together, the Meyers have stalked big pictures as if they were big game, to capture much of the world’s beauty and excitement, its history and happenings. When the Meyers take to the air and road with their cameras, their prime purpose (after two or three years of research) is to focus on historical faces of the world, to put on film life and laughter, the triumphs and tragedies of some of the world’s most fascinating and colorful personalities. Howdee and Lucia bid you to come along with them in search of the life story of Elizabeth.

A HAPPY HOLIDAY TO YOU ALI

We’ll see you in seven weeks when we travel to the countries of the High Himalayas, rooftop of the world. Come with us where few travelers dare to go. See the legendary Khyber Riflemen, tour Peshawar, Gilgit, Kafiristan, Nagar, and incredible Hunza, the “Happy Kingdom” of health and longevity, where youthful men and women of 100 astound the Western World. This unique pictorial journey is unlike any we have ever presented. Don’t miss it!

HIGH HIMALAYA and HUNZA with Russ Potter in person

ONE PERFORMANCE ONLY! SYMPHONY HALL SUNDAY, JANUARY 16, 2:30 P.M. All Seats $4 (reserved) Students $3.50

Tickets available at Memorial Arts Center Box Office or write Travelogs, Box 13905, Atlanta, GA 30324

Management: Bill Herring’s World Travel Films. Box 13905. Atlanta GA 30324 (404) 872-2679 23 Vladimir ; A Ashkenazy ?

Recent Releases: Prokofiev: The Five Piano Concertos CSA 2314 Schubert: Sonata in D Major (Op. 53); 4 German Dances CS 6961 Music For Horn And Piano (with Barry Tuckwell) CS 6938 Beethoven: Pathetique, Waldstein, Les Adieux Sonatas CS 6921 Scriabin: Sonatas 3, 4, 5 and 9 CS 6920 Rachmaninov: 24 Preludes CSA 2241 Beethoven: Piano Concerto No. 3; Les Adieux Sonata CS 6855 Beethoven: Piano Concerto No. 2; Waldstein Sonata CS 6854 Beethoven: Piano Concerto No. 1; Pathetique Sonata CS 6853 Rachmaninov: Songs (with Elizabeth Soderstrom) OS 26428

1 CLASSICAL LABEL (BILLBOARD)...IMPECCABLE IMPORTED RECORDS AND TAPES director, actor, and teacher. He has their best. She has a marvelous face,... it directed some 48 major productions and doesn’t tell you what bar you are in, but it co-founded and managed Stage Door tells you what the music’s about, what the Productions, Lively Arts Supper Theatre, music means; she makes you feel like and the Associated Connecticut Theatre playing better than you ever have played in artists. your life.” A graduate of New York University, Catalinotto hosted a weekly radio show concerning the arts in Connecticut. For information on the workshops for a school group or an individual student call the Atlanta Children’s Theatre, 892-7607.

Children's Festival Mark Saturday, November 13, on the family calendar as a special day for youngsters at the Memorial Arts Center. Starting at 10:00 a.m. the center will throb with activity. Children can attend free performances of the Atlanta Youth Symphony, the Atlanta Company, ACT Action Players, Ruth Mitchell Dance Company, and storyteller Clara Dunn. The appearance of music's wonder woman—Sarah The 530th Air Force Band will play, and Caldwell—will be a first for the Atlanta Symphony. children can enjoy the Block Party where Her appearance with the Atlanta they can climb on a sanitation truck and Symphony Orchestra is truly a historical fire engine—or see inside a police car, first. Never before in all 32 seasons of the ambulance, and a phone company truck. Atlanta Symphony Orchestra, has a There will be art exhibits, the City woman mounted the conductors platform. Exhibit, and an opportunity to see oneself Miss Caldwell, the mistress of the on television at the College of Art. All this symphony and the opera director’s plus popcorn, design-and-make-your-own platform, is looked upon by many as the t-shirts, cokes, and Kelley’s Seed and Feed symbol of what professional women can Abominable Marching Band. be. Miss Caldwell will hold a lecture, open Don’t miss it! to the public, at the Walter Hill Auditorium in the High Museum of Art on ATLANTA SYMPHONY ORCHESTRA Friday, November 12, at 10:00 a.m. After Miss Caldwell, Hiroyuki Iwaki, November Is the Month the chief conductor of the Hague Of Guest Conductors, Philharmonic in the Netherlands, will be Piano Virtuosos, the guest conductor with the Atlanta And Chorus Preparations Symphony for two consecutive weekend What better way to be conducted into performances: Thursday through Sunday, the symphony’s first November concert November 18, 19, 20, and 21; and than with “Music’s Wonder Woman,” Wednesday, Friday, and Saturday, . November 24, 26, and 27. Well known in the field of opera, Sarah Piano is the emphasis during these two Caldwell has also established herself as one November concerts as we provide some of of the finest symphony conductors. the most treasurable musical experiences As one musician said, “Miss Caldwell with pianists Walter Klien, who will has the ability to make players want to do appear November, 18, 19, 20, and 21; and 25 PRIZED Pefore or differ POSSESSION tRe Performance JEWELRY. ANTIQUES AND OBJECTS d'ART

