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Vir Letterkunde
’n tydskrif vir afrika-letterkunde • a journal for african literature Adean van Dyk • Aghogho Akpome • Alwyn Roux • Andries Visagie • Bibi Burger Bridget Grogan • Christopher Wayne • Dan Wylie • Diana Ferrus • H. P. van Coller Hanah Chaga Mwaliwa • Hannelie Marx Knoetze • Heinrich Ohlhoff • Henning Pieterse Jean-Marie Dederen • Jennifer Mokakabye • Joan Hambidge • Laura Engels Loraine Prinsloo • Omeh Obasi Ngwoke • Rosemary Gray • Tycho Maas Uchechukwu Peter Umezurike • Wium van Zyl 55 (2) 2018 • Vierde reeks • Fourth series • Lente • Spring r LET vi TE F R I K R U K N S D D E Y T 1936 Tydskrif VIR LETTERKUNDE www.letterkunde.up.ac.zawww.letterkunde.up.ac.za Tydskrif VIR LETTERKUNDE ’n Tydskrif vir Afrika-letterkunde • A Journal for African Literature 55 (2) 2018 • Vierde reeks • Fourth series • Lente • Spring Eindredakteur / Editor-in-chief Hein Willemse U Pretoria (RSA) Redakteur / Editor Jacomien van Niekerk U Pretoria (RSA) Streeksredakteurs / Regional Editors Algemeen / General Willie Burger U Pretoria (RSA) Magreet de Lange U Utrecht (Nederlands / The Netherlands) Arabies / Arabic Muhammed Haron, U Botswana (Botswana) Frans / French Antoinette Tidjani Alou, U Abdou Moumoni (Niger) Kasongo M. Kapanga, U Richmond (VSA / USA) Oos-Afrika / East Africa Alex Wanjala, U Nairobi (Kenia / Kenya) Resensies / Reviews Andries Visagie, U Stellenbosch (RSA) Suider-Afrika / Southern Africa Susan Meyer, North West / Noordwes U (RSA) Lesibana Rafapa, Unisa (RSA) Wes-Afrika / West Africa Chiji Akoma, Villanova U (VSA / RSA) Isidore Diala, Imo State -
N Ondersoek Na Aanleiding Van Die Romans Van Deon Meyer
Misdaadfiksie en die literêre kanon in Afrikaans: ’n Ondersoek na aanleiding van die romans van Deon Meyer deur NEIL VAN HEERDEN ’n Proefskrif voorgelê ter vervulling van die vereistes vir die graad PhD (Afrikaans) in die Departement Afrikaans Fakulteit Geesteswetenskappe Universiteit van Pretoria Promotor: PROF. W.D. BURGER Augustus 2017 Crime fiction and the literary canon in Afrikaans: A study of the novels by Deon Meyer by NEIL VAN HEERDEN A thesis submitted in fulfilment of the requirements for the degree PhD (Afrikaans) in the Department of Afrikaans Faculty of Humanities University of Pretoria Supervisor: PROF. W.D. BURGER August 2017 ii Verklaring Ek verklaar dat hierdie proefskrif my eie oorspronklike werk is. Waar sekondêre materiaal gebruik is, is dit noukeurig erken en aangedui in ooreenstemming met universiteitsvereistes. Ek verstaan wat plagiaat beteken en is bewus van die universiteit se beleid en implikasies in hierdie verband. Declaration I declare that this thesis is my own original work. Where secondary material is used, this has been carefully acknowledged and referenced in accordance with university requirements. I understand what plagiarism is and am aware of university policy and implications in this regard. N. van Heerden ........................................................ HANDTEKENING/SIGNATURE ......................................................... DATUM/DATE iii Erkennings By die voltooiing van hierdie proefskrif wil ek graag my opregte dank en waardering teenoor die volgende persone uitspreek: . my promotor, Willie Burger, vir goeie mentorskap en goeie koffie; . die NRF en die Suid-Afrikaanse Akademie vir Wetenskap en Kuns, vir finansiële steun; . Dineke Ehlers, vir professionele teksredigering; . my kollegas by UP en Unisa onderskeidelik, vir stimulerende gesprek en die geleentheid om te studeer terwyl ek my brood en botter verdien; . -
Theatre in a New Democracy
