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Matt Davis Actor/Singer/Director/Playwright 517.581.6781 Matthewjosephdavis@Gmail.Com Directing/Playwriting Resume Avail

Matt Davis Actor/Singer/Director/Playwright 517.581.6781 [email protected] Directing/Playwriting Resume Avail. on Request PROFESSIONAL THEATRE (SELECTED ROLES) Pope Joan Lucius O'Malley Theatre Dir. Tom O'Horgan Working (w/Charles Durning) Mill Worker Northlight Theatre Dir. Dan Stetzel Romeo and Juliet Romeo MI Shakespeare Fest. Grapefruit Moon: The Music of Tom Waits Matt Chicago Humanities Fest. An Evening With Carner and Gregor Featured Singer Michigan Theatre ACADEMIC THEATRE (SELECTED ROLES) Dancing at Lughnasa Michael Roosevelt University Dir. Belinda Bremner The Cradle Will Rock Dauber Roosevelt University Dir. Dr. Joel Fink Man of La Mancha Don Quixote Roosevelt University Antigone Haemon Roosevelt University Sweeney Todd Sweeney Todd Siena Heights University As You Like It Lord Frederick Siena Heights University EDUCATION MFA Directing Candidate, THE UNIVERSITY OF ALABAMA, 2015 Teacher Certification in Michael Chekhov Technique, GLMCC, KENT STATE UNIVERSITY, 2015 BA Music Theatre, SIENA HIEGHTS UNIVERSITY, 2012 130 towards BFA in Music Theatre, CHICAGO COLLEGE OF PERFORMING ARTS, 1996-2000 HONORS/AWARDS 2014 Original Play Workshop – Bailiwick Chicago - 1st staged reading of original play, NOISE 2014 Alan Bales Award – University of Alabama – Artistic and Scholarly Excellence 2012 MFA Theatre Assistantship – University of Alabama, 2012 2007 Ted Wood Award – Dedication and Excellence in Regional Theatre in Mid Michigan 2002 Chicago After Dark Award: Male Performance of the Year – Grapefruit Moon 2000 Irene Ryan Finalist – Wonderful Town – Frank Lippencott WORKSHOPS/MASTER CLASS Auditioning for Film – Barry Shapiro, 2014 Cold Reading – Karen Casl, 2013 Chekhov in Performance – Dawn Arnold, Moving Dock Theatre Company, 2013-2014 Pianospeak – Beckie Menzie – 2011 Master Class – Ann Hampton Callaway – 2002, Master Class – Craig Carnelia – 2000 SPECIAL SKILLS Dialects: British (RP and regional), Irish (Standard, Donegal), Scottish, American Regional Singing – 20 years of training – Judith Haddon, William Martin, Ann Hampton Callaway Other: Playwright, Improv, Cabaret Performance, Driver's License, Bike Riding, Trivia Savant.

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Ricardo A. Vila-Roger
Cell: (412) 427-4329 E-mail: [email protected] Ricardo A. Vila-Roger Acting UP Stages Little Shop of Horrors Mushnik Experience Nine Guido Contini Curse of the Starving Class Weston In the Heights Kevin Rosario Hatch Arts Collective Gloria Loren Quantum Peribáñez Priest, Painter, Llorente Prime Stage The Giver Father Off the Wall Productions The Other Place Man No Name Players Orange Flower Water David Oedipus & the Foul Mess in Thebes Creon Fixing King John Bishop Bricolage Bricolage Urban Scrawl (BUS) 8 Maria-Candy-Manda- Pocolypse-Rodriguez-Smith OjO Jojo UP Stages In the Heights Kevin Rosario Throughline Theatre Co. The Last Days of Judas Iscariot Satan In the Next Room (The Vibrator Play) Dr. Givings Hiawatha Project Camino Andoni Mejia City Theatre Young Playwrights Festival Ensemble PICT Storyteller’s Series The Ruffian on the Stair Mike Romance Bailiff Shakespeare in the Parks Much Ado About Nothing Benedick/Borachio Phase 3 Productions Someone Who’ll Watch Over Me Michael Swamp Baby Doctor Pgh Jewish Music Festival Jacob & Rachel Jacob The Dybuk Chonen Stage Right True West Austin Kean Theater Proof Hal 12 Angry Men Juror 8 Laughter on the 23rd Floor Lucas Same Time! Next Year! George Noises Off Lloyd Dallas Don't Dress for Dinner Bernard Steve Martin’s The Underpants Cohen One Flew Over the Cuckoo’s Nest Billy Bibbit Colorado Springs Fine Arts Art Yvan** Center Repertory Theater West Side Story Tony Little Shop of Horrors Seymour Grease Doody The Mystery of Edwin Drood Montague Pruit Evita Ensemble Smokebrush Center for Three Sisters Fedotik The Arts All My Sons George Deever TheatreWorks, CO Cole Porter's Nymph Errant Victor Upstart Performing Jeffery Jeffrey Ensemble Cabaret Emcee The Normal Heart Ned Weeks Twilight of the Golds David The Children's Hour Dr.
