1. GENERAL KNOWLEDGE 1 1. What Links The

Total Page:16

File Type:pdf, Size:1020Kb

1. GENERAL KNOWLEDGE 1 1. What Links The 1. GENERAL KNOWLEDGE 1 3. ‘You’re Welcome’ is a song in the film Moana co-written by Te Vaka’s Opetaia Foa’I. Who sang it? 1. What links The Human Instinct, Ticket and the Jordan Luck Band? ___________________________________________________________ ___________________________________________________________ 4. Which artist had the biggest selling single of 2016? 2. ‘Bic’ is actually one of Bic Runga’s middle names – what is her first name? ___________________________________________________________ ___________________________________________________________ 5. Carb On Carb split their latest EP with what Phildelphia-based band? 3. What band features members of The Bats and The 3Ds? ___________________________________________________________ ___________________________________________________________ 6. What Auckland suburb is also the name of Fazerdaze’s debut album? 4. How many issues of NZ Musician were printed before it went online? ___________________________________________________________ ___________________________________________________________ 7. The single Page of Pentacles was released by which band? 5. What was the real name of the singer, Beaver? ___________________________________________________________ ___________________________________________________________ 8. What citrus fruit is preferred by Mermaidens? 6. Nick Bollinger’s latest book ‘Goneville” is a memoir of his time with what 70’s band? ___________________________________________________________ ___________________________________________________________ 9. Which band has recorded covers of Oasis’ She’s Electric and Champagne Supernova? 7. Brent Eccles once drummed for Guns ‘n’ Roses – true or false? ___________________________________________________________ ___________________________________________________________ 10. Aproximately how many people visited the Volume exhibtion? 8. The Headless Chickens song ‘Inside Track’ is a cover – who recorded the original? ___________________________________________________________ ___________________________________________________________ 9. Lani Purkis played in which punk band before joing Elememo P? 4. WAY BACK ___________________________________________________________ 1. When The Cat’s Away chart topper, Melting Pot, was originally a hit for which English band? 10. Who was the local support for Bruce Spingsteen’s recent NZ tour? ___________________________________________________________ ___________________________________________________________ 2. Redwood 70 was the first music festival in New Zealand. What Auckland suburb did it take place in? ___________________________________________________________ 2. COVER ME 1: Name the artists who covered these songs (2 points each) 3. The Chicks’ first album was called ‘The Sound Of The Chicks’. What was their second album called? 1. Nature (originally by The Fourymula) ___________________________________________________________ ___________________________________________________________ 4. Max Merritt’s 1958 debut single passed on what parental advice? 2. I Love My Leather Jacket (originally by The Chills) ___________________________________________________________ ___________________________________________________________ 5. What was 95bFM’s original, pre-FM broadcast frequency in 1972? 3. April Sun In Cuba (originally by Dragon) ___________________________________________________________ ___________________________________________________________ 6. Who was The Howard Morrison’s Quartet’s guitar player? 