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Dealers in Antique Prints & Books

Catalogue 50 Napoleeon Bonaparte

Item 250 Bonaparte. Mezzotint by Reynolds after Northcote

This catalogue is illustrated in full at www.groosvenorprints.com

Registered in England No. 1305630 Registered Office: 2, Castle Business Villlage, Station Roaad, Hampton, Middlesex. TW12 2BX. Rainbrook Ltd. Directors: N.C. Talbot. T.D.M. Rayment. C.E. Elliis. E&OE VAT No. 217 6907 49 1. [On Ascension Day the doge marries thhe regiment is placed by Rowlaanndson in a particular drill Adriatic sea using this vessel, the bucentaur] poosition, with an etched description below. The Nel giorno dell'Ascensione il Sereniss:mo corresponding adjacent text sheet gives a brief history Principe si porta a spossar l'Adriatico mare and description of the composition of the corps, and conquesto aureo Naviglio detto Il Bucintoro. lists the commanding officerrs. Arguably the greatest of all military costume books, no mere record of uniforms Ant.o Canaletto del. / Appo Lodovico Furlanetto aope buut an important social document in its own right that il Ponte dei Bareteri 1790 should be viewed in the conttext it was published - a Engraving with large margins, platemark 250 x 370mm time of great national peril with Britain under threat of (9¾ x 14½"). £280 invasion from . Abbey Life In England: 379, The bucentaur, used in Venice up until 1798 to perform "Later impressions can be recognised by not being the ritual 'Marriage of the Sea'. It was depicted in heightened with gold". paintings by Canaletto and Francesco Guardi, and was Stock: 7433 such a symbol of Venetian life that Napoleon ordered its destruction in 1798 to symbolize his conquest after 3. The Little Volunteer [and] Young Ludovico Manin surrendered to him. Stock: 35604 Sailors. Painted by R.M.Paye. Engraved by Jn.Young Engraver in Mezzotinto to his R.H. the Prince of Wales. London, Published June 24th 1799, by Jn.Young, 58 Upper Charlotte Street, Fitzroy Square. Pair of mezzotints. Each platte 585 x 430mm. £1200 These prints show a juvenilee curiosity about British military involvement during the Napoleonic Wars (the ship in 'Young Sailors' bears the legend 'Nelson', explicitly linking the childrens' play to contemporary events). Stock: 4585

4. Europa. In the Gallery at Houghton. Paul Brill Pinxit. Figures by Domenichino. Jos.h Farington delin. John Browne Sculpsit. Figures by Bartolozzi. Published Sep.r 29.th 1776 by John Boydell Engraver in Cheapside Londdon. Engraving. Platemark: 290 x 380mm (11½ x 15"). Trimmed to plate. £230 A landscape scene with four nymphs resting with hunting dogs on the banks off a stream in the lower left corner, with game in the left foreground. Deer are approaching the water's edge to drink on the far bank to the right, with foxes in the trreees beyond to the left and booar running across the middle ground. Other figures can be seen on grassy slopes in the background, dominated by a castle on a mountain to the right. After Bril and Domenichino, engraved by Browne and 2. Loyal Volunteers Of London & Bartolozzi. De Vesme: 2512.. Stock: 36192 Environs, Infantry & Cavalry, in their respective Uniforms. Representing the whole 5. The Dutchess of C.. coming out of the of the Manual, Platoon, & Funeral Exercise, In Cavern, 'As I ended thesse words, my door 87 Plates. Designed & EEtch'd by T. Rowlandson. and Dedicated opened ... & there fall down in a fit.' [&] The by Permission to his Royal Highness the Duke of Dutchess of C giving herr daughter to Count Gloucester. [n.d., plates dated 1798 - 1799.] Belmire, 'I give her to you, said I to Subscriber's copy, large 4to, original marbled boards, him.....what it formerly deprived you of.' rebacked, uncut; pp. viii incl. dedication, plus list of D. Rigaud R A pinxit. L Schhiiavonetti Sculpsit. / F. J. subscribers & foreign subscribers, and contents; hand- Riguad R.A. pinxit. G. Testolini Sculpsit Pubd. June 1. coloured etched titlepage & 86 hand-coloured aquatint 1790 by Molteno, Colnaghi & Co. No. 132 Pall Mall'. plates, many heightened with gold or silver, total 87 as Pair of stipples with etching. 352 x 428mm. Trimmed called for. Binding worn, plates generally good with close to plate top and bottom. £380 well-preserved vivid colour, occasionally stained. 'Adele et Theodore' 1782. Duchess of Cerifalco, Some offsettting of image to facing text. £4900 freed from a cavern in which her husband has The volunteer corps were established as a direct imprisoned her, half-fainting with hunger and response to the perceived imminent danger of invasion exhaustion, supported by herr mother, who steps by Napoleon's forces. A volunteer from each London forward to support her, while her father approaches from left with outstretched arms and a valet de 7. Circular Zodiac in White Marble. chambre, weearing slashed hose and a plumed hat, Denon del. On sale and may be viewed at Mr Gale's 8 stands behind her to right; with two other women and Bruton St Bond St. two soldiers in the background to left; in an oval. & A Engraving, 470 x 390mm. 18½ x 15½". Horizontal and woman sitting in the centre of a group, turning to look vertical folds. Very scarce. £420 at a young man standing at right who holds her hand,, An illustration of the circularr zodiac, a highly and gesturing towards her daughter who stands significant record of Egyptiaan astronomical beliefs. It demurely at left with two attendants, one holding herr was first discovered in Egyptt by Napoleon, and bought skirts; oval design. byy Louis XVIII for 10,000 poounds in 1814. This print Stéphanie Félicité de Genlis, author & poet [1746 - is accompanied by a detailed text recounting the 1830] married Charles Alexis Brûlart, Count of Genliis history of the artefact. and Marquess of Sillery in 1763 but they separated in Stock: 9396 1782. From 1772, she became lady-in-waiting of Louise Marie Adélaide de Bourbon, the wife of 8. The late Right Honourable William Pitt. Philippe Egalité Duke of Chartres. Félicité de Genlis The following Extract froom one of Mr. Pitt's became the mistress of the Duke and was soon named Speeches must now be read with increased governess of their daughteers and, controversially, of Admiration: "But, Sir, there are some their sons. Many of her works were written for their education annd through her writing became a friend of Gentlemen in the House who seem to consider Rousseau. In 1793 she fled the excesses of the it already certain that thhe ultimate success to Revolution and after living in England she was allowed which I am looking is unattainable. They to return in 1801 by Napoleon who admired her. suppose us only contendiing for the restoration Known in France as a 'Woman of Letters'. Oettingen- of the French Monarchyy, which they believe to Wallerstein Collection. Lugt:2715a. be impracticable, and deny to be desirable for Stock: 9045 this country. We have been asked in the course of this debate, Do you thiink you can impose Monarchy upon France aagainst the will of the Nation? I never thought it; I never hoped it; I never wished it. I have thought, I have hoped, I have wished that the timme might come when the effect of the Arms of the Allies might so far over-power the military force which keeps France in bondage as to give vent and scope to the thoughts and actionss of its inhabitants." - Mr. Pitt's Speech, Februuary 3d, 1800. J. Bryan, Printer, Grocers Hall Court, Poultry. [n.d. c.1806.] Letterpress. 272 x 216mm. 10¾ x 8½". £160 William Pitt the Younger (1759-1806) the youngest 6. [Louis Philippe instructing his childrenn prrime minister at the age of 24 in 1783 until 1801. He at Orleans House.] secured the union of Ireland with Great Britain in 1800 Lithographed & Printed by G.E. Madeley, 3, and formed the coalition with Russia and Austria Wellington Stt. Strand. Presented with the Atlas against Napoleon, which was wrecked in 1815 at Newspaper of August 29th. 1830 [on stone]. Austerlitz. He was elected Prrime Minister again in Lithograph, supplement to the 'Atlas' periodical. Image 1804. 175 x 265mm. 7 x 10½". £130 These words from his speech in 1800 on the Refusal to An interior scene of domesticity at Orleans House, Negotiate with France. Twickenham, featuring at its centre the house's most Stock: 23434 famous resident Louis Philippe, Duc d'Orleans (1773 - 1850). Forced into exile from France in the period 9. A Poetical Predictiion When Broad St. leading up to Napoleon's defeat at Waterloo, Louis Giles's' shall ascend the ssky,/ And Grosvenor Philippe made this house his home in London between Square be filled with apple-pie [...] Men shall 1815 and 1817. Attracted to the tranquillity of the arrea be honest,_ Nations be at peace,/ Slander lose he wrote to a friend: 'I bless heaven, noon and night its power, and female clamour cease!_ that I am in my peaceful house in old Twick'. In 1844 [n.d., c.1810] he returned to England as King of the French, and Manuscript with three ink and watercolour sketches visited his former residence accompanied by Queen attached below. Sheet 35.5 x 27cm. General paper Victoria. tone. £260 The pupils are portraits of his children. For other A whimsical poem spanning a range of cultural lithographs of the same scene, see refs. 7988 and 8065. references. A line about wheen 'Bonaparte keeps a Stock: 23472 's shop' possibly placces it during Napoleon's lifetime. Below are three comical ink and watercolour scenes the size of playing cards in which the conference of ambassadors of European states chaired protagonists have spades, hearts and clubs for faces. byy Austrian statesman Klemens Wenzel von Stock: 15839 Metternich, and held in Vienna from September 1814 to June 1815. Its objective was to settle the many 10. [Collection of Irish ephemera.] issues arising from the French Revolutionary Wars, the [n.d. 1820.] Napoleonic Wars, and the disssolution of the Holy An Irish collection of small line engravings and Roman Empire. Although representatives from all the invitation slips/visiting cards to persons of importance states which had participated in the wars were invited, within Europe. Some laid on scrap sheets. £650 the principal negotiations were conducted by the "Big We believe that the General referred to is the Four" (Britain, Russia, Prusssia, and Austria) and, later Lord Robert Stephen FitzGerald (1765–1833), 6th soon on, royalist France. of James FitzGerald, 1st Duke of Leinster, and British Stock: 35720 diplomat in Switzerland 1792–1795. Amongst the collection of visiting cards are the following four 13. Union entre la France et l'Autriche, La visitees: Alessandrina Bonaparte (1818 – 1874), France présentant l'Olivvier de la Paix à daughter or Luciano Bonaparte, French Politian. l'Autriche [...] Giovanni Baattista Velluti, colloquially "Giambattista" [Anon] A Paris chez Jean, Rue St Jean de Beauvais, No (January 28, 1780 – January 22, 1861) was an Italian 10 [c.1810] castrato. Ercole Consalvi (June 8, 1757 – January 24, Mixed-method engraving, raare with large margins; 1824) was a cardinal of the Roman Catholic Church - pllatemark 390 x 290mm (15¼ x 11¼"). £290 The new pope named him Cardinal Secretary of State, Allegory on the marriage of Napoleon and Marie- and in this capacity he negotiated the Concordat of Louise of Austria, and the union between their two 1801 with Napoleon, which reaffirmed the Roman countries. Hymen, the god off marriage ceremonies, Catholic Church as the established church of France attaches their portraits to an obelisk, and cupid carries a and restored some of its civil status. He also reformed garland of flowers, while female representations of the the administration of Rome and to some extent two countries make peace. modernized the city. Nicolas Charles Oudinot, 1st An inexpensive woodcut verrsion of this print also Comte Oudinot, 1st Duc de Reggio (25 April 1767 in circulated in France for a wider audience. Bar-le-Duc – 13 September 1847 in Paris), was a Stock: 31865 Marshal of France. Stock: 11328 26797

11. The Lord's Prayer in the Russian Language. Published: Commemorative of His Imperial Majesty The Emperor of all the Russias &c.&c.&c. Visit to Great Britain andd his landing at Dover on the 6th. Day of June 1814. by R & E. Williamson. Size of Circle to the above Prayer. One Fifth of an Inch Diameter. Proof. Ornamental Writing Engravers. London. Published June 25.th. 1814 by R. & E. Williamson, No.8 Brooks Street, West Square. Engraving. Plate 114 x 90mm. 4½ x 3½". Slight horizontal creasing. £140 A commemorative copy of the Lord's Prayer in Russian for Czar Alexander of Russia (1777-1825) who joined 14. Europe after the Congress of Vienna. A the Allied soovereign's on their visit to England in the Map of Europe with the Political Divisions June of 1814 to the celebrate the peace following the after the Peace of Paris and the Congress of defeat of the French and the abdication of Napoleon Vienna. Bonaparte. Drawn and Engraved for Thomson's New General Stock: 20795 Atlas. [Edinburgh, c.1823.] Engraved map on four sheets conjoined, fiine original 12. Congres de Vienne. Séance des colour. Total 1055 x 1310mmmm, 41½ x 51", on Plenipotentiares des Huit Puissances Whatman paper watermaked 1823. Tears at folds. £280 Signataires de Traot de Paris. A wall map of Europe as divided up by the Congress of J. Isabey a Paris. Rue des 3 Ferres No. 7. J. Godefroy. Vienna, 1815, at the close off the Napoleonioc Wars. 1819. Déposé à la Direction Royale de la Librairie'. While British gains were outtside Europe, the gains of Engraving. Platemark: 660 x 890mm (26 x 35"). Russia, Prussia and Austria were confirmed, to the Unexamined out of frame. £1250 detriment of Poland, Saxonyy, Pomerania. Also the A scene depicting the meeting of ministers neutrality of Switzerland was guaranteed and the slave representing the eight powers who were signatories to trade condemned. the Treaty of Paris. The Congress of Vienna was a Stock: 26797 15. Geographical Map of Europe, No. X. 18. Plan of the Battle of the Nile, August 1st, Historical Summary of the Principal Powers of 1798. Europe, as they Existed Before the French Wood-engraved map, watermarked paper 1812 J.C. & Revolution. C; 130 x 160mm, 5¼ x 6¼", set in text. Faint stain.£95 Davies Sc. Printed by R. Juigné, 17, Margaret-street, Diagram of the Batte of the Nile (or Aboukir), a British -square. [n.d., c.1817.] victory that gave the dominance in the Hand coloured engraving with surrounding letter press Mediterranean for the duration of the Napoleonic text. Sheet size: 495 x 715mm (19½ x 28¼"). Light Wars. foxing. Central vertical crease as published. £220 Stock: 25222 A fine and highly detailed map of Europe, depicting the principal powers of the continent as they existed 19. View of Acre & H..M. Ship Le Tigre. before the which lasted from 1789 Sketched on the Spot by F.B. Spilsbury, and Drawn by until 1799, and saw the rise to power of the French D.l Orme. Jeakes Aquaforte. Edw.d Orme Excudit. military and political leader Napoleon Bonaparte. The [n.d. c.1819.] map is annotated in great depth throughout, with Aquatint with added hand colour. 295 x 400mm (11¾ details of each country's population, size and in some x 15¾"). Trimmed. Chip to paper upper left corner. cases industrial and economic advantages. The seas are £280 as equally well described. Surrounding the map are A view of St John of Acre (now Akka, Israel) from the four written articles titled; 'On Europe, Physical And sea, with HMS Le Tigre seen in the foreground. Material.', 'Historical Summary Of The Principal The draughtsman F.B. Spilsbury was a surgeon on Powers Of Europe, As They Existed Before The booard Le Tigre, which together with the H.M.S. French Revolution.', Of The Political Systems Which Theseus, under the command of Commodore Sir Have Governed Europe', and 'Campaigns Of Charles Sydney Smith, was sent on a naval mission to the Holy XII, King Of Sweden'. Published as part of 'the Second Land and Syria. This operatioon was launched as part of Edition of Le Sage's Historical Atlas', by J. Wauthierr, the overall mission to counter the military campaigns 1817. of Napoleon in the Middle East in 1799 and 1800. Stock: 36152 Spilsbury's original on-site sketches of famous sites and local peoples were redraawwn in London by Daniel 16. Plan of the Action of the 21st of March Orme and reproduced in printed form, as here. See Fought near Alexandria, by the French under RMG: PAF4679; Parker: 144A. Stock: 29960 General Menou And the English Under Sir

Ralph Aberrcrombie. [after J. Bathurst.] [London: William Faden, 1801.] Engraved map. 440 x 280mm, 17¼ x 11". Binding fold, mount burn around image. £260 A detailed plan of the British victory at the Battle of Alexandria which allowed them to advance towards the city and lay siege to it. The French garrison surrendered on 2nd September 1801, ending Napoleon's ambitions outside Europe. Stock: 27366

17. Sketch of the Disposition of the Allies under the Command of Lieu.t Gen.l Hill, to surprise the Enemy in Arroyo Molinos on the morning of 20th Oct.r 1811. [Published by W. Faden, Geographer to the King, Charing Cross January 1st. 1812.] Engraved map with partial hand colour, rare. Sheet 2990 x 200mm (11½ x 8"). Trimmed to image. £240 A plan of the terrain through which an allied force under General Rowland Hill launched a surprise attack 20. The Champion of England. "The on a French army under General Jean-Baptiste Girard. Challange". [/] The foe thhought he'd struck, The French were crushed, with over 1,000 dead or but he sung out avast! [/] And the colours of wounded & 1,400 captured out of a force of 6,000, old England he nail'd to the mast!. compared with only 80 Allied casualties. The loss of a Painted by T. H. Maguire/ Engraved by G. S. Shury. whole French infantry division and a brigade of cavallry London published February 1st, 1860 by E. Gambart & led Napoleon to sack Girard. Hill was made a Knight Co. 25 Berners Street, Oxforrd Street, Nottingham, of the Bath. From a scrapbook compiled by Rev. Shaw & Sons. Willaim Bradford (1780-1857), Chaplain and war Mezzotint with very large maargins. 720 x 550mm. artist during the Peninsula Wars. (28¼ x 21½"). Rare. £320 Stock: 33252 John Crawford clinging to the top of a masthead on the ship 'Venerable', during the battle of Camperdown, holding a hammer, having nailed the Union Jack to the 23. Landing of the Briitish Army under Sir mast, looking up to right. Inscribed underneath image Ralph Abercrombie in Egypt is a dedication from Shaw & Sons to the owner of the J. Atkinson del. London 1st July 1817. Printed at R. original, 'J.L. Thackeray, Esq. Ackermann's Lithographic Prress. Stock: 28317 Lithograph, scarce; sheet 270 x 375mm (10¼ x 14¾"). Nicks to edges. Crease. £140 21. A Chinese Junk of 1000 Tons. Visited by The debarkation of the British troops at Abu Qir in Boats of the Modeste Frigate, off the South Egypt, in 1801 during the Napoleonic Wars. Number Coast of Borneo, August 1811. 11 of a series of military lithoographs by John Augustus From a Sketch by T.W.T. Printed by P.H. De la Motte, Atkinson (1774-1830). Ex: Collection of The Hon. Oxford. [n.d., c.1830.] Christopher Lennox-Boyd. Sepia lithograph, sheet c.330 x 400mm. 13 x 15¾". Stock: 31863 Stain lower left, horizontal crease above lower sheet edge. £260 24. Entrée de l'Amphiitrite à la Martinique HMS Modeste was a 36-gun fifth rate frigate of the (1809) (Capitaine de Trobriand). [pencil] Royal Navy. Launched in the French Navy in 1786, Gilbert delt. [pencil] [n.d., c.1840.] she served during the first actions of the French Lithograph on india with large margins, proof before Revolutionary Wars until being captured by the British letters, very scarce; India 320 x 460mm (12½ x 18"). while in harbour at Genoa. She served with distinction Slightly dusty. £480 in the East Indies, capturing several privateers and A scene from the British invasion of Martinique during enemy vessels, including the French corvette Iéna. She the Napoleonic Wars. L'Amphitrite, a 44-gun Armide also saw service in a variety of roles, as a troopship, a class frigate commanded by FFrançois Denis de receiving ship, and a floating battery, until finally Keredern de Trobriand, was carrying despatches from being broken up in 1814, as the Napoleonic Wars drew Napoleon for the governor off Martinique. Arriving in to a close. the 3rd February Trobriand ffought his way through the Artist unidentified. NMM: PAG8171. British bloackade into Fort-de-France harbour, cutting Stock: 15020 the corvette shown here in two. He landed his men then bllew his frigate up to prevennt her capture. Both French and English reports of the acction complimented his brravery. The crew joined the garrison of Fort Desaix and Trobriand was killed durring the British boombardment. Part of the hull of l'Amphitritte was discovered in 1960: artifacts were salvaged and put on display at the 'Service Régional de l'Archéoologie'. Stock: 35391

25. prisé de l'Albinos par le brick le Cygne (1807) (Cap.e de Trobriand.) Gilbert delt. [pencil] [n.d., c.1840.] Lithograph on india with large margins, proof before letters, very scarce; India 320 x 460mm (12½ x 18"). 22. St. Iohn of Acré. Defended by the Slightly dusty. £480 English under Sir Sidney Smith, against the The capture of a schooner by a French brig under the French under General Buonaparte, from 19 command of François Denis de Keredern de Trobriand March (28, Ventose) to 21 May (1. Praireal) (1767-1809), who died during the British invasion of 1799. To J. Spencer Smith, Esq.r L.L.D. F.R.S. Martinique. Stock: 35392 & F.S.A. &c. The Print from the Original

Drawing in his Collection, is respectfully 26. [The Victory of Lord Duncan.] inscribed by J. Jeakes. [Lettered key Description of the Picture. underneath as references to the small plan in Photographic reprint of a woood-engraved keyplate with title area.] letterpress. Printed area 210 x 340mm, 8¼ x 13½". £45 Drawn Préaux at Constantinople from a Sketch by F.BB. Reprint of the keyplate to John Singleton Copley's Spilsbury of H.B.M. Ship le Tigre 1800. Engraved by 'Victory of Lord Duncan', as engraved by James Ward, J. Jeakes. Publishd as the Act directs...180... with a 12-point key of people, and a short description Aquatint. 425 x 588mm. 16¾ x 23¼". Cut. Vertical of the scene. crease through centre. Some surface rubbing and Duncan's victory at the Battle of Camperdown (1797) scratching. £390 prrevented the Dutch navy beeing any help to France Here in 1799, the French launched an unsuccessful during the Napoleonic Wars.. From the Refference attack against the Ottoman-defended, walled city of Library of the Parker Gallerryy. Acre; the defense led by the British Admiral Sir Stock: 22799 William Sidney Smith (1764-1840). Stock: 19651 27. Lord Nelson engaging the Toulon Fleet His ambitions in the Levant tthwarted, Napoleon said of off the Mouth of the Nile. [&] French Line of Smith: 'That man made me miss my destiny'. NMM: Battle References... Bay of Aboukir [battle plan PAH9210. Stock: 26739 layout.] N. Pocock del. R. Pollard Sculp.t Publish'd by Bunney & Co. [n.d. c.1800.] [Plan:] Publish'd by Bunney & 29. Moors on board the Swiftsure. Gold, 1. June, 1799. Willyams delt. J.C. SStadler sculpt. London: Aquatint with explanatory and map of the battle plan Pub. by I. White, Fleet Streett, 1801. layout. 140 x 229mm. 5½ x 9". Plan: 330 x 350mm. 113 Hand-coloured aquatint, 1855 x 250mm. 7¼ x 9¾". £75 x 13¾". Plan folded, as normal. £140 Arabs or Berbers drinking teea and smoking long pipes Lord Nelson at the Battle of the Nile, fought between with opium, on board a Royal Navy warship; to British and French fleets at Aboukir Bay on the right. HMS Swiftsure was a 74-gun third rate ship of Mediterranean coast of Egypt from 1-3 August 1798.. the line of the Royal Navy. She spent most of her The large French convoy from Toulon and led by career serving with the British, except for a brief period General Napoleon Bonaparte was defeated by the when she was captured by the French during the British forces led by Rear-Admiral Sir Horatio Nelsoon. Napoleonic Wars. She fought in several of the most This engraving was published in the 'Naval Chronicle'. famous engagements of the French Revolutionary and Gold was the founder and publisher. See NMM: Napoleonic Wars, fighting for the British at the Battle PAD4019. Paarker 134: u. of the Nile, and the French att the Battle of Trafalgar. Stock: 23318 After Cooper Willyams (1762 - 1816), for his 'A Voyage up the Mediterraneaan in His Majesty’s Ship the Swiftsure, one of the squuadron under the command of Rear-Admiral Sir Horatio Nelson, K.B. ... with a description of the battle of the Nile on the first of August 1798' (1802). Willyaamms served as chaplain of the Swiftsure. He was present at the Battle of the Nile and according to DNB his is 'the first, the most paarticular, and the most authheentic account of the battle'. See BL 210.i.5. Abbey Traveell 196, 11. Stock: 22336

30. Sir. S. Smith defending the Breach of D'Acre, against Bonaparte. Laffert del. A. Smith sc. [London, Pub. Aug.19-1815, byy Rich.d , White row,, Spitalfields.] Engraving. 176 x 234mm (7 x 9¼"). Trimmed into 28. Constantinople. North view, taken from puublication line; repaired holle in image area; foxing to the Artillery Quay (called Tophana) with lower left corner. £50 H.B.M's ships Le Tigre and La Bonne The Siege of Acre, March 17, 1799, was the Citoyenne under the command of Sir Sidney unsuccessful French siege off the Ottoman-defended Smith, 1799. After a drawing in the collection walled city of Acre, where he was defeated by Sir of John Spencer Smith Esq.r late his Majesty''s Sidney Smith; also the turning point of Napoleon's Minister Plenipotentiary at the Ottoman Porte, invasion of Egpyt and Syria. &c. &c. &c. Stock: 34698 J.T. Serres Del. J. Jeakes Aculp. Published [scratched out, c.1805.] 31. The Siege of Antwweerp by the French Colour-printed aquatint with hand finishing, extremelly when it surrendered July 23rd. 1794. Twelve scarce. 430 x 570mm, 17 x 22½", on Whatman paper. Different Scenes of Action in the Present War. £950 Published 12th Sept. 1794 by Laurie & Whittle 53 A view of the arrival of Two Royal Navy ships, both Fleet Street London. captured from the French, at Constantinople. 'La Bonne Etching with hand-colouring and very large margins, Citoyen' was carrying the Turkish Ambassador back tto pllatemark 180 x 280mm (7 x 11"). £110 the city, protected by Le Tigre, commanded by Sir The fall of Antwerp in July 1794 during the Flanders William Syddnney Smith. The vessels and several Campaign of 1793-5 in the early years of the French Constantinople landmarks are identified by a key at the Revolutionary War. The campaign was a resounding top of the print. success for the French, but diisastrous for the First At this time Napoleon had brought an army of 13,000 Coalition of Britain, the Dutch Republic and various north out of Egypt into Ottoman Syria, capturing Gaza other states. and Jaffa before moving onto Acre. Smith sailed from Part of a set of battle scenes ppublished by the popular Constantinople and helped reinforce Acre's defences, prrintmakers Laurie & Whittlle soon after the actions then captured the French artillery being carried by sea had taken place. for the siege. Thus weakened, Napoleon made two Stock: 35940 assaults on Acre before withdrawing back to Egypt. retreat; the French were victorious. Napoleon led his troops over the bridge. Published in A.V. Arnault's 'Vie politique et militaire de Napoléon', Paris, 1822-1826. Stock: 30831

35. Bataille de Castigliione. Champion del. Litho: de C. Motte. [n.d. c.1826.] Lithograph with very large margins. Sheet 444 x 596mm (17½ x 23½"). £220 The Battle of Castiglione (5 AAugust 1796) saw the outnumbered Austrians, under Feldmarschall Dagobert Sigmund von Wurmser, defeated and driven back, by the Napoleon's French Army of Italy, along a line of 32. Bataille de Fleurus gagnee par l'Armee hills to the river crossing at Borghetto, where they Francaise le Messidor, de l'An 2. Commandee retired beyond the Mincio Riiver. par les Generaux Jourdan, Le Fevre, et Batre; Published in A.V. Arnault's 'Vie politique et militaire Contre l'Armee Imperiale; Commandee par de Napoléon', Paris, 1822-1826. Cobourg, et Beaulieu. Stock: 30792 Naudet del. Le Beau Sculp. Depose a la Bibliotheque Nationale. A Paris chez Jean, rue Jean de Beauvais, 36. Bataille de Dresde.. No.32 [n.d., c.1802]. Bellangé del.t Litho: de C. Motte. [n.d. c.1826.] Etching and engraving, 390 x 540mm. 15¼ x 21¼". Lithograph with very large margins. Sheet 445 x £350 596mm (17½ x 23½"). £220 In the Battle of Fleurus (June 26, 1794) French forces The Battle of Dresden (1813)), which resulted in a under Jourdan defeated an Austrian army in one of the French victory under Napoleon against forces of the most decisive battles in the Low Countries during the Sixth Coalition of Austrians,, Russians and Prussian French Revolutionary Wars. Both sides had forces under Field Marschal Schwaartzenberg. Unfortunately numbering in the vicinity of 80,000 men but the French the French troops did not completely deter all the were able to more effectively concentrate their forces Coalition Forces, and a few days later at the Battle of in order to achieve victory against the Austrians. Thee Kulm, Napoleon's forces werre surrounded and forced French use of the reconnaissance balloon to surrender. 'l'Entreprenant', seen in the sky upper right, marked the Published in A.V. Arnault's 'Vie politique et militaire first military use of an aircraft that had decisive de Napoléon', Paris, 1822-1826. influence on the outcome of the battle. L'Entreprenant Stock: 30790 continuously informed Jourdan about Austrian movements. 37. Bataille de Montabor. From the seriies 'Conquêtes de Napoléonle Grand' Champion del. Lithog: de C. Motte. [n.d. c.1826.] published 18802. Numbered 'No.29' upper right. Lithograph with very large margins. Sheet 445 x Stock: 9021 596mm (17½ x 23½"). £220 The Battle of Mount Tabor, where French Forces under 33. Bataille de Friedland General Kleber opposed an Ottoman force led by the V.Adam del. Lith: de C. Motte. [n.d. c.1826.] Pasha of Damascus on 16 April 1799; it was a decisive Lithograph with very large margins. Printed area 320 x French victory. Napoleon at the time was besieging 415mm (12½ x 16¼"). £140 Acre. The Battle of Friedland (June 14, 1807), 45 kilometres Published in A.V. Arnault's 'Vie politique et militaire southeast of Königsberg. in Prussia, in which the de Napoléon', Paris, 1822-1826. French under Napoleon decisively defeated Count von Stock: 30789 Bennigsen's Russian army. The 23-hour battle effectively ended the War of the Fourth Coalition 38. Prise de Munich. (1806–1807) against Napoleon. Monfort del. Litho de C. Mootte. [n.d. c.1826.] Published in A.V. Arnault's 'Vie politique et militaire Lithograph, with very large margins. Sheet 445 x de Napoléonn', Paris, 1822-1826. 596mm (17½ x 23½"). £190 Stock: 35930 The taking of Munich by Naappoleon in 1805; the end to Napoleon's Ulm Campaign. Unable to stop the French 34. Pont d'Arcole. advance and troops attacking from all areas, the H. Vernet del. Litho. de C. Motte R. des marais. [n.d. Austrian troops abandoned itts positions along the c.1826.] Danube and fled to Munich. Lithograph, very large margins. Sheet 444 x 596mm Published in A.V. Arnault's 'Vie politique et militaire (17½ x 23½"). £140 de Napoléon', Paris, 1822-1826. The Battle of Arcole (1796) saw a bold manoeuvre by Stock: 30788 Napoleon's French army of Italy to outflank the Austrian army under Jozsef Alvinczi and cut its line of 39. Bataille de Saalfeld. targets, troop positions and heavy siege guns numbered Feucher (?) del. Litho: de C. Motte. [n.d. c.1826.] in image (lacking key). The attack resulted in the Lithograph, very large margins. Sheet 443 x 596mm ransacking and devastation of the town by the (17½ x 23½"). £160 assaulting troops. Napoleon arriving at the Battle of Saalfeld (10 October For the 'Naval Chronicle' perriodical. 1806), where he witnessed the French victory led by Stock: 19952 Jean Lannes over the strong Prussian force of Prince Louis Ferdinand. Published in A.V. Arnault's 'Vie politique et militaire de Napoléonn', Paris, 1822-1826. Stock: 30787

40. Siege de St. Jean d'Acre. Litho: de C. Motte. [n.d. c.1826.] Lithograph with very large margins. Sheet 444 x 596mm (17½ x 23½"). £220 The Siege of Acre, March 17, 1799, the unsuccessfull French siege of the Ottoman-defended walled city of Acre, where he was defeated by Sir Sidney Smith; also the turning point of Napoleon's invasion of Egypt and Syria. Published in A.V. Arnault's 'Vie politique et militaire de Napoléonn', Paris, 1822-1826. Stock: 30837