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Lauren M. Lowell Associate Professor of Costume Design 1506 E
lauren m. lowell Associate Professor of Costume Design 1506 E. Jackson St. 309.438.5135 Bloomington, IL 61701 lmlowel @ ilstu.edu EDUCATION MFA in Theatre (Concentration in Costume Design) University of Georgia 2002 BA in Theatre, Music, & Broadcasting Central Michigan University 1999 TEACHING EXPERIENCE INTRODUCTION TO COSTUME DESIGN: THD 130, Instructor, Illinois State University. An undergraduate course designed to expose the student to the various aspects of costume design. Included in the course is an overview of costume history, an overview of the costume designer’s process, a basic sewing lab, and the experience of working on a costume crew. MAKEUP FOR THE STAGE: THD 237, Instructor, Illinois State University. This is a course designed to give undergraduate students the tools necessary to research, design, and execute make-ups inn order to effectively project character. Special attention is given to corrective, old age, as well as more stylized make-ups. COSTUME DESIGN: THD 330, Instructor, Illinois State University. A combined undergraduate and graduate level course focused on the research, analysis, and creation of a costume design. HISTORY OF COSTUME, PART I: THD 331, Instructor, Illinois State University. This combined undergraduate and graduate level course focuses on the history of western dress beginning with civilizations from Antiquity and ending with the commencement of the 19th Century. COSTUME CONSTRUCTION: THD 332, Instructor, Illinois State University. This combined graduate and undergraduate course focuses on textiles, basic draping, flat patterning, and taking a costume from sketch to stage. COSTUME CRAFTS: THD 333, Instructor, Illinois State University. This combined graduate and undergraduate course focuses on basic millinery, molding and casting and mask making techniques.
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SCOTT STANGLAND SAG-AFTRA, AEA Height: 6’ Hair: Auburn Eyes: Blue Voice: Baritone
SCOTT STANGLAND SAG-AFTRA, AEA Height: 6’ Hair: Auburn Eyes: Blue Voice: Baritone BROADWAY Once Eamon John Tiffany Bernard J. Jacobs THEATRE The Wheel Colline, Pierre Tina Landau Steppenwold Theatre Company A Christmas Carol Topper, Old Joe, School Steve Scott Goodman Theatre Company Eastland: A New Musical Piano, Father, Fireman Amanda Dehnert Lookingglass Theatre Company Mourning Becomes Electra Orin Mannon Timothy Douglas Remy Bumppo Theatre Company Murder For Two Detective Marcus (u/s) David Bell Chicago Shakespeare Theatre Romeo and Juliet Mercutio Janice L. Blixt Michigan Shakespeare Festival Comedy of Errors Ant. Of Syracuse Kevin Theis Michigan Shakespeare Festival As You Like it Oliver/Silvius (u/s) Bill Brown Writers’ Theatre Boy Gets Girl Tony