THE BRITISH ARCHAEOLOGICAL ASSOCIATION THIRD INTERNATIONAL ROMANESQUE CONFERENCE ROMANESQUE ART –– PATRONS AND PROCESSES

7, 8 & 9 APRIL 2014 MUSEU NACIONAL D’ART DE CATALUNYA, BARCELONA

CONFERENCE PROGRAMME Organisation:

With the collaboration of: Romanesque Art –– Patrons and Processes

MONDAY 7 APRIL

9.00 Registration SESSION ONE Chair: Richard Halsey, President, British 10.00 Welcome Archaeological Association Pepe Serra, Director, Museu Nacional d’Art de Catalunya 14.30 Arturo Carlo Quintavalle Università degli Studi, Parma INTRODUCTORY SESSION Matilda of Canossa and the Gregorian Chair: Jordi Camps, Museu Nacional Reform in the Towns d’Art de Catalunya in the Romanesque period 15.00 Richard Gem Former Secretary, Cathedrals Fabric Commission 10.15 Maria Bonet Donato for England Universitat Rovira i Virgili, Tarragona Function, Condition and Process in Expansion in Twelfth Century Catalonia. Anglo-Norman Church Architecture Counties, Towns and The Church 15.30 Jens Rüffer 11.00 Tea/Coffee University of Bern From Peláez to Gelmírez. The Problem 11.30 Manuel Castiñeiras of Art Patronage at the Romanesque Universitat Autònoma de Barcelona Cathedral of Santiago de Compostela Patrons, Institutions and Public in the Making of Catalan Romanesque Art 16.00 Questions

12.15 John McNeill 16.30 Tea/Coffee British Archaeological Association A Very Short Introduction to Catalan 17.00 Visit to the Romanesque Collections Museu Nacional d’Art de Catalunya 13.00 Questions 19.00 Reception at the Museu Nacional 13.15 Lunch d’Art de Catalunya The British Archaeological Association• Third International Romanesque Conference

TUESDAY 8 APRIL

SESSION TWO 12.15 Alexandra Gajewski and Chair: Béla Zsolt Szakács, Central Stefanie Seeberg European University and Pázmány Péter Consejo Superior de Investigaciones Catholic University, Budapest Científicas, Madrid From pallium cum elefantis to the 10.00 Ludovico V. Geymonat Marriage of Mercury and Philology: Bibliotheca Hertziana. Max Planck Institute for Gifts of Textiles and the Varied Art History, Rome Strategies of Elite Women The Vercelli Roll: Iconographic Tradition and Institutional Patronage 12.45 Questions

10.30 Eric Fernie 13.00 Lunch Courtauld Institute of Art, London Patronage, Romanesque Architecture SESSION FOUR and the Languedoc Chair: Richard Plant, Christie’s Education, London 11.00 Questions 14.15 Claude Andrault-Schmitt 11.15 Tea/Coffee Centre d’Études Supérieures de Civilisation Médiévale CNRS / Université de Poitiers SESSION THREE Grandmont and the English Kings Chair: Therese Martin, Consejo Superior de Investigaciones Científicas, Madrid 14.45 Christopher Norton Centre for Medieval Studies, 11.45 Wilfried E. Keil University of York University of Heidelberg King Henry II, St Hugh, and the Remarks on Patron Inscriptions with Winchester Bible Restricted Presence Romanesque Art –– Patrons and Processes

15.15 Neil Stratford 18.00 Coaches to Terrassa Emeritus Keeper, British Museum The Hospital, England and Sigena: 19.00 Visit to the churches of Sant Pere A Footnote de Terrassa Sant Miquel: John McNeill 15.30 Questions Santa Maria: Carles Sánchez

16.00 Tea/Coffee Site paper: Carles Sánchez Márquez Ph.D. Candidate, Universitat Autònoma de SESSION FIVE Barcelona Chair: Elizabeth Valdez del Alamo, An Anglo-Norman at Terrassa? Montclair University, New Jersey Augustinian Canons and Thomas Becket at the End of 12th century 16.30 Nathalie Le Luel Université Catholique de l’Ouest - Angers Groupe 20.30 Dinner d’Anthropologie Historique de l’Occident Médiéval - Paris 21.30 Coaches to Barcelona Profane Images under the Authority of Clerical Patronage: the Romanesque Decoration of the Ambulatory of Basel Cathedral

17.00 Hugh F. Doherty University of East Anglia The Bridekirk Font and its Patrons

17.30 Questions The British Archaeological Association• Third International Romanesque Conference

WEDNESDAY 9 APRIL

SESSION SIX 12.15 Javier Martínez de Aguirre Chair: Xavier Barral i Altet, Professor Universidad Complutense de Madrid Emeritus, Université de Rennes II, The “Symbiosis” of Kings and Bishops Haute-Bretagne in the Introduction of Romanesque Art in Navarre and Aragon 10.00 Anna Orriols Universitat Autònoma de Barcelona 12.45 Questions The Artistic Patronage of Abbot Gregorious at Cuixà: Models and 13.00 Lunch Tributes SESSION EIGHT 10.30 Eduardo Carrero Santamaría Chair: John McNeill, British Universitat Autònoma de Barcelona Archaeological Association Episcopal Patronage in the Reform of the Catalan Cathedral Canonries during 14.15 Robert A. Maxwell the : An Approach University of Pennsylvania The “Literate” Lay Donor: Textuality 11.00 Questions and the Romanesque Patron

