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Physicality of the Analogue by Duncan Robinson BFA(Hons)
Physicality of the Analogue by Duncan Robinson BFA(Hons) Submitted in the fulfilment of the requirements for the degree of Master of Fine Arts. 2 Signed statement of originality This Thesis contains no material which has been accepted for a degree or diploma by the University or any other institution. To the best of my knowledge and belief, it incorporates no material previously published or written by another person except where due acknowledgment is made in the text. Duncan Robinson 3 Signed statement of authority of access to copying This Thesis may be made available for loan and limited copying in accordance with the Copyright Act 1968. Duncan Robinson 4 Abstract: Inside the video player, spools spin, sensors read and heads rotate, generating an analogue signal from the videotape running through the system to the monitor. Within this electro mechanical space there is opportunity for intervention. Its accessibility allows direct manipulation to take place, creating imagery on the tape as pre-recorded signal of black burst1 without sound rolls through its mechanisms. The actual physical contact, manipulation of the tape, the moving mechanisms and the resulting images are the essence of the variable electrical space within which the analogue video signal is generated. In a way similar to the methods of the Musique Concrete pioneers, or EISENSTEIN's refinement of montage, I have explored the physical possibilities of machine intervention. I am working with what could be considered the last traces of analogue - audiotape was superseded by the compact disc and the videotape shall eventually be replaced by 2 digital video • For me, analogue is the space inside the video player. -
Clamor Magazine Po Box 1225 Bowung Green Oh 43402 '
Antibalas * Harry Potter * Bush Family & the 4 Holocaust * Black Hawk Down The Pay^r 06> .edia Empowerment 7 25274 " 96769? IK wait ing for computers to make life easier Eco-Tekorism in Court • Songs for Emma :r4-» May/June 2002 Get 1 Year for just $18 Save over 30% off the cover price. CLAMOR subscribers play an integral role in sustaining this volunteer-run magazine. If you like what you read (or have read) here in CLAMOR, please subscribe! CLAMOR subscribers not only receive a discount off the cover price, but they also receive their magazine before it hits the newsstands and they know that their subscription payment goes directly to supporting future issues of CLAMOR. subscribe online at www.clamormagazine.org or return this coupon! I 1 Consider me a supporter of independent media! O Enclosed is $18 for my subscription O Please charge my Visa/Mastercard for the above amount. exp. _ / (mo/yr) name address email (optional) Return this coupon tO: CLAMOR MAGAZINE PO BOX 1225 BOWUNG GREEN OH 43402 ' ttl ^ftnnro EDITORS Jen Angel Jason Kucsma Hello Everyone! PROOFREADERS This issue we're focusing on youth and culture. And while you may think that we are a bit Hal Hixson, Rich Booher. Amy Jo Brown, old to be considered "youth." we certainly do not feel like adults. Alright, we're only in our late Catherine Gary Phillips. Scott Komp, twenties. Even though Jen, for example, has a full time job. makes car payments, and is. in Puckett, Kristen Schmidt general, very responsible, she still does not feel like a grown-up. -
Nimbin Times
Elliot slams legal centre budget cuts Labor MP for Richmond Justine “The Legal Centre provides free advice Ms Elliot said. Elliot has condemned the Turnbull and services to individuals and groups Community Legal Centres help Government for slashing funding for the in financial hardship, subject to unfair hundreds of thousands of people around Northern Rivers Legal Centre. discrimination, victims of domestic Australia in need of free legal assistance Funding cuts of nearly $180,000 mean violence, people losing their employment, who do not qualify for Legal Aid. They that from 1st July the Tweed office and separating families and many others are on the frontline in the battle against its outreach services at Pottsville and who rely on these services to access domestic violence and assist people with Murwillumbah will be forced to close. justice. These are some