Cybele, Attis, and the Mysteries of the "Suffering Gods" a Transpersonal Interpretation Evgueni A
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St. Michael and Attis
St. Michael and Attis Cyril MANGO Δελτίον XAE 12 (1984), Περίοδος Δ'. Στην εκατονταετηρίδα της Χριστιανικής Αρχαιολογικής Εταιρείας (1884-1984)• Σελ. 39-62 ΑΘΗΝΑ 1986 ST. MICHAEL AND ATTIS Twenty years ago, when I was working on the apse mosaics of St. Sophia at Constantinople, I had ample opportunity to contemplate what is surely one of the most beautiful works of Byzantine art, I mean the image of the archangel Gabriel, who stands next to the enthroned Theotokos (Fig. 1). Gabriel is dressed in court costume; indeed, one can affirm that his costume is imperial, since he is wearing red buskins and holding a globe, the symbol of universal dominion. Yet neither the Bible nor orthodox doctrine as defined by the Fathers provides any justification for portraying an archangel in this guise; no matter how great was his dignity in heaven, he remained a minister and a messenger1. Only God could be described as the equivalent of the emperor. How was it then that Byzantine art, which showed extreme reluctance to give to Christ, the pambasileus, any visible attributes of royalty other than the throne, granted these very attributes to archangels, who had no claim to them? An enquiry I undertook at the time (and left unpublished) suggested the following conclusions: 1. The Byzantines themselves, I mean the medieval Byzantines, could offer no reasonable explanation of the iconography of archangels and seemed to be unaware of its meaning. On the subject of the globe I found only two texts. One was an unedited opuscule by Michael Psellos, who, quite absurdly, considered it to denote the angels' rapidity of movement; "for", he says, "the sphere is such an object that, touching as it does only a tiny portion of the ground, is able in less than an instant to travel in any direction"2. -
General Index
GENERAL INDEX A.GILIM, and n. Aesopic tradition, , and abstractions, n. nn. –, Acarnania, Aetna, , Acastus, Aetna, n. Accius, and n. Agamemnon, n. , , , accusative, , n. , –, , –, , – Agdistis, Achelous, Agenor, Achilles, , , , , , , , ages, myth of, see races, myth of –, , , , , Agias of Troezen, , Acontius, , n. , , agriculture, , , , , , – and n. , , , , , –, Actaeon, n. , , , , n. , –, ; Actor, agriculture section in Works and Acusilaus of Argos, and n. , Days, , , –, and n. Agrius, Adad, aidos, n. , ; personified, , adamant, adjective(s), , , Aietes, Admonitions of Ipuwar,andn. Aigipan, Adodos, ainos, , –, Adrasteia, Aither, and n. Adriatic (sea), Aithon, , n. Aegean (sea), , , aitiology, , , nn. –, Aegimius, – and n. , , , and Aegle, , n. , , , , Aelian Ajax son of Oileus, Historical miscellany, , Ajax son of Telamon, , , – and n. Aeolic dialect, , –, , Akkadian, n. , n. , , , , –; East Al Mina, , or Asiatic Aeolic, –, Alalu, , n. , , Alcaeus, , , n. Aeolids, , , Alcidamas, , , , , , Aeolis, Eastern, , , –, , n. Aeolism, , , , Alcinous, , n. , n. , Aeolus, –, , , , Aeschines, Alcmaeonidae, Aeschylus, , , , and Alcmaeonis, n. , Alcman, n. , and n. , Prometheus Bound, n. , and n. n. Alcmaon, – general index Alcmene, –, –, Antoninus Liberalis, , , n. , , , Anu, –, , –, –, aoidos see singer Alcyone, , , , aorist, , –, Alexander Aetolus, , n. apate, ; personified, Alexander the Great, n. , Aphrodite, , , n. , and n. , n. , and n. , -
Aspects of the Demeter/Persephone Myth in Modern Fiction
