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The Popular Culture Studies Journal
THE POPULAR CULTURE STUDIES JOURNAL VOLUME 6 NUMBER 1 2018 Editor NORMA JONES Liquid Flicks Media, Inc./IXMachine Managing Editor JULIA LARGENT McPherson College Assistant Editor GARRET L. CASTLEBERRY Mid-America Christian University Copy Editor Kevin Calcamp Queens University of Charlotte Reviews Editor MALYNNDA JOHNSON Indiana State University Assistant Reviews Editor JESSICA BENHAM University of Pittsburgh Please visit the PCSJ at: http://mpcaaca.org/the-popular-culture- studies-journal/ The Popular Culture Studies Journal is the official journal of the Midwest Popular and American Culture Association. Copyright © 2018 Midwest Popular and American Culture Association. All rights reserved. MPCA/ACA, 421 W. Huron St Unit 1304, Chicago, IL 60654 Cover credit: Cover Artwork: “Wrestling” by Brent Jones © 2018 Courtesy of https://openclipart.org EDITORIAL ADVISORY BOARD ANTHONY ADAH FALON DEIMLER Minnesota State University, Moorhead University of Wisconsin-Madison JESSICA AUSTIN HANNAH DODD Anglia Ruskin University The Ohio State University AARON BARLOW ASHLEY M. DONNELLY New York City College of Technology (CUNY) Ball State University Faculty Editor, Academe, the magazine of the AAUP JOSEF BENSON LEIGH H. EDWARDS University of Wisconsin Parkside Florida State University PAUL BOOTH VICTOR EVANS DePaul University Seattle University GARY BURNS JUSTIN GARCIA Northern Illinois University Millersville University KELLI S. BURNS ALEXANDRA GARNER University of South Florida Bowling Green State University ANNE M. CANAVAN MATTHEW HALE Salt Lake Community College Indiana University, Bloomington ERIN MAE CLARK NICOLE HAMMOND Saint Mary’s University of Minnesota University of California, Santa Cruz BRIAN COGAN ART HERBIG Molloy College Indiana University - Purdue University, Fort Wayne JARED JOHNSON ANDREW F. HERRMANN Thiel College East Tennessee State University JESSE KAVADLO MATTHEW NICOSIA Maryville University of St. -
Olympia, Washington 98504-3096
Olympia, Washington 98504-3096 January 4, 2008 B U L L E T I N TO: ALL STORES AND CONTRACT LIQUOR STORES FROM: Steve Burnell, Marketing Manager SUBJECT: Merchandise Bulletin #02 1) The following new “L” items are in the Distribution Center. Selected stores will receive one case of these items. Managers are reminded to immediately display these items upon receipt in their outlets. Stores and contract liquor stores not receiving an allocation may place an order in the normal manner. Please order in full cases only. UNITS LIQUOR ALLO- BRAND TYPE UNITS/ UPC RETAIL CATED CODE DESCRIPTION CODE # SIZE CASE # PRICE 1 case 035155 Vincent Van Gogh Acai 265 750 ml 12 33824- $23.95 Blueberry Vodka 91343 Once again, Van Gogh Vodka’s artistic spirit shines with the first Acai-flavored vodka. Van Gogh’s Acai- Blueberry Vodka marries the exotic Acai berry with the sweet blueberry to produce a true martini in a bottle. Swathed in royal purple hues, it tingles the taste buds with a vibrant blend of berries, starting with an overtone of blueberry and finishing with the Acai nectar. Explore your exotic side. Straight or mixed with other fine Van Gogh Flavored Vodkas, Van Gogh’s Acai-Blueberry vodka always makes the Luxury Martini. UNITS LIQUOR ALLO- BRAND TYPE UNITS/ UPC RETAIL CATED CODE DESCRIPTION CODE # SIZE CASE # PRICE 1 case 073452 Dekuyper Lusciouis 475 750 ml 12 80686- $13.95 Pomegranate 36740 Now the flavor that’s on everyone’s lips can be in your drink. Put a sweet and tangy twist on your favorite cocktail with the trendy, new taste of luscious DeKuyper® Pomegranate. -
It Is Easy to Interpret Kurt Vonnegut's Slaughterhouse-Five and Anthony
