— Rethinking Nature in Post-Fukushima Japan Facing The
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Filmszem Iii./2
FASSBINDER III. Évf. 2. szám Nyár FILMSZEM III./2. Rainer Werner Fassbinder FILMSZEM - filmelméleti és filmtörténeti online folyóirat III. évfolyam 2. szám - NYÁR (Online: 2013. JÚNIUS 30.) Főszerkesztő: Farkas György Szerkesztőbizottság tagjai: Murai Gábor, Kornis Anna Felelős kiadó: Farkas György Szerkesztőség elérhetősége: [email protected] ISSN 2062-9745 Tartalomjegyzék Bevezető 4 Bács Ildikó: A néma szereplő, avagy úr és szolga viszonya 5-14 Turnacker Katalin: A tükörjáték struktúrája - Berlin Alexanderplatz 15-32 Farkas György: Párhuzamos világok utazói - R. W. Fassbinder és Masumura Yasuzō filmjeinek összehasonlító vizsgálata 33-45 Rainer Werner Fassbinder filmográfia - összeállította Farkas György 46-91 Bevezető Bevezető Bár R. W. Fassbinder már több mint 30 éve elhunyt, a német új film és egyben az egyetemes filmművészet e kivételesen termékeny és különleges alkotójá- ról magyarul meglehetősen kevés elméleti munka látott napvilágot. Életmű- vének sokszínűségét még számos területen és számos megközelítési módon lehetne és kellene tárgyalni. Mostani lapszámunk ezt a hiányt igyekszik némileg csökkenteni azzal, hogy Fassbinder munkásságáról, hatásáról, filmtörténeti helyéről szóló értel- mező anyagokat válogattunk össze. Bács Ildikó tanulmányában a néma szereplő felhasználásának szempontjait elemzi összehasonlítva Fassbinder Petra von Kant keserű könnyei című filmjét Beckett Godot-ra várva című drámájával. Turnacker Katalin a fassbinder-i életmű egy nagyon hangsúlyos darabját, az Alfred Döblin regényéből, a Berlin, Alexanderplatz-ból készült tv-sorozatot elemzi, mint a tükörjáték struktúrája. Sajátos megközelítést mutat be Farkas György írása, amelyben Fassbinder há- rom kiválasztott filmjét állítja párhuzamba egy japán filmrendező, Masumura Yasuzō három alkotásával, kiemelve azokat az alapvető közös gondolatokat, amik nem csak a két rendező között teremtenek kapcsolatot, de alátámaszt- ják mindkettejük zsenialitását is. -
Horaire Films
DESHORAIRE FILMS FESTIVAL INTERNATIONAL DE FILMS · 25 e ÉDITION 5-25 AOÛT 2021 FESTIVAL EN LIGNE ET EN SALLE www.fantasiafestival.com DISPONIBLE EN LIGNE À TRAVERS LE CANADA Illustration : Donald Caron Ça comprend des films qui vous suivent partout. APPLI HELIX TV Certaines conditions s’appliquent. IPTV-FANTASIA-REQUIN-10.5X14.125-2107 Document: IPTV-FANTASIA-REQUIN-10.5X14.125-2107 Échelle: 25% Format: 10.5 po X 14.125 po DPI final: 100 dpi ÉPREUVE Coordo: Anouk Chollet Bleed: 0.04 po Imprimeur: Safety: 0.3 po 01 COULEUR PAPIER FOND CMYK RGB Couché Retro Enr Montage: 9 juillet PANTONE Mat Jrnl Final: par: VGAUD ACT OF VIOLENCE IN A AGNES #BLUE_WHALE THE 12 DAY TALE OF THE YOUNG JOURNALIST ÉTATS-UNIS | USA Réal/Dir: Mickey Reece RUSSIE | RUSSIA Réal/Dir: Anna Zaytseva MONSTER THAT DIED IN 8 URUGUAY | URUGUAY Réal/Dir: Manuel Lamas PREMIÈRE INTERNATIONALE | INTERNATIONAL PREMIERE PREMIÈRE MONDIALE | WORLD PREMIERE JAPON | JAPAN Réal/Dir: Shunji Iwai PREMIÈRE NORD-AMÉRICAINE | NORTH AMERICAN PREMIERE Avec son style romantique et maximaliste, Un déchirant et anxiogène thriller russe en PREMIÈRE NORD-AMÉRICAINE | NORTH AMERICAN PREMIERE Blanca, une brillante jeune journaliste qui Mickey Reece nous amène dans un couvent Screenlife qui explore un défi sur les médias Le plus récent film de Shunji Iwai est une rédige une thèse sur la violence, ignore qu’un aux prises avec des rumeurs de possession sociaux menant à une vague de suicides. savoureuse tranche de vie pandémique méta tueur psychopathe est sur ses traces. démoniaque. Gut-wrenching dread tears through this tense entremêlant isolement et kaiju! Blanca, a brilliant young journalist who is writing a With his signature romantic maximalism, Mickey Russian Screenlife thriller that explores a grisly Shunji Iwai’s latest is a delightfully meta slice of thesis on violence, is unaware that a psychopathic Reece’s latest draws us into a convent gripped by social media suicide challenge. -
The Ryukyuanist a Newsletter on Ryukyu/Okinawa Studies No
