Terror Predictions
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9/11 Report”), July 2, 2004, Pp
Final FM.1pp 7/17/04 5:25 PM Page i THE 9/11 COMMISSION REPORT Final FM.1pp 7/17/04 5:25 PM Page v CONTENTS List of Illustrations and Tables ix Member List xi Staff List xiii–xiv Preface xv 1. “WE HAVE SOME PLANES” 1 1.1 Inside the Four Flights 1 1.2 Improvising a Homeland Defense 14 1.3 National Crisis Management 35 2. THE FOUNDATION OF THE NEW TERRORISM 47 2.1 A Declaration of War 47 2.2 Bin Ladin’s Appeal in the Islamic World 48 2.3 The Rise of Bin Ladin and al Qaeda (1988–1992) 55 2.4 Building an Organization, Declaring War on the United States (1992–1996) 59 2.5 Al Qaeda’s Renewal in Afghanistan (1996–1998) 63 3. COUNTERTERRORISM EVOLVES 71 3.1 From the Old Terrorism to the New: The First World Trade Center Bombing 71 3.2 Adaptation—and Nonadaptation— ...in the Law Enforcement Community 73 3.3 . and in the Federal Aviation Administration 82 3.4 . and in the Intelligence Community 86 v Final FM.1pp 7/17/04 5:25 PM Page vi 3.5 . and in the State Department and the Defense Department 93 3.6 . and in the White House 98 3.7 . and in the Congress 102 4. RESPONSES TO AL QAEDA’S INITIAL ASSAULTS 108 4.1 Before the Bombings in Kenya and Tanzania 108 4.2 Crisis:August 1998 115 4.3 Diplomacy 121 4.4 Covert Action 126 4.5 Searching for Fresh Options 134 5. -
Prosecuting Terrorism: the Legal Challenge
Issue No. 7 / April 2006 THE NYU REVIEW OF LAW AND SECURITY A PUBLICATION OF THE CENTER ON LAW AND SECURITY AT NYU SCHOOL OF LAW Prosecuting Terrorism: The Legal Challenge committed to examining the legal dimensions of counterterrorism and national security in the age of terror Newsletter_NYU 3/29/06 7:00 AM Page 2 CENTER FACULTY AND STAFF The NYU Review of Law and Security Executive Director Issue No. 7 / April 2006 Karen J. Greenberg Table of Editor Faculty Co-Directors Contents Karen J. Greenberg Noah Feldman David M. Golove Associate Editor Stephen Holmes Prosecuting Terrorism: Kristin Henderson Richard H. Pildes The Legal Challenge Assistant Editor Administrative Director Jennifer Buntman Heidi Lubov From the Editor: A Season of Reassessment Researchers Director of Programs and Page 3 Jonathan Voegele Publications Andrew Peterson Kristin Henderson Transparency and the Courts Eric Feder Page 4 Communications and Proofreader Development Associate Thwarted Terrorist Attacks Katie Sticklor Colleen Larkin Page 16 Design Director of Fellowships and Wendy Bedenbaugh Prosecuting Terrorism: Special Programs The National Challenge Jennifer Buntman Page 22 ABOUT THE CENTER The Center on Law and Security at 2005 – 2006 FELLOWS Terrorist Trial Updates NYU School of Law is a non-partisan Sidney Blumenthal research and policy institute estab- Page 30 lished for the purpose of examining Amos Elon the legal dimensions of national secu- Baltasar Garzón From the Student’s Corner: rity in the post 9/11 era. The Center Tara McKelvey Material Support -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
CBS, Rural Sitcoms, and the Image of the South, 1957-1971 Sara K
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2013 Rube tube : CBS, rural sitcoms, and the image of the south, 1957-1971 Sara K. Eskridge Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the History Commons Recommended Citation Eskridge, Sara K., "Rube tube : CBS, rural sitcoms, and the image of the south, 1957-1971" (2013). LSU Doctoral Dissertations. 3154. https://digitalcommons.lsu.edu/gradschool_dissertations/3154 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. RUBE TUBE: CBS, RURAL SITCOMS, AND THE IMAGE OF THE SOUTH, 1957-1971 A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of History by Sara K. Eskridge B.A., Mary Washington College, 2003 M.A., Virginia Commonwealth University, 2006 May 2013 Acknowledgements Many thanks to all of those who helped me envision, research, and complete this project. First of all, a thank you to the Middleton Library at Louisiana State University, where I found most of the secondary source materials for this dissertation, as well as some of the primary sources. I especially thank Joseph Nicholson, the LSU history subject librarian, who helped me with a number of specific inquiries. -
No Oscar for the Oscar? Behind Hollywood's Walk of Greed
