Rushing to Paradise by JG Ballard First Published in 1994 PART I Saving the Albatross
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Is Dead: JG Ballard's Post-Humanist Myths of the Near Future
”Sex(ual identity) Is Dead : J.G. Ballard’s Post-Humanist Myths of the Near Future,” Didier Girard To cite this version: Didier Girard. ”Sex(ual identity) Is Dead : J.G. Ballard’s Post-Humanist Myths of the Near Future,”. ESSE 6, Aug 2002, starsbourg, France. halshs-02568862 HAL Id: halshs-02568862 https://halshs.archives-ouvertes.fr/halshs-02568862 Submitted on 10 May 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Out of nowhere, To Jovan Kostov, Topsy-turvy. Sex (ual identity) is Dead : J. G. Ballard’s Post-Humanist Myths of the Near Future Didier Girard Je marchais fier parmi les héros, Le ciel brillait d’étoiles, Et une étoile, comme un héros du ciel d’Anou Est tombée vers moi. J’ai voulu la porter, elle était trop lourde. J’ai voulu la pousser, je n’ai pu la bouger. Autour d’elle, les gens du pays s’assemblaient Et lui baisaient les pieds. Je l’ai aimée et je me suis penchée sur elle Comme on se penche sur une femme Je l’ai soulevée et déposée à tes pieds Et toi tu l’as rendue égale à moi. -
Bibliography
BIBLIOGRAPHY Adorno, Theodor, ‘On the Fetish-Character in Music and the Regression of Listening,’ in Andrew Arato and Eike Gebhardt eds., The Essential Frankfurt School Reader, The Continuum Publishing Company, New York, 1982. Adorno, Theodor, The Stars Down to Earth, Routledge, Oxford, 1994. Als, Hilton, ‘Adaptation,’ Matthew Barney River of Fundament, Haus Der Kunst/Skira Rizzoli, New York, 2014. Amis, Martin, ‘Thoroughly Post-modern Millennium, Review of Mao II, by Don DeLillo,’ The Independent, September 8, 1991. Arkin, Marc M., ‘Song of Himself: Harold Bloom on God,’ The New Criterion, May 1992, http://www.newcriterion.com/articles.cfm/Song-of-himself– Harold-Bloom-on-God-4568. Armstrong, Karen, A History of God, From Abraham to the Present: The 4000- Year Quest for God, Mandarin, London, 1994. Aslan, Reza, ‘Bill Maher Isn’t the Only One Who Misunderstands Religion,’ The New York Times, October 8, 2014, http://www.nytimes.com/2014/10/09/ opinion/bill-maher-isnt-the-only-one-who-misunderstands-religion. html?_r 0. = Atwood, Margaret, The Handmaid’s Tale, Alfred A. Knopf, New York, 2006. Auster, Paul, ‘One-Man Language,’ The New York Review of Books, February 6, 1975, http://www.nybooks.com/articles/1975/02/06/one-man-language/. Accessed March 21, 2016. Bakhtin, Mikhail, Discourse in the Novel, The Dialogic Imagination: Four Essays, trans. Michael Holquist and Caryl Emerson, University of Texas Press, Austin, 1981. © The Editor(s) (if applicable) and The Author(s), 283 under exclusive license to Springer Nature Switzerland AG 2018 A. Crawford, Religious Imaging in Millennialist America, https://doi.org/10.1007/978-3-319-99172-6 284 BIBLIOGRAPHY Bakhtin, Mikhail, Rabelais and His World, trans. -
The Wounded Romanticism of Jg Ballard
LYRICAL BALLARDS: THE WOUNDED ROMANTICISM OF J. G. BALLARD THOMAS KNOWLES A thesis submitted in fulfilment of the requirements of Nottingham Trent University for the degree of Doctor of Philosophy October 2015 2 Copyright Statement This work is the intellectual property of the author. You may copy up to 5% of this work for private study, or personal, non-commercial research. Any re-use of the information contained within this document should be fully referenced, quoting the author, title, university, degree level and pagination. Queries or requests for any other use, or if a more substantial copy is required, should be directed to the owner of the Intellectual Property Rights. Contents Copyright Statement .................................................................................................... 2 Abstract ........................................................................................................................ 5 Abbreviations ............................................................................................................... 7 Introduction: Romanticisms Past and Present .............................................................. 9 Romanticisms Past ................................................................................................. 22 Apocalyptic Literature and Romantic Bardism.................................................. 26 Modern Romanticisms ........................................................................................... 43 Ballard on Romanticism and its (Decadent) -
CHAPTER -V Conclusion
