Curatorial Records, 1963-1991
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The American Federation of Arts Nov 171954 NEW YOHK HEADQUARTERS: 1083 Fifth Avenue, New York 28, N
The American Federation of Arts Nov 171954 NEW YOHK HEADQUARTERS: 1083 Fifth Avenue, New York 28, N. Y. • SAcramento 2-2452 DIBEffiTPR MEMORANDUM November 15, 195^ TO; Officers and Trustees of The American Federation of Arts FROMs Wynn Povers In order to file our registration statement as a charitable organization which is now required by the State of New York, it is necessary to receive the consent of each person whose name appears on our letterhead and other promotion material for the use of his name. This is merely a technicality, but we are required to have these "consent forms" in our files. For your information the following is the text of Section k&3 of the Soc ial Welfare Lav. "S U83. Unauthorized use of names when soliciting or collecting contrib utions . 1. No nerson, vho is required to register, pursuant to sections four hun dred eighty-two, four hundred eighty-tvo-f or four hundred eighty-tvo-h of this article, shall use the name of any other person for the purpose of soliciting contributions from persons in this state, vithout the written consent of such other person. 2. A person shall be deemed to have used the name of another person for the purpose of soliciting contributions if such latter person's name is listed on any stationery, advertisement, brochure or correspondence of the charitable organization or his name is listed or referred to as one vho has contributed to, sponsored, or endorsed the charitable organization or its activities. 3. A violation of this section shall be a misdemeanor." Will you please complete this form at your earliest convenience and return f<S it to us In the enclosed envelope. -
About Henry Street Settlement
TO BENEFIT Henry Street Settlement ORGANIZED BY Art Dealers Association of America March 1– 5, Gala Preview February 28 FOUNDED 1962 Park Avenue Armory at 67th Street, New York City MEDIA MATERIALS Lead sponsoring partner of The Art Show The ADAA Announces Program Highlights at the 2017 Edition of The Art Show ART DEALERS ASSOCIATION OF AMERICA 205 Lexington Avenue, Suite #901 New York, NY 10016 [email protected] www.artdealers.org tel: 212.488.5550 fax: 646.688.6809 Images (left to right): Scott Olson, Untitled (2016), courtesy James Cohan; Larry Bell with Untitled (Wedge) at GE Headquarters, Fairfield, CT in 1984, courtesy Anthony Meier Fine Arts; George Inness, A June Day (1881), courtesy Thomas Colville Fine Art. #TheArtShowNYC Program Features Keynote Event with Museum and Cultural Leaders from across the U.S., a Silent Bidding Sale of an Alexander Calder Sculpture to Benefit the ADAA Foundation, and the Annual Art Show Gala Preview to Benefit Henry Street Settlement ADAA Member Galleries Will Present Ambitious Solo Exhibitions, Group Shows, and New Works at The Art Show, March 1–5, 2017 To download hi-res images of highlights of The Art Show, visit http://bit.ly/2kSTTPW New York, January 25, 2017—The Art Dealers Association of America (ADAA) today announced additional program highlights of the 2017 edition of The Art Show. The nation’s most respected and longest-running art fair will take place on March 1-5, 2017, at the Park Avenue Armory in New York, with a Gala Preview on February 28 to benefit Henry Street Settlement. -
The Pennsylvania Academy of the Fine Arts