The Ryukyuanist A Newsletter on Ryukyu/Okinawa Studies No. 67 Spring 2005 This issue offers further comments on Hosei University’s International Japan-Studies and the role of Ryukyu/Okinawa in it. (For a back story of this genre of Japanese studies, see The Ryukyuanist No. 65.) We then celebrate Professor Robert Garfias’s achievements in ethnomusicology, for which he was honored with the Japanese government’s Order of the Rising Sun. Lastly, Publications XLVIII Hosei University’s Kokusai Nihongaku (International Japan-Studies) and the Ryukyu/Okinawa Factor “Meta science” of Japanese studies, according to the Hosei usage of the term, means studies of non- Japanese scholars’ studies of Japan. The need for such endeavors stems from a shared realization that studies of Japan by Japanese scholars paying little attention to foreign studies of Japan have produced wrong images of “Japan” and “the Japanese” such as ethno-cultural homogeneity of the Japanese inhabiting a certain immutable space since times immemorial. New images now in formation at Hosei emphasize Japan’s historical “internationality” (kokusaisei), ethno-cultural and regional diversity, fungible boundaries, and demographic changes. In addition to the internally diverse Yamato Japanese, there are Ainu and Ryukyuans/Okinawans with their own distinctive cultures. Terms like “Japan” and “the Japanese” have to be inclusive enough to accommodate the evolution of such diversities over time and space. Hosei is a Johnny-come-lately in the field of Japanese studies (Hosei scholars prefer -
Glories of the Japanese Music Heritage ANCIENT SOUNDSCAPES REBORN Japanese Sacred Gagaku Court Music and Secular Art Music
The Institute for Japanese Cultural Heritage Initiatives (Formerly the Institute for Medieval Japanese Studies) and the Columbia Music Performance Program Present Our 8th Season Concert To Celebrate the Institute’s th 45 Anniversary Glories of the Japanese Music Heritage ANCIENT SOUNDSCAPES REBORN Japanese Sacred Gagaku Court Music and Secular Art Music Featuring renowned Japanese Gagaku musicians and New York-based Hōgaku artists With the Columbia Gagaku and Hōgaku Instrumental Ensembles of New York Friday, March 8, 2013 at 8 PM Miller Theatre, Columbia University (116th Street & Broadway) Join us tomorrow, too, at The New York Summit The Future of the Japanese Music Heritage Strategies for Nurturing Japanese Instrumental Genres in the 21st-Century Scandanavia House 58 Park Avenue (between 37th and 38th Streets) Doors open 10am Summit 10:30am-5:30pm Register at http://www.medievaljapanesestudies.org Hear panels of professional instrumentalists and composers discuss the challenges they face in the world of Japanese instrumental music in the current century. Keep up to date on plans to establish the first ever Tokyo Academy of Japanese Instrumental Music. Add your voice to support the bilingual global marketing of Japanese CD and DVD music masterpieces now available only to the Japanese market. Look inside the 19th-century cultural conflicts stirred by Westernization when Japanese instruments were banned from the schools in favor of the piano and violin. 3 The Institute for Medieval Japanese Studies takes on a new name: THE INSTITUTE FOR JAPANESE CULTURAL HERITAGE INITIATIVES The year 2013 marks the 45th year of the Institute’s founding in 1968. We mark it with a time-honored East Asian practice— ―a rectification of names.‖ The word ―medieval‖ served the Institute well during its first decades, when the most pressing research needs were in the most neglected of Japanese historical eras and disciplines— early 14th- to late 16th-century literary and cultural history, labeled ―medieval‖ by Japanese scholars. -
FIRST LOOK: Japan