4. Message To My Girl (originally by Split Enz) ___________________________________________________________ ___________________________________________________________ 7. The Radars were started in 1962. What did the founding members all 5. Blue Day (originally by Mi-Sex) have in common? ___________________________________________________________ ___________________________________________________________ 8. How many years has the Auckland Folk Festival been run? 3. FRESH BEATZ – stuff from the last 12 months ___________________________________________________________ 1. Street Chant won the 2017 Taite Music Prize. Name any two of the other finalists(1/2 point each) 9. In 1972, Sharon O’Neill briefly joined which Christchurch rock band? ___________________________________________________________ ___________________________________________________________ 2. How many members of Balu Brigada are related? 10. Speaking of Sharon O’Neill, what was Maxine’s police case number? ___________________________________________________________ ___________________________________________________________ 5. COVER ME 2 (VISUAL ROUND) - 10 POINTS Name the artist and the album (1 point for artist, 1 point for album name) 1. 2. 3. 4. 5. 6. WAXING LYRICAL… Complete the lyrics: 7. What or who was Fat Freddy? 1. I said Please Mr Bankman... ___________________________________________________________ 8. The Neve console at Roundhead Studio was originally built for what ___________________________________________________________ English band? 2. Put your clock back for the winter... ___________________________________________________________ 9. Rhian Sheehan and Jesse Sheehan share a surname with which ___________________________________________________________ Exponents guitarist? 3. Are you pressure man or prey... ___________________________________________________________ 10. Young Sid is from what Auckland suburb? ___________________________________________________________ ___________________________________________________________ 4. Evening love, how’s your day?... 8. RADIO WITH PICTURES ___________________________________________________________ 1. Ray Columbus fronted which TV music show? 5. I’ve never seen a diamond in the flesh... ___________________________________________________________ ___________________________________________________________ 2. Who was the voice of the disembodied mouth for video show Frenzy? 6. Just ‘cause I know where she lives… ___________________________________________________________ ___________________________________________________________ 3. What was the name of Radio With Pictures host Dick Driver’s first band? 7. Shoop Shoop Diddy Wop… ___________________________________________________________ ___________________________________________________________ 4. Robert Rakete & Mark Tierney were the male co-hosts of what music show that followed Radio With Picture’s demise in 1989? 8. Four seasons in one day… ___________________________________________________________ ___________________________________________________________ 9. If you told me this time last year that I would feel like I do now… 5. And can you name their female co-host? ___________________________________________________________ ___________________________________________________________ 10. Words just a breath away from my hand… 6. What was the name of song used for the RTR theme tune? ___________________________________________________________ ___________________________________________________________ 7. Who was the first artist to say “fuck” on national television? 7. GENERAL KNOWLEDGE 2 1. Name two female artists that have been portrayed on South Park? (1/2 point each) ___________________________________________________________ ___________________________________________________________ 8. What was the name of the first music show broadcast in 1962? 