THE PENNSYLVANIA ACADEMY OF THE FINE ARTS BROAD AND CHERRY 5T5. • PHILADELPHIA 153rd ANNUAL REPORT 1958 Cover: The Fish House Door by John F. Peto Collection Fund Purchase 1958 the One-Hundred and Fifty-third Annual Report of THE PENNSYLVANIA ACADEMY OF THE FINE ARTS FOR THE YEAR 1958 Presented to the Meeting of the Stockholders of the Academy on February 2, 1959 OFFICERS John F. Lewis, Jr. President, 1949-0ctober, 1958 Henry S. Drinker Vice-Pres., 1933-0ctober, 1958; President, October, 1958- C. Newbold Taylor . Treasurer Joseph T. Fraser, Jr. Director and Secretary BOARD OF DIRECTORS Mrs. Leonard T. Beale Arthur C. Kaufmann Howard C. Petersen Mrs. Richardson Dilworth* John F. Lewis, Jr. George B. Roberts Henry S. Drinker James P. Magill Raymond A. Speiser David Gwinn Fredric R. Mann* John Stewart George Harding* Sydney E. Martin C. Newbold Taylor Frank T. Howard Mrs. Herbert C. Morris Mrs. Elias Wolf* R. Sturgis Ingersoll George P. Orr** Sydney L. Wright * Ex-officio Alfred Zantzinger **Resigned Sept_ 1958 STANDING COMMITTEES COMM ITT EE ON COLL EC TI ONS AND EX HI BITIONS George B. Roberts, Chairman Mrs. Leonard T. Beale R. Sturgis Ingersoll Alfred Zantzinger CO MM ITTEE O N FIN AN CE C. Newbold Taylor Chairman James P. Magill John Stewart COMM ITTEE ON IN ST RU CTION James P. Magill, Chairman Mrs. Leonard T. Beale Mrs. Richardson Dilworth David Gwinn Mrs. Elias Wolf SOLICITOR Maurice B. Saul WOMEN'S COMMITTEE Mrs. Hart McMichael . Chairman to May, 1958 Mrs. Elias Wolf . Chairman, May, 1958- Mrs. George B. Roberts Corresponding Secretary-Treasurer Mrs. -
Curriculum Vitae
JOHN NEWMAN 1952 Born in Flushing, New York Currently lives and works in New York City Education: 1975 M.F.A., Yale School of Art 1973 B.A., Oberlin College 1972 Independent Study Program, Whitney Museum of American Art, NY Solo Exhibitions: 2016 “John Newman: Making A Case For Sculpture”, 200 Fifth Avenue, NY “Spoonfuls”, Tibor de Nagy Gallery, NY “Possible in Principle”, The Beeler Gallery, CCAD, Columbus, OH 2014 “Fit”, Tibor de Nagy Gallery, NY 2013 “Everything is on the Table”, Jaffe-Friede Gallery, Dartmouth College, Hanover, New Hampshire 2012 Tibor de Nagy Gallery, NY 2010 Texas Gallery, Houston, Texas 2009 “Instruments of Argument”, New York Studio School Gallery 2007 Sarah Moody Gallery of Art, University of Alabama, Tuscaloosa (catalogue) 2006 Byron Cohen Gallery, Kansas City 2005 “Monkey Wrenches and Household Saints”, Clifford Gallery, Colgate University (catalogue) 2003 Von Lintel Gallery, New York “Disguise the Limits”, The Handworkshop, Richmond, Virginia 2001 “HOMESPUN”, Von Lintel & Nusser, New York (catalogue) GrandArts, Kansas City (catalogue) 1999 Contemporary Art Gallery, Ahmedabad, India Amherst College, Amherst, Massachusetts 1998 Grounds for Sculpture, Johnson Atelier, Mercerville, New Jersey 1997 Galerie Fred Jahn, Munich 1996 Jason McCoy Inc., New York (catalogue) Bobbie Greenfield Gallery, Los Angeles Fay Gold Gallery, Atlanta 1995 Jason McCoy Inc., New York Tyler Graphics, Mt. Kisco, NY (catalogue) 1994 Nolan/Eckman Gallery, New York Jan Abrams Gallery, Los Angeles “Selected Editions,” Betsy Senior Gallery, New York 1993 “John Newman: Sculpture and Works on Paper,” Ft. Wayne Museum of Art, Ft. Wayne, IN; Arkansas Art Center, Little Rock (catalogue) Gerald Peters Gallery, Dallas 1992 Barbara Mathes Gallery, New York Ronald Greenberg Gallery, St. -
Brochure (Page 6)
