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Quack Autumn 2008
Newsletter of E.J. Peiker, Nature Photographer and www.EJPhoto.com All contents ©2008 E.J. Peiker Autumn 2008 (Vol 6, Issue 5) Welcome to the quarterly newsletter from E.J. Peiker Nature Photography and www.EJPhoto.com . In this quarterly email publication, I will keep subscribers posted on upcoming workshops including the DuckShop Series as well as sharing some photos and experiences with you. I will also give you brief impressions on any new equipment that I get the opportunity to use and any other general information in the world of digital nature photography. Please feel free to forward this along to other photographers and interested parties but please do so only by forwarding this newsletter in its entirety. Please note that all content is copyrighted by E.J. Peiker. If you would like to be added or deleted to the mailing list or if you would like copies of past issues, just send me an email message at [email protected] . Back issues are available online at http://www.ejphoto.com/newsletter.htm Brown Bear, Katmai National Park, Alaska (EOS 1D Mark IIn, 400mm) E.J. Switches to Nikon??? After sending out the Namibia Special Edition, I received dozens of emails including some folks that were quite upset by what they perceived me as switching to Nikon. Have I switched? Well, not really but I am now dual platform. A couple of months ago I acquired a D300 and the Nikon 200-400mm f/4 lens. I simply got tired of waiting for Canon to put out a competitive product in this range. -
Nikon D700 Users’ Guide
Ken Rockwell I support my growing family through my website, KenRockwell.com, and these online PDFs. Please enjoy reading this online all you want, but this PDF is not free to print. If you wish to print or save your own personal copy of this copyrighted PDF, please PayPal me $5 for every full or partial copy you print or save. This mandatory $5 licence fee is what supports me and keeps these PDFs as easy downloads. My PayPal email address is [email protected]. Your honesty (I send no receipts) lets me keep writing guides and providing easy downloads, instead of having to use a complex pay-before-play system. (If you got your D700 through my website links or have made a previous contribution, you've already paid. THANK YOU!) If reading online, Click Here to pay via PayPal Thanks for reading! Ken © 2009 Ken Rockwell. All rights reserved. © KenRockwell.com. All Rights Reserved. Nikon D700 Users’ Guide Introduction This will teach you every possible nuance general photography issues here. 4.) Contrast, saturation or other fine of using the Nikon D700. This will make Getting great photos out of the D700 points not right? Adjust the Picture you to an expert on the Nikon D700. It really only takes your eye and about two Controls. includes lots of tips, tricks, secrets and settings: For more examples of why you’d want the settings I prefer to use, but this alone 1.) Take a picture. Look at the rear LCD. to change these settings and why, also won’t get great pictures. -
Nikon D3s Menu Settings for Sports Photographers
Nikon D3s Menu Settings for Sports Photographers Whether at the ballpark or via email, two of the most frequently asked questions I hear are “what are your basic settings when shooting sports using the Nikon D3s” or “how is your Nikon D3s set up? I’ve been shooting sports for a living for over 25 years, with clients ranging from Sports Illustrated to Major League Baseball and The Chicago White Sox. The approach I use when setting up with my equipment might not be considered conventional, but I can tell you this; it works. I refer to it as my unscientific approach to better sports photography. I trust and believe in what works in the real world. I’m always open to new ideas and so should you. If your images are already perfect, stop here. But if you shoot sports action and are looking for ways to improve your images