Durable. Dependable. Desirable

Total Page:16

File Type:pdf, Size:1020Kb

Durable. Dependable. Desirable Spine to be adjusted by printer INDIA’S ENTERTAINMENT POWERHOUSE Annual Report 2013-14 TELEVISION: SCALING UP BY STRENGTHENING OUR PROGRAMMING LINE-UP MOVIES: LEVERAGING ON SUPERB PACKAGING, EFFECTIVE MARKETING AND SMART FINANCING EXPLORING DIVERSE GENRES AND CONTENT INNOVATION TO DRIVE GROWTH IN VIEWERSHIP Pg. 36 CATERING TO MASS world.com SENSIBILITIES THROUGH C-13, Balaji House, DIFFERENTIATED CONTENT Dalia Industrial Estate, Opposite Laxmi Industrial Estate, dickenson Pg. 44 New Link Road, Andheri (West) www. Mumbai - 400 053. DARING TO BE DIFFERENT THROUGH SHORT-FORMAT SHOWS, PRODUCT dickenson ADVERTISEMENTS AND EVENTS Pg. 48 www.balajitelefi lms.com EXPLORING NEW AVENUES AND PLATFORMS TO DURABLE. OPTIMALLY MONETISE CONTENT Pg. 50 DEPENDABLE. DESIRABLE. Spine to be adjusted by printer COST RATIONALISATION HAS NOW ALMOST BECOME A BIBLE WITHIN THE BALAJI HOUSE. WE ARE DOING EVERYTHING AT ROCK-BOTTOM COSTS. WE CONTINUE TO FOCUS ON OPTIMUM UTILISATION OF OUR PRODUCTION SETS, RESOURCES AND MANPOWER. OUR INFRASTRUCTURE IS BEING UTILISED MUCH BETTER AND WE ARE FULLY IN CONTROL FOR PRODUCTION OF OUR TV SHOWS AND MOVIES. WITH A SUPERIOR BUSINESS MODEL THAT ALLOWS STRADDLING IN BOTH TELEVISION AND FILM REALMS, BALAJI TELEFILMS IS A HIGHLY SUSTAINABLE AND DURABLE BUSINESS. URABLE. EPENDABLE. ESIRABLE. Diamonds are nothing more To start with, Diamonds were Next to a spirit of discernment, than carbon, but carbon in a only lumps of coal that stuck the rarest things in the world crystal lattice that makes it at it no matter how much are diamonds. The deep the hardest known mineral in heat or pressure they faced questions we seek answers nature. Balaji Telefilms Limited millions of years ago. The end to are diamonds one holds in too is just a clever weave result is the creation of a rare the light. If we study them a of ingenuity, creativity and piece of rock that is valuable lifetime, we can see different business acumen, that makes it and alluring forever. Since colours from the same a highly robust entertainment its beginning, Balaji too has jewel. Balaji’s Films business content company that few stuck to its core business of too is based on a spirit of can equal. With a superior producing highly differentiated creativity and cutting edge business model that allows the and trend setting television experimentation, radiating Company to straddle both the content, to the point where it multiple films of varied television and film realms, and has become the undisputed hues, genres and audience with a leadership position in industry leader. With years of sensibilities. Today, this business both, Balaji Telefilms is a highly learning and a forward thinking has matured to strongly place sustainable and DURABLE approach and planning, Balaji’s the Balaji brand in the upper business. Television business is today echelons of the industry. As highly DEPENDABLE, based on an engine fuelling its future a deep pipeline of programming top and bottom lines, on top with each GEC in the business. of an already stable television This bedrock business lends business, the films business the Company to have a highly makes Balaji an even more visible business stream that DESIRABLE company to work allows it the comfort of assured for, to partner with and to own value creation well into the as shareholders. near future. Annual Report 2013-14 1 CONTENTS ABOUT US The Genesis of Balaji Tele lms Limited ...................... 4 Vision & Values ........................................5 Balaji Tele lms Limited... A Ready Reckoner ................................ 6 Corporate Information ...................... 7 At a Glance ............................................... 7 Our Key Strategic Imperatives ...... 8 BUSINESS MANAGEMENT OVERVIEW DISCUSSION & ANALYSIS Chairman’s Letter ................................10 INDUSTRY REVIEW ................................................. 22 Managing Director’s Message ...................................................12 COMPANY OVERVIEW Joint Managing Our Television Business ................................... 28 Director’s Message .............................14 Serials Currently on Air ..............................................................30 Operational Highlights ....................16 Our Business Strategies and Financial Highlights ...........................17 Key Performance Areas in Television .................34 We are preserving what we’ve built Awards & Accolades..........................18 and scaling new heights by strengthening our programming line-up .....................34 Exploring diverse genres and content OUR innovation to drive growth in viewership ....................36 PEOPLE Our Movies Business ............................................. 38 Board of Directors ..............................20 Movies Released in FY2014 ....................................................40 Movies Released in FY2015 ....................................................43 Our Business Strategies and Key Performance Areas in Movies ......................44 Catering to mass sensibilities through differentiated content and a diverse movie slate .....44 We leverage on Superb Packaging, Effective Marketing and Smart Financing to increase our scale.............................46 Expanding the Basket ........................................... 48 Daring to be Different ................................................................48 New Avenues, New Platforms ...............................................50 Human Resources .................................................. 