2. What was the song title of Flying Nun’s only #1 to date? ___________________________________________________________ ___________________________________________________________ 9. The Canterbury music channel that gave Petra Bagust her break was 3. Supergroove’s Karl Steven is a doctor of what subject? called what? ___________________________________________________________ ___________________________________________________________ 4. The first ever Split Enz gig happened in December of what year? 10. Which musician co-hosted after-school programme 3:45 Live! In the late 80’s? ___________________________________________________________ 5. What was the name of the dance music festival that took place in Nelson ___________________________________________________________ up until 2002? ___________________________________________________________ HOW DID YOU DO? 6. Allison Durbin released a duet album in 1971 with which Aussie GO TO THE NEXT PAGE FOR superstar? ANSWERS AND SCORING! ___________________________________________________________ ANSWERS - EACH ROUND TOTALS 10 POINTS 1. GENERAL KNOWLEDGE - 1 point each 5. COVER ME 2 - 1 point for artist, 1 point for album name) 1. Dick Frizzell painted covers for all of them 1. Jodi Vaughan – Jodi Vaughan 2. Briolette 2. Andrew Fagan - Blisters 3. The Magick Heads 3. Anika Moa – Thinking Room 4. 172 4. The Crocodiles - Tears 5. Beverly Morrison 5. Aaradhna – Treble & Reverb 6. Rough Justice (will accept Windy City Strugglers) 7. True (at the Whiskey in LA, c 1990) 6. WAXING LYRICAL - 1 point each 8. The Stridulators 1. I need 10 grand to buy me back my car (Supergroove, You Gotta Know) 9. Foamy Ed 2. She asks when I’ll be home again? (Shihad, Home Again) 10. Marlon Williams 3. Do you suffer through the gravity. (Feelers, Pressure Man) 4. I’m bringing you the weather from the satellite jigsaw 2. COVER ME 1 - 2 points each (DD Samsh, Outlook For Thursday) 1. The Mutton Birds 5. I cut my teeth on wedding rings in the movies (Lorde, Royals) 2. Push Push 6. I won’t stick around like adhesive (Goodshirt, Sophie) 3. Kantuta 7. Cumma Cumma Wang Dang (Monte Video, Shoop Shoop Diddy
Recommended publications
  • The Nudge, Ahoribuzz and @Peace
    GROOVe gUiDe . FamilY owneD and operateD since jUlY 2011 SHIT WORTH DOING tthhee nnuuddggee pie-eyed anika moa cut off your hands adds to our swear jar no longer on shaky ground 7 - 13 sept 2011 . NZ’s origiNal FREE WEEKlY STREET PRESS . ISSUe 380 . GROOVEGUiDe.Co.NZ Untitled-1 1 26/08/11 8:35 AM Going Global GG Full Page_Layout 1 23/08/11 4:00 PM Page 1 INDEPENDENT MUSIC NEW ZEALAND, THE NEW ZEALAND MUSIC COMMISSION AND MUSIC MANAGERS FORUM NZ PRESENT GOING MUSIC GLOBAL SUMMIT WHAT YOU NEED TO KNOW BEFORE YOU GO If you are looking to take your music overseas, come and hear from people who are working with both new and established artists on the global stage. DELEGATES APPEARING: Natalie Judge (UK) - Matador Records UK Adam Lewis (USA) - The Planetary Group, Boston Jen Long (UK) - BBC6 New Music DJ/Programmer Graham Ashton (AUS) - Footstomp /BigSound Paul Hanly (USA) - Frenchkiss Records USA Will Larnach-Jones (AUS) - Parallel Management Dick Huey (USA) - Toolshed AUCKLAND: MONDAY 12th SEPTEMBER FREE ENTRY SEMINARS, NOON-4PM: BUSINESS LOUNGE, THE CLOUD, QUEENS WHARF RSVP ESSENTIAL TO [email protected] LIVE MUSIC SHOWCASE, 6PM-10:30PM: SHED10, QUEENS WHARF FEATURING: COLLAPSING CITIES / THE SAMI SISTERS / ZOWIE / THE VIETNAM WAR / GHOST WAVE / BANG BANG ECHE! / THE STEREO BUS / SETH HAAPU / THE TRANSISTORS / COMPUTERS WANT ME DEAD WELLINGTON: WEDNESDAY 14th SEPTEMBER FREE ENTRY SEMINARS, NOON-5PM: WHAREWAKA, WELLINGTON WATERFRONT RSVP ESSENTIAL TO [email protected] LIVE MUSIC SHOWCASE, 6PM-10:30PM: SAN FRANCISCO BATH HOUSE FEATURING: BEASTWARS / CAIRO KNIFE FIGHT / GLASS VAULTS / IVA LAMKUM / THE EVERSONS / FAMILY CACTUS PART OF THE REAL NEW ZEALAND FESTIVAL www.realnzfestival.com shit Worth announciNg Breaking news Announcements Hello Sailor will be inducted into the New Zealand Music Hall of Fame at the APRA Silver Scroll golDie locks iN NZ Awards, which are taking place at the Auckland Town Hall on the 13th Dates September 2011.