Aspects of the Demeter/Persephone myth in modern fiction Janet Catherine Mary Kay Thesis presented in partial fulfilment of the requirements for the degree of Master of Philosophy (Ancient Cultures) at the University of Stellenbosch Supervisor: Dr Sjarlene Thom December 2006 I, the undersigned, hereby declare that the work contained in this thesis is my own original work and that I have not previously in its entirety or in part submitted it at any university for a degree. Signature: ………………………… Date: ……………… 2 THE DEMETER/PERSEPHONE MYTH IN MODERN FICTION TABLE OF CONTENTS PAGE 1. Introduction: The Demeter/Persephone Myth in Modern Fiction 4 1.1 Theories for Interpreting the Myth 7 2. The Demeter/Persephone Myth 13 2.1 Synopsis of the Demeter/Persephone Myth 13 2.2 Commentary on the Demeter/Persephone Myth 16 2.3 Interpretations of the Demeter/Persephone Myth, Based on Various 27 Theories 3. A Fantasy Novel for Teenagers: Treasure at the Heart of the Tanglewood 38 by Meredith Ann Pierce 3.1 Brown Hannah – Winter 40 3.2 Green Hannah – Spring 54 3.3 Golden Hannah – Summer 60 3.4 Russet Hannah – Autumn 67 4. Two Modern Novels for Adults 72 4.1 The novel: Chocolat by Joanne Harris 73 4.2 The novel: House of Women by Lynn Freed 90 5. Conclusion 108 5.1 Comparative Analysis of Identified Motifs in the Myth 110 References 145 3 CHAPTER 1 INTRODUCTION The question that this thesis aims to examine is how the motifs of the myth of Demeter and Persephone have been perpetuated in three modern works of fiction, which are Treasure at the Heart of the Tanglewood by Meredith Ann Pierce, Chocolat by Joanne Harris and House of Women by Lynn Freed. -
Epigraphic Bulletin for Greek Religion 1996
Kernos Revue internationale et pluridisciplinaire de religion grecque antique 12 | 1999 Varia Epigraphic Bulletin for Greek Religion 1996 Angelos Chaniotis, Joannis Mylonopoulos and Eftychia Stavrianopoulou Electronic version URL: http://journals.openedition.org/kernos/724 DOI: 10.4000/kernos.724 ISSN: 2034-7871 Publisher Centre international d'étude de la religion grecque antique Printed version Date of publication: 1 January 1999 Number of pages: 207-292 ISSN: 0776-3824 Electronic reference Angelos Chaniotis, Joannis Mylonopoulos and Eftychia Stavrianopoulou, « Epigraphic Bulletin for Greek Religion 1996 », Kernos [Online], 12 | 1999, Online since 13 April 2011, connection on 15 September 2020. URL : http://journals.openedition.org/kernos/724 Kernos Kemos, 12 (1999), p. 207-292. Epigtoaphic Bulletin for Greek Religion 1996 (EBGR 1996) The ninth issue of the BEGR contains only part of the epigraphie harvest of 1996; unforeseen circumstances have prevented me and my collaborators from covering all the publications of 1996, but we hope to close the gaps next year. We have also made several additions to previous issues. In the past years the BEGR had often summarized publications which were not primarily of epigraphie nature, thus tending to expand into an unavoidably incomplete bibliography of Greek religion. From this issue on we return to the original scope of this bulletin, whieh is to provide information on new epigraphie finds, new interpretations of inscriptions, epigraphieal corpora, and studies based p;imarily on the epigraphie material. Only if we focus on these types of books and articles, will we be able to present the newpublications without delays and, hopefully, without too many omissions. -
The Higher Aspects of Greek Religion. Lectures Delivered at Oxford and In
BOUGHT WITH THE INCOME FROM THE SAGE ENDOWMENT FUND THE GIET OF Henirg m. Sage 1891 .A^^^ffM3. islm^lix.. 5931 CornelJ University Library BL 25.H621911 The higher aspects of Greek religion.Lec 3 1924 007 845 450 The original of tiiis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924007845450 THE HIBBERT LECTURES SECOND SERIES 1911 THE HIBBERT LECTURES SECOND SERIES THE HIGHER ASPECTS OF GREEK RELIGION LECTURES DELIVERED AT OXFORD AND IN LONDON IN APRIL AND MAY igii BY L. R. FARNELL, D.Litt. WILDE LECTURER IN THE UNIVERSITY OF OXFORD LONDON WILLIAMS AND NORGATE GARDEN, W.C. 14 HENRIETTA STREET, COVENT 1912 CONTENTS Lecture I GENERAL FEATURES AND ORIGINS OF GREEK RELIGION Greek religion mainly a social-political system, 1. In its earliest " period a " theistic creed, that is^ a worship of personal individual deities, ethical personalities rather than mere nature forces, 2. Anthrqgomorphism its predominant bias, 2-3. Yet preserving many