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Sandy Springs Roswell Road at 285 252-2256 26 Vladimir Ashkenazy on November 24, 26, the concerts, or at your favorite record and 27. store. Let us not forget that November is also a As the holidays approach the Atlanta month of preparations, as Robert Shaw Symphony Women’s Association is and the Atlanta Symphony Orchestra and working to make sure you spend them with Chorus prepare for two choral specials in the symphony. December. On Friday, and Saturday, Wednesday, November 24, will be the December 3 and 4. at 8:30 p.m., Robert date for the next Meet the Artist luncheon. Shaw will conduct Handel’s Messiah. It At 12:30 p.m. in the Members’ Room all will feature the Atlanta Symphony are invited to meet the guest conductor Chamber Chorus and several soloists. Hiroyuki Iwaki and pianist Vladimir Ashkenazy. For reservations and information call Mrs. William Nash at 252-6507. Symphony Hall on Wednesday, November 17, from 10:00 a.m. to 12:30 p.m. is the time and place for the next “Open Rehearsal.” The public is invited to see Maestro Iwaki and Walter Klien as they prepare for their performances. The members of the Atlanta Symphony Orchestra League are admitted free, but all others must pay $1.00 admission. It will be a very busy November for all The Atlanta Symphony Chorus as they appeared in the Atlanta Symphony staff and New York's Carnegie Hall, May 1976. volunteers, but never too busy to wish our As a very special Christmas symphony supporters and concertgoers a remembrance Maestro Shaw will conduct very safe and “Happy Thanksgiving." We the Annual Family Christmas Festival hope that you’ll save some of your holiday featuring the Atlanta Symphony time to spend with us at Symphony Hall. Orchestra, Chorus and soloists on Tuesday For tickets to the Atlanta Symphony and Wednesday December 21 and 22, at Orchestra’s performances call the box 8:00 p.m., in Symphony Hall. office at 892-2414. Besides these special programs, there will be two regular subscription concerts ATLANTA COLLEGE OF ART with Robert Shaw conducting. On Thursday, Friday, Saturday, and Sunday, The beginning of the forty-eighth December 9, 10, 11, and 12, we are looking academic year at the Atlanta College of forward to the delightful and tender Art has seen several key additions to soprano voice of . While faculty and staff and a flowering of on, Thursday, Friday and Saturday, cooperation and involvement between the December 16, 17, and 18, Mark Kaplan, college and the community. The artists of violin, will perform. the college’s studio faculty, together with The best news around the Symphony many A.C.A. graduates and others in halls this month is, that it is no longer Atlanta’s art community have joined necessary to wait until the choral specials enthusiastically in the Mayor’s Week for to enjoy Robert Shaw as he conducts the the Arts. choral performances of the Atlanta The Atlanta Art Workers Coalition, Symphony Orchestra and Chorus. Now Limited—an artists’ cooperative headed they are as easily accessible as your stereo, by A.C.A. head of painting, Santo and the purchase of their newly released Bruno—is presenting a large and varied album, Nativity. The album is available exhibition of its members’ work at the from the Atlanta Symphony offices, after Omni International, North Building, “L” 27 Southwick a tradition among gentlemen.