    [Show full text]
  • Annual Report 2009-2010 PDF 7.6 MB
    Report NZ On Air Annual Report for the year ended 30 June 2010 Report 2010 Table of contents He Rarangi Upoko Part 1 Our year No Tenei Tau 2 Highlights Nga Taumata 2 Who we are Ko Matou Noa Enei 4 Chair’s introduction He Kupu Whakataki na te Rangatira 5 Key achievements Nga Tino Hua 6 Television investments: Te Pouaka Whakaata 6 $81 million Innovation 6 Diversity 6 Value for money 8 Radio investments: Te Reo Irirangi 10 $32.8 million Innovation 10 Diversity 10 Value for money 10 Community broadcasting investments: Mahi Whakapaoho a-Iwi 11 $4.3 million Innovation 11 Diversity 11 Value for money 11 Music investments: Te Reo Waiata o Aotearoa 12 $5.5 million Innovation 13 Diversity 14 Value for money 15 Maori broadcasting investments: Mahi Whakapaoho Maori 16 $6.1 million Diversity 16 Digital and archiving investments: Mahi Ipurangi, Mahi Puranga 17 $3.6 million Innovation 17 Value for money 17 Research and consultation Mahi Rangahau 18 Operations Nga Tikanga Whakahaere 19 Governance 19 Management 19 Organisational health and capability 19 Good employer policies 19 Key financial and non financial measures and standards 21 Part 2: Accountability statements He Tauaki Whakahirahira Statement of responsibility 22 Audit report 23 Statement of comprehensive income 24 Statement of financial position 25 Statement of changes in equity 26 Statement of cash flows 27 Notes to the financial statements 28 Statement of service performance 43 Appendices 50 Directory Hei Taki Noa 60 Printed in New Zealand on sustainable paper from Well Managed Forests 1 NZ On Air Annual Report For the year ended 30 June 2010 Part 1 “Lively debate around broadcasting issues continued this year as television in New Zealand marked its 50th birthday and NZ On Air its 21st.
    [Show full text]
  • Touring Biz Awaits Rap Boom
    Y2,500 (JAPAN) $6.95 (U.S.), $8.95 (CAN.), £5.50 (U.K.), 8.95 (EUROPE), II1I11 111111111111 IIIIILlll I !Lull #BXNCCVR 3 -DIGIT 908 #90807GEE374EM002# BLBD 863 A06 B0116 001 MAR 04 2 MONTY GREENLY 3740 ELM AVE # A LONG BEACH CA 90807 -3402 HOME ENTERTAINMENT THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO, AND Labels Hitching Stars To Clive Greeted As New RCA Chief Global Consumer Brands Artists, Managers Heap Praise On Davis, But Some Just Want Stability given five -year contracts, according BY MELINDA NEWMAN BY BRIAN GARRITY Goldstuck had been pres- While managers of acts signed to to Davis. NEW YORK -In the latest sign of J Records. Richard RCA Records are quick to praise out- ident/C00 that the marketing of music is will continue as executive going RCA Music Group (RMG) Sanders undergoing a sea change, the RCA Records. chairman Bob Jamieson, they are also VP /GM of major labels are forging closer ties "We absolutely loved and have heralding the news that J Records with global consumer brands in with Bob Jamieson head Clive Davis will now control enjoyed working an effort to gain exposure for their and hope our paths will cross with him both the J label and RCA Records. acts. As the deals become more says artist manager Irving BMG announced Nov. 19 that it is again," pervasive, they raise questions for whose client Christina Aguilera buying out Davis' 50 %, stake in J Azoff, artists, who have typically cut on RCA Oct. 29. "I've Records -the label he formed in released Stripped their own sponsorship deals.
    [Show full text]
  • Hon Murray Mccully
    Hon Murray McCully Minister for the Rugby World Cup Media Statement 2 September 2011 Kiwi innovation on show at The Cloud during Rugby World Cup 2011 Rugby World Cup Minister, Hon. Murray McCully today previewed The Cloud on Auckland‟s Queens Wharf, part of New Zealand‟s largest ever showcase of business creativity and innovation for Rugby World Cup 2011. “Today‟s preview of The Cloud is an important moment for New Zealand‟s business sectors. Our goal was to ensure New Zealand‟s innovation story plays a strong role in showcasing New Zealand during the Tournament. It is an investment which is a legacy that New Zealand Trade and Enterprise will continue to build on long after the Tournament ends,” Mr McCully says. The Cloud is open to the public at all times during the Tournament and entry is free. It includes an exhibition space, two giant screens for an innovation AV showcase and to broadcast the Rugby when it is a Fanzone, a „Taste at The Cloud‟ food and beverage experience, the NZ 2011 media lounge and the NZ 2011 business lounge. Visitors to The Cloud can taste the quality and diversity of New Zealand food and beverages at the daily „Taste at The Cloud‟, experience authentic „Kiwi‟ hospitality, see up close the amazing business innovations that New Zealand is increasingly known for internationally, attend fashion and design shows and enjoy the Fanzone of music and matches on big screens on match days. “Our investment in The Cloud to be more than just an entertainment venue is deliberate and important.