primitive features of " animism " or " animatism," 3-5. Its progress gradual without violent break with its distant past, 5-6. The ele- ment of magic fused with the religion but not predominant, 6-7. Hellenism and Hellenic religion a blend of two ethnic strains, one North-Aryan, the other Mediterranean, mainly Minoan-Mycenaean, 7-9. Criteria by which we can distinguish the various influences of these two, 9-1 6. The value of Homeric evidence, 18-20. Sum- mary of results, 21-24. Lecture II THE RELIGIOUS BOND AND MORALITY OF THE FAMILY The earliest type of family in Hellenic society patrilinear, 25-27. -
Attis, a Case Study
Conceptual machinery of the mythopoetic mind: Attis, a case study S´andorDar´anyi1 and Peter Wittek1;2 1 University of Bor˚as,Sweden 2 ICFO-The Institute of Photonic Sciences Abstract. In search for the right interpretation regarding a body of re- lated content, we screened a small corpus of myths about Attis, a minor deity from the Hellenistic period in Asia Minor to identify the noncom- mutativity of key concepts used in storytelling. Looking at the protag- onist's typical features, our experiment showed incompatibility with re- gard to his gender and downfall. A crosscheck for entanglement found no violation of a Bell inequality, its best approximation being on the border of the local polytope. 1 Introduction With Ref. [1] now presenting \quantum information science" to the public, re- porting on work in progress, below we look at two of the key phenomena of quantum mechanics (QM), noncommutativity and entanglement. To contrast Refs. [2{4], Refs. [5] or [6]'s methodological claims, we are inter- ested to find out if conceptual entanglement may be shown outside of a cogni- tively typical questionnaire or polling scenario, in our case, in classical narratives populating mythologies, with text variants considered as repeated measurements of the same experiment. One of the aforementioned pioneering efforts, Ref. [7] employed four concepts (horse, bear, tiger, cat) in the Animal category vs. four vocal reactions (growl, whinny, snort, meow) from the Act category to create ex- amples of The Animal Acts predicate and have users rank the typicality of the resulting combinations. On the other hand, in the literary analysis we depart from, below we describe our subject matter, The Protagonist Acts, by means of a pair of logical oppositions, one pertaining to the gender of the hero, the other to his downfall. -
An Anthology of Mediocre Metamorphoses
An Anthology of Mediocre Metamorphoses Dear audience, dear Jonathan, We gathered today under this drowsy grey skey to celebrate together - I see parents, family, friends, strangers and most important, Jonathan, who worked for the past four years on the marvellous publication, called ‘366’ that will be presented today. I was a close witness of the process towards this book, from the first set of drawings to the final, alluring design as a boxed book. Therefore I cannot stress enough how joyful and honoured I am to be standing here, in front of you, on this festive occasion. I wrote a text today about my two favourite books of the moment (and in extent of all times), the Metamorphoses by Ovid on the one hand and 366 by Jonathan Paepens on the other hand, complementing each towards the culmination of an anthology, which I will recite for you today, as in now. This text is titled An Anthology of Mediocre Metamorphoses, a name which can benefit from some etymological context. An anthology is a collection of poems or epigrams of various writers, arranged as an abundant and reverbing flowerpiece. The word itself derives from the two ancient greek components, as in Anthos -which translates to flower and Logos -which means word. An anthology therefore is a flourishing set of words and phrases, carefully composed and tied together as a beautiful bouquet. Mediocre entitles the state of being in a middle state but actually finds its roots in the antique language, ultimately combining the Latin medius with the Greek ocris, which literally means halfway up a mountain. -
