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125-Modern-Contemporary.Pdf catalogue 125 100 fulham road, london, sw3 6hs ◀ ▶ 43 dover street, london, w1s 4ff uk 020 7591 0220 eu 00 44 20 7591 0220 usa 011 44 20 7591 0220 www.peterharringtongallery.com Modern & Contemporary Prints Karin Mamma Andersson 1 Absint. (Absinthe.) Edition Copenhagen, 2010 Triptych. Original lithograph and woodcut on 250gsm Velin d’Arches paper. Each sheet size: 48.5 × 60.5 cm. Excellent condition. Presented in three acrylic box frames. Edition of 99. Signed in pencil lower right to the third sheet and numbered lower left on the first sheet. £3,500 [97326] Banksy, Steve Bell, James Boswell, Alexander de Cadenet, Anthony Caro, James Cauty, Billy Childish, David Gentleman, Richard Hamilton, Clifford 2 Harper, Brian Jones, John Keane, Peter Kennard, Alan Kitching, Jenny Matthews, Paul Mattsson, Antonio Pacitti, Jamie Reid, Martin Rowson, Ralph Steadman, S.T.O.T.21stC., Gee Vaucher Pax Britannica, A Hellish Peace. London: The Aquarium, 2004 Title page and 24 giclée prints, statement by Ralph Steadman and page from the Hutton Report as burnt outside 10 Downing Street. Original black clamshell box. Sheet sizes: 29.7 × 21 cm or smaller. Unnumbered from an edition of 100. Each print signed by the respective artist apart from S.T.O.T.21stC which is rubber stamped. Banksy’s contribution is his “Wrong War” image, which was also used on placards during the “Stop the War” demonstrations in 2004. £13,000 [108065] Edward Bawden 3 Life Guards. 1953 Original lithograph printed in colours on wove paper. Image size: 43.6 × 30.8 cm. Sheet size: 49.4 × 36.4 cm. Excellent condition. Presented in a handmade white gold leaf frame with UV protected glass. Edition of 50, unnumbered. Signed and dated in pencil lower right by Bawden. One of 40 prints published by the Royal College of Art and exhibited at the Victoria and Albert Museum as part of the Coronation Year exhibition in 1953. (Bacon & McGregor B.238) £3,500 [98241] Peter Blake I Love London. London: Creatively Recycled Empire Limited, 2010 4 10 spot colour lithograph on 56% recycled tinplate. Sheet size: 81 × 62 cm. Excellent condition. Presented in a black box frame with UV preventive conservation glass. Edition of 75. Signed lower right by Blake, numbered lower left. £3,500 [97628] Peter Blake 5 Rainbow. London: Creatively Recycled Empire Limited, 2010 10 spot colour lithograph on 56% recycled tinplate. Sheet size: 81 × 62 cm. Excellent condition. Presented in a black box frame with UV conservation glass. Edition of 25. Signed in marker pen lower right by Blake, numbered lower left. £3,250 [111843] Salvador Dalí Polyanthus tubarosa et cygnus vegetales. (Water-Hybiscus Swan.) Paris: 6 Editions Graphiques Internationales, 1972 Lithograph and acrylic on heavy Arches paper. Plate size: 56.5 × 38.5 cm. Sheet size: 74.7 × 55 cm. Some loss to the acrylic, mainly to the leaves, glue residue to the verso. Presented in a limed ash frame. Signed in pencil lower left “Bon a tirer, Dalí”. An edition of 350 was published with embossing and a pseudo botanical title beneath the image; this copy has built-up acrylic instead of embossing and no title beneath the image. (Field 72-7C) £10,000 [87214] Marcel Duchamp DADA. 1916–1923. Texts by Tristan Tzara, Hans Arp, Richard Huelsenbeck 7 and Jacques-Henry Levesque. New York: Sidney Janis, 1953 Offset lithograph and screenprint exhibition poster/catalogue designed by Duchamp on tissue paper; folded version. Sheet size: 96.8 × 63.3 cm. A very bright copy with crumple marks. Presented in a black wooden frame. Duchamp produced the catalogue for the exhibition at the Sidney Janis Gallery, New York, which was assembled, curated and installed under his direction. The catalogue was distributed at the exhibition as a ball of crushed tissue. Duchamp also suggested a garbage bin be offered to visitors so that they could crumple up the catalogue and throw it away upon leaving the exhibition (our poster has crease marks suggesting this was the original fate of this piece). Duchamp considers this an original artwork; due to its ephemeral nature, it is rather uncommon. (Schwartz 543) £5,750 [85763] Tracey Emin 8 Sixty a Day Woman. London: Curwin Studio, 1986 Lithograph printed in colours on wove paper. Sheet size: 55.5 × 76 cm. Excellent condition. Presented float- mounted in a gilt wooden frame. Edition of 18. Signed, numbered and dated in pencil by Emin. Emin’s first published print and signed T. K. Emin as with her earlier work. £3,000 [109947] M. C. Escher 9 Fire. Self printed, 1952 Woodcut in yellow and orange printed from 2 blocks on wove paper. Sheet size 16.9 × 15.6 cm. Excellent condition. Unknown edition, proof without text. Signed lower left by Escher, inscribed “eigendruck” (“own print”) lower right. This image was commissioned by Eugène and Willy