52 Leading Effective Change .......................................................52 Management Outlook ...............................................................54 DIRECTORS’ REPORT .............................................. 56 CORPORATE GOVERNANCE REPORT ..................62 2 Balaji Telefilms Limited WE HAVE ETCHED OUR NAME AS ONE OF THE LEADING ENTERTAINMENT HOUSES IN INDIA AND ARE RECOGNISED AS A MATURE AND SERIOUS FILMS PRODUCTION HOUSE TO RECKON WITH. FINANCIALS Standalone Financials Independent Auditors’ Report .............................................73 Balance Sheet ................................................................................76 Statement of Pro t and Loss ................................................77 Cash Flow Statement ................................................................78 Notes ...................................................................................................80 Consolidated Financials Independent Auditors’ Report .......................................... 101 Balance Sheet .............................................................................102 Statement of Pro t and Loss .............................................103 Cash Flow Statement .............................................................104 Notes ................................................................................................106 Statements Pursuant to Section 212 ............................127 Balaji Motion Pictures Limited Directors’ Report........................................................................128 Independent Auditors’ Report .......................................... 131 Balance Sheet .............................................................................134 Statement of Pro t and Loss .............................................135 Cash Flow Statement .............................................................136 Notes ................................................................................................137 BOLT Media Limited Directors’ Report........................................................................150 Independent Auditors’ Report ..........................................152 Balance Sheet .............................................................................154 Statement of Pro t and Loss .............................................155 Cash Flow Statement .............................................................156 Notes ................................................................................................157 AGM NOTICE ........................................................ 165 Annual Report 2013-14 3 THE OF BALAJI TELEFILMS LIMITED WE ARE A LEADING ENTERTAINMENT CONTENT HOUSE IN INDIA AND AN INTEGRATED PLAYER IN THE MEDIA AND ENTERTAINMENT INDUSTRY. Over the years, we have successfully In the TV business, we have an In the eld of motion pictures, we evolved from being a pure-play undisputed leadership and a strong are on the crest of a steep learning TV content provider, into one that presence in the Hindi and regional curve. Over the last three years, we consistently produces compelling GEC space. Leveraging the rich have established our credentials in content for both the small screen diversity of our audiences across producing niche, clutter-breaking, and the big screen. Recently, we have India, we have demonstrated a edge-of-the-seat content and further strengthened our capabilities pro cient ability in producing high- commercially successful lms. We across these dual delivery platforms by quality content in Hindi, Tamil, Telugu, make content that is spread across embracing the super high de nition Kannada, Malayalam and Bengali multiple genres and budgets. Going and digital platforms. Today, we are entertainment, across multiple forward, our key learnings from last successfully generating a diverse array genres. Our deep pipeline of long three years position us well to build of content that
Recommended publications
  • Bigg Boss Online Registration Form
    Bigg Boss Online Registration Form Thumping and symmetric Austin misappropriates her osselet aluminises teasingly or discants outrageously, is Derrol contractable? Inrushing Stacy never ageing so levelly or fricasseed any bibliophiles retail. Averill interdigitate preliminarily as dyspathetic Layton betroth her masseuses manage naively. Please smile throughout the united states where host is any show has been arrested from the participant must be hosted this now i need no Before you can be accepted, School Leaving Certificate, but had dropped the idea due to more pressing matters arising. Ham bahut garib Ghar se belong karte Hai hamara bhi Supna hai ki aap logon ke jaise banna hai hamara Koi pahchan nahin hai Ham bhi aap logon ke jaise pehchan banane jaate Hai. Promotional image of Snake engaging Gene is close quarters. Please big boss contestant is yet to find eva lied about real eva attempts to this in the home thing in the rules of bigg boss! You win the form submitted for bigg boss online registration form to prevent him as scapegoats for them on you will become a combat instructor and briefed him. It idle not required to send entries by both mechanism. Big four met Sigint during Operation Snake Eater, viewing her beloved only buy a mentor, the Boss deduced there was a crowd among the ranks of MSF. Yoji shinkawa art by step in order to interrogate paz and online incase you fill it will become one nominated for being aware of boss online then captain. And also know were to deal means other contestent. After being built on bigg boss registration form and registrations are able to further expanding msf.