Steve Scott Eclipse Theatre Company Short Shakespeare Ross / 3rd Witch (u/s) * David Bell Chicago Shakespeare Theatre (Macbeth) Lady Madeline Ensemble (u/s) Jessica Thebus Steppenwolf Theatre Company Kiss Me, Kate Fred Graham/Petruchio Sean Ryan Kelley Chicago College of Performing Arts** Man From Nebraska Orderly Anna D. Shapiro Steppenwolf Theatre Company Gray City Mickey Anna C. Bahow Premiere Theatre and Performance Julius Caesar Roman Citizen Barbara Gaines Chicago Shakespeare Theatre Romeo and Juliet Friar Laurence Joel Fink Colorado Shakespeare Festival Antony and Cleopatra Scarus Robert Benedetti Colorado Shakespeare Festival FILM/TV Crisis Aryan Brother Mark Piznarski NBC/ 20th Century Fox Chicago Fire Justin Tom DiCillo, dir. NBC/Universal Contagion Minnesota Health #1 Steven Soderbergh, dir. Warner Bros. Buick: “Lacrosse” (:30) Pedestrian Alexander Paul, dir. Leo Burnett Gifted Hands: The Ben Peter Rausch Thomas Carter, dir. Sony Pictures Carson Story Gillette-Internet Best Man Alex Beh, dir.
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Lauren M. Lowell, Costume Designer
lauren m. lowell, Costume Designer Victory Gardens, Chicago, IL Costume Designer The Bed (Dir. Sandi Zielinski) 2007 The Noble Fool Theatre Company, St. Charles, IL Costume Designer Every Christmas Story Ever Told (Dir. John Gawlik) 2007 Underneath the Lintel (Dir. John Gawlik) 2005 LaCosta/New Rock Theatre, Chicago, IL Costume Designer Stalk (Dir. James Waggoner) 2010 Illinois Shakespeare Festival, Bloomington, IL Costume Designer Merry Wives Of Windsor (Deanna Jent) 2018 Peter & the Starcatcher (Dir. Andy Park) 2016 Failure. A Love Story (Dir. Andy Park) 2013 Much Ado About Nothing (Dir. Jonathan West) 2014 Elizabeth Rex (Dir. Paula Suozzi) 2014 A Midsummer Night’s Dream (Dir. Deb Alley) 2009 Complete Works of William Shakespeare (Dir. Deb Alley) 2008 Julius Caesar (Dir. Debbie Alley) 2006 Twelfth Night (Dir. Joel Fink) 2005 As You Like It (Dir. Eli Simon) 2003 Seanachai Theatre Company, Chicago, IL Costume Designer War (Dir. Karen Kessler) 2007 The Stockyards Theatre Project, Chicago, IL Costume Designer Bald Grace, Pirate Queen (Dir. Jenniffer Thusing) 2004 Shame the Devil! Fanny Kemble (Dir. Janet Wilson) 2004 The Little Theatre on the Square, Sullivan, IL Costume Designer/Shop Manager Same Time, Next Year (Dir. Patrick McCarthy) 2004 Nine (Dir. M. Seth Reines) 2004 Where’s Charley? (Dir. J. Thomas Kidd) 2004 Seussical, the Musical! (Dir. Marie Jagger Taylor) 2004 Heartland Theatre Company, Bloomington-Normal, IL Costume Designer The Importance of Being Earnest (Dir. Don LaCasse) 2017 The Glass Menagerie (Dir. Don LaCasse) 2016 Superior Donuts (Dir. E.Thibodeaux-Thompson) 2012 Three Sisters (Dir. Sandi Zielinski) 2011 Clean House Tiny Island (Dir. Connie DeVeer) 2005 I Love You! You’re Perfect!… (Dir.