41. Prise de Smolensk. Champion del. Lith de C. Motte. [n.d. c.1826.] Lithograph, with very large margins. Sheet 444 x 596mm (17½ x 23½"). Tear into lower edge. £220 The Battle of Smolensk, the first major battle of the French invasion of Russia, which took place on August 16-18, 1812. Napoleon led the Grande Armee against the strong Russian force under Barclay de Tolly; it was a decisive French victory. 44. Lieut. General O'Hara Governor of Published in A.V. Arnault's 'Vie politique et militaire Toulon Conducted by two Soldiers after he de Napoléonn', Paris, 1822-1826. was wounded in the Arm on the Height of Stock: 30795 Arenes near Toulon 20 Nov. 1793. Being faint by the loss of blood, was obliged to sit under a 42. Bataille De Wagram. (6 Juliet 1809.) Wall, where he insisted on being left by the two Peint par Horace Vernet. Gravé par Jazet. [n.d., c.1840]. Soldiers, whom he orderred to proceed and save Aquatint with very large margins. Printed area: 580 x themselves; in which he was taken Prisoner by 440mm. (22¾ x 17¼"). £390 the French. Napoleon on horseback, observing the battle of Printed for Bowles & Carverr, No 69, St Paul's Church Wagram. The Battle of Wagram (5–6 July 1809) was Yard, London. Published as tthe Act directs 20 Jan. one of the most important military engagements of the 1794. Napoleonic Wars and ended in a decisive victory for Mezzotint with fine original hand colour, very scarce. Emperor Napoleon I. The battle virtually spelled the 355 x 250mm (13¾ x 9¾"). Laid on board, three small destruction of the Fifth Coalition, the Austrian and worm holes. £680 British-led alliance against France. General Charles O'Hara (1740-1802) saw service in the Stock: 31383 Seven Years' War and the American War of Independence, in which he was General Charles 43. San Sebastian. Cornwallis' second-in-command. He represented W.P. delt. Baily sculpt. Published May 31. 1814. by Cornwallis at the surrender after Yorktown. In 1792 he Joyce Gold, Naval Chronicle Office 103, Shoe Lane was made Governor of Gibraltar but the following year London. he was sent to support the Frrench Royalists holding Sepia aquatint, 150 x 230mm. 9" x 6". Title slightly cut Toulon when they revolted during the Reign of Terror. away. £70 With the city under siege and being bombarded, Illustration of the Siege of San Sebastián (7 July - 8 O'Hara commanded a sortie aattempting to silence the September 1813), when Allied forces from the army oof baatteries, but was wounded and captured (as shown in General Arthur Wellesley, 1st Duke of Wellington this print). A young Napoleon Bonaparte took his captured the city in northern Spain from its French surrender, after which O'Harra was threatened with the garrison under Brigadier-General Louis Rey. Strategic guillotine, but instead spent ttwo years in prison. Thus O'Hara has the distinction off surrendering to both George Washington and Napoleon Bonaparte. He died Napoleon) watches the battle from the safety of a in 1802 from complications from his war wounds. pllatform behind the French lliine. Wellington's charge, Stock: 31423 which took place several hours into the Battle of Waterloo, combined with Blücher's attack on Napoleon's righth -flank, drove the French troops into disorder allowing the coalition forces to enter France. Stock: 33572

47. To his Royal Highness The Prince Regent This Plate of the Battle of Waterloo, on the 18th of June 1815, is with gracious Permission humbly Dediicated by His Royal Highness's most obediennt and devoted humble Servants, Hurst, Robinson & Co. Painted by J. A. Atkinson. The Portraits by A. W. Devis. Drawn & Engravedby John Burnet. London Published June 18 1819 by Hurst, Robinson & Co. late Boydells, 90 Cheapside, & D.k Artarie, Manheim. Engraving on India paper. Sheet size: 500 x 630mm 45. To his Royal Highness The Prince (19¾ x 24¾"). Trimmed insiide plate. Laid on backing Regent This Plate of the Battle of Waterloo, on sheet. Light surface creasingg in some areas. £250 the 18th of June 1815, is with gracious A battle scene at Waterloo with the Duke of Permission humbly Dedicated by His Royal Wellington on horseback to tthe left, surrounded by officers, with his hat raised in his right hand. Wounded Highness's most obedient and devoted humble soldiers lie in the foreground with fighting occurring Servants, Hurst, Robinson & Co. over the entire field behind and into the distance. A Painted by J. A. Atkinson. The Portraits by A. W. French army under the command of Napoleon was Devis. Drawn & Engravedby John Burnet. London defeated by the armies of the Seventh Coalition, Published Juune 18 1819 by Hurst, Robinson & Co. late comprising an Anglo-allied army under the command Boydells, 90 Cheapside, & D.k Artarie, Manheim. of the Duke of Wellington combined with a Prussian Engraving. Sheet size: 520 x 645mm (20½ x 25½"). army under the command off Gebhard von Blücher. Trimmed inside plate at top edge. Repaired tears in title Lettered below image with cooat of arms encircled by a area, upper left corner, and upper central area of garland and a dedication to the Prince Regent from the printed image. Small repaired pin holes to sheet. puublishers. Damaged. £280 Stock: 36193 A battle scene at Waterloo with the Duke of Wellington on horseback to the left, surrounded by 48. [The Landing of the British Troops in officers, with his hat raised in his right hand. Wounded Egypt on the 8th of March 1801.] soldiers lie in the foreground with fighting occurring Painted by P.I. de Loutherboourg R.A. Etched by L over the entire field behind and into the distance. A Schiavonetti V.A. London Pub.d 1803 by Anth.y French army under the command of Napoleon was Cardon No 31 Clipstone Street Fitzroy Square. defeated by the armies of the Seventh Coalition, Stipple, scratched-letter working proof, framed. 620 x comprising an Anglo-allied army under the command 820mm, 24½ x 32¼". Slight spotting. Unexamined out of the Duke of Wellington combined with a Prussian of frame. £490 army under the command of Gebhard von Blücher. The second Battle of Aboukiir Bay, in which a British Lettered below image with coat of arms encircled by a army of 5,000 led by General Ralph Abercromby garland and a dedication to the Prince Regent from the landed along the beach to dislodge an entrenched publishers. Stock: 36194 French detachment of 2,000 uunder General Louis Friant. They did so, but not before 1,100 British troops were lost. 46. The Battle of Waterloo Decided by the The finished print was published in 1804, with a Duke of Wellington, Heading a charge upon dedication to the officers involved and a remarque of the French Imperial Guards, June 18.th. 1815. the trophies of war. J. A. Atkinson Del. M. Dubourg Sculp. Published & From 'de Loutherbourg's Campaigns in Egypt and Sold Sep.r.1. 1815 by EDW.D. ORME, Publisher to Italy'. Government Art Collecction: 1533. Ogilby 568: 1. his Majesty & H. R. H. the Prince Regent, Bond Streeet See 22852 for keyplate. corner of Brook Street London. Stock: 21581 Very fine coloured aquatint with large margins. Plate: 330 x 250mm (13 x 9¾"). £260 49. [The Battle of Alexandria, on the 21st of Battle scene depicting Wellington's charge on the March 1801.] Imperial Guard. Wellington, mounted upon his horsee Painted by P.I. de Loutherboourg R.A. Etch'd by Anth.y Copenhagen, calls the charge, brandishing his sword. A Cardon. London Pub.d 1803 by Anth.y Cardon No 31 figure in a recognisable bicorne hat (perhaps Clipstone Street Fitzroy Square. Stipple, scratched-letter working proof, framed. 620 x exhibited at the Salon. From 1823 to 1835 he published 820mm, 24½ x 32¼". Slight spotting. Unexamined ouut 15 albums of lithographs foccused on Napoleonic of frame. £490 military history. In 1837 he moved to Rouen to become The Battle of Alexandria, in which the British army curator of the Musée des Beaux-Arts and returned to under General Ralph Abercromby fought the French on Paris in 1853. the way to lay siege to the city of Alexandria. It shows Godefroy Engelmann (1788 - 1839) was a lithographic Abercromby in discomfort from the spent bullet that hit prrinter, famed 'Körner' (grinder) for crayon- him, causing his death a week later. lithographs, and patentee of chromolithography. He set The finshed print was published in 1804, with a up a press in Paris in June 1816. He improved dedication to the Abercromby's memory and a lithography, paricularly by developing lithographic remarque of the trophies of war. wash in 1819, and the impressive effects of his From 'de Loutherbourg's Campaigns in Egypt and innovative techniques are displayed here. Italy'. Government Art Collection: 1537. Ogilby 568:: 2. Stock: 7760 See 22852 for keyplate. Stock: 21582 52. The Allies before Dantzic in Winter. Clarke del.t. Dubourg sculp.tt. Published & Sold Dec.r. 50. The Attack on the Strong Fort of Grijo, 1. 1818, by Edw.d. Orme, Bond Street, corner of Brook on the 11.th of May 1809. Respectfully St. London. Dedicated to Major General the Honorable Sir Fine coloured aquatint with llarge margins, printed on Charles Stewart, K.B. by his most obed.t 1816 watermarked paper. Plate: 330 x 250mm (13 x hum.ble Ser.t H. L'Eveque. 9¾"). £240 Painted by H. L'Eveque. Engraved by Ch.e Heath. Exterior scene showing Russian troops depicting the London: Pub.d Jan.1.1813 for the Proprietors by allied forces before the besieeged town of Dantzic. Mess.rs Colnaghi & Co. 23 Cockspur St.t Dantzic was garrisoned by Napoleon's army following Copper engraving. Plate 356 x 489mm. 14 x 19¼". his invasion of Russia and the French continued to hold Tear into lower right-hand edge and image. £260 it even after their retreat. Folllowing a gruelling seige The Battle of Grijó was a battle that ended up in the French surrendered to the Russians under Platoff victory for the Anglo-Portuguese army commanded by handing over several thousand prisoners of war. Stock: 33586 Sir Arthur Wellesley over the French Army commanded by Marshal Nicolas Soult during the second French invasion of Portugal in the Peninsular 53. Vue generale des Ponts du Danube. War. Alex. De la Borde del. Pirinngger sculp. Retouche par Stock: 20874 Swebach. [Paris, c.1840.] Etching with aquatint, sheet 2285 x 355mm. 11¼ x 14". Trimmed to plate at left. Staiining to right. £140 Napoleonic infaantry, cavalryy, and supply wagons crossing the River Danube on wooden pontoons to launch the French invasion of Austria in 1809. The massive Battle of Aspern-Esssling (22 May 1809) followed the crossing, Napolleon's first significant tactical defeat. But the Austrrian commander, Archduke Karl, failed to follow up on his decisive victory, allowing Napoleon to preparre and seize Vienna in early July. Numbered 'Tom. I.' upper right. From a series of views of the Napoleonic Wars 1800 - 1815 issued by Bernard Edouard Swebach (1800 - 1870). BNF: FRBNF403442334. Stock: 15517

54. [Du Vivier Commandant d'escadron au neuvieme regiment de Drragons. (14th January 1797)] [Single combat on horseback between French dragoon Du Viviier and an Austrian commander.] [French, Deroy? 1796 - 1805.] 51. [A French grenadier supports a woundeed Etching and aquatint with deescriptive letterpress sheet, standard-bearer in the heat of a battle.] 150 x 210mm. 6 x 8¼". £90 From a series of propaganda prints publicising the Bellange [in image] Lith. de G. Englemann. [n.d., heroic exploits of French sollddiers of the Revolutionary c.1830.] Lithograph, image 408 x 437mm. £360 army on the battlefield; probably 'Les Fastes du Peuple français, ou tableaux raisonnés de toutes les actions Dramatic scene by Hippolyte Bellangé (1800 - 1866)), héroïques et civiques du soldat et du citoyen français' French painter and printmaker. Pupil of Gros, he by Jacques Grasset Saint-Sauveur. See BNF: byy Jacques Grasset Saint-Sauveur. See BNF: FRBNF40253477. FRRBNF40253477. Stock: 15820 Stock: 15821

55. [Action Heroique de Francois Mallet, 56. [Trait de Devouement Courageux de Chasseur de la Iere compagnie, du Ier. Michel Hachet, Hussard,, au quatrieme bataillon de la division no.1. (18th November regiment. (30th Novembeer 1793)] [French 1793)] [A French infantryman Mallet asks his Royalist troops so admire the courage of commander to fix his bayonet to his musket for Michel Hachet, a Hussar of the 4th Regiment, him, his left hand being injured and bandaged. they decide to spare his llife.] He then continues the assault on the enemy [French, Deroy? 1796 - 1805.] fortress (background), helping to secure Etching and aquatint with deescriptive letterpress sheet, victory.] 185 x 130mm. 7¼ x 5". £90 [French, Deroy? 1796 - 1805.] From a series of propaganda prints publicising the Etching and aquatint with descriptive letterpress sheet, heroic exploits of French sollddiers of the Revolutionary 185 x 135mm. 7¼ x 5¼". £90 army; probably 'Les Fastes du Peuple français, ou From a series of propaganda prints publicising the tableaux raisonnés de toutes les actions héroïques et heroic exploits of French soldiers of the Revolutionary civiques du soldat et du citoyen français' by Jacques army on the battlefield; probably 'Les Fastes du Peuple Grasset Saint-Sauveur. See BNF: FRBNF40253477. français, ou tableaux raisonnés de toutes les actions Stock: 15813 héroïques et civiques du soldat et du citoyen français''

57. [The Isle of Wight Volunteers.] To June 1798; Is with permiission most Major General Don Commander in Chief of respectfully inscribed, by his Lordship's much the Forces in the Isles of Wight This Plate of obliged and obed.t Serv.t Richard Livesay. [&] the Grand Review near Freshwater Bay on the To the Officers & Corps of the Newport 17th June 1798 Is inscribed with respectfull Volunteers this view of the Town with the acknowledgements by his obliged humble Volunteers on their Marrch to be Reviewed by Servant Ricchard Livesay. [&] To the Officerss the Right Hon.ble General Sir W.m Pitt K.B. & Corps of Volunteers of Cowes, This View of on the 29th July 1798, is with Respect West Cowes with the Volunteers on the Inscribed by their obliged humble Servant, Parade, Is with respect Inscribed by their Rich.d Livesay. [&] To thhe R.t Hon.ble Sir much obliged humble Servant Richard Livesay Will.m Pitt, K.B. Commander in Chief of the [&]To the Right Hon.ble Lord Bolton, South Western District, This Plate of the Governor of the Isle of Wight, this Grand Review at Sandham [Sandown] Bay in Representation of the Vounteers receiving the the Isle of Wight on the 4th June 1798; Is most Island Banner, presented to them by his respectfully inscribed by his much obliged and Lordship, at Carisbrook Castle, on the 24th of most obed.t hble Servant, Rich.d Livesay. Designed by Richard Livesay Drawing Master to the 59. [Action Heroique De Juban, Sergent- Royal Academy Portsmouth. Engraved by J. Wells. Major au 5e. bataillon de Rhone et Loire. (8th Published April 1 1799 [& June 1, 1799; August 12, April 1793)] [The Frencch soldier Juban leaps 1799; January 1, 1800], by R. Livesay Portsea. into the water having desstroyed a wooden Set of five fine coloured aquatints. Each c. 480 x bridge with his axe; thus preventing Austrian 580mm. Unexamined out of frames. £4800 Five views of the Isle of Wight Volunteers in review, troops approaching the far bank from published at a time when the island was under threat of crossing.] invasion by Napoleon. Each has a remarque in the [French, Deroy? 1796 - 1805.] title. Etching and aquatint with deescriptive letterpress sheet, Richard Livesay, portrait and landscape painter, was a 195 x 135mm. 7¾ x 5¼". Sliight staining. £90 pupil of Benjamin West and exhibited at the Royal From a series of propaganda prints publicising the Academy for the first time in 1776. In 1790 he was heroic exploits of French sollddiers of the Revolutionary engaged by West to copy pictures at Windsor, giving army on the battlefield; probbably 'Les Fastes du Peuple drawing lessons to some of the royal children. In 17996 français, ou tableaux raisonnés de toutes les actions Livesay was appointed drawing-master to the Royal héroïques et civiques du soldat et du citoyen français' Naval College at Portsmouth and he moved to Portseea, byy Jacques Grasset Saint-Sauveur. See BNF: from where he published this set of Isle of Wight FRRBNF40253477. Stock: 15818 Volunteer Reviews. Stock: 20537 60. The Sortie from Baayonne. [After William Heath.] [n.d.,, c1815.] Etching with letterpress. Totaal 360 x 510mm, 14 x 20". Watermarked 1811. Tear throough letterpress, edges brrowned and chipped. £110 A key plate and description of the battle, fought on the 14th June, 1814. The full plate was aquatinted by Thomas Sutherland for Jenkiins' Martial Achievements'. Frrom the Reference Library of the Parker Gallery. Stock: 22859

61. [The British Army in Egypt.] Key of Reference to a Centre Print to Two Engravings; one of the Landing of the British Forces in Egypt, and thee other the Battle of Alexandria. [After P.J. de Loutherbourg.]] Printed by A, Strahan, [?] Printers Street, London. [n.d.., 1806.] Engraving with letterpress. Total 395 x 310mm, 15¾ x 12¼". Edges browned and chipped, losing part of prrinter's inscription. £140 A key plate, not to the pair of views of the military action by de Loutherbourg, but to his memorial to Sir Ralph Abercromby, called 'The British Army in Egypt'. The full plate takes the form of an acute pyramid made up of medallion portraits of Abercromby's officers, 58. [Encore Une Belle Action De Juban. (6th surrounded by soldiers and sailors, including a sepoy May 1793)] [An Austrian officer defeated in a and a mamluk, some bringinng more portraits to be sword fight pleads for mercy and offers a added to the pyramid. This key describes the troops, pocket watch to his conqueror Juban.] with the Pharos and Pompeyy's Pillar. From the [French, Deroy? 1796 - 1805.] Reference Library of the Parker Gallery. See Refs: Etching and aquatint with descriptive letterpress sheet, 21581 & 21582 for prints. 195 x 135mm. 7¾ x 5¼". Slight stain upper right. £90 Stock: 22852 From a series of propaganda prints publicising the heroic exploits of French soldiers of the Revolutionary 62. Marche de la divission Molitor vers la army on the battlefield; probably 'Les Fastes du Peuple Lob-au. français, ou tableaux raisonnés de toutes les actions Alex De la Borde del. Piringer sculp. Retouche par héroïques et civiques du soldat et du citoyen français'' Swebach. by Jacques Grasset Saint-Sauveur. See BNF: Etching with aquatint, sheet 2270 x 340mm. 10½ x FRBNF40253477. 13½". Trimmed to plate on three sides. £95 Stock: 15812 Napoleonic troops on campaaign during the French invasion of Austria in 1809. Numbered 'Tom. I.' upper right. From a series of views of the Napoleonic Wars 1800 - 66. Après Vous Sire 1815 reissued by Bernard Edouard Swebach (1800 - D'après Charlet Lecler [?] litth [n.d., c.1825] 1870). BNF: FRBNF40344234. Lithograph, sheet 395 x 455mm (15½ x 18"). Repaired Stock: 15520 tears at bottom. £160 Napoleon I on horseback, driinking from a bottle, with 63. Battle of Morales_June 2.nd 1813. a grenadier beside. Several prints of this scene were W.Heath del.t T. Sutherland sculp.t London. Pub: prroduced and one Italian verrsion states that the scene Sept.r 1.1815 by J. Jenkins, 48 Strand. represented is from the 'campagne de 1813'. After Hand-coloured aquatint. Watermarked: J Whatman Nicolas Toussaint Charlet (1792-1845), painter and Turkey Mills 1827. Plate 216 x 300mm. 8½ x 11¾". lithographer. Very atmospheric scene. Fine large paper. £75 Stock: 23109 The Battle of Morales during the Peninsular Wars between Napoleon and Wellington's allied forces. 67. Bataille De Iéna. (14 Octobre 1806.) From 'The Martial Achievements of Great Britain and Peint par Horace Vernet. Gravé par Jazet. [n.d., her Allies from 1799 to 1815', by James Jenkins. c.1840]. Stock: 20775 Aquatint with very large marrgins. Printed area: 580 x 445mm. (22¾ x 17½"). £390 64. The Capture of Napoleon's Carriage att Napoleon reviewing the Impperial Guard at the battle of Genappe by Prussian Cavalry. Jena. The battle of Jena was hheld October 14, 1806, in [Anon, c.1815] Jena (Germany, Thuringia) parallel to the battle Engraving with hand-colouring, rare; sheet 150 x Auerstaedt, and ended with a total victory of French 195mm (6 x 7¾"), Trimmed around image and title; under Napoleon against the Prussians, during the glued to album sheet. £120 campaign of Prussia and Polaand. Following the Battle of Waterloo, Johannes Horn, who Stock: 31382 drove Napoleon's coach (or 'dormeuse') tried to bring the vehicle to safety. He drove from La Belle Alliance 68. Halt on the March [&] Soldiers in Battle to near Genappe where the Prussian cavalry captured A. Park, 47 Leonard St / Tabernacle Walk London the carriage and left Horn for dead. The aftermath of [below both images, c.1820] the battle is suggested by the scattered cannons, barrels Aquatint, sheet 195 x 240mm (7¾ x 9½"). £90 and cannonballs. Two romanticized military prints by the Shoreditch Stock: 32294 puublisher A. Park, probably iintended for dividing and selling separately. Park speciialized in cheap prints with poopular appeal in the early 199th century. Stock: 35947

69. The Passage of the Adour. [Published by J.& J.Cundee Albian Press, London, 1814.] Stipple. 132 x 208mm. 5¼ x 8¼". Cut at bottom. £60 The Passage of Adour was an Ally coalition strategy that saw, under Wellesley, a push through from Spain into French territory in 1814,, during the Napoleonic Wars, culminating in the Alliies arrival in Paris on 30 March 1814. The Adour Riveer is in the South of France, not far from the Spanish border. Stock: 20168

70. Blockhaus construit par les Français sur le haut d'une lour pour défendre le passage de 65. On N'Passe Pas Charlet pinx.t Lecler [?] lith [n.d., c.1825] Ponte-Duero. Lithograph, sheet 390 x 450mm (15¼ x 17½"). Slight Bacler d'Albe ftf . Lith de G Engelmann. [n.d. c.1825.] creasing. £240 Lithograph. 265 x 367mm. 10½ x 14½". £60 Napoleon I, his path blocked by a young soldier The Duero Bridge in Valladolid. A strategic fort was holding a bayonet apparently unaware of Napoleon's buuilt by Napoleon in 1812 during the French identity. Graffiti inscriptions on wall behind. After Revolutionary Wars to defend the passage across the Nicolas Toussaint Charlet (1792-1845), painter and River Duero. Gun fire can be seen from the tower and lithographer. This very atmospheric scene was also the opposite side of the bridge, as the French army engraved in London, attributed to the British fight to hold their ground and defend the bridge and printmaker S.W. Reynolds (see Whitman 343), so was paassageway. A boat in the foreground has had little clearly a popular image in England as well as in success in crossing, with bodies lying on the shoreline. Stock: 17319 France. Stock: 23108

71. [Audace Heureuse du Capitaine Rene. £320 (3rd February 1793)] [The French captain A proof of the first of a rare sset of twelve views receives the surrender of an Austrian general, engraved by Charles Turner for 'Wellington's who proffers his sword to the victor.] Campaigns in Spain and Porttugal'. [French, Deroy? 1796 - 1805.] During the Peninsular Wars, Wellington led the attack Etching and aquatint with descriptive letterpress sheet, against the French in Portugal and Spain and in 1811 150 x 210mm. 6 x 8¼". £90 his services and victories weerre duly noted with his From a series of propaganda prints publicising the prromotion to full general. Seee Whitman 828. Ogilby: heroic exploits of French soldiers of the Revolutionary 789. See Refs: 17537, 175388,, 17540, 20063. Stock: 20065 army; probably 'Les Fastes du Peuple français, ou tableaux raisonnés de toutes les actions héroïques et civiques du soldat et du citoyen français' by Jacques 75. Bombardement de Vienne. la nuit du 11 Grasset Saint-Sauveur. See BNF: FRBNF40253477. au 12 Mai. Stock: 15817 Hoehte del. Piringer sculp. [[Paris, c.1840.] Etching with aquatint, sheet 2240 x 325mm. 9½ x 12¾". 72. Entraance of Lord Wellington into Trimmed within plate. £130 Salamanca; At the Head of a Regiment of The night sky above Vienna,, capital of the Austrian Hussars_May 20.th 1813. Empire, illuminated by French artillery fire. Napoleon was to capture the city in earrly July. W. Heath del.t Etched by J. Clarke. M. Dubourgh Numbered 'Tom. I.' upper right. aqua.t London. Pub.d June 1. 1815, by J. Jenkins, 48 From a series of views of the Napoleonic Wars 1800 - Strand. 1815 issued by Bernard Edouard Swebach (1800 - Hand-coloured aquatint. Plate 210 x 297mm. 8¼ x 1870). BNF: FRBNF403442334. 11¾". Small tears into the margins. £80 Stock: 15522 Wellington arriving at Salamanca before his allied forces defeated Napoleon at the Battle of Vitoria. From 'The Martial Achievements of Great Britain and her Allies from 1799 to 1815', by James Jenkins. Stock: 20773

73. Battle of Toulouse_April 10.th 1814. W. Heath del.t T. Sutherland aqua.t London, Pub. March 1.1815 by J.Jenkins, 48 Strand. Hand-coloured aquatint. Plate 215 x 300mm. 8½ x 11¾". Some creasing and scuffing. £80 The Battle of Toulouse (April 10, 1814) was one of the final battles of the Napoleonic Wars. Toulouse was heavily defended by Marshal Soult; the result was indecisive, with victories claimed by both sides. The 76. The Total Defeat & Flight Of The battle took place four days after Napoleon's surrender French Army (At The Battle Of Waterloo) of the French Empire. Commanded By Napoln.. Bounaparte: June 18, From 'The Martial Achievements of Great Britain and 1815. her Allies from 1799 to 1815', by James Jenkins. Publish'd June 4, 1816, by Whittle & Laurie, 53, Fleet Stock: 20774 Strt eet London. Hand coloured engraving, 285 x 445mm. 11¼ x 17½". 74. To His Royal Highness the Duke of Kent, Tear into image lower left. £220 Strathearn &c. &c., His Excellency the A defeated Napoleon fleeing from the Battle of Marquis of Wellington, &c. &c. and His Waterloo (18th June 1815) on his charger, towards a Excellency the Marshal Sir W.C. Beresford, waiting coach. &c. &c. This View of the Fording of the River Stock: 9051 Mendego by the Allied Army, on the 21st Sept.r 1811 is humbly inscribed by His Royal 77. [Hougoumont] Intteerior of the Garden Highness's and their Excellencies most obliged Wall of Chateau Gomonnt a point strongly & very humble Serv.t John Marnoch. No. 1 of contested and defended by the Guards. a Series of Views of the principal occurences of Engraved by R. Reeve after a drawing by Mr S. the campaigns in Spain and Portugal. Wharton. London, Published March 1816 for the Proprietor by R.Reeve 15 Rathbone Place. Painted by Major T. St. Clair. Engraved by C. Turner. Etching with aquatint, printeed in colours and hand Edinburgh, Published Oct.r 10th 1812, by the finished. Sheet 275 x 325mm (10¾ x 13¼"). Trimmed Proprietor, John Marnoch, , Gilder & Printseller, within plate, edges chipped. £95 Mess.rs Boydell Cheapside; & Mr. Booth, Duke Streeet, A rare peacetime view of Hougoumont, famously Portland Place, London/ defended by British and German troops under the Etching, proof before aquatinting, very scarce. 415 x command of Lieutenant-Colonel James Macdonnell of 580mm. 16¼ x 22¾". Mounted on album paper, uncut. Coldstream Guards. The garrrison occupied a large number of French troops, keeping them away from the brrilliant tactics held the French at bay until his ally main battle, to Wellington's satisfaction. He said arrived, allowing the Allies to triumph. afterwards that 'the success of the battle turned upon This extremely rare print has a pair, 'Z.K.H. Willem the closing of the gates at Hougoumont'. Frederik George Lodewijk, prins van van Oranje- From a series of twelve rare aquatints of Waterloo after Nassau... bij Quatre-Bras", which we have never seen. Samuel Wharton. Stock: 31824 Stock: 36197 80. La Vieille garde chargait avec vigeur un corps d'écossais... Vafflard. Imp. Lithogr. de G. Engelmann rue Cassette No. 18 à Paris. [n.d., c.1840.] Lithograph. Printed area 3000 x 340mm. £140 A highlander rescuing his regiment's standard-bearer, while Napoleon's Old Guardd applaud his bravery. Stock: 7155

81. Grenadiers of the XLII.D. or Royal , and XCIL.D. or Gordon Highlanders. C. H. S. Aquatinted by J. C. Stadler. London Pub.d. Sep.r. 1.st. 1812 by Colnaghii & Co. 23 Cockspur Street. Very fine coloured aquatint with very large margins. Plate: 250 x 330mm (9¾ x 133"). £320 78. The Exterior of Hougoumont at the Battle scene. Two soldiers march side by side with commencement of the Battle of Waterloo, June thier rifles raised. A battle goes on behind and a 18.th. 1815. To the left is the Coldstream baagpiper plays on the right. From "Costumes of the Guards, endeavouring to obtain possession of Army of the British Empire, according to the last the House; at the same time the enemy are regulations of 1812". Ogilvy 870 charged by the light infantry of the second Stock: 33480 brigade, and driven back with great loss...On the right, near the wood, is two battalions of 82. A Sergeant and Privates of the 87th. Or Brunswickkers, lower down is the plantation, Prince of Wales own Irish Regiment on occupied by the 3rd regiment of Guards; & in Service. the fore-ground is the 2.nd. battalion of the C.H.S. Aquantinted by J. C. Stadler. London. Pub.d. 1.st. Guards. Plate I. Jan.y. 1813 by Colnaghi & C.o. 23 Cockspur Street. Very fine coloured aquatint with large margins. Plate: Drawn by A.M.S. Engraved by T. Sutherland. London: 250 x 330mm (9¾ x 13"). Three holes in left margin Pub.d Feb.y 1.1816.by J. Jenkins, No.48, Strand. from binding. £180 Hand-coloured aquatint with large margins, very rare, Battle scene in which a Sergeant (marked by the three printed on J. Whatman watermarked paper 1813. Plate stripes on his arm) of the 87tth stands above a fallen 325 x 411mm (12¾ x 16¼"). £320 French soldier. The Sergeantt takes the fallen A view of the Chateau d'Hougoumont under attack, Napoleonic flag from the dead soldier whilst behind situated at the bottom of an escarpment, where British him privates from the 87th regiment engage in battle in and other allied forces faced Napoleon's Army at the the background. This scene commemorates the 87th's Battle of Waterloo. Stock: 31529 role in the Battle of Barossa of 1811 in which the first Napoleonic Imperial Eagle was captured by the British. From "Costumes of the Armmyy of the British Empire, 79. H.D.K. Vorst Blucher, van Walstadt, en according to the last regulatioons of 1812". Ogilvy 870. Lord Wellington, Prins van Waterloo Stock: 33471 ontmoelen elkander in het vervolgen der Franschenm bij de Landhoeve La Belle 83. Artillerie légère de la garde Royale. Alliance, op den 18den Junij 1815. Position du I.r Servant de droite au J. Hamphuijzen delin. S. Sluyter Sculp. Proefdruk. commandement (Charger). word Uitgegeven by J.s Groenewoud, te Amsterdam. Marshall I.er Lieut.t d'artillerrie Del. Lith de Demanne [n.d., c.1815.] rue d'Enghien No. 39. [n.d., c.1830.] Aquatint, printed in colours, marked 'proof'. 355 x Lithograph. Sheet size: 360 x 470mm (14¼ x 18½"). 470mm (14 x 18½"). £330 Light foxing. £110 The meeting of the Duke of Wellington and Marchal A French soldier of the light infantry of the Guard, Blücher in front of the Belle Alliance, during the Battle loading a field cannon behind a tree stump to the right. of Waterloo. Napoleon had attacked the Allied army Stock: 36191 while it was still divided, hoping to defeat it before the Prussians reinnforced the Allied army. Wellington's 84. Hussars and Infantry of the Duke of Brunswickk Oels's Corps. H.H. Aquatinted by J. C. Stadler. London Pub.d. 2.d. July 1812 by Colnaghi & C.o. 23 Cockspur Street. Very fine coloured aquatint with large margins; 1811 J. Whatman watermark. Plate: 250 x 330mm (9¾ x 13"). £260 Exterior scene in which three soldiers, dressed in their distinctive black uniform, stand in conversation, one leaning against a horse. Three mounted soldiers are depicted in the middle distance. The Duke of Brunswick Oels's Corp had originally been a voluntry corp created by Frederick William, Duke of Brunswick-Wolfenbüttel (1771-1815) to fight Napoleon. Once incorporated into the British Army the corps, made uup principally of Prussians and German patriots, was cut off from recruiting in Germany and so was restricted to recruiting from prisoner of war camps. Nevertheless, the corps played its part in several battles including the Battle of Waterloo. From "Costumes of the Army of the British Empire, according to the last regulations of 1812". Ogilvy 870. Stock: 33485

85. A Full, True, and Particular Account of the Birth, Parentage, and Education, Life, Character, and Behaviour, and Notorious Conduct of Napoleone Buonaparte, the