of the most problems as diverse as Centrelink debt, “Northern Rivers Legal Centre and disadvantaged in our community. tenancy disputes and employment issues. its dedicated staff have been helping our “I’m calling on the Turnbull Labor delivered Community Legal local community since 1996 and now government to reverse these cruel cuts as Centres a funding injection worth more their funding is going to be cut by 23 per a matter of urgency. Vulnerable people in than $70 million over four years. Now cent, which will seriously jeopardise its our region are at risk, and I will continue the Turnbull Government is slashing this ability to operate. to fight to have this funding restored,” important community funding. Boomerang bags are sew sustainable Cr Adam Guise Cr Vanessa Ekins’ Photo: Heather Dunn selfie with many sewers and the first bag nimbin building materials AT THE MILL FARM For a broad range of new and new seconds at very competitive prices In order to reduce single use plastic bags, a group of keen sewers is meeting every fortnight in Lismore to sew reusable fabric • Hardwoods, flooring, decking, pine 50 Gungas Road, shopping bags. -
The Development and Politics of Digital Media in Audiovisual Performance
OFFSCREEN :: Vol. 11, Nos. 8-9, Aug/Sept 2007 Projections: The Development and Politics of Digital Media in Audiovisual Performance By Mitchell Akiyama While music is often hailed as the harbinger of change, a privileged force 1 Jacques Attali claims that shifts in the at the vanguard of artistic invention, its performed incarnation has by comparison economy of music have anticipated corresponding shifts in the larger tended to be staunchly conservative.1 Music, in the Western tradition, is political economy throughout European history: “Music is prophecy. Its styles performed for (we could even say at) an audience. The first European concert and economic organization are ahead of th the rest of society because it explores, halls, built in the 18 century, placed the performer centre-stage with the audience much faster than material reality can, the entire range of possibilities of a given fanned around that point at 180°. It is a convention that has secured and code… For this reason musicians, even reproduced the cult of the star, the virtuoso.2 Even in contemporary music forms – when officially recognized, are dangerous, disturbing, and subversive.” rock, hip-hop, etc. – the star stands centre-stage. Western audiences are used to Jacques Attali. Noise: The Political Economy of Music. Minneapolis: watching performers use their voices or hit, pluck, scrape, and blow on objects University of Minnesota Press, 1985. P. 11. that make sound. These actions are codified, conventional, and, as such, musical. 2 See Attali on Liszt and “The Of course, the edges of this picture have occasionally been softened. Genealogy of the Classical Interpreter.” Compositions within the acousmatic tradition of electroacoustic music, for Noise, PP. -
TEMPS D'images 2011 the Festival, Where Images Meet the Stage
TEMPS D’IMAGES 2011 The festival, where images meet the stage continues in April at garajistanbul! Image meets the stage in this festival. In the third year of the festival garajistanbul will be hosting different events and activities for those who wish to be up to date. Festival Temps D’images, which will be held between 09 April – 30 April 2011 in garajistanbul for the third time, focuses this year on the interaction between music and visual arts. The program ranges from electro, dubstep, techno and experimental house music to visual art performances, interdisciplinary theater and dance performances, 3‐D video mapping techniques, interactive placements, workshops and seminars about technology and art interaction carried out with Universities in Istanbul. This year, the festival is supported by the energetic, distinctive, spontaneous, and extroverted automotive brand MINI, which makes the festival even more exciting. The Festival Temps d’images is the perfect match between MINI, a brand for people who seek innovation and garajistanbul with it’s motto ‘Let yourself to the new!’ Announced as ‘one of the most thrilling, entertaining and charismatic DJ’s of the century’ by the Mixmag Magazine, especially well known for his midnight show at BBC Radio 1 and worldwide DJ Set concerts, Kissy Sell Out will be opening the festival with a pre‐concert by 2GET4. Other notable names in the Festival: Gudrun Gut feat Sonja Bender, Hexstatic, Zenzile, Taxi Val Mentek, Jutojo, Farfara, Lost Songs of Anatolia, Kolektif İstanbul… Other than the international performances, there are many local performances, such as KASSAS and aHHval, which include video, music and performance along with workshop and seminars by Selçuk Artut. -