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Container GOURMET FOOD • SPIRITS • GIFTS LENOX SQUARE behind Davison's at E. Paces Ferry Sun.-Thurs. Fri. & Sat. 11 a.m.—11 p.m. 11 a.m.—1 a.m. 262-7872 nn______level, through November 6. Some of the Exhibition of Piedmont Painting and A.C.A. faculty and graduates represented Sculpture at the Mint Museum of Art in in the show include: Marcia R. Cohen, Ben Charlotte, N.C. Davis, Egle Gatins, Scott Gilliam, Gail In Atlanta his work was included in I.ineback, Katherine Mitchell, Laurie Thirteen Minus One, a sculpture Allan, Linda Armstrong, and Maurice exhibition in Peachtree Center, appeared Clifford. in the Artists in Georgia exhibit at the H igh Mr. Bruno, a key person in the Museum of Art, and can be seen on one of organization of the coalition, says, “The the six original Urban Walls Atlanta Art workers Coalition is a non­ commissioned for the city of Atlanta which profit organization of artists and art have attracted national attention. associates with common interest in up­ grading the quality of visual arts in Atlanta.” College To Hold Open House Maurice Clifford, 1975 graduate of the college, is the organizer of a large exhibit at On November 20, the college will hold Colony Square in conjunction with the an open house for high school students Mayor’s Week for the Arts. The exhibit is interested in careers in art and for their entitled “Without Words” and is an families. John Dougherty, Atlanta College extremely ambitious effort involving over of Art’s new director of admissions plans 50 artists and many different aesthetic demonstrations to be held in the studios, persuasions. The exhibit includes not only where students and faculty will be at work the expected fare of paintings, sculpture, drawing, painting, etching, setting type, photographs, etc., but also involves video, sculpting, making video types, developing dance, and other performances. The photographs, and talking to visitors about exhibit, unlike many art exhibits, will their work. change constantly, and there will even be a work video-taped in progress during the exhibit. The event will take place on both Student Show and Sale Opens the upper and lower mall levels and will The annual Atlanta College of Art run at least through November 13th. Many Student Show and Sale will open of the college faculty including Bob November 16 through 24, in the Stewart, Marcia R. Cohen, Ben Davis, galleria of the Memorial Arts Center. Martin Emanuel, Richard Hill, and Student work is selected by a jury and will Anthony Greco are in the exhibit. A long represent virtually every aspect of the list of former students are also in the show, visual fine arts including painting, some of whom are Espy Geissler, Charles drawing, etching, serigraphy, lithography, Jones, Drew Norbery, Potsy Dyer, King sculpture and multi-media works. The Thackston, Annette Skelton, Lee Murray, college scholarship fund receives 30% of Gibbs Hasty, and Julie Fenton. the proceeds from each sale. A talented student receives a summer scholarship each year as a result of this event. Atlantans look forward to the Student New Academic Dean Show and Sale each year as an opportunity to collect works by exciting young artists The administration of the Atlanta while supporting a worthwhile cause. College of Art has been strengthened by the appointment of Anthony Greco as academic dean. Formerly chairman of the Department of Drawing since coming to Four Senior Women Show A.C.A. in 1966, Dean Greco has recently Gallery 413, located in the college has a had a one-man show at Armstrong College regular schedule of exhibits, and the public in Savannah and was chosen for a is welcome to come up during weekdays Purchase Award in the 1975 Biennial 29 ATHOS MENABONI, "American Bald Eagle” 22V1'' x 30" • 950 edition • $100.00 A LIMITED EDITION, SIGNED AND NUMBERED P‘“S G’ &‘leS T“ Collectors of Menaboni paintings have the means to own what they like. That they choose to add another Menaboni bird bespeaks their admiration for a genius talent, not only for the ornithological correctness in rendition, but for that profound beauty that is painting mastery. There has never been a sufficient number of original Menaboni paintings for the public to buy. His paintings are generally commissioned. It is Mr. Menaboni’s express wish that individual purchasers be given opportunity to have this quality signed and numbered reproduction. Please send_____reproduction(s) of the "American Bald Eagle”. My check for S______is enclosed.