MEL KENDRICK 1 RE: ASSEMBLE Mel Kendrick makes art that explores the to assume their newly defined roles act of making and remaking, and the ideas in an expansive, spirited vocabulary of that evolve in this simple yet sophisticated constructing. pursuit. For over thirty years, a continuing Kendrick’s career began in New York commitment to investigating process has during the early seventies, at a time when motivated him to cut, saw, drill, mark, color, the aesthetics of minimalist and conceptual fasten, stack, prop, cast, and otherwise art dominated the classrooms, studios, and re-imagine his primary material of wood, galleries. Looking back, he has called taking apart and reassembling its volumes minimalism a “ground zero,” wiping clean and surfaces so that the resulting works the slate for sculpture, and all art, to begin reveal—and revel in—the very activity of anew.1 Yet from his initial exposure to their reconfiguration. The self-reflexive minimalism’s cerebral and formal rigor, nature of Kendrick’s creative approach, Kendrick has retained a concern for systems Black Square, 1991 far from leading to its own limitations, and logic, an enthusiasm for setting up a poplar, lamp black has produced a seemingly endless capacity visual problem and defining the parameters 44 1/2 x 30 x 22 inches for variety and richness within the within which to engage it (though not development of his sculpture. Ideas and necessarily to resolve it) that reflects as well but no less importantly with an expectant, forms established in earlier works reappear the artist’s ongoing affinity for geometry and energetic sense of discovery and years later, transformed yet recognizable, mathematics.2 With a measured precision, improvisation, Kendrick makes an object. -
USDI/NPS NRHP Registration Form Atalaya and Brookgreen Gardens Page #1 *********** (Rev
USDI/NPS NRHP Registration Form Atalaya and Brookgreen Gardens Page #1 *********** (Rev. 8-86) United States Department of the Interior National Park Service NATIONAL REGISTER OF HISTORIC PLACES REGISTRATION FORM NATIONAL HISTORIC LANDMARK NOMINATION FORM 1. Name of Property historic name: Atalaya and Brookgreen Gardens other name/site number: 2. Location street & number: U.S. Highway 17 not for publication: N/A city/town: Murrells Inlet vicinity: X state: SC county: Georgetown code: 043 zip code: 29576 3. Classification Ownership of Property: private Category of Property: district Number of Resources within Property: Contributing Noncontributing _10_ buildings _1_ sites _5_ structures _0_ objects 16 Total Number of contributing resources previously listed in the National Register: 9 Name of related multiple property listing: N/A USDI/NPS NRHP Registration Form Atalaya and Brookgreen Gardens Page #2 4. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act of 1986, as amended, I hereby certify that this ___ nomination ___ req'uest for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property ___ meets ___ does not meet the National Register Criteria. __ See continuation sheet. Signature of certifying official Date State or Federal agency and bureau In my opinion, the property ___ meets ___ does not meet the National Register criteria. __ See continuation sheet. Signature of commenting or other official Date State or Federal agency and bureau 5. National Park Service Certification I, hereby certify that this property is: entered in the National Register __ See continuation sheet. -
The NYSIF Centurynysif Century