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Curriculum Vitae
CURRICULUM VITAE NEIL FLINT WORDEN 32 N. Pleasant Street Home Office: (802) 382-8739 Apartment D Cellphone: (845) 489-5595 Middlebury, Vermont 05753 Email: [email protected] EDUCATION MFA (Performance) May 1996 UW School of Drama (Professional Actor Training Program) - Seattle, WA (Rated #3 in the country between 1992-2000 – US News & World Report) Thesis Project: Solo Performance: A Call From Within MFA Show: Trojan Women: A Love Story by Charles Mee Director: Tina Landau Advisor: Steve Pearson, PATP Executive Director BFA (Acting) Minor Level in Biology, Anthropology and Creative Writing, May 1989 University of Colorado - Boulder, CO HONORS/SCHOLARSHIPS/POSITIONS Visiting Assistant Professorship – Vassar College (6 Years) Phi Beta Kappa, CU 1989 UW Graduate Teaching Fellowship Peg Locke Newman Scholarship in Drama, UW CU Technical Assistant (Carpenter, Scenic, Set Design, Costume Construction, ME – 3 years) Talent and Creativity Scholarship, CU (3 Semesters) University of Colorado Regent and Dean’s Scholarship (4 Years) Poudre Education Association Scholarship, CU Ben Delatour Foundation Scholarship, CU TRAINING Acting: Steve Pearson, Jack Clay, Joel Fink, Sean Kelly, Lee Potts, Mark Jenkins (Camera) Playwriting: Will Dunn Writer’s Workshop (San Francisco), UU Writer’s Workshop (Vermont) Voice: Judith Shahn (VASTA-Linklater) Singing: Jeff Caldwell (Baritone) Movement: Robyn Hunt (Suzuki) Tina Landau (Viewpoints) Jack Clay (Lecoq) Alexander: Cathy Madden Dance: Richard Jessup (Jazz, Tap) Combat: Dave Boushay, Greg Hoffman AFFILIATIONS Actors Equity Association (AEA) Emergency Medical Technician (EMT), 1991 Society of American Fight Directors – Actor Combatant Certified, 1995 Dueling Arts International, Inc. – Fight Director Trained, 2004 Alpha Phi Omega, 1985 - 1990 Founding Organizer of Onstage drama club, CU 1988 Eagle Scout, B.S.A.
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Connotations 6.2 (1996/97)
Connotations A Journal for Critical Debate Volume 6 (1996/97) Number 2 Waxmann Miinster /New York Connotations - A Journal for Critical Debate by the Connotations Society is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License. Editors' Note To our regret, Professor Brownell Salomon has decided to tender his resignation from the editorial board of Connotations since he has officially retired from the Bowling Green State University. We cannot thank him enough for having given us his support even when we were only just planning the journal. Connotations: A Journal for Critical Debate EDITORS Inge Leimberg, Lothar Cerny, Michael Steppat, Matthias Bauer, Christiane Lang-Graurnann Managing Director: Dieter Kranz EDITORIAL ADDRESSES Westfalische Wilhelms-UniversiHi.t, Institute for Bibliography and the History of the Book, Breite Gasse 39-41, D-48143 MUnster, Germany Westfalische Wilhelms-UniversiHi.t, Department of English Johannisstr. 12-20, 0-48143 Munster, Germany Fax: +49 (251) 8324827; e-mail: connotations®uni-muenster.de WWW homepage: http://anglisti.uni-muenster.de/ conn/ con_home.htm EDITORIAL BOARD M. H. Abrams, Corne1l University John Russell Brown, University of Michigan Paul Budra, Simon Fraser University Eleanor Cook, University of Toronto Elizabeth Story Donno, The Huntington library Judith Dundas, University of Illinois at Urbana-Champaign William E. Engel, Harvard University Alastair Fowler, University of Virginia A. C. Hamilton, Queen's University, Ontario John P. Hermann, University of Alabama John Hollander, Yale University Lothar H6nnighausen, Rheinische Friedrich-Wilhelms-Universitat Bonn Harold Jenkins, University of Edinburgh Arthur F. Kinney, University of Massachusetts, Amherst Maynard Mack, Yale University Frances M. Malpezzi, Arkansas State University J.