Name ______

A ddress______

City------Zip______— GALLERY PRINTS, 1619 Chattahoochee Avenue, N.W., Atlanta, Georgia 30318 % CONGER PRINTING COMPANY, INC. from 9:00 to 5:00 to see them. From $27 for all seven plays, and purchase November 15 to 19, work by graduating affords subscribers added VIP benefits, seniors Lisa Hart and Catherine Allen will which include gifts and discounts at be on exhibit, and from November 29 to Atlanta’s leading restaurants and clubs, December 3, work by seniors Cathy Todd free subscriptions to Behind-The-Scenes and Janna Olcott will be on view. newsletters, and admission to any special events or productions of Alliance Theatre Company. Half-price rates are available ALLIANCE THEATRE for students. For information call the business offices Expanded Season Features of the Alliance Theatre Company, 892- Great Names in Show Business 2797. For the expanded 1977 season (seven plays for the price of six) Alliance Theatre DANCE ATLANTA has chosen plays by the greatest names in Tickets for Dance Theatre of show business, including Moliere, Ibsen, Available Now at Shaw, and Shakespeare. Atlanta Memorial Arts Center Opening January 13 for three weeks is Scapino, “a long way off from Moliere.” Dance Atlanta has announced that Scapino is an engaging romp involving single tickets are now on sale for the Dance lovers, parents, the rascally Scapino, and Theatre of Harlem performances you, the audience. scheduled for the Atlanta Civic Center on February 3 to 19, Dana Ivey stars in Friday, November 5 and Saturday, Hedda Gabler by Henrik Ibsen. Miss Ivey November 6 at 8:00 p.m. Tickets are $4, $6, was acclaimed last season as Annie and $8 and can be purchased at the Atlanta Sullivan in The Miracle Worker. Memorial Arts Center box office, From February 24 through March 12 Peachtree Street at 15th, or by mail. For Alliance theatregoers will see the first additional information call 892-2414. professional production of a brand new was work by American playwright Ed established in 1969 by Arthur Mitchell, the Graczyk, Come Back to the 5 and Dime, first black dancer to perform leading roles Jimmy Dean, Jimmy Dean! with ’s Misalliance, George Bernard Shaw at Ballet. In establishing Dance Theatre of his satirical best, will be shown March 17 Harlem, Mitchell wanted to provide through April 2. opportunities for black dancers to perform Harper Lee’s Pulitzer prize-winning in the classical ballet tradition. Though novel of a small southern town, To Kill A Mitchell himself had trained under a Mockingbird, comes to life on the Alliance scholarship at New York’s School of stage April 7 through 23. American Ballet, he felt that similar The annual Shakespeare presentation opportunities were sadly limited for other for 1977 is the action-packed Henry IV, black dancers who wished to receive Part I in which Sir John Falstaff provides classical ballet training. comedy and leads young Prince Hal Other companies appearing on the astray. In addition to regular evening Dance Atlanta series this year are the Jose performances of Henry on Thursday, Limon Dance Company on February 12, Friday, and Saturday evenings, daily and the Alwin Nikolais Dance Theatre, matinees will be shown for students. scheduled for March 26. Both of these Closing the season May 19 through June performances will take place in Symphony 4, Alliance presents ’s Who's Hall, Atlanta Memorial Arts Center. Afraid of Virginia Woolf?, comedy and Series tickets at a 20% discount are tragedy in the soul-shattering adult games available through the Memorial Arts of two college professors and their wives. Center box office. Season tickets on sale now are $36 and (concluded on next page) j||| 31 MUTUAL ADMIRATION “Looking For Investments?” SINGERS SOCIETY Piano Cabaret a new one act play by Terry Kay, author of The Year the Lights Came John Hunsinger On, arrives at the Alliance Theatre. This revue on November 21 at 8:00 p.m. is & Company presented by members of M.A.S.S., (Mutual Admiration Singers Society), a Commercial and Industrial Real Estate 1819 Peachtree Road, Northeast non-profit organization formed by Larry 404 * 351-6813 Williams, the show’s musical director. Chicago, Denver, San Francisco, Dallas, Tokyo, M.A.S.S. is a group of people who love entertaining and use their talents to help others. Music is an integral part of this drama, which was inspired by, and written for, the members of M.A.S.S. -/tonkin VAGABOND MARIONETTES Sleeping Beauty, the first puppet play of Vagabond Marionettes runs through December 11. Performances continue at "’S:”fTluzk 11:00 a.m., 1:00 p.m and 3:00 p.m. on Saturdays for the general public and at 10:00 a.m. and 11:30 a.m. on weekdays for The world's finest record, school groups. Tickets for Saturdays can stereo and music dealer be obtained by going to the Atlanta Memorial Arts Center box office or calling 892-2414. For weekday tickets call 524-2095 or 873-3089. Season tickets are still available for all three plays in this 1976-77 Season. In this original adaptation of the fairy tale by Perault, Vagabond Marionettes will offer its audiences, young and old, some special treats that are unique to the puppet theatre. For instance, the evil fairy Harper’s Flowers of the underworld will change into a bat 1201 West Peachtree Street, N.E. and fly about the audience, the good fairies of the Sun and Moon will appear in 876-5766 “celestial” chariots (you’ll just about have We accept all major credit cards. to see that for yourself) and, of course, the vines will grow all about the palace as Sleeping Beauty sleeps. DINE AND DANCE There will be a special three-headed AMONG THE STARS dragon in this production, too, and lots more treats are in store. The puppet theatre affords many magical opportunities. This production will feature the voices and puppeteering of Jan Williams, James Geoffrey, Eddie Smith and Rebecca Dana. The original adaptation of the story is by Mitchell Edmonds with sets designed by 590 WEST James Word, Jr., puppets and costumes by atopQfou^ri ATLANTA HOTEL Gary Max and is directed and produced by 590 West Peachtree Street Vincent Anthony. 32 BUY A BOOK FROM GEORGIA TULLIE’S RECEIPTS ATLANTA COOKS FOR Nineteenth Century COMPANY proceeds benefit Plantation Plain Style the Atlanta Music Club Southern Cooking and scholarship fund and other Living — proceeds benefit music education. In its the Tullie Smith House seventh printing with more Restoration of the Atlanta than 100,000 copies. $5.00 Historical Society. $5.00