    [Show full text]
  • Popular Music, Stars and Stardom
    POPULAR MUSIC, STARS AND STARDOM POPULAR MUSIC, STARS AND STARDOM EDITED BY STEPHEN LOY, JULIE RICKWOOD AND SAMANTHA BENNETT Published by ANU Press The Australian National University Acton ACT 2601, Australia Email: [email protected] Available to download for free at press.anu.edu.au A catalogue record for this book is available from the National Library of Australia ISBN (print): 9781760462123 ISBN (online): 9781760462130 WorldCat (print): 1039732304 WorldCat (online): 1039731982 DOI: 10.22459/PMSS.06.2018 This title is published under a Creative Commons Attribution-NonCommercial- NoDerivatives 4.0 International (CC BY-NC-ND 4.0). The full licence terms are available at creativecommons.org/licenses/by-nc-nd/4.0/legalcode Cover design by Fiona Edge and layout by ANU Press This edition © 2018 ANU Press All chapters in this collection have been subjected to a double-blind peer-review process, as well as further reviewing at manuscript stage. Contents Acknowledgements . vii Contributors . ix 1 . Popular Music, Stars and Stardom: Definitions, Discourses, Interpretations . 1 Stephen Loy, Julie Rickwood and Samantha Bennett 2 . Interstellar Songwriting: What Propels a Song Beyond Escape Velocity? . 21 Clive Harrison 3 . A Good Black Music Story? Black American Stars in Australian Musical Entertainment Before ‘Jazz’ . 37 John Whiteoak 4 . ‘You’re Messin’ Up My Mind’: Why Judy Jacques Avoided the Path of the Pop Diva . 55 Robin Ryan 5 . Wendy Saddington: Beyond an ‘Underground Icon’ . 73 Julie Rickwood 6 . Unsung Heroes: Recreating the Ensemble Dynamic of Motown’s Funk Brothers . 95 Vincent Perry 7 . When Divas and Rock Stars Collide: Interpreting Freddie Mercury and Montserrat Caballé’s Barcelona .
    [Show full text]
  • Todd Cowart Song List
    Todd Cowart 2017 Song List 311 Bad Company With A Little Help From My Amber Shooting Star Friends Yellow Submarine ABBA The Band Yesterday Dancing Queen The Weight You’ve Got to Hide Your Love Will The Circle Be Unbroken Away Aerosmith Dream On Bare Naked Ladies Beck 7-8-9 Loser Alabama It's All Been Done Dixieland Delight Ninjas Ben Folds Five Brick Dave Barnes Allman Brothers Greyhound Justin Bieber Sweet Melissa Baby Ramblin’ Man Beach Boys Don’t Worry Baby Big Head Todd America God Only Knows Bittersweet Horse With No Name Kokomo It’s Alright Sister Golden Hair Sloop John B Tomorrow Never Comes Surfer Girl Louis Armstrong The Warmth of the Sun Steven Bishop What a Wonderful World On and On The Beastie Boys The Animals Fight For Your Right Black Crows Don’t Let Me Be She Talks to Angels Misunderstood The Beatles House of the Rising Sun Across The Universe Black Eyed Peas All My Loving Let’s