    [Show full text]
  • AHLCON INTERNATIONAL SCHOOL ALL REGISTERED APPLICANTS CLASS - PRE SCHOOL for the SESSION 2021-22 S No Reg
    AHLCON INTERNATIONAL SCHOOL ALL REGISTERED APPLICANTS CLASS - PRE SCHOOL FOR THE SESSION 2021-22 S No Reg. Number Point Applicant Name Mother Name Father Name 1 AH50002 40 HARVINDER KAUR MRS. BAGGA KAUR 2 AH50003 35 SHIVANSH SHARMA MRS. VAKUL SHARMA Mr. ABHISHEK SHARMA 3 AH50005 50 NAIRA GUPTA MRS. JUHI GUPTA Mr. RAVI KRISHAN KUMAR GUPTA 4 AH50006 50 HUSSAIN NEWTON RIZVI DR. SANIA ZAHRA RIZVI Mr. HASSAN NEWTON RIZVI 5 AH50012 50 NITYA PANDEY MRS. SHUCHI PANDEY Mr. NITIN PANDEY 6 AH50008 30 GAVYA SHARMA MRS. GEETIKA SHARMA Mr. NIKHIL SHARMA 7 AH50007 50 ATHARV KUTHI MRS. PINKI RANA Mr. RAVINDER SINGH KUTHI 8 AH50016 55 DUM DUM Mr. ANITTAHA 9 AH50009 50 SAMAIRA KAPOOR MRS. SIMMI CHADHA Mr. ADITYA VIKRAM KAPOOR 10 AH50014 50 YUVAAN JAIN MS. ISHITA JAIN Mr. RITESH JAIN 11 AH50013 50 VIVAAN SABHARWAL DR. HIMANSHI SABHARWAL DR. GAGAN SABHARWAL 12 AH50011 50 KRIDHA MRS. LOVELY Mr. JAGMOHAN 13 AH50015 30 SHANAYA GOLCHHA MRS. SNEHA GOLCHHA Mr. SUYASH GOLCHHA 14 AH50022 50 SHANVI MRS. RICHA SHARMA Mr. SUNIL DUTT SHARMA 15 AH50027 50 ARADHHYA GUPTA DR. RITIKA GUPTA CA. ABHISHEK GUPTA 16 AH50017 45 PAARTH AGGARWAL MRS. SHEETAL AGGARWAL Mr. DEEPAK AGGARWAL 17 AH50019 30 AMYRA KAPOOR MRS. SHRUTI KAPOOR Mr. NITIN KAPOOR 18 AH50026 70 YANSH GUPTA MRS. RICHA GUPTA Mr. ARPIT GUPTA 19 AH50023 50 DIVISHA MEHRA MRS. PRERNA KARAN MEHRA Mr. KARAN MEHRA 20 AH50034 50 AAKARSHA MAHTO MRS. RAJNI Mr. RAJNIT KUMAR 21 AH50024 50 MANASHVI BANSAL MRS. REKHA AGARWAL Mr. PANKAJ KUMAR BANSAL 22 AH50032 45 RISHIV NIJHAWAN MRS.