MARY BETH’S SAMPLER WINNING HIS HEART IN THE A GEORGIA COOKBOOK, KITCHEN Recipes for any compiled by Mrs. George woman to win her man! Tested Busbee, Georgia’s first lady. and proven favorites. May the Proceeds benefit the best cook win! By Diana Darr. American Cancer Society­ $5.50 recipes of political dignitaries. A best seller. $4.00

GEORGIA RECIPES FOR A GLIMPSE OF THE PAST FAMILY, FUN & FOOD by Bulloch Hall the Women’s Auxiliary to the THE HISTORY OF Medical Association of Atlanta BULLOCK HALL AND A compilation of recipes from ROSWELL GEORGIA by medical wives throughout Clarece Martin. Restored Georgia. Proceeds benefit classic home built in 1840 by their scholarship fund. slave labor. $5.50 $1.00

FURNITURE OF THE GEORGIA PIEDMONT ROSWELL HISTORIC BEFORE 1830 by Henry D. HOMES AND LANDMARKS Green. This beautifully A collection of drawings by illustrated catalogue is a Ernest E. DeVane with text by Clarece Martin. Published bicentennial project of the High Museum of Art. by the Roswell Historical $5.00 Society, Inc. $10.00

HISTORIC CLAYTON FROCKED IN GOLD THE COUNTY HOME OF GONE STORY OF FRANK MACK WITH THE WIND by Terry FRQCKED AND HIS WORK by Elizabeth Bakken. A charming history GOLD Russell Mack. Including 24 of Jonesboro and Clayton full color and 20 black & County published by white reproductions by this Historical Jonesboro, Inc. famous Atlanta artist. $9.95 $15.00

SKETCHING AND ETCHING GEORGIA FIFTY ETCHINGS FIND YOUR OWN WAY IN AND DRAWINGS by Ledlie DOWNTOWN ATLANTA by William Conger with text by Karl & Linda Woodworth. A Ruth Dunlop Conger. A walking tour and street-level history of antebellum homes guide to interesting and and landmarks of Georgia. exciting facts about old and $30.00 new Atlanta. $2.50

GEORGIA WOMEN — A COMING CELEBRATION by the IN American Assn, of University Complete book publishing service NOVEMBER Women. A book about for authors & organizations since 1910. Georgia women from Cousaponakeesa to our twentieth century scientists THE CONGER PRINTING AND PUBLISHING COMPANY Dr. Evangeline Papageorge 1619 Chattahoochee Avenue, N.W., Atlanta, Georgia 30318 and Dr. Jane Russell Wilhelmi. Telephone (404) 352-1910 $3.95 SINCE 1948 NOVEMBER Dine Illi 1976 Nearby before the MEMORIAL ARTS CENTER 6) show at ACA Atlanta College HMA: High Museum of of Art Art / CROSSROADS ACT: Atlanta Children's MR: Member’s Room restaurant and lounge Theatre PR: Paneled Room >1 AT Alliance Theatre RH: Rehearsal Hall 1556 peachtree st. ATC: Alliance Theatre SH: Symphony Hall Company ST: Studio Theatre open every day — 875-6375 ASO Atlanta Symphony WHA: Walter Hill Orchestra Auditorium GAL Galleria For ticket information, call the box office at 892-2414. For other information, call 892-3600. Tours and Cruises ... by Air and Steamship Concerts

SATURDAYJ4OVEMBER 6 Atlanta Symphony Youth Orchestra, 8:30 p.m., SH. Michael Palmer conducting. Rimsky- Korsakov: Russian Easter Overture; Copland: Suite from the Opera, "The Tender Land”; ATLANTA TRAVEL AGENCY Mendelssohn: Symphony No. 5 in D Major (“Reformation”). I 235 Peachtree St., N.E. — Suite 1817 THURSDAY. FRIDAY. & SATURDAY Atlanta, Georgia 30303 — Alex Hitz, Jr. NOVEMBER 11, 12, & 13 Atlanta Symphony Orchestra, 8:30 p.m. SH. Sarah Caldwell conducting. Schubert; Symphony No. 5 in B-flat Major; Berlioz: Symphonie Funebre et Triomphale; Carter: Symphony No. T______WEDNESDAY, NOVEMBER 17 Atlanta Symphony Orchestra, Open Rehearsal, 10 a.m. to 12:30 p.m., SH. Hiroyuki Iwaki conducting. _ THURSDAY, FRIDAY, & SATURDAY NOVEMBER 18, 19, & 20 Atlanta Symphony Orchestra, 8:30, SH. Hiroyuki Iwaki conducting; Walter Klien, piano. Takemitsu: Winter; Mozart: Concerto No. 16 in D Major for Piano and Orchestra; Berlioz: Symphonie Fantastique. ______SUNDAY, NOVEMBER 21 Atlanta Symphony Orchestra, 2:30, SH Same program. ____ WEDNESDAY, FRIDAY, & SATURDAY ____ NOVEMBER 24, 26, & 27 Atlanta Symphony Orchestra, 8:30, SH. Hiroyuki Iwaki conducting; Vladimir Ashkenazy, piano. Prokofiev: Classical Symphony; Bartok: Concerto No. 3 for Piano and Orchestra; Rachmaninoff: Concerto No. 3 in D minor for Piano and Orchestra.

Food & Beverage

_____ SUNDAY, NOVEMBER 21 ASO After Concert Party, Galleria. Hosted by the Junior Committee. Free.______WEDNESDAY, NOVEMBER24______ASO Meet-the-Artist Luncheon, 12:30, Members' Room. $3.75. For reservations call 252-6507. Guffey’s k Exhibitions of Atlanta Atlanta’s Finest Clothing High Museum hours: 10:00 to 5:00 Mon..through Sat., 12:00 to 5:00 Sun., closed evenings. Art Shop for Men § hours: open during regular Museum hours. THE DOWNTOWN: N CITY and Jr. Art Shop hours: 3:00 to 4:45 p.m. PEACHTREE CENTER 5 Mon. through Fri., 12:00 to4:45 p.m. Sat. andSun. (BEHIND THE SCULPTURE) Donation: 25C Children, 50C Adults, Museum UPTOWN: Members free. THE CITY is reserved at other TOWER PLACE hours during the week for scheduled school tours (AT PIEDMONT ENTRANCE) by prior arrangement only. 413 Gallery, Atlanta College of Art, fourth floor. 5 k Hours: 9:00 to 5:00 Mon. through Friday.

NOVEMBER 16-24 Annual Atlanta College of Art Student Show and Sale, Galleria. The public is invited and it is an excellent opportunity to do some early Christmas shopping.

OPENINGJ4OVEMBER 27 Artists in the Southeast, HMA, New Gallery, third floor. An exhibition featuring some of the leading artists in the Southeastern region. Some 100 works of art representing 37 artists will be displayed.

OPENING NOVEMBER 20 European Ceramics Galleries, HMA, McBurney Gallery, third floor. A special installation of Continental and English ceramics from the Scott- Allen Collection, the Frances and Emory Cocke Collection, and the Museum permanent collection.

CONTINUING EXHIBITIONS The City, HMA, Junior Gallery, Discover the city as a place made up of color, line, space, shapes PINKERTON & LA and texture—the elements of design. Award­ winning exhibition designed by Heery & Heery, Architects and Engineers. Admission fee to non­ BUILDS THINGS. Members. REMEMB The William and Robert Arnett Collection of Antique Chinese Jades. HMA, McBurney THE PINKERTON & LAWS COMPANY Galleries, third floor. Continuing on extended loan. Member Associated General Contractors of America 2700 Cumberland Parkway. N.W. Atlanta 30339 / 432-0171 American Paintings in the High Museum of Art. HMA, Central Galleries, second floor. A selection of major American works in the Museum’s permanent collection. Illustrated catalogue available. On view indefinitely. Danir’H Sol Kent—Graphics: Mathematical Progressions in Needlepoint, HMA, Lobby: On view through November 7.