THEATRE IN A NEW DEMOCRACY Some major trends in South African theatre from 1994 to 2003 Johann van Heerden Dissertation presented for the degree of Doctor of Philosophy (Drama and Theatre Studies) at the University of Stellenbosch Promoter: Prof. T. Hauptfleisch March 2008 2 DECLARATION I, the undersigned, hereby declare that the work contained in this dissertation is my own original work and that I have not previously in its entirety or in part submitted it at any university for a degree. Signature: ..................................................... Date: ............................................ Johann van Heerden Copyright ©2008 Stellenbosch University All rights reserved 3 Abstract Following the socio-political change in South Africa after the democratic elections of 1994 the relationship between the state and the arts changed markedly. Whereas, under apartheid, the white population groups benefited greatly from government support for the primarily Eurocentric cultural heritage and the arts, the new South Africa recognised a multi-cultural and multi-lingual population whose every human right was protected under the new Constitution. Under the new government priorities shifted and this resulted in a transformation of the state-subsidised Performing Arts Councils and generally in the financial dynamics of the arts and culture sector. During the first decade of democracy an arts festival circuit emerged which provided opportunities for specific population groups to celebrate their cultural heritage and also for new independent theatre-makers to enter the industry. After the demise of apartheid there was no longer a market for the protest theatre that had become a hallmark of much South African performing arts in the 1970s and 80s and the creative artists had to discover new areas of focus and find alternative creative stimuli. -
Art and Literature of Johannesburg: the Telling of Tailings
ART AND LITERATURE OF JOHANNESBURG: THE TELLING OF TAILINGS Valentina Flora Angelucci Submitted in partial fulfillment of the requirements for the degree Master of Science in Historic Preservation Graduate School of Architecture, Planning and Preservation Columbia University May 2019 Table of Contents Acknowledgements IV List of Figures V - VI List of Abbreviations VII Introduction 1 Chapter 1: Johannesburg’s geological and social context 7 • A brief overview of the Witwatersrand, Johannesburg’s gold mining history • Government plans, strategies and visions for the future of the mining belt • South African National Heritage Resources Act, or the ambiguous rights of mine tailings • The case of Top Star Drive-in Chapter 2: Assessing cultural significance in South Africa and elsewhere 28 • The Burra Charter and South Africa’s Cultural Heritage Survey guidelines • Historic Contexts Chapter 3: Representations of the gold mine tailings in Art 34 • J. H. Pierneef • William Kentridge • Clive van den Berg • Jason Larkin • Counterspace Studio Chapter 4: Representations of the gold mine tailings in Literature 80 • 120 years of writing mine tailings • Framing the mining landscape through urban and cultural studies II Chapter 5: Thematized Narratives 100 • Environment and Nature • Racial relations and spatial inequality • Appropriation • Experience of the Contemporary City Conclusion 111 • Evaluation of methodology • Ideas for the future of Johannesburg’s gold mine tailings Appendix 117-122 References 123 Bibliography 124 III Acknowledgments This thesis is dedicated to my mom, my dad and my Valex. Thank you for your endless, unwavering love, support and commitment to making my wildest dreams a reality. I am so grateful for all you’ve done and continue to do for me. -
“The Alternative Afrikaans Music Movement” and Afrikaner Identity