Get it Started Marc Anthony All You Need Is Love I Need To Know Blackbird Norman Blake Drive My Car You Are My Sunshine Atlanta Rhythm Sect. Eleanor Rigby Spooky Girl Blues Traveler Help Run Around Aqualung Here Comes the Sun Brighter Than Sunshine Hey Jude James Blunt Imagine (Lenon) You’re Beautiful B-O-B Lucy In the Sky Nothin On You Michelle Bon Jovi Norwegian Wood Dead or Alive Burt Bacharach Obla-Di Obla-Da Always Something There to Rocky Raccoon David Bowie Remind Me Something in the Way She Space Oddity Close To You Moves The Man Who Sold the World Raindrops Keep Fallin On My Strawberry Fields Forever Head When I’m Sixty-Four Bread While
    [Show full text]
  • Registered Master Rights Holders (Labels)
    RECORDED MUSIC NZ - REGISTERED MASTER RIGHTS HOLDERS (LABELS) As at AUGUST 2021 #23 RECORDS ADAM HATTAWAY ALEXANDER WILDWOOD *JOY* ADAM HATTAWAY AND THE ALIEN WEAPONRY HAUNTERS @PEACE ALISTAIRFRASER ADAM MCLEAN 1814 ALIZARIN LIZARD ADAM TUKIRI 2 AM ORCHESTRA ALKEMY THEATRE ADAM WHAUWHAU 2POP LIMITED ALL THE COLOURS ADELAIDE CARA 2XM ALLAN WILKINS ADORE 1996 303 ENT LTD ALLAN WILSON ADRIAN HOLLAY 37 HZ LIMITED ALLANA GOLDSMITH AEROPLANE MUSIC 4SAYKEN SERVICES LIMITED AllGOOD ABSOLUTE ALTERNATIVE RECORDS 60/40 RECORDS AFFSID AND JEFF PREME LTD 60LIVE ENTERTAINMENT AFFSID KIDJHAGIFFY ALPHA BETA GAMMA LTD AFTA DINA MINT ALPHABETHEAD 6EMBLANCE AFTER OURS ALPHADOGG 8 STEPS TO MADNESS AGE PRYOR ALPHAMAX RECORDS LTD 8 YEARS ROUND AGENT ALSJAY 80HD RECORDS AHJAY STELINO ALY COOK 833 RECORDS AHORANGI ALYX 9-5ERS LIMITED AIDAN FINE AMAMELIA A BIT NIGEL AJ CRAWSHAW AMBA HOLLY A DEAD FOREST INDEX AKCEPT AMBEDO A LABEL CALLED SUCCESS AL INGHAM AMBER MAYA A MOVING PRODUCTION LTD ALAE AMELIA MCNABB A THOUGHT THAT CAME TO ALAN AND ALANA AMESSOFI MIND ALAN BROWN AMMP A.C. FREAZY ALAN BROWN TRIO AMNESIA JAMES AARON CARPENTER AND THE REVELATORS ALAYNA POWLEY ANABAC AARON DUTTON ALCHEMY MINE ANABEL JAMIESON AARONJURY ALEX CLOVER ANALISE TWEMLOW ABBY WOLFE ALEX TZ AND WHAT ABIGAIL KNUDSON ALEXA CASINO ANDIVERSE ABOUT THE DEADLINES ALEXANDER HARMER ANDREW MASSEURS ABOVE THE CIRCLE ALEXANDER LUCK ANDREW MOCKLER ACIDMORPH ALEXANDER LUCK AND WET ANDREW PAPAS BANDITS ANDREW RUTHERFORD RECORDED MUSIC NZ - REGISTERED MASTER RIGHTS HOLDERS (LABELS) As at AUGUST 2021 AND$UM ARCH DYNASTY AVON DADS ANDY BLUE THE ROCK ARCH HILL RECORDINGS AVYA GRACE TOYS ARISE CHURCH AWA MUSIC LTD ANDY DWYER ARJUNA OAKES AZURE ANDY GARTRELL ARKH LTD B-LUSH ANDYGIBSON ARLO MAC B O K E H ANGELFISH KIDS ARMA DEL AMOR B.A.D.S ANGEL STAR PUBLISHING HOUSE LTD ARMED IN ADVANCE BABY SITTERS CIRCUS ANGELO KING JONO DAS ARO BABY TEETH ANGELS GATE RECORDS ARRAYS BABY ZIONOV ANIKA MOA ART INC NZ LIMITED My BACKYARD MUSIC Tools ANITA A.R.T.