“ . . . Remember the Ladies Women in America 1750-1815, HMA, North Gallery, first floor. Continuing through November 14. Fondues Furniture of the Georgia Piedmont Before 1830, HMA, New Gallery, third floor. Continuing through November 21. Atlanta's finest JAZZ ACA Alumni Exhibit, ACA, 413 Gallery, fourth UNDERGROUND ATLANTA floor. Work by graduating seniors Lisa Hart and RESERVATIONS 577-1800 Catherine Allen will be on exhibit. On view until November 25. 35 Theatre HARPSICHORDS

______SUNDAY, NOVEMBER 21______Copies of baroque Italian, Flemish and “Piano Cabaret,” M.A.S.S., 8:00, AT. Described as French models made from Zuckermann kits “musical theatre,” “Piano Cabaret” is an engrossing drama enhanced by the music that is an integral part of the plot. Proceeds of this benefit performance go to the M.A.S.S. Underprivileged Walter H. Bishop Children’s Christmas Fund and Tickets are $5.00. 1859 Westminster Way, N.E. 325-4735

Dance

_____ ALLIANCE THEATRE City Center Dance Company, AT. 8:00. Friday and Saturday, November 26 and 27.

Children

THE CITY Exhibition—for Children and Adults— in the High Museum of Art. Open daily 3:00 and weekends 12:00. Admission: 250 Children, 50C Adults, Free HMA Members. MONDAY, TUESDAY.WEDNESDAY, THURSDAY, NOVEMBER 1, 2, 3, & 4 The Legend of the Silver Arrow, Atlanta Children's Theatre, 10:00 and 12:00, AT. A poignant story of a Gift Idea 12yearold Indian boy and the trials he faces as he attempts to earn the arrow, the symbol of manhood. Charles L. Doughty, director.

Sleeping Beauty, Vagabond Marionettes, 10:00 $5.00 and 11:30, ST.______plus $1 for handling ______FRIDAY, NOVEMBER 5 Legend of the Silver Arrow, Atlanta Children's Theatre, 10:00 AT.

Sleeping Beauty, Vagabond Marionettes, 10:00 Nineteenth Century Plain Style and 11:30, ST.______Southern Cooking and Living ____ SATURDAY, NOVEMBER 6 Sleeping Beauty, Vagabond Marionettes, 11:00, 1:00 and 3:00 ST.______Tullie's Receipts was compiled SATURDAY. NOVEMBER 13 and edited by the Kitchen Guild Children's Festival 10:00 to 5:00 p.m. Atlanta of the Tullie Smith House Res­ youngsters are invited to the Memorial Arts Center toration of the Atlanta Histori­ for free performances of performing artists. cal Society, Inc.; all proceeds MONDAY, TUESDAY. WEDNESDAY, benefit the Restoration. THURSDAY & FRIDAY NOVEMBER 8, 9, 10, 11, 12, 15, Available through Your Local Dealer 16, 17, 18, 19, 22, 23, or 24, 29, & 30 ______TULLIE'S RECEIPTS Sleeping Beauty, Vagabond Marionettes, 10:00 and 11:30.______Atlanta Historical Society 3099 Andrews Drive, N.W. SATURDAY, NOVEMBER 20 & 27 Atlanta, Georgia 30305 Sleeping Beauty, Vagabond Marionettes, 11:00, 1:00 and 3:00, ST. 36 FAVORITES FROM THE PAST | Award winning Restaurant since 1962 specializing in ❖ DOLLHOUSES and MINIATURES f CLASSES ❖ HOURS: TUES. - SAT. * 10-4 * ILLUSTRATED CATALOG $1.00 * 2951 HARRIS ST., KENNESAW, GA. 30144* Coach 8c Six Restaurant 427-3921 * 1776 Peachtree St., N.W. 872-6666 r(------—\ People Who Care About People Care About Gittings Colour Portraits INOS THE PORTRAIT PHOTOGRAPHERS OE ATLANTA PHIPPS PLAZA 261-5550

