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Die Schuldigkeit des ersten Ge- botes bAStien et Bastienne mitridate re di Ponto betulia Libe- ratA il sogno di Scipione lA fintDocumentariesa giardinierA AdamA Die Entführung aus dem Serail l‘oca del Cairo lo sposo de- luso le nozze di Figaro così fan tut- te Die Zauberflöte Documentaries

Die Schuldigkeit des ersten Gebotes Apollo et Hyacinthus Bastien et Bastienne Design: luebbeke.com La finta semplice Mitridate, re di Ponto Ascanio in Alba Betulia Liberata “Mozart22” is an enterprise of utterly unique dimensions, Il sogno di Scipione the musical project of the century: all of Mozart’s stage works presented over the course of six weeks during the 2006 Lucio Silla Festival. The project brought together the greatest Mozart singers, conductors, stage directors and ensembles Il re pastore of the day. To make this extraordinary artistic achievement Zaide Adama accessible to a broad public, the entire “Mozart22” cycle Idomeneo was recorded with the highest-quality HD technology and 5.1 Die Entführung aus dem Serail Dolby Digital sound. L‘oca del Cairo The cycle also includes 20 one-hour documentaries Lo sposo deluso containing excerpts from rehearsals, interviews with artists, Der Schauspieldirektor and background reports that shed light on the meticulously Le nozze di Figaro elaborated, multi-layered concepts of the musical Don Giovanni interpretations and stage productions. The programs introduce Così fan tutte the work in question and situate it in Mozart’s œuvre. Each documentary is devoted to one opera, whereby the shorter Die Zauberflöte works and fragments are bundled. All the operas, of course, La Clemenza di Tito are available from UNITEL CLASSICA.

Length 52' each In addition to providing valuable insights from the artists, the documentaries also bear witness to the incredible logistic Video Director Carl Plötzeneder achievement of the Mozart22 project. At the peak of the A production of UNITEL CLASSICA project, about 160 people were working on it nearly around in cooperation with Salzburg Festival the clock. Fifty thousand meters of cable were laid out in seven venues in Salzburg. Parallel to the recording crew shot in HDTV 1080 of the opera cycle, who required up to twelve cameras for Cat. no. A045005350000 each recording, the documentary filmmakers scurried from rehearsal stage to hotel lounge, from artists’ canteen to make- up studios in their mission to capture the unique dynamics and electrifying atmosphere of this undertaking – a project of superlatives and a landmark in media and music history.

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