    [Show full text]
  • Outcome-AGM-2016.Pdf
    Spine to be adjusted by printer C-13, Balaji House, Dalia Industrial Estate, Opposite Laxmi Industrial Estate, New Link Road, Andheri (West) Mumbai - 400 053. www.balajitelefilms.com world.com dickenson www. dickenson Spine to be adjusted by printer Spine to be adjusted by printer Spine to be adjusted by printer We are content innovators, creators and producers of unmatched credentials and long-standing success. We operate as a vertically integrated studio model, which allows us to create, distribute and monetise content, not only in ways that are best aligned with viewer preferences, but in ways in which we can capture the maximum value stream. With a focus on chasing quality growth, we continue to create gripping content – content that is relevant to As global viewership diverse sets of audiences and accessible across multiple platforms. continues to evolve, we have With geographical boundaries disappearing in the seamless world of the anticipated future trends and internet, we aim to make our content seamlessly available. Improvement in created new entertainment mobile broadband infrastructure, gradual reduction in cost of internet and paradigms. Today, we increase in smartphone screen sizes is driving consumer preferences. straddle across all the three The Subscription Video on Demand (SVOD) market in India is on the cusp distinct platforms through of a meteoric take-off. As Over The Top (OTT) video consumption continues which people consume to grow tremendously, we are leveraging our capabilities to create content entertainment – across platforms. Our motive is vertical integration across the value chain by Television, offering our own OTT services. We are making our delivery channels more closely aligned to the emerging needs and creating entertainment-on-the-go Movies and for our dynamic audiences.
    [Show full text]
  • Research Paper Impact Factor
    Research Paper IJBARR Impact Factor: 3.072 E- ISSN -2347-856X Peer Reviewed, Listed & Indexed ISSN -2348-0653 HISTORY OF INDIAN CINEMA Dr. B.P.Mahesh Chandra Guru * Dr.M.S.Sapna** M.Prabhudev*** Mr.M.Dileep Kumar**** * Professor, Dept. of Studies in Communication and Journalism, University of Mysore, Manasagangotri, Karnataka, India. **Assistant Professor, Department of Studies in Communication and Journalism, University of Mysore, Manasagangotri, Karnataka, India. ***Research Scholar, Department of Studies in Communication and Journalism, University of Mysore, Manasagangotri, Karnataka, India. ***RGNF Research Scholar, Department of Studies in Communication and Journalism, University of Mysore, Manasagangothri, Mysore-570006, Karnataka, India. Abstract The Lumiere brothers came over to India in 1896 and exhibited some films for the benefit of publics. D.G.Phalke is known as the founding father of Indian film industry. The first Indian talkie film Alam Ara was produced in 1931 by Ardeshir Irani. In the age of mooki films, about 1000 films were made in India. A new age of talkie films began in India in 1929. The decade of 1940s witnessed remarkable growth of Indian film industry. The Indian films grew well statistically and qualitatively in the post-independence period. In the decade of 1960s, Bollywood and regional films grew very well in the country because of the technological advancements and creative ventures. In the decade of 1970s, new experiments were conducted by the progressive film makers in India. In the decade of 1980s, the commercial films were produced in large number in order to entertain the masses and generate income. Television also gave a tough challenge to the film industry in the decade of 1990s.
    [Show full text]
  • Decisions Taken by BCCC
    ACTION BY BCCC ON COMPLAINTS RECEIVED FROM 16 APRIL 2014 TO 31 AUGUST 2017 S.NO Programme Channel Total Nature of Complaints Telecast date of the Action By BCCC Number of programme reviwed Complaints by BCCC Received A : SPECIFIC CONTENT RELATED COMPLAINTS A-1 : Specific Content related complaints Disposed 1 Crime Patrol Sony 3 Episode 09-05-2017: It is shown that a girl Asha gets trapped with a gang 09-05-2017 Episode 09-05-2017: BCCC viewed the episode and found that this crime- of human smugglers. She is sold to Bina from Rajasthan and to please her 01-08-2017 based show did not denigrate the child. The show came out with a positive clientele, both Indian and foreign, she starts giving her injections which will 07-08-2017 messaging and the depiction was not considered to be outlandish or lead to her body’s growth. Asha will start looking like a 14-15 years old girl. grotesque. The complaint was DISPOSED OF. It is shown that Asha has her periods and her dress is blood-stained. This Episode 01/08/17: BCCC viewed the episode and found that the mother is objectionable and it denigrates children. wanted to discipline her son by inflicting torture on her. In the process the child Episode 01-08-2017: It shows a child talking about how he got gifts from gets detached from the family members and runs away from the house. In the everyone when he was born and even now he get presents from everyone second story a seven-year-old sister is shown to murder her sibling who is two in the form of beatings.