Corsican Monster, alias the Poisoner, who is Etching and letterpress with hhand-colouring, rare; sheet shortly expected to arrive in England, where he 415 x 270mm (16¼ x 10½").. Fold through centre; means to massacre, assassinate, burn sink, and mount burn; small tears at bottom; on watermarked destroy. With a short Description of the Whatman paper. £480 various Murders, Poisonings, and An allegorical portrait of Napoleon, with explanatory Assassinations committed by him and his Gang letterpress underneath. The spider's web is surrounded in Foreign Parts. [signed] Old England For byy a map with Napoleon's battles around the Elbe & Ever. Rhine. Napoleon's hat is porttrayed as an eagle, with his face made of the corpses of tthose 'who perished on the Cox, Son, and Baylis, Printers, No. 75, Great Queen Plains of Russia and Saxony''. Napoleon's jacket is a Street, Lincoln's-Inn Fields. [n.d., c.1804.] map of the environs of Leipzig, with other battles in Letterpress broadsheet, very scarce, sheet 370 x the campaign indicated. Also on the jacket, the 180mm, 14½ x 7". Some wear, folds torn with slight epaulette is shown as a hand,, leading the 'Rhenish loss. £380 Confederation', shown as a cobweb. 'His throat is A scurrilous attack on Napoleon Bonaparte, "the most encircled with the Red Sea', ssymbolizing those who despotic, incestuous, bloody-minded Tyrant that ever drowned in the battles led by Napoleon. foor another disgraced huuman nature". The date of publication version of the Napoleon porttrait-map see ref. 33811. seems to be c.1804 as it mentions Napoleon's flight Stock: 35223 from Egypt and his assumption of absolute power but not his coronation as Emperor. At the bottom it asks that Gentlemen have copies printed and distribute them 87. [Broadside against Napoleon] Second in their home towns on Market Day. Edition. An Address To tthose Brave, Gallant, Stock: 16840 and Loyal Hearts, the Commanders, Officers, Seamen, and Marines, of The British Navy [...] 86. Napoleon The First, and Last, by the [c.1803] London: Printed forr J. Asperne, (Successor to Wrath of Heaven Emperor of the Jacobins, Mr. Sewell,) at the Bible, Croown, and Constitution, No. Protector of the Confederation of Rogues, 32, Cornhill; by J. Gold, Shoe-Lane; Price One Penny, Mediator of the Hellish League, Grand Cross or 6s. the 100 and 9d. per Dozen. Letterpress, sheet 375 x 280mm (14¾ x 11"). £350 of the Legion of Honour, Commander in Chief Broadside published at the tiimme when fears of an of the Legions of Skeletons left at Moscow [...] invasion of the British Isles by Napoleon were at their Published at R. Ackermann's, 101, Strand, London. height, addressing sailors to pprepare them for invasion: [n.d., c.1814] 'British Seamen! At this impoortant crisis you have arduous duties to perform: you must submit to many prrivations, and encounter many hardships and dangers [...] every Tar who has a Sweetheart on shore, or a Wife, or a Daughter, or a Sister that is dear to him, Stock: 33291 must feel how much it is his interest and duty to makke every exertion in his power, to defeat the infamous 89. [Broadside against Napoleon] James designs of the enemy, and to hold all danger trifling, Asperne Reprints the folllowing Resolutions of and all labour cheap, which may conduce to place these the Inhabitants of the Parish of St. Mary tender and valued connections in a state of security'. Lambeth, held at the Royyal Oak, Vauxhall, Reprinted from the 'Naval Chronicle' magazine. July 26th, 1803, Robert Slade, Esq. in the The publisher James Asperne (1757-1820) was best- known for publishing the popular 'European Magazine'. Chair, from a Conviction of their Utility at the A note at the end suggests: 'Noblemen, Magistrates, present important Critiss, and that he may have and Gentlemen, residing near the Coast, would do well an Opportunity of dispersing them with his by ordering a few Dozen of the above of their other loyal Papers, which he has already Booksellers, and causing them to be stuck up in their circulated to the amount of nearly 300,000 in respective Vicinities, and distributed amongst the Number. [...] Robert Slade, Chairman. Sailors.' [c.1803] London: Printed forr J. Asperne, (Successor to Stock: 33284 Mr. Sewell,) at the Bible, Croown, and Constitution, No. 32, Cornhill, by T. Maiden, Sherbourn-Lane;1 Price One Penny, or 6s the 100. Letterpress, sheet 445 x 280mm (17½ x 11"). On laid paaper watermarked 1802. £250 Broadside published at the tiimme when fears of an invasion of the British Isles by Napoleon were at their height. The text publishes ressolutions made at a meeting of inhabitants of St. Mary Lambeth (the parish stretching along the south off the Thames from Vauxhall to Waterloo), that iin the face of possible invasion, all able-bodied resiidents of the parish must enrol to assist in the defence of their country. The wider application of the broadside was both to serve as an example to other parishess for increasing enrolment, and to defame Napoleon (much of the text consists of allegations of attrocities and tyrannical acts carried out byy the consul). A note at the bottom of the shheet suggests 'Noblemen, Magistrates, and Gentlemen,, would do well by ordering a few Dozen of the above Tracts of their different Booksellers, and causing them to be stuck up in the respective Villages where they reside, that the Inhabitants may be convinceed of the Cruelty of the Corsican Usurper.' 88. Plain Answers to plain Questions, in a The publisher James Asperne (1757-1820) was best- Dialogue between John Bull and Bonaparte, known for publishing the popular 'European Magazine'. Stock: 33282 Met Half-Seas over between Dover and Calaiss. John Bull. How do you do? / Bonaparte. Pretty 90. [Broadside against Napoleon] The Duke well; but hope to be better when I am in of Shoreditch, or, Barlow's Ghost. / London. / John Bull. When do you expect to get Countrymen: After my Spirit had rested in there? / Boonaparte. About the end of peace more than two hundred years, I was, in a September; or October at latest. [...] manner, called from my grave by a report in [c.1803] London: Printed for J. Hatchard, No. 190, circulation, that the French intended to invade Piccadilly [...] Printed by J. Brettell, 54, Great Windmill Street, Hay [...] the now United Kingdoms of England and Letterpress, sheet 520 x 440mm (20½ x 17¼"). Folds Ireland [...] and creases; large area missing lower right. £150 London: Printed for J. Asperrne, Successor to Mr. Large broadside published at the time when fears of an Sewell, at the Bible, Crown, and Constitution, No. 32, invasion of the British Isles by Napoleon were at their Cornhill, by T. Maiden. [Price 1d. or 6s. the 100.] height, in the form of a dialogue between Napoleon August 10th, 1803. and John Bull (representing Britain), in which Bull Letterpress, with 1802 waterrmmark; sheet 445 x 270mm questions Napoleon about his reasons for various (17½ x 10½"). Creasing on right. £350 conflicts, freedom of the press, religion, and invading Broadside published at the tiimme when fears of an Britain. invasion of the British Isles by Napoleon were at their Published by John Hatchard (1768-1849), who founded height. This broadside, essentially a call for increased the Piccadilly bookseller still thriving over two paarticipation in the volunteerr corps, is voiced by the hundred years on. ghost of a Shoreditch shopkeeper, aroused from his peace by rumours of the planned invasion. The ghostt is height, recounting British bravery in the face of initially confident of the Britons' ability to repel the invasion from the Romans and the Spanish Armada as French, but soon finds that 'the exercise of Arms had evidence that any French invasion would inevitably been long laid aside, except upon particular fail. The poem was written by William Thomas emergencies' and fears that the country will be overrun Fitzgerald (1759-1829). Fitzgerald specialised in unless militarry participation is strengthened. paatriotic verses of this kind, aand in 1814 published a Contains references to Finsbury, Clerkenwell and collected edition of his many verses against Napoleon. Shoreditch. A note at the bottom of the shheet suggests 'Noblemen, The publisher James Asperne (1757-1820) was best- Magistrates, and Gentlemen,, would do well by known for publishing the popular 'European Magazine'. ordering a few Dozen of the above Tracts of their Stock: 33276 different Booksellers, and causing them to be stuck up in the respective Villages where they reside, that the 91. [Broadside against Napoleon] Substance Inhabitants may be convinceed of the Cruelty of the of the Speech of Jacob Bosanquet, Esq. At the Corsican Usurper.' Royal Exchange, July the 26th, 1803 The publisher James Asperne (1757-1820) was best- [1803] Printed for J. Asperne (Successor to Mr. known for publishing the popular 'European Magazine'. Sewell,) at the Bible, Crown, and Constitution, No. 32, Stock: 33281 Cornhill; by W. Lane, Leadenhall Street. Price One Penny each, or 6s the 100 / Where may be had, at the same Price, Sheridan's Address to the People. Also a Collection of all the Loyal Papers that have been andd will be Published. Letterpress, sheet 435 x 280mm (17 x 11"). Creasing lower right. £250 Broadside published at the time when fears of an invasion of the British Isles by Napoleon were at their height, taken from a speech by Jacob Bosanquet (1755- 1828), who was Chairman of the East India Company in 1803. This speech, made at an assembly of commercial interests, calls for the solidarity of those present with British interests, and to'unite in an unanimous declaration to stand or fall with our Country and our King'. Bosanquet compares Britain with Ancient Rome and Constantinople, and sees the Sack of those cities as examples to be avoided, of how eveen great cities can fall through inadequate vigilance. 93. [Broadside against Napoleon] Britons A note at the bottom of the sheet suggests 'Noblemen, Triumph or Bonapartes Knell / Come, with all Magistrates, and Gentlemen, would do well by thy slaves around thee,/ Bonaparte! haughty ordering a feew Dozen of the above Tracts of their foe!/ This little Island shaall confound thee,/ different Booksellers, and causing them to be stuck up And lay thy giant projecctts low [...] in the respective Villages where they reside, that the [c.1803] A. Hamilton Printerr 221 Piccadilly Inhabitants may be convinced of the Cruelty of the Letterpress, sheet 395 x 250mm (15½ x 9¾"). Creasing Corsican Usurper.' upper left; paper watermarked 'Neckinger Mill 1800' The publisher James Asperne (1757-1820) was best- £300 known for publishing the popular 'European Magazine'. Broadside published at the tiimme when fears of an Stock: 33287 invasion of the British Isles by Napoleon were at their height. This ballad lists Napoleon's triumphs and 92. [Broadside against Napoleon] "Britons atrocities on the continent and in the Middle East, but never will be Slaves!!!" / An Address To every insists that any attempted invasion of Britain would be Loyal Briton on the threatened Invasion of hiis unsuccessful. Country. / When Rome's proud Legions fought Stock: 33274 the Albion Shore,/ To give insatiate Pow'r one Trophy more,/ The hardy Britons scorn'd to 94. [Broadside against Napoleon] basely fly,/ Determined to repel the Foe, or diie Countrymen! / The City of Syracuse (in Sicily) [...] W.T. Fitzgerald had maintained a successsfull Contest with the [c.1803] London: Printed for J. Asperne, (Successor to Carthaginians; lulled into Security, however, Mr. Sewell,) at the Bible, Crown, and Constitution, No. by an advantageous Peace, she had reduced 32, Cornhill, by T. Maiden, Sherbourn-Lane;1 Price her Fleets and Armies, and the Carthaginians, One Penny, or 6s the 100. who still retained their Envy and Hatred of Letterpress, sheet 370 x 250mm (14½ x 9¾"). On laid her, seized the Opportunity to renew the War paper watermarked 1802. £350 Broadside published at the time when fears of an [...] invasion of the British Isles by Napoleon were at their [c.1803] London: Printed for J. Hatchard, 190, [c.1803] London: Printed forr J. Hatchard, No. 190, Piccadilly. Price One Shilling per Dozen. [Hales, Piccadilly. Price Sixpence per Dozen. [Hales, Printer, Printer, Old Boswell Court, London. Old Boswell Court, London. Letterpress, sheet 555 x 450mm (21¾ x 17¼"). Folds Letterpress with large margins, and 18th century and creases; paper tone; on laid paper with fleur-de-lys watermark; sheet 530 x 440mm (21 x 17¼"). Folds and watermark. £450 creases. £450 Large broadside published at the time when fears of an Largeand impressive broadsiide published at the time invasion of the British Isles by Napoleon were at their when fears of an invasion off the British Isles by height. It reprints a passage from Act1, Scene 3 of Napoleon were at their height, entreating Britons to Philip Massinger's play 'The Bondman' (c.1624), a pllay assist in the defence of the country by entrol for the which concerns the siege of Syracuse by the country's defences and discouurage the French from Carthaginians. The general Timoleon's call to arms is invading. 'Lose not therefore a Moment in preparing here used to encourage Britons to show similar the Means of atchieving so much Glory for your bravery. Thee text concludes 'it is needless to mentionn Country, of gaining so muchh Honour for Yourselves, what followed this animating Debate. A Part of the and your proud Posterity!!!' Enemy fleet was sunk at Sea, those that landed were Published by John Hatchard (1768-1849), who founded immediately put to the Sword, and their Commander the Piccadilly bookseller stilll thriving over two slain. hundred years on. Published by John Hatchard (1768-1849), who founded Stock: 33290 the Piccadilly bookseller still thriving over two hundred years on. Stock: 33292

95. [Broadside against Napoleon] Address to the People of Great Britain. By W.J. Denison, Esq. [1803] Printed for J. Asperne (Successor to Mr. Sewell,) at the Bible, Crown, and Constitution, No. 32, Cornhill; by W. Lane, Leadenhall Street. Price One Penny each, or 6s the 100 / Where may be had, at the same Price, Sheridan's Address to the People. Also a Collection of all the Loyal Papers that have been andd will be Published. Letterpress, sheet 455 x 280mm (18 x 11"). Creasing. £250 Patriotic poem published at the time when fears of an invasion of the British Isles by Napoleon were at their height, by William Joseph Denison (1770-1849), banker and politician, and a founder of the Reform Club. Like several other 'loyal Papers' of the time, it invokes historical precedents such as conflicts with the Romans and Spanish, as well as past and present British military and naval heroes such as Marlborough, Duncan, St. Vincent, and Nelson. A note at the bottom of the sheet suggests 'Noblemen, 97. [Broadside against Napoleon.] Magistrates, and Gentlemen, would do well by Englishmen! You have been unjustly charged ordering a feew Dozen of the above Tracts of their with Supineness and Despondency. The different Booksellers, and causing them to be stuck up Enemies of Government and the Admirers of in the respective Villages where they reside, that the the Corsican Tyrant, have interpreted your Inhabitants may be convinced of the Cruelty of the Corsican Usurper.' silent Confidence, into deespair and dismay [...] The publisher James Asperne (1757-1820) was best- Timoleon. known for publishing the popular 'European Magazine'. [c.1803] London: Printed by J. Brettell, for J. Hatchard, Stock: 33288 No. 190, Piccadilly....Price 6d. per Dozen. Letterpress, sheet 540 x 440mm (21¼ x 17¼"). Folds 96. A Second Dialogue between Buonaparte £450 Large broadside published att the time when fears of an and John Bull / Scene---Calais Buonaparte. invasion of the British Isles by Napoleon were at their How do you do, Monsieur Anglois? / John. height, in the form of a dialoogue between Napoleon What's that to you? / Buon. Nay, John, don't and John Bull (representing Britain). Napoleon is calm be angry. / John. Angry! I am angry, and I will and complacent about his achievements, where John be angry [...] Bull angrily disputes these as a sacrifice of 6000 men (the Battle of Lodi); a massaaccre (the Battle of Alexandria), and poisoning thhe French army's injured soldiers. The 'scene' is Calais, a common point for Country, however high in Rank, or the vain channel crosssings previously depicted in Hogarth's Promises of the designing Spies of a Corsican similarly anti-Gallican 'The Calais Gate'. The Usurper and Murderer [...] pseudonym 'Timoleon' is taken from Massinger's play An Irishman, and a Soldier. Craven Hotel, Strand, 'The Bondman', in which Timoleon led the defence of August 8, 1803. John Gingerr, No. 169, Piccadilly / W Syracuse against the Carthaginians. That play was a Glindon, Printer, 48, Rupert Street, Hay-Market popular source for anti-Naapoleon broadsides. Letterpress, sheet 430 x 280mm (17 x 11"). Creases to Published by John Hatchard (1768-1849), who founded top corners. £450 the Piccadilly bookshop still on the same premises two Broadside published at the tiimme when fears of an hundred years later. For Hogarth's 'Calais Gate' see invasion of the British Isles by Napoleon were at their ref. 31474; for another use of Massinger in this context height. This one is specificallly addressed to Irishmen see ref. 33292. resident in England, imploring them to 'be foremost on Stock: 33289 the Shores of your Island, in repelling a Barbarous and Ferocious Enemy, and save your Wives and Children from their Savage Lust and murderous Hands'. Mention of 'the patriotic Language off a Sheridan (that Ornament of his Country)' refers to Ricchard Brinsley Sheridan's (1751-1816) strong support of the volunteer corps in the face of Napoleon's imperrial expansion. Includes a list of other 'patriotic publications' sold by John Ginger on Piccadilly, including 'Horrors upon Horrors' and 'Publicolia Adddrresses'. For Ginger's 'Publicolia Addresses' see refs. 10044 and 27538; for Sheridan see ref. 17993. Stock: 33271

100. [Broadside against Napoleon] The Bishop of Llandaff's Thoughts on the French Invasion, originally addressed to the Clergy of his Diocese. [c.1803] Printed for J. Asperrnne, (Successor to Mr. Sewell,) at the Bible, Crown,, and Constitution, No. 32, Cornhill, by S Rousseau, Wood Street, Spa Fields; Price One Penny, or 6s the 1000 / Where may be had, at the same Price, Sheridan's Adddress to the People. Also a Collection of all the Loyal Papers that have been and 98. [Broadside against Napoleon] A Peep will be Published. into Hanover; or, A faint Description of the Letterpress, sheet 390 x 255mm (15¼ x 10"). Crease Atrocities committed by the French in that top right. £220 City. [...] Broadside published at the tiimme when fears of an Britannicus. [1803] Printed for J. Ginger, No. 169, invasion of the British Isles by Napoleon were at their Piccadilly / Price Sixpence per Dozen, for Distribution. height, extracted from 'A Chhaarge delivered to the / W. Marchant, Printer, 3, Greville-Street, Holborn. Clergy of the Diocese of Llaanndaff, in June, 1798, by R. Letterpress, sheet 435 x 280mm (17 x 11"). Creasing to Watson, D.D. F.R.S. Bishop of Llandaff'. Watson's edges; hole upper right. £390 thoughts are addressed to any sympathisers with the Broadside published at the time when fears of an French cause: 'I would say to the most violent invasion of the British Isles by Napoleon were at their Democrat in the kingdom,- Suppose the business done: height. This one reports attrocities committed in after Seas of Blood have beeen shed, Millions of Lives Hanover by Napoleon's army, 'such are the Gangs of lost, Towns plundered, Villaagges, burned, the Royal ferocious Baannditti, whom the Murderer of Jaffa let Family exterminated, and unutterable calamity has loose on the civilized World! Such, and ten thousandd beeen endured by persons of all ranks:- after all this has times worse, is the Fate prepared for England, if the beeen done, what Advantagess will you have obtained beeyond what you now possess [?]'. valour of her people do not avert it'. Stock: 33272 A note at the bottom of the shheet suggests 'Noblemen, Magistrates, and Gentlemen,, would do well by ordering a few Dozen of the above Tracts of their 99. [Broadside against Napoleon] Address different Booksellers, and causing them to be stuck up to Irishmen Residing in England. / Fellow in the respective Villages where they reside, that the Countrymen, The Calamaties which have so Inhabitants may be convinceed of the Cruelty of the lately threatened your native Country, by a few Corsican Usurper.' of your Bretheren being misled by the artful The publisher James Asperne (1757-1820) was best- Designs of French Spies [...] suffer no the known for publishing the popular 'European Magazine'. poisonous Language of the Enemies of their Stock: 33286 101. [Broadside against Napoleon] Loyal 6s. the 100] / Where may alsso had, A Collection of all Songs. / The Voice of the British Isles [&] The the Loyal Papers that have been and will be Published. True Briton. Letterpress, sheet 310 x 195mm (12¼ x 7¾"). On laid [c.1803] London: Printed for J. Asperne, [Successor to paaper watermarked 'C Badd 1799' £220 the late Mr. Sewell], at the Bible, Crown, and Broadside published at the tiimme when fears of an Constitution, No. 32, Cornhill, by W. Lane. [Price One invasion of the British Isles by Napoleon were at their Penny, Ninepence per Dozen, or Six Shillings per height, stating the risk posedd by Napoleon, the 'Murder, Hundred.] Rapine, Slavery and Death, iin Cruel and horrible Letterpress, sheet 410 x 265mm (16 x 10½"). £250 Wantonness' he has committteed, and the duty of the Broadside published at the time when fears of an British to assist in the defence of their country. invasion of the British Isles by Napoleon were at their The publisher James Asperne (1757-1820) was best- height, consisting of two songs adapted to popular known for publishing the popular 'European Magazine'. tunes, proclaiming British readiness for any invasion. Stock: 33285 The publisher James Asperne (1757-1820) was best- known for publishing the popular 'European Magazine'. Stock: 33277

102. [Broadside against Napoleon] No. 2 Loyal Songs. / The Briton's Song [&] Song of the Highland Armed Association. London: Printed for J. Asperne, [Successor to the late Mr. Sewell], at the Bible, Crown, and Constitution, No. 32, Cornhill, by S. Rousseau. Price One Penny, or 6s the 100. August 12, 1803 Letterpress, with 1803 watermark; sheet 385 x 270mm (15¼ x 10½"). £250 Broadside published at the time when fears of an invasion of the British Isles by Napoleon were at their height, consisting of two songs adapted to popular tunes, proclaiming British readiness for any invasion. 'The Briton'ss Song' contrasts Revolutionary France with British rule: 'Our Forefathers bled on the Scaffolld and Plain/ T'establish a Government wise, just and pure;/ We'll defend it till Death, and reject with disdain/ One that scarce for a Day or an Hour can endure./ Shall your fam'd Guillotine. In Old England be seen?/ No!- we mean to live happy, while frantic you sing/ Your fam'd 'Ca Ira',/ And Hymn 'Marsellois',/ For the true Briton's Song shall be "God save the King." The 'Song of the Highland Armed Association' is 104. The Prophecy! or, Bonaparte Killed at specifically Scottish in its theme and references. Last by his Own Troops! A True Story, just A note at the bottom of the sheet suggests 'Noblemen, brought from Paris [...] This Story is founded Magistrates, and Gentlemen, would do well by ordering a feew Dozen of the above Tracts of their on a Dream of Bonapartte [...] The Dream is different Booksellers, and causing them to be stuck up here given in Verse. [...] in the respective Villages where they reside, that the [1803] Printed for J. Hatcharrd, 190, Piccadilly. 1d. Inhabitants may be convinced of the Cruelty of the each; 6d. per dozen; or, 3s. 6d. per 100. [Brettell, Corsican Usurper.' Printer] The publisher James Asperne (1757-1820) was best- Letterpress, sheet 425 x 315mm (16¼ x 12½"). known for publishing the popular 'European Magazine'. Creasing on left. £350 Stock: 33278 Broadside published at the tiimme when fears of an invasion of the British Isles by Napoleon were at their 103. [Broadside against Napoleon] height. This ballad prophesises Napoleon's death in the Proclamation, Made to every Man in the wake of an unsuccessful invasion of Britain. As in other broadsides of the perioodd, Napoleon's alleged of Great Britain and Ireland, killing of his own injured solldiers at Jaffa is invoked as this First Day of August, in the Year of our evidence of his treachery. In the aftermath, the new Lord One Thousand Eight Hundred and rule of France is imagined: 'no more Consuls, Three, and in the Forty-fourth Year of the Frenchmen shout,/ But King Louis make your Head. / Reign of our especially dear Son King George With Moreau, Minister of Sttaate,/ Not made Ambition's The Third [...] Fool,/ But choosing a much safer Fate,/ Than over [1803] London: Printed for J. Asperne, Successor to France to rule'. Victor Moreau was forced into exile in Mr. Sewell, at the Bible, Crown, and Constitution, No. the United States by his opposition to Napoleon. 32, Cornhill, by J. and E. Hodson. [Price 1d. each, orr The final verses defend Britain's monarchy (with a To facilitate identification off the French leader, a reference to the revolutionary, Thomas Paine) and the description of his appearance is provided ('...resembles high taxes during the war as a temporary measure a great deal in person a Bear--leader, or one of the necessary to combat Napoleon. Savoyards who play on the rreeeds at Vauxhall') while Published by John Hatchard (1768-1849), who founded the stream of 'aliases' given ffor him (Jaffa Bonaparte, the Piccadilly bookseller still thriving over two Acre Bonaparte etc) refer to earlier actions in the hundred years on. For a contemporary portrait of Napoleonic Wars. Moreau, see ref. 28221. According to Ashton, this brrooadside was 'printed with Stock: 33275 different headings, so as to seell in different countries'. Joohn Ashton, 'English caricature and satire on Napoleon I' Stock: 33269

106. [Broadside against Napoleon] Song, to the Tune of Mother Casey. / The French, tis said,/ Are thieves by trade,/ And well they fill the function;/ For wheree they go,/ Both friend and foe,/ They rob withoout compunction [...] [c.1803.] London: Printed foor J. Asperne, (Successor to Mr. Sewell,) at the Bible, Croown, and Constitution, No. 32, Cornhill, by T. Maiden, Sherbourn-Lane;1 Price One Penny, or 6s the 100. Letterpress, sheet 340 x 210mm (13½ x 8¼"). £250 Songsheet published at the tiime when fears of an invasion of the British Isles by Napoleon were at their height. The song encouragess strong British resistance, referencing French actions in Switzerland and Holland and their supposed plans 'to lland their troops at Dover'. Napoleon is compared to Roobbespierre. Napoleon, it says, is praised now as Robeespierre once was, but if Napoleon were to be executed, 'With general voice,/ Would France rejoice,/ And sset the bells a-ringing'. A note at the bottom of the shheet suggests 'Noblemen, Magistrates, and Gentlemen,, would do well by ordering a few Dozen of the above Tracts of their different Booksellers, and causing them to be stuck up in the respective Villages where they reside, that the Inhabitants may be convinceed of the Cruelty of the Corsican Usurper.' The publisher James Asperne (1757-1820) was best- 105. [Broadside against Napoleon] Twenty known for publishing the popular 'European Magazine'. Thousand Pounds Reward / Middlesex (to wit) Stock: 33279 / To all Constables [...] / Whereas a certain ill- disposed Vagrant, and common Disturber, 107. [Broadside against Napoleon] Union and commonly called or known by the Name of Watchfulness, Britain's True and Only Napoleon Bonaparte, alias Jaffa Bonaparte, Security. / A few words to every British Subject alias Opium Bonaparte [...] inculcating this very important idea. [c.1803] London: Printed for S. Highley, No. 24, Fleeet- [c.1803] London: Printed forr J. Asperne, (Successor to Street; by B. McMillan, Bow-Street, Covent-Garden Mr. Sewell,) at the Bible, Croown, and Constitution, No. (price 1d. or 9d. per dozen). Where may be had 32, Cornhill, Price One Penny, or Six Shillings per Bonaparte; or, The Freebooter; a Patriotic Drama, price Hundred; and may be had off the Booksellers, at the One Shilling. West-End of the Town, &c. &c. Page, Printer, Black Letterpress, sheet 415 x 260mm (16¼ x 10¼"). On laid Friars Road. paper with crest watermark. £290 Letterpress, sheet 385 x 260mm (15¼ x 10¼"). On laid One of many popular broadsides published at the timme paaper watermarked 1801. £250 when fears of an invasion of Britain by Napoleon werre Broadside published at the tiimme when fears of an at their height. This one offers a reward for the capture invasion of the British Isles by Napoleon were at their of Napoleon, with the aim being to imprison him at the height, imploring all Britons to take up arms to defend Exeter Change menagerie in the Strand, 'placed in a the country, if required. 'To suffer or to die in such a Certain Iron Cage, with the Ouran Outang, or some cause, is our first duty, and our highest honour'. other ferocious and voracious animal like himself, for The publisher James Asperne (1757-1820) was best- the purpose of being tamed'. known for publishing the popular 'European Magazine'. Stock: 33283 108. Who is Bonaparte? Who is he? Why, an obscure Corsican, that began his Murderous Career, with turning his Artillery upon the Citizens of Paris- who boasted in his Public Letter from Pavia, or having shot the whole Municipality [...] [1803] London: Printed for J. Asperne, Successor to Mr. Sewell, at the Bible, Crown, and Constitution, No. 32, Cornhill, by J. & E. Hodson. [Price 1d. 6s. the 100, or 9d. per Dozen.] Letterpress, sheet 310 x 195mm (12¼ x 7¾"). On laid paper with crest watermark. £350 One of many popular broadsides published at the timme when fears of an invasion of Britain by Napoleon werre at their height. This one claims him to be guilty of myriad cruel and treacherous deeds, including poisoning his own injured soldiers, religious hypocrisy, and restrictions of civil liberties. 'Such is the Tyrant We are called upon to oppose; and such is the Fate which awaits England, should We suffer him and his degraded Slaves to pollute Our Soil.' The publisher James Asperne (1757-1820) was best- known for publishing the popular 'European Magazine'. Stock: 33270 111. Publicola's Postscript to the People of 109. Acte Additionnel aux Constitutions de England. ... If you suppose that Buonaparte L'Empire (du 22 Avril 1815). will not attempt Invasion, you are deceived! Rare coloured aquatint. Image 380 x 330mm, 15 x 12". London, July 18, 1803. Printted for J.Ginger, No. 169, Tear in margin, some creasing. £230 Piccadilly; by D.N.Shury, Berwick Street, Soho. A broadsheet proclaimation from Napoleon during the Letterpress broadside, paper size 550 x 435mm, 21¾ x "Hundred Days", his brief reign between his return 17¾". Mounted on album paapper. £690 from exile on Elba and the Battle of Waterloo. It A pro-government broadsheet, published shortly after features 53 amendements to the French Constitution, the demise of the 'Peace of Amiens'. It argues in favour divided into four categories: General, and concerning of the continuation of income tax (introduced by Pitt in the Ministries, Judiciary & the rights of Citizens. The 1798) to maintain the army in the face of the proclaimation's purpose was two-fold: firstly to reasssert Napoleonic threat. his control (37: "The Emperor appoints all Judges"), It is the 'postscript' to anotheerr broadside of the same and secondly to gather popular support (49: "Freedom year. for another Publicola broadsheet see ref. 27538 of Religion is guaranteed for all"), knowing the forces Stock: of Europe were gathering against him. Stock: 16675 112. [Journée du XIII Vendémiaire, L'an IV. Eglise St. Roch, rue St. Honoré.] 110. People of England. ... We will save our Dessiné par C. Monnet. Gravé par Helman. country - and may every Briton who feels nott Engraving with large margins. Plate: 450 x 280mm, the insults that have been heaped upon his (17¾ x 11"). Slight paper tone and surface dirt. £160 country, and resents not the bloody threats Depiction of the battle which took place between the that are held out against itm become a colonist Royalists and the French Revolutionary Troops on the f france and the ever repining slave of 13 Vendémiaire Year 4 (5th October 1795), a battle Buonaparte!. Publicola. which was to instigate Napolleon Bonaparte's rapid London, July 6, 1803. Printed for J.Ginger, No. 169, advancement. The Revolutions anti-catholic sentiments Piccadilly... D.N.Shury, Printer, Berwick Street, Soho. created strong anti-revolutionary feelings in western Letterpress broadside, paper size 550 x 435mm, 21¾ x France, feelings which boiled over into an insurrection. 17¾". Stitch holes in left margin; stained at top. £490 The Royalists, supported by British troops, having A pro-war broadsheet, published shortly after the beeen victorious in several baatttles marched on Paris. demise of the 'Peace of Amiens'. For the 'postscript' Royalists within the city beggan demonstrations which see ref. 10044 soon turned violent. A young General Bonaparte Stock: 27538 suceeded in defeating the Royalists, essentially extinguishing the threat to the Revolution, and was prromoted to General of the Division. Stock: 36163 Large oblong folio, original half calf with marbled booards, rubbed, front board detached, endpapers creased; engr. title, 1pp. text,, 33 engraved plates. Some wear throughout. £850 The achievements of Napoleeon Bonaparte including, despite the date on the titlepage, the Battle of Wagram in 1809. Stock: 8838

116. [Mort Glorieuse du General Causse, Tue a la bataille de Dego. (155th April 1796)] [The mortally wounded French general dies contented having been informed by Napoleon Bonaparte that victory is won.] [French, Deroy? 1796 - 1805.] Etching and aquatint with deescriptive letterpress sheet, 113. Le Tonnant, au combat d'Aboukir. (Le 185 x 135mm. 7¼ x 5¼". £90 1.er Aout 1798.) [The Battle of the Nile. 1st. The Second Battle of Dego was fought on 14 and 15 August 1798]. April 1796 during the French Revolutionary Wars Dessiné et Lithographié par Lebreton. Imp. Becquet beetween French forces and Austro-Sardinian forces. rue des Noyers, 37. Paris. E. Morier. Edit rue St. André The battle was fought near Dego, a hamlet in des Arts, 52. [n.d., c. 1850]. northwestern Italy, and ended in a French victory. Fine hand coloured lithograph. Framed. Printed area: From a series of propaganda prints publicising the 280 x 430mm (11 x 17"). Unexamined out of frame. heroic exploits of French sollddiers of the Revolutionary £420 army; probably 'Les Fastes du Peuple français, ou HMS Tonnant of the French Fleet, in the command of tableaux raisonnés de toutes les actions héroïques et Admiral F. P. Brueys, under heavy fire from HMS civiques du soldat et du citoyen français' by Jacques Majestic of the British Fleet, in the command of Grasset Saint-Sauveur. See BNF: FRBNF40253477. Admiral Horatio Nelson, during the Battle of the Nile Stock: 15816 on August 1st 1798. The battle took place at Aboukir bay, off the coast of Egypt and was the climax of a 117. Combat et Victoire d'Aboukir, en naval campaign that had ranged across the Egypte, le 10 Brumaire AAn 8. No. 142 Mediterranean during the previous three months. A Duplessi-Bertaux inv. aqua fforti. Dupréel sculp. [Paris: large French convoy sailed from Toulon to Alexandria Auber, 1804.] under the command of General Napoleon Bonaparte Etching with 4 pages of text.. Plate 235 x 310mm (9¼ x who sought to invade Egypt as the first step in a 12¼"). Some creasing. £120 campaign against British India, in an efffort to drive The Battle of Abukir was Napoleon's decisive victory Britain out of the French Revolutionary Wars. In the over Seid Mustafa Pasha's Otttoman army in 1799 battle, the British forces, under the command of Rear- during the French invasion of Egypt (1798). Admiral Sir Horatio Nelson (later Lord Nelson), Published in the 'Collection complète des tableaux defeated the French. historiques de la révolution ffrançaise'. A description of the action is inscribed in French Stock: 28291 beneath the image. Stock: 33492 118. Napoleon Defeating the Mamelukes, at 114. The taking of Bonapartes Invincible the Battle of the Pyramids, near Cairo. Engraved by Mr. George Cruikshank, from the Standard. Original design of Swebach, originally Published at Woodruff delin. / Taylor sculp Publish'd as the Act Paris, and Dedicated to the Grand Army. Published directs July 30 1803 by J. Stratford No. 112 Holborn October 7 1823, by John Fairrburn, Broadway, Ludgate Hill Hill. Engraving, sheet 170 x 215mm (6¾ x 8½"). Dusty.£65 Hand-coloured aquatint. 2100 x 299mm. 8¼ x 11½". Scene imagining a defeat of Napoleon's army by Alliied Folds as published. Cut and damaged. £130 forces, published in 1803 at the height of the In 1798, Napoleon defeated Mameluke troops in the Napoleonic Wars when fears of a French invasion were Battle of the Pyramids. It was fought during France's also widely shared. Egyptian Campaign and wass the battle where Napoleon Stock: 35956 puut into use one of his signifificant contributions to tactics, the massive divisional square, which sought to 115. Faits Mémorables. de la Vie Militaire et force the enemy into an inescapable situation. Privée de sa Majesté L'Empereur des Françaiis From "The Life of Napoleon Bonaparte". Cohn: 435. et Roi d'Italie. Stock: 26484 Paris, chez Ostervald Ainé, rue du Petit-Lion-Saint- Sulpice, No 20. 1807 [-1809]. 119. Napoleon Defeating the Turkish Pacha, 122. Bombardment de Madrid, Le 4 at the Battle of Aboukir. Décembre 1808. Engraved byy George Cruikshank , from the original Le Compte del. Couché fils aqua fori. Bovinet Sculp.t. design of M. Denon, executed at Paris by I. Duplexi [n.d., c.1840.] Bertaux. Published September 22, 1824 by J. Fairburrnn, Hand coloured engraving. Sheet size: 305 x 465mm Broadway, Ludgate Hill. (12 x 18¼"). Trimmed inside plate at top and bottom. Coloured aquatint, 1823 J. Whatman watermarked Paper slightly toned. £110 paper. Sheet 210 x 320mm (8¼ x 12½"). Original The Peninsular War (1807–11814) was a military binding folds, trimmed within plate on three sides, as conflict between the First French Empire and the allied issued. £60 poowers of Spain, Britain andd Portugal for control of the The Battle of Aboukir (25 July 1799) in which Iberian Peninsula during the Napoleonic Wars. The Napoleon Bonaparte's defeated Seid Mustafa Pasha's siege of Madrid was the finaall French success during Ottoman army. Napoleon’s only campaign in Spain. Napoleon himself From William Henry Ireland's four-volume 'Life of arrived at Madrid at noon onn 2nd December and on the Napoleon Bonaparte' 1823-28. morning of 4th December the French accepted the Stock: 36008 surrender of the defenders. This battle scene depicts Napoleon, surrounded by his officers, as prisoners are 120. Bataille d'Enzersdorff. Le 4 Juillet 18009, prresented to him to the right of the image. The French l'armée francaise sous les ordres de sa majestté cavalry can be seen in troops in the background to the l'Empereur passa le Danube pendant la nuit. left, with the city of Madrid burning in the distance. A Paris chez la V.e Chéreau, M.de d'Estampes, rue St Stock: 36164 Jacques, No 10 aux deux Colonnes près la Fontaine St Severin. [n.d., c.1810.] 123. Napoleon’s Flight across the Rhine, Near Engraving with bright colour, large margins. 305 x the City of Mentz, pursued by the Allies, 1812. 420mm (12 x 16½"). £290 Manskirch del. & Dubbourg Sculp.t. Published & The French crossed the Danube near Enzersdorff and Sold Jan.y 1st 1816, by Edww.d Orme, Publisher to his attacked the Austrian army on the 4th July 1809, with Majesty & the Regent, Bondd Street, corner of Brook St. an inconclusive result. Enzersdorff can be seen in London. flames in the background. The following day, in the Coloured aquatint. Printed arrea 220 x 280mm (8½ x more decisive Battle of Wagram, Napoleon defeated 11"). Cut inside platemark. £65 the Austrians, ending the War of the Fifth Coalition. A cavalry rearguard action as Napoleon's troops try to Stock: 33521 cross the Rhine to reach the city of Mainz. From 'Historic military and naval anecdotes of ... the last long-contested war'. Stock: 36053

124. Levée du Siege de MMantoue. Chasselat del. Lith. de C. Motte R. de marais. [n.d. c.1826.] Lithograph with very large margins. Sheet 444 x 596mm (17½ x 23½"). £220 The Siege of Mantua (1796-11797), when the French forces under the overall commmmand of Napoleon, besieged and blockaded a larrge Austrian garrison for many months until it surrendered. Published in A.V. Arnault's 'Vie politique et militaire de Napoléon', Paris, 1822-1826. Stock: 30828

121. Napoleon at Eylau Visiting with his 125. Napoleon's Decisive Victory over the Generals , in the morning of the 9th, the field Austrians, at the Battle of Marengo. of the battle, gained by the Emperor, February Engraved by Mr. George Cruikshank, from the original 8th. 1807. design of C. Vernet, executed at Paris, by I. Duplessi Gros Pinxit Alfred Lucas Sculpt. Bertaux. Published Aug.t 14 ,1824 by John Fairburn, Mezzotint, 5220 x 630 mm, 20½ x 24 ¾" Folds at edgees Broadway, Ludgate Hill. of wide margins. £320 Hand-coloured aquatint. 2100 x 310mm. 8¼ x 12¼". Reproduction of the famous painting showing the Folds as published. £130 gruesome scene after fierce fighting with dead and The Battle of Marengo, fougghht on 14 June 1800, saw a wounded littering frozen ground with portraits of decisive French Victory overr the Austrians. The French Napoleon annd Marshals. overcame General Michael von Melas's surprise attack Stock: 8592 near the end of the day, driviing the Austrians out of Italy, and enhancing Napoleon's politial position in Paris as First Consul of Franncce. From "The Life of Napoleon Bonaparte". Cohn: 435. Spain a year prior to the battlle. In this scene, French Stock: 26482 troops attack the Spanish, who can be seen fleeing great numbers in the distance to the left. Stock: 36160

129. Pont d'Arcole. d'aprés un Croquis fait pendant la Bataille par BD. Bacler d'Albe ftf . Lith de G Engelmann. [n.d. c.1825.] Lithograph. 275 x 362mm. 10¾ x 14¼". £35 The Battle of the Bridge of Arcole was a strategic baattle led by Napoleon Bonaapparte against the Austrian army in the November of 1796. The aim was to cut the Austrian's line of retreat, a battle that was won by Napoleon. Stock: 17318

130. Passage du Pont de Lodi, Le 21 Floreat, 10 Mai, an IV, 1796. 126. The Battle of Marengo. Peint par Taunay, Salon de 1810. Ambroise Tardieu J. Christal del. H. sc. London, Pub. Aug.19-1815, Direxit. [Paris, c.1820.] by Rich.d Evans, White row, Spitalfields. Etched outline, sheet 180 x 270mm. 7 x 10½". Engraving. 183 x 229mm (7¼ x 9"). £65 Trimmed within plate; upperr left corner damaged. £60 The Battle of Marengo, fought on 14 June 1800, saw a A battle scene from the Frenncch Revolutionary Wars; on decisive French victory over the Austrians. Napoleon 10 May 1796, in the first majjor battle of his career as a seen here on his horse leading the surprise attack neaar general, the young Napoleon Bonaparte defeated the the end of the day, driving the Austrians out of Italy, Austrians at the Battle of Lodi, in Lombardy, northern and enhancing his political position in Paris as First Italy. Bonaparte can be seen on horseback in the foreground to left, French inffantry crossing the bridge Consul of France. Stock: 34697 over the River Adda in the baackground. Stock: 16654

127. The Attack and Capture of , by the French, after a Most Obstinate Resistance. 131. Bataille de Pulstuck. Champion del. Lith: de C. Motte. [n.d. c.1826.] Engraved byy Mr. George Cruikshank, from the original Lithograph with very large margins. Printed area 325 x design of C. Vernet, executed at Paris, by I. Duplessi 430mm (12¾ x 17"). £140 Bertaux. Published December 27, 1823, by John The snow-bound Battle of Pułtusk, Poland (26 Fairburn, Broadway, Ludgate Hill. December 1806), during the War of the Fourth Hand-coloured aquatint. 210 x 306mm. 8¼ x 12". Coalition. 50,000 Russian soldiers held off 23,000 Folds as published. Some creasing and soiling. £160 French troops led by Marshal Jean Lannes. Part of the Neopolitan War as fought between the Published in A.V. Arnault's 'Vie politique et militaire and the Austrian Empire. It started de Napoléon', Paris, 1822-1826. on 15 March 1815 when Joachim Murat declared war Stock: 35928 on Austria and ended on 20 May 1815 with the signing of the Treaty of Casalanza. 132. Mort du Prince Louis de Prusse, Au From "The Life of Napoleon Bonaparte". Cohn: 435. Stock: 26483 Combat de Saalfed, Le 10 Octobre 1806. Swebach del. Couche fils aqua forti. Pigeot sculp.t. 128. Bataille D'Ocana, Livrée le 19 Novembre [n.d., c.1840.] 1809. Hand coloured engraving. Sheet size: 305 x 465mm (12 x 18¼"). Trimmed inside plate at top and bottom. Roéhn del. Couche fils aqua forti. Pigeot sculp.t. [n.d., £130 c.1840.] The battle of Saalfeld was thhe first major clash during Hand coloured engraving. Sheet size: 305 x 465mm the War of the Fourth Coalitiion, including Prussia, (12 x 18¼"). Trimmed inside plate at top and bottom. Russia, Saxony, Sweden, and Great Britain, and saw a £130 French column defeat a smalller Prussian force under During the War of Independence, the battle of Ocaña, Prince Louis Ferdinand. Prince Louis decided to lead currently in the province of Toledo, Spain, was fought five squadrons into battle, and with the French cavalry on 19 November 1809 and resulted in a French victory responding, he was wounded, but refused to surrender, under the command of Marshal Soult against the and was killed in single commbbat by Quartermaster Spanish Genneral Juan Carlos de Aréizaga. It was the Guindet of the 10th Hussars,, under the command of biggest defeat of the Spanish army, who lost nearly Napoleon Bonaparte. 19,000 men despite being superior in number to their Stock: 36161 French counterparts, and reinforced the Spanish throne of Joseph Bonaparte (1768 - 1844), the elder brother of Napoleon Bonaparte who had declared him King of 133. Bataille de St Georges. 136. Battle of Victoria, Bringing in the F. Grenier del. Lith: de C. Motte rue des marais. [n.d. Prisoners. c.1826.] W. Heath Del. Etched by I. Clark. Aquatinted by M. Lithograph with very large margins. Printed area 310 x Dubourg. London Published Dec.1.1814, by J. Jenkins, 370mm (12¼ x 14½"). £160 48, Strand. The Battle of San Giorgio (14-15 September 1796), in Hand-coloured aquatint. Wattermarked: 1815 J a suburb of Mantua, an Austrian-held city under siege Whatman Turkey Mills. Platte 215 x 299mm. 8½ x by the French. An Austrian relief army under Wurmser 11¾". Fine large paper. Stain into plate. £70 rushed to the city and set up defensive positions at San The Battle of Vitoria (June 21, 1813) was an allied Giorgio, but Masséna drove them into the city, adding British, Portuguese, and Spanish army under General to the strain on the garrison's resources. 4,000 Marquess of Wellington who broke the French army Austrians died of wounds or disease in the next six under Bonaparte near Vitoria in Spain, leading to weeks. The figure saluting General Bonaparte is eventual victory in the Peninsular War. probably the conte di Miollis, Brigadier General of the From 'The Martial Achievements of Great Britain and Army of Italy, made governor of the city when Mantua her Allies from 1799 to 1815', by James Jenkins. fell to the French in 1797. Stock: 20772 Published in A.V. Arnault's 'Vie politique et militaire de Napoléonn', Paris, 1822-1826. Stock: 35929

134. Napoleon at the Passage and Battle of the River Tagliamento. Engraved byy Mr. George Cruikshank, from the original design of C. Vernet, execuuted at Paris, by I. Duplessi Bertaux. Published Sept.r 11. 1823, by John Fairburn, Broadway, Ludgate Hill. Hand-coloured aquatint. 210 x 285mm. 8¼ x 11¼". Folds as published. £140 Whilst General Joubert was still near Primolano, Napoleon marched with 32,000 men, protected by a guarding force of 11,000 under Massena, to the 137. Bataille de Wagram. Le 6 Juillet 1809 le Tagliamento River. Near Valvasone Napoleon and lendemain de la Bataille d'Enzersdorff.... Massena’s forces rushed the Tagliamento under the A Paris chez la V.e Chéreau,, M.de d'Estampes, rue St cover of heavy artillery fire and forced the Austrians Jacques, No 10 aux deux Collonnes près la Fontaine St back to Udine. This was the beginning of the march Severin. [n.d., c.1810.] that led to Loeben and the Peace of Campo Formio. Engraving with bright colourr, very large margins. 305 From "The Life of Napoleon Bonaparte". Cohn: 435. x 420mm (12 x 16½"). Stainn in title area. £290 Stock: 26479 The French crossed the Danube near Enzersdorff and attacked the Austrian army on the 4th July 1809, with 135. The French attacked Toulon by Land, an inconclusive result. On following day the more when it was evacuated by the English Fleet, decisive Battle of Wagram sttarted, lasting two days. In December 19th 1793. the end Napoleon defeated the Austrians, ending the Published 12th May 1794 by Laurie & Whittle 53 Fleet War of the Fifth Coalition. Itt is regarded as one of the Street London. most important battles of thee Napoleonic Wars. Etching with hand-colouring with very large margins, Stock: 33522 platemark 180 x 280mm (7 x 11"). Tear in centre of image. £95 138. Bonaparte's Carriaage. The Fall of Toulon in 1793, an early Republican No.2 of Ackermann's Reposiitory of Arts &c. Pub. victory over a Royalist rebellion. After the royalists Feby. 1 1816 [101 Strand, London]. called for aid, the British admiral Sir Samuel Hood Hand coloured etching with aaquatint, image 130 x committed British, Spanish, Piedmontese and 200mm. 5 x 8". £65 Neapolitan troops to assist. Nonetheless, the Napoleon Bonaparte's near-capture after the Battle of republicans (including a young captain, Napoleon Waterloo; the French Emperroor rides away from the Bonaparte) defeated the allies after their captain, Prussian troops that have captured his carriage. The Charles O'Hara, was taken prisoner. Prussian field marshal Gebhard Leberecht von Blucher, Part of a set of battle scenes published by the popular quoted below the image, pressented the carriage to the printmakers Laurie & Whittle soon after the actions Prince Regent, who subsequently sold it to William had taken place. For O'Hara during the siege see ref. Bullock, who made it the centrepiece of a Napoleon 31423; for Sir Samuel Hood, see ref. 1885 and 12186. exhibition at his Egyptian Hall, Piccadilly. In 1842 it Stock: 35941 was sold to Madame Tussaud, who displayed for 80 years before it was completeelly destroyed in a fire. Numbered 'Pl. 9, Vol. I', for RRudolph Ackermann's 'Repository of Arts' periodical, published from 1809- 1829. The formal title of the publication was "Repository oof Arts, Literature, Commerce, 141. Waterloo. [Conveyying the French Manufacturees, Fashions, and Politics", and it discussed Cannon from the Field of Battle, on the 24th and illustrated day to day life, and influenced English July, 1815.] From a Drawing made on the Spot, taste in fashion, architecture and literature. July 24th, 1815. Stock: 18982 Publish'd by R. Bowyer, Palll Mall, 1816. Coloured aquatint. Sheet 255 x 380mm (10 x 15"). 139. Capture of Bonaparte's Carriage the Trimmed into plate top and bottom, losing part of the night of the Battle of Waterloo. title, some toning. £130 Howitt i et e. [London, n.d., 1816.] An illustration from Bowyerr''s 'Campaign of Waterloo', Etching, folding plate from William Bullock's a sequel to his 'Illustrated Record of Important Events pamphlet 'A Description Of The Costly And Curious in the Annals of Europe', whhich had ended after the Military Carriage Of The Late Emperor Of France...'. first abdication of Napoelon Bonaparte in April 1814. 150 x 205mm, 6 x 8". Fold as normal. £65 Abbey Life: 354. Napoleon Bonaparte flees the scene on horseback in Stock: 30251 the background as his carriage is seized by Allied troops. 142. Battle of Waterlooo. The flight of The Prussian field marshal Gebhard Leberecht von Bonaparte, after witnesssiing the total Defeat of Blucher, quoted below the image, presented the his Army. carriage to the Prince Regent, who subsequently soldd it Drawn by Capt.n Geo. Joness, & Engraved by Mr. S. to William Bullock, who made it the centrepiece of a Mitan. London. Published by W. Lewis & Co, St Napoleon exhibition at his Egyptian Hall, Piccadilly. John's Square, March 22, 18117. Bullock issued a pamphlet to accompany the Engraving. Sheet 175 x 240mm (7 x 9½"). Trimmed exhibition, which included this etching by Samuel within plate. Slight foxing. £35 Howitt (1756 - 1822). In 1842 the carriage was sold to From C.H. Gifford's 'History of the Wars Occasioned Madame Tussaud, who displayed for 80 years beforee it byy the French Revolution'. was completely destroyed in a fire. Stock: 36007 Stock: 21968

143. Bernadotte, Consilller d'État, et Général de l'Armée de l'Ouest. Lavachez sculp. Duplesi-Berrtaux inv et del. Duplesi- Bertaux aqua forte. [Paris: Auber, 1804.] Mezzotint and etching. 430 x 285mm (17 x 11¼"). Torn outside printed border. £120 Oval mezzotint portrait of Marchal Jean Baptiste Benardotte, surrounded by an etched border with engraved text and a scene representing his taking of Gradisca. Formerly a General in Napoleon's army, after this portrait was published (iin the 'Collection complète des tableaux historiques de la révolution française') he was elected the heir-presumptive to King Charles XIII of Sweden, becoming Charles XIV John in 1818, ruling until 1844. Stock: 28215 140. The Battle at Waterloo. [After Baron Charles Steuben.] [n.d., c.1845.] 144. D. Joseph Napoleon Roi d'Espagne et des Lithograph, very rare. Framed. Printed area: 405 x Indes. Frère de l'Empereur Grand Électeur de 545mm (16 x 21½"). Frame size: 645 x 810mm (25½ x 32"). Unexamined out of frame. £360 l'Empire Français. A dramatic scene at the Battle of Waterloo, with [Robert Le Fevre pinxt. Gregorius del. L.C. Ruotte Napoleon on horseback in the centre, facing left, Sculp.t] Déposé à la Bibliothèque Impériale. à Paris looking grimly at his struggling soldiers who fall on all chez Potrelle Editeur, rue St.. Honoré, No.142. [n.d. sides, with one running up from the left, waving his hat c.1812.] behind him as he speaks urgently to the Emperor. The Stipple. Plate 444 x 350mm. 17½ x 13¾". Foxing. French standards are flying behind them. A Scottish £360 officer watches the scene with a thoughtful expressioon Joseph Bonaparte (1768-18444) was the elder brother of in the extreme left. After German painter Baron Napoleon I of France, who made him King of Naples Charles Guillaume Henri Auguste François Louis and Sicily (1806-1808), and later King of Spain and the Indies as Joseph I of Spain (1808-1813). Steuben (1788 - 1856). Stock: 36154 From a series of plates repressenting members of the French Imperial family and European Kings. Ex Collection: William Fitzwilliiam Burton [1796-1844], of Burton hall, Carlow; Eiree,, landowner. Stock: 21099

147. [Portraits of Napolleon and his family.] A Paris chez Lordereau Rue St Jacques. No 17. Déposé. [n.d., c.1830.] Stipple. Sheet 340 x 270mm (13½ x 10½"). Trimmed to plate. Collector's stamp on right. £140 14 numbered portraits of Napoleon, his two wives, mother, siblings, son and adopted son. According to the BM Lordereau operated from rue Saint-Jaacques 1828- 33. Stock: 36013

148. Esquisse représentant la réunion des Souverains accompagnans Sa Majesté l'Empereur et Roi au Baal donné par la Ville de Paris le 4 Décembre 1809. S. M. l'Empereur répond au Discours de M.r le Préfet du Département de la Seinee. Dessiné et Gravé par A. Godefroy. Déposé à la Bibliothèque Impériale. A Paris chez A. Godefroy, Rue des Francs Bourgeois S.. Michel N° 3 [n.d., c.1810]. Etching in outline, 290 x 425mm. 11½ x 16¾". Lacking upper and lower margin. £220 Group portrait of European monarchs inside the Hôtel- 145. Louis Napoléon Roi de Hollande. Frèree de-Ville, Paris; seated in a semi-circle, Naapoleon de l'Empereur Connetable de l'Empire Bonaparte (1769 – 1821, as Emperor Napoleon I) on his throne at centre. Three off the Emperor's brothers sit Français. to his right: Louis, Jerome, annd Joachim. Hosted by the Dessiné par Gregorius, d'aprés le Buste de Casteillier. Prefect of the Seine departmeent, the occasion was a L.C. Ruotte Sculp.t à Amsterdam Chez Buffa et celebration of the fifth annivversary of Napoleon's Comp.ie Déposé a la Bibliothèque Imperiale. Se vend à coronation, the conclusion off a peace between France Paris chez Potrelle Editeur. M. d'Estampes, rue St. and Austria, and his return to the capital city. Honoré No.142. [n.d. c.1807.] All the sovereigns are captioonned beneath the image. Stipple. Plate 425 x 337mm. 16¾ x 13¼". Foxing. By Adrien-Pierre-François Godefroy (1777 - 1865). £360 BNF FRBNF41514640. Louis Napoleon Bonaparte (1778-1846), King of Stock: 20974 Holland (1806-1810). Brother of Napoleon I of France, and his son was the last Emperor, Napoleon III. 149. [France] S.te Susanne. Déposé à la From a series of plates representing members of the French Imperial family and European Kings, engraved Bibliothèque Nationale le 1.er Thermidor an 9 by Ruotte or Bourgeois de la Richardière and published de la Répl.que Fran.se by Potrelle, 1805-1810. Ex Collection: William Desiné d’après nature, par J: Guerin et Gravé par G: Fitzwilliam Burton [1796-1844], of Burton hall, Fiesinger. A Paris, chez A.AA. Renouard Ruue Andrés Carlow; Eire, landowner. In the British Museum as des Arcs. No.42. [n.d. c.1800.] coloured stipple. Stipple. 330 x 242mm. 13 x 99½". Trimmed to the Stock: 21100 pllatemark. £85 Gilles Joseph Martin Bruneteau (1760-1830), Viscount 146. Maria Letizia Ramolino Bonaparte. de Sainte-Suzanne, was a Lieutenant General during Mother of the Emperor Napoleon. The the French Revolutionary Waars and was one of Napoleon's generals, who forr his brave efforts was Original of this picture painted in oils by created 'Count of the Empire' and made a member of Gerard, is to be found in the Gallery of the Legion d'Honneur. Ex Norman Blackburn Versailles. Collection. A. Deveria del. Lith de Villain. [London published by Stock: 18704 Bull & Churton, 26 Holles St Cavendish Square.] [n.d., c.1831.] 150. [France] Eugêne Napoléon Vice Roi Lithograph. Sheet 310 x 235mm (12¼ x 9¼"). D'Italie. Dedié et Présenté à Sa Majesté Trimmed at bottom, losing publisher's inscription, Josephine Impératrice dees Française et Reine small stain on left. £60 Maria Letizia Buonaparte née Ramolino (17500836),, d'Italie. Par son trés humble et Respectueux mother of an emperor, three kings and a queen consorrt. Sujet L.C. Ruotte. Despite living to 85 she never learned French. D'après le Buste de Chinard qqui appartient à S.M. Stock: 36016 Dessiné par Grégorius, L.C. Ruotte Sculp. Déposé à la Bibliothèque Imp.le. Se vend à Paris chez Potrelle Editeur, M. d'Estampes, rue St. Honoré, No.142. [n.d. 154. [France] Joubert, Général en Chef de c.1806.] l'Armée d'Italie, mort le 28 Thermidor an VII Stipple. Plate 432 x 342mm. 17 x 13½". Scratched à la bataille de Novi. across image top right. £360 Lavachez sculp. Duplesi-Berrtaux inv et del. Duplesi- Eugène de Beauharnais (1781-1824), stepson and Bertaux aqua forte. [Paris: Auber, 1804.] adopted child of French Emperor, Napoleon I; his Mezzotint and etching. 430 x 285mm (17 x 11¼"). natural father was executed during the revolutionary Some spotting. £70 Reign of Terror. He commanded the Army of Italy and Barthélemy Catherine Jouberrt (1769-1799), acclaimed was viceroy of Italy under his stepfather. here as 'amongst the heroes who have contributed the From a series of plates representing members of the most to the prodigious triumphs of our armies'. He French Imperial family and European Kings, engraved joined the royal French army in 1784 and rose rapidly by Ruotte or Bourgeois de la Richardière and published to the rank of general uring thhe French Revolutionary by Potrelle, 1805-1810. Ex Collection: William Wars. Napoleon recognised his talents and gave him Fitzwilliam Burton [1796-1844], of Burton hall, increased responsibilities. He was later killed whilst Carlow; Eire, landowner. In the British Museum. commanding the French army at the Battle of Novi in Stock: 21102 1799. Stock: 28218 151. [France.] De Pradt Ancien Archeveque de Malines. David 1830. [after David D'Angers.] Engraving on india with large margins, rare. Plate 2441 x 221mm (9½ x 8¾"). £70 From a Medallion by David D'Angers. Dominique-Georges-Frederic Dufour de Pradt (1759- 1837), the French clergyman and ambassador. In 1804 he became a secretary of Napoleon and in 1808 he waas appointed as archbishop of Mechelen. In 1812 he was awarded the position of the French ambassador in Warsaw, preparing the Concordat of 1813. Stock: 34691

152. [France] Albert Louis Bacler Dalbe. Geb. zu St. Pol d.21 Oct. 1761. Cless del. [German.] [n.d. c.1810.] Stipple with large margins. Plate 134 x 89mm (5¼ x 3½"). £120 Louis Albert Guislain Bacler d'Albe (1761-1824) the French artist, as well as the map-maker and the closesst strategic advisor of Napoleon from 1796 until 1814. From "Allgemeine Geographische Ephemeriden". Stock: 29540 155. Le Brun Troisième Consul de la 153. [France] The Empress Josephine. First Republique Francaise. wife of Napoleon Bonaparte. Born 1763. [Paris: Auber, 1804.] Married to Bonaparte 1796. Divorced 1810. Mezzotint and etching. 430 x 285mm (17 x 11¼"). £90 Died 1814. An authentice portrait engraved Oval mezzotint portrait of Charles-François Lebrun, duc de Plaisance (1739–1824), third consul of the exclusively for the Court Magazine. No.93 of French Republic. Published iin the 'Collection complète the series of ancient portraits. des tableaux historiques de la révolution française'. Ed. Hargarve Sculp.t Vol. XIX. 1840. No.11, Carey Charles-François Lebrun, duuc de Plaisance, prince of street Lincoln's Inn, London. the Empire was a French stattesman. He started his Fine hand-coloured engraving. 252 x 165mm. 10 x career during the Ancien Régime, making his first 6½". £70 appearance as a lawyer in Paris in 1762. He filled the Josephine de Beauharnais (1763-1814) was the first poosts of censeur du Roi (17666) and then Inspector wife of Napoleon Bonaparte, and thus the first Empress General of the Domains of the Crown (1768). Lebrun of France. Her husband Alexandre de Beauharnais waas beecame a disciple of Montessqquieu and an admirer of guillotined duuring the Reign of Terror. She did not bear the British Constitution, travvelling through Southern Napoleon anny children, and as a result, he divorced her Netherlands, the Dutch Republic, and finally to the in 1810 to marry Marie Louise of Austria. Kingdom of Great Britain. At the outbreak of the Stock: 24120 French Revolution in 1789, he foresaw its importance and in his volume La voix du Citoyen, published the same year, and predicted the course which events would take. Aftter the voting of the 1791 Constitution, ineligible to the Legislative Assembly, he became instead president of the directory of Seine-et-Oise with Napoleon, and at Wagram, led the attack which département. Lebrun was made Third Consul following brroke the Austrian centre and won the victory. In Napoleon Bonaparte’s 18 Brumaire coup in 1799. In 1810, MacDonald served in SSpain and in 1812, he this capacity he took an active part in Napoleon's commanded the left wing of the Grande Armée for the reorganization of the national finances and in the invasion of Russia. In 1813, after participating in the administration of France's départements. In 1804, he baattles of Lützen and Bautzeenn, he was ordered to was appointed arch-treasurer of the French Empire. invade Silesia. After the Batttle of Leipzig, he was Although to a certain extent opposed to the autocracy ordered to cover the evacuatiion of Leipzig with Prince of the Emperor, he was not in favour of his deposition, Poniatowski. During the defensive campaign of 1814, although he accepted the fait accompli of the Bourboon MacDonald again distinguished himself. He was one of Restoration in April 1814. Louis XVIII made him a the marshals sent by Napoleon to take the notice of his Peer of France, but during the subsequent Hundred abdication to Paris. When alll were deserting Napoleon, Days he accepted from Napoleon the post of grand MacDonald remained faithful. He was directed by maître de l'Université. As a consequence, he was Napoleon to give his adherence to the new régime, and suspended from peerage when the Bourbons returned was presented with the sabree of Murad Bey for his again in 1815, but was recalled in 1819. fidelity. At the Restoration, he was made a peer of Stock: 28222 France and knight grand cross of the royal order of St. Louis; he remained faithful to the new order during the 156. Hudson Lowe. Lt. General [Facsimile Hundred Days. In 1815, he became chancellor of the signature]. Legion of Honour, a post he held till 1831. In 1816, as London, John Murray, Albermarle Street, June 1853. major-general of the royal bodyguard, he took part in Engraving on india. Rare. Plate: 150 x 220mm, (6 x the debates of the Chamber of Peers, created under the 8½"). Very large margins. Some staining on outer Charter of 1814, voting conssistently as a moderate margins. £85 Liberal. Half-length portrait of Sir Hudson Lowe (1769-1844), Stock: 28219 a British soldier who served as Governor of St. Helena during Napoleon's imprisonment on the island. Stock: 35351