FIRST LOOK: Japan SWEET BEAN An SAT 10/17 3:45 PM Japan • Director: Naomi Kawase EFSWEET1 Red bean paste is the filling in this poignant tale of life, compassion, and sweet endings. An uninspired red bean pancake chef is re-energized when a SUN 10/18 plucky septuagenarian’s irresistible homemade recipe makes his snacks a 4:45 PM local hit. Both characters use their creations, photographed in mouthwatering EFSWEET2 close-up, to rebuild from traumatic pasts. The latest from poetic Japanese auteur Naomi Kawase is a delectable philosophical dish. Japanese with subtitles. 113 min. THE EMPEROR IN AUGUST SUN 10/18 Nihon no ichiban nagai hi ketteiban Japan • Director: Masato Harada 1:45 PM EFEMP An intimate war picture, Masato Harada’s patient, understated period piece recreates the 24 hours leading up to Japan’s official surrender in WWII and the emperor’s resigned radio address to his people. Elegant shot framing captures the drawing rooms and negotiating tables where, 70 years ago, the most powerful men in Japan gathered to make a decision that would change the course of history. Japanese with subtitles. 135 min. KAKEKOMI SAT 10/17 Kakekomi onna to kakedashi otoko 3:00 PM Japan • Director: Masato Harada EFKAKE1 The latest from prolific writer-director Masato Harada (Chronicle of My SUN 10/18 Mother) is a beguiling character drama set during Japan’s Edo period. Three 7:30 PM women fleeing bad marriages find refuge at a monastery, one of their only outlets for obtaining a legal divorce. But just outside the gates, vengeful ex- EFKAKE2 husbands and the Yakuza lie waiting. -
Contents VIDEO
ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROWContents VIDEO Cast & Crew ... 5 In Praise of Uncanny Attunement: Masumura and Tanizaki (2021) ARROW VIDEOby Thomas Lamarre ARROW... 7 VIDEO Red, White, and Black: Kazuo Miyagawa’s Cinematography in Irezumi (2021) by Daisuke Miyao ... 18 Yasuzō Masumura Filmography ... 28 ARROWAbout The VIDEOTransfer ... 34 ARROW VIDEO ARROW VIDEO ARROW VIDEO 2 ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO Also known as The Spider Tattoo 刺青 Original Release Date: 15 January 1966 Cast Ayako Wakao Otsuya / Somekichi Akio Hasegawa Shinsuke Gaku Yamamoto Seikichi, the tattoo master Kei Satō Serizawa Fujio Suga Gonji Reiko Fujiwara Otaki Asao Uchida Tokubei Crew Directed by Yasuzō Masumura ARROW VIDEO ARROW VIDEO Screenplay by Kaneto Shindō From the original story by Junichirō Tanizaki Produced by Hiroaki Fujii and Shirō Kaga Edited by Kanji Suganuma Director of Photography Kazuo Miyagawa ARROW VIDEO ARROW VIDEOMusic by Hajime Kaburagi Art Direction by Yoshinobu Nishioka ARROW VIDEO ARROW VIDEO5 ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO In Praise of Uncanny Attunement: Masumura and Tanizaki (2021) by Thomas Lamarre Like other filmmakers of his generation, Yasuzō Masumura gained stature through his cinematic adaptations of celebrated works of Japanese literature. -
Spring 2005 Curriculum
Spring 2005 Curriculum ART HISTORY AH 2125.01 Art History Documentary Series: “The Shock of the New” Jon Isherwood We will review the acclaimed BBC Art in Civilization documentary series by Robert Hughes, art critic and senior writer for Time magazine. The videos will be a starting point for discussion in regard to the major art movements in the 20th century, why they occurred and what cultural, social and political conditions were influencing these movements. Prerequisites: None. Credits: 1 Time: M 9 - 10am AH 2133.01 Introduction to Minimalism: Art, Dance, Music Laura Heon This course offers an overview of the American art movement of the 1960s and 70s called “Minimalism,” also known as “ABC Art” and “Primary Structures.” Characterized by extreme simplicity of form and a literal, objective approach, Minimalism gave rise to a vibrant exchange among the visual arts, dance, and music. Thus, this course will be divided evenly among visual artists (including Donald Judd, Robert Morris, Sol Lewitt, Dan Flavin), choreographers (Yvonne Rainer, Merce Cunningham, Trisha Brown) and the composers (La Monte Young, Phillip Glass, Terry Riley). It will include a trip to Dia:Beacon in nearby Beacon, NY, where an important collection of minimalist art is on view. The course will touch on the Abstract Expressionist movement, which laid the groundwork for Minimalism, as well as post-minimalist tendencies in the art of our time. Prerequisites: None. Credits: 4 Time: M 6:30 - 9:30pm - 1 - Spring 2005 Curriculum AH 4395.01 Art History Survey Seminar Andrew Spence This course will follow E.H. Gombrich’s The Story of Art. -