    [Show full text]
  • Balaji Telefilms Limited
    Balaji Telefilms Limited Company Overview BSE Code 532382 Balaji Telefilms Limited is in Media & BSE Symbol BALAJITELE Entertainment sector and it is in film production, distribution & entertainment industry. BTL was Key Highlights incorporated in 1994 as a private limited Latest Date 17 Sept 2018 company and became listed in the year 2000. Latest Price (Rs.) 106.5 BTL produces Television serial content, Movies 52 Week High (Rs.) 181 and digital content. 52 week low (Rs.) 102 BTL has produced 18000 hours of Television Face Value (Rs.) 2 content since its inception. BTL has produced Market Cap. (Rs. in Cr.) 1112 some of the best television serials in the country Net Worth (Rs. in Cr.) 853 including the famous K series of daily soap: TTM EPS (Rs.) -4.61 ‘Kyunki Saas Bhi Kabhi Bahu Thi', ‘Kahani PE Ratio (x) 0 Ghar Ghar Ki' and more recently created ‘Naagin-1', ‘Naagin-2' a weekend fiction based PB Ratio (x) 1.34 programming. EV/ EBITDA (x) -31.01 Market Cap./ Sales (x) 3.19 Segment Summary Shareholding Pattern The company operates in 3 segments. Promoters 33% FII 18% 1. TV Serial Production DII 35% The backbone of the company is their TV serial Non-Institutional 14% production business. BTL is in this business from the incorporation of the company in 1994. The returns from the TV Business are steady because the company operates on a cost-plus model, whereby company adds profit to the whole cost of production and bill that to the broadcaster. 2. Movie Production The company started movie production in 2001.
    [Show full text]
  • Balaji Telefilms Limited 10 20 11 Company Review
    annual report Balaji Telefilms Limited 10 20 11 Company Review 02 A Snapshot of Our World 04 Shifting Paradigms 06 Performance Highlights 07 Financial Highlights 08 Letter to the Shareholders 09 Managing Director’s Review Statutory Report 10 Joint Managing 14 Management Financial Statements Director’s Message Discussion & Analysis 34 Standalone Financial 11 Balaji Shows on 20 Directors’ Report Statements Television 24 Corporate Goverance 61 Consolidated 12 Board of Directors Report Financial Statements Balaji Motion Pictures Limited 86 Directors’ Report 89 Financial Statements 107 AGM Notice Forward looking statement In this Annual Report, we have disclosed forward looking information to enable investors to comprehend our prospects and take investment decisions. This report and other statements, written and verbatim, that we periodically make contain forward looking statements that set out anticipated results based on the management’s plans and assumptions. We have tried wherever possible to identify such statements by using words such as ‘anticipate’, ‘estimate’, ‘expects’, ‘projects’, ‘intends’, ‘plans’, ‘believes’, and words of similar substance in connection with any discussion of future performance. We cannot guarantee that these forward looking statements will be realised, although we believe we have been prudent in assumptions. The achievements of results are subject to risks, uncertainties, and even inaccurate assumptions. Should known or unknown risks or uncertainties materialise, or should underlying assumptions prove inaccurate, actual results could vary materially from those anticipated, estimated, or projected. Readers should keep this in mind. We undertake no obligation to publicly update any forward looking statements, whether as a result of new information, future events or otherwise. Vision is all about looking ahead It is seldom static but often consistent.
    [Show full text]
  • ~Alaii C(;;Etetitms E£Tb. C-13
    ~alaii C(;;etetitms e£tB. C-13. Balaji House, Dalia Industrial Estate.Opp. Laxmi Industries New link Road. Andheri (West). Mumbai - 400 053. Te1.:40698000 • Fax: 40698181 182183 Website: www.balajitelefilms.com CIN No .. L99999MH1994PLC082802 August 08, 2018 To, BSE Ltd. National Stock Exchange of India Ltd. Phiroze Jeejeebhoy Towers, "Exchange Plaza", Dalal Street, Bandra-Kurla Complex, Bandra(East), Mumbai400001 Mumbai400051 Stock Code: 532382 Stock Code: BALAJITELE Sub: Intimation of 24th Annual General Meeting and Book Closure Date Dear Sir/Madam, Pursuant to Regulation 30 of Securities and Exchange Board of India (Listing Obligations and Disclosure Requirements) Regulations, 2015 ("Listing Regulations") this is to inform you that 24th Annual General Meeting of the Members of the Company is scheduled to be held on Friday, August 31, 2018 at 12.00 noon at "The Oub", 197, Juhu Versova Link Road, Opp. D. N. Nagar Police Station, Andheri (W), Mumbai - 400 053, Maharashtra (AGM notice attachecf). As per section 108 of the Companies Act, 2013, read with the Rule 20 of the Companies (Management and Administration) Rules, 2014 and Regulation 44 of the Listing Regulations, the Company is pleased to provide its members the facility to cast their vote(s) on all resolutions set forth in the Notice by electronic means ("remote e-voting"). The instructions for remote e-voting are mentioned in the Notice. Further pursuant to Regulation 42 of Listing Regulations, Register of Members and Share Transfer Books will remain closed from Saturday, August 25, 2018 to Friday, August 31, 2018 (both days inclusive) for the purpose of AGM and determining the Members eligible to receive Final Dividend recommended by the Board of Directors for the financial year 2017-18.