It is easy to interpret Kurt Vonnegut’s Slaughterhouse-Five and Anthony Burgess’ A Clockwork Orange as cynical and pessimistic novels. The profusion of graphic images involving death, gang violence, and war make it difficult to walk away from either text with a hopeful outlook for the future of mankind. Thus, many literary critics label Vonnegut and Burgess as fatalists who argue for an acceptance of deterministic forces that eventually cause humans harm and suffering. However, other critics, such as Liu Hong, Wayne McGinnis, Todd Davis, and Kenneth Womack, all contend that at the end of the day Vonnegut and Burgess offer an opinion of humanity that is hopeful and encouraging. To these critics, the authors ultimately argue that the individual has the ability to determine their own fate in a horrific and often hurtful world. The standard debate concerning these two revolutionary authors has thus been one between a message of either hope or disparagement. It is a debate that has long been discussed among literary critics and continues to be an ever-changing discussion. My contention is that both Vonnegut and Burgess each create a body of work that offers the reader hope, empowerment, and an optimistic outlook of a future that is better than their present, or rather the present setting of their characters. Thus, I agree with critics like McGinnis, who calls Slaughterhouse-Five Vonnegut’s “most hopeful novel to date” (McGinnis 121), or Davis and Womack, who find that A Clockwork Orange’s protagonist ultimately finds a hopeful and optimistic conclusion in embarking “…upon a lifetime of familial commitment and human renewal.” (Davis, Womack 34). -
Town Joins County Plan to Dispose of Solid Waste a Kidney to His Daughter
Page 18 CRANFORD CHRONICLE Thursday, August 14, 1986 f Where else but Kings? romcie SERVING CRANFORD, GARWOOD and KENILWORTH :Vol. 93 No. 34 Published Every Thursday Thursday, August 21, 1986 " USPS 136 800 Second Class Postage Paid Cranford, N.J. 30 CENTS to our own Homemade Salads. In brief Town joins county When it comes to serving a delightful change of pace for a summer dinner, our Deli Corner make a special addition to any dinner. And this week's specials Blood drive nothing can beat an entree of tender veal. go from our Oriental Vegetables to our Pesto Tortellini. The Jaycees will sponsor a plan to dispose Try our own Kings Select Veal and taste for yourself. As lean as can be, it's For salad ideas of your own, simply turn to our Farmer's Corner for blood drive to benefit two' hemophiliac residents, Judd high in protein, low in cholesterol and just the thing to highlight a. dinner for everything from Jersey Fresh Scallions and Cucumbers to California Bartlefts and Kopicki and Tom Kane. The drive two, four or more. • %' Honeydews. -- • will take place at the Community I of solid waste Let our nijjjk}',Kings Select Veal specials inspire you to choose anything from For more entree ideas, come to our Seafood Corner. Our specials include Center Friday from 4:30 to 8:30 | After reviewing several options, am afraid we will have to provide Cutlets to a ,'B$iieless Shoulder Roast. Ip addition, let our outdoor-grill Block Island Bluefish Fillets, Maine Lobsters and North Atlantic Squid, not to p.m. -
Wxw Holds Keynote on Wxw NOW Streaming
wXw holds keynote on wXw NOW streaming service, announces details on Germany's first wrestling network wXw just announced the first in-depth details on our new "wXw NOW" streaming network, which will launch one month from now on 8/13 at www.wxwnow.de. It will not just be a collection of shows like a lot of companies offer for a monthly fee via Pivotshare but also offer original content and a lot of archived shows, some dating back as far as 2006. We will also have our uniquely designed interface/UI, while hosting and infrastructure will be managed by Vimeo, our long-time streaming partner, dating back to 2013. Wrestling journalist Markus Gronemann (DarkMat.eu, Wrestling Observer) considers this to be the biggest launch of an over-the-top pro wrestling channel by a single promotion since New