157. Macdonald, Général en Chef des Arméees de Naples et des Grisons. J. FB [monogram of Jean Duplesi-Berteaux). [Paris: Auber, 1804.] Mezzotint and etching. 430 x 285mm (17 x 11¼"). Some minor spotting. £90 Oval mezzottint portrait of Jacques MacDonald (1765- 1840), surrounded by an etched border with engraved text and a baattle scene probably in Italy, where he occupied Rome. Published in the 'Collection complète des tableaux historiques de la révolution française'. Jacques MacDonald was a Marshal of France and military leadder during the French Revolutionary and Napoleonic Wars. He was appointed aide-de-camp to General Charles François Dumouriez. He distinguishhed himself at the Battle of Jemappes, and was promoted colonel in 1793. In 1797, having been made general of division, he served first in the army of the Rhine and later in that of Italy. When he reached Italy, the treaty of Campo Formio had been signed, and Bonaparte had 158. [France] Massena.. returned to France; but, under the direction of Berthier, Dessiné par Hilaire le Dru. Garvé par Coqueret et La MacDonald occupied Rome, of which he was made Chaussée. Se Vend a Paris chez Potrelle Successeur de governor, and then in conjunction with Championnet Dulac Md. d'Estampes, Rue HHonoré No. 54 vis-a-vis he defeated General Mack, and took the Kingdom of L'Oratoire. [n.d. c.1800] Naples, which became known as the Parthenopaean Mezzotint. 385 x 565mm. £220 Republic. In 1800, he received command of the army André Massena (1758-1817)), French Marshal, Prince in the Helvetic Republic, maintaining communications de Essling, Duc de Rivoli. Massena teamed up with a between the armies of Germany and of Italy. He young General Napoleon Boonnaparte and was a key carried out hiis orders diligently, and in the winter of soldier in the stunning 1796 ccampaign and the battles 1800-1801, he was ordered to march over the Splügen of Montenotte, Lodi, Castigliione, Bassano, Caldiero, Pass at the head of the Army of the Grisons. He Arcola, and Rivoli. In 1799,, Massena took command remained without employment until 1809, but then of the army in Switzerland and ran into Russia's Field Napoleon made him military adviser to Prince Eugène Marshal Suvarov at the second battle of Zurich. de Beauharnais, viceroy of the Kingdom of Italy and a Stock: 3784 corps commander. He led the army from Italy to join 159. [France] Masséna, Général de Division, a l'Armée d'Italie, puis Général en Chef des Armées du Danube et d'Italie. Bonne maison pinxit. Lavachez sculp. Reville inv et del. [Paris: Auber, 1804.] Mezzotint and etching. 430 x 285mm (17 x 11¼"). Bottom left corner missing. £130 Oval mezzottint portrait of André Masséna (1758- 1817), surrounded by an etched border with engraved text and a scene representing his defence of Genoa in 1800. Published in the 'Collection complète des tableaux historiques de la révolution française'. André Masséna, Marshal of France (1804); Duke of Rivoli (1808); and Prince of Esslingen (1810). He entered the army in 1775 and served as a soldier; in 1789 he retired but entered the revolutionary army inn 1791. In 1793 he was a brigadier general and took part in the siege of Toulon. In 1794 he became a division general. Massena operated successfully at the head of the vanguard of the army in Napoleon’s Italian campaign of 1796-97. In 1799 he commanded troopss in Switzerland and defeated General A. M. Rimskii- Korsakov’s Russo-Austrian corps. In 1800, Massena commanded the troops besieged at Genoa. In the war between Austria and France in 1809 he commanded the left wing at Wagram. In 1810-11 he was commander of troops in Portugal but was removed for a series of defeats. In 1814 he went over to the side of the 162. [France] Joachim--Napoléon, Roi de Bourbons annd in 1815 was made a peer of France. Naples et de Siciles. Grand-Amiral de France. Stock: 28217 Gros pinx.t Grégorius del.t Ruotte Sculp. Déposé à la Bibliothèque Impériale à Parris chez Potrelle Md. 160. Le General Moreau. d'Estampes, rue St. Honoré, No.142. [n.d. c.1807.] [n.d., c.1810.] Stipple, very fine. Plate 438 x 336mm. 17¼ x 13¼". Etching, rare. Circular as a fan, trimmed close to £360 printed border, sheet 180mm diameter. Some creasingg. Joachim-Napoleon Murat (1767-1815), Marshal of £30 France, Grand Admiral of Frrance, and King of Naples Equestian portrait of Jean Victor Marie Moreau from 1808 to 1815. He received his titles in part by (17630813), revolutionary general and the only real beeing the brother-in-law of Napoleon I, through his rival to Napoleon's ascendency. Having helped marriage to Napoleon's youngest sister, Caroline Bonaparte in the coup d'état of 18 Brumaire, Moreau Bonaparte. He was noted as a flamboyant dresser and was falsely accused of being in a plot to restore Louis was known as 'the Dandy Kiinng'. XVIII and was sent into exile in the United States in From a series of plates repressenting members of the 1804. He returned to Europe after Napoleon's defeat in French Imperial family and European Kings, engraved Russia in 1812 and tried to gather Napoleon's enemies byy Ruotte or Bourgeois de la Richardière and published together. Attending the Battle of Dresden in August byy Potrelle, 1805-1810. Ex Collection: William 1813 he was talking to the Tsar when he was badly Fiitzwilliam Burton [1796-1844], of Burton hall, wounded, dying a few days later. Carlow; Eire, landowner. In the British Museum as Stock: 36052 coloured stipple. Stock: 21103 161. [Caroline Murat, Queen of Naples & Sicily.] 163. [Portraits of Napolleon and his circle.] [n.d., c.1810.] [n.d., c.1860.] Stipple, proof before letters. Sheet 135 x 115mm (5¼ x Zincograph and letterpress. Sheet 765 x 505mm (30½ x 4½"). Trimmed. £60 20"). Tears to edges and folds. £80 Maria Annunziata Carolina Bonaparte (1782-1839) An uncut sheet of 16 portraitts of Napoleon and his married Joachim Murat, one of Napoleon's generals, on family, designed to be folded and cut for an 8vo book, 20 January 1800. Murat was made King of Naples and with one portrait per page. Thhus half the portraits are Sicily on 1 August 1808, but after Napoleon's fall and prrinted upside down on this ssheet. The other members her husband's execution, Caroline lived in Florence of the family are: his wives Josephine & Marie Louisa under her death. and son Napoleon II; his parents Charles & Letitia and Stock: 36025 uncle Cardinal Fesch; his siblings Joseph, Louis, Lucien, Jerome, Eliza, Pauline and Caroline; and sister- in-law Louise of Mecklenburrg-Strelitz, queen of Prussia. The outsider in the collection is Count Metternich who, despite facilitating the marriange of 166. Marshal Ney. Duke of Elchingen, Prince Napoleon to Maria Louisa, did much to rally the Allieed of Moskwa, Peer of France. Who was Shot for opposition to him. Treason, Dec.r 8, 1815. Stock: 36058 Gerard pinx.t. A. Easton Sculp.t. Published April 9th 1816 by Edw.d Orme, Bond Street, corner of Brook 164. Napoleon Bonaparte. Messina. Ney. Street, London. Murat. Kleber. Stipple, with vere y large margins. 260 x 205mm (10¼ x John Tallis & Company, London & New York. [n.d.,, 8"). £85 c.1855.] François Gérard's famous poortrait of Marshal Michel Steel engraving with small margins. 255 x 165mm (10 Ney (17690815), in ceremonial uniform. He fought for x 6½"). £45 Napoleon from begining to end: after his command of A head and shoulders portrait of Napoleon Bonaparte French rear-guard on the Rettreat from Moscow in 1812 with four smaller portraits of his generals: Marshal he was jokingly referred to as 'the last Frenchman on André Masséna (17580817), out of favour by Russian soil. Although he persuaded the emperor to Napoleon's abdication, so survived the Restoration of abdicate and accept his first exile in 1814 and prepared the Bourbon monarchy; Marshal Michel Ney a force to stop Napoleon reaching Paris during the (17690815), executed for treason after Waterloo; Hundred Days, Ney joined with Napoleon in 1815. At Marshal Joachim-Napoléon Murat (17670815), the Battle of Waterloo, seeinng the day was lost, Ney led Bonaparte's brother-in-law, executed in Italy; and a final charge, shouting to hiis men 'Come see how a General Jean Baptiste Kléber (17530800), assassinated marshal of France dies!'. However he survived, only to in Cairo bee shot for treason, one of very few of Napoleon's Stock: 36010 generals not to be exonerated by the restored Bourbon monarchy. Gérard's oil remained in the family until the death of the 6th (and last) Prince of Moskow and his daughter, selling at auction ffor $242,500 in New York, 2013. Stock: 36029

167. N.C. Oudinot, Duc de Reggio, Marechal et Pair de France, Commandeur de l'Ordre Royal et Militaire de St. Louis, Grand Cordon de la Legion d'Honneur, Commandeur de l'Ordre de St. Henry de SSaxe &,Major Général de la Garde Royale, Ministre d'Etat, Commandant en Chef de la Garde Nat.ale de Paris. Dédié à la Garde Nationale de Paris. Peint d’après nature par Robbert, le Fevre. Desiné par H. Laurent. Gravé par Forster. Déposé au Bureau des Estampes. A Paris, chez P. Audouin Graveur Ordinaire du Roi, Rue du Mont Blanc, No.16. [n.d. c.1800.] 165. [France] Col. de Labedoyere. Marshal Engraving. 393 x 248mm. 15½ x 9¾". Trimmed and Ney. Cte. de Lavalette. To the Admirers of laid on separate sheet. £130 Female Constancy and Virtue and to the Nicolas Charles Oudinot, 1stt Comte Oudinot, 1st Duc Friends of Sir Robert Wilson, Mr Bruce & Mr de Reggio (1767-1847) was a Marshal of France. At Hutchinson. the outbreak of the French Revolution, Oudinot's [Published by J. Le Petit, 20 Capel Street, Dublin. n.d., military career took-off and he rose through the ranks, c.1815.] and in 1800 after great success at the Battle of Rare engraving. Sheet 185 x 205mm, 7¼ x 8". Monzambano was presented with the sword of honour Trimmed within plate, losing publication line. £190 byy Napoleon. He was made IInspector-General of the Three of the more notable supporters of Napoleon infantry, and, on establishment of the empire, given the Bonaparte of the Hundred Days, his attempt to regain Grand Cross of the Legion d’Honneur. It was not until the throne of France which ended at the Battle of 1809, after his display of brillliant courage at the Battle Waterloo. All three were condemned to death but were of Wagram, that he was promoted to the rank of faithfully supported by their wives: Labedoyere's wife Marshal of France. His later career was not as died of a broken heart soon after his execution; Ney's successful however he was not disgraced and on wife campaigned relentlessly for a pardon; and Napoleon’s abdication he ralllied to the new Lavalette's wife swopped clothes with him, allowing government and was made a Peer of France by the him to excape on the eve of his execution. Bourbon Restoration. Ex Norman Blackburn The three men named in the dedication were three Collection. Englishmen who helped Lavalette escape from France, Stock: 18707 earning themselves three months' imprisonment. Stock: 15214

168. [France] Casimir Perier. Manuel. Le successfully from the regime of Louis XVI, through Général Foy. the French Revolution and then under Napoleon I, Lith. de Langlamé. Publié par Blaisot. [n.d. c.1850.] Louis XVIII, Charles X, andd Louis-Philippe. Lithograph. 342 x 267mm. 13½ x 10½". £120 Stock: 28220 Casimir Pierre Périer (1777-1832) was a French statesman, President of the Council during the July 171. ch. mau. pce de tallleyrand ne a Paris le 2 Monarchy, when he headed the conservative Parti de la fevrier 1754. résistance. In 1798 he joined the army until in 1801 he E. Vogel delt. London 26. June 1834. Louis Zollner founded a bank in Paris with his brother. In 1817 he lith. et impr: entered the Chamber of Deputies for Paris, taking his Lithograph, sheet 470 x 365mm. 18½ x 14¼". seat in the Left Centre and making his first speech in Extremities tatty, with tears. Light spotting. £160 defence of the freedom of the press. After becoming An expressive portrait of an eelderly Charles Maurice de President of the Chamber of Deputies he was Talleyrand-Périgord, 1st Sovereign Prince of eventually summoned to power and in a short amounnt Beneventum (1754 – 1838), French diplomat. He of time, managed to re-establish civic order in France; worked successfully from the regime of Louis XVI, Jacques-Antoine Manuel (1775-1827) was a French through the French Revolution and then under lawyer, politiician and noted orator. He fought in the Napoleon I, Louis XVIII, Charles X, and Louis- Italian campaigns under Napoleon and in 1814 he was Philippe. Known since the turn of the 19th century chosen a member of the Chamber of Representatives simply by the name Talleyraannd, he is widely regarded and in 1815 he protested against the restoration of the as one of the most versatile and influential diplomats in Bourbons; and Maximilien Sebastien Foy (1775-1825) European history. was a French military leader, statesman and writer. He From a sketch from life whille he was in London as fought under Dumourier, PIchegru, Moreau, Masséna ambassador to the United Kiinngdom, a post he held and others. In 1803, as colonel of the 5th regiment of from 1830 to 1834. the horse artillery, he refused the appointment of aide- Stock: 9922 de-camp on Napoleon’s assumption of the imperial throne. He later served in Portugal and Spain before returning to France where in 1819, after embracing the case of the EEmperor during the Hundred Days and the Waterloo, he was elected a member of the Chamber of Deputies. All three men were integral figures during the political shift in France at the turn of the 19th century. Stock: 19232

169. The Royal Family of France - the Family of Buonaparte. French Generals, Statesmen &c. Pub.d by R. Bowyer, 80, Pall Mall, June 1. 1816. Etching. 4900 x 315mm (19¼ x 12¼"). Trimmed within plate top and bottom, well away from image. £75 172. [Tribute to Napoleon.] Sésostius et Fifty numbered roundel portraits: Louis XVIII is top centre; Napoleon, his wives and siblings fill the second César, l'ancien, le nouvell âge, / Fredéric, à sa row and his son Napoléon François Charles Joseph vue abaissent leur laurieer, / Et sur le Nord Bonaparte is on the left of the third row. Published as brisé passant comme un orage, / Il à conquis le an illustration to 'The Campaign of Waterloo', it lacks nom du plus grand des guerriers!! the key of names. [after V. Adam?] à Paris cheez Dopter, rue St Jacques, Stock: 35995 No. 21. Déposé [n.d., c.1835.] Mezzotint. 250 x 320mm (10 x 12½") Trimmed to 170. C.M. de Talleyrand de Périgord, pllate at sides, some damp staining. £230 Ministre des Relations Exterieures. Napoleon ushered to a heavenly pedestal, greeted by [Paris: Auber, 1804.] some of the greatest generals of history. Mezzotint and etching. 430 x 285mm (17 x 11¼"). Stock: 36066 £140 Oval mezzottint portrait of Charles Maurice de 173. Picken's Sketches oof Napoleon, No.5. Talleyrand-Périgord (1754-1836), surrounded by an Price 1s. Un Bivouac [&] The Spirit of etched border with engraved text. An effective Napoleon Visiting his Tomb. diplomat, he served the Ancien Régime, the French On Stone by A. Picken Jun. London, Pub. by T. Fisher Revolution, Napoleon, and the restored Bourbon 1, Hanway St. Oxford St [n.d., c.1845]. monarchy. Published in the 'Collection complète des Two lithographic vignettes printed on a single sheet, tableaux historiques de la révolution française'. including one puzzle print, sheet 380 x 270mm. 15 x Charles Maurice de Talleyrand-Périgord, Prince of 10¾". Slight creasing £220 Bénévent, was a French diplomat. He worked The upper illustration is a portrait of Napoleon Dessiné par V. Adam. à Paris chez Dopter, rue St Bonaparte standing in a landscape. The natural forms Jacques, No. 21. [n.d., c.1835.] in the landscape below conceal the outline profiles of Mezzotint. 240 x 320mm (9½ x 12½"). Trimmed to military commanders from both opposing sides of the pllate at sides, some damp staining at top. £160 Napoleonic Wars. The figures represented are listed in A tribute to Napoleon, showiing the second statue of the the text below. former emperor on top of the Vendôme Column, From a scarce set of popular prints issued by showing Napoleon a tricorn hat, boots and a redingote subscription; with note to subscribers to lower margin. (riding coat), as erected by Louis-Philippe I (reigned for a larger version of 'Un Bivouac' (top image), see 1830-46). Around statue are events from Napoleon's ref. 29444 life, starting and ending in sttoorm clouds, but his Stock: 23468 successes shining against a raainbow arching above. The verse is from Casimir Delaviigne's 'À Napoléon', part of his 'Les Messéniennes, Livre II' (1835). Stock: 36064

176. Anagramme. Napoléon Empereur des Français et Roi d'Italie. Ainsi cela fera la Prospérité du Monde Entier. [Dessiné par Fragonard Fils. Gravé à l'eau-forte par Castel. Terminé par M.me Beenoist.] [n.d., 1811.] Stipple and etching, rare. Sheet 445 x 315mm (17½ x 12½"). Trimmed to image on all sides, losing inscription. £140 'From this will come the prosperity of the whole world.' Minerva points at the inscription on a monument with a bust of Naappoleon, while a winged woman uses a chisel to finish the decoration. 174. Allégorie. Relative à Buonaparte Général This print was published to celebrate the marriage of des Armées Française a &c. &c. dans Napoleon and Marie-Louise of Austria in 1810. l'expédition contre l'Angleterre. Dédiée au Stock: 36000 Directoire par V.M. Picot. P. (Picot?) Inv.t V.M. Picot Sculp. A Paris chez V.M. 177. Lines on Buonaparte by Lord Byron. Picot Rue des Postes No. 25. à l'Estrapade. [n.d. c. Oh! more or less than maan in high or low, / 1796] Battling with nations, flying from the field [...] Stipple, very scarce. Plate 412 x 546mm. 16¼ x 21½"". [n.d., c.1816.] Crease vertically through centre not visible from front, Ink mss on embossed paper. Sheet 110 x 180mm (4¼ x crease on right. £280 7"). Mounted on album papeer. £50 Throughout 1796 and 1797 Napoleon's Italian Eleven lines from George Byron's 'Childe Harold', campaign was successfull with victories at Montenotte Canto III, written 1816. and Mondovi, Lodi and Milan, Castiglione, Bassano, Stock: 36054 Arcole, Rivoli, and Mantua. In December 1797 Bonaparte returns to Paris as a hero. This allegory is 178. République Françaaise Liberté Egalité symboic of his success while "Envy" probably a insuult Au Quartier Général de Milan le an de la to the British can do nothing. "Allegory. General Republique Une, et Indivisible Bonaparte Bonaparte on the French Army in the expedition against England". Général em Chef de l'Armée d'Italie. Victor Marie Picot (1744-1802) had spent nearly thirrtty Appiani dif. Mercoli fig. inc.. [n.d, c.1804.] years in England owning a print-selling business in St. Engraving, 175 x 220mm (7 x 8¾"). Top right missing; Martin's Lane. In 1790 he returned to France and sett stains bottom right; tatty at edges. £140 up businesss in Abbeville and then Paris. This large An engraving paying tribute to the French Repurblic patriotic engraving is a departure from the gentle and its hero, General Napoleeon Bonaparte. Stock: 11198 female figures in classical dress that dominated his production while in partnership with Delattre in London. In the Bibliothèque Nationale de France. 179. Le Baptême du Roi de Rome. Allégories. Stock: 21911 Par M. Louason. Ex-Inspecteur en Chef de l'habillement de l'armée dl'allemagne. [&] 175. [Tribute to Napoleon.] Ton souffle du Impromptu [letterpress card] chaos faisaait sortir les lois ; / Ton image Paris, de l'imprimerie de Pillleet, rue Christine, No 5. / insultait aux dépouilles des rois. / Et, debout 1811. sur l'airain de leurs foudres guerrieres, / Engraving and letterpress, wiith small letterpress sheet, Entretenait le ciel du bruit de tes exploits. together on album sheet, sheeet 390 x 280mm (15¼ x 11"). Both items glued to backing sheet. £140 Casimir Delavigne. Two items relating to the birrtth of Napoleon II, son of Napoleon Bonaparte and Mary-Louise of Austria, in 1811. The frontispiece to Louason's poem on the London before progressing to the Congress of Vienna baptism of Napoleon II includes the eagle (after later that year. which Napoleon II would be nicknamed), while below Published in 'Armee des Souverains Allies, annee 1814 is a British response to the news in the form of a comic [&] 1815', a series consisting of 13 numbered plates, bulletin and poem (''Twill be a Die nasty indeed! ! !'). pllus an unnumbered plate off the four allied sovereigns, Napoleon II was King of Rome, Prince of Parma, and all designed and etched by Godefroy. They are Duke of Reichstadt. He died of pneumonia in 1832, prrimarily costume plates and, although done in leaving no isssue, and it was his cousin Louis-Napoléon Godefroy's semi-caricatural manner, are not Bonaparte who took over the Napoleonic claim to the caricatures. throne and subsequently restored the empire as Stock: 36166 Napoleon III. Stock: 35936 182. Soldats Autrichiens. Armée des Souverains Allies, année 1815. No. 11. [Monogram of Adrien Godeffroy in lower right corner.] A Paris chez Martinet. [n.d., c.1815.] Hand coloured engraving witth very large margins. Platemark: 250 x 330mm (9¾ x 13"). Light creasing. Small repaired tears to edges. Some surface dirt. £180 A group of five Austrian soldiers in varied uniforms with a woman serving them drinks. Two are seen smoking. The Allied sovereiggns' visit to England occurred in June 1814 to celebrate the peace following the defeat of France and abdiication of Napoleon Bonaparte in April 1814. The sovereigns and generals of the Coalition Allies, comprising Austria, Prussia, Russia, Sweden, the United Kingdom, and a number of German States, took part in a state visit and various peeace celebrations in London before progressing to the Congress of Vienna later thaatt year. 180. [In pencil:] "Marengo". Published in 'Armee des Souverains Allies, annee 1814 Buonaparte's...Charger at the battle of [&] 1815', a series consisting of 13 numbered plates, Waterloo. pllus an unnumbered plate off the four allied sovereigns, from a Drawing by James Ward R.A. [Etched in plate:] all designed and etched by Godefroy. They are MB. [n.d. c.1820.] prrimarily costume plates and, although done in Etching. Plate 222 x 305mm (8¾ x 12"). £220 Godefroy's semi-caricatural manner, are not A reversed coopy of 'Marengo, the favourite charger of caricatures. Napoleon I' after James Ward. Stock: 36168 Marengo (c.1793-1831), the Arab horse purchased by Napoleon Bonaparte after the Battle of Aboukir in 183. Chronological Treee of the Principal 1799 and named after the French victory at Marengo in Events and Achievements of Napoleon 1800. Marengo was captured after the Battle of Bonaparte [&] Chronological Tree of the Waterloo and brought to England, where, after his Principal Events & Achiievements of the Duke death in 1831, his remains were preserved. His of Wellington. skeleton can now be seen in the 'Changing the World' [n.d. c.1860.] gallery at the National Army Museum. An extremely rare and intereesting pair of coloured Stock: 31227 lithographs. 350 x 279mm. 13¾ x 11". £580 Biographical trees of both Naapoleon Bonaparte and 181. Officiers de l'Armée Anglaise. Armée Arthur Wellesley, Duke of Wellington. Pictures in the des Souverrains Allies, année 1815. No. 4. trees branches for the formerr include Marshal Michel [Monogram of Adrien Godefroy in lower right corner.] Ney, Grand Admiral Joachim Murat, Napoleon himself A Paris chez Martinet, Librarie, Rue du coq. No. 15. and Marshal Jean-de-Dieu Soult. In the latter the [n.d., c.1815.] poortraits include Sir Thomas Picton, Sir Dudley St. Hand coloured engraving with very large margins. Leger Hill, Henry William Paget, 1st Marquess of Platemark: 250 x 330mm (9¾ x 13"). £220 Anglesey, and Wellington hiimself. A group of five English officers in varied uniforms, Stock: 18804 annotated in french below each figure. The Allied sovereigns' visit to England occurred in June 1814 to 184. Napoléon devant les Juges suprèmes. Le celebrate the peace following the defeat of France and Dieu de l'éloquence et la sage Minerve / Pour abdication of Napoleon Bonaparte in April 1814. The guider ce héros ont quittéles mortels [...] sovereigns and generals of the Coalition Allies, chez Charin R. du Marais, prrès St. Jean à Bruxelles, et comprising Austria, Prussia, Russia, Sweden, the les principaux M.ds des Pays-bas [c.1830] United Kingdom, and a number of German States, toook Lithograph with very large margins, scarce, printed part in a state visit and various peace celebrations in area 300 x 370mm (11¾ x 14½"). £360 Unusual mythological reading of Napoleon's destiny, falling crown and sword signify the end of the Imperial with the former emperor stood before the supreme line. As the son of Archduchess Marie Louise he left judges in the underworld. Charon and his boat are in France for Austria in 1814. He joined the Austrian the background on the far right. As the text explains, Army aged twelve and was allowed no political role Minos, the judge of the dead, finds him amongst 'the beefore his death of tuberculoosis aged 21. first rank' and points towards a temple dedicated to him Stock: 35983 and identified by the imperial eagle. Stock: 35952 188. Son ombre me guide. [n.d., c.1820.] Lithograph. Sheet 185 x 240mmm (7¼ x 9½"). Pasted on album paper. £45 'His shadow guides me.' A scene in the Palace of Schoenbrunn, Vienna: the young Napoleon II (Napoléon François Charles Joseph, 18110832), sword in hand, reaches behind a scrreen from which the shadow of Napoleon I is projjected. On the table behind him a globe, book and map suggest he has the same intellectual and leadership qualities as his father. On the wall an image of the Pyramids commemorates the paast. Stock: 35994

189. [Allegory of the death of Napoleon II.] 185. [Les Honneurs du Triomphe décernés a Frankfurt a/m beÿ F.C. Bottiinnelli. [n.d., c.1836.] Bonaparte.] Lithograph on chine collé, rare. 460 x 340mm (16 x [F.A. David after C. Monnet, 1802] 13½"). Blind stamp of an immpperial bee in margin. Engraving, sheet 430 x 590mm (17 x 23¼"). Proof Margins spotted. £160 before letters; trimmed inside platemark. £320 Napoléon François Charles Joseph Bonaparte Triumphal procession celebrating Napoleon's (18110832), in uniform, seemingly asleep with his achievements, issued in 1802 after Napoleon was maade head cushioned by his arm, dreaming of his father, First Consul for life following the Treaty of Amiens. Napoleon Bonaparte, in his immperial robes. Napoleon II Around him are banners and symbols alluding to his died of tuberculosis on July 22 1832. Blind stamp of exploits in Eggypt, Italy, battles won, the Treaty, and on William J. Latta (Lugt 2825)),, Pennsylvanian collector the far left is a statue inscribed with a dedication to of Napoleonic prints, started c.1888, dispersed by Napoleon as Consul. auction 1913. Stock: 35950 Stock: 36002

186. The Reunion. Oh my son! should you so 190. [The life of Napoleon.] soon have rejoined me? [British, n.d., c.1825.] Tassaert inv.t. A. Duccles Lithog.y 79 St Martin's Waxy scrap sheet with 14 litthhographic images and 12 Lane. Published by O. Hodgson, 10 Cloth Fair, Oct. text labels. Sheet 430 x 315mm (17 x 12½"). £95 8th 1832. A large portrait of Napoleon surrounded by scenes Lithograph with fine original colour, rare. Printed area from his life, using famous images like Jacques-Louis 325 x 230mm (12¾ x 9"). Slight crease in margin.£160 David's portrait of Napoleonn Crossing the Alps on An allegory of the death of Napoléon François Charles Marengo, probably all cut from a single sheet. Joseph Bonaapparte (1811-32), better known as Napolon Stock: 36003 II, with him being greeted by his father on a cloud. A falling crown and sword signify the end of the Imperial 191. Thirty Fac-Similes of the Different line. As the son of Archduchess Marie Louise he left Signatures of the Emperror Napoleon and a France for Austria in 1814. He joined the Austrian Sketch of the Events Connected with Them. Army aged twelve and was allowed no political role By J. Sainsbury. London: Published by Charles Tilt, before his death of tuberculosis aged 21. 86, Fleet Street. Price Sixpence. 1836. Stock: 35982 4to, disbound, 8pp. letterpress with wood-engraved facsimile signatures in text. Complete. £80 187. Ils sont réunie, Hélas! mon fils devait tu The evolution of Napoleon's signature from the si jeune mêtre rendu. Italianate 'Buonaparte' to Francophone 'Bonaparte', [after Octave Tassaert.] à Paris chez Dubreuil, Rue imperial 'Napoleon', busy 'N'' and back to a less- Zacharie, No. 8. Déposé. [n.d., c.1832.] ostentatious 'Napoleon' in exile. Aquatint. 360 x 255mm (14¼ x 10"). Trimmed to Stock: 35981 plate. £130 An allegory of the death of Napoléon François Charles 192. Collosial Statue off Napoleon, From the Joseph Bonaapparte (1811-32), better known as Napolon Column in the place Vendome Paris. Taken II, with him being greeted by his father on a cloud. A down by the Allies in 1814. [n.d., c.1820.] right of the centrical Stems, near the lower Engraving. 175 x 115mm (7 x 4½"). £30 Violet. The statue on the top of the Vendôme Column, Radcliffe Sc. 213 Piccadilly. [n.d., c.1810]. showing Napoleon crowned with laurels, holding a Hand coloured engraving witth two sections of sword in his right hand and a globe surmounted with a letterpress text. Sheet size: 2665 x 280mm (10½ x 11"). statue of Vicctory in his left. The column, based on Cut and glued to scrap sheet.. £230 Trajan's Column in Rome, was completed in 1810; An impression of an uncommon 'puzzle' portrait after the Bourbon restoration the statue was melted showing the concealed the prrofiles of Napoleon down but it was replaced with a statue of Napoleon in Bonaparte (1769-1821), his wife Marie Louise of military dress by Louis-Philippe I (reigned 1830-46),, Austria (1791-1847), and Napoleon Francis Joseph and again by Louis-Napoléon when first President of Charles (1811-1832), King of Rome. Napoleon was France (1846-52). The Paris Commune pulled down nicknamed "Corporal Violet" by his soldiers after the whole coolumn in 1871, but it was re-erected three having to return from Elba duuring Springtime. years later with a copy of the original statue. Explanatory letterpress abovve and below image. Stock: 36011 Stock: 33242

195. A Geographical & Historical Map Of Europe Exhibiting the new Divisions of it's Kingdoms & States agreeeably to the late Congress of Vienna. J. Wauthier. Davies sculp.t Str.b Bruns.k Square. Published as the Actt directs by R. Juigné for the Second Edition of Le Sage's Historical Atles. 1817. Hand coloured engraving witth surrounding letter press text. Sheet size: 495 x 715mm (19½ x 28¼"). Central vertical crease as published. £280 A fine atlas map of Europe as divided up by the Congress of Vienna, 1815, att the close of the Napoleonic Wars. An articlee surrounding the map is titled, 'Most Remarkable Events Battles, And Treaties Between The French And The Different Powers of Europe. From 1792 Up To 18815.' The Congress of Vienna was a conference of ambassadors of European states held in Vienna from September 1814 to June 18155. Its objective was to settle the many issues arising from the French Revolutionary Wars, the Napoleonic Wars, and the dissolution of the Holy Romaan Empire. Although representatives from all the states which had 193. Corporal Violette, and Family. paarticipated in the wars were invited, the principal [Anon.] [n.d., c.1810.] negotiations were conductedd by the 'Big Four' (Britain, Hand coloured etching with large margins. Platemark: Russia, Prussia, and Austria)) and, later on, royalist 245 x 200mm (9½ x 8"). Small tear in left margin. France. Published as part of ''the Second Edition of Le Very light mount burn. £260 Sage's Historical Atlas', by J.. Wauthier, 1817. An impression of an uncommon 'puzzle' portrait Stock: 36153 showing the concealed the profiles of Napoleon Bonaparte (1769-1821), his wife Marie Louise of 196. A Nomenclature of New Dignities Austria (1791-1847), and Napoleon Francis Joseph Conferred By Napoleon (Bonaparte) Emperor Charles (1811-1832), King of Rome. Napoleon was of the French, King of Ittaly, Upn his Generals nicknamed "CCorporal Violet" by his soldiers after and other Eminent Men: Intended to Illustrate having to return from Elba in the Spring, during the Violet season. News-Paper-Reading duuring the Present War. An explanatory inscription is below the image. For an Sold by Luffman, 377, Stranndd, London. Pr. 6d. [n.d., alternative impression, see item ref: 33242. 1810.] Stock: 35100 Engraving. 150 x 100mm, 6 x 4". Laid on album sheet. A list of the titles given by Napoleon to his family and colleagues. The date appearss to be 1810: the word 194. Corporal Violette. This Print, which 'Abdicated' has been added next to Louis Bonaparte as appears to consist simply of that beautiful King of Holland; and Maret, duc de Bassano, has yet to Flower, the Violet, contains correct Profiles of replace Champagny as Minister for Foreign Affairs the Emporeer Napoleon, Maria Louisa, and the (February, 1811). Young King of Rome; the first under the green Stock: 16848 Leaf on the right --- the second opposite, under the second Violet -- and the third one, on the 197. Souvenirs d'un Grand Homme. Lithographic puzzle print. Prrinted area 180 x 190mm [n.d., c.1830.] (7 x 7½"). Edges worn, £160 Lithograph. Sheet 275 x 385mm (10¾ x 15¼"). Slight The trunks of the two trees ffoorm the outline profile of staining. £65 Napoleon Bonaparte standing over the simple grave in About forty vignette portraits and scenes from the Valley of Willows on Saiint Helena. The other faces Napoleon Bonaparte's life and death. are formed in the foliage. Stock: 36015 Stock: 35998

198. [The Shade of Napoleon visiting his Tomb.] [n.d. c.1840.] Lithograph. Sheet 165 x 220mm (6½ x 9¾"). Trimmed into image on all sides. £95 Napoleon's tomb in the Valley of Willows of the Island of Saint Helena, with the ex-emperor's shape created in between the trunks of two trees. Beside the tomb is a female mourrnner holding a laurel wreath, and an eagle. Stock: 36009