    [Show full text]
  • March 2020 from the Editor
    MARCH 2020 FROM THE EDITOR: A visionary leader or a company that has contributed to or had a notable impact on the society is known as a game changer. India is a land of such game changers where a few modern Indians have had a major impact on India's development through their actions. These modern Indians have been behind creating a major impact on the nation's growth story. The ones, who make things happen, prove their mettle in current time and space and are highly SHILPA GUPTA skilled to face the adversities, are the true leaders. DIRECTOR, WBR Corp These Modern India's Game Changers and leaders have proactively contributed to their respective industries and society at large. While these game changers are creating new paradigms and opportunities for the growth of the nation, they often face a plethora of challenges like lack To read this issue online, visit: of funds and skilled resources, ineffective strategies, non- globalindianleadersandbrands.com acceptance, and so on. WBR Corp Locations Despite these challenges these leaders have moved beyond traditional models to find innovative solutions to UK solve the issues faced by them. Undoubtedly these Indian WBR CORP UK LIMITED 3rd Floor 207 Regent Street, maestros have touched the lives of millions of people London, Greater London, and have been forever keen on exploring beyond what United Kingdom, is possible and expected. These leaders understand and W1B 3HH address the unstated needs of the nation making them +44 - 7440 593451 the ultimate Modern India's Game Changers. They create better, faster and economical ways to do things and do INDIA them more effectively and this issue is a tribute to all the WBR CORP INDIA D142A Second Floor, contributors to the success of our great nation.
    [Show full text]
  • University of Education, Winneba an Ethnographic
    University of Education,Winneba http://ir.uew.edu.gh UNIVERSITY OF EDUCATION, WINNEBA AN ETHNOGRAPHIC STUDY OF AUDIENCE VIEWING OF THE TELENOVELA-KUMKUM BHAGYA AT SOME SELECTED SITES ELIZABETH OWUSU ASIAMAH JULY, 2017 1 University of Education,Winneba http://ir.uew.edu.gh UNIVERSITY OF EDUCATION, WINNEBA AN ETHNOGRAPHIC STUDY OF AUDIENCE VIEWING OF THE TELENOVELA-KUMKUM BHAGYA AT SOME SELECTED SITES ELIZABETH OWUSU ASIAMAH A DISSERTATION IN THE DEPARTMENT OF COMMUNICATION AND MEDIA STUDIES, FACULTY OF FOREIGN LANGUAGES EDUCATION AND COMMUNICATION, SUBMITTED TO THE SCHOOL OF GRADUATE STUDIES, UNIVERSITY OF EDUCATION, WINNEBA, IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR AWARD OF THE MASTER OF PHILOSOPHY IN COMMUNICATION AND MEDIA STUDIES (MEDIA STUDIES) DEGREE. JULY, 2017 2 University of Education,Winneba http://ir.uew.edu.gh DECLARATION STUDENT’S DECLARATION I, Elizabeth Owusu Asiamah, declare that this Dissertation, with the exception of quotation and references contained in published works which have all been identified and duly acknowledged, is entirely my own original work, and it has not been submitted, either in part or whole, for another degree elsewhere. SIGNATURE: …………………………………………… DATE: …………………………………………………… SUPERVISOR’S DECLARATION I hereby declare that the preparation and presentation of this work was supervised in accordance with the guidelines for supervision of Dissertation as laid down by the University of Education, Winneba. NAME OF SUPERVISOR: DR. ANDY OFORI-BIRIKORANG SIGNATURE: ………………………………………………………. DATE: ……………………………………………………… ii University of Education,Winneba http://ir.uew.edu.gh ACKNOWLEDGEMENTS I am very grateful to the Almighty God who has been my strength and guide right from the beginning to the completion of this work. The enormous task of writing this essay would not have been accomplished if not for the able guidance of my supervisor and mentor, Dr.