and increase your "keeper percentage", or are setting up a Nikon D3s for the first time, read on. I decided to dissect the menu of my trusty D3s and share my personal settings while discussing a few in detail so that other sports photographers can use them as a point of reference. As the old adage goes, please remember that these are my own personal settings and opinions and should be used as a guide only. No one set of rules (or in this case, settings) should be considered the absolute only way to go. I highly recommend taking the time to experiment and come up with a few of your own favorites. -
FEATURING: the Complete Guide for All Your Safari Photography and Binocular Needs
FEATURING: The complete guide for all your safari photography and binocular needs. SAFARI PHOTOGRAPHY TABLE OF CONTENTS WHICH CAMERA IS RIGHT FOR YOU? TECH SAVVY PAGE 3 PAGE 6 TIPS & TRICKS BINOCULARS PAGE 8 PAGE 16 CHOOSING THE RIGHT CAMERA Camera Technology photographs you take great appeal for many. Modern equipment on safari. If you are Many people prefer helps, fast autofocus, Camera Technology going to try and sell the idea of capturing excellent exposure has become so them to a magazine or movement and sound metering and most advanced in recent book publisher, then and with video importantly, not years that it is easier you need high-quality camcorders being so running out of film than ever for optics and good compact and easy to every 36 pictures. amateurs to take quality transparency use, this is an obvious professional-quality Video cameras and (color slide) film or a choice. camcorders in photographs. Digital professional digital 35mm SLR (single lens The huge advantage of themselves are great camera. If you are digital cameras is the fun, and many a reflex) cameras are going to make an more often used than tiny size of the happy memory can be electronic album to picture-storing captured on the video film cameras. email to friends, then Camcorders with apparatus ? this that would simply be a reasonably priced eliminates the need impossible to depict freeze-frame options digital zoom will be are easy to use and for bags and bags of with a ?still? camera. ideal. Print film is film. In addition, Another great are also very popular preferable to slides, if with safariers. -
1 of 2 2Nd Hand List 6-Month Warranty on All Items Updated on 30/11/2016 NIKON BODIES £ +VAT NIKON AF LENSES £ +VAT (SEE ALSO
1 of 2 2nd Hand List Updated on 30/11/2016 6-month warranty on all items NIKON BODIES £ +VAT NIKON AF LENSES £ +VAT (SEE ALSO SIGMA LIST) NIKON D3 BODY (fr. 215,721) £499 NIKON TC 14E 111 CONVERTER £225 NIKON D3 BODY (fr. 251,105) £525 NIKON TC-17E II £140 NIKON D3 BODY (fr. 264,050) £525 NIKON TC-17E II £160 NIKON D3 BODY (fr. 125,500) £495 NIKON TC-17E II £155 NIKON D3S BODY (fr: 250,000) £795 NIKON TC-17E II £165 NIKON D3S BODY (fr: 502,000) £750 NIKON TC-20E III £199 NIKON D3S BODY (fr: 202,800) £895 NIKON 10.5MM F2.8 AF-S DX FISHEYE £240 NIKON D3S BODY (fr. 320,000) £895 NIKON 14-24MM F2.8 G AF-S £950 NIKON D800 BODY (fr. 27,700) £895 NIKON 14-24MM F2.8 G AF-S £895 NIKON D800 BODY (fr. 41,500) £799 NIKON 14-24MM F2.8 G N FX £950 NIKON Df KITinc 50mm LENS (fr. 24,910) £1,300 NIKON 16-35MM F4 G VR £595 NIKON D4 Body (fr,172,688) £1,699 NIKON 24MM F1.4 AF-S G N £950 NIKON D4 Body (fr,202,800) £1,650 NIKON 24MM F2.8 AF £150 NIKON D4 Body (fr,420,597) £1,699 NIKON 24MM F2.8 AF-D £179 NIKON D4S Body (fr, 291,158) £2,500 NIKON 24-70MM F2.8 E VR £1200 NIKON D4S Body (fr, 103,500) £2,600 NIKON 24-70MM F2.8 E VR £1200 NIKON D4S Body (fr, 103,600) £2,600 NIKON 28MM F2.8 AF-D £125 NIKON 35-135MM F3.5-4.5 AF £65 NIKON 70-200MM F4 AF-S G VR £675 NIKON FLASHES £ +VAT NIKON 70-200MM F2.8 AF-S G VR 11 £900 NIKON SB-910 SPEEDLIGHT £235 NIKON 70-200MM F2.8 AF-S G VR 11 £945 NIKON 200-400MM F4 G AF-S VR II £1,950 NIKON 300MM F4 AF-S D £299 NIKON 300MM F4 AF-S D £450 SIGMA & OTHER LENSES £ +VAT NIKON 300MM F4 AF-S D £479 NIKON 300MM F4 AF-S £595 SIGMA 8-16MM F3.5-5.6 HSM (EF) £249 NIKON 300MM F2.8 AF-S D £1,295 SIGMA 50-150MM F2.8 DC EF 11 EX APO £245 NIKON 300MM F2.8 AF-I £1,325 SIGMA 80-400MM F4.5-5.6 APO DG EF FIT £295 NIKON 300MM F2.8 AF-S G VR £1,990 SIGMA 100-300MM F4 APO NIKON FIT £199 NIKON 300MM F2.8 AF-S G VR 11 £2,500 SIGMA 120MM-300MM F2.8 DG "SPORT" OS EF £1650FIT NIKON 400MM F2.8 G N VR £3,595 SIGMA 120MM-300MM F2.8 APO HSM EX EF FIT £749 NIKON 400MM F2.8 G N VR £3,599 SIGMA TC-1401 £130 NIKON 400MM F2.8 G N VR £3,750 NIKON ACCS. -