Networking Knowledge 7(4) All About Oscar No Oscar for the Oscar? Behind Hollywood’s Walk of Greed ELIZABETH CASTALDO LUNDEN, Stockholm University ABSTRACT In 1966 the popular interest in the Academy Awards propelled Paramount Pictures to produce The Oscar (Embassy Pictures-Paramount Pictures, 1966), a film based on the homonymous novel by Richard Sale. The Oscar tells the story of an unscrupulous actor willing to do anything in his power to obtain the golden statuette, regardless of whom he has to take down along the way. Building up on fantasies of social mobility, we see the protagonist (Frankie) display his vanity, arrogance and greed to create a less than likeable character whose only hope to put his career back on track lies in obtaining the precious statuette. The movie intends to be a sneak peek behind the scenes of the biggest award ceremony, but also behind the lifestyle of the Hollywood elites, their glory and their misery as part of the Hollywood disposal machinery. Despite not being financed or officially supported by the Academy, the film intertwines elements of fiction and reality by using real footage of the event, and featuring several contemporary representatives of the movie industry such as Edith Head, Hedda Hopper, Frank and Nancy Sinatra, playing cameo roles, adding up to the inter- textual capacities of the story. Head’s participation was particularly exploited for the promotion of the film, taking advantage of her position at Paramount, her status as a multiple winner, and her role as a fashion consultant for the Academy Awards. This paper is an analytical account of the film’s production process. -
Unisys/EMC Global Security Summit
Unisys/EMC Global Security Summit “Evolution of Security – What will concern us in 2015” A Best Practices Thought Leadership Seminar PROGRAMME 24 June 2010 Unisys International Management Centre - UIMC Saint-Paul-de-Vence, France Programme for “Unisys/EMC Global Security Summit” Seminar Summary The converging threats facing enterprises today come in all forms, from physical and cyber attacks to personal false identification and data fraud. Business leaders in this increasingly connected world are being challenged like never before to find innovative ways to cut operational costs while simultaneously delivering higher ROI on investments that protect their employees, customers, infrastructure, networks, data and other critical assets. The purpose of this one-day event is to enable and facilitate the sharing of proven “best practices” for integrated security solution strategies and implementations. In a beautiful world-class conference center, this seminar will bring together approximately 50 C-level executives from global public and private sector organizations that depend on Unisys and/or EMC as their security technology partners. The ten speakers will be customers providing real-world case studies and industry thought leaders providing insights into the future of security technology. All in all, a highly-interactive educational forum that you will not want to miss. Integrated Security Solutions for Today and Tomorrow You are only as secure as your weakest link and getting security right has become increasingly complex. In this complex world of accelerating change getting it right and cutting costs has to be about taking a holistic approach that pulls together all the elements of physical, employee, customer and IT security into a tightly integrated and managed process. -
UCLA FESTIVAL of PRESERVATION MARCH 3 to MARCH 27, 2011
UCLA FESTIVAL of PRESERVATION MARCH 3 to MARCH 27, 2011 i UCLA FESTIVAL of PRESERVATION MARCH 3 to MARCH 27, 2011 FESTIVAL SPONSOR Additional programming support provided, in part, by The Hollywood Foreign Press Association ii 1 FROM THE DIRECTOR As director of UCLA Film & Television Archive, it is my great pleasure to Mysel has completed several projects, including Cry Danger (1951), a introduce the 2011 UCLA Festival of Preservation. As in past years, we have recently rediscovered little gem of a noir, starring Dick Powell as an unjustly worked to put together a program that reflects the broad and deep efforts convicted ex-con trying to clear his name, opposite femme fatale Rhonda of UCLA Film & Television Archive