VENUS and ADONIS (Published in 1593) 'Vilia Miretur Vulgus; Mihi
VENUS AND ADONIS (Published in 1593) 'Vilia miretur vulgus; mihi flavus Apollo Pocula Castalia plena ministret aqua. ' TO THE RIGHT HONORABLE HENRY WRIOTHESLY,EARL OF SOUTHAMPTON, AND BARON OF TICHFIELD. RIGHT HONORABLE, I know not how I shall offend in dedicating my unpolished lines to your lordship, nor how the world will censure me for choosing so strong a prop to support so weak a burden: only, if your honour seem but pleased, I account myself highly praised, and vow to take advantage of all idle hours, till I have honoured you with some graver labour. But if the first heir of my invention prove deformed, I shall be sorry it had so noble a god-father, and never after ear so barren a land, for fear it yield me still so bad a harvest. I leave it to your honourable survey, and your honour to your heart's content; which I wish may always answer your own wish and the world's hopeful expectation. Your honour's in all duty, WILLIAM SHAKESPEARE EVEN as the sun with purple-colour'd face Had ta'en his last leave of the weeping morn, Rose-cheek'd Adonis hied him to the chase; Hunting he loved, but love he laugh'd to scorn; Sick-thoughted Venus makes amain unto him, And like a bold-faced suitor 'gins to woo him. 'Thrice-fairer than myself,' thus she began, 'The field's chief flower, sweet above compare, Stain to all nymphs, more lovely than a man, 10 More white and red than doves or roses are; Nature that made thee, with herself at strife, Saith that the world hath ending with thy life. -
The Myth of Aphrodite and Adonis in Roman Mosaics of Jordan, Arabia
JMR 8, 2015 1-16 The Myth of Aphrodite and Adonis in Roman Mosaics of Jordan, Arabia, Antioch, Mauretania Tingitana and Hispania Ürdün, Arabistan, Antakya, Mauretania Tingitana ve Hispanya’daki Roma Mozaikleri Üzerinde Aphrodite ve Adonis Miti José María BLÁZQUEZ* (Received 9 February 2015, accepted after revision 29 October 2015) Abstract The myth of the love between Aphrodite and Adonis has a Syrian origin. It was known in Greece since 700 B.C. The early Greek vases, Athenian black figure vases and Athenian red figure vases do not represent it. It appears in Corinthian mirrors from the mid-4th century B.C. A huge celebration took place in the Ptolemaic court in Alexandria in honour of Adonis. During the Roman Empire it was represented in several Roman mosaics in An- tioch. The myth is not known in mosaics of Orient, Greece and Northern Africa. It was represented in Madaba during the mid-4th century A.D. In Western Roman mosaics it was represented in Lixus, Mauretania Tingitana, and in several mosaics of Hispania. A celebration in honour of Adonis took place in Hispalis in 287 A.D. Keywords: Aphrodite and Adonis, greek vases, mirror of Corinth, Ptolemaios, not Orient, not Northern Africa, Antioch, Lixus, Hispania, Hispalis. Öz Aphrodite ve Adonis arasında yaşanan aşk miti Suriyeli bir kökene sahiptir. Yunanistan’da, İ.Ö. 700’lerden beri bilinmektedir. Erken Yunan vazoları, Atina siyah ve kırmızı figürlü vazolar bu konuyu betimlememektedir. Bu konu, İ.Ö. 4. yüzyıl ortalarında, Korint paralellerinde görünmektedir. İskenderiye’de, Ptolemaios Hanedanı sarayında, Adonis onuruna büyük törenler düzenlenmekteydi. Roma İmparatorluğu Dönemi’nde, Antakya’da birçok Roma mozaiği üzerinde bu konu tasvir edilmiştir. -
The Garden of Adonis