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Theatre Production History 1915-2018
Year Production Playwright First NamePlaywright Last Name Date Director Theatre # of Performances 1910s Harlequin Club Lafayette & Eight Little Wives April 1915 1910s Ft. Wayne Lafayette & One Moment Please! April 1917 George Beane Victoria 1910s Theatre 1920s Harlequin Club 1920s The College Prime May 1922 Katherine Kennedy Mars Theatre Mars Theatre The Poor Nut March 1927 R.G. Siegfried 1920s (Lafayette) R.G. Siegfried (Floyd Mars Theatre Castles in the Air April 1928 1920s Kendall, Music) & Indy 1928 -1931 1928 -1931 The Queen's Enemies Lord Dunsany 1928 -1931 Suppressed Desires Susan Glaspell 1928 -1931 The Old Soak Don Marquis November 1929 A.M. Philion Memorial Gym 1928 -1931 An Enemy of Society Henrik Ibsen 1928 -1931 Arms and the Man George Bernard Shaw 1928 -1931 A Corner in Art December 1930 G.A. McGee Fowler G.A. McGee & 1928 -1931 Ultimatum February 1930 R.A. Finney Fowler 1928 -1931 Pygmalion George Bernard Shaw May 1930 G.A. McGee Fowler 1928 -1931 Journey's End R. C. Sherriff 1928 -1931 By Candlelight 1928 -1931 The Tempest William Shakespeare Summer '31 Summer '31 Thank You Snith & Cushing July 1931 P.E. Lull Fowler 1931 - 1932 1931 - 1932 The Mask and the Face Luigi Chiarelli October 1931 1931 - 1932 Radio Racket November 1931 1931 - 1932 Candida George Bernard Shaw December 1931 1931 - 1932 Beggar and Horseback April 1932 H.K. Carmichael Fowler 1931 - 1932 The Rainmakers February 1932 1931 - 1932 Berkley Square May 1932 1932 - 1933 So this is London October 1932/ Arthur Goodrich H.K. Carmichael Fowler 1932 - 1933 January 1933 1932 - 1933 Androcles and the Lion George Bernard Shaw November 1932 H.K.
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STEVE LENZ SAG-AFTRA, EMC Height: 5’10” Hair: Blonde Eyes: Blue
STEVE LENZ SAG-AFTRA, EMC Height: 5’10” Hair: Blonde Eyes: Blue FILM AND TELEVISION Red Dawn Principal MGM Dan Bradley Boss Recurring Starz Gus Van Sant Mario Van Peebles THEATRE Hit The Wall Cliff The Inconvenience/Steppenwolf Eric Hoff Peter Pan Peter Pan Lookingglass Theatre Company Amanda Dehnert Lookingglass Alice Red Queen Lookingglass Theatre Company David Catlin The Comedy of Errors 2nd Merchant/Bumbellini Chicago Shakespeare Theatre David Bell Macbeth Ensemble Chicago Shakespeare Theatre Barbara Gaines Cymbeline Ensemble Chicago Shakespeare Theatre Barbara Gaines As You Like It Charles the Wrestler, Silvius Montana Shakespeare in the Schools William Brown Peer Gynt Peer Gynt CCPA @ Roosevelt University Sean Graney Machinal Lover CCPA @ Roosevelt University Leslie Danzig Henry V Fluellen CCPA @ Roosevelt University Joel Fink Much Ado About Nothing Claudio Oak Park Festival Theatre Jack Hickey Robin Hood Will Scarlock/ Oak Park Festival Theatre Kevin Theis Misanthrope: or the Impossible Lovers Phillinte, Clitandre, Dubois Vintage Theatre Collective Winter’s Time Tale Jonathon, Leontes Vintage Theatre Collective COMMERCIAL & INDUSTRIAL Public Storage “SEASONS” Principal Harris Bank “LINE CHANGE” Principal I. A.M. STRONG (US Army Industrial) Principal IMPROVISATION iO (Chicago) Sun’s Out, Guns Out Improv Troupe Chicago Based The Huge Embarrassing Failures Improv Troupe UNL TRAINING MFA-Chicago College of Performing Arts @ Roosevelt University Jane Alderman, Steve Scott, Adrian Danzig, Tim Gregory, Keland Scher, Catherine Head, Ray Frewen BA-Johnny Carson School of Theatre and Film @ University of Nebraska-Lincoln Stage Combat: Certified rapier and dagger/unarmed (Examiner’s Award for Excellence) Dance: Ballet/Modern/Ballroom (UNL) First Folio Technique: Chicago Shakespeare Theatre (Larry Yando) SPECIAL SKILLS Guitar, Singing Dialects: RP, Cockney, Irish, Scottish, Welsh, NY, Southern Juggling, Clowning, Unicycling, Tumbling, Dancing, 30 sec.