CHAPTER -V Conclusion. CHAPTERS Conclusion Ballard is considered as a ‘New Wave’ writer. Over the seventies, following on from his political fantasy The Atrocity Exhibition_(\970), he produced some of his most notable work, emerging as the surrealist pop- artist of new urban landscapes, techno-horrors, post-modern wreck. His landscape was the world of concrete motorways, high-rise apartment blocks, abandoned film studios, advertising hoardings, and inner-city derelictions. Popular celebrities, dead icons and communal urban myths fed his fiction. Ballard has described Crash (1973) as a technological pom novel; it deals with sexual fantasies trigged by a fatal crash on a motorway, and Concrete Island (1974) is a dystopian fable set in a ‘vertical city’, a high-rise apartment block. The Unlimited Dream Company (1979) is about a fantastic sexual Utopia set in and around Shepperton film studios, that modem park where unlimited dreams are in theory constructed. His gift for surreal fantasy influenced many other writers like Angela Carter. Empire of the Sun (1984) is the story of a child learning the art of survival in a Japanese prison camp in Shanghai during wartime, where he becomes a distant witness to the explosion of the atomic bomb over Nagasaki, and is one of the strongest novels of the Eighties. The word fantasy is both a literary and a psychological term. As a literary term a fantasy means any narrative that deals with impossible. Such type of fantasy rarely used in Empire of the Sun and The Kindness of Women but repeatedly used in The Day of Creation. -
Ballard, Sexual Landscapes and Nature
This is a repository copy of Ballard, Sexual Landscapes and Nature. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/145154/ Version: Accepted Version Article: Brown, R (2019) Ballard, Sexual Landscapes and Nature. Green Letters, 22 (4). pp. 426-437. ISSN 1468-8417 https://doi.org/10.1080/14688417.2018.1529608 © 2019 ASLE-UKI. This is an Accepted Manuscript of an article published by Taylor & Francis in Green Letters on 22 Jan 2019, available online: https://doi.org/10.1080/14688417.2018.1529608. Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ 1 Ballard, Sexual Landscapes and Nature Richard Brown School of English, University of Leeds Working on J.G. Ballard can throw into relief a distinction between the approaches of, on the one hand, postmodernists fascinated by the urban and especially media landscapes, mapped out in such works as The Atrocity Exhibition (1972) 1 and Crash (1973) 2, and on the other, environmentalists, whose interest is often grounded primarily in the 1960s environmental disaster fictions The Drowned World, The Drought and The Crystal World, in which, as Robert Macfarlane puts it Ballard “ruined the world three times”,3 or else, potentially, the dystopian adventure Rushing to Paradise (1994)4 where environmentalism is the central focus. -
Postmodern Nostalgias of J. G Ballard and Douglas Coupland
Anywhere But Here: The Competing (and Complementary) Postmodern Nostalgias of J. G Ballard and Douglas Coupland A thesis submitted for the degree of Doctor of Philosophy by Alexis Paknadel BA (Hons), MA Supervisor: Dr. Andrew Tate Department of English and Creative Writing Lancaster University May 2011 ProQuest Number: 11003573 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 11003573 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Table of Contents Declaration ................................................................................................................ i Acknowledgments .....................................................................................................ii Abstract..................................................................................................................... iii List of Abbreviations .................................................................................................v 1. Introduction: Varieties of Postmodern Nostalgia ................................................ -
Heterotopic Space in Selected Works of J. G. Ballard
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by White Rose E-theses Online 1 Heterotopic Space in Selected Works of J. G. Ballard Christopher James Duffy Submitted in accordance with the requirements for a degree of Doctor of Philosophy The University of Leeds School of English November 2015 2 The candidate confirms that the work submitted is his own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. © 2015 The University of Leeds and Christopher James Duffy The right of Christopher James Duffy to be identified as Author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. 3 Acknowledgments Many thanks to Richard Brown for his invaluable advice and guidance, and to everyone who has supported me during the writing of this thesis. Dedicated to Miriam for her patience and understanding, and to Miles for making my life blessed. 4 Abstract J. G. Ballard’s writing confronts the potentiality of space within the contemporary landscape, articulating complex relationships between the external environment and the individual. In 1983, Ballard stated: ‘[…] the sort of architectural spaces we inhabit are enormously important -- they are powerful. If every member of the human race were to vanish, our successors from another planet could reconstitute the psychology of the people on this planet from its architecture.’1 Ballard’s texts are at all times bounded by a materiality which the reader is obliged to pay close attention to.