VOËLVRY AND THE “OUTLAWED” AFRIKANERS: AN ANALYSIS OF “THE ALTERNATIVE AFRIKAANS MUSIC MOVEMENT” AND AFRIKANER IDENTITY. By Clara Pienaar Student number: 0611021J. A research report submitted to the Faculty of Humanities, University of the Witwatersrand, Johannesburg, in fulfilment of the requirements for the degree of Master of Arts. Johannesburg, 2012. DECLARATION I declare that this research report is my own unaided work. It is submitted for the degree of Master of Arts in the University of the Witwatersrand, Johannesburg. It has not been submitted before for any other degree or examination in any other university. ------------------------------------ Clara Pienaar 9 March 2012. 2 ACKNOWLEDGEMENTS To both my supervisors, Clive and Maria, I owe you an enormous thank you for the long hours spent on careful inspection and constructive advice. I appreciate the fruitful guidance that you made readily available. I would also like to thank my friends and family for their patient, generous and valuable assistance at all stages of this process. To James, thank you for, among other things, the litres of tea and coffee, the piles of toast, and the calm reassurance; your incredible munificence sustained me. To both my parents, the hours of advice, comfort, translation and information that you have given me, have been vital in making this report come into being. To Mia and Dioné, thanks for helping me to vasbyt! 3 TABLE OF CONTENTS INTRODUCTION 5 CHAPTER ONE 18 CHAPTER TWO 29 CHAPTER THREE 39 CONCLUSION 71 4 Introduction Afrikaner nationalism and the Afrikaner people bear a heavy historical responsibility for the monstrous crimes of apartheid. -
Prelim TVL56.1 .Indb
’n tydskrif vir afrika-letterkunde • a journal for african literature Bibi Burger • Cecilia Addei • Ewald Mengel • Gail Finchan • Grant Andrews • Henrietta Rose-Innes • Karen Jenning Kayode Omoniyi Ogunfolabi • Mireille Ahondoukpe • Roger Fopa Kuete • Susan Meyer • Willie Burger • Yvonne Reddick 56 (2) 2019 • Vierde reeks • Fourth series • Lente • Spring VIR LETTERKUNDE Photo by Filip Kominik on Unsplash 56 (2) 2019 • Vierde reeks • Fourth series • Lente • Spring Redakteur/ Editor Jacomien van Niekerk, U Pretoria (RSA) Streeksredakteure/ Regional Editors Algemeen / General Willie Burger, U Pretoria (RSA) Arabies / Arabic Muhammed Haron, U Botswana (Botswana) Frans / French Antoinette Tidjani Alou, U Abdou Moumouni (Niger) Kasonga M. Kapanga, U Richmond (VSA / USA) Oos-Afrika / East Africa Alex Wanjala, U Nairobi (Kenia / Kenya) Resensies / Reviews Bibi Burger, U Pretoria (RSA) Suider-Afrika / Southern Africa Susan Meyer, North-West / Noordwes U (RSA) Lesibana Rafapa, U Limpopo (RSA) Wes-Afrika / West Africa Jonathon Repinecz, (George Mason) Isidore Diala, Imo state U (Nigerië / Nigeria) Administasie / Administrator Tercia Klopper, U Pretoria (RSA) Ontwerp en uitleg / Design and layout Tercia Klopper, U Pretoria (RSA) Cover image: Photo by Filip Kominik on Unsplash Resensieredakteur Review editor Dr Bibi Burger Dr Bibi Burger Departement Afrikaans Department of Afrikaans Geesteswetenskappe gebou 15-11 Humanities Building 15-11 Universiteit van Pretoria University of Pretoria Hoek van Lynnwood en Roper Corner of Lynnwood and Roper Hatfi eld 0083 Hatfi eld 0083 Pretoria Pretoria [email protected] [email protected] Borg: Marie Luttig Testamentêre Trust Sponsor: Marie Luttig Testamentêre Trust Nota / Note Tydskrif vir Letterkunde is vanaf uitgawe 54.1 (2017) slegs as e-joernaal beskikbaar by http://journals.assaf.org.za/tvl. -
General Prospectus 2017
GENERAL PROSPECTUS 2017 COAT OF ARMS INTERPRETATION The design of the University’s Coat of Arms portrays the Witwatersrand gold fields in the upper part of the shield as the gold background with an open book representing learning or knowledge superimposed on a cogwheel representing industry. The wavy bars in the lower part are in silver and represent the Vaal and Limpopo rivers between which the Witwatersrand gold fields occur. Above the shield is the head of a Kudu, one of South Africa’s most powerful and typical antelopes. The motto, “Scientia et Labore”, may be interpreted as, “Through Knowledge and Work” or “Through Knowledge and Industry”. Contents ADDRESSES AND TELEPHONE NUMBERS ................................................................ 1 MISSION STATEMENT AND STRATEGIC AIMS .......................................................... 3 GENERAL INFORMATION ...................................................................................... 