Japan World. wXw Managing Director Christian Jakobi held a keynote presentation tonight at 8 pm CEST at the wXw Wrestling Academy training school, which was streamed live on Facebook (the video is available, albeit only in German, here) and talked about what future and past events and what kind of original content would be available. We had up to 750 viewers simultaneously on Facebook and also had some students and a trainer (Toby Blunt) in attendance to provide some crowd noise and cheering at key points during the announcement. Marquee Events are wXw's version of pay-per-view caliber shows, where feuds start and end and international talent often appears. There currently are 10 marquee events on the calendar, with some of them being multi-day shows: -
Annual Report 2018
2018 ANNUAL REPORT CONTENTS President’s Report 4 Treasurer’s Report 6 QMusic Program Report 8 QMusic Management Committee 14 QMusic Staff 17 Income & Expenditure Statement 22 Assets & Liabilities Statement 23 Statement of Cash Flows 24 3/374 Brunswick Street PO Box 878 Notes to the Financial Statements 25 Fortitude Valley QLD 4006 Australia Statement by Members of the Committee 30 T (07) 3257 0013 E [email protected] www.qmusic.com.au Independent Audit Report 31 Queensland Music Network Incorporated ABN 14 083 014 720 Disclaimer to the Detailed Income & Expenditure Statement 33 Promoting the artistic value, cultural worth and commercial potential of Queensland music. Detailed Income and Expenditure Statement 34 QMusic - The Queensland Music Network - is a registered non-profit association dedicated to developing, servicing and representing the Queensland music industry. QMusic acknowledges that Aboriginal and Torres Strait Islanders are the custodians of the land and recognise the disadvantage caused by colonisation and dispossession. Aboriginal and Torres Strait Islander music plays a critical role in the broader Australian music context and Australian culture overall. QMusic is committed to working with community to build opportunities for Aboriginal and Torres Strait Islander artists and music businesses. QMusic acknowledges the support and funding of the Queensland Government, Australia Council for the Arts and APRA AMCOS. 2018 ANNUAL REPORT 3 PRESIDENT’S REPORT QMusic marked its 24th year of operation in 2018 – making us older than some of the many music industry participants whom we are fortunate to engage with across Queensland. Like any 24-year-old, there have been great years and some years that presented more challenges than most. -
The Passage,” We Make ‘The Passage’ Premiering Monday Customizing on Fox
6895 & 6901 Gilda Ct - Keystone Heights $64,000 Lime rock easement, total 5 Introducing our NEW acres with 2 set ups, 2 septic 54' Large Format tanks and 1 well. Travel trailer HP 315 Latex Printer on 1.25 acres you can live in Marketing every property while you build your home or Bigger, Faster & As if it were our own. manufactured home, or build Your Full Service Print Shop! Better Quality! • RESIDENTIAL • on the 3.75 acres in the back Business Cards Flyers Brochures T-Shirts Banners • COMMERCIAL • and rent out the front acreage. Bindery Envelopes Graphic Design..... and much more! Buying • Selling • Renting Would be perfect for 2 family’s wanting to live close together. Owner wants ALL sold as one and together. Includes 2 power poles, mailbox, 2 septics 1857 Wells Road, Suite 1 A&B Orange Park, FL 32073 (904) 282-0810 www.sirspeedyop.com [email protected] one well, pump house, shed, picnic table and travel trailer. Perfect for a nice Phone: 904-269-5116 RealtyMastersInc.com camping retreat as well. 2 x 2” ad 2 x 2” ad SALES PARTS Thursday, January 10, 2019 SERVICE Mark-Paul Gosselaar stars in “The Passage,” We make premiering Monday ‘The Passage’ customizing on Fox. your turns a series of cart easy. 904-214-3723 novels into a TV 2581-A Blanding Blvd. series