Ambient Music Guide's Best Albums of 2015 Part 2 - Chillout Mix
Ambient Music Guide's Best Albums of 2015 Part 2 - Chillout Mix START TRACK TITLE ARTIST ALBUM/E.P. (click to buy the release online) (m/s) 00’00 Expansion Ascendant Ætheral Code (Synphaera Records) 07’52 Terra Firma Pan Electric & Ishq Elemental Journey (Pink Lizard Music) 13’53 Nature Boy Another Fine Day A Good Place to Be (Interchill Records) 18’36 Luftrum 8 Motionfield Luftrum (Carpe Sonum Records) 25’37 Are We Learning Yet? Shakta (Seb Taylor) Collected Downtempo vol. 2 (Tribal Shift Records) 29’30 Are You Connectome? The Dread Plastination of Otis T Fernbank (thedreadband.com) 34’19 Messianic Hibernation (Seb Taylor) Collected Downtempo vol. 3 (Tribal Shift Records) 38’53 You Are The Stars Kick Bong A Waking Dream (Cosmicleaf) 43’33 Point Of View Kurt Stenzel Jodorowsky's Dune soundtrack (Cinewax) 45’55 World 1 Si Matthews Tales of Ten Worlds (Carpe Sonum) 54’46 Sea Surfaces Martin Nonstatic Granite (Ultimae Records) 60’42 Unfamiliar Shadows Twilight Archive Mood Chain (Electrophonogram) 65’39 Nespole Floating Points Elaenia (Luaka Bop) 70’14 Strands Ascendant Various - Ambient Online vol. 4 (Ambientonline.org) 77’40 Gonglaing Ebauche Adrift (Invisible Agent Records) 85’32 Voila St Germain St Germain (Nonesuch/Parlophone) 91’31 The Beginning + Viola Abakus + St Germain The Beginning/Dreamer e.p. (Modus Recordings) 97’28 Last Train To Lhasa (ambient Banco de Gaia Last Train To Lhasa: 20th Anniversary Edition (Disco mix) Gecko) 101’52 Last Train To Lhasa Banco de Gaia Last Train To Lhasa: 20th Anniversary Edition (Disco (Astropilot remix) Gecko) 107’14 Dreamer Abakus The Beginning/Dreamer e.p. -
SBS Chill 12:00 AM Monday, 3 February 2020 Start Title Artist 00:08 the Pit Stop Farid
SBS Chill 12:00 AM Monday, 3 February 2020 Start Title Artist 00:08 The Pit Stop Farid 07:07 Colomb Nicolas Jaar 10:29 Eastern Protassov & Kinski 16:02 Comatose Hayden Calnin 20:52 Falling Through (Eric Rigo Remix) Mallive 25:39 Perfect Instance City of the Sun 29:53 Face of the earth The krakafaktri 34:15 Lemon Tree (Thievery Corporation Remix) Herb Alpert (Thiever... 37:54 Seven Mile Marker ISAN 41:21 Song 1 DJ Krush 46:41 Forget Me Not St Germain 52:25 Grosse Freiheit Junopilot 55:59 Zur Guten Ambience Tosca 59:01 Little Rain Good Weather For ... Powergold Music Scheduling Licensed to SBS SBS Chill 1:00 AM Monday, 3 February 2020 Start Title Artist 00:05 A1 Rogue Podington Bear 01:16 Toi Et Moi Zero Noel 05:58 She Laura Mvula 09:27 To The Evening Child Stephan Micus 14:34 Honey FRAIL 19:18 You Never Come Closer Ralph Myerz 24:26 Can Things Be Better? Gustavo Santaolalla 25:42 Blue Flame Gold Top 32:02 There's Always A Way Richard Lacy 35:50 Bura Fera Margaret Wirrpunda 36:49 All Wash Out Edward Sharpe & T... 41:27 Moonlight Sonata Dame Moura Lymp... 45:24 Reborn Subsets & Jellis 49:20 Kite (Red Snapper Remix) John Metcalfe 54:59 Adriatic Sea Coastline Powergold Music Scheduling Licensed to SBS SBS Chill 2:00 AM Monday, 3 February 2020 Start Title Artist 00:07 Ocean A.J. Heath 06:47 Iris Daby Toure 10:23 We're Going Home Clint Mansell 14:09 I Know You Are But What Am I Mogwai 19:27 As You Fall Bent 22:56 Riverside Agnes Obel 26:51 Pilots Goldfrapp 31:09 Implorando Badi Assad 32:48 Wonderful Tonight Noonday Undergrou.. -
Matthew Collin Is a Former Editor of the Big Issue, I-D Magazine and the Time out Website. He Has Worked As a Foreign Correspond