199. The Shade of Napoleon. [Anon., British, n.d., c.1820s.] Rare etching with some aquatint printed in red ink, puzzle print; image 100 x 165mm. 4 x 6½". Two vertical fold creases. A little soiled and stained. 202. Rève du Soldat d'Austerlitz. Margins a little trimmed. £60 N. Maurin del. 7 rue Mézieres, Litho. de Maurin. A The trunks of two willow trees, together with their Paris, chez Bulla, rue St Jacques No. 38. branches and other foliage, form the outline profile of Lithograph with very large margins. Printed area 290 x Napoleon Bonaparte (1769 – 1821), beside a simple 360mm (11½ x 14¼"). £95 moonlit grave on the Atlantic island of Saint Helena. A A uniformed veteran of the Battle of Austerlitz (1805) woman in a mourning veil lays a wreath beside the lies at the tomb of Napoleon,, eyes shut, reaching out to French Imperial eagle lower left. This one of several the spectral form of his emperor. puzzle-type prints on the same theme published in the Stock: 35999 aftermath of Napoleon's death. For similar puzzle prints of Napoleon at his tomb see also refs. 23473 and 203. Wahre Abbildung von Napoleons Thron. 19762. Stock: 26333 Bei Friedr. Compe. [n.d., c.1810.] Etching with small margins. 260 x 180mm (10¼ x 7"). 'A True depiction of Napoleon's Throne'. 200. The Shade of Napoleon Visiting his Stock: 36028 Tomb. In this Print may be traced a full lenggth Figure of Napoleon. 204. Timour the Tartar. The Equestrian Printed by E. Lake 5, Sherbourne Lane, Lombard St. Procession. Act 1 Scene 1. Pub.d at 6 Albany Place, York Road Lambeth [n.d., [n.d., but watermarked 1812..] c.1840]. Coloured engraving. 305 x 215mm, 12 x 8½". Some Lithographic puzzle print, sheet 275 x 375mm. 10¾ x creasing. £240 14¾". Slight crease off image. £140 "Timour the Tartar" was a grrand romantic melodrama The trunks of the two trees to left, together with their in two acts by the prolific Maatthew Gregory Lewis branches and other foliage, form the outline profile of (1775-1818), with music by MMatthew Peter King. First Napoleon Bonaparte (1769 – 1821), beside his simple mounted at Covent Garden in 1811, it was a caricature grave in the Valley of Willows on the Atlantic islandd of of Napoleon: Timour, of low origin, usurps the throne Saint Helena. This one of several prints showing the and raises up his needy relatiions to princely dignity. same scene. For similar puzzle prints of Napoleon at The play featured horses broouught onto stage. his tomb see also refs. 20925 and 19762. Stock: 12758 Stock: 23473

205. Buonaparte captiff des Anglois. 201. The Shade of Napoleon Visiting his Cœré del. Jazet sculp. A Londres chez Palmer au Tomb. In this Print may be traced a full lenggth Museum Waterloo. Figure of Napoleon, and small Portraits of his Aquatint, very rare. Sheet 280 x 220mm (11 x 8¾"). Son, - the Empress Maria Louisa, - and trhe Trimmed within plate. £130 Empress Josephine; - also heads of Wellington, A very atmospheric image. Napoleon standing on the - Murat, - and the Duke d'Enghien. deck of the Bellerophon following his surrender after Printed by Lefevre & Co. 52, Norman St. London, Waterloo in 1815, gazing thoughtfully at a print Published by J. McCormick, 147, Strand. [n.d., c.1840. representing a monument cellebrating the courage of the Imperial Guard. Palmer, a cutler in St James's Street, opened his Waterloo Musum at 97 Pall Mall in 'Collection complète des tablleaux historiques de la 1815, exhibiting paintings and memorabilia including révolution française'. captured Imperial Eagles. Stock: 28223 Stock: 35980 209. Napoleon Bonaparte. The Alps & Italy 206. [Napoleon.] stamp'd him a splemdid General _ Spain, [Anon, c.1830] Switzerland and Palm, emmphatically present French lithograph with large margins, printed area 150 the Man. x 175mm (6 x 7"). Rare £160 B. Smith sculp. Published by A. Beugo, No 38, Maiden Unusual lithograph of a male head-and-shoulders, Lane, Covent Garden, March 1 - 1810. representing Napoleon. Following his death, various Stipple & engraving. Sheet 175 x 120mm (6¾ x 4¾"). prints were made of the 'apotheosis of Napoleon' andd Trimmed and laid on album ssheet. £45 this could derive from one such image. Bust portrait of Napoleon wiith a depiction of a five- Stock: 32462 franc piece. Stock: 36032

210. Adieu Mal Maison!!! [Dessiné par Isabey à malmaison. Gravé par C. L. Lingée et Terminé par R. Coooper.] [n.d. c.1804.] Stipple. 360 x 265mm (14¼ x 10½"). Cut, title stuck on. Trimmed to border. £220 Full-length portrait of Napoleeon in the gardens at the château of Malmaison, after a black chalk drawing executed in 1801 and shown at the Salon in 1802 which now part of the collecttions of Château de la Malmaison. Lingée also engraved a largeer version of the portrait. Provenance: Elizabeth Annee Hippisley of Ston Easton. See Ref: 14408 for another impression without title. Stock: 29448

211. N. Bonaparte. Oberconsul der Republick Frankreich. Bader dalbe p. Westermayr Sc. [n.d. c.1810.] Stipple. 165 x 89mm. 6½ x 3½". Creasing. Trimmed to pllate along left edge. £65 Napoleon Bonaparte (1769-1821) the French military leader and emperor. Stock: 26001

212. [Napoleon.] 207. N. Bonaparte. Luneville, an IX. Dessiné par Isabey à mal maaison. Gravé par C.J. C.P. sc. [n.d., c.1801.] Linges et Terminé par R. Cooooper. [n.d., c.1814] Stipple, printed in brown, very scarce, French Stipple, 370 x 275mm. 14½ x 10½". £160 watermarked paper. 350 x 245mm,. 13¾ x 9¾". Tear in Full-length portrait of Napoleeon Bonaparte, turned wide marginss. £380 towards his left. The Chateau of Malmaison, his Oval portrait of Napoleon aged 31, published to sometime residence, is visiblle in the background. Stock: 14408 celebrate the signing of the Treaty of Luneville in 1801, by which the defeated Austria withdrew from the War of the Second Coalition, leaving Britain the only 213. Napoleon Bonaparte. Chef de Brigands; country still at war with France . at his Post of Honor. Stock: 27523 [London: E. Baldwyn, 1813.] Etching, sheet 150 x 105mmm. 6 x 4". Trimmed within 208. Bonaparte, Premier Consul de la pllate, some staining, small tear from lower left. £60 Republique Française, le 18 Brumaire, An Unusual bust portrait of Nappooleon Bonaparte (1769 – VIII. 1821), in profile to right, wearing uniform with his peetit chapeau; framed by a giibbet, the post on the left, [Paris: Auber, 1804.] the noose dangling above his head. Satire on the return Mezzotint and etching. 430 x 285mm (17 x 11¼"). of Napoleon to Paris and how his support was Very slight spotting. £260 weakening quite profoundly.. Apparently from the Oval mezzottint portrait of the young Napoleon engraving (reversed) by Lehmann after Dähling Bonaparte, with a scene of the Battle of Marengo in (1807). BM Satires: 12121. 1800, perhaps his greatest victory. Published in the Stock: 16967 214. Napoleon Bonaparte. 219. Buonaparte. Peint par F.Gerard. Gravé par Dickinson. Deposé à la Peint par Muneret Avril 1815. Publié Juillet 1815. Bibliothèque nationale et Publié chèz lé Graveur et a Stipple and engraving, rare. 202 x 165mm (8 x 6½"). Londres, chèz F.J.Smith, St Martin's Street: le 6 Avriil Trimmed to border. £95 1815. Napoleon I (1769-1821), French Emperor from 1804 to Mezzotint, open letter proof. 410 x 300mm. Laid on 1815. The portrait from which this print derives was board, some spotting. Publication line rubbed. £380 paainted in April 1815, during the '100 days' between A mid-life portrait of Napoleon Bonaparte, in military Napoleon's return from Elba and the Battle of dress. CS: 9, i of ii. Ex: Collection of The Hon. C. Waterloo. The print itself was published soon after the Lennox-Boyd. Battle of Waterloo. In this sense the print incorporates Stock: 2673 booth the period of Napoleon''s final hopes and the subsequent end of his militarry career. Provenance: 215. [Napoleone Buonaparte. First Consul of Elizabeth Anne Hippisley of SSton Easton. France. Boorn at Calvi in Corsia, Department of Stock: 29451 the Golo, August 15, 1769.] [Painted by J.J. Masquerier, Paris from Life. Engraver by Chas. Turner, London.] [London, Published as the Act directs March 21. 1801, for the Proprietors, & may be had at No. 22 Piccadilly.] Mezzotint, proof before letters, sheet 410 x 290mm. 116 x 11½". Trimmed to plate. Surface scratch. £250 Interesting and scarce portrait of Napoleon Bonaparte (1769 – 1821), as a youthful long-haired army commander; probably after his successes in the Italian campaigns of the French Revolutionary Wars. Whitman: 398. Stock: 16029

216. Napoleone Buonaparte, Emperor of the French. From an Original Model in Wax in the Possession of Harry Grant Esqr. American Consul for Scotland. Pub. by Alex. Hogg, Pater noster row Augt. 2 1802. Stipple with etching, rare, 165 x 125mm. 6½ x 5". £130 Bust in profille of Napoleon Bonaparte (1769 – 1821); in fact the coronation of Napoleon as Emperor of the French took place on Sunday December 2, 1804. In an oval surmounted by a crown. Stock: 27661 220. [General Bonaparte.] J.T. Rusca pinxit. C.H.Hodgees Sculp. [Amsterdam, 217. Napoleon Bonaparte. c.1797.] [Anon., c.1805.] Mezzotint, scratched letter prroof before title. 425 x 305mm. Some creasing, ink llibray stamp in inscription Hand coloured engraving, sheet 125 x 95mm. 5 x 3¾". area. £450 Roughly trimmed to plate; tatty extremities. Fine Ex: Collection of The Hon. C. Lennox-Boyd. colour. £280 Stock: 5295 Interesting and scarce portrait of Napoleon Bonaparte (1769 – 1821) as Emperor of France. In an oval surrounded by military equipment, weaponry, canon 221. [Napoleon.] and banners. Charlet. 1821. [etched in platte.] Engraved by Maile Stock: 13505 from the Original picture by Charlet. Rare mezzotint, plate 414 x 291mm (16¼ x 11½"). 218. Napoleone il Grande. Imperatore di Trimmed inside plate along llower edge. Margins on left slightly creased. £320 Francesi, Re d'Italia, e Protettore della Napoleon, French Emperor ffrom 1804 to 1815, in a Confederazione del Reno. dark, windswept landscape sttanding beside a camp fire; In Firenze appo: Jacopo Balatresi in Via dei Martelli.. soldiers seen in background. [n.d. c.1860.] The print is dated 1821, the same year of Napoleon's Lithograph. Plate 177 x 134mm. 7 x 5¼". Fine with death, suggesting it was intended as an elegy for the large marginns. £75 former French general and emperor. Provenance:

Napoleon Bonaparte I (1769-1821). Elizabeth Anne Hippisley of SSton Easton. Stock: 15387 Stock: 29444

222. [Double portrait of Napoleon] Fac France. The resulting Peace of Amiens, which lasted Simile d'un Dessin de Girodet-Trioson, fait until May 1803, was the only period of peace during d'après nature à la Chapelle de l'Empereur, le the Napoleonic Wars (1793-11815). During this time, 8 Mars 1812. Phillips was commissioned by the Duke of [G. Maile sc.] Published by R.G. Jones 34 Brewer Northumberland to paint Napoleon and spent three Street Golden Square London October 1827. months in Paris. Due to timee restrictions Phillips was Mezzotint with etched border and large margins; only able to make a brief sketch, but painted several platemark 310 x 250mm (12¼ x 9¾"). Some damage to versions of it (including one for Lord Egremont, now at top right; staiining. Unidentified collector's mark in Petworth). The melancholic eexpression captured by lower margin. £180 Phillips would subsequently be echoed in other Double portrait of Napoleon, after a drawing by Anne- poortraits he painted, such as tthat of Lord Byron. Due to Louis Girodet (1767-1824), who was closely the circumstances of its execcution it is is one of few associated with the emperor. He was commissioned to sympathetic British likenesses of Napoleon. It is paint an allegory based on James Macpherson's interesting, too, for engraverr Charles Turner's unusual Ossianic legends for Napoleon's country retreat at use of the mezzotint technique, lightening the areas Malmaison, while Vivant Denon commissioned him tto around Napoleon's features, iin constrast to the paint Napoleon receiving the keys to Vienna and the customary process of lightening the sitter's features Revolt at Cairo (both now in Versailles). In 1812 he against a darker background.. Ex: Collection of the Late was commissioned to paint 36 portraits of Napoleon iin Hon. C. Lennox-Boyd; Whitman 399 Stock: 34930 his Coronation Robes for the Imperial Courts and had completed 26 by 1814, but the following year Napoleons abdicated for the final time and Girodet 224. Napoleon Buonaparte. came into a considerable inheritance. Thereafter his [n.d., c.1840.] output decreased. For Girodet's 'Napoleon receiving Coloured lithograph. Sheet 150 x 130mm (6 x 5"). the keys to Vienna' see ref. 30836. Some paper flecks stuck in gum arabic. £60 Stock: 35948 Napoleon in uniform, hand inside his tunic, seemingly mid-career. Stock: 36045

225. Napoleon Crossing the Alp's. [Anon., c.1830.] Lithograph with hand-colourring and gum arabic, sheet 150 x 130mm (6 x 5"). Tear tto image at top. £60 Perhaps the most famous image of Napoleon, Jacques- Louis David's 'Napoleon Crossing the Alps' painted five times between 1801 and 1805. The painting, initially commissioned by thhe king of Spain, represents in idealized form Napoleon's crossing through the Great St Bernard Pass in 1800. Napoleon's army can be seen behind, and the printmaker has taken some licence to make them more prominent than in David's paaintings. Stock: 35938

226. Napoléon Empereur des Français, Débarqué à Cannes, le 1eer Mars, 1815, et entré à Paris, le 20 dudit Mois.. Choquet del. / Lecerf sculpt. Etching printed in brown, shheeet 160 x 135mm (6¼ x 5¼"). Trimmed inside platemark; crease through centre. Very rare. £140 Napoleon arriving in France (at Golfe-Juan near Cannes) after his escape from Elba, at the beginning of 223. Napoleon Buonaparte First Consul. the 'Hundred Days' which culminated in his final defeat Painted in 1802 by T. Phillips Esq R.A. / Engraved by at the Battle of Waterloo. Probably made during the C. Turner Published Feb. 23 ____ by Mr Turner 50 hundred days to capitalise on support for the returning Warren Street, Fitzroy Square, London. Emperor. Mezzotint with large margins, platemark 360 x 255mm Stock: 35939 (14¼ x 10"). Tipped into album sheet. Rare £360 Napoleon Bonaparte (1769-1821), French military and political leader. Privately-commissioned mezzotint engraved from a portrait by Thomas Phillips, paintedd in 1802, the year of the Treaty of Amiens which temporarily ceased hostilities between Britain and 229. [Napoleon Bonaparte.] [n.d., c.1810.] Stipple, proof before letters. Sheet 190 x 150mm (7½ x 6"). Trimmed within plate. £60 A youthful Napoleon in unifoform, hand inside his bllouse. Stock: 36046

230. [Napoleon Bonaparte in the ceremonial robes of the King of Italy.] [after Andrea Appiani.] [n.d.., c.1810.] Etching with small margins, rare. 290 x 235mm (11½ x 9¼"). £60 Napoleon Bonaparte was crowned King of Italy on the 17th March 1805 and deposed 11th April 1814. The artist, Andrea Appiani (175440817), was given a peension by the kingdom of Ittaly which was revoked after Napoleon''s fall, leaving him in poverty. Stock: 36006

231. Napoleon I. D.J. Pound. The London Printing and Publishing Company. [n.d., 1860.] Steel engraving. Sheet 255 x 165mm (8¾ x 6½"). Trimmed within plate. £40 Napoleon in uniform, with the famous pose with one 227. Napoleon Bonaparte As he presented hand inside his jacket. From 'The Gallery of Portraits himself at the gangway of His Majesty's ship With Memoirs'. Bellerophoon, in Plymouth Sound, in the month Stock: 35990 of August 1815. [... [Painted by Charles Lock Eastlake. Engraved by 232. Napoleon 1er. Emperor des Français, et C.Turner.] [Published June 26, 1816 by Mr Eastlake Roi d'Italie. Né a Ajacciio le 15 Aout 1769, Plymouth.] Sacré et Coronné, le 11 Frimaire, An 13. Mezzotint. c.730 x 465mm (28¾ x 18¼"). Framed Bonneville del. et sculp. [n.d., c.1805.] without glass, sheet with contemporary varnish, title Stipple. 165 x 115mm (6½ x 4½"). £45 very hard to read, a few marks. £520 An oval portrait of a chiseled Napoleon in imperial In 1815, Napoleon surrendered to Captain Frederick robes. He was crowned King of Italy in 1805, the last Maitland of the 'Bellerophon' which brought him to year that the Republican Caleendar was used (other than England and he was detained on board in Plymouth byy the brief Paris Commune in 1871.) Sound during July while his fate was decided. He Stock: 36018 usually appeared at about 6.00 pm for the benefit of the numerous boats loaded with sightseers, which enableed 233. Buonaparte. Eastlake to make rapid sketches from life for the [Drawn from the Life by T. Phillips Esq. R.A. in 1802 / portrait. Engraved by Edwards] Eastlake's oil painting is now in the National Maritime Etching, very rare; sheet 2255 x 185mm (8¾ x 7¼"). Museum. Whitman 397. Trimmed inside platemark; ttiipped into album sheet. Stock: 36151 Proof before names of artist aand engraver added. £330 Napoleon Bonaparte (1769-1821), French military and 228. [Portraits of Napoleon as a young and poolitical leader. Engraved from a sketch in profile by old, with the Imperial Eagle] Thomas Phillips made in 1802, the year of the Treaty [Anon, c.1830] of Amiens which temporarily ceased hostilities Lithograph with fine hand-colouring and gum arabic, beetween Britain and France. The resulting Peace of sheet 215 x 250mm (8½ x 9¾"). Trimmed and glued to Amiens, which lasted until May 1803, was the only album sheet. Rare. £95 peeriod of peace during the Napoleonic Wars (1793- Interesting composite portrait of Napoleon as a young 1815). During this time, Philllips was commissioned by and old man. On the right Napoleon is shown during the Duke of Northumberland to paint Napoleon, and the Egyptiann expedition of 1798 (the date inscribed in spent three months in Paris. Due to the circumstances the image) while on the left he rests against a rock as a of their execution, Phillips' liikenesses are almost captive on St Helena. unique as sympathetic British likenesses of Napoleon. Stock: 35944 Ex: Collection of the Late Hon. C. Lennox-Boyd; Not in Whitman; for an engraving of Phillips' portrait of Napoleon see ref. 34931 Stock: 34933 234. Buonaparte. Drawn from the Life by T. Phillips Esq. R.A. in 1802 / Engraved byy Edwards Etching, very rare; sheet 225 x 185mm (8¾ x 7¼"). Trimmed inside platemark; tipped into album sheet. £230 Napoleon Bonaparte (1769-1821), engraved from a sketch in profile by Thomas Phillips made in 1802, the year of the Treaty of Amiens which temporarily ceaseed hostilities between Britain and France. The resulting Peace of Amiens, which lasted until May 1803, was the only period of peace during the Napoleonic Wars (1793-1815). During this time, Phillips was commissioned by the Duke of Northumberland to paint Napoleon, and spent three months in Paris. Due to the circumstances of their execution, Phillips' likenesses are almost unique as sympathetic British likenesses of Napoleon. Ex: Collection of the Late Hon. C. Lennox- Boyd; Not in Whitman; for an engraving of Phillips' portrait of NaNapoleon see ref. 34931 Stock: 34932

235. [Double portrait of Napoleon.] Fac Simile d'un Dessin de Girodet-Trioson, fait d'après nature à la Chapelle de l'Empereur, le

8 Mars 1812. Napoleon Bonaparte (1769-1821), French military and Lith. Royal. [n.d., c.1840.] poolitical leader. Privately-commissioned mezzotint Lithograph. Printed area 210 x 160mm (8¼ x 6¼"). engraved from a portrait by Thomas Phillips, painted in Margins foxed. £50 1802, the year of the Treaty of Amiens which Double portrait of Napoleon, taken from a montage of temporarily ceased hostilities between Britain and five heads drawn by Anne-Louis Girodet (1767-1824) France. The resulting Peace of Amiens, which lasted during a mass at the Palais de Saint-Cloud in 1812. until May 1803, was the only period of peace during Girodet was closely associated with the emperor: also the Napoleonic Wars (1793-11815). During this time, in 1812 he was commissioned to paint 36 portraits of Phillips was commissioned by the Duke of Napoleon in his coronation robes for the Imperial Northumberland to paint Napoleon and spent three Courts, 26 of which he had completed by Napoleon's months in Paris. Due to timee restrictions Phillips was abdication in 1814. For Girodet's 'Napoleon receiving only able to make a brief sketch, but painted several the keys to Vienna' see ref. 30836. versions of it (including one for Lord Egremont, now at Stock: 36014 Petworth). The melancholic eexpression captured by Phillips would subsequently be echoed in other 236. [Paneegyric of Napoleon Bonaparte.] poortraits he painted, such as tthat of Lord Byron. Due to N. Maurin. Lith. de Lemercier. A Paris, chez Bulla, ruue the circumstances of its execcution it is is one of few St Jacques No. 38. Publishers Embossed Stamp. sympathetic British likenesses of Napoleon. It is Lithograph, very scarce with large margins. Printed interesting, too, for engraverr Charles Turner's unusual area 580 x 400mm (19 x 15¾"). Edges ragged, creased. use of the mezzotint technique, lightening the areas £380 around Napoleon's features, iin constrast to the A eulogy to Napoleon, consisting of portraits of him in customary process of lightening the sitter's features imperial dress and his immediate family; an eagle against a darker background.. Ex: Collection of the Late holding an olive branch, with the leaves containing the Hon. C. Lennox-Boyd; Not in Whitman; for published key to the portraits; a scene of the Emperor with his sttate of Turner's portrait of Napoleon see ref. 34931 adoring subjects; the exiled Emperor contemplating; Stock: 34931 and military trophies. Stock: 35976 238. [Napoleon.] Kings may learn from him that their safef st study, as well as their noblest, 237. [Napoleon Buonaparte First Consul.] is the interest of the people [...] [Charles Turnrner after Thomas Phillips, c.1802] London, William Darton, 58 Holborn Hill, 1. mo. 18, Mezzotint trimmed inside platemark, platemark 145 x 1825. 135mm (5¾ x 5¼"). Very scarce private plate. £480 Stipple with very large marggiins. 130 x 85mm (5 x 3½"). £45 Napoleon in later life, uniforrmmed with arms folded. Stock: 36017

239. Portrait de Napoléon, En Grand 244. Napoleon Bonaparte. Born at Ajaccio in Costume de Roi d'Italie. d'apres Appiani. the Island of Corsica, Aug. 15th 1769. T.re Deligny. Imp.ie litho de Sentex, rue de la J.M. Bingley Engraver. London Published May 6th Feuillade, No 5. [n.d., c.1834.] 1817, by J.B. Wood, 25, Leaather Lane. Lithograph. Sheet 260 x 210mm (10¼ x 8¼"). £50 Coloured engraving. Circulaarr, trimmed as star, rare; Napoleon Bonaparte in his ceremonial robes as King of 50mm diameter, pasted on prrinted scrap sheet. £90 Italy. He was crowned on the 17th March 1805 and A very small portrait of Napoleon enclosed by six deposed 11th April 1814. The artist, Andrea Appiani biiographical text panels which end with his arrival on (17540817), was given a pension by the kingdom of St Helena. Italy which was revoked after Napoleon's fall, leaving Stock: 36047 him in poverty. The original painting did not feature the laurel wreath. 245. [Napoleon le Grand.] Stock: 36005 [after François Gérard.] [n.d.., c.1810.] Etching. 220 x 310mm (8¾ x 12¼"), on Whatman 240. General Buonaparte. Commander in paaper. £60 Chief of the French Army in Italy. _ Engraved An outline etched version off François Gérard's iconic from the Original Portrait Published at Paris. poortrait of Napoleon Bonapaarte in his coronation robes. [After Hilaire Ledru.] London. Re Published by Laurie Stock: 36004 & Whittle, 53 Fleet Street, 1st May, 1797. Mezzotint. 350 x 250mm (13¾ x 9¾"). Trimmed to plate at bottom, edges worn. Damaged. £160 A rare portrait of Napoleon as a general of the Republican army, shown full-length with paper and pencil in his hand. Behind a battle rages. In 1796 Napoleon led the French into Italy and succeded in driving the Austrians from Lombardy and the Papal States. Stock: 35986

241. Napoleon 1er Empereur des Français et Roi d'Italie, Né le 15 Aout 1769. [n.d., c.1820.] Stipple. Sheet 310 x 195mm (12¼ x 7¾"). Laid on album paper. £80 A representaation of Napoleon Bonaparte in his coronation robes placing a crown on a bust of Joséphine. 246. Buonaparte. Stock: 35997 Cossia pinxit. W.M. Craig delin.t. J. Landseer fecit. London, published Sep.r 5 1798, by T. Landseer & W. 242. General Buonaparte. Etching and engraving, very scarce with large margins. [n.d., c.1795.] 470 x 355mm (18½ x 14"). With an ink stamp of the Stipple, proof before title, rare. Sheet 160 x 105mm 'Biblioteca Lindesiana' in margin. Repair just entering (6¼ x 4¼"). Trimmed. £45 pllate mark. £320 An oval portrait of Napoleon in relatively-plain Portrait of Napoléon Bonaparte as general of the uniform, probably celebrating his success as an Republican army, within an octagonal border propped artillery commander of the republican foorces at the up upon a rock and surroundded by various attributes, siege of Toulon, which led to his promotion to including a Jovian eagle cluttcching thunderbolts and brigadier general aged only 24. As he is unrecognisable striking a papal tiara, an owl,, a wreath of oak leaves, a it is probably an early portrait, as the publishers seem sword, a helmet, books, a lyrre and a palette. The to think that nno one would question the inaccuracy. central portrait was painted by Francesco Cossia on the Stock: 36050 commission of Maria Cosway and is now in the Soane Museum. 243. [Napoleon Bonaparte.] Published as the frontispiecee to W. Craig's 'Anecdotes [n.d., c.1800.] of General Buonaparte compiled from original and Stipple, proof before title. Sheet 160 x 105mm (6¼ x authentic papers', London 1799. The publisher's 4¼"). Trimmed. £45 inscription disappears into the foliage of the print, but An oval portrait of Napoleon in relatively-plain prresumably the 'W' refers to Craig. BM: 1902,0325.95, uniform, probably celebrating his success as an suuggesting that the 'Anecdotes' were written to artillery commander of the republican foorces at the accompany this portrait rather than the other way siege of Toulon, which led to his promotion to round and that a matching poortrait of Nelson was brigadier general aged only 24. proposed, celebrating the Battle of the Nile. Stock: 36049 Stock: 35931

247. Buonaparte. General en Chef de This example is a state undescribed by Whitman, L'Armée du Sud. between his states I & II. The third and final state has Gravée par Elouis d'apres un dessin original. à Paris Napoleon's face replaced witth that of Alexander I of chez l'Auteur Rue Neuve No.39. [n.d., c.1794.] Russia. BM: 2010,7081.5254, this state; Whitman 206, Stipple with very large margins, scarce. 270 x 220mm undescribed. See cover for full image. (10½ x 8¾"). Creased with some surface soiling. Stock: 36150 Dusty. £260 Portrait of the young general Napoleon Bonaparte, 251. Napoléon. 1815. probably celebrating his promotion after the Siege of [n.d., c.1820.] Toulon in 1793. James T. Mitchell: The Unequalled Lithograph. Sheet 255 x 185mmm (10 x 7¼"). £45 Collection of Engraved Portraits of Napoleon Equestrian portrait of Napoleon during the Hundred Bonaparte (1834), 183, 'Very rare'. Days, cheering troops in the background. Stock: 35932 Stock: 36195

248. [Napoleon in 1814.] 252. Napilone Buonaparte. From an Original [after Jean-Louis-Ernest Meissonier.] Frank Sternberrg Painting in the Florence Gallery. [pencil signature.] Copyright 1912. Virtue & Co, City R. K. Porter Del. J. Wright scculp.t. [n.d., c.1800.] Road, London. Stipple. Sheet 150 x 90mm (6 x 3½"). Trimmed to Colour-printed mezzotint with very large margins, pllate. £45 signed by the engraver. Image 450 x 340mm (17¾" x An oval portrait of Napoleon Boneparte as a general of 13½"). £130 the Republican army, in proffile with an unusually A portrait of Napoleon mounted on his favourite aqualine nose. The portrait (iincluding spelling) was charger, Marengo, in 1814. The original oil was used for a British medal commemorating the defeat of painted in 1862, during the rule of Napoleon's nephew, Napoleon's Egyptian expedittion. Louis-Napoléon Bonaparte (1808-1873), better known Stock: 36019 as Napoleon III; it is now in the Walters Art Gallery, Baltimore. 253. Napoleon Buonaparte. Stock: 35988 Dessiné et Gravé par Tassard d'après le Buste de Houdon. [n.d., c.1810.] 249. Napoleon Buonaparte. Stipple with small margins. Sheet 135 x 85mm (12¼ x Andrew fec.t / E. Purcell Lithog. Pub. Oct. 1822 by J. 3½"). £35 Dickinson 114 New Bond St. Oval portrait of Napoleon in uniform, after a bust by Lithograph with very large margins, image 140 x Jean-Antoine Houdon (1741--1828) made 1806. 95mm (5½ x 3¾"). Uncut sheet; slight crease through Stock: 36020 centre. Rare. £90 British print of Napoleon with laurel leaf crown 254. [Allegorical composition of Napoleon published in the year after his death on St Helena. taking the oath at his Coronation.] No II. Early lithograph portrait. Grand époques du règne de Napoléon 1er. Stock: 35949 Gravé par F.A. David des Academies de Berlin et Rouen. [n.d., 1806.] Stipple and line engraving, sccarce. Sheet 560 x 450mm (22 x 17¾"). Trimmeed within platemark, spotted, a few small tears £330 The coronation of Napoleon Bonaparte (2nd December 1804), with the new emperorr surrounded by allegorical figures and adoring onlookerrs. BM: 1925,0615.145. Stock: 35933

255. [Napoleon at Marengo.] Gravé par F.A. David des Academies de Berlin et Rouen. [n.d., 1806.] Stipple and line engraving, sccarce. Sheet 560 x 450mm (22 x 17¾"). Trimmeed within platemark, 250. Bonaparte. creased, worn edges; slight staining at top. £330 J. Northcote R.A. Pinx.t. S.W. Reynolds Sculp. An equestrian portrait of Napoleon Bonaparte at London, Published August 10. 1801, by John Jeffryes, Marengo (14th June 1800), depicted on his white Clapham Road. charger, sabre raised above his head. From the series Mezzotint with scratch letter title, very scarce. Sheet 'Grandes Epoques du Régne de Napoléon le Grand'. 655 x 550mm (25¾ x 21½"). Trimmed into plate on BM: 1925,0615.139. three sides, edges scuffed and nicked: a battered Stock: 35934 example of a superb image. £220 An equestriaan portrait of Napoleon Bonaparte as Firsst Consul, sword in hand and white horse rearing. 256. [Napoleon Buonaparte.] marking battles around the Rhine, Elbe & Oder, over Etched by J.C. Bromley Jun.r. [after François Gerardd.] which a spider spins its web.. [n.d., c1820. Stock: 33811 Etching with very large margins, unfinished proof. 590 x 420mm (23¼ x 16½"). Margins spotted. £360 A scarce etching after the painting of Napoleon in his coronation robes by François Gérard (1770-1837), now in Versailles. The emperor's face & robes and much of the background are incomplete. A 1917 Francis Edwards Napoleonic catalogue lists a proof state with a decorative border, still lacking here. The engraver, John Charles Bromley junior (1795-1839), usually used mezzotint for his portraits: it it probable that he intended to fifinish this plate with mezzotint, but we have been unable to trace a completed plate to verify this. Stock: 35500

257. The Shade of Napoleon. Drawn & Engraved by I. Brace from a Portrait by Vernet. London, 85, Farringdon St. Brighton. 3. Somerset Place. [n.d. c.1810.] Very fine aquatint. Plate 165 x 132mm. 6½" x 5¼". £160 A silhouetted profile of Napoleon against a seascape background. Stock: 9367