11.15 Tea/Coffee 14.45 Armen Kazaryan Research Institute of Theory and History of SESSION SEVEN Architecture and of Town Planning, Moscow Chair: Francisco Prado-Vilar, Universidad St. James Cathedral in Jerusalem, Complutense de Madrid - Real Colegio Melisenda and the Question of Complutense de Harvard Exchange between East and West

11.45 Rose Walker 15.15 Questions Courtauld Institute of Art, London The Agencies behind the Re-invention 15.30 Tea/Coffee of Flat Slab Relief Sculpture in Discussion of Posters Medieval Romanesque Art –– Patrons and Processes

SESSION NINE Chair: Manuel Castiñeiras, Universitat Autònoma de Barcelona

16.30 Bruno Klein Technische Universität Dresden Romanesque Cathedrals in Northern Italy- Building Processes between Bishop and Commune

17.00 Dorothy F. Glass Professor Emerita, University at Buffalo Papal Agency during the long Twelfth Century

17.30 Questions

18.00 Conclusion

20.00 Conference dinner The British Archaeological Association• Third International Romanesque Conference

POSTERS

1) Shannon L. Wearing 5) Anne Leturque Ph.D. Candidate, Institute of Fine Arts, Ph.D. Candidate, Université de Montpellier-Universitat New York University Autònoma de Barcelona The Death of the Patron: The History and The Role of Painter and Patron in the Mystery of the Liber Feudorum Maior Making of a Romanesque Wall Painting

2) Verónica Abenza 6) Joan Duran-Porta Ph.D. Candidate, Universitat Autònoma de Barcelona Ph.D. Candidate, Universitat Autònoma de Barcelona The Jaca Ivories: Towards a Re-evaluation The Cerdanya Ciborium: a Patronage of 11th-century Female Patronage in the Context for the Arrival of opus Kingdom of Aragon lemovicensis in Catalonia

3) Carlotta Taddei Patron and Liturgy: The Liturgical Setting of San Martino in Lucca after in 11th Century

4) Melanie Hanan Ph.D. Institute of Fine Arts, New York University The Aemilian Casket Reliquary: a Product of Institutional Patronage Romanesque Art –– Patrons and Processes

VISITS PROGRAMME

THURSDAY 10 APRIL FRIDAY 11 APRIL

08.00 Coaches to Sant Pere de Rodes 08.00 Coaches to Tarragona

10.00 - 12.00 Sant Pere de Rodes 10.00 Cathedral of Tarragona Church: John McNeill Site paper: Marta Serrano and Esther Cloister: Jordi Camps Lozano Façade: Laura Bartolomé Universitat Rovira i Virgili, Tarragona Patronage in the Cathedral of 13.00 Coaches to Girona Tarragona: Ambition and Devotion in Cultic and Residential Spaces 13.30 Lunch (independent) Church and Cloister: Marta Serrano and 15.00 Cathedral of Girona Esther Lozano Cathedral: Verónica Abenza Façade: Tom Nickson Cloister: Rose Walker Museum of the Treasure: Manuel 12:30 Santa Maria del Miracle Castiñeiras Elizabeth Valdez del Alamo

16.30 13.00 Lunch (independent) Gerardo Boto 15.00 Santes Creus 18.30 Coaches to Barcelona Tom Nickson and others

18.00 Coaches to Barcelona The British Archaeological Association• Third International Romanesque Conference

STEERING GROUP CONVENORS

Pepe Serra Manuel Castiñeiras Director, Museu Nacional d’Art de Catalunya Universitat Autònoma de Barcelona Lindy Grant Jordi Camps Former President, British Archaeological Museu Nacional d’Art de Catalunya Association John McNeill Honorary Secretary, British Archaeological Association Richard Plant Christie’s Education Rosa Bacile Tate Gallery Gemma Ylla-Català Museu Nacional d’Art de Catalunya

SCIENTIFIC COMMITTEE

John Lowden Elizabeth Valdez del Alamo Courtauld Institute of Art, London Montclair University, New Jersey Roger Stalley Therese Martin Trinity College, Dublin Consejo Superior de Investigaciones Eliane Vergnolle Científicas, Madrid Université de Franche-Comté, Besançon Francisco Prado-Vilar Peter Klein Universidad Complutense de Madrid - Real Tübingen University Colegio Complutense de Harvard Ute Engel Rocío Sanchez Ameijeiras University of Mainz Universidade de Santiago de Compostela Michele Bacci Béla Zsolt Szakács Universität Freiburg Central European University and Pázmány Péter Catholic University, Budapest Maria Monica Donato Scuola Normale di Pisa MUSEU NACIONAL D’ART DE CATALUNYA

Parc de Montjuïc 08038 Barcelona museunacional.cat #RomanesquePatrons Detail, first third of 13th century. Museu Nacional d’Art de Catalunya Museu Nacional d’Art Detail, first century. third of 13th Altar frontal from Mosoll. Cover:

With the support of: