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Postmodernism: the American T.V. Show, 'Family Guy, As a Politically Incorrect Document
Postmodernism: The American T.V. Show, 'Family Guy, As a Politically Incorrect Document Tyron Tyson Smith1; Ajit Duara2* 1Symbiosis Institute of Media and Communication, Symbiosis International (Deemed University), Pune, Maharashtra, India. 2*Symbiosis Institute of Media and Communication, Symbiosis International (Deemed University), Pune, Maharashtra, India. 2*[email protected] Abstract Postmodernism is a movement that grew out of modernism. Movements in art, literature, and cinema focused on a particular stance. The visual artists who created entertainment focused on expressing the creator herself/himself beginning from German expressionism to modernism, surrealism, cubism, etc. These art movements played an important part in what an artist (literature, art, and visual) portrayed to his or her audience. As perspectives played an important part, an understanding of what the artist needed to portray was critical. Modernism dealt with this portrayal, which came about due to the changes taking place in society. In terms of the industry, where the overall product dealt with features like individualism, experimentation and absurdity, modernism dealt with a need to overthrow past notions of what painting, literature, and the visual arts needed to be. "After World War II, the focus moved from Europe to the United States, and abstract expressionism (led by Jackson Pollock) continued the movement's momentum, followed by movements such as geometric abstractions, minimalism, process art, pop art, and pop music." Postmodernism helped do away with these shortcomings. An understanding of postmodernism is explored in this paper. The main point which sets it apart is concepts like pastiche, intersexuality, and spectacle. Concerning pop culture, an understanding of referencing is a constant trait used by postmodern art. -
The Communicator April 2019 the Student Newspaper of Bronx Community College Issue 3, Winter 2019
The Communicator April 2019 The Student Newspaper of Bronx Community College Issue 3, Winter 2019 An Insider’s Guide to Casting By Keith Burrus (Media and Digital Film Production), President, Media and Digital Film Club On Thursday, February 28th The Media and Digital Film Club (MDFC) produced our 10th episode of the OPEN DOORS live web-cast. During the show, film students learned how film & television shows are cast. This episode of Open Doors brought you behind the scenes, long before the cameras are rolling, for an inside look at how professional films and television shows are cast. How has technology changed the way projects are cast? What is SAG-AFTRA? How does a film student find background for a nonunion film or television? Are there non-union casting networks? Why should film students hire professional actors versus friends/family? All these questions and more were answered by professional casting agents. The series, videotaped before a live studio audience in the BCC TV Studio, is produced entirely by student members of the BCC Media and Digital Film Club. The show, which live-streams and is archived on the NYFTSA YouTube channel, was created in 2016 to give film students around the state invaluable film industry access and advice. The show featured three guests from three different casting agencies. Professor Jeffrey Wisotsky, Faculty Advisor for the MDFC Club, served as moderator for the show. Allison Hall worked as a print booking agent in South Florida for (From left to right) Professor Jeffrey Wisotsky; Allison Hall, Casting Director at five years at Boca Talent and Modeling Agency. -
December 4, 2020 Check Your Local TV Listings to Find the Channel for Your Local PBS Station
Program Grid • November 2 - December 4, 2020 Check your local TV listings to find the channel for your local PBS station. Working with the Pennsylvania Department of Education, we have created Learning at Home, your connection to thousands of hours of educational and entertaining programs, videos, activities and games to support you. As part of Learning at Home, your seven PBS stations across the state (collectively known as Pennsylvania PBS) are providing on-air broadcasts of educational programs to supplement your distance learning. Programming is aligned by grade bands, and color-coded by PBS KIDS Learning Goals (listed on the back) so that you can easily find the program that's right for your child/student. The links underneath each program provide access to supplemental learning materials related to the program (an internet connection is required to access the links). Grade MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY Bands November 2, 2020 November 3, 2020 November 4, 2020 November 5, 2020 November 6, 2020 Daniel Tiger’s Daniel Tiger’s Neighborhood Daniel Tiger’s Neighborhood Daniel Tiger’s Neighborhood Neighborhood Daniel Tiger’s Neighborhood Daniel’s Happy Song/Prince 10:00am The Family Campout/A Game Daniel Makes a Daniel Does Gymnastics/The Play Pretend/Super Daniel! Wednesday’s Happy Night for Everyone Mistake/Baking Mistakes Big Slide Birthday Elinor Wonders Why Elinor Wonders Why Elinor Wonders Why Elinor Wonders Why Elinor Wonders Why 10:30am Make Music Naturally/Light The Tomato Drop/Look What Make Music Naturally/Light -
2020 Emmy Nominees for Main Title Design, Music
2020 Emmy Nominees for Main Title Design, Music 07.30.2020 In the so-called Golden Age of television, main titles elevated into an art form all their own, with the opening sequences for shows such as Mad Men, The Sopranos and Game of Thrones all becoming iconic in their own right. Today, it's important for shows to have distinctive main titles as they work to grab notice in a very crowded TV landscape. In 2020, the TV Academy nominated seven opening title sequences for outstanding main title design-with four of them created by agency Elastic-and another six for outstanding main title theme music. The sequences, where available, are below. And the nominees for outstanding main title design are: Outstanding Main Title Design Netflix's Abstract: The Art Of Design A RadicalMedia Production in association with Tremolo Productions & Godfrey Dadich Partners Below is the opening title sequence for the first episode of season two, which aired in 2019. This series, which premiered in 2017, offers a different sequence for each episode and each of these sequences is in the style of the designer featured in the episode. Creative Director: Allie Fisher Animator/Director: Anthony Zazzi Amazon Prime Video's Carnival Row Produced by Legendary Pictures TV and Amazon Studios This fantastical main-title sequence perfectly captures the vibe of this series, about a world in which magical creatures cohabitate with human beings, although not without strife. RELATED: Fantastical Creatures Populate Amazon's 'Carnival Row' Agency: Elastic Creative Director: Lisa Bolan Art Director: Henry DeLeon, Mert Kizilay Designer: Kaya Thomas Animator/Compositor: Yongsub Song Animator: Alex Silver Epix's Godfather Of Harlem Produced by ABC Signature Studios This sequence takes viewers on a mixed-media tour through Harlem scored with uplifting choral music. -
30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom
30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom Katrin Horn When the sitcom 30 Rock first aired in 2006 on NBC, the odds were against a renewal for a second season. Not only was it pitched against another new show with the same “behind the scenes”-idea, namely the drama series Studio 60 on the Sunset Strip. 30 Rock’s often absurd storylines, obscure references, quick- witted dialogues, and fast-paced punch lines furthermore did not make for easy consumption, and thus the show failed to attract a sizeable amount of viewers. While Studio 60 on the Sunset Strip did not become an instant success either, it still did comparatively well in the Nielson ratings and had the additional advantage of being a drama series produced by a household name, Aaron Sorkin1 of The West Wing (NBC, 1999-2006) fame, at a time when high-quality prime-time drama shows were dominating fan and critical debates about TV. Still, in a rather surprising programming decision NBC cancelled the drama series, renewed the comedy instead and later incorporated 30 Rock into its Thursday night line-up2 called “Comedy Night Done Right.”3 Here the show has been aired between other single-camera-comedy shows which, like 30 Rock, 1 | Aaron Sorkin has aEntwurf short cameo in “Plan B” (S5E18), in which he meets Liz Lemon as they both apply for the same writing job: Liz: Do I know you? Aaron: You know my work. Walk with me. I’m Aaron Sorkin. The West Wing, A Few Good Men, The Social Network. -
FAMILY GUY “The Glenn Beck Quagmire”
FAMILY GUY “The Glenn Beck Quagmire” Written by Marcos Luevanos Marcos Luevanos (626) 485-2140 [email protected] ACT ONE EXT./ESTAB. GRIFFINS’ HOUSE - DAY INT. GRIFFINS’ LIVING ROOM - SAME PETER blasts an air horn. PETER (CALLING UPSTAIRS) Hurry it up you guys! The world and I have waited long enough for “Pretty Woman 2: Reality Sets In.” INT. SUBURBAN HOME - MORNING (CUTAWAY) A sloppily dressed RICHARD GERE yells at a crying JULIA ROBERTS. TWO CHILDREN observe from the staircase. RICHARD GERE I’m not getting what the problem is. You knew I slept with hookers when you married me. (SCOFFS) That’s how we met! INT. GRIFFINS’ LIVING ROOM - DAY (BACK TO SCENE) The doorbell rings. Peter opens it to reveal an incredibly ill QUAGMIRE. PETER Hey Quagmire! (DISGUSTED) Whoa, you look worse than Lindsay Lohan in a well-lit room. FAMILY GUY - "The Glenn Beck Quagmire" 2. QUAGMIRE That bad, huh? I have an appointment at the free clinic but I can’t seem to, you know, see. Would you be able to give me a ride to the doctor? PETER Sure thing. I was running low on free condoms anyway. (CALLING UPSTAIRS) Hey slowpokes, eighty-six the movie, I’m taking Quagmire to get his junk checked out. LOIS (O.S.) What? PETER (CALLING UPSTAIRS) I said, I’m taking Quagmire to get his junk checked out. (NORMAL, TO QUAGMIRE) It is your junk, right? QUAGMIRE Right. PETER (CALLING UPSTAIRS) Yeah, it’s his junk. Quagmire smacks his forehead. FAMILY GUY - "The Glenn Beck Quagmire" 3. -
Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak
Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak. by Rose Ann Ko2inski Thesis presented as a partial requirement in the Master of Arts (M.A.) in Human Development School of Graduate Studies Laurentian University Sudbury, Ontario © Rose Ann Kozinski, 2009 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 OttawaONK1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-57666-3 Our file Notre reference ISBN: 978-0-494-57666-3 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
Junior Mints and Their Bigger Than Bite-Size Role in Complicating Product Placement Assumptions
Salve Regina University Digital Commons @ Salve Regina Pell Scholars and Senior Theses Salve's Dissertations and Theses 5-2010 Junior Mints and Their Bigger Than Bite-Size Role in Complicating Product Placement Assumptions Stephanie Savage Salve Regina University, [email protected] Follow this and additional works at: https://digitalcommons.salve.edu/pell_theses Part of the Advertising and Promotion Management Commons, and the Marketing Commons Savage, Stephanie, "Junior Mints and Their Bigger Than Bite-Size Role in Complicating Product Placement Assumptions" (2010). Pell Scholars and Senior Theses. 54. https://digitalcommons.salve.edu/pell_theses/54 This Article is brought to you for free and open access by the Salve's Dissertations and Theses at Digital Commons @ Salve Regina. It has been accepted for inclusion in Pell Scholars and Senior Theses by an authorized administrator of Digital Commons @ Salve Regina. For more information, please contact [email protected]. Savage 1 “Who’s gonna turn down a Junior Mint? It’s chocolate, it’s peppermint ─it’s delicious!” While this may sound like your typical television commercial, you can thank Jerry Seinfeld and his butter fingers for what is actually one of the most renowned lines in television history. As part of a 1993 episode of Seinfeld , subsequently known as “The Junior Mint,” these infamous words have certainly gained a bit more attention than the show’s writers had originally bargained for. In fact, those of you who were annoyed by last year’s focus on a McDonald’s McFlurry on NBC’s 30 Rock may want to take up your beef with Seinfeld’s producers for supposedly showing marketers the way to the future ("Brand Practice: Product Integration Is as Old as Hollywood Itself"). -
TV Listings Aug21-28
SATURDAY EVENING AUGUST 21, 2021 B’CAST SPECTRUM 7 PM 7:30 8 PM 8:30 9 PM 9:30 10 PM 10:30 11 PM 11:30 12 AM 12:30 1 AM 2 2Stand Up to Cancer (N) NCIS: New Orleans ’ 48 Hours ’ CBS 2 News at 10PM Retire NCIS ’ NCIS: New Orleans ’ 4 83 Stand Up to Cancer (N) America’s Got Talent “Quarterfinals 1” ’ News (:29) Saturday Night Live ’ Grace Paid Prog. ThisMinute 5 5Stand Up to Cancer (N) America’s Got Talent “Quarterfinals 1” ’ News (:29) Saturday Night Live ’ 1st Look In Touch Hollywood 6 6Stand Up to Cancer (N) Hell’s Kitchen ’ FOX 6 News at 9 (N) News (:35) Game of Talents (:35) TMZ ’ (:35) Extra (N) ’ 7 7Stand Up to Cancer (N) Shark Tank ’ The Good Doctor ’ News at 10pm Castle ’ Castle ’ Paid Prog. 9 9MLS Soccer Chicago Fire FC at Orlando City SC. Weekend News WGN News GN Sports Two Men Two Men Mom ’ Mom ’ Mom ’ 9.2 986 Hazel Hazel Jeannie Jeannie Bewitched Bewitched That Girl That Girl McHale McHale Burns Burns Benny 10 10 Lawrence Welk’s TV Great Performances ’ This Land Is Your Land (My Music) Bee Gees: One Night Only ’ Agatha and Murders 11 Father Brown ’ Shakespeare Death in Paradise ’ Professor T Unforgotten Rick Steves: The Alps ’ 12 12 Stand Up to Cancer (N) Shark Tank ’ The Good Doctor ’ News Big 12 Sp Entertainment Tonight (12:05) Nightwatch ’ Forensic 18 18 FamFeud FamFeud Goldbergs Goldbergs Polka! Polka! Polka! Last Man Last Man King King Funny You Funny You Skin Care 24 24 High School Football Ring of Honor Wrestling World Poker Tour Game Time World 414 Video Spotlight Music 26 WNBA Basketball: Lynx at Sky Family Guy Burgers Burgers Burgers Family Guy Family Guy Jokers Jokers ThisMinute 32 13 Stand Up to Cancer (N) Hell’s Kitchen ’ News Flannery Game of Talents ’ Bensinger TMZ (N) ’ PiYo Wor. -
Which Seinfeld Character Are You?
EPISODE 181: THE BUSINESS DEVELOPMENT MEETING WHICHWHICH SEINFELDSEINFELD CHARACTERCHARACTER AREARE YOU?YOU? In our business dealings, we are often guilty of just not listening. We come to the table with an agenda—a new product, a new service—and wait while a prospect or existing client tells us what’s going on with his or her business. At some point, that person will pause—and we pounce with our spiel. This approach rarely works - successful business development requires some level of rapport and relationship building. As in all aspects of life, this can mean dealing with those who may not share your views or approach. In order to adapt quickly and improvise in these instances, it’s helpful to understand people’s communication and personality styles. There are a number of tests that can help us understand the personality and communication styles of others, including the popular DISC model. This model has four quadrants: dominance, influence, steadiness, and conscientiousness. Influence and steadiness are on the right side of the brain, and dominance and conscientiousness are on the left side. Understanding someone’s dominant quadrant can help you find a way to work more effectively with them. UNDERSTANDING WHAT SEINFELD YOUR SITCOM CAST Now that you understand where you fall QUADRANT ARE YOU? within the quadrants, you can begin to think about how to work and respond to any cast of characters you may come I’ll let you in on an interesting tidbit, successful sitcoms often across. Friction will naturally arise include a character from each of the following quadrants, because these are people with opposite because the resulting friction tends to be funny. -
SENIOR PROM, REDEFINED Products and Others Reported Ing
DEALS OF THE $DAY$ PG. 3 SATURDAY, SEPTEMBER 28, 2019 DEALS SaugusOF THE Guilty verdict in $DAY$ Peabody double-murder seesPG. 3 a By Thomas Grillo Assistant Dis- ITEM STAFF trict Attorney teachable Kate MacDou- SALEM — It took an Essex County Superior Court jury less than three hours gall shows the DEALS to convict a man in a grisly Peabody double murder case. shotgun used momentOF THE Wes Doughty, 42, faces life without the possibility of parole when he is sen- to kill Mark tenced Monday. Prosecutors convinced the panel that the Peabody man shot Greenlaw as she Mark Greenlaw, 37, execution-style, and then stabbed his ancee, Jennifer $ $ gives closing DAY O’Connor, 40, to death at a Farm Avenue crack house in 2017. in vaping arguments for PG. 3 “The verdict cannot bring them back,” said Essex County District Attorney Jonathan Blodgett in a tweet. “May their loved ones nd some peace in it.” the prosecu- In closing arguments Friday, Assistant District Attorney Kate MacDougall tion to the jury deaths held the shotgun used to kill Greenlaw and provided the 12-person jury with in the trial of Wes Doughty, By Bridget Turcotte graphic details of the crime. ITEM STAFF “He went downstairs with a revolver, but once there he switched to a shotgun who was found DEALS … because of how much bigger Mark Greenlaw was … and realized he needed guilty in the SAUGUS OF— Saugus THE wants a bigger gun to take down a bigger man,” MacDougall said. “He shot him at double-murder. to add the dangers of vaping to close range, in between the eyes, and shattered the bones in his face. -
As Writers of Film and Television and Members of the Writers Guild Of
July 20, 2021 As writers of film and television and members of the Writers Guild of America, East and Writers Guild of America West, we understand the critical importance of a union contract. We are proud to stand in support of the editorial staff at MSNBC who have chosen to organize with the Writers Guild of America, East. We welcome you to the Guild and the labor movement. We encourage everyone to vote YES in the upcoming election so you can get to the bargaining table to have a say in your future. We work in scripted television and film, including many projects produced by NBC Universal. Through our union membership we have been able to negotiate fair compensation, excellent benefits, and basic fairness at work—all of which are enshrined in our union contract. We are ready to support you in your effort to do the same. We’re all in this together. Vote Union YES! In solidarity and support, Megan Abbott (THE DEUCE) John Aboud (HOME ECONOMICS) Daniel Abraham (THE EXPANSE) David Abramowitz (CAGNEY AND LACEY; HIGHLANDER; DAUGHTER OF THE STREETS) Jay Abramowitz (FULL HOUSE; MR. BELVEDERE; THE PARKERS) Gayle Abrams (FASIER; GILMORE GIRLS; 8 SIMPLE RULES) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEEPER) Peter Ackerman (THINGS YOU SHOULDN'T SAY PAST MIDNIGHT; ICE AGE; THE AMERICANS) Joan Ackermann (ARLISS) 1 Ilunga Adell (SANFORD & SON; WATCH YOUR MOUTH; MY BROTHER & ME) Dayo Adesokan (SUPERSTORE; YOUNG & HUNGRY; DOWNWARD DOG) Jonathan Adler (THE TONIGHT SHOW STARRING JIMMY FALLON) Erik Agard (THE CHASE) Zaike Airey (SWEET TOOTH) Rory Albanese (THE DAILY SHOW WITH JON STEWART; THE NIGHTLY SHOW WITH LARRY WILMORE) Chris Albers (LATE NIGHT WITH CONAN O'BRIEN; BORGIA) Lisa Albert (MAD MEN; HALT AND CATCH FIRE; UNREAL) Jerome Albrecht (THE LOVE BOAT) Georgianna Aldaco (MIRACLE WORKERS) Robert Alden (STREETWALKIN') Richard Alfieri (SIX DANCE LESSONS IN SIX WEEKS) Stephanie Allain (DEAR WHITE PEOPLE) A.C.