Matthew Collin is a former editor of The Big Issue, i-D magazine and the Time Out website. He has worked as a foreign correspondent for the BBC and now reports for Al Jazeera from Tbilisi, Georgia. He has also written for many newspapers and magazines, including the Guardian, Observer, Independent, Daily Telegraph and Mojo. His other books, This is Serbia Calling and The Time of the Rebels, were also published by Serpent’s Tail. John Godfrey, who worked on the original research and interviews for this book, is a former editor of i-D, deputy editor of The Face and executive producer at Rapido TV. He now lives in Sydney, Australia, where he is the executive producer of factual and documentary programmes at SBS. Praise for Altered State ‘At last somebody has written the real history of the last ten years, and written it with such wit, verve, empathy and profound intelligence. If you’ve been part of the scene in any way, this brilliant book will serve as positive affirmation. If you haven’t, yet still feel moved to pontificate about it, you will no longer have the excuse of doing so from a position of ignorance. I can’t recommend this marvellous piece of work enough and in a sane world it would sell more copies than any other book written over the last decade’ Irvine Welsh ‘The first full history of the dance boom which, fuelled by Ecstasy, has transformed British culture over the past decade: here you will also find the drive to transcendence, or oblivion, that is at the heart of British pop’ Jon Savage ‘Altered State is not just timely; it was crying out to be written’ Independent altered state the story of ecstasy culture and acid house matthew collin with contributions by john godfrey A complete catalogue record for this book can be obtained from the British Library on request The right of Matthew Collin to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988 Copyright © 2009 Matthew Collin All rights reserved. -
Music-Week-1993-11-2
iniMcweek For Everyone in the Business of IViusic 20 NOVEMBER 1993 £2.81 Lewis axes top pybiisliîng duo Chrysalis Music Division boss Steve Rights socaetîes Stuart Slater and Roger WatsonTr^ thëgfôûpVpublishingSlater, président of Chrysalis arm. Music, wereand Watson, told of thewho décision was général last manager,Tuesday. unité to eut costs Mv ;e Steve Lewis, t Chrysali The UK's performing and mechan While Hockman says certain "unique have set up," he says. Slater, who joined Chrysalis Records rights societies have taken their I features" of MCPS and PRS and their substantialThe new venture isi work for both the publishing and record with the announcement that they areasshould such be preserved, as data processing,he adds common légal ilable, h "verycompany, disappointing". describes his departure as and accounting functions and even da^yeS' tofaMe ^mîsmXhnt those "Steve Lewis always had a remit placeSuggesting within that 18 thesemonths, moves he sayscould there take forThe MCPS initiative amounted has beento just welcomed over £8m. by toïgreements, be operated products by a joint and workforce. record- éralis "enormous council for support" such a step. on the PRS gén- leadingmanaging publishers. director Robin Warner Godfrey-Cass Chappell Watson joined Chrysalis i id although the statement sets a The création of the joint venture ears", both because of the savings it will 3en and worked UK as for well the as group hein! ting ber of years - has ■ans de Wit protecting Anglo-American repertoire says, "The group to a certi will function,i of its ho name, locationw company and He adds, "The final pi "Therewho will is runa lot it of are technical still to bedétail finalised. -
Insanely Gifted: Turn Your Demons Into Creative Rocket Fuel Online
Ch0XW [Mobile pdf] Insanely Gifted: Turn Your Demons into Creative Rocket Fuel Online [Ch0XW.ebook] Insanely Gifted: Turn Your Demons into Creative Rocket Fuel Pdf Free Jamie Catto ebooks | Download PDF | *ePub | DOC | audiobook Download Now Free Download Here Download eBook #2618116 in Books imusti 2017-07-11Original language:EnglishPDF # 1 .31 x .55 x 5.08l, #File Name: 1782119086224 pagesCANONGATE BOOKS | File size: 34.Mb Jamie Catto : Insanely Gifted: Turn Your Demons into Creative Rocket Fuel before purchasing it in order to gage whether or not it would be worth my time, and all praised Insanely Gifted: Turn Your Demons into Creative Rocket Fuel: 0 of 0 people found the following review helpful. Everything you're looking for to better understand yourselfBy Tam Lo MeinEverything you're looking for to better understand yourself. This read will build you up to channel what you might've