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Download Resume
Eric Ryan Swanson Eyes: Green 630-779-0339 Hair: Brown [email protected] Height: 5’8” ericryanswanson.com Weight: 135 NYC THEATRE AS YOU LIKE IT Touchstone Teatro Latea/Alexis Confer A MIDSUMMER NIGHT’S DREAM Francis Flute/Thisbe The Sheen Center/Lynnea Benson JULIUS CAESAR Soothsayer/Cinna The Poet Gallery Players/James Dean Palmer CYMBELINE Cloten Theatre 80/Alexis Confer A MIDSUMMER NIGHT’S DREAM Nick Bottom Theatre 80/Alexis Confer TWELFTH NIGHT Malvolio SOHO Playhouse/Alexis Confer MUCH ADO ABOUT NOTHING Borachio SOHO Playhouse/Alexis Confer STIMULATED Bouffant NYC Fringe Festival Teatro Sea NY, NY A MIDSUMMER NIGHT’S DREAM Lysander Rochester Shakespeare/Luanne Haggerty* THE RADICALISATION OF BRADLEY MANNING Bradley Manning Blackfriars Theatre/Maria Scipione* THE SORROWS OF YOUNG WERTHER Werther Collaboraction Theatre/Kimberly Senior** AROUND THE WORLD IN 80 DAYS Passepartout Fox Valley Repertory/John Gawlik** FILM GREY MATTERS Rick Not Sold Separately Productions NEUROSIS Shaun DePaul School of Digital Cinema TWO BROTHERS Jeff Columbia School of Cinema TEXT ME BACK Andy Northwestern School of Cinema PENNY CANDY SHOP Ben Columbia School of Cinema COMMERCIAL MCDONALDS Edgar McDonalds Creative Services Chicago KASASA BANK (NATIONAL V.O.) Principle Student Bam Studios Chicago COMCAST: XFINITY (NATIONAL) Principle Fairy Station Films/Justin Reardon BASKIN ROBBINS ICE-CREAM Principle Space Monkey Studios/Doug Spangenberg TRAINING & EDUCATION Chicago College of Performing Arts Theatre Conservatory at Roosevelt University B.F.A. Acting
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Alumni Magazine Summer07.Indd
ROOSEVELTa magazine for alumni and friends of roosevelt university REVIEW SUMMER 2007 SERVING THEATRE SINCE 1884 The Auditorium Theatre Roosevelt’s theatre for Chicago YOUR GIFT — LARGE OR SMALL — HELPS! Your investment in the future of Roosevelt University, large or It is because of private donations, whether they are outright or small, makes a lasting statement about you, your values, and your planned gifts in the form of bequests, life income gifts, gifts of appre- commitment to the University and its students. ciated property, life insurance or gifts-in-kind, that many Roosevelt University students are able to realize their dreams of earning a Why does giving matter to the University? First and foremost, degree and improving their opportunities for career growth. Roosevelt University is an independent institution of higher learning and receives minimal monetary support from the federal In its long history, Roosevelt University has played a major role and state governments. The University is largely dependent on in making dreams come true for more than 68,000 alumni across student tuition for operating funds. the world. But we can’t do it alone. As our enrollment continues to grow along with our students’ nancial needs, support from It has become increasingly expensive in today’s economic cli- alumni and friends is vital if we are to continue our mission long mate to provide a high-quality education for our students. As an into the future. Estate gifts and planned giving vehicles will help institution founded on principles of social justice and access to ensure Roosevelt’s future. higher education to anyone academically quali ed, regardless of race, religion, gender or economic status, keeping the cost of For further information, please contact Thomas J.