100AnnvBook140701final_Layout 1 8/22/14 8:48 AM Page i TheThe NYSIF CenturyNYSIF Century New York State Insurance Fund Andrew M. Cuomo, Governor Kenneth R. Theobalds, Chairman Eric Madoff, Executive Director 100AnnvBook140701final_Layout 1 8/22/14 8:48 AM Page ii Table of Contents 48 6 6 1 Origins 11 Messages “They did not die in vain, and we will 4 never forget them.” Commissioners NYSIF Today 10 An Inspiring Talk and Horse Sense 13 11 Fathers of State Fund 14 ‘Ms. State Fund’ 16 The NYSIF Century The Insurer That Cares 17 “The spirit of the State Insurance Fund The War Years 20 always has been and always will be the Spirit of Service.” NYSIF’s Edifice 22 Partners In Safety 27 A Public Service 28 Information Technology 30 48 Confidential Investigations 36 NYSIF People Safety Groups 46 “Like all great institutions, it’s the people who make NYSIF special.” Why Like NYSIF? 60 The NYSIF Century is a 2014 publication of the New York State Insurance Fund: Andrew M. Cuomo, Governor; Kenneth R. Theobalds, Chairman; Eric Madoff, Executive Director. Produced by the Media & Publications Office, 199 Church Street, New York, NY, 10007. John Mesagno, Editor-in-Chief; Media & Publications staff: Guillermo Blanco, Gayle Fullerton, Linda Grant, Lee Harris, Michele Sisak, Emanuel Terrell. Also available at nysif.com in digital format. All rights reserved. 100AnnvBook140701final_Layout 1 8/22/14 8:48 AM Page 1 From the Governor ongratulations to the New York State Insurance Fund on its 100th C anniversary. Since 1914, the Fund has been a pioneer in workers’ compensation insurance in America and has supplied uninterrupted insurance for more employers, claimants and beneficiaries than any other workers’ compensation carrier in New York State. -
Art Curriculum Guide. Secondary School. INSTITUTION Bloomington Public Schools, Minn
DOCUMENT RESUME ED 051 150 SP 007 200 AUTHOR Pensinger, Carolyn J.; And Others TITLE Art Curriculum Guide. Secondary School. INSTITUTION Bloomington Public Schools, Minn. PUB DATE 68 NGTE 331p. EVES PRICE EDRS Price MF-$0.65 HC-$13.16 DESCRIPTORS *Art Appreciation, *Art Education, *Art products, *Curriculum Guides, Grade 7, Grade 8, Grade 9, Grade 10, Grade 11, Grade 12, *Secondary Grades ABSTRACT GRADES OR AGES: Grades 7-12. SUBJECT NATTER: Art. OR3i3IZATION AND PHYSICAL APPEARANCE: The guide is divided into 17 chapters in either straight text or list form, illustrated with examples of student art products. It is mimeographed and spiral bound with a paper cover. OBJECTIVES AND ACTIVITIES: A philosophy of art education and related general and specific objectiven are oatlinee in the first three chaptsts. The remainder of the guide contains scope and sequence charts, outlines for the course of study at junior high and senior high school levels, several suggested lesson plans for each grade level, and detailed descriptions of suggested activities in various areas of art. These areas are divided into two categories: . 1) major areas, 10.ich include drawing, printmaking, painting, and three- dimensional .,.sign, and 2)related areas, which include artistic crafts, pottery, and commercial art. Suggestions for field trips, exhibitions of student products, and an outline for a course in art appreciation are also included. INSTRUCTIONAL MATERIALS: Materials needed for an activity are listel with the activity description. In addition the guide contains extensive lists of materials and suppliers, locabulary lists, biographies of artists, and a 10-page bibliography of books and journals. -