Industry Guide Focus Asia & Ttb / April 29Th - May 3Rd Ideazione E Realizzazione Organization
INDUSTRY GUIDE FOCUS ASIA & TTB / APRIL 29TH - MAY 3RD IDEAZIONE E REALIZZAZIONE ORGANIZATION CON / WITH CON IL CONTRIBUTO DI / WITH THE SUPPORT OF IN COLLABORAZIONE CON / IN COLLABORATION WITH CON LA PARTECIPAZIONE DI / WITH THE PARTICIPATION OF CON IL PATROCINIO DI / UNDER THE PATRONAGE OF FOCUS ASIA CON IL SUPPORTO DI/WITH THE SUPPORT OF IN COLLABORAZIONE CON/WITH COLLABORATION WITH INTERNATIONAL PARTNERS PROJECT MARKET PARTNERS TIES THAT BIND CON IL SUPPORTO DI/WITH THE SUPPORT OF CAMPUS CON LA PARTECIPAZIONE DI/WITH THE PARTICIPATION OF MAIN SPONSORS OFFICIAL SPONSORS FESTIVAL PARTNERS TECHNICAL PARTNERS ® MAIN MEDIA PARTNERS MEDIA PARTNERS CON / WITH FOCUS ASIA April 30/May 2, 2019 – Udine After the big success of the last edition, the Far East Film Festival is thrilled to welcome to Udine more than 200 international industry professionals taking part in FOCUS ASIA 2019! This year again, the programme will include a large number of events meant to foster professional and artistic exchanges between Asia and Europe. The All Genres Project Market will present 15 exciting projects in development coming from 10 different countries. The final line up will feature a large variety of genres and a great diversity of profiles of directors and producers, proving one of the main goals of the platform: to explore both the present and future generation of filmmakers from both continents. For the first time the market will include a Chinese focus, exposing 6 titles coming from China, Hong Kong and Taiwan. Thanks to the partnership with Trieste Science+Fiction Festival and European Film Promotion, Focus Asia 2019 will host the section Get Ready for Cannes offering to 12 international sales agents the chance to introduce their most recent line up to more than 40 buyers from Asia, Europe and North America. -
Folk Music: from Local to National to Global David W
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by SOAS Research Online ASHGATE RESEARCH 12 COMPANION Folk music: from local to national to global David W. Hughes 1. Introduction: folk song and folk performing arts When the new word min’yō – literally ‘folk song’ – began to gain currency in Japan in the early twentieth century, many people were slow to grasp its intent. When a ‘min’yō concert’ was advertised in Tokyo in 1920, some people bought tickets expecting to hear the music of the nō theatre, since the character used for -yō (謡) is the same as that for nō singing (utai); others, notably the police, took the element min- (民) in the sense given by the left-wing movement, anticipating a rally singing ‘people’s songs’ (Kikuchi 1980: 43). In 1929 a music critic complained about the song Tōkyō kōshinkyoku (Tokyo March), which he called a min’yō. This was, however, not a ‘folk song’ but a Western-influenced tune written for a film soundtrack, with lyrics replete with trendy English (Kurata 1979: 338). The idea that a term was needed specifically to designate songs of rural pedigree, songs of the ‘folk’, was slow to catch on. In traditional Japan boundaries between rural songs of various sorts and the kinds of popular songs discussed in the preceding chapter were rarely clear. The ‘folk’ themselves had a simple and ancient native term for their ditties: uta, ‘song’; modifiers were prefixed as needed (for exampletaue uta, ‘rice-planting song’).1 The modern concept of ‘the folk’ springs from the German Romantics. -
Hoiku Shoka and the Melody of the Japanese National Anthem Kimi Ga Yo