to preserve and restore our national mov- Fleming, and featuring some great Bunker Hill locations long lost to the Los ing image heritage. Angeles wrecking ball. An even darker film noir, Kiss Tomorrow Goodbye (1950), stars James Cagney as a violent gangster (in fact, his last great This year’s UCLA Festival of Preservation again presents a wonderful cross- gangster role) whose id is more monstrous than almost anything since Little section of American film history and genres, silent masterpieces, fictional Caesar. Add crooked cops and a world in which no one can be trusted, and shorts, full-length documentaries and television works. Our Festival opens you have a perfect film noir tale. with Robert Altman’s Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean (1982). This restoration is the first fruit of a new project to preserve Our newsreel preservationist, Jeff Bickel, presents his restoration of John and restore the artistic legacy of Mr. -
Marilyn Monroe's Star Canon: Postwar American Culture and the Semiotics
University of Kentucky UKnowledge Theses and Dissertations--English English 2016 MARILYN MONROE’S STAR CANON: POSTWAR AMERICAN CULTURE AND THE SEMIOTICS OF STARDOM Amanda Konkle University of Kentucky, [email protected] Digital Object Identifier: http://dx.doi.org/10.13023/ETD.2016.038 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Konkle, Amanda, "MARILYN MONROE’S STAR CANON: POSTWAR AMERICAN CULTURE AND THE SEMIOTICS OF STARDOM" (2016). Theses and Dissertations--English. 28. https://uknowledge.uky.edu/english_etds/28 This Doctoral Dissertation is brought to you for free and open access by the English at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--English by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Crossing the Rubicon 2.Pdf
PART IV EMPIRE AND DECLINE chapter26 THE RECORD little guy like me should never have had to write this book. A By the time the Kean Commission’s final report was released, a crucial prin- ciple of democratic government called “separation of powers” had quietly vanished. Nobody within the government seemed willing or able to defy the exec- utive’s mythical narrative of 9/11, even while the executive used the implications of that Big Lie to justify its every move. Massive war appropriations, the Patriot Acts, intelligence “reform,” Camp X-Ray at Guantanamo Bay, prison torture abroad, domestic roundups and detentions of Arabs and South Asians, and a hun- dred tangentially related usurpations of the powers Constitutionally reserved for the legislature and the judiciary — all were driven through by appeals to the offi- cial story of 9/11. It seems there are no independent voices of authority remaining outside the Empire’s control to challenge, temper or place limits on Imperial crimes and ambitions. There is only yet another Patrician seeking to replace Caesar on the throne and wear the Imperial purple. The Kean commission’s mandate The Kean Commission’s mandate was laid out in Public Law 107-306, signed by President Bush on November 27, 2002. SEC. 602. PURPOSES. The purposes of the Commission are to — (1) examine and report upon the facts and causes relating to the terrorist attacks of September 11, 2001, occurring at the World Trade Center in New York, New York, in Somerset County, Pennsylvania, and at the Pentagon in Virginia; (2) ascertain, -
Conflicts of Interest in the Syria Debate
Conflicts of interest in the Syria debate An analysis of the defense industry ties of experts and think tanks who commented on military intervention October 2013 About the Public Accountability Initiative The Public Accountability Initiative (PAI) is a non-profit, non-partisan research and educational organization focused on corporate and government accountability. In addition to publishing research on critical public accountability issues, PAI maintains LittleSis.org, an involuntary facebook of powerful people and tool for power research that was used to compile data for this report. PAI’s work is funded by a variety of non-profit sources (all funding sources are listed at http://public- accountability.org/about/funding). This report was authored by PAI research analysts Gin Armstrong and Whitney Yax, and PAI director Kevin Connor. Introduction During the public debate around the question of whether to attack Syria, Stephen Hadley, former national security adviser to George W. Bush, made a series of high-profile media appearances. Hadley argued strenuously for military intervention in appearances on CNN, MSNBC, Fox News, and Bloomberg TV, and authored a Washington Post op-ed headlined "To stop Iran, Obama must enforce red lines with Assad." In each case, Hadley's audience was not informed that he serves as a director of Raytheon, the weapons manufacturer that makes the Tomahawk cruise missiles that were widely cited as a weapon of choice in a potential strike against Syria. Hadley earns $128,500 in annual cash compensation from the company and chairs its public affairs committee. He also owns 11,477 shares of Raytheon stock, which traded at all-time highs during the Syria debate ($77.65 on August 23, making Hadley’s share’s worth $891,189). -
Counterinsurgency
InsrugencyCover 12/16/10 1:21 PM Page 1 COUNTERINSURGENCY: America’s Strategic Burden America’s COUNTERINSURGENCY: THE CENTER ON LAW AND SECURITY AT THE NYU SCHOOL OF LAW COUNTERINSURGENCY: America’s Strategic Burden CounterInsurgecy 12/16/10 1:12 PM Page 1 CounterInsurgecy 12/16/10 1:12 PM Page 2 The transcripts herein have been edited – the original audio from the conference is available for free download via the Center on Law and Security’s podcast series on iTunes. The speakers herein do not represent the Center on Law and Security. Cover image: Department of Defense, U.S. Marine Corps photo by Cpl. Lindsay L. Sayres Image accompanying Executive Director’s introduction by Guido Mannucci copyright © 2010 by the Center on Law and Security CounterInsurgecy 12/16/10 1:12 PM Page 3 THE CENTER ON LAW AND SECURITY AT THE NYU SCHOOL OF LAW COUNTERINSURGENCY: America’s Strategic Burden November 20, 2009 Editor in Chief: Karen J. Greenberg Editor: Jeff Grossman Design: Wendy Bedenbaugh Special thanks to Vincent Viola and Virtu Management for making this conference series possible CounterInsurgecy 12/16/10 1:12 PM Page 4 CounterInsurgecy 12/16/10 1:12 PM Page 5 America’s counterinsurgency strategy in Afghanistan and in Iraq has been the topic of many Center on Law and Security conferences and meetings – micro- cosms of the larger debate that the nation at large has been having both inside Washington and in the public arena. At the core of these discussions have been several questions – not only military but also historical, philosophical, and political. -
A Message from Karen Pearl He Holiday Season Is Always a Special an Integral Part of the Healthcare System, and Time at God’S Love We Deliver
THE NEWSLETTER OF GOD’S LOVE WE DELIVER NUTRITION: OUR SIGNATURE DIFFERENCE GODSLOVEWEDELIVER.ORG WINTER 2017 A Message From Karen Pearl he holiday season is always a special an integral part of the healthcare system, and time at God’s Love We Deliver. Our these results could move us closer to that volunteers, once again, eagerly jumped reality. Tin to help prepare and deliver a record 4,400 I thank everyone who participated in special meals at Thanksgiving and 4,600 our volunteer and fundraising activities in Winter Feast meals in December, making the 2016. Your compassion and generosity are holidays much more joyful for our clients, inspiring, and you have made it possible for their children and their senior caregivers. I us to achieve great success. was delighted to see so many familiar faces Here are but a few examples. At the helping in the kitchen and delivering holiday Golden Heart Awards in October, emcee meals throughout New York City and into Neil Patrick Harris joined a star-studded New Jersey and Nassau and Westchester line-up of entertainers, celebrity chefs and Counties. The many warm thank you notes models, along with our Board, Trustees, Celebrating the Cookbook with Board members Jon Gilman & Scott Bruckner and messages of gratitude from clients and Leadership Council, genLOVE members their families demonstrate the tremendous and friends to honor three people who have impact our volunteers and supporters made supported God’s Love in numerous ways: true labor of love from our beloved Board in clients’ lives this season. Thank you all so supermodel and entrepreneur Karlie Kloss, member Jon Gilman and dedicated volunteer much.