considered to handicap or hold you back, into energy and motivation. You'll finally be able to understand why you are the way you are and how to shed a positive light onto those roots.6 of 7 people found the following review helpful. identifying our inner demons and turning them to our advantage is a good way to view lifeBy ReaderI have mixed feelings about this book. On one hand, being true to one's self, identifying our inner demons and turning them to our advantage is a good way to view life. On the other, it can be taken too far, as this book does. While I do not want masks in my closest relationships, I also do want them in others. -
Schaumparty Für Gaza
# 2011/30 dschungel https://jungle.world/artikel/2011/30/schaumparty-fuer-gaza Über die Kosmetikfirma Lush und einen antiisraelischen Popsong Schaumparty für Gaza Von Udo Wolter »Freedom for Palestine« fordert ein britischer Popsong, der Stimmung gegen die Politik Israels machen will. Was haben Desmond Tutu, Alice Walker, Coldplay, Roger Waters, Ken Loach, Julie Christie, Massive Attack, Benjamin Zephaniah und die Kosmetikfirma Lush gemeinsam?« wurde in einem Online-Artikel der Mediengruppe al-Arabiya aus Dubai Ende Juni gefragt. Eigentlich ahnt man es schon, denn einige der Genannten sind bereits durch ihre Unterstützung der Gaza-Flottille oder durch antiisraelische Boykottaufrufe aufgefallen. Im aktuellen Fall geht es darum, dass sie den Anfang Juli in Großbritannien vorgestellten Song »Freedom for Palestine« bewerben, der von al-Arabiya gelobt wird. Aber was bitte hat die Kosmetikfirma Lush in diesem Kreis zu suchen? Die auch in Deutschland mit zahlreichen Filialen vertretene internationale Kette »Lush Fresh Handmade Cosmetics« ist nicht irgendeine Kosmetikfirma. Ihre Badekugeln, Shampoos, Bodylotions und Seifen sollen weitgehend vegan und aus natürlichen Inhaltsstoffen produziert werden. Das Unternehmen gibt sich ökologisch und politically correct und umwirbt mit dem Versprechen des »Handgemachten« und Authentischen sowie mit der Beteiligung an »ethischen« Kampagnen eine ökologiebewusste, globalisierungskritische und links fühlende Klientel. Von der durch Gewerkschaften und Beschäftigte vorgebrachten Kritik an den Arbeitsbedingungen im Unternehmen ließ sich die Kundschaft bisher allerdings nicht abschrecken. So berichtete die Financial Times Deutschschland über den vom Unternehmen ausgerufenen »Go naked Day«, an dem die Beschäftigten aufgefordert wurden, an einer Demonstration gegen Verpackungsmüll in München teilzunehmen. Lediglich mit einer Schürze bekleidet, marschierten die Mitarbeiter im Auftrag von Lush durch die Straßen. -
394 GLOSSARY Acid Jazz Late 1980S and 1990S
GLOSSARY Acid Jazz Late 1980s and 1990s trend where “London fashion victims created their own early seventies-infatuated bohemia by copying jazz-funk records of the era note by note.”1 Associated with DJ Giles Peterson, acid jazz combined jazz and funk influence with electronica to produce a “danceable” version of jazz. Some of the most prominent British artists associated with acid jazz include are the band 4Hero, producer Ronny Jordan, and the James Taylor Quartet (the last of which at one point included Nitin Sawhney.) Ambient Music intended to create a particular atmosphere. Brian Eno, considered a pioneer of the genre, notes, “One of the most important differences between ambient music and nearly any other kind of pop music is that it doesn’t have a narrative structure at all, there are no words, and there isn’t an attempt to make a story of some kind.”2 Ambient music often substitutes distinct melodies and rhythmic patterns for a wash of sound. Some prominent British artists during the 1990s include The Orb, KLF, Mixmaster Morris and Aphex Twin. Bhangra Bhangra originated as a male folk dance in Punjab to accompany the harvest festival, Baisakhi. It is still performed as a folk dance and may be identified by its characteristic swinging rhythm played on the dhol and dholki, double-sided barrel drums. From the late 1970s onwards, Punjabi immigrants in Britain began to fuse with electronic dance styles including house music and later hip-hop.3 These styles produced a distinct genre of music that was recognized as one of the first prominent examples of British Asian youth culture.