Hoiku shoka and the melody of the Japanese national anthem Kimi ga yo Hermann Gottschewski It is well known that Kimi ga yo君 が 代, although recognized as the Japanese national anthem by law only in 1999, was chosen in the summer of 1880 as a ceremonial piece for the navy. Its melody was composed by reijin1伶 人, i.e. members of the gagaku department of the court ministry宮 内 省 式 部 寮 雅 楽 課, and harmonized by Franz Eckert. It replaced an earlier piece by John William Fenton with the same text.2 Summe 1880 was Precisely when the newly founded Institute of Music(音 楽 取 調 掛)began the compilation of song books for elementary school (Shogaku shoka shu, 小 学 唱 歌 集)under the musical direction of Luther Whiting Mason, and many of the reijin took part in this new adventure. At about the same time, the reijin were engaged in the composition of hoiku shoka保 育 唱 歌, a collection of educational songs composed between 1877 and 1883 for the Tokyo Women's Normal School東 京 女 子 師 範 学 校and its afHliated kindergarten. While the songs of the Shogaku shoka shu mainly use Western melodies and are notated in Western staff system, the hoiku shoka are based on the music theory of gagaku and written in hakase墨 譜, the traditional notation for vocal pieces. Up to the present, the hoiku shoka have mainly been seen as an experiment in music education, which was abandoned when Mason's songs appeared. Indeed, historical sources show that the compilation of hoiku shoka stopped immediately after the reijin began to work with Mason. -
Unseen Femininity: Women in Japanese New Wave Cinema
UNSEEN FEMININITY: WOMEN IN JAPANESE NEW WAVE CINEMA by Candice N. Wilson B.A. in English/Film, Middlebury College, Middlebury, 2001 M.A. in Cinema Studies, New York University, New York, 2007 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of PhD in English/Film Studies University of Pittsburgh 2015 UNIVERSITY OF PITTSBURGH KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Candice N. Wilson It was defended on April 27, 2015 and approved by Marcia Landy, Distinguished Professor, Film Studies Program Neepa Majumdar, Associate Professor, Film Studies Program Nancy Condee, Director, Graduate Studies (Slavic) and Global Studies (UCIS), Slavic Languages and Literatures Dissertation Advisor: Adam Lowenstein, Director, Film Studies Program ii Copyright © by Candice N. Wilson 2015 iii UNSEEN FEMININITY: WOMEN IN JAPANESE NEW WAVE CINEMA Candice N. Wilson, PhD University of Pittsburgh, 2015 During the mid-1950s to the early 1970s a subversive cinema, known as the Japanese New Wave, arose in Japan. This dissertation challenges critical trends that use French New Wave cinema and the oeuvre of Oshima Nagisa as templates to construct Japanese New Wave cinema as largely male-centered and avant-garde in its formal aesthetics. I argue instead for the centrality of the erotic woman to a questioning of national and postwar identity in Japan, and for the importance of popular cinema to an understanding of this New Wave movement. In short, this study aims to break new ground in Japanese New Wave scholarship by focusing on issues of gender and popular aesthetics. -
Movie Museum AUGUST 2018 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY
Movie Museum AUGUST 2018 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY MAMMA MIA! ISLE OF DOGS MAMMA MIA! DISOBEDIENCE HACHI: A DOG'S TALE (2008-US/UK/Germany) (2018-Germany/US) (2008-US/UK/Germany) (2017-UK/Ireland/US) (2009-US/UK) in widescreen in widescreen animation in widescreen in widescreen in widescreen with Richard Gere Meryl Streep, Colin Firth, voiced by Bryan Cranston, Meryl Streep, Colin Firth, with Rachel Weisz, Directed by Lasse Hallström Pierce Brosnan Koyu Rankin, Edward Norton Pierce Brosnan Rachel McAdams 12:00, 3:30 & 7:00pm 11am, 3 & 7pm 12:00 & 7:00pm 11am, 3:15, 5:15 & 7:15pm 11:30am, 3:15 & 7:00pm ------------------------------------ ------------------------------------ ------------------------------------ ---------------------------------- ---------------------------------- THE FACE OF JIZO DISOBEDIENCE HACHI: A DOG'S TALE AT THE END OF THE ISLE OF DOGS (2004-Japan) (2017-UK/Ireland/US) (2009-US/UK) in widescreen TUNNEL (2018-Germany/US) Japanese w/Eng subtitles ws in widescreen with Richard Gere (2016-Argentina/Spain) animation in widescreen with Rie Miyazawa, Yoshio with Rachel Weisz Directed by Lasse Hallström Spanish w/Eng subtitles ws Directed by Wes Anderson Harada, Tadanobu Asano 1, 5 & 9pm 2 1:45, 3:30, 5:15, 8:45pm 3 1:00 & 9:15pm 4 1:30, 5:15pm & 9:00pm 5 1:45, 5:15 & 8:45pm 6 NAGASAKI: AT THE END OF THE Hawaii Premiere! TULLY 2 Hawaii Premieres! MEMORIES OF MY SON TUNNEL HOTEL HIBISCUS (2018-US) KAFOO: WAITING (2015-Japan) (2016-Argentina/Spain) (2002-Japan) in widescreen FOR HAPPINESS Japanese