    [Show full text]
  • Top 40 Singles Top 40 Albums
    20 September 2004 CHART #1426 Top 40 Singles Top 40 Albums We Gon Ride DIP IT LOW Into The West The Hard Way 1 Dei Hamo 21 Christina Milian 1 Yulia 21 213 Last week 2 / 2 weeks Gold x1 / HiRuys/Universal Last week 16 / 13 weeks Universal Last week 0 / 1 weeks Platinum x1 / Sony Music Last week 26 / 3 weeks Method/Shock So Damn Beautiful Taking Over / Loner Everyone Is Here SHREK 2 OST 2 Michael Murphy 22 Goodnight Nurse 2 The Finn Brothers 22 Various Last week 1 / 2 weeks Gold x1 / BMG Last week 19 / 2 weeks FMR Last week 1 / 4 weeks Platinum x1 / Capitol/EMI Last week 18 / 14 weeks Gold x1 / Universal My Place / Flap Your Wings Turn Me On Songs About Jane Absolution 3 Nelly 23 Kevin Lyttle 3 Maroon 5 23 Muse Last week 3 / 4 weeks Universal Last week 21 / 3 weeks EW/Warner Last week 3 / 17 weeks Gold x1 / BMG Last week 27 / 9 weeks Gold x1 / FMR Welcome Back Lola's Theme What To Do With Daylight Dead Letters 4 Mase 24 The Shapeshifters 4 Brooke Fraser 24 The Rasmus Last week 4 / 2 weeks Universal Last week 15 / 5 weeks Capitol/EMI Last week 2 / 43 weeks Platinum x4 / Sony Music Last week 16 / 8 weeks Universal Leave (Get Out) Look What You've Done Genius Loves Company California 5 JoJo 25 Jet 5 Ray Charles 25 Wilson Phillips Last week 36 / 2 weeks Universal Last week 24 / 15 weeks Capitol/EMI Last week 4 / 3 weeks Gold x1 / EMI Last week 19 / 8 weeks Gold x1 / Sony Music Getting Stronger Trick Me Suit Dino: The Essential Dean Martin 6 Adeaze feat.
    [Show full text]
  • Stewart Speer: a Drummer Who Won't Let the Odds Beat
    STEWART SPEER: A DRUMMER WHO WON’T LET THE ODDS BEAT HIM by Eric Myers ___________________________________________________ [This article appeared in the Sydney Morning Herald on September 15, 1981.] his week the legendary 53-year-old drummer Stewart Speer embarks on a 10- week tour of Australia with Max Merritt, the former Australian rock star now T based in England. This period of employment breaks a long drought for an important figure in Australian jazz history. Apart front a similar tour with Merritt last year, Speer has worked only occasionally since returning two years ago from England, where he spent most of the 1970s. Max Merritt & the Meteors, L-R, Speer, Lance Dixon, Merritt, Martin (Fuzz) Deniz, John Gourd… 1 Speer, with cigarette dangling… “I would like to be playing more, but I’m not sure about how to go about it,” said Speer recently. “I wouldn’t mind a regular gig, maybe with some electric players. I like a bit of noise.” “Of course I have been sick since I came back from England,” he says, ticking off an impressive series of afflictions — leg ulcers, cellulitis, gout and arthritis are just some of them. Physically, he is an awesome man — some 22 stone, although he is down from last year’s 25 stone — with a flowing white beard and long grey hair which seems to grow out of the sides of his ever-present peak cap. In performance, he establishes a formidable presence behind the array of cymbals and tom-toms which make up the modern drum-kit. Always there is a huge cloud of smoke pouring upwards from the cigarette which dangles nonchalantly from his lips.