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37 Lectures

WEDNESDAY, NOVEMBER 3___ HMA Re-Viewing the Masters Lecture Series, Illi Atlanta Arts Monthly magazine of the WHA, 10:00 and 8:00. Catherine Evans, lecturer, Atlanta Memorial Arts Center Subject: “Goya: The Irrational and Diabolic." 1280 Peachtree Street, N.E. Atlanta Georgia 30309 Cost: $1.50 HMA Members, $1.75 Students (with ID’s), $2 General.______NOVEMBER VOL. XII ISSUE 3 THURSDAY, NOVEMBER 4 THE ATLANTA ARTS ALLIANCE ACA Visiting Artist, Members’ Room, level M, Charles R. Yates 10:30 a.m. Leora Stewart, fiber sculptor/weaver, President lecturer. Slide lecture. Public invited.______James K. Griffeth Controller WEDNESDAY, NOVEMBER 10 William Shippen HMA Re-Viewing the Masters Lecture Series, Facilities Manager WHA, 10:00 and 8:00. Catherine Evans, lecturer. ATLANTA SYMPHONY ORCHESTRA Subject: “David: Stability in Revolution.” Cost: Frank Ratka General Manager $1.50 HMA Members, $1.75 Students (with ID’s), Richard W. Thompson $2 General.______Assistant Manager FRIDAY. NOVEMBER 12 THE HIGH MUSEUM OF ART Gudmund Vigtel ASO Lecture, WHA. 10:00. Sarah Caldwell, Director lecturer. Free. Ms. Paula Hancock MID—NOVEMBER Curator of Education THE ATLANTA COLLEGE OF ART ACA Visiting Artist Program, time and date not William Voos confirmed. Louis Finklestein, lecturer. Contact President the ACA for information concerning this Anthony Greco painter/teacher from Queens College. Academic Dean Mrs. Guthrie Foster Dean of Students THE ALLIANCE THEATRE COMPANY David Bishop Producing Director Films Fred Chappell Artistic Director THE ATLANTA CHILDREN’S THEATRE Charles L. Doughty Director THURSDAY, NOVEMBER 4 PARKING FACILITIES: Center Parking garage with J'Accuse and Zero de Conduite, HMA, French covered parking directly adjacent to Center, en­ Films of the 30’s, 8:00, WHA. $1 HMA Members. trances on Peachtree and Lombardy Way; also com­ $1.50 Students (with ID's), $2 General. mercial parking across from Peachtree entrance to Center, and north of First Presbyterian Church. FRIDAY, NOVEMBER 5 BOX OFFICE; (404) 892-2414. Hours: Mon. through Grand Illusion, HMA. French Films of the 30's, Fri. 10-6 pm (or until curtain); Sat. noon-4:U0 8:00, WHA. $1 HMA Members, $1.50 Students (or until curtain); Sun. noon-3:00. The Memorial (with ID’s), $2 General. Arts Center Box Office handles tickets for the SATURDAY. NOVEMBER 6 Atlanta Symphony, Atlanta Childrens Theatre, Alliance Theatre Company, Dance Atlanta, Theatre The Rules of the Game, HMA, French Films of the Atlanta Off Peachtree: Vagabond Marionettes; 30’s. 8:00, WHA. $1 HMA Members, $1.50Students Travelogue Film Series; also on night of per­ (with ID’s), $2 General. formance, all tickets for any event scheduled in the Arts Center. SUNDAY. NOVEMBER 7 TOURS: For information on regular weekday tours A Nous la Liberte, HMA, French Films of the 30’s, or group tour arrangements, call (404) 892-3600. 8:00. WHA. $1 HMA Members, $1.50 Students (with ID’s), $2 General. RESTROOMS: Located off the Galleria Balcony across from both Symphony Hall and the Alliance THURSDAY, NOVEMBER 11 Theatre. Also located adjacent to the balcony Beauty and the Beast, HMA, French Films of the lobbies inside Symphony Hall. 40’s, 8:00, WHA. $1 HMA Members. $1.50Students OUR COVER: FOUR SEASONS CANDLESTICKS (with ID's), $2 General.______English (London), Chelsea Porcelain Factory. Red Anchor FRIDAY. NOVEMBER 12 ware. ca. 1755. porcelain, average height: 9 >gift of The Exposition Foundation and the Atlanta Foundation, 1974 Panique, HMA. French Films of the 40’s. 8:00. WHA. $1 HMA Members. $1.50 Students (with ATLANTA ARTS Magazine is published for the ID’s), $2 General. Atlanta Memorial Arts Center, by The Conger Printing Co., Inc. in Atlanta, Georgia. All rights SATURDAY. NOVEMBER 13 to Atlanta Arts are reserved by the Atlanta Visiteurs du Soir, HMA, French Films of the 40 s. Memorial Arts Center. Reproduction from the WHA. 8:00. $1 HMA Members, $1.50 Students magazine in whole or in part without permission is prohibited. Editorial Office, 1619 Chattahoochee (with ID’s). $2 General. Ave., N.W., Atlanta 30318. Phone (404) 352-1910. SUNDAY, NOVEMBER 14 L. W. CONGER, JR. SANDRA HAISTEN Voyage Surprise, HMA, French Films of the 40 s. Publisher Editor 8:00. WHA. $1 HMA Members. $1.50 Students COCO CONGER ERNEST DeVANE (with ID's). $2 General. Advertising Director Art Director 38 Why smoke Now?

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