258. The Frenchmens Dream [&] The Upshot of the Invasion Published for Vernor & Hood Poultry ['Upshot' only] Two etchings with hand-colouring tipped into album sheet; rare; total sheet dimensions 490 x 340mm (19¼ 260. Napoleon. x 13¼"). Creases as issued. £320 [Johann Michael Voltz]. Published by R. Ackerman. Two etchings originally published in 'The Anti- 101 Strand, London [1814]. Gallican', a collection of 'papers, tracts, speeches Hand coloured etching and letterpress. Sheet size: 450 poems and songs...published on the threatened x 300mm. (17¾ x 11¾"). Scaarce. Folded horizontally Invasion...' by Napoleon's forces. across the centre of the sheett. Small tear in top edge, 'The Frenchmen's Dream' suggests one consequence of and tear to centre of sheet. Repaired damage to sheet. such an invasion: Napoleon and compatriots tucking £420 into British fare, served by an angry but helpless A satirical portrait of Napoleon, with explanatory British cook. Through an open window John Bull and letterpress underneath. The sspider's web is surrounded his wife hang from a gibbet. byy a map with Napoleon's battles around the Elbe & 'The Upshot of the Invasion', however, suggests that Rhine. Napoleon's hat is porrtrayed as an eagle, with any attempt will put 'Bony in a fair way for Davey's his face made of the corpses of those 'who perished on Locker'. An Englishman waves the St George's cross the Plains of Russia and Saxony'. Napoleon's jacket is a from the French ship 'La Bonaparte' while Napoleon,, map of the environs of Leipzig, with other battles in with a pistol aimed at him, falls feet-first into the the campaign indicated. Also on the jacket, the water. A sea-monster eagerly seizes a foot to drag him epaulette is shown as a hand,, leading the 'Rhenish down. BM Satires 10273 and 10274 Confederation', shown as a cobweb. 'His throat is Stock: 35954 encircled with the Red Sea', ssymbolizing those who drowned in the battles led by Napoleon. 259. [Napoleon Bonaparte.] Stock: 31983 [Johann Michael Voltz]. [c. 1814.] Coloured etching. Sheet 245 x 145mm. (9¾ x 5¾"). 261. Boney & the Great State Secretary. Trimmed within plate, lacking the explanatory text. ArA gus del.t [Charles Williams]. Published Feby. 1806 £240 byy Walker No 7 Cornhill. A satirical portrait of Napoleon: his face made of the Coloured etching. Sheet 345 x 250mm (13½ x 9¾"). corpses of those 'who perished on the Plains of Russiia Trimmed within plate, paperr toned. £180 and Saxony';; his hat the imperial eagle; his collar the Napoleon, in oversize bicorn hat and boots, hands Red Sea, symbolizing those who drowned in sea reaching towards a larger Charles James , battles; his tunic is a map of northern Germany, appealing for peace: 'We shall be very happy to take a little Peace-soup with you when ever you are inclined Master Charley'. Fox replies: "Why you little Corsican Having negotiated the 1802 ''Treaty of Amiens' reptile ... Arrogant little Man. Mr Boney - if you do not Tallyrand tried his best to stop the renewal of war in instantly Vanish from my sight I'le break every bone in 1803. The 29-verse letterpress is a dialogue between your body'. the two: including Tallyrandd''s advice about Russia In reality peace overtures were begun by Foreign ('Twere as good that we leavve her alone, Sir!') & Secretary Fox, following the collapse of the Third England ('Just - take - care - to avoid the fleet, Sir'). Coalition in late 1805. However he soon realised his BM: 10091. belief that France really wanted peace were without Stock: 35923 any foundation, putting a shadow over the end of his political career (he died the following year). BM 263. Boney Bothered or an Unexpected Satires 10535. Meeting. Stock: 35975 [Charles Williams.] London Pubd July 9th 1808 by Tho.s Tegg 111 Cheapside. Hand coloured etching. 350 x 250mm (13¾ x 9¾"). Colour slightly faded, laid on card. £190 Napoleon climbs out of a globe near the East Indies and, shocked to be greeted by John Bull with cudgel raised, drops his sword and his 'Plan of operations'. In John's back pocket are paperrs marked 'Secret Intelligence'. In 1808 Napoleon wrote to Descrès: 'There is not much news from India. England is in great penury there, and the arrival of an expedition would ruin that country from top to bottom. The morre I reflect on this step, the less inconvenience I see in taking it'. BM: Satire 10995. Stock: 35972

264. La Veille d'une Revue de la Garde Nationale ou les Bisets en Dépence. Coeuré Del. Alix sculp. A Paris, chez Noël, Rue S.t. Jaques, N.o.16. Déposé au Bureau des Estampes. Hand-coloured aquatint with large margins. 270 x 360mm, (10½ x 14"). Repairred damage in lower margin into title area. Some llight foxing. Exellent colour. £160 Exterior scene depicting several figures two of which wear the uniform of the French National Garde. The figure on the left wears his unniform smartly, while in the centre a figure wears his hat askew. On the right a man rests his hand on the shoulger of a boy wearing a uniform which is much to big for him and a man with a fur hat holds a gun over his shoulder and a sword in his 262. Boney & Talley. The Corsican Carcase- hand. In 1814, with the invasion of France by the Sixth Butcher's Reckoning Day. New Style --- No Coalition there was a mass exxtended conscription of Quarter Day. men which included those whho would have [by James Gillray.] Published by H Humphrey, 27, St traditionally been too old or ttoo young in order to James Street, Sept.r 1803. defend Paris in the Battle of PParis. Following the Hand coloured etching. 315 x 325mm (12½ x 12¾"),, Restoration the National Guard expanded to 35,000. with letterpress. Framed. Mounted over edge of image, Stock: 36162 edges probably trimmed, letterpress separated. £260 A youthfull Napoleon in a butcher's shop, wielding a 265. The Imperial Nursery or News from the bloody cleaver at a bull on the White Cliffs of Dover Army. and the Russsian Bear peaking around the door, Published for the Satirist May 1st 1811. Talleyrand desperately trying to restrain him. Around Aquatint with etching. Sheett 210 x 295mm (8¼ x the shop hang the carcases of Spain, Switzerland, 11½"). Trimmed within plate on three sides, original Holland and a simian 'Native Breed''; on the floor is a biinding folds. £75 'Germanic Body', with head, hands and feet chopped Napoleon in his bedroom, nearly dropping his son into off, one hand resting on a sheet marked 'Hanover'; six the jaws of a sabre-toothed monster when receiving Ottomans are being bled into a tray marked 'Glory'; news from Portugal, where Massena had been driven bottom right a Prussian dog is being fattened up; and from the lines of Torres Veddrras by Wellington, a bottom left a cage of foxes 'From Rome' are marked as turning point in the Peninsula War. Behind him are the 'Not Worth Killing'. spirits of the Portuguese dead calling for Wellington to An allegorical portrait of Napoleon, with explanatory avenge themm. letterpress underneath. Example of the abundance of The British Museum has a later state with added detail, poopular prints made in respoonnse to the Napoleonic most noticeaabbly with more ghost heads clearly defined; Wars and probably printed duuring the Hundred Days that state has the letters at Napoleon's feet more after Napoleon''s escape from Elba, hence the phoenix legible: they read '. . . faithfull frind Wm Cobbet' and iconography and his 'Heart, overflowing with Ambition 'List of Engl[ish] Disaffect[ed]'. BM Satires 11722A, to regain his lost Territory'. later state BM Satires 11722. Stock: v Stock: 36001 268. Départ pour l'Armée. 266. Guess if you can and choose if you dare. [n.d., 1815.] [n.d., c.1820.] Etching; scarce. Sheet 245 x 340mm (9¾ x 13½"). A very rare lithograph. Printed area 200 x 320mm, 8 x Trimmed to printed border, rrepaired tear. £230 12½". Laid on album paper. £110 Napoleon riding north to meeet the combined armies of Two scenes concerning the divisions between the Britain and Prussia during the 'Hundred Days', the Royalists and Republicans in France. The first, datedd peeriod between his escape froom Elba and his final 1811, has a French guardsman and a child pointing at a defeat at Waterloo. Although he has a handful of bust of Napoleon; the second, dated 1820, shows the thunderbolts and a paper boasting an army of half-a- new-born Henri, duc de Bordeaux, the royalist hope for million men, the skeletal horrse he rides, the scruffy the Bourbon succession. When his grandfather Charles eagle perched on the horse's tail and the dead tree X and the Dauphin both abdicated in the July suggest his defeat is inevitabble. Revolution of 1830, Henri should have become Henrry According to Catherine Clerc's 'La caricature contre V, but the National Assembly decreed that the throne Napoléon' the 'dépôt légal' was on 12 June 1815: the should pass to the duc d'Orléans, who became King Battle of Waterloo was less tthan a week later. BM: Louis-Philippe. 2002,0224.12. The title is a quote from Pierre Corneille (1606-1684). Stock: 35973 Stock: 14184 269. The Fall of Napoleon. Painted by G. Wallis. Engraved by G. Zobel. [n.d., c.1850.] Rare mezzotint with large maargins. Platemark: 410 x 355mm (16 x 14"). Light paper toning. Small stain in lower left corner. £260 A scene outside the 'Waterlooo Tavern' in 'Wellington Street'. A soldier and black fifigure smile at each other as the soldier trips up an Italiian boy carrying on his head a board on which is ballaanced a statue of Napoleon that is about to crash to the ground. A church can be seen in the background to the right, and posters on the wall of the tavern to the left advertising a gala, 'Anniversary of the Glorious Battle of Waterloo' at Vauxhall Gardens, and a perrfformance of 'The Fall of Napoleon', or 'The Unfortunate Italian' at the Theatre Royal, in celebration of the anniversary of the battle of Waterloo. Ex Collection: The Hon. Christopher Lennox-Boyd. Stock: 36186

270. The Imperial Divoorce. [Engraved for the Hibernia Magazine] [Satira Delt / Brocas Etchd] [[Jan. 1810] Etching, sheet 200 x 280mmm (8 x 11"). Trimmed to 267. Napoleon, the Corsican Phoenix. The image and title, losing text; glued to album sheet with Hat of Napoleon represents the Gallic Cock, other prints verso. £140 his wings expanded, and crowing confident of Dublin-published satire on the divorce Napoleon and success.--- The Initials of his Name are Josephine in 1809 (after she failed to provide him with branded on his Face, as a mark of Infamy [...] an heir) and his marriage to tthe reluctant Marie-Louise of Austria in 1810. [Six]pence Col.d Napoleon tells Josephine 'I must have issue' and she Etching and lletterpress with hand-colouring, very rarre; accepts 'for the benefit of the Empire I must resign my printed separately and glued to same backing sheet. husband'. A tearful Marie-Louise on the left laments 'I Overall dimensions 380 x 220mm (15 x 8¾"). Uncut. would prefer even [Napoleon's brother] Jerome'. The £480 Pope, chained to Napoleon's wrist, kneels at his feet, while on the far right a group of men including the diplomat Talleyrand in clerical dress and Cardinal Napoleonic France. A large cask, upright on a low Fesch, state 'we are all agree'd in this matter'. John stand, is in the centre of the design, with fof ur slits for Holland Rose ('Napoleon in Caricature') applauds the letters, which are being usedd by enemies of Britain for 'considerable artistic merit' of the print. BM Satires treasonous correspondence. From the top of the cask, 11529 and surrounded by froth, emerge the upper part of Stock: 35945 Whitbread's head and his righht arm, holding out a loaf of bread. He says to the enemy agents: "Take this Loaf of Brown bread back with you." The cask is inscribed 'Old [scored through and repplaced by] New English Porter'. On the left of the cassk the agents are (1) a man with a bag inscribed 'Agent ffrom Fouche' [sic], posting a letter: 'To our estee[med] Friends in England'. (2) A pllainly dressed man with lank hair and broad-brimmed hat with a number of documents under his arm labelled 'Agent from Madison'. He posts a letter with the same inscription. (3) On the extreme left a courier hurries forward holding a bag 'from Genoa'. The seal only of his letter is displayed. On the right the most prominent figure is (4) a French officer,, thin, ragged, and foppish, wearing great jack-boots, and holding in his left hand a heavy courier's whip and a baag 'From Buonaparte'. He is labelled 'Agent from Buonaparte'. He posts a letter showing the sealed side. Besside him is a theatrically dressed man holding a paperr inscribed 'agent from Murat', and posting a letter 'To our Most Esteemed Friends in England'. Behind aand on the extreme right stands John Bull, a stout citizen with a walking-stick. He says: "I do remember such a man as Mr Fox who did send one Adair to Russia on private Business; & yet he did escape, Alack!! 'twere bettet if justice were administred!!!!" The printed slip below explaaiins the brown bread reference: “On the 26th. of April, a Young Lady of Condition arrived at the Hotel "Bellevue" in Brussels, with a large suite of Servants, but one of them being 271. A Pleasent Draught for Louis or the way known to an offf icer to be an active Agent of to get rid of a troublesome fellow. "Bonaparte's", the whole grooup were arrested. Among [by William Heath?] [published by Thomas Tegg, them a Man . . . with a "brown loaf" under his Arm . . . 1814.] the officer observing his soliicitude to get rid of his Coloured etching; 1817 watermark. 340 x 240mm "brown loaf" . . . discovered several Letters inside, (13¼ x 9½"). Paper toned, creased, repaired tear. £120 directed to "Bonaparte" and his "Minister's". Louis XVIII, his gout-afflicted foot raised on a Whitbread's opposition to the war is stigmatized as cushion, holds a wine-glass in which kneels a tiny sedition. Son of the founder of the brewing dynasty screaming Napoleon, submerged to the waist, with (also Samuel), Whitbread ennttered Parliament as a Whig both arms raised above his head. MP in 1790, where he establliished himself as one of the Louis took the throne of France soon after Napoleon's leading figures of the Foxite Whig opposition in the abdication in April 1814, exiling the former emperor to Commons. A reformer, he championed religious and Elba. However his mismanagement of the country civil rights, the abolition of slavery, and a national resulted in increased popular support for Napoleon education system. He failed tto secure office when the after his escape the following year. Foxites came to power in Loord Grenville's coalition Stock: 35974 ministry in 1806. This marked the turning point of his poolitical career, which waned from then on. In 1815, 272. Treachery_Treachery_Treachery_!!! suffering from depression, he took his own life. G. C[riukshan]k. Pubd by S W Fores 50 Piccadilly By George Cruikshank (1792 - 1878). BM Satires May 16th 1815. 12540. See BM 1868,0808.8215. Hand coloured etching, 'Phipps & Son' watermarked Stock: 21074 laid paper, image 215 x 335mm, 8½ x 13¼". Letterpress slip is pasted below the print, headed 273. Retour de L'Ile d'Elbe. 'Explanation of the Brown Bread'. Join splitting, [after Charles Auguste Guillaume Stueben.] [n.d., reinforced by backing tape. Letterpress sheet chipped c.1840.] at left edge, overall well preserved compared to an Lithograph with very large margins. Printed area 175 x impression in the BM. £280 205mm (7 x 9"). £50 Satire on the opposition of politician and brewer Napoleon's return from his fiirst exile on Elba. On the Samuel Whitbread (1756 – 1815) to the war with 7th March 1815 Napoleon approached the French 5th Regiment, which had been send to apprehend him. He 278. Drapeaux pris à Austerlitz recus à Notre- walked up, shouted 'Here I am. Kill your Emperor, if Dame. you wish', to which the troops replied 'Vive V. Adam del. Litho: de C. Motte. [n.d. c.1826.] L'Empereur!' and marched with Napoleon to Paris, the Lithograph with very large margins. Printed area 305 x beginning of the Hundred Days. 380mm (12 x 15"). £120 Stock: 35991 In the Battle of Austerlitz (2nd December 1805) Napoleon crushed the Third CCoalition and effectively 274. [Ajaccio] Exterior View of Bonaparte's destroyed the Holy Roman Empire. As part of the house. victory celebrations (which iinncluded the [n.d., c.1850. commissioning of the Arc de Triomphe) fifty captured Etching. Sheet 135 x 220mm (5¼ x 8¾") Edges toned. regimental colours were paraded at Notre Dame £35 Cathedral. Napoleon Bonaparte's birthplace in Ajaccio, Corsica. Published in A.V. Arnault's 'Vie politique et militaire Stock: 36026 de Napoléon', Paris, 1822-1826. Stock: 35926 275. House in Which Napoleon was Born, in Ajaccio, In Corsica. London: Published for Henry Colburn, Feb 1836. Wood engraving with small margins. Printed area 115 x 80mm (4½ x 3¼"). Edges toned. £35 Napoleon Bonaparte's birthplace in Ajaccio, Corsica. Stock: 36027

276. General Bonaparte having signed the Preliminaries of Peace delievers them to Gen.l Lauriston to bring to England. [n.d., c.1802.] Coloured wood engraving. Sheet 95 x 60mm (3¾ x 2¼"). Trimmed. £35 A seated Napoleon hands the ratification of the Peace of Amiens to his aide Jacques Lauriston (17680828) to 279. The Surrender of Napoleon to Great take to England in 1802. Britain. On the fifthteenth of July, 1815, Lauriston (a great-nephew of the Scottish financier twenty-seven days after the Battle of Waterloo John Law of South Sea Bubble infamy) later fought in and seven days after Louis XVIII had re- Austria in 1805, occupied Venice and the Republic of entered Paris as King of France, Napoleon, Ragusa in 1806, fought at Pamplona, Raab and despairing of escape to Ameica, surrendered to Wagram. In 1811 he was made ambassador to Russia, Great Britain and went on board "The but fought with distinction in the 1812 retreat from Bellerephon". He is seenn looking across the sea Moscow. His war ended when he was captured after to the French coast. A voyage to Plymouth and Leipzig in 1813 and, after his release, he stayed loyal to Louis XVIII during the Hundred Days. In 1823 he thence to St. Helena were to conclude the was made a marshal of France and his name adorns the mortal wanderings of the dictator of Europe. Arc de Triomphe. From the painting by the late Sir. W. Q. Orchardson. Stock: 36051 R.A. By permission of the Beerlin Photographic Co. 133, New Bond St., London.. Supplement to "Holly 277. Affaire d'Arcis sur-Aube. Leaves", the Christmas number of "The Illustrated V. Adam del.t. Lith: de C. Motte. [n.d. c.1826.] Sporting & Dramatic News",, December, 1910. Lithograph with very large margins. Printed area 2955 x Photogravure. Printed area: 407 x 610mm (16¼ x 24"). 350mm (11½ x 13¾"). £140 Laid on board. Some staining to top edge of sheet and The Battle of Arcis-sur-Aube (20–21 March 1814) was into printed area. £180 fought between the French and Austrian armies as A scene on board 'HMS Belllepheron', en route to St Napoleon attempted to stop the Allied advance on Helena: Bonaparte is depicted wearing the uniform of a Paris. Outnumbered, the French withdrew before their ‘chasseur a cheval’ of the Imperial Guard, staring opponents realised how small his forces were. despondently out to sea. Behind the deposed emperor Napoleon fought only one more battle before his are his retinue, standing awkwardly: identified as (from abdication and exile to Elba. left to right) Planat, Monthollon, Maingaut, Las Cases, Published in A.V. Arnault's 'Vie politique et militaire Savary, Lallemand and Bertrrand. At the rail Las Cases's son is more interested in the working crewmen. de Napoléonn', Paris, 1822-1826. Stock: 35927 After the painting by Sir Willliam Quiller Orchardson, first exhibited in 1880, now iin the Tate collection. Stock: 32634

280. Bonaparte On Board the Bellerophon off are his retinue, standing awkwardly: identified as (from Plymouth. left to right) Planat, Monthollon, Maingaut, Las Cases, London, Published by Thomas Kelly, Paternoster row, Savary, Lallemand and Bertrrand. At the rail Las Jan 20 1816. Cases's son is more interested in the working crewmen. Engraving. Sheet 265 x 205mm (10½ x 8"). Edges After the painting by Sir Willliam Quiller Orchardson, creased and stained, trimmed within platemark. £25 first exhibited in 1880, now iin the Tate collection. A scene on board 'HMS Bellepheron', during the two Stock: 35985 weeks it took the British to decide to do with the deposed emperor. During that time Napoleon pandered 284. Surrender of Napoleon, Emperor of the to the sightseers who surrounded the ship by parading French. on deck at regular times. Charles Lock Eastlake (1793- Engraved by J. Dixon, from a Drawing made under the 1865) painted the emperor on deck, creating the direction of a Gentleman whho was on board the inspiration of this print. Bellerophon at the time. Pubblished by Edward Baines, After deciding that exile on St Helena was Napoleon''s Leeds, February, 1817. fate, Bellerophon was considered unsuitable for the Engraving. Sheet 240 x 170mm (9½ x 6¾"). Trimmed voyage, so Napeoleon was transferred to HMS within plate. £45 Northumberland. A scene on board 'HMS Belllepheron', with Napoleon Stock: 36034 greeting Captain Frederick Maitland. Napoleon had abdicated afterr the defeat at Waterloo 281. The Surrender of Buonaparte on board and attempted to flee to the United States via Rochfort. the Bellerophon. Finding Bellerophon blockading the port he handed G.M. Brightley del. G.P. Palmer Sculp. Pub.d by T. himself over, preferring the custody of the British to Kinnersley June 1st 1816. uncertain treatment at the hands of the Prussians Engraving. Sheet 260 x 200mm (10¼ x 8") £25 hunting him. A scene on board 'HMS Bellepheron', with Napoleon Stock: 36033 offering his sword to Captain Frederick Maitland. Napoleon haad abdicated after the defeat at Waterloo and attempted to flee to the United States via Rochforrt. Finding Bellerophon blockading the port he handed himself over, preferring the custody of the British to uncertain treatment at the hands of the Prussians hunting him. Stock: 36036

282. Napoleon on board the Bellerophon. Painted by W. Q. Orchardson. R.A. Engraved by J.C. Armytage. London: J.S. Virtue & Co Limited. [n.d., c.1880.] Steel engraving with very large margins; 290 x 380mm (11½ x 15"). £60 A scene on board 'HMS Bellepheron', en route to St Helena: Bonaparte is depicted wearing the uniform of a ‘chasseur a cheval’ of the Imperial Guard, staring despondently out to sea. Behind the deposed emperor are his retinue, standing awkwardly: identified as (from left to right) Planat, Montholon, Maingaut, Las Cases, Savary, Lallemand and Bertrand. At the rail Las Cases's son is more interested in the working crewmen. After the painting by Sir William Quiller Orchardson, 285. Surrender of Napoleon to Capt Maitland first exhibited in 1880, now in the Tate collection. on board the Bellerophonn. Stock: 35984 Brook Pinx.t. Edwards Sculp.t. [Leeds, Published by Edw.d Baines Feb.y 1817.] 283. [Napoleon on board the Bellerophon.] Engraving. Sheet 220 x 165mm (8¾ x 6½"). Trimmed [Painted by W. Q. Orchardson. R.A. Engraved by J.C. within plate, losing publisherr's inscription. £40 Armytage.] [London: J.S. Virtue & Co Limited.] [n.d., A scene on board 'HMS Belllepheron', with Napoleon c.1880.] offering his sword to Captain Frederick Maitland. Steel engraving with very large margins; proof before Napoleon had abdicated afterr the defeat at Waterloo letters. 290 x 380mm (11½ x 15"). Slight staining at and attempted to flee to the United States via Rochfort. edges of border. £75 Finding Bellerophon blockading the port he handed A scene on board 'HMS Bellepheron', en route to St himself over, preferring the custody of the British to Helena: Bonaparte is depicted wearing the uniform of a uncertain treatment at the hands of the Prussians ‘chasseur a cheval’ of the Imperial Guard, staring hunting him. despondently out to sea. Behind the deposed emperor Stock: 35996 286. Napoleon's Entrance into the City of The celebration of the Treaty of Campo Formio (1797), Berlin. byy which Napoleon successfufully ended the War of the Engraved byy Mr. George Cruikshank, from the First Coalition, leaving Britain fighting alone. France Original design of Swebach, Published at Paris. took control of the Austrian Netherlands, Corfu and Published August 27 ,1825 by John Fairburn, Venice and its territories. Broadway, Ludgate Hill. Published in the 'Collection complète des tableaux Hand-coloured aquatint. 203 x 287mm. 8 x 11¼". historiques de la révolution ffrançaise'. Folds as published. Cut. £130 Stock: 28233 Napoleon, after defeating Prussian forces at Jena, led the French Army into Berlin on 27 October 1806. From "The Life of Napoleon Bonaparte". Cohn: 435. Stock: 26481

287. Entréée triomphante des Français dans la Ville de Berlin. Le 27 8bre 1806 Sa Majesté l'Empereur des Français et Roi d'Italie, a fait son entrée à Berlin à 3 heures après midi. à Paris chez J. Chéreau, M.d d'Estampes, aux deux Colonnes, rue St Jacques, No 10, près la F.ne St Severin. Deposé à la Bibliothèque Impériale. [n.d., c.1810.] Engraving with bright colour and very large margins, rare. 305 x 4220mm (12 x 16½"). Scratch with small hole in sky annd stain. £230 Napoleon's triumphant entry into Berlin, having 291. Bonaparte Reviewwing the Consular crushed the Prussians quickly in the War of the Fourth Guards. La Revue du Quintide. Coalition (1806-7). Stock: 33516 Painted in Paris by J.J. Masquerier. Engraved in London, by C. Turner. [n.d. c.1870.] Photogravure in colour. 520 x 640mm. 20½ x 25¼". 288. Entréée Triomphante des Français Dans £350 Berne le 25 Ventose, An 6.eme de la A copy of the extremely fine print by Charles Turner. République. The Consular Guards were a small group of elite Giardet inv. & del. Berthault Sculp. [Paris: Auber, soldiers in the French Army who were under the direct 1804.] command of Napoleon Bonaparte. See: 16866 for early Etching. 275 x 330mm (10¾ x 13"). £60 mezzo by Charles Turner. The triumphant entry into Berne by French forces Stock: 16320 (1798), when they imposed the short-lived 'Helvetic Republic' (1798–1803), trying to centralize control 292. Recollections of Napoleon. over the cantons. Drawn on Stone by A. Pickeen Junr. W. Day Lithr. to Published in the 'Collection complète des tableaux the King 17 Gate St. London, Published by Thos. historiques de la révolution française'. Fisher 1 Hanway St. Jany. 1833. Stock: 28235 Lithograph, sheet 300 x 440mm. Some foxing. £160 Vignettes illustrating important moments in the life and 289. Révolte de Bologne. career of Napoleon Bonapartte. Most numbered, with Grenier del. Litho: de c. Motte R. des Marais. [n.d. key text below. c.1826.] Inscribed 'Price 1s/6d' upper right. Lithograph with very large margins. Sheet 444 x Stock: 8033 596mm (17½ x 23½"). £220 In 1796 Napoleon conquered Bologna, Italy. However 293. Napoléon et L'Évêque. Napoléon_ it was later placed under the soverignity of the Papal Monseigneur, cette pièce d'Orfêverie est digne States, leading to uprisings, when the Austrians were expelled. d'un roi. [/] L'Evêque_ Sire, tout cela est Published in A.V. Arnault's 'Vie politique et militaire l'argent des pauvres. [/] Napolèon_ Eh mais, il de Napoléonn', Paris, 1822-1826. me semble que vouse auriez pu leur économiser Stock: 30793 la façon! Peint par C. Jaquand. imp Lemmercier de Seine 57 à 290. Fête Donnée à Bonaparte, au Palais Paris. Lith. par Soulange Teiissier. new-York. Goupil & Nationale de Directoire, Après le Traité de C.o. 289 Broadway. paris, goupil et Comp.ie. Editeurs Campo Formio. le 20 Frimaire An 6.e de la 19 Boulev.t. Montmatre et 12 rue d'Enghien. London, E. Gambart & Co. 25 Bernerrs St. Oxf. St. République. Lithograph with Goupil stamp bottom centre. Sheet Giardet inv. & del. Berthault Sculp. [Paris: Auber, size: 460 x 580mm (18 x 23"). Large margins. £360 1804.] Etching. 3600 x 280mm (14 x 11"). Some spotting. £65 Plate 45 from 'Le Musée de Rieurs'. An interior scene 298. Representation of the Coronation of in which Napoleon is entertained by a Bishop. Napoleon, in the Church of Notre-Dame, Published in New York, Paris and London. containing Portraits of the Persons Assisting _ Stock: 32615 Drawn on the Spot, December 2 1804. R. Hicks sculpt. Monthley Mag. No 192. [n.d., c.1808.] 294. Camp de Boulogne. Stipple. Sheet 215 x 330mm (8½ x 13"). Trimmed [n.d., c.1840.] within plate, laid on album paper. £65 Lithograph with very large margins. Printed area 1755 x Napoleon crowning himself aat Notre Dame, seemingly 205mm (7 x 9"). £50 baased on Jacques-Louis Daviid's painting exhibited Napoleon visiting the French army amassed at 1808. The named participantts are: Napoleon's brothers Boulogne in preparation for the invasion of England iin Louis & Joseph; Joséphine; Joachim Murat; Pope Pius 1803. VI; and cardinals Joseph Fessch (Napoleon's maternal Stock: 35993 uncle) & Giovanni Battista Caprara (also Archbishop of Milan). Murat is referred tto as 'King Joachim': he 295. Revolution of the 18th Brumaire. was made king of Naples in 1808. I.R. Cruikshank Del.t. Pole Sc.t. [n.d., c.1820.] Stock: 36012 Engraving. Sheet 115 x 175mm (4½ x 7"). Trimmed and mounted in album paper. £45 299. Conquête de l'Égyypte, par les Français, Scene of Napoleon's coup against the Council of 500 en Messidor, an 6.e. on the 19th Brumaire (the second day of the 'Coup of Desaula inv. & del. Desaula Sculp. [Paris: Auber, 18 Brumaire', 900 November 1799. 1804.] Stock: 36021 Etching. 275 x 330mm (10¾ x 13"). £70 The French fleet gathered in Alexandria's harbour, 296. Dix-huit Brumaire. 1798. Despite taking control of Egypt the French army Adam del. Litho: de C. Motte. [n.d. c.1826.] was stranded there after Nelson's victory at the Battle Lithograph with very large margins. Printed area 340 x of Abukir that year. 450mm (13½ x 17¾"). £120 Published in the 'Collection complète des tableaux Napoleon's coup d'état of 18th Brumaire (November historiques de la révolution ffrançaise'. 9th), 1799), in which he closed down the Council of Stock: 28236 500 and made himself First Consul for ten years. His brother Lucien, President of the Council but still a conspiritor, can be seen top right: his act of pointing a sword at Napoleon and swearing to run him through if he ever betrayed the principles of liberté, égalité, fraternité waas an important piece of propaganda, aiding the smooth transition from republic to dictatorship. Published in A.V. Arnault's 'Vie politique et militaire de Napoléonn', Paris, 1822-1826. Stock: 35925

297. Charleroi. (1815) Galerie du Palais Royal. (Horace Vernet). Marin Lavigne delt. / Lith. de C. Motte. J.P. Quenot direx.t [c.1824] Lithograph on india with very large margins, india dimensions 280 x 335mm (11 x 13¼"). Blindstamp of J.P. Quénot (as found on plates from his 'Galerie lithographiée de S.A.R. Mgr le duc d'Orléans'). £130 300. Fête de Mahomet. Napoleon in Charleroi (now part of Belgium), three Colin del. Litho: de C. Motte. [n.d. c.1826.] days before his defeat at Waterloo in 1815. A map rests Lithograph. Sheet 444 x 596mmm (17½ x 23½"). £290 on the ruins of an old wall. As Duchesne (1829) notedd, During the French Campaign in Egypt and Syria Napoleon in his preparations for the battle seems to (1798-1801), Napoleon was ppresent at the anniversary sense that victory or defeat in the battle will mark the festival of the birth of Mahomet, 1798, along with the culmination of his military and political career. sheik El Bekri'. Lithograph after a painting by Horace Vernet, who Published in A.V. Arnault's 'Vie politique et militaire painted several scenes of Napoleon's battles. Vernet de Napoléon', Paris, 1822-1826. painted this scene more than once: one version belonggs Stock: 30802 to the New York Historical Society, while another was recently auctioned by Sothebys. 301. Visite aux Pyramides de Gizeh. Part of a collection of prints reproducing paintings Grenier del. Lith. de C. Mottte. [n.d. c.1826.] from the collection of the duke of Orleans. Lugt Lithograph with very large margins. Sheet 444 x L.1999d 596mm (17½ x 23½"). £180 Stock: 35942 When Napoleon invaded Egypt in 1798 he took with him engineers, surveyors, asttronomers, artists and archaeologists. Visiting the Great Pyramid he asked to be left alone in the King’s chamber, but when he emerged, it was reported that he looked visibly shaken. When an aide asked him if he had witnessed anything mysterious, he replied that he had no comment, and that he never wanted the incident mentioned again. Years later, when he was on his deathbed, a close friend asked him what really happened in the King’s chamber. Hee was about to tell him and stopped. Then he shook his head and said, "No, what's the use. You''d never believe me." As far as we know, he never told anyone and took the secret to his grave. Published in A.V. Arnault's 'Vie politique et militaire de Napoléonn', Paris, 1822-1826. 305. Rupture de la digue du Nil. Stock: 30808 Grenier del. Litho: de C: Mootte, rue des Marais St. G: [n.d. c.1826.] 302. Convention d'Alexandrie. Lithograph with very large margins. Sheet 444 x Grenier del. Litho de C. Motte. [Signed in plate: F 596mm (17½ x 23½"). £220 Grenier.] [n.d. c.1826.] Here Napoleon was present at the ceremony of opening Lithograph with very large margins. Sheet 445 x the dyke of a canal of Cairo, which received water 596mm (17½ x 23½"). Small tears to left edge. £180 from the Nile. The Convention of Alessandria (or the Armistice of Napoleon spent many of his years interested in canals Marengo) was concluded on the 15th June 1800, the and in 1798 he discovered the remnants of an ancient day after the Battle of Marengo. Napoleon had waterway. He discovered an ancient canal extending defeated the Austrian army with the support of northward from the Red Sea and then westward toward Kellermann. the Nile. Published in A.V. Arnault's 'Vie politique et militaire Published in A.V. Arnault's 'Vie politique et militaire de Napoléonn', Paris, 1822-1826. de Napoléon', Paris, 1822-1826. Stock: 30783 Stock: 30800