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2010 Illinois Shakespeare Festival Program School of Theatre and Dance Illinois State University
Illinois State University ISU ReD: Research and eData Illinois Shakespeare Festival Fine Arts Summer 2010 2010 Illinois Shakespeare Festival Program School of Theatre and Dance Illinois State University Follow this and additional works at: https://ir.library.illinoisstate.edu/isf Part of the Theatre and Performance Studies Commons Recommended Citation School of Theatre and Dance, "2010 Illinois Shakespeare Festival Program" (2010). Illinois Shakespeare Festival. 5. https://ir.library.illinoisstate.edu/isf/5 This Book is brought to you for free and open access by the Fine Arts at ISU ReD: Research and eData. It has been accepted for inclusion in Illinois Shakespeare Festival by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. COLLEGE OF FINE ARTS 1970-2010 The College: of Fine Arts and the School of Theatre at Illinois State University arc turning 40 this year. We're: going to make it one you'll never ILLINOIS STATE UNIVERSITY forget. Herc's a taste of what we have in store - Homecoming Week October 11-17, 2010 Free Parking - we know, you never thought it would happen, but next year for all evening and The 25th Annual Putnam County Spelling weekend music, theatre, and dance: events (plus Bee (October 7-16) - a Tony Award-winning gallery openings), you'll have free parking in the musical for the whole family. School Street ramp (no ticket to show, just look for the "Fine Arts Parking Open" sign). Illinois State University Alumni Film Festival (October 13-16) - see our famous First Annual Big Red Marching Machine Band alumni on the big screen at the Normal Auction (September 11.2010 at 5:30 pm) at the Theater in beautiful Uptown Normal! Marriott, with a tribute to founder Ed Livingston.
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Robert N. Schmidt
1 ROBERT N. SCHMIDT Department of Theatre and Dance - D3900 University of Texas at Austin Austin, TX 78712 (512) 232-5335 EDUCATION 1979 Master of Fine Arts Degree in Scenic Design, University of Wisconsin at Madison. 1976-1977 Scenographic Intern, Danmarks Radio-TV, Copenhagen, Denmark. 1976 Bachelor of Arts Degree, major: Theatre and Drama, UW-Madison, graduated With Distinction in the Major. PROFESSIONAL OFFICES AND AFFILIATIONS 2001-2007 US representative to Scenography Commission of OISTAT (International Organization of Scenographers, Technicians, and Theatre Architects) 1995-1998 Member, Board of Directors, University/Resident Theatre Association 1990-1995 Associate Editor for Scenic Design, Theatre Design and Technology, journal of the US Institute for Theatre Technology. 1988-1990 Scenic Design Commissioner, US Institute for Theatre Technology. 1982-present Member, US Institute for Theatre Technology. 1982-present Member, United Scenic Artists of America. ACADEMIC EXPERIENCE 2002-present Frank C. Erwin, Jr. Endowed Professor of Drama, University of Texas at Austin. 1998- 2002 Professor, University of Texas at Austin. 1990-1998 Associate Professor, University of Texas at Austin. 1984-1990 Assistant Professor, University of Texas at Austin. 1982-1984 Specialist in Scenic Design, University of Texas at Austin. Selected University Administrative Roles: • Chair/Interim Chair of Department of Theatre and Dance (2006-2009) • Senior Associate Chair (2002-2006) • Associate Chair of Department of Theatre and Dance (1993-95, 1998-2002)) • Head of Production, Department of Theatre and Dance (1996-1999, 2000-2002) • Department of Theatre and Dance Executive Committee (1988-2000, 2003) • Chair, Morton Brown Fund Committee (1995-96, 1999-00) • Chair, Department of Theatre and Dance Curriculum Committee (1992-94) • Member of University of Texas Faculty Council (2000-01) 2 ROBERT N.
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