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KLOS Nov. 18Th JPG&R 2012 1 95.5 KLOS PLAYLIST SUNDAY NOV.18TH 2012 * From all of us at Breakfast w/ the Beatles we wish YOU a happy and safe Thanksgiving! 2 9AM The Beatles - I’m Only Sleeping – Revolver sessions (Lennon-McCartney) Lead vocal: John Written by John and Paul at Kenwood, John’s estate in Weybridge, in one writing session. Recording of the backing rhythm track began at 11:30 p.m. on April 27, 1966. John recorded his lead vocal on April 29. Both the vocal and backing track were recorded at variable speed. It was during the recording of “I’m Only Sleeping” that The Beatles discovered the “backwards guitar.” On May 5, 1966, as the band continued working on the song, George painstakingly transcribed the notes in his guitar solo and flourishes and then wrote them out backwards. He then played them in that reverse order. The tapes were then superimposed BACKWARDS in the mix, playing the solo notes and embellishments in the correct order, but maintaining the eerie backwards sound. “I’m Only Sleeping” was one of three songs issued in America six weeks prior to their official release in the UK. American and Canadian Beatles fans heard “I’m Only Sleeping,” “And Your Bird Can Sing,” and “Doctor Robert” first on Capitol Records’ “Yesterday And Today” album, issued June 20, 1966. The rest of the world had to wait until the first week of August for them to appear on the “Revolver” LP. On U.S. album: Yesterday And Today - Capitol LP 3 The Beatles - I’m Looking Through You - Rubber Soul sessions (Lennon-McCartney) Lead vocal: Paul Written by Paul after an argument with then-girlfriend, actress Jane Asher. Initially recorded on October 24, 1965, the song was re-recorded from scratch on November 6, but McCartney was still not satisfied. Four days later, on November 10, the group took another stab at it. Paul’s lead vocal was superimposed the next day. The version issued by Capitol Records has two false starts. On U.S. album: Rubber Soul - Capitol LP The Beatles - You Know What to Do (Harrison) – A Hard Days Night sessions was one of the first songs written and recorded by George Harrison with The Beatles. It was recorded on 3 June 1964 (see 1964 in music) and does not appear on any album except 1995's Anthology 1 release (see 1995 in music). Next Sunday WHITE ALBUM SPECIAL The Beatles - Don’t Pass Me By - The Beatles sessions (Starkey) Lead vocal: Ringo The second song to be recorded for the “White Album” was the first solo songwriting credit for Richard Starkey, aka Ringo Starr. Although Ringo had assistance from Paul McCartney on the catchy, very McCartney-ish chorus (“Don’t pass me by, don’t make me cry, don’t make me blue, ‘cuz you know darlin’ I love only you”), the verses are all Ringo, who had been dabbling with this song off and on since 1963! The rhythm track was recorded in three takes on June 5, 1968, with only Paul on piano and Ringo on drums. Overdubs included a second piano part, sleigh bells, and bass guitar part. Work continued on June 6 with the recording of Ringo’s lead vocal. On July 12, outside musician Jack Fallon was brought in to play the violin part. The quirky introduction was a seven-second edit piece of Paul tinkling piano keys, recorded on July 22. A slightly longer introduction to the song was put together by George Martin, but was not used. This 48-second piece, entitled “A Beginning,” can be found on the “Anthology 3” album. One song written by each Beatle…on this JPG& Ringo in that order edition of BWTB… 9.12 BREAK 4 The Beatles - Tell Me Why - A Hard Day’s Night (Lennon-McCartney) Lead vocal: John Completed in eight takes on February 27, 1964 in between “And I Love Her” and “If I Fell.” “Tell Me Why” was written primarily by John and was his attempt to mimic the New York girl group sound The Beatles were so fond of. On U.S. album: A Hard Day’s Night - United Artists LP Something New - Capitol LP The Beatles - Can’t Buy Me Love - A Hard Day’s Night (Lennon-McCartney) Lead vocal: Paul The Beatles’ sixth single release for EMI’s Parlophone label. During their 19-day engagement at Paris’s Olympia Theatre The Beatles took time out to record German-language versions for two of their biggest hits. “I Want to Hold Your Hand” and “She Loves You” were chosen to get new vocals to increase sales in the German market. This was at the insistence of EMI’s German branch, Odeon, which felt they couldn’t sell large quantities of records unless they were sung in German. With less than an hour left on their booked recording time, The Beatles recorded four takes of a new song by Paul, “Can’t Buy Me Love.” Issued in the U.S. on March 16, 1964, it sold 940,225 copies in the U.S. the day it was released, earning a gold record award that day 5 and shattering all previous sales records. Within two weeks sales had totaled 2 million copies. The single went on to sell over 3 million by the end of the year. The UK single was released four days later, on March 20, 1964. Recorded Jan. 29, 1964 at Pathe’ Marconi Studio in Paris. It’s inclusion in “A Hard Day’s Night” was a decision by director Richard Lester, who opted for Paul’s fast paced million seller over John’s slower new song “I’ll Cry Instead.” The decision to cut “I’ll Cry Instead” from the film was so last minute that the American soundtrack LP, which had been rush-released on United Artists Records, included “I’ll Cry Instead” in its song line-up. On U.S. album: A Hard Day’s Night - United Artists LP Hey Jude - Apple LP (1970) The Beatles - I Need You - Help! (Harrison) Lead vocal: George Recorded in five takes on February 15, 1965, the first day of recording for what was to become the “Help!” album, with overdubs completed the next day. It is the second original George Harrison song to be recorded by the Beatles. Harrison wrote “I Need You” for his future wife, Pattie Boyd. The track is notable for the first use on a Beatles record of what is now known as a “wah-wah pedal.” George achieved this by playing his 12-string Rickenbacker through a foot-controlled volume pedal. Ringo provides cowbell percussion. On U.S. album: Help! - Capitol LP The Beatles - I Wanna Be Your Man – With The Beatles (Lennon-McCartney) Lead vocal: Ringo When Ringo Starr rejected “Little Child,” the song John and Paul had written for him to sing on the band’s second album, they created a similar song, but one that would be easier for Ringo to sing and more in his vocal range. “I Wanna Be Your Man” would be Ringo’s vocal contribution to the “With The Beatles” LP, and was often performed at Beatles concerts. The day before the song was to be recorded John and Paul were walking along Charing Cross Road in London when passing in a taxi were Mick Jagger and Keith Richards. Paul McCartney: “They shouted from the taxi and we yelled, ‘Hey, hey, give us a lift, give us a lift,’ and we bummed a lift off them. So there were the four of us sitting in a taxi and I think Mick said, ‘Hey we’re recording. Got any songs?’ And we said, ‘Aaaah, yes, sure, we got one. How about Ringo’s song? You could do it as a single.’” John and Paul were invited to the Rolling Stones’ rehearsal to audition their 6 new, but still unfinished song. There Lennon told them, “If you guys really like the main part of the song, we’ll finish it for you right now,” and within minutes, they returned with the song finished on the spot. The Rolling Stones recorded the song and it became their first big British hit, peaking at number 12. The Beatles recorded their version of “I Wanna Be Your Man” the next day, September 11, 1963. The Hammond organ heard faintly in the mix is played by George Martin. On U.S. album: Meet The Beatles! - Capitol LP The Beatles - A Hard Day’s Night - A Hard Day’s Night (Lennon-McCartney) Lead vocal: John with Paul The Beatles’ seventh single release for EMI’s Parlophone label. The title is a Ringoism, coined by the drummer sometime in 1963 and used by John in his book “In His Own Write.” With the film nearly completed the last bit of business was to give the film a name. The project was being filmed with the working title “Beatlemania.” On April 13, 1964 The Beatles met with key personnel from the studio and bounced title ideas. It was felt they’d find no better suggestion than Ringo’s off- hand remark “it’s been a hard day’s night” and John volunteered to write the title song that evening. The next morning he brought the song in and taught it to Paul. Paul cleaned up the middle section and the two played it for producer Walter Shenson. Two days later The Beatles would formally record the song. It was a rarity for an outsider to be allowed in the studio or control booth while The Beatles rehearsed and recorded.
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