Strens for a New Year’s greetings card for 1955. Published as a card with letterpress text, the cards were unsigned. (J. L. Locher 384) £6,000 [107498] M. C. Escher 10 Ascending and Descending. Baarn: 1960 Original lithograph on Simili Japon paper. Image size: 35.6 × 28.6 cm. Sheet size: 45.2 × 38.2 cm. Old hinging tape to verso of upper edge otherwise in excellent condition. Presented in a brown stained wooden frame with conservation glass. Edition of 56. Signed and numbered lower right in pencil by Escher. Ascending and Descending was influenced by and is an artistic implementation of the Penrose stairs, an impossible object devised by the mathematician Lionel Penrose. The characters that climb the impossible staircase represent a group of people that follow an inescapable destiny. Two other characters can be noticed on the lower levels of the building that do not participate in the ritual. Escher calls these two characters free people that do not like conformity. (J. L. Locher 435) £28,000 [98815] Elisabeth Frink 11 Rolling Over Horse. London: Waddington Graphics, 1980 Etching with aquatint in two colours on Velin Arches paper. Sheet size 68 × 90 cm. Plate size: 54.5 × 69 cm. Minor toning to extreme edges otherwise in excellent condition. Presented in a hand finished stained oak frame with conservation glass and mount.Edition of 75. Signed in pencil lower right by Frink and numbered lower left. Kelpra Studio blindstamp lower right. (Wiseman 123) £6,250 [105324] Elisabeth Frink 12 Running Man. Chilford Hall Press and the Artist, 1988 Sheet size: 77 × 56 cm. Screenprint in three colours on Lana Aquarelle paper. Old hinging tape to verso otherwise in excellent condition. Presented float-mounted in an obeche drift-wood style frame. Edition of 70. Signed and numbered in pencil lower right by Frink. £3,750 [66811] Antony Gormley 13 Feeling Material. London: Sadler’s Wells, 2006 Sheet size: 74 × 57 cm. Image size: 49 × 34.5 cm. Etching on wove paper. Excellent condition. Presented float- mounted in a black frame with UV glass. Edition of 250. Signed and dated in pencil lower right by Gormley, numbered lower left. £3,000 [75615] Antony Gormley 14 History. Copenhagen: Editions Copenhagen, 2013 Stone lithograph printed with ink and linseed oil on two sheets of 300gsm Velin d’Arches wove paper. Combined sheet size: 67.2 × 199.6 cm. Framed size: 84 × 215 cm. Excellent condition. Presented in waxed oak frame. Edition of 40. Signed, dated and numbered on the verso by Gormley. £9,500 [93202] Richard Hamilton 15 Swingeing London 67. London: Petersburg Press, 1968 Hard ground etching, aquatint, embossing and photo-etching from 2 plates, metalic foil die-stamping, with collage on mould-made etching paper. Image Size: 34 × 55.6 cm. Sheet size: 57 × 73 cm. Excellent condition. Presented in a welded aluminium frame with UV protective glass. Edition of 70. Signed and numbered in pencil lower left by Hamilton. This print was printed, embossed and diestamped by Hamilton and Giorgio Upiglio in Milan with collage added by Hamilton in London. In February 1967 Fraser and Jagger were arrested for the possession of controlled drugs after a party at Keith Richards’s farmhouse in West Wittering, Sussex. Legal proceedings began in May 1967 and were adjourned until June to be heard in a higher court. A photograph by John Twine published in the Daily Sketch on 29 June, showing Robert Fraser and Mick Jagger being driven to court for sentencing handcuffed together in a prison van, was the source of this print. (Verlag 70) £55,000 [91248] Keith Haring 16 (Best Buddies) Pop Shop I. New York: Keith Haring, 1987 Screenprint in 5 colours on heavy wove paper. Sheet size: 30.5 × 38 cm. Light cracking to purple in upper right corner, otherwise in excellent condition. Presented in a black wooden box frame with conservation glass. An inscribed copy aside from the edition of 200. Inscribed in black felt tip to the right hand margin by Haring, “Merry Christmas Carrie – Love – Keith.” (Littmann p. 83) £10,000 [102908] Keith Haring 17 Untitled. New York: Schellmann Art, 1989 Screenprint on canvas. Sheet size: 20 × 20 cm. Excellent condition. Presented in a Darbyshire powder coated alloy frame with conservation glass. Artist’s proof aside from the edition of 60. Signed by Haring on a label attached to the verso of the canvas dated 23 September 1989. With a letter of authentication signed by the publisher, Jorg Schellmann. (Littmann p. 153) £30,000 [109636] Barbara Hepworth 18 Fragment. London: Marlborough Fine Art, 1971 Original lithograph in colours and embosing on handmade wove paper with BH watermark. Sheet size: 81 × 59 cm Excellent condition. Presented in stained beech frame with UV filtered glass. Edition of 60. Signed in pencil lower right by Hepworth, numbered lower left.
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