19 1.University Legislation and its Constitution ......................................................... 19 2.General Assemblies .......................................................................................... 21 3.Qualifications conferred ................................................................................... 22 4.Degrees and Diplomas Awarded in 2016 (For 2015 Academic Year) .................. 22 5.Faculty and School Configuration ..................................................................... 26 6.Endowed Chairs/Professorships ........................................................................ -
Wup-Catalogue-2019 Web.Pdf
CATALOGUE Press Wits University 2019 2020 WITS UNIVERSITY PRESS CATALOGUE 2019 | 2020 Wits University Press is strategically placed at the crossroads of African and global knowledge production and dissemination. We are committed to publishing well- researched, innovative books for both academic and general readers. Our areas of focus include art and heritage, popular science, history and politics, biography, literary studies, women’s writing and select textbooks. African content. Global impact. Postal address PO Wits, 2050, South Africa Physical address Fifth Floor University Corner, Jorissen Street, Braamfontein, Johannesburg, South Africa Telephone +27 11 717 8700 www.witspress.co.za Publisher Veronica Klipp | [email protected] Digital Publisher Andrew Joseph | [email protected] Commissioning Editor Roshan Cader | [email protected] Marketing Coordinator Corina van der Spoel | [email protected] Production Editor Kirsten Perkins | [email protected] Administrator Matselane Monggae | [email protected] Bookkeeper Hellen White | [email protected] Wits University Press is a member of the Publishers’ Association of South Africa and since 2017 a member of the Association of University Presses (AUP). Contents POLITICS AND POLITICAL STUDIES 7 Shadow of Liberation 7 Out of the Dark Night 8 Necropolitics 9 Governance and the Postcolony 10 Democratic Marxism Series: BRICS and the New American Imperialism 11 New South African Review collection 1–6 12 Beyond Coloniality 13 Power in Action 13 -
JIAS Annual Report 2018-Small
ANNUAL REPORT 2017/8 RUNNING HEADER Johannesburg Institute for Advanced Study An initiative of the University of Johannesburg and Nanyang Technological University, Singapore 1 Tolip Street, Westdene Johannesburg, South Africa P O Box 524, Auckland Park 2006 Tel +27 11 559 7530 / 75433 [email protected] www.jias.joburg JIAS BOARD Outgoing Prof Bertil Andersson (NTU) Prof B V R Chowdari (NTU) Prof Tshilidizi Marwala (UJ) Prof Ihron Rensburg (UJ) Dr Kristen Sadler (NTU) Prof Peter Vale (JIAS) Prof Alexander Zehnder (NTU) Incoming Prof Alan Chan (NTU) Prof Tshilidzi Marwala (UJ) Dr Bongani Ngqulunga (JIAS) Prof Saurabh Sinha (UJ) Prof Hallam Stevens (NTU) 2 JOHANNESBURG INSTITUTE FOR ADVANCED STUDY TABLE OF CONTENTS About JIAS 2 Director’s Report 3 Work and the Future 6 JIAS Events 8 Brain Matters Seminar Series 16 The JIAS Cartoon Room 18 JIAS Writing Fellows 2018 20 JIAS Outreach 22 -Ζ$66WD About JIAS THE Johannesburg Institute for Advanced Study (JIAS) is a joint initiative of the University of Johannesburg (UJ), South Africa, and Nanyang Tech- nological University (NTU), Singapore. Its purpose is to promote advanced research in the humanities and natural sciences, beyond the regular teach- ing and research activities at institutions of higher learning. JIAS is the first fully fledged institute of advanced learning in Gauteng, South Africa’s political and economic heartland. Although rooted within UJ, and committed to achieving UJ’s institutional goals, JIAS collaborates with other institutions of higher learning throughout the country. The partnership between JIAS and the NTU provides meaningful opportunities for uniting African and Asian thought and multidisciplinary research.