Garsington Opera 2016 Season
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UNITEL PROUDLY REPRESENTS the INTERNATIONAL TV DISTRIBUTION of Browse Through the Complete Unitel Catalogue of More Than 2,000 Titles At
UNITEL PROUDLY REPRESENTS THE INTERNATIONAL TV DISTRIBUTION OF Browse through the complete Unitel catalogue of more than 2,000 titles at www.unitel.de Date: March 2018 FOR CO-PRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching/Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 WORLD SALES C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Elmar Kruse Niklas Arens Nishrin Schacherbauer Managing Director Sales Manager, Director Sales Sales Manager [email protected] & Marketing [email protected] [email protected] Nadja Joost Ira Rost Sales Manager, Director Live Events Sales Manager, Assistant to & Popular Music Managing Director [email protected] [email protected] CONTENT BRITTEN: GLORIANA Susan Bullock/Toby Spence/Kate Royal/Peter Coleman-Wright Conducted by: Paul Daniel OPERAS 3 Staged by: Richard Jones BALLETS 8 Cat. No. A02050015 | Length: 164' | Year: 2016 DONIZETTI: LA FILLE DU RÉGIMENT Natalie Dessay/Juan Diego Flórez/Felicity Palmer Conducted by: Bruno Campanella Staged by: Laurent Pelly Cat. No. A02050065 | Length: 131' | Year: 2016 OPERAS BELLINI: NORMA Sonya Yoncheva/Joseph Calleja/Sonia Ganassi/ Brindley Sherratt/La Fura dels Baus Conducted by: Antonio Pappano Staged by: Àlex Ollé Cat. -
A Midsummer Night's Dream
Monday 25, Wednesday 27 February, Friday 1, Monday 4 March, 7pm Silk Street Theatre A Midsummer Night’s Dream by Benjamin Britten Dominic Wheeler conductor Martin Lloyd-Evans director Ruari Murchison designer Mark Jonathan lighting designer Guildhall School of Music & Drama Guildhall School Movement Founded in 1880 by the Opera Course and Dance City of London Corporation Victoria Newlyn Head of Opera Caitlin Fretwell Chairman of the Board of Governors Studies Walsh Vivienne Littlechild Dominic Wheeler Combat Principal Resident Producer Jonathan Leverett Lynne Williams Martin Lloyd-Evans Language Coaches Vice-Principal and Director of Music Coaches Emma Abbate Jonathan Vaughan Lionel Friend Florence Daguerre Alex Ingram de Hureaux Anthony Legge Matteo Dalle Fratte Please visit our website at gsmd.ac.uk (guest) Aurelia Jonvaux Michael Lloyd Johanna Mayr Elizabeth Marcus Norbert Meyn Linnhe Robertson Emanuele Moris Peter Robinson Lada Valešova Stephen Rose Elizabeth Rowe Opera Department Susanna Stranders Manager Jonathan Papp (guest) Steven Gietzen Drama Guildhall School Martin Lloyd-Evans Vocal Studies Victoria Newlyn Department Simon Cole Head of Vocal Studies Armin Zanner Deputy Head of The Guildhall School Vocal Studies is part of Culture Mile: culturemile.london Samantha Malk The Guildhall School is provided by the City of London Corporation as part of its contribution to the cultural life of London and the nation A Midsummer Night’s Dream Music by Benjamin Britten Libretto adapted from Shakespeare by Benjamin Britten and Peter Pears -
2017 Season 2
1 2017 SEASON 2 Eugene Onegin, 2016 Absolutely everything was perfection. You have a winning formula Audience member, 2016 1 2 SEMELE George Frideric Handel LE NOZZE DI FIGARO Wolfgang Amadeus Mozart PELLÉAS ET MÉLISANDE Claude Debussy IL TURCO IN ITALIA Gioachino Rossini SILVER BIRCH Roxanna Panufnik Idomeneo, 2016 Garsington OPERA at WORMSLEY 3 2017 promises to be a groundbreaking season in the 28 year history of Cohen, making his Garsington debut, and directed by Annilese Miskimmon, Garsington Opera. Artistic Director of Norwegian National Opera, who we welcome back nine years after her Il re pastore at Garsington Manor. We will be expanding to four opera productions for the very first time and we will now have two resident orchestras as the Philharmonia Orchestra joins us for Our fourth production will be a revival from 2011 of Rossini’s popular comedy, Pelléas et Mélisande. Il turco in Italia. We are delighted to welcome back David Parry, who brings his conducting expertise to his 13th production for us, and director Martin Duncan Our own highly praised Garsington Opera Orchestra will not only perform Le who returns for his 6th season. nozze di Figaro, Il turco in Italia and Semele, but will also perform the world premiere of Roxanna Panufnik’s Silver Birch at the conclusion of the season. To cap the season off we are very proud to present a brand new work commissioned by Garsington from composer Roxanna Panufnik, to be directed Pelléas et Mélisande, Debussy’s only opera and one of the seminal works by our Creative Director of Learning & Participation, Karen Gillingham, and I of the 20th century, will be conducted by Jac van Steen, who brought such will conduct. -
Mario Ferraro 00
City Research Online City, University of London Institutional Repository Citation: Ferraro Jr., Mario (2011). Contemporary opera in Britain, 1970-2010. (Unpublished Doctoral thesis, City University London) This is the unspecified version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/1279/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] CONTEMPORARY OPERA IN BRITAIN, 1970-2010 MARIO JACINTO FERRARO JR PHD in Music – Composition City University, London School of Arts Department of Creative Practice and Enterprise Centre for Music Studies October 2011 CONTEMPORARY OPERA IN BRITAIN, 1970-2010 Contents Page Acknowledgements Declaration Abstract Preface i Introduction ii Chapter 1. Creating an Opera 1 1. Theatre/Opera: Historical Background 1 2. New Approaches to Narrative 5 2. The Libretto 13 3. The Music 29 4. Stage Direction 39 Chapter 2. Operas written after 1970, their composers and premieres by 45 opera companies in Britain 1. -
William Dazeley Baritone
William Dazeley Baritone William Dazeley is a graduate of Jesus College, Cambridge. He studied singing at the Guildhall School of Music and Drama, where he received several notable prizes including the prestigious Gold Medal, the Decca/Kathleen Ferrier Prize and the Richard Tauber Prize and won such competitions as the Royal Overseas League Singing Competition and the Walther Grüner International Lieder Competition. Engagements in the current season include MARCELLO La Boheme for Grange Park Opera, the world premiere of LIKE FLESH for the Opera de Lille and MUSIKLEHRER Ariadne auf Naxos for the Opera de Montpellier. Most recently, William sang DON ALFONSO Così fan tutte for the Royal Danish Opera, FATHER Hansel & Gretel in his company debut for Grange Park Opera, PROSECUTOR Frankenstein in the world premiere of Mark Grey’s opera Frankenstein at La Monnaie, COUNT Capriccio for Garsington Opera and PANDOLFE Cendrillon for Glyndebourne on Tour for whom he also appeared as CLAUDIUS in Brett Dean’s new award winning Hamlet. William has appeared in many of the world’s opera houses, where roles have included COUNT Cherubin, MARCELLO La Bohème, GUGLIELMO Così fan tutte, ANTHONY Sweeney Todd, YELETSKY Queen of Spades, MERCUTIO Romeo et Juliette and FIGARO Il Barbiere di Siviglia Royal Opera House, Covent Garden, PAPAGENO The Magic Flute English National Opera, ALFONSO Così fan tutte, Yeletsky, TITLE ROLE Don Giovanni, POSA Don Carlos, FANINAL Der Rosenkavalier, DANILO The Merry Widow, MR GEDGE Albert Herring Opera North, L’AMI The Fall of the -
Two Young Singers Win Awards 11
TWO YOUNG SINGERS WIN AWARDS Garsington Opera is delighted to announce the winners of two awards in recognition of their extraordinary talent, musical skill and contribution to the 2014 productions. The 2014 Helen Clarke Award has been won by Bradley Travis and the Simon Sandbach Award by Richard Dowling. Both singers return in the 2015 season and, as well as singing in the Britten chorus, Bradley sings German Father / Priest in St Marks / 6th Boy on Board and understudies the challenging role of the Traveller in Britten’s Death in Venice and Richard sings the roles of the Glass Maker / 1st Boy on Board in Death in Venice as well as understudying Baron Lummer in Intermezzo. One of Garsington Opera’s key objectives is to discover, encourage and nurture the best young performing talent who are given the opportunity to work alongside singers, conductors and directors of distinction. This year the 2015 season that runs from Friday 5 June – Sunday 26 July features three new productions – Richard Strauss’ Intermezzo, Benjamin Britten’s Death in Venice, Mozart’s Così fan tutte and a collaboration with the Royal Shakespeare Company of Shakespeare’s A Midsummer Night’s Dream with Mendelssohn’s incidental music. Bradley Travis said “I am very pleased to receive this award. Garsington Opera is so important to me as it was my first professional job after leaving the Royal College of Music and proved to be a highly rewarding, creative and enjoyable experience. “The award couldn’t have come at a better time and I am delighted” says Richard Dowling. -
London's Symphony Orchestra
London Symphony Orchestra Living Music Thursday 12 May 2016 7.30pm Barbican Hall LSO ARTIST PORTRAIT: LEIF OVE ANDSNES Schumann Piano Concerto INTERVAL Beethoven Symphony No 9 (‘Choral’) Michael Tilson Thomas conductor Leif Ove Andsnes piano Lucy Crowe soprano London’s Symphony Orchestra Christine Rice mezzo-soprano Toby Spence tenor Iain Paterson bass London Symphony Chorus Simon Halsey chorus director Concert finishes approx 9.50pm Supported by Baker & McKenzie 2 Welcome 12 May 2016 Welcome Living Music Kathryn McDowell In Brief A very warm welcome to tonight’s LSO performance BMW LSO OPEN AIR CLASSICS 2016 at the Barbican. This evening we are joined by Michael Tilson Thomas for his first concert since the The fifth annual BMW LSO Open Air Classics announcement of his appointment as LSO Conductor concert will take place on Sunday 22 May at 6.30pm. Laureate from September 2016, in recognition of Conducted by Valery Gergiev, the LSO will perform his wonderful music-making with the LSO and his an all-Tchaikovsky programme in London’s Trafalgar extraordinary commitment to the Orchestra. We are Square, free and open to all. delighted that his relationship with the LSO will go from strength to strength. lso.co.uk/openair This evening is the second concert in our LSO Artist Portrait series, focusing on pianist Leif Ove Andsnes. LSO AT THE BBC PROMS 2016 Following his performance of Mozart’s Piano Concerto No 20 on Sunday, he returns to play Schumann’s The LSO will be returning to this year’s BBC Proms at Piano Concerto. The Orchestra is also joined this the Royal Albert Hall for a performance of Mahler’s evening by the London Symphony Chorus, led by Symphony No 3 on 29 July. -
Download Booklet
MAG IC L A N T Sophie Daneman ~ soprano Beth Higham-Edwards ~ vibraphone E D Alisdair Hogarth ~ piano Anna Huntley ~ mezzo-soprano R A George Jackson ~ conductor Sholto Kynoch ~ piano O N Anna Menzies ~ cello Edward Nieland ~ treble H Sinéad O’Kelly ~ mezzo-soprano Natalie Raybould ~ soprano - T S E Collin Shay ~ countertenor Philip Smith ~ baritone Nicky Spence ~ tenor A Mark Stone ~ baritone Verity Wingate ~ soprano C L N A E R S F L Y R E H C Y B S G N O S FOREWORD Although the thought of singing and acting in front of an audience terrifies me, there is nothing I enjoy more than being alone at my piano and desk, the notes on an empty page yet to be fixed. Fortunately I am rarely overheard as I endlessly repeat words and phrases, trying to find the music in them: the exact pitches and rhythms needed to portray a particular emotion often take me an exasperatingly long time to find. One of the things that I love most about writing songs is that I feel I truly get to know and understand the poetry I am setting. The music, as I write it, allows me to feel as if I am inhabiting the character in the poem, and I often only discover what the poem really says to me when I reach the final bar. This disc features a number of texts either written especially for me (Kei Miller, Tamsin Collison, Andrew Motion, Stuart Murray), or already in existence (Kate Wakeling, Ian McMillan, 4th century Aristotle). -
The Creation HEASTON SPENCE ROSE
Haydn The Creation HEASTON SPENCE ROSE Houston Symphony Chorus Houston Symphony Andrés OROZCO-ESTRADA The Creation (Die Schöpfung) Sung in German Music by Joseph Haydn (1732-1809) Text by Gottfried van Swieten (1733-1803) CD 1 Part I 1 Introduction: Die Vorstellung des Chaos 7. 58 2 Aria (Uriel): Nun schwanden vor dem heiligen Strahle 3. 54 3 Recitativo (Raphael): Und Gott machte das Firmament 1. 59 4 Chorus (Gabriel): Mit Staunen sieht das Wunderwerk 1. 58 5 Recitativo (Raphael): Und Gott sprach: Es sammle sich 0. 32 das Wasser 6 Aria (Raphael): Rollend in schaumenden Wellen 3. 53 7 Recitativo (Gabriel): Und Gott sprach: Es bringe die Erde 0. 32 Gras hervor 8 Aria (Gabriel): Nun beut die Flur das frische Grün 5. 07 9 Recitativo (Uriel): Und die himmlischen Heerscharen 0. 12 10 Chorus: Stimmt an die Saiten 2. 03 11 Recitativo (Uriel): Und Gott sprach: Es sei’n Lichter 0. 38 12 Recitativo (Uriel): In vollem Glanze steiget 2. 53 13 Chorus (Gabriel, Uriel, Raphael): Die Himmel erzählen 4. 12 die Ehre Gottes Part II Part III 14 Recitativo (Gabriel): Und Gott sprach: Es bringe das Wasser 0. 28 8 Recitativo ( Uriel): Aus Rosenwolken bricht 4. 15 15 Aria (Gabriel): Auf starkem Fittige schwinget sich 7. 15 9 Chorus (Adam, Eva): Von deiner Güt’, o Herr und Gott 9. 06 16 Recitativo (Raphael): Und Gott schuf große Wallfische 2. 23 10 Recitativo (Adam und Eva): Nun ist die erste Pflicht erfüllt 2. 11 17 Terzetto (Gabriel, Uriel, Raphael): In holder Anmut steh’n 4. 18 11 Duetto (Adam and Eva): Holde Gattin! Dir zur Seite 7. -
Partenope Cast Biographies
Partenope Cast Biographies English soprano Louise Alder makes her San Francisco Opera debut as the title role in Partenope. Louise won best Young Singer at International Opera Awards 2017 and represented England in BBC Cardiff Singer of the World Competition 2017, winning the third round of the competition and the Dame Joan Sutherland Audience Prize. Recent opera engagements include Gretel (Hänsel und Gretel) at Bayerische Staatsoper, Sophie (Der Rosenkavalier) with Glyndebourne Festival Opera and Welsh National Opera, Pamina (Die Zauberflöte) and Ilia (Idomeneo) for Garsington Opera, Eurydice in Rossi's Orpheus at the Wanamaker Globe for The Royal Opera, Zerlina (Don Giovanni) with Glyndebourne, Gilda (Rigoletto), Vixen Sharp Ears (Cunning Little Vixen), Sophie (Werther), Gretel (Hänsel und Gretel), Cleopatra (Giulio Cesare in Egitto), Atalanta (Xerxes), Susanna (Le Nozze di Figaro), Pamina (Die Zauberflöte), Despina (Cosi fan Tutte), Frasquita (Carmen) with Oper Frankfurt. Her concert performances include Sophie (Der Rosenkavalier) at the BBC Proms, Zélide (Rameau’s Zaïs, UK premiere) with the Orchestra of the Age of Enlightenment and appearances in Edinburgh, Munich, Budapest and Moscow, among others. She has sung in recital at the Brighton Festival and in venues including the Musikverein Graz, Frankfurt Opera, the Barber Institute, Birmingham, and the Southbank Centre. Her awards include the 2014 John Christie Award, and in 2017 she was named Young Singer of the Year at the International Opera Awards. Future engagements include the title role in Semele with John Eliot Gardiner at La Scala Milan, Philharmonie de Paris and Palau de la Música Barcelona, title role in La Calisto with Ivor Bolton and Teatro Real Madrid, Romilda (Xerxes), Monica (The Medium) with Oper Frankfurt, The Messiah at the New York Philharmonic and further debuts with Canadian Opera Company, English National Opera and returns to the Royal Opera House, Teatro Real Madrid and Glyndebourne Festival Opera. -
The Crane Opera Ensemble and Orchestra Present World Premiere of the 2018 Domenic J. Pellicciotti Opera Composition Prize Winner
The Crane Opera Ensemble and Orchestra present World premiere of the 2018 Domenic J. Pellicciotti Opera Composition Prize winner Stage Director: Dean Anthony Music Director: Kirk Severtson Performed in English with supertitles media sponsor — 1 — SYNOPSIS Act I – Autumn (55 minutes) Prologue Setting: On a train, 1906 Mrs. Darthula Buckner and her son, Mayo, are traveling overnight. Scene 1 Setting: A public street in middle America, ca. 1900 A pro-eugenics group is hiring indigent men for a demonstration against the “menace of the derelict and feeble-minded.” In the hiring process, the indigent out-negotiate the eugenicists and win a decent wage. The leader of the eugenicists recites his screed, and the indigent men make plans for how to spend their money. Scene 2 Setting: The Superintendent’s Office, the Iowa Home for Feeble-Minded Children, 1906 A women’s choir is heard rehearsing for a Sunday church service. Mrs. Buckner is being interviewed by the Superintendent of the institution as she delivers Mayo. Scene 3 Setting: A Boys’ Dormitory at the Iowa Home, 1927 Mayo, now a man, mentors many of the young inmates, including the young, recently- admitted Jimmy and the blind Wesley. The orderly, Beckmann, instructs the boys to get ready for bed. There is a great commotion when Jimmy wets himself during the night. INTERMISSION Act II – Valeria (27 minutes) Scene 1 Setting: In the garden of the Iowa Home, Autumn 1927 A young girl, Jo, sings a lullaby to her doll, as Beckmann recalls the same folk song with different lyrics. Carolyn and Valeria are assigned to weed the garden but are soon distracted by a more pressing concern. -
Chan 3152(3) 160 161
CHAN 3152(3) 60 6 CHAN 3152(3) Booklet.indd 160-161 2/3/08 14:29:36 Wolfgang Amadeus Mozart (756 –79) Così fan tutte or The School for Lovers © Lebrecht Music & Arts Library Photo Music © Lebrecht Opera buffa in two acts Libretto by Lorenzo da Ponte, English version by Marmaduke Browne, adapted by John Cox Fiordiligi ladies from Ferrara, Janice Watson soprano Dorabella } sisters, living in Naples Diana Montague mezzo-soprano Guglielmo, an officer, Fiordiligi’s lover Christopher Maltman baritone Ferrando, an officer, Dorabella’s lover Toby Spence tenor Despina, maidservant to Fiordiligi and Dorabella Lesley Garrett soprano Don Alfonso, an old philosopher Sir Thomas Allen baritone Geoffrey Mitchell Choir Orchestra of the Age of Enlightenment Gareth Hancock assistant conductor Sir Charles Mackerras Wolfgang Amadeus Mozart CHAN 3152(3) Booklet.indd 2-3 2/3/08 14:28:24 COMPACT DISC ONE Time Page Time Page 1 Overture :05 [p. 96] 14 No 8, Chorus: ‘Oh, the soldier’s life for me! :0 [p.0] Act I Chorus 2 No , Trio: ‘Suspect Dorabella?’ :5 [p. 96] 15 Recitative: ‘My friends, the time is flying’ 0: [p.0] 3 Recitative: ‘Swords or pistols?’ 0:50 [p. 96] Don Alfonso, Fiordiligi, Dorabella, Ferrando, Guglielmo Ferrando, Guglielmo, Don Alfonso 16 No 9, Quintet: ‘You’ll write long letters often’ 2:2 [p.0] 4 No 2, Trio: ‘Woman’s faith is like the phoenix’ :09 [p. 97] Fiordiligi, Dorabella, Ferrando, Guglielmo, Don Alfonso, Chorus Don Alfonso, Ferrando, Guglielmo 17 Recitative: ‘Are they gone?’ 0:5 [p.05] 5 Dorabella, Don Alfonso, Fiordiligi Recitative: ‘A poetical fiction!’ :9 [p.