Sol Lewitt Biography
SOL LEWITT BIOGRAPHY BORN 1928-2007, Hartford, CT SELECTED SOLO EXHIBITIONS 2018 By Hand: Sol LeWitt; The Mattatuck Museum; Waterbury, CT Sol LeWitt Wall Drawings: Expanding a Legacy; Yale University Art Gallery; New Haven, CT Sol LeWitt: Between the Lines; Fondazione Carriero; Milan, Italy Sol LeWitt: Progression Towers ; Miami Design District & Institute of Contemporary Art; Miami, FL Sol LeWitt; Honor Fraser; Los Angeles, CA Sol LeWitt: 1 + 1 = 1 Million; Vito Schnabel Gallery; St. Moritz, Switzerland Sol LeWitt: Large Gouaches; Paula Cooper Gallery; New York, NY 2016 Sol LeWitt; Paula Cooper Gallery; New York, NY Sol LeWitt; Cardi Gallery; Milan, Italy Sol LeWitt: Seven Weeks, Seven Wall Drawings; Barbara Krakow Gallery; Boston, MA 2015 Soll LeWitt in Connecticut; James Barron; Kent, CT Sol LeWitt: 17 Wall Drawings 1970-2015; Fundacion Botin; Santander, Spain Sol LeWitt; Noire Gallery; Cappella del Brichetto, San Sebastiano, Italy Sol LeWitt: Wall Drawings, Grids on Color; Konrad Fischer Galerie; Dusseldorf, Germany Sol LeWitt: Wall Drawings, Grids on Black and White; Konrad Fischer Galerie; Berlin, Germany Sol LeWitt: Structures & Related Works on Paper 1968-2005; Barbara Krakow Gallery; Boston, MA Sol LeWitt: 40 Years at Annemarie Verna Gallery Part I; Annemarie Verna; Zurich, Switzerland Sol LeWitt; GalerÃa Elvira González; Madrid, Spain 2014 Sol LeWitt: Creating Place; Asheville Art Museum; Asheville, NC Sol LeWitt: Wall Drawing #370; The Metropolitan Museum of Art; New York, NY Sol LeWitt: Your Mind is Exactly at that Line; Art Gallery of New South Wales; Sydney, Australia Sol LeWitt: Prints; Pace Prints; New York, NY Sol LeWitt: Horizontal Progressions; Pace Gallery; New York, NY 2013 Sol LeWitt: Cut Torn Folded Ripped; James Cohan Gallery; New York, NY Sol LeWitt: Shaping Ideas; Laurie M. -
Contemporary American Painting and Sculpture
jLLINGiS LIBRARY AT URBAI-JA-CHAf'iSPAlGN ARCHITECTURE RIOHER LWHARY AW;HITKTU«t UNIVERSITY OF ILUNOS MlnlnHim Fee lor NOnce: Return or renew all Ubrary Meterieltl The each Lost Book Is $50.00. The person charging this material is responsible for withdrawn its return to the library from which it was on or before the Latest Date stamped below. reasons for discipli- Theft, mutilation, and underlining ol books are University. nary action and may result in dismissal from the To renew call Telephone Center, 333-8400 UNIVERSITY OF ILLINOIS LIBRARY AT URBANA-CHAMPAIGN OCT f f f\UGZ jy^ 33? University of Illinois 7f'-^S^C^i^^t^ SECOND ALLEGORY -ri:'HC&IK/Cx,^*,' CONTEMPORARY University of Illinois, Urbana Sunday, March 1, through Sunday, April 12, 1953 Galleries, Architecture Building College of Fine and Applied Arts THE LiSrARY OF THE RltAtfi 1,\mA.J AhChllLCTURE MAR ^ 1953 uiiiVERSiTY OF ;m;;;c!3 Copyright 1 953 by the University of Illinois Manufactured in the United States of America RICHER LIBRARY ARCHITECTURE umvERSin OF iuinois CONTEMPORARY AMERICAN PAINTING AND SCULPTURE GEORGE D. STODDARD President of the University REXFORD NEWCOMB Dean, College of Fine and Applied Arts Chairman, Festival of Contemporary Arts N. Britsky E. C. Rac OPERATING COMMITTEE C. A. Dietemann A. S. Weller W. F. Doolittle L. M. Woodroofe J. D. Hogan C. V. Donovan, Chairman L. F. Bailey J. \V. Kennedy E. H. Betts J. H. G. Lynch A. A. Boatright M. B. Martin STAFF COMMITTEE MEMBERS C. E. Bradbury R. Perlman G. R. Bradshaw J. W. Raushenberger C. \V. -