Middleburg, FL 32068 MyCustomCart.com 1 x 5” ad FISH CAMP The REAL RESTAURANT Fish Camp! Whitey’s& CAMPGROUND Family OwnedO & &O Operated Since 1963 see what o Come ld Florida is all out ackle • Boat Ren ab t it • T tals • RV Pa ran Ba rk • Full Service Restau 203220 CR 220 • South of Orange Park • 904-269-4198 •whiteysfi shcamp.com4 x 3” ad Mankind’s fate may rest BY JAY BOBBIN BY GEORGE DICKIE with one youngster in Checking in with ‘The Passage’ The “Passage” in the title of a Anarchy”), Emmanuelle Chriqui DAVID MAZOUZ new series could refer to a young (“Entourage”) and Henry Ian Cusick character’s rite of passage, but it (“Lost,” “The 100”) also are among actually means more than that. -
Saturday Night Marquee Every Saturday Hdnet Movies Rolls out the Red Carpet and Shines the Spotlight on Hollywood Blockbusters, Award Winners and Memorable Movies
August 2015 HDNet Movies delivers the ultimate movie watching experience – uncut - uninterrupted – all in high definition. HDNet Movies showcases a diverse slate of box-office hits, iconic classics and award winners spanning the 1950s to 2000s. HDNet Movies also features kidScene, a daily and Friday Night program block dedicated to both younger movie lovers and the young at heart. For complete movie schedule information, visit www.hdnetmovies.com. Follow us on Twitter: @HDNetMovies and on Facebook. Saturday Night Marquee Every Saturday HDNet Movies rolls out the red carpet and shines the spotlight on Hollywood Blockbusters, Award Winners and Memorable Movies Saturday, August 1st Saturday, August 15th Who Ya Gonna Call? Laugh Out Loud Saturday Ghostbusters Down Periscope Starring Bill Murray, Dan Aykroyd, Sigourney Starring Kelsey Grammer, Lauren Holly, Rob Weaver Directed by Ivan Reitman Schneider. Directed by David Ward Ghostbusters II Tootsie Starring Bill Murray, Dan Aykroyd, Sigourney Starring Dustin Hoffman, Jessica Lange, Teri Garr Weaver Directed by Sydney Pollack Directed by Ivan Reitman Roxanne Saturday, August 8th Starring Steve Martin, Daryl Hannah, Rick Rossovich Leading Ladies Directed by Fred Schepisi Courage Under Fire Starring Meg Ryan, Denzel Washington, Matt Raising Arizona Damon Starring Nicolas Cage, Holly Hunter, John Goodman Directed by Edward Zwick Directed by Joel Coen Silence of the Lambs Saturday, August 22nd Starring Jodie Foster, Anthony Hopkins, Scott Glenn Adventure Time Directed by Jonathan Demme Romancing the Stone Starring Michael Douglas, Kathleen Turner, Danny Devito. Directed by Robert Zemeckis The River Wild Starring Meryl Streep, Kevin Bacon, David Strathairn Directed by Curtis Hanson 1 Make kidScene your destination every day and Make kidScene Friday Night your family’s weekly movie night. -
Elements of Gallows Humor in Vonnegut's Slaughter House Five
Journal of Literature, Languages and Linguistics www.iiste.org ISSN 2422-8435 An International Peer-reviewed Journal Vol.41, 2018 Elements of Gallows Humor in Vonnegut's Slaughter House Five Negar Khodabandehloo M.A. Student of Payame Noor University, Arak Branch, Iran Mojgan Eyvazi Assistant professor, English Department,Payam-e-Noor University, Tehran, Iran Abstract This study analyzes the outstanding satirist Kurt Vonnegut's novel Slaughter-house-five to demonstrate how the elements of Gallows Humor are applied to provide a better understanding of the author's worldview and of his narrative process. This is an anti-war book in which Vonnegut has attempted to blend the serious theme with humor. Through the choice of his protagonist- Billy Pilgrim- and the manipulation of black humor, Vonnegut exposes the atrocities of war from a new viewpoint. The focal point is to extract the phrases containing gallows humor, a sort of black humor, to be studied and explained by details, accordingly some literary terms are to be precisely defined and the unique style of writing is indispensable. Keywords: Anti-war, Black Humor, Gallows Humor, Satire, Humor, Vonnegut 1. Introduction Gallows humor is a kind of black humor in which the threatened person witnesses the oppression. As the name represents, the person threatened is implicated with no hope and no way to escape from the disaster. The misfortune is obvious to him, and he prefers joking about it instead of feeling sorrow. This section includes a definition of the gallows humor followed by some examples for more clarifications. In an essay posted on the website of the Philosophy Club, which meets regularly in Santa Monica, CA. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
Context and Neglect: Kurt Vonnegut and the Middleclass Magazine
Context and Neglect: Kurt Vonnegut and the Middleclass Magazine The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:37945101 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Context and Neglect: Kurt Vonnegut and the Middleclass Magazine. Lori Philbin A Thesis in the Field of English for the Degree of Master of Liberal Arts in Extension Studies Harvard University May 2018 Copyright 2018 Lori Philbin Abstract The scholarship focusing on the work of Kurt Vonnegut, Jr. has largely centered on his novels. Most studies have neglected Vonnegut’s start in the popular magazine market writing short stories. A few notable scholars have focused on the stories: Jerome Klinkowitz, Peter J. Reed, Jeff Karon, James Thorson, and Steve Gronert Ellerhoff. Even with the work of such scholars, there have been few studies that consider the context of Vonnegut’s earliest stories and how the influence of the middleclass magazine market not only shaped Vonnegut’s career but had continued impact on his later novels. This study explores Vonnegut’s first eight stories: “Report on the Barnhouse Effect,” “Thanasphere,” “EPICAC,” “All the King’s Horses,” “Mnemonics,” “The Euphio Question,” “The Foster Portfolio,” and “More Stately Mansions.” The stories are considered within the context of their first publication venue, the magazine Collier’s, and how that context shows connections between the stories and his novels such as Player Piano, Cat’s Cradle, and Slaughterhouse-Five. -
Annual Report 2017
CONTENTS President’s Report 4 Treasurer’s Report 6 CEO’s Report 8 QMusic Program Report 10 QMusic Management Committee 16 QMusic Staff 19 Income & Expenditure Statement 22 Assets & Liabilities Statement 23 Statement of Cash Flows 24 3/374 Brunswick Street PO Box 878 Fortitude Valley QLD 4006 Notes to the Financial Statements 25 Australia T (07) 3257 0013 Statement by Members of the Committee 30 E [email protected] www.qmusic.com.au Independent Audit Report 31 Queensland Music Network Incorporated ABN 14 083 014 720 Disclaimer to the Detailed Income & Expenditure Statement 33 Promoting the artistic value, cultural worth and commercial potential of Queensland music. Detailed Income and Expenditure Statement 34 QMusic - The Queensland Music Network - is a registered non-profit association dedicated to developing, servicing and representing the Queensland music industry. QMusic acknowledges that Aboriginal and Torres Strait Islanders are the custodians of the land and recognise the disadvantage caused by colonisation and dispossession. Aboriginal and Torres Strait Islander music plays a critical role in the broader Australian music context and Australian culture overall. QMusic is committed to working with community to build opportunities for Aboriginal and Torres Strait Islander artists and music businesses. QMusic acknowledges the support and funding of the Queensland Government, Australia Council for the Arts and APRA AMCOS 2017 ANNUAL REPORT 3 PRESIDENT’S REPORT Like the wider music industry, QMusic has known its share of challenging times in more than two decades in existence. Those times have helped to place the positive moments into perspective. And 2017 will go down as a strong year for QMusic.