造 園 雑 誌42(3):10-17,1979 THE GARDEN OF ADONIS by Yong Soo KIM* ア ドニ ス 園 に つ い て 金 龍 沫 I. INTRODUCTION killed by Hephaestus, the God of hunting. This study is a research into the origin and de- Panyasis (Hav)a w.)*4), a Greek scholar who lived velopment of the Garden of Adonis and a considera- around the 6th century B. C., however, had a diffe- tion of its historical importance in the beginning of rent opinion about the myth. Thiantos (Oeiavzoa), pot gardening in Greece. King of Assyria, became so angered by the adultery The custom of the Garden of Adonis is a folk of Smyrna, his daughter, with Zeus, that he threa custom which, being handed down from Ancient tened to kill her. She went to the Gods for help. Greece, still remains in the life of the Greeks today. The Gods turned her into a Smyrna tree. Tenf In ancient times, Greek women celebrated the Festival months later, the tree split and the newborn Adonis of Adonis in midsummer. Around a statue of Adonis was found there. Aphrodite concealed the infant in they placed earthen, pots filled with soll in which a box, which she gave in charge to Persephone they sowed fennel and lettuce as well as wheat and (II E. , Queen of the Underworld. But when barleyX1'. Even now women sow quick-growing seeds Persephone opened the box and saw the beauty o in pots during the festival in the village of Serres the baby she refused to return him to Aphrodite. -
Reading Death in Ancient Rome
Reading Death in Ancient Rome Reading Death in Ancient Rome Mario Erasmo The Ohio State University Press • Columbus Copyright © 2008 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Erasmo, Mario. Reading death in ancient Rome / Mario Erasmo. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-8142-1092-5 (cloth : alk. paper) ISBN-10: 0-8142-1092-9 (cloth : alk. paper) 1. Death in literature. 2. Funeral rites and ceremonies—Rome. 3. Mourning cus- toms—Rome. 4. Latin literature—History and criticism. I. Title. PA6029.D43E73 2008 870.9'3548—dc22 2008002873 This book is available in the following editions: Cloth (ISBN 978-0-8142-1092-5) CD-ROM (978-0-8142-9172-6) Cover design by DesignSmith Type set in Adobe Garamond Pro by Juliet Williams Printed by Thomson-Shore, Inc. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials. ANSI 39.48-1992. 9 8 7 6 5 4 3 2 1 Contents List of Figures vii Preface and Acknowledgments ix INTRODUCTION Reading Death CHAPTER 1 Playing Dead CHAPTER 2 Staging Death CHAPTER 3 Disposing the Dead 5 CHAPTER 4 Disposing the Dead? CHAPTER 5 Animating the Dead 5 CONCLUSION 205 Notes 29 Works Cited 24 Index 25 List of Figures 1. Funerary altar of Cornelia Glyce. Vatican Museums. Rome. 2. Sarcophagus of Scipio Barbatus. Vatican Museums. Rome. 7 3. Sarcophagus of Scipio Barbatus (background). Vatican Museums. Rome. 68 4. Epitaph of Rufus. -
Jesus: Just Another Dying-And-Rising Deity?
Jesus: Just Another Dying-and-Rising Deity? by Catherine Creighton © 2016 Catherine Creighton Introduction Was Christianity just a first and second-century invention? Was there a “Christ conspiracy,” a “forgery and fraud,” a “rehash of older religions,”1 as D. M. Murdoch claims? Did the early Christians borrow Jesus’ death and resurrection from pagan religions? This idea is not new. One can trace it back to the late nineteenth and early twentieth century history of religions school (Religionsgeschichtliche Schule) where it was first popularized by Sir James Frazer’s 1906 work, The Golden Bough. Following in Frazer’s footsteps, Alfred Loisy claimed that Paul saw Jesus as “a savior-god, after the manner of an Osiris, an Attis, a Mithra. Like them, he [Jesus] belonged by his origin to the celestial world; like them, he had made his appearance on the earth; like them, he had accomplished a work of universal redemption, efficacious and typical; like Adonis, Osiris, and Attis he had died a violent death, and like them he had returned to life.”2 Over time this theory was heavily criticized by reputable scholars and historians and, consequently, fell out of favor. Recently, however, T. N. D. Mettinger has revived it in his work, The Riddle of Resurrection: “Dying and Rising Gods” in the Ancient Near East (2001). Skeptics, mythicists and “free thinkers” have followed suit so that books and the Internet have exploded with “parallelomania,” as Samuel Sandmel coined the term.3 Sweeping generalizations are common, like theoretical physicist and cosmologist Lawrence Krauss’s claim that 1 D.