303. Pestiiférés de Jafa. 306. Adieux à la Gardé Nationale. Champion del. Lithog: de C. Motte. [n.d. c.1826.] Beuzard del. Litho: de C. Motte. [n.d. c.1826.] Lithograph with very large margins. Sheet 444 x Lithograph with very large margins. Printed area 305 x 596mm (17½ x 23½"). £260 410mm (12 x 16¼"). £140 During the Egyptian Campaign, Napoleon visited Napoleon taking leave of hiss family and his officers plague victims of Jaffa in 1799. Napoleon suggested to beefore his exile to Elba, 23rd January 1814. Desgenettes, the expedition's chief doctor, that the sick Published in A.V. Arnault's 'Vie politique et militaire should be administered a fatal-level dose of opium, de Napoléon', Paris, 1822-1826. however Desgenettes refused. Stock: 35924 Published in A.V. Arnault's 'Vie politique et militaire de Napoléonn', Paris, 1822-1826. 307. Napoleon Buonaparte Landing at Elba. Stock: 30805 [n.d., c. 1814.] Stipple. Sheet 115 x 170mm (4½ x 6¾"). Trimmed and 304. Pardon accordé aux Révoltés du Caire. mounted in album paper. £45 Grenier del. Lith. de C. Motte. [n.d. c.1826.] Napoleon's arrival on Elba, being helped from a Lithograph with very large margins. Sheet 444 x longboat and being greeted by a military band and a 596mm (17½ x 23½"). £260 squad of soldiers. In 1798, Napoleon led the French army into Eygpt, Stock: 36048 swiftly conquering Alexandria and Cairo. However, in October, an uprising of the people of Cairo surprised 308. Debarq.t a L'Ile d''Elbe. Napoleon. The population was spreading weapons [n.d., c.1840.] around the streets and fortifying strongpoints, Lithograph with very large margins. Printed area 175 x especially at the Great Mosque. Napoleon responded 205mm (7 x 9"). £30 by setting up cannons in the Citadel and firing them at Napoleon's arrival on Elba on the 3rd May, 1814, Azhar and areas around it. Eventually the French brokke beginning his first exile. down the gates and stormed the Mosque taking Stock: 35992 absolute control of Cairo. He hunted for the perpetrators and had them executed. 309. Elba. Napoleon Musing. Published in A.V. Arnault's 'Vie politique et militaire [n.d., c. 1840.] de Napoléonn', Paris, 1822-1826. Oval lithograph, trimmed to image as scrap, the two Stock: 30807 titles pasted above and below image, rare. Image c.130 x 160mm (5 c 6¼"). Laid on album paper. £65 An invented view of Napoleon standing on a rock attack the fortress. The Grannd Master, Ferdinand von looking down onto a harbour of Elba. Hompesch zu Bolheim, capittulated immediately, Stock: 36044 knowing he could not depend on the allegiance of the French Knights. Six days aftteer he arrived Napoleon 310. Napoléon à Fontainebleau, en Avril 1814. sailed on to Egypt, leaving in French control On assure que des pistolets qu'il avoit demandé until 1800. A popular revolt hhad driven the French into vers le soir [...] the safety of Valleta, which a British blockade, led by Coeuré del. / Jazet sculp. A Londres, chez Palmer, au Nelson, forced the garrison tto surrender. M [text missiing] Published in the 'Collection complète des tableaux Aquatint, rare; sheet 285 x 230mm (11¼ x 9"). historiques de la révolution ffrançaise'. Trimmed to plate; lower right corner missing, losing Stock: 28392 text from publication line; crease lower right. £130 Napoleon at Fontainebleau, shortly after announcing 313. Cérémonie du Mariage de l'Empereur his unconditional abdication in 1814, having lost Paris Napoléon avec Marie Loouise d'Autriche to the Coalition. Here he is slumped in resignation (as Dessiné d'après Nature le 2 Avril, 1810. in Delaroche's famous painting of 1840), but here his Marlet pinx. / Parft. Augrand sculp. A Paris chez hand rests on a pistol. As the text below claims, Vilquin, m.d d'Estampes, G. de Cour du Palais Royal, Napoleon requested the pistols and, as he wrote to N. 20 / et chez Noel, Rue des Pretres, St. Germain empress Marie-Louise, considered suicide, but decided l'Auxerrois, No. 22 / Déposéé à la Bibl. Impér. [c.1810] against it as suicide demonstrated weakness whereas to Stipple and etching with small margins, platemark 385 resist it in spite of all he had lost and suffered, showed x 525mm (15¼ x 20¾"). £280 true courage. Napoleon's marriage to the reluctant Marie-Louise of Stock: 35943 Austria in 1810, in the Auguustinian Church (Augustinerkirche) in Vienna, after he had divorced 311. Reddition de Madrid. Josephine the previous year ffor failing to provide him Grenier del. Litho. de C. Motte. [n.d. c.1826.] with an heir. After a drawing from life by Jean Henri Lithograph. Sheet 444 x 596mm (17½ x 23½"). Tears Marlet (1771-1847), who subsequently became one of into lower edges. £190 the masters of the new medium of lithography. In 1808 following the Battle of Somosierra, San Juan Stock: 35951 raced his troops back to Madrid, however the French patrols reached the outskirts of the city on December 1. 314. Fète à Milan. Napoléon fait célébres par The Junta made a half-hearted and futile attempt to des jeux, l'anniversaire de la fondation de la defend the capital, but a devastating French artillery république française. barrage brouught the Spanish defence to grief and they [n.d. c.1806.] surrended everything to Napoleon. Lithograph. 172 x 241mm. 6¾ x 9½". Time staining. Published in A.V. Arnault's 'Vie politique et militaire £80 de Napoléonn', Paris, 1822-1826. Napoleon Bonaparte celebratting the dawn of the Stock: 30823 French First Empire with him as Emperor of the French, crowned in 1804. Stock: 18922

315. Entree dans Milan. Bellangé del.t Lithog: de C. Motte. Rue des marais. [n.d. c.1826.] Lithograph with very large margins. Sheet 444 x 596mm (17½ x 23½"). £320 French troops led by Napoleoon arrive in Milan, Italy. On 17 March, 1805, the Kingdom of Italy was born, and Napoleon was crowned King of Italy on 26th May. Published in A.V. Arnault's 'Vie politique et militaire de Napoléon', Paris, 1822-1826. Stock: 30799

312. Capiitulation de la Ville de Malte, le 14 316. Traité avec les Etats-Unis. prairial, an 6.e. V: Adam del. Lith: de C. Motte. [n.d. c.1826.] Duplessi-Bertaux inv. & del. Desaula Sculp. [Paris: Lithograph with very large margins. 431 x 610mm (17 Auber, 1804.] x 24"). Small nicks and tears around edges. £420 Etching with 4 pages of text. 230 x 305mm (9 x 12"). The Convention of 1800, also known as the Treaty of £360 Mortefontaine. The signing seen here on September 30, A view of the capture of Valetta by the French, 1798. 1800 between the United States and France to settle the Napoleon Bonaparte was en route to Egypt when he hostilities that had erupted during the Quasi-War. U.S stopped at Valletta. When his request for supplies was President John Adams sent a commission composed of refused by the Knights of Malta he made ready to William Vans Murray, Oliver Ellsworth, and William The Concordat of 1801, the agreement between Richardson Davie to negotiate the agreement. Napoleon and Pope Pius VIII, signed on 15 July 1801. Published in A.V. Arnault's 'Vie politique et militaire It solidified the Roman Cathoolic Church as the majority de Napoléonn', Paris, 1822-1826. church of France. Stock: 29990 Published in A.V. Arnault's 'Vie politique et militaire de Napoléon', Paris, 1822-1826. 317. Entréée des Français dans Naples, le 4 Stock: 30785 Pluviose an 7.e No. 138. Duplessi-Bertaux, inv. & del. Desaulx Sculp. [Paris: Auber, 1804.] Etching with large margins. Plate 241 x 310mm (9½ x 12¼"). £160 The arrival of the French in Naples. In January 1799,, Napoleon Bonaparte, in the name of the French Republic, captured Naples and proclaimed the Parthenopaean Republic. Published in the 'Collection complète des tableaux historiques de la révolution française'. Stock: 28290

318. The Tomb of Napoleon. Sketched Etched and Published by G. Cruikshank. [n.d., c.1834.] Etching on india laid paper, 190 x 280mm. 7½ x 11".. £60 322. Introduction de l'Ambassadeur de la A view of the island of Saint Helena in the Atlantic Ocean, where Napoleon Bonaparte died on 5th May Porte otomane. 1821, surrounded by eight military and Napoleonic Norblin del. Lith.de C: Motte. [n.d. c.1826.] vignettes. Lithograph with very large margins. Sheet 444 x A satirical print from 'My Sketch Book' 1834 by 596mm (17½ x 23½"). Repaaiired tear into title area. £260 George Cruikshank (1792 - 1878). Stock: 12016 The Franco-Iranian Alliance formed for a short period beetween Napoleon I and Fath Ali Shah against Russia and Great Britain between 1807 and 1809. The alliance 319. Armistice avec le Roi de Sardaigne. was part of a grand Napoleonic scheme to cross the Grenier del. Lith: de C. Motte. R. des marais. [n.d. Middle East in order to attack British India. The c.1826.] alliance came to an end when France eventually allied Lithograph. Sheet 444 x 596mm (17½ x 23½"). Uncut. with Russian and turned its ffocus to European £190 campaigns. In 1799 King Charles Emmanuel IV was ousted from Published in A.V. Arnault's 'Vie politique et militaire his territory of Piedmont by the French army, moving de Napoléon', Paris, 1822-1826. his court to Cagliari. Stock: 30833 Published in A.V. Arnault's 'Vie politique et militaire de Napoléonn', Paris, 1822-1826. Stock: 30803 323. Réceptión des présens de la Cour de Russie. 320. [Napoleon at Postdam.] Vathier et Courtin del: Lithoo: de C. Motte. [n.d. Peint par Ponce Camus. Gravé par L.M. Fontaine. [n.d. c.1826.] c.1830.] Lithograph, very large margiins. Sheet 444 x 596mm Engraving, proof before title, 254 x 382mm. 10 x 15". (17½ x 23½"). Tears into lower edges. £65£120 After Napoleon's victory at Jena, he marched to Berlin Napoleon receiving presents from the Court of Russia. and on 26th October paused at Postdam to visit the Published in A.V. Arnault's 'Vie politique et militaire tomb of Frederick the Great, accompanied by Duroc, de Napoléon', Paris, 1822-1826. Stock: 30822 Berthier and the Count of Segur. Napoleon greatly admired the great emperor for his effective management and military strength, particularly during 324. Il Sera Digne de la France. the Seven Years' War. à Paris chez M.V. Turgis rue St Jacques No 16 et a Stock: 18862 Toulouse rue St Rome 36. Deposé. [n.d., c.1830.] Mezzotint. 255 x 330mm (10 x 13"). Cut to platemark. 321. Concordat signé avec le Légat du Pape.. £130 Champion del. Lith: de C. Motte. [n.d. c.1826.] 'He will be worthy of Francee.' A fanciful scene of the Lithograph with very large margins. Sheet 444 x Emperor Napoleon at his wriiting desk, distracted by 595mm (17½ x 23½"). £220 his young son who sleeps wiith his head in Napoleon's lap. The boy's hand is on his toy sword; a gun and a drum lie on the floor. Maria LLouisa looks on. This print was probably published while Napoléon On 5 May 1808, Carlos IV of Spain abdicated his François Charles Joseph Bonaparte was in exile in rights to the throne of the Sppains and Indies in favour Austria, the great hope of the Bonapartiste faction. of Napoleon I in accordance with the Treaty of However he died of tuberculosis in 1832. Bayonne which he signed that very day. Stock: 36063 Published in A.V. Arnault's 'Vie politique et militaire de Napoléon', Paris, 1822-1826. 325. Napoleon Receiving the Sword of Stock: 30827 General Mack, on the Capitulation of Ulm. Engraved byy Mr. George Cruikshank, from the 330. Traité de Leoben. Original design of Swebach, Published at Paris. G. le Thiere pinx. (exposition de 1806.) N: H: Jacob Published Dec. 29. 1824, by John Fairburn, Broadway, del. Litho: de C. Motte, rue de marais. [n.d. c.1826.] Ludgate Hill. Lithograph with very large margins. Sheet 444 x Hand-coloured aquatint. 210 x 280mm. 8¼ x 11". 596mm (17½ x 23½"). £120 Folds as published. Very cut at right. £95 The Treaty of Leobon was siigned on 17 April 1797 by The surrender of Karl Freiherr Mack von Leiberich Napoleon Bonaparte. It was a preliminary accord that (1752-1828), the Austrian soldier who capitulated to contained many secret clauses, in which Austria would Napoleon's Grande Armee in the Battle of Ulm in lose the Austrian Netherlandds and Lombardy in 1805. exchange for the Venetian teerritories of Istria and From "The Life of Napoleon Bonaparte". Cohn: 435. Dalmatia. Stock: 26480 Published in A.V. Arnault's 'Vie politique et militaire de Napoléon', Paris, 1822-1826. 326. Réception par l'Institut. Stock: 30818 Chamption del. Litho. de C. Motte rue des marais. [n.d. c.1826.] Lithograph with very large margins. Sheet 444 x 596mm (17½ x 23½"). Small tear into lower edge.£2220 A reception for the reopening of the Académie Francaise. It was officially established in 1635 by Cardinal Richelieu and suppressed in 1793 during the French Revolution. It was restored in 1803 by Napoleon. Published in A.V. Arnault's 'Vie politique et militaire de Napoléonn', Paris, 1822-1826. Stock: 30832

327. Le Sentinelle endormie. Grenier del. Litho. de C. Motte. [n.d. c.1826.] Lithograph with very large margins. Sheet 444 x 596mm (17½ x 23½"). £160 Napoleon holding a rifle awaking a sleeping guard. 331. Napoleon visitant ll'atélier de David. Published in A.V. Arnault's 'Vie politique et militaire Norblin del. Litho. de C. Mootte. [n.d. c.1826.] de Napoléonn', Paris, 1822-1826. Lithograph with very large margins. Sheet 444 x Stock: 30830 596mm (17½ x 23½"). £320 Napoleon and Josephine visiiting the studio of David. 328. Visite au Tombeau du Grand Frédéric. There was great fanfare when David announced the Leoilly del. Litho. de C. Motte. [n.d. c.1826.] completion of his picture. The royal couple, Lithograph with very large margins. Sheet 444 x accompanied by a large entouurage from the court, 596mm (17½ x 23½"). £130 made a special visit to the arttist's studio to see the work After Napoleon's victory at Jena, he marched to Berlin on 4 January 1808. It was ann official display of royal and on 26th October paused at Postdam to visit the paatronage with music and a cavalry escort for the tomb of Frederick the Great, accompanied by Duroc, paarade of carriages. Pleased wwith David's work and Berthier and the Count of Segur. Napoleon greatly overwhelmed by the realism of the enormous canvas, admired the great emperor for his effective Napoleon exclaimed, "What truth! This is not a management and military strength, particularly during paainting, I can walk in it!" Surrounded by his court and the Seven Years' War. all those assembbled, the empperor continued: "Well Published in A.V. Arnault's 'Vie politique et militaire done, David, very well done!! You have correctly de Napoléonn', Paris, 1822-1826. guessed my own intention in representing me as a Stock: 30820 French knight [chevalier français]. I am grateful to you for having given future generrations proof of my 329. Traité de Bayonne. affection for the woman with whom I share the burdens Demais del.t Lith: de C. Motte. [n.d. c.1826.] of government." Lithograph with very large margins. Sheet 444 x Published in A.V. Arnault's 'Vie politique et militaire 596mm (17½ x 23½"). £140 de Napoléon', Paris, 1822-1826. Stock: 30816 332. Vue Intérieure de L'Assemblée du the Old Guard decide to burn their battle flags and Champ-de-Mai au moment de la Présentation eagles and to drink the ashess after mingling them with des Drapeaux. some wine. The third plate witnesses a rapturous Martinet delin. Jazet Sculp. A Paris, chez Ostervald reception for Napoleon on the streets of Grenoble upon l'ainé, Editeur, Rue de la Parcheminerie, No.2, chez his return to France; the finall plate sees a peasant Boieldieu Editeur, Rue Amelot, No.2. woman falling at the feet of Napoleon outside her Etching and aquatint, 345 x 495mm. 13½ x 19½". £2240 house in the 'barrière de Chaarronne', Paris, which the Napoleon Bonaparte, on steps of imperial tribune in Emperor visited on 7 May 1815. Paris during the 'Hundred Days' in 1815 when he Aware of rumours he was about to be banished to a returned to France from exile on Elba, saluting the remote island in the Atlantic Ocean, Napoleon escaped colours. In the foreground and in the right background, from Elba on 26 February 1815. He landed at Golfe- stands packed with onlookers, arms raised in salute. Juan on the French mainland, two days later. The 5th Six line desccription below image. Regiment was sent to intercept him and made contact After Pierre Martinet (1781 - 1815?). just south of Grenoble on 7 March 1815. Napoleon Stock: 12239 approached the regiment alone, dismounted his horse and, when he was within gunshot range, shouted, 'Here I am. Kill your Emperor, if you wish.' The soldiers responded with, 'Vive L'Empereur!' and marched with Napoleon to Paris; Louis XVIII fled. Description below images. Published by Aaron Martinett (1762 - 1841). Stock: 12246

335. Grand Entry of the Allied Sovereigns into Paris, on the 31, March, 1814. Published by R. Bowyer, Palll Mall, 1816. Hand-coloured aquatint. Platte 298 x 398mm. 11¾ x 15¾". Crease into upper platte area, time staining. £75 The Allies entering Paris, a propaganda coup that was a 333. Seconde Vue du Champ-de-Mai & de la significant step towards the ffirst abdication Napoleon Prestation du Serment par les Troupes. Bonaparte, April 1814, after which he was exiled to Elba. Martinet, del. Allix, Sculp. Depose. [Paris: Ostervalld, From "An illustrated Recordd of Important Events in the c.1815.] Annals of Europe" by R. Bowyer. Etching and aquatint, 345 x 490mm. 13½ x 19¼". Stock: 28169 Tatty and chipped upper margin. £240 Troops sweaaring an oath of allegiance to Napoleon Bonaparte in Paris during the 'Hundred Days' in 1815 336. Prise de Pavie. when he returned to France from exile on Elba. He Grenier del. Litho: de C. Mootte, R. des Marais. [n.d. stands on a pedestal at centre, surrounded by his c.1826.] entourage. Lithograph with very large margins. Sheet 444 x Before publication line. Eight line description below 596mm (17½ x 23½"). £180 image. The arrival of Napoleon and his troops at Pavia, northern Italy, who took connttrol from the Austrians in After Pierre Martinet (1781 - 1815?). Stock: 12245 1796. Published in A.V. Arnault's 'Vie politique et militaire de Napoléon', Paris, 1822-1826. 334. Les Adieux de l'Empereur à son Armée à Stock: 30786 Fontainebleau le 20 avril 1814. [&] Les Aigles Brûlés - Dédié aux Braves de la Patrie. [&] 337. Entrée des Françaaiis Dans le Piémont. le Les Portes de Grenoble Apportees aux Pieds de 20 Frimaire, an 7.e. l'Empereur par les Habitants. [&] Trait de Duplesi-Bertaux inv. & del. Desault Sculp. [Paris: Bonté de l'Empereur. Auber, 1804.] A Paris chez Martinet Libraire, Rue du Coq St. Etching. 235 x 300mm (9♀ x 11¾"). £95 Honoré, No.13. [Also 'Ostervald l'ainé, Rue du Pont The Treaty of Paris (1796), giving the French army de Lodi, No.3 and 'Boyeldieu, Rue Amelot, No.2' to free passage through Piedmont to attack Italy. fourth plate.] [n.d., c.1815.] Published in the 'Collection complète des tableaux Set of four etchings with aquatint, each c.265 x historiques de la révolution ffrançaise'. 370mm. 10½ x 14½". £240 Stock: 28237 A chronological series depicting Napoleon Bonaparte's final days before his exile to Elba, and then his 338. Le Polonais à Milan. Le général Jean triumphant return to France during the 'Hundred Dayys' Henri Dombrowski donnant lecture de sa in 1815. In the first plate Napoleon stands at the centre proclimation aux Polonais le 20 Janvier 1979 of the courtyard of the Palace of Fontainebleau and bids farewell to his tearful Old Guard. In the second (1.er pluvoise an V) devant les premiers soldats de la légion polonise d'Italie, rennis sur la plaace Published in A.V. Arnault's 'Vie politique et militaire du Dôme de Milan. de Napoléon', Paris, 1822-1826. Elie Tremo del. W.A. Le Petit sc. [Paris, n.d., c. 1840.] Stock: 30806 Steel engraving. Sheet 185 x 270mm, 7¼ x 10½". £65 A parade of the Polish Legions under Jan Henryk 341. Entrée Triomphante des Français Dans Dąbrowski, in front of the Duomo di Milano (Milan Rome, le 27 Pluviose An 6.e de la République. Cathedral). Giardet inv. & del. Berthaultt Sculp. [Paris: Auber, After the Third Partition of Poland (1795), many Poles 1804.] believed that Poland's best chance of reunification lay Etching. 280 x 330mm (11 x 13"). Some spotting. £95 with the support of Revolutionary France, so fought for The triumphant entry into Rome by French forces France and Napoleon right up until Waterloo. Here (1797). They were driven out of Italy by the Russians they were fighting the Austrians for control of Italy. and the Austrians in 1799, but Napoleon retook Rome From a painting in the collection of Leonard Chodzko in 1801. (1800-71), a Polish historian active in the November Published in the 'Collection complète des tableaux Uprising of 1830 and the Great Emigration that historiques de la révolution ffrançaise'. followed it. Stock: 28234 Stock: 21336 342. Retour de Moscouu. M...del. Litho: de C. Motte. [[n.d. c.1826.] Lithograph with very large margins. Sheet 444 x 596mm (17½ x 23½"). Repaaiired tears in lower edge. £240 Napoleon's withdrawal from Russia, following the French Invasion of Russia in 1812, which was a turning point during the Nappoleonic Wars. It resulted in a decisive Russian victory and the destruction of the French Allied army. Published in A.V. Arnault's 'Vie politique et militaire de Napoléon', Paris, 1822-1826. Stock: 30797

343. Alliance avec la reppublique de St. Marin. 339. Le Polonais à Rome. Le général Charles Boulanger d'apres Aubry. Littho de C. Motte rue de Kniaziewicz occupant le Capital Romain, et y marais. [n.d. c.1826.] établissamt le quartier général de la l130gion Lithograph, with very large margins. Sheet 444 x polonaise d'Italie le 3 Mai 1798, (14 floréal an 596mm (17½ x 23½"). £240 VI de la république). When Napoleon I had complleted his conquest of Michel Sckolnicki del. W.A. Le Petit sc. [Paris, n.d., c. Northern Italy and began to push his armies towards 1840.] the edges of the norther territtories of the Papal State, Steel engraving. Sheet 185 x 270mm, 7¼ x 10½". £65 San Marino found itself forceed to choose between A parade of the Polish Legions under Karol maintaining the alliance with the Papal State or Kniaziewicz, in the Piazza del Campidoglio, Rome, creating a new one with France. One of the Regents, after the French & Poles occupied the city in May Antonio Onofri, managed to gain the respect and 1798. friendship of Napoleon, and so Napoleon issued orders After the Third Partition of Poland (1795), many Poles that exempted San Marino's ccitizens from any type of believed that Poland's best chance of reunification lay taxation and gifted them 1,000 quintals of wheat and with the support of Revolutionary France, so fought for four cannons. The state was rrecognised by Napoleon France and Napoleon right up until Waterloo. Here byy the Treaty of Tolentino, 1797 and by the Congress they were fighting the Ausstrians for control of Italy. of Vienna in 1815. From a painting in the collection of Leonard Chodzko Published in A.V. Arnault's 'Vie politique et militaire (1800-71), a Polish historian active in the November de Napoléon', Paris, 1822-1826. Uprising of 1830 and the Great Emigration that Stock: 30817 followed it. Stock: 21337 344. Napoleon and His Army, Effecting the Wonderful Passage of the Alps, at Mount St. 340. Confédération du Rhin. Bernard. Litho de C. Motte. [n.d. c.1826.] Engraved by Mr. George Cruikshank, from the original Lithograph with very large margins. Sheet 444 x design of C. Vernet, executed at Paris, by I. Duplessi 596mm (17½ x 23½"). £220 Bertaux. Published July 1. 1823, by John Fairburn, The Confederation of the Rhine, a confederation of Broadway, Ludgate Hill. client states of the First French Empie. It was formed Hand-coloured aquatint. 2100 x 285mm. 8¼ x 11¼". initially from 16 German states by Napoleon after he Folds as published. Cut to image on right. £160 defeated Austria's Francis II and Russia's Alexander I. The confederation lasted from 1806 to 1813. Napoleon annd his army crossing through the Great St Will.m Rubidge. Taken at St. Helena in Bernard Pass in 1800 to Italy. Presence of Countess Berrtrand, Count From "The Life of Napoleon Bonaparte". Cohn: 435. Montholon &c.&c.&c. Stock: 26478 W. Rubidge pinx.t H. Meyerr sculp.t London, Published Aug.t 20. 1821, by Henry Meeyer, 3 Red Lion Square, 345. Bonaparte at St. Helena. High Holborn. London, Published by Thomas Kelly, Paternoster Row, Stipple and engraving, large paper. Plate 330 x Dec.r 14, 1816. 265mm. 13 x 10½". £230 Engraving. Plate 203 x 254mm. 8 x 10". £70 Napoleon I, Emperor of France (1769-1821) on his Napoleon on his horse on the island of St Helena where deathbed. he was sent to live in exile in 1815; possibly William William Rubidge was the onnlly professional artist who Balcombe on a horse lower down the cliff, a friend of paainted Napoleon while in captivity, and also sketched Napoleon annd inhabitant of Saint Helena, but a the dead emperor on his deatthbed. Ex Collection: friendship thhat ended in 1818 when British authorities William Fitzwilliam Burton [1796-1844], of Burton became suspicious that Balcombe had acted as an hall, Carlow; Eire, landowner. intermediary between Napoleon and Paris, and Stock: 21098 dismissed him from the Island. Stock: 22915 349. Napoléon. [by Innocent Louis Goubaud.] Lith de Jean-Baptiste Joubard No.4. [n.d., c.1825.]] Lithograph with very large margins, rare. Printed area 260 x 340mm (10¼ x 13½").. Tear in top edge, foxed. £260 Napoleon Bonaparte having a picnic on St Helena, an aide filling a cup from a small waterfall. A pair of soldiers watch from above. Stock: 35979

350. Napoléon. [by Innocent Louis Goubaud.] Lith de Jean-Baptiste Joubard No.3. [n.d., c.1825.]] Lithograph with large margins, rare. Printed area 260 x 340mm (10¼ x 13½"). Tear in top edge, foxed. £260 346. [St Helena] Tomb of Buonaparte as Napoleon Bonaparte lying in state on St Helena. Compleated in June, 1821. Stock: 35978 [Painted by John Kerr, engraved by Robert Havell & Son.] [London: Colnaghi & Co, 1822.] 351. Tombeau de Napooléon le Grand. Mort à Coloured aquatint. Sheet 255 x 360mm (10 x 14¼"). l'Ile St Hélëne, le 5 Mai 1821. Trimmed within plate. £230 [after Octave Tassaert.] à Parris chez Dubreuil, Rue Napoleon's first grave, where he was interred after his Zacharie, No. 8. Déposé. [n.d., c.1832.] death on the 5th May 1821, in a plot four miles uphill Aquatint. 360 x 255mm (14¼ x 10"). Trimmed to from James Town. In the background is the peak of pllate. £130 Flag Staff Hill. In the far left is a well from which A fanciful scene of the tomb of Napoleon on St Napoleon was supplied with fresh water; a Chinese Helena, with officers paying their respects. This servant collected two silver ewers of water every day monument is close to the sea, with portrait frieze and to take to Lonngwood. The artist, John Kerr, was imperial insignia; it reality the tomb was in a secluded paymaster to the 66th Regiment, which had garrison spot inland, just slabs level with the ground, duty guardinng Napoleon on St Helena from 1816. surrounded by an iron fence. Abbey: Travel 316.3. Stock: 36065 Stock: 33823

352. Ile Ste. Helene. 347. Napoleon at St Helena. Martinet del. Lith. de C. Mottte. [n.d. c.1826.] London, Published by Thomas Kelly, Paternoster Row, Lithograph with very large margins. Sheet 444 x Dec.r 14th 1816. 596mm (17½ x 23½"). £280 Engraving. Sheet 200 x 265mm (8 x 10"). Trimmed The island of Saint Helena in the Atlantic Ocean where within plate. Slight staining. £35 Napoleon was exiled. A slightly romanticised scene of Napoleon on a galloping horse, riding uphill apparently Napoleon with his generals, aand army troops; a woman trying to evade his escort. and two children behind. Stock: 35989 Published in A.V. Arnault's 'Vie politique et militaire de Napoléon', Paris, 1822-1826. 348. Napoleon ut in morte recumbit. Stock: 30810 Dedicated with Permission to the Countess Bertrand By her obliged and most obed.t Serv.t 353. Napoléon. Easy, was published in 1836,, filmed in 1936 with [by Innocent Louis Goubaud.]. Lith de Jean-Baptiste Hughie Green as Easy. Joubard No.1. [n.d., c.1825.] Stock: 30930 Lithograph with large margins, rare. Printed area 260 x 340mm (10¼ x 13½"). Foxed, edges creased. £260 356. Esposizione Funebre Napoleone A moonlit scene of Napoleon Bonaparte's tomb on St Bonaparte Nel suo Letto di Campagna / Morto Helena, with soldiers guarding. a S Elena il 5 Maggio 1821 Stock: 35977 Presso Gio. Batta. Guerazzi Livorno. Stipple and etching with very large margins, platemark 354. [St Helena.] View taken from the Road 235 x 155mm (9¼ x 6"). Staaiining; very rare. £160 leading Towards the Plantation House. Unusual print published in Livorno, Italy, of Napoleon [Painted by John Kerr, engraved by Robert Havell & on his death bed on St Helena, receiving the last rites Son.] [London: Colnaghi & Co, 1822.] from Abbé Ange Vignali shortly before his death in Coloured aquatint. Sheet 260 x 350mm, 10¼ x 13¾". 1821. Vignali took a numberr of Napoleon's personal Trimmed within plate, repaired tear and repaired holes. affects back to his home in Corsica, including a copy Faded. £120 of the Emperor's will, his waistcoat, some hair, a pair Plantation House, the official residence of the of his breeches, and most controversialy his penis! The Governor of Saint Helena, built by the East India collection was sold by Vignali's family to Maggs company in 1791-2. Brothers of Londn on in 1916. see Bess Lovejoy, 'Rest in Plate 5 from the rare 'Series of Views in the Island of Pieces: the Curious Fates off Famous Corpses'. St Helena' by John Kerr, Paymaster to the 66th Stock: 35937 Regiment, which had garrison duty guarding Napoleon on St Helena in 1816. 357. A View & Plan of Longwood House, St. Stock: 22000 Helena. The Residence of Napoleon Bonaparte. No.13 of R. Ackermann's Repository of Arts &c. Pub. Jany. 1 1817 [101 Strand, London]. Hand coloured etching with aaquatint, sheet 240 x 150mm. 9½ x 6". £60 Napoleon Bonaparte died, reeportedly of stomach cancer, on 5 May 1821 after six years in exile on the Atlantic island of Saint Helena. His body was buried first in the grounds of Longwood, his residence on the island, before being brought back to France in 1840 to bee ceremoniously reburied in Les Invalides. Numbered 'Plate 3, Vol. III', for Rudolph Ackermann's 'Repository of Arts' periodical, published from 1809- 1829. The formal title of the publication was "Repository of Arts, Literature, Commerce, 355. The Tomb of Bonaparte. Who was Manufactures, Fashions, and Politics", and it discussed Interr'd, at his own request, under some and illustrated day to day life, and influenced English taste in fashion, architecture and literature. Willow Trees, near a Spring from which / he Stock: 18981 daily sent for the Water used at his Table _ taken by Capt. Marryat, R.N., 358. The Tomb of Napoleon. Capt. Marryat, R.N. del.t. T. Sutherland sculp.t. Sketched Etched & Published by G. Cruikshank. [n.d. [London, Published July 20, 1821, by S. & I. Fuller, c.1830.] 34, Rathbone Place.] Etching. 204 x 254mm. 8 x 10". £45 Coloured aquatint, rare, printed on J. Whatman paper. A collection of images surround the central image of Sheet 300 x 395mm (11¾ x 15½"). Trimmed within Saint Helena. The pictures depict Napoleon I on his plate, losing publisher's inscription. £230 steed, a successful stance hollding the French standard, The tomb of Napoleon I on Saint Helena, a plain stone two eagles, and an image of JJosephine holding her slab within a fenced enclosure guarded by a soldier, sceptre. See BM: 1891,1117.438 [for original drawing with two on-lookers and a tent outside the perimeter. of the study of the rocks.] The artist, Captain Frederick Marryat (1792-1848), Stock: 16770 joined the Navy in 1806 as a midshipman on board Lord Cochraann's frigate HMS Imperieuse; in 1820 he 359. Les clefs de Vienne. visited St Helena, sketching Napoleon on his deathbed Girodet pinx.t Lith: de C: