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)*+,-+- The Inn at DePauw Green Guest Artist Concert

! e DePauw University School of Music • 24-HOUR FITNESS CENTER thanks the Inn at DePauw for its support of the 2014-15 Green Guest Artist series. • “SWEET SHOP”

A full-service boutique hotel located on • OVER 5,000 SQUARE FEET the DePauw University campus, the Inn MEETING & EVENT SPACE features a newly remodeled lobby with classic lines rede" ned. • TWO AWARD-WINNING RESTAURANTS Two award-winning restaurants within the Inn o# er menus to please any palate. • PET FRIENDLY ! e Fluttering Duck features pub-style fare, while 2 West o# ers an upscale • COMPLIMENTARY dining experience. INTERNET Photo by Jennifer Killion

For more information, visit: www.innatdepauw.com ;(/" R#612/ M(2363$ 304 /"1 D1P3&; C"39612 S(0:12'

+.*/" C#0!12/ S13'#0 T"&2'435, O!/#612 ), )*+, ~ 7 8.9. J&4'#0 304 J#5!1 G2110 2 West Seminary Street • Greencastle, Indiana 46135 C10/12 %#2 /"1 P12%#29(0: A2/' K21':1 A&4(/#2(&9 Phone: (765) 658-1000 • Fax: (765) 653-4833 Tema Watstein () is an active soloist, chamber musician and educator. Hailed for her “sweeping and bristling” sound by ! e New York Times, she has performed with the Metropolis Ensemble, Mark Morris Dance Group, Argento Ensemble, Tanglewood’s New Fromm Quartet, to name a few. She served most recently as the violinist in Gabriel Kahane’s February House at the Public = eater. An alum Music of the Sun of Rice University and graduate of MSM’s Contemporary Performance Program, with special guest Robert Mirabal Tema is equally home whether playing Ligeti in concert or improvising in a > eld. and the DePauw Chamber Singers Guest Artist Biography: Arrival Marcelo Zarvos Musician, writer, singer and storyteller, Robert Mirabal is Native America’s most dynamic and best-selling artist. In addition to the music and instruments Chan Je< Peterson/ETHEL he creates, he is also a celebrated painter, poet and playwright. He is the author of A Skeleton of a Bridge, a book of poetry, prose and short stories. Mr. Mirabal is Run to the Sun Robert Mirabal/ETHEL the recipient of a National Endowment for the Arts Award, three Grammys and the New York Dance and Performer’s “Bessie” Award for composition. For more Grandmother Dorothy Lawson information about tonight's guest artist, visit: www.mirabal.com

Pisachi Jerod Impichchaachaaha’ Tate ETHEL gratefully acknowledges its supporters: = e Board of ETHEL’s Foundation for the Arts; = e Aaron Copland Fund ~ Intermission ~ for Music; = e Amphion Foundation; Bloomberg Philanthropies; Brooklyn Academy of Music; = e Carnegie Corporation of New York; CECArtsLink; America; = e Cheswatyr Foundation; = e Delmas Foundation; Voices of the Sun* Robert Mirabal = e Greenwall Foundation; = e Jerome Foundation; LEF Foundation; Meet the ; Mid Atlantic Arts Foundation; = e Multi-Arts Production Fund, ! ree Sun Songs* a program of Creative Capital supported by the Rockefeller Foundation; = e “Solstice People” Poetry by Harry Smith National Endowment for the Arts; = e Netherland-America Foundation; New “Song of the Sun” Music USA; = e New York State Council on the Arts; New York Community “Inner Landscape” Trust; = e Department of Cultural A< airs; OZ Arts; = e Fan Fox and Leslie R. Samuels Foundation; and = e September 11th Fund. Moment Mirabal Robert Mirabal DePauw Chamber Singers Kristina Boerger, Director of Choirs In the Eyes of “E” Robert Mirabal/ETHEL Jackson Bailey Anna Gatdula Mo Bailey Dallas Gray Quiet Season Robert Mirabal Shannon Barry Nicholas Hinz Blake Beckemeyer Crystal Lau Ascent Kip Jones Sara Blanton Joseph Leppek Patrick Brems Julia Massicotte *with choir Annie Chase Lance Orta Benjamin C. Davis Yazid Pierce-Gray Kimi DeBusschere Sarah Pistorius ETHEL endorses the Avid/Sibelius family of software solutions. Logan Dell’Acqua Julie Strauser ETHEL endorses the beyerdynamic family of microphones. Elena Escudero Taylor Truster = ree-City Dash Festival. ETHEL’s HomeBaked series has commissioned and Notes on this Program premiered works by emerging NYC Andy Akiho, Hannis Brown, About “Music of the Sun”: For thousands of years humankind has turned toward Anna Clyne, Lainie Fe< erman, Dan Friel, Judd Greenstein, Matt Marks, and the sun for inspiration, be it spiritual, philosophical, or poetic. Ancient sun myths Ulysses Owens Jr. to date. ETHEL has debuted original scores in combination from around the world continue to fascinate scholars and laypeople alike. In many with new choreography by Aleksandra Vrebalov/Dusan Tynek Dance Native American cultures each day begins with“running to the sun” ?a fusion of Company and Son Lux/Gina Gibney Dance; and works by contemporary spiritual and physical discipline?a daily search for the sacred. music luminaries such as , , , , , John King, Raz Mesinai, John Luther Adams, JacobTV, Hafez ETHEL, the pioneering , and Grammy-winning Native American Modirzadeh, , Kenji Bunch, and Marcelo Zarvos. @ utist Robert Mirabal present a program inspired by the sun mythology of Native America. Using the instruments of the string quartet, Native American Founded in 1998 and based in New York City, ETHEL is comprised of Ralph @ utes (Tdoop–Pootse) and drums (Mooloo), as well as the spirited voices of Farris (), Kip Jones (violin), Dorothy Lawson () and Tema Watstein students and community members, ETHEL and Mirabal unite to create a cross- (violin). cultural contemporary music event. = is extraordinary collaboration grew out of the ETHEL/Mirabal work on TruckStop®, which premiered at the Brooklyn Individual Biographies Academy of Music in 2008. Founding member of ETHEL, Ralph Farris (artistic director, viola) is a Grammy-nominated arranger, an original Broadway orchestra member of ! e SMITH: ! ree Sun Songs Lion King and former musical director for = e Who’s . He has Solstice People worked with , Martin Scorsese, Depeche Mode, Natalie We are the solstice people. We reckon Merchant, Harry Connick Jr., Allen Ginsberg, Yo-Yo Ma and Gorillaz. A by the sun. We count moons, love the Goddess, graduate of Walnut Hill School for the Arts, Ralph earned his Bachelor’s and but the sun is sovereign, de> ning Master’s degrees from = e Juilliard School. in his circuits Time–day, equinox, year. When we wandered, we followed his motions, A founding member of ETHEL, Dorothy Lawson (artistic director, cello) hunting game, greens, nuts, before we planted has performed with the Orpheus Chamber Orchestra, the White Oak grains and settled on the loamy @ oodplains. Dance Project, Philharmonia Virtuosi, the American Symphony Orchestra, Building temples where the new year’s > rst ray the Toronto Symphony Orchestra and numerous new music ensembles. penetrates to light the inner chamber, Canadian-born, she completed degrees at the University of Toronto, the we celebrated the sun and reveled Vienna Academy and = e Juilliard School. She teaches in the Preparatory also throughout the bright midsummer night. Division of Mannes College at the New School in New York City. Longest and shortest days are best for love.

Kip Jones (violin) is known for his ebullient and innovative solo performances Song of the Sun in a style he describes as “experimental folk.” A modern musical troubadour, he’s We always knew the sun is > re, performed at scores of eclectic venues such as Ecuador’s Ministry of Economic greater than any earthly > re, Inclusion, Tirana’s Liceu Artistik “Jordan Misja,” two miles inside Chom Ong hotter, utter, Ultimate > re. Tai cave in Laos, the summer homes of nomadic Mongolian herders, and We always worshipped the Sun Father. platforms of most subway systems in North America. As a composer, his work god of many names, essence the same, has been commissioned by ensembles that include the Lake Superior Chamber knew he is the creator of day Orchestra and A Far Cry. A native of Minnesota, Kip earned his degree in and the seasons, sire of all life, violin performance from the Berklee College of Music. husband of the earth, the Great Mother. Let us sing solstice hymns to the sun. Inner Landscape featuring a premiere of her new quartet commissioned by ETHEL at Miller = e @ ooded woods, = eater; performances as the Resident Ensemble at = e Metropolitan Museum the redding buds of Art’s Balcony Bar; and a residency at Denison University culminating in a which herald performance at the Tutti Contemporary Music Festival. winter’s end wound my heart Always striving to demonstrate the unifying power of music, ETHEL has with yearning initiated innovative collaborations with an extraordinary community of white as snow, international artists including , , Todd Rundgren, and memories Carlo Mombelli, Ursula Oppens, Loudon Wainwright III, STEW, Ensemble of run o< years Modern, Jill Sobule, Dean Osborne, Howard Levy, Simone Sou, Andrew rise with sighs, Bird, Iva Bittová, Colin Currie, = omas Dolby, Je< Peterson, Oleg Fateev, and I go Stephen Gosling, Jake Shimabukuro, Polygraph Lounge and . gently borne here & there For ten consecutive years, ETHEL has served as the Ensemble-in-Residence like a seed on the rivulets of spring. at the Grand Canyon Music Festival’s Native American Composers Apprenticeship Project. = e group’s ongoing dedication to working with ETHEL Biography indigenous people and music culminated in the 2010 release of Oshtali: Music Acclaimed as “unfailingly vital” (! e New York Times), “brilliant,” “downtown’s for String Quartet (= underbird Records), the > rst commercial recording of reigning string quartet” (! e New Yorker), and “one of the most exciting quartets American Indian student works. around” (Strad Magazine), ETHEL invigorates the contemporary music scene with exuberance, intensity, imaginative programming, and exceptional artistry. ETHEL’s debut eponymous CD was a Billboard Magazine “Best Recording of 2003.” Its second CD, Light, ranked #3 on Amazon.com’s “Best of 2006” and At the heart of ETHEL is a quest for a common creative expression that is #5 on WYNC’s “Best of 2006 Listener Poll.” = e group’s most recent CD, forged in the celebration of community. As cultural and musical “pollinators,” Heavy, was released in 2012 to great critical acclaim. ETHEL has appeared the quartet brings its collaborative discoveries to audiences through multi- as a guest artist on many albums, including ! e Paha Sapa Give-Back by dimensional musical repertoire and community engagement. Jerome Kitzke (Innova, 2014); Cold Blue Two (Cold Blue Music, 2012); Glow by (Velour Recordings, 2012); Blue Moth by Anna Clyne (Tzadik, ETHEL’s 2014-15 season celebrates the diversity of regional American music, 2012); A Map of the Floating City by = omas Dolby (Redeye Label, 2012); ! e anchored by a national tour of the evening-length ETHEL’s Documerica. Duke by (Razor & Tie, 2012); John the Revelator: A Mass for Six Described by ! e New York Times as “new music bonding with old images in Voices by (, 2008) with vocal group Lionheart; rich, provocative and moving ways,” this program directed by Steve Cosson and the Grammy Award-winning Dedicated to You: Sings the Music features montages by acclaimed projection artist Deborah Johnson in concert of Coltrane and Hartman (Concord Records, 2009). with commissioned work by Mary Ellen Childs, Ulysses Owens Jr., Jared Impichchaachaaha’ Tate and James “Kimo” Williams and new music by the Over the past > ve years, ETHEL has premiered 100+ new works by 20th- members of ETHEL. and 21st-century composers including: Phil Kline’s “SPACE” at the gala reopening of Alice Tully Hall; “RADIO” by Osvaldo Golijov at the debut of = roughout the season ETHEL tours several critically-acclaimed signature WNYC Radio’s Jerome L. Greene Space; ETHEL’s TruckStop®: ! e Beginning programs, ranging from a collaboration with guitar virtuoso Kaki King, to the and ETHEL’s Documerica at BAM’s Next Wave Festival; ETHEL Fair: = e Music of the Sun concerts with Robert Mirabal, to an introspective program Songwriters at opening night of ’s Out of Doors; “WAIT Grace, featuring ETHEL’s of music by Ennio Morricone and Je< FOR GREEN” with choreographer Annie-B Parson commissioned by Arts Buckley. Other highlights include: a “Composer Portrait” of Missy Mazzoli Brook> eld; and “HonBiBaekSan” by Dohee Lee at Meet the Composer’s