Nikon Digital SLR Camera D700 Specifications
Nikon Digital SLR Camera D700 Specifications Type Focus Type Single-lens reflex digital camera Autofocus TTL phase-detection AF, 51 focus points (15 cross-sensors) by Nikon Multi-CAM 3500FX Lens Mount Nikon F bayonet mount with AF coupling and AF contacts autofocus module; Detection: -1 to +19 EV (ISO 100 at 68°F/20°C); AF fine tuning possible; Picture Angle Equivalent to angle produced by lens focal length (1.5 times when DX format is selected) AF-assist illuminator (range approx. 1.6-9.8 ft./0.5-3 m) Lens Servo 1) Autofocus: Single-servo AF (S); Continuous-servo AF (C); Focus Tracking automatically Effective Pixels activated according to subject status, 2) Manual focus (M) with electronic rangefinder Effective Pixels 12.1 million Focus Point Single AF point can be selected from 51 or 11 focus points Image Sensor AF-Area Mode 1) Single-point AF, 2) Dynamic-area AF [number of AF points: 9, 21, 51, 51 (3D-Tracking)], Image Sensor CMOS sensor, 36.0 x 23.9 mm; Nikon FX format 3) Auto-area AF Total Pixels 12.87 million Focus Lock Focus can be locked by pressing AE-L/AF-L button or by pressing shutter-release button Dust-Reduction System Image sensor self-cleaning function, Image Dust Off reference data acquisition (Capture halfway (Single-point AF in AF-S) NX 2 required) Flash Storage Built-in Flash Manual pop-up type; guide number of 56/17 (ISO 200, ft./m, 68°F/20°C) or 39/12 (ISO 100, Image Size (pixels) ft./m, 68°F/20°C) Image area L M S Flash Control 1) TTL flash control with 1,005-pixel RGB sensor; i-TTL balanced fill-flash and standard -
Nikon D300 Setup Guide Nikon D300 Setup Guide
Nikon D300 Setup Guide Nikon D300 Setup Guide For Nature, Landscape and Travel Photography For Portrait and Wedding Photography External Controls Custom Setting Menus External Controls Custom Setting Menus Exposure Mode Aperture Priority C Custom setting bank A Exposure Mode Aperture Priority C Custom setting bank B Metering Mode 3D Matrix Metering R Reset custom settings -- Metering Mode 3D Matrix Metering R Reset custom settings -- Focus Pattern Dynamic-area AF a1 AF-C priority select Release Focus Pattern Dynamic-area AF a1 AF-C priority select Release Bracketing Off (unless HDR photography) a2 AF-S priority select Focus Bracketing Off a2 AF-S priority select Focus Shooting Mode CH (Continuous High) a3 Dynamic AF area 21 points Shooting Mode CH (Continuous High) a3 Dynamic AF area 21 points WB Variable, dep. on situation a4 Focus lock-on Off WB Variable, dep. on situation a4 Focus lock-on Normal ISO 200 - 1600 dep. on situation a5 AF Activation Shutter/AF-ON ISO 200 - 3200 dep. on situation a5 AF Activation Shutter/AF-ON QUAL RAW a6 AF point illumination On QUAL JPEG a6 AF point illumination On Autofocus Mode AF-S or AF-C a7 Focus point wrap Wrap Autofocus Mode AF-S a7 Focus point wrap Wrap a8 AF point selection 51 points a8 AF point selection 51 points a9 Built-in AF-assist Off a9 Built-in AF-assist Off Shooting Menu a10 AF-ON MB-D10 AE lock only Shooting Menu a10 AF-ON MB-D10 AE lock only Shooting Menu Bank A b1 ISO sensitivity step 1/3 Shooting Menu Bank B b1 ISO sensitivity step 1/3 Menu Reset Default b2 EV steps for expos. -
The World's Best Photography. the World's Best Community. 500Px.Com