Artists for Victory
THE METROPOLITAN MUSEUM UF ART Artists for Victory M Sxhibition of Contemporary American Art PAINTINGS SCULPTURE PRINTS SPONSORED BY ARTISTS FOR VICTORY, INC ARTISTS FOR VICTORY, INC. 101 PARK AVENUE, NEW YORK, N. Y. Includes the Following Artists' Organizations: ALLIED ARTISTS OF AMERICA ALUMNI ASSOCIATION OF THE AMERICAN ACADEMY IN ROME AMERICAN ABSTRACT ARTISTS AMERICAN INSTITUTE OF DECORATORS AMERICAN SOCIETY OF MINIATURE PAINTERS AMERICAN VETERANS SOCIETY OF ARTISTS AMERICAN WATER COLOR SOCIETY AN AMERICAN GROUP, INC. ARCHITECTURAL LEAGUE OF NEW YORK BOMB SHELL ARTISTS GROUP FEDERATION OF MODERN PAINTERS AND SCULPTORS LEAGUE OF AMERICAN ARTISTS MUNICIPAL ART SOCIETY OF NEW YORK NATIONAL ACADEMY OF DESIGN NATIONAL ASSOCIATION OF WOMEN ARTISTS NATIONAL SCULPTURE SOCIETY NATIONAL SOCIETY OF MURAL PAINTERS NEW YORK CHAPTER OF THE AMERICAN ARTISTS PROFESSIONAL LEAGUE NEW YORK CHAPTER OF THE AMERICAN INSTITUTE OF ARCHITECTS NEW YORK CHAPTER OF THE AMERICAN SOCIETY OF LANDSCAPE ARCHITECTS NEW YORK SOCIETY OF WOMEN ARTISTS PITTSBURGH ARTISTS FOR VICTORY SCULPTORS GUILD, INC. SOCIETY OF AMERICAN ETCHERS UNITED SCENIC ARTISTS THE METROPOLITAN MUSEUM OF ART Artists for Victory An Exhibition of Contemporary American Art SPONSORED BY ARTISTS FOR VICTORY, INC. NEW YORK, 1942 WO. \ FOREWORD HE present exhibition expresses a desire on the part of the Museum Tto proclaim its faith in the American artist during one of the most critical years in our history. We believed that the facilities of the Mu seum should be turned over to the artists to organize an exhibition as they themselves would want it done. Artists for Victory, Inc., the emergency wartime agency representing the twenty-three leading art societies in New York was asked to undertake the task. -
Contemporary American Painting and Sculpture
ILLINOIS LIBRARY AT URBANA-CHAMPAIGN ARnM!TFXTURE KIOMR LliiHAKY AKOHITKTUKfc UNiVEIWTY OF ILLINOIS NOTICE: Return or renew all Library Malerlalst The minimum Fee for each Lost Book is $50.00. The person charging this material is responsible for its return to the library from which it was withdrawn on or before the Latest Date stamped below. Theft, mutilation, and underlining of books are reasons for discipli- nary action and may result in dismissal from the University. To renew call Telephone Center, 333-8400 UNIVERSITY OF ILLINOIS LIBRARY AT URBANA-CHAMPAIGN L16I—O-1096 ' » • .( ij.^.'. / »f T»^ 'A^Vc^ * • ir* ;' I n'V', ii'.mM :"! ii'vi '' > ' i: 1 "i .m'i ;:[ ' iv/iv/,''ir' ',!.;' ill ! i;'M,'i)">'i>''; I I I'^i'iii' , I ji II, >,M]' i,,i,ii, I * l'.',, i ! I i M!, ,.ll;!;J!-!;'!li^:*^'(WrM''^ I 1 ' ' I •,''',•1 ' , ill'' I fe!(''::!:ifi!'yi§li''i'!''';iVM^ »ntemporary American Painting and Sculpture] niversity off Illinois . -i&Sv i; z^' ii^ THE LIBRARY OF THE FEB ,?4iS5G UNIVERSITY OF ILLINOIS c ^MTifn? Y-^.m ARCWTEcnwi oi .n oi. =4 CONTEMPORARY AMERICAN PAINTING AND SCULPTURE University of Illinois, Urbana Sunday, February 27, through Sunday, April 3, 1955 Galleries, Architecture Building Co//ege of Fine and Applied Arts THE LIBRARY OF THE IVIAR 1 1955 iiMi\fFe<:rrv nr iiiiNrii5$ Copyright 1955 by the University of Illinois Manufactured in the United States of America RICKFP 5-^>/ ,^r^^ tIRRARY ARCHITCCTU8E 7 UMVfcXS.IY OF lumois CONTEMPORARY AMERICAN PAINTING AND SCULPTURE LLOYD MOREY President of the University- ALLEN S.