    [Show full text]
  • LIST of ORDINARY MEMBERS S.No
    LIST OF ORDINARY MEMBERS S.No. MemNo MName Address City_Location State PIN PhoneMob F - 42 , PREET VIHAR 1 A000010 VISHWA NATH AGGARWAL VIKAS MARG DELHI 110092 98100117950 2 A000032 AKASH LAL 1196, Sector-A, Pocket-B, VASANT KUNJ NEW DELHI 110070 9350872150 3 A000063 SATYA PARKASH ARORA 43, SIDDHARTA ENCLAVE MAHARANI BAGH NEW DELHI 110014 9810805137 4 A000066 AKHTIARI LAL S-435 FIRST FLOOR G K-II NEW DELHI 110048 9811046862 5 A000082 P.N. ARORA W-71 GREATER KAILASH-II NEW DELHI 110048 9810045651 6 A000088 RAMESH C. ANAND ANAND BHAWAN 5/20 WEST PATEL NAGAR NEW DELHI 110008 9811031076 7 A000098 PRAMOD ARORA A-12/2, 2ND FLOOR, RANA PRATAP BAGH DELHI 110007 9810015876 8 A000101 AMRIK SINGH A-99, BEHIND LAXMI BAI COLLEGE ASHOK VIHAR-III NEW DELHI 110052 9811066073 9 A000102 DHAN RAJ ARORA M/S D.R. ARORA & C0, 19-A ANSARI ROAD NEW DELHI 110002 9313592494 10 A000108 TARLOK SINGH ANAND C-21, SOUTH EXTENSION, PART II NEW DELHI 110049 9811093380 11 A000112 NARINDERJIT SINGH ANAND WZ-111 A, IInd FLOOR,GALI NO. 5 SHIV NAGAR NEW DELHI 110058 9899829719 12 A000118 VIJAY KUMAR AGGARWAL 2, CHURCH ROAD DELHI CANTONMENT NEW DELHI 110010 9818331115 13 A000122 ARUN KUMAR C-49, SECTOR-41 GAUTAM BUDH NAGAR NOIDA 201301 9873097311 14 A000123 RAMESH CHAND AGGARWAL B-306, NEW FRIENDS COLONY NEW DELHI 110025 989178293 15 A000126 ARVIND KISHORE 86 GOLF LINKS NEW DELHI 110003 9810418755 16 A000127 BHARAT KUMR AHLUWALIA B-136 SWASTHYA VIHAR, VIKAS MARG DELHI 110092 9818830138 17 A000132 MONA AGGARWAL 2 - CHURCH ROAD, DELHI CANTONMENT NEW DELHI 110010 9818331115 18 A000133 SUSHIL KUMAR AJMANI F-76 KIRTI NAGAR NEW DELHI 110015 9810128527 19 A000140 PRADIP KUMAR AGGARWAL DISCO COMPOUND, G.T.
    [Show full text]
  • DEFINATION the Capacity and Willingness to Develop, Organize
    DEFINATION The capacity and willingness to develop, organize and manage a business venture along with any of its risks in order to make a profit. The most obvious example of entrepreneurship is the starting of new businesses. In economics, entrepreneurship combined with land, labor, natural resources and capital can produce profit. Entrepreneurial spirit is characterized by innovation and risk-taking, and is an essential part of a nation's ability to succeed in an ever changing and increasingly competitive global marketplace. Differences Between Women and Men Entrepreneurs When men and women start companies, do they approach the process the same way? Are there key differences? And how do those differences affect the success of the business venture? As a woman in the start-up community, I am frequently asked about women entrepreneurs. A popular question is: How are they different from men? There have been many studies of entrepreneurs and start-ups, and I’ve read a number of them. Many of them seem to me to fall short, because the researchers, not being entrepreneurs themselves, lack an in-depth understanding of the entrepreneurial mind. The result is often a lot of statistics that fail to enlighten readers about entrepreneurial behavior and motivation. So what follows are my personal opinions. They are not based on formal research, but on my own observations and interactions with other women entrepreneurs. 1. Women tend to be natural multitaskers, which can be a great advantage in start-ups. While founders typically have one core skill, they also need to be involved in many different aspects of their business.
    [Show full text]