500px.com The World’s Best Photography. The World’s Best Community. Media Kit, June 2011 500px.com is a modern online community of photographers from all over the world. 1.6 million uniques. 28 million page views. 500% growth over the last 6 months. And some of the best photographs you’ve ever seen. 500px.com/photos “Have I ever mentioned how much I love 500px? This site is just blows everything else away.” Tom Lowe, 2010 Astronomy Photographer of the Year. 500px.com stats • 28,000,000 page views per month • 3,500,000 visits per month • 1,600,000 absolute unique visitors • 4:45 minutes is average time on site • 500% traffic growth over last 6 months • Tech savvy audience. Over 90% use IE alternatives • The most popular camera is Canon 5D Mark II Twitter Love What people say about 500px on Twitter: Twitter Love What people say about 500px on Twitter: Twitter Love What people say about 500px on Twitter: 500px users are PRO users. The most popular cameras among 500px.com users. 01. Canon EOS 5D Mark II 26. Canon EOS DIGITAL REBEL XTi 02. Nikon D90 27. Nikon D3100 03. Canon EOS 450D 28. Canon EOS DIGITAL REBEL XSi 04. Canon EOS 50D 29. Canon EOS REBEL T1i 05. Canon EOS 40D 30. Nikon D50 06. Canon EOS 400D DIGITAL 31. Canon EOS REBEL T2i 07. Canon EOS 500D 32. SONY DSLR-A200 08. Canon EOS 5D 33. Nikon D70 09. Nikon D700 34. Nikon D70s 10. Nikon D80 35. Canon EOS DIGITAL REBEL XT 11. -
White Paper the Canon Eos 5D Mark Ii Camera
WHITE PAPER THE CANON EOS 50D CAMERA: UNPRECEDENTED FLEXIBILITY OF DIGITAL PHOTOGRAPHY THE CANON EOS 5D MARK II CAMERA: HIGH PERFORMANCE FOR HIGH EXPECTATIONS I. Overview 4 II. Summary of New and Improved Features 8 EOS 50D vs. EOS 40D 9 EOS 5D Mark II vs. EOS 5D 10 EOS 5D Mark II vs. EOS-1Ds Mark III 11 III. Video Recording on EOS 5D Mark II 13 Features and Benefits 14 Positioning 16 Tech Info 18 Technology Highlight - New Video Shooting Capability 19 IV. Performance and Reliability 20 Advanced Sensor Designs 21 DIGIC 4 and 14-bit A/D Conversion 23 Image Recording and Processing 25 • RAW, sRAW, RAW+JPEG 25 • Intelligent Lithium-ion Battery on EOS 5D Mark II 26 Image Enhancement 26 • High ISO Noise Reduction 26 • Peripheral Illumination Correction 27 • Auto Lighting Optimizer 28 • Highlight Tone Priority 28 High Resolution, 3.0-inch Clear View LCD 29 Live View shooting with AF 30 Precise 9-point AF Systems 31 Improved Viewfinder Experience 33 Rugged Construction 33 EOS Integrated Cleaning System 34 Intuitive Button and Dial Arrangement 35 Increased Shutter Durability 35 Action-stopping Burst Modes 36 UDMA Compatibility 36 HDMI Connectivity 36 Technology Highlight - Live View Function 38 V. Controls and Convenience 39 Camera Settings and Displays 40 Creative Auto Mode 40 Image Quality Controls 42 Playback Controls and Displays 42 My Menu and User Settings 43 Custom Function Controls 43 AF Microadjustment 44 Quick Control Screen 45 Printing and Camera Direct Controls 45 VI. Intelligent Bundled Software 46 New Features in EOS Utility and DPP 47 VII. -
Download the Brochure
Precision engineered to deliver new professional-level functionality, performance and reliability, the Nikon D300 combines innovative Nikon technologies with advanced new features to optimize all aspects of camera performance and form the ideal blend of Nikon DX-format performance. Empower Creativity ◆ New 12.3 effective megapixel Nikon DX-format CMOS image sensor ◆ New EXPEED Digital Image Processing concept ◆ Selectable 12-bit or 14-bit A/D conversion with full 16-bit processing ◆ Nikon's new exclusive Scene Recognition System ◆ New 51-point autofocus system with advanced AF modes and 3D Focus Tracking ◆ Large, bright pentaprism viewfinder features frame coverage of virtually 100% ◆ Rapid 6 frames per second*1 continuous shooting up to 100 JPEG images*2,3 ◆ Up to 8 fps*4 continuous shooting for up to 100 shots*2,3 with Multi-Power Battery Pack MB-D10 ◆ New Picture Control settings for fine-tuned image control ◆ New Live View with two modes for Hand-held and Tripod shooting situations ◆ New Self-cleaning Sensor Unit provides effective dust reduction ◆ New 3-in. LCD with approx. 920,000-dot resolution, 170° wide-angle viewing and rugged tempered glass protection ◆ Instant start-up of 0.13 s power-up and 45-millisecond shutter release time lag*5 ◆ Magnesium alloy body for strength, durability and light weight ◆ New Active D-Lighting allows the choice to automatically optimize tone reproduction in both shadows and highlights during exposure *1 When using Rechargeable Li-ion Battery EN-EL3e. *2 NORMAL-LARGE image setting, using a SanDisk Extreme IV CompactFlash card. *3 When shooting in Continuous-servo AF (C) using Shutter-Priority Auto [S] or Manual [M] exposure modes and a shutter speed of 1/ 250 s or faster with other settings at default. -
BEAU NEWS Photographic Pulp
November 2008 BEAU NEWS Photographic Pulp NOVEMBER LENSBABY SALE The good people at Lensbaby have allowed us to lower our lensbaby prices for the month of November. So for a short time a good deal is a lot better! In case you don’t know what a Lensbaby is, it’s a selective focus lens (camera accessory)that allows you to choose where the plane of focus is going to fall on your film or image sensor. Simply put, it is a fun way to play with the focus of the picture you are taking, making some parts of the image sharp while the others soft. You will be amazed with the great photos you will get playing with these babies. With a lensbaby your photographs are a little different and maybe just a little bit better than the competition. I could go on and on but it’s better to show you, so to see some fantastic results go to www.lensbaby.com Lensbaby G3 Reg. $ 286.95 Sale $239.49 Lensbaby 2.0 Reg. $ 142.95 Sale $95.49 Lensbaby Original Reg. $ 96.95 Sale $89.49 Lensbaby G3 for Medium format (Pentax 6x7 or Mamiya 645) Reg. $ 390.95 Sale $360 Lensbaby PL mount Reg. $489.95 Sale $455.49 See inside for details on Lensbaby Workshop LENSBABY WORKSHOP FIELD REPORT: CANON EOS-50D Mike In late September, I went on a one week trip to central Washington state. I decided to delay my leaving by a day since Canon had promised that I would have my new Canon EOS-50D air-shipped to arrive Monday. -
Hypersync® Results Nikon D700 + Einstein E640 Hypersync Only Enabled Highest Energy
wiki.pocketwizard.com HyperSync® Results Nikon D700 + Einstein E640 HyperSync Only Enabled Highest Energy IMAGES BEGIN ON THE NEXT PAGE! On the following pages you will find images generated using HyperSync® with the Nikon D700 and the Einstein E640. To achieve similar results, use the settings detailed below. Test Conditions: These images were captured indoors, with the camera and flash positioned 6 ft (2 m) from a white wall. A standard reflector was used, but the light was otherwise unmodified. Your results may differ depending upon the position of your lights and ambient conditions. Transmitter Settings: These images were generated using FlexTT5 Version 3.400 – results may change with future firmware releases. 1. Use a Nikon MiniTT1 or FlexTT5 updated to the latest firmware. 2. Enable “HyperSync Only” under the “HyperSync/HSS” tab. 3. All other transmitter settings may be left at their defaults. Receiver Settings: These images were generated using PowerMC2 Version 2.400 – results may change with future firmware releases. 1. Use a PowerMC2 receiver updated to the latest firmware. 2. Set the “Optimize HyperSync Automation For:” control to “Highest Energy” under the “HyperSync” tab. 3. All other receiver settings may be left at their defaults. Camera Settings: The images in this document were captured using ISO 200 and f/11, at all camera shutter speeds. All other camera settings were factory defaults. Your results may differ depending on your camera settings and exposure. Flash Settings: The Einstein E640 is an IGBT-controlled flash. Use the Einstein at full power for best results. These images were gathered at full power (+3 on the AC3 ZoneController) and half power (+2) to illustrate this flash behavior.