    [Show full text]
  • [Warning - This Film Contains Nudity and References to Drugs]
    [Warning - This film contains nudity and references to drugs] [What A Life! Rock Photography by Tony Mott - a free exhibition until 7 February 2016. Solid Gold - Jeff Apter & Philip Morris, Metcalfe Theatre, State Library of NSW, 5th December 2015] [Dressed in a black shirt and dark jeans, grey-haired Philip Morris sits beside his interviewer Jess Apter, a bald man dressed casually] [JEFF APTER] Thank you. Before starting, I want to say I was really fortunate to be able to work with Philip on this book. [Jeff Apter holds up a coffee table book] [JEFF APTER] And it was one of the more interesting exercises, wasn't it? Because we were given a directive to come up with... Was it 200 photos? ..for this book. [PHILIP MORRIS] That's right. [JEFF APTER] And Philip's archive is so fantastic and so rich, that I think we got it down to, what, 600? [PHILIP MORRIS] Yeah. [Audience laughs] [JEFF APTER] Was it 600 to start with? It was something like that. And it's staggering, really. It's a really great document of Australian rock history at a really interesting turning point. So to get it down to this... It's begging for a second edition, by the way. There's so many great photos. So it was a real honour to be able to... to do that. It was a lot of fun. [PHILIP MORRIS] Yeah, it was. [JEFF APTER] We actually had built into our contract... Our agreement was an understanding that we would never work in a boring situation.
    [Show full text]
  • Hearing Ourselves: Globalisation, the State, Local Content and New Zealand Radio
    HEARING OURSELVES: GLOBALISATION, THE STATE, LOCAL CONTENT AND NEW ZEALAND RADIO A thesis submitted in fulfilment of the requirements for the degree of Master of Arts in Sociology at the University of Canterbury by Zita Joyce University of Canterbury 2002 ii Abstract _____________________________________________________________________ Local music content on New Zealand radio has increased markedly in the years between 1997, when content monitoring began, and January 2002. Several factors have contributed to this increase, including a shift in approach from musicians themselves, and the influence of a new generation of commercial radio programmers. At the heart of the process, however, are the actions of the New Zealand State in the field of cultural production. The deregulation of the broadcasting industry in 1988 contributed to an apparent decline in local music content on radio. However, since 1997 the State has attempted to encourage development of a more active New Zealand culture industry, including popular music. Strategies directed at encouraging cultural production in New Zealand have positioned popular music as a significant factor in the development and strengthening of ‘national’ or ‘cultural’ identity in resistance to the cultural pressures of globalisation. This thesis focuses on the issue of airtime for New Zealand popular music on commercial radio, and examines the relationship between popular music and national identity. The access of New Zealand popular music to airtime on commercial radio is explored through analysis of airplay rates and other music industry data, and a small number of in-depth interviews with radio programmers and other people active in the industry. A considerable amount of control over the kinds of music supported and produced in New Zealand lies with commercial radio programmers.
    [Show full text]
  • In New Zealand a Grounded Theory Analysis of Kiwi FM 2015
    Powerful Music: Media, Culture and the ‘Third-way’ in New Zealand A Grounded Theory Analysis of Kiwi FM Matt Mollgaard School of Communication Studies Faculty of Design and Creative Technologies Auckland University of Technology A dissertation submitted to Auckland University of Technology in fulfilment of the requirements for the degree of Doctor of Philosophy 2015 2 Abstract The New Zealand radio market is one of the most deregulated in the world. There are no limits on ownership, very few constraints on content and no quotas for local content. New Zealand’s radio environment reflects the strong neo-liberal principles that underpin the open, market-driven New Zealand economy. Political promises and public discussions about the creation of a nationwide commercial-free public radio service for young people had faltered against these principles in the early to mid-2000s with strong opposition from incumbent commercial radio interests decrying government interference in their commercial rights. It was in to this environment in 2005 that one half of the foreign- owned radio broadcasting duopoly introduced a radio network into the three main cities that played only New Zealand music – Kiwi FM. Within a year the network had failed to attract sufficient listeners and advertisers to stay on-air and was nearing closure. At this point the Labour government of the day stepped in to save the struggling network by giving it access to temporary free frequencies and funding to make programmes featuring New Zealand music. This was an extraordinary situation in that commercial radio in New Zealand is notable for its focus on producing only programming that will create significant profits for shareholders, rather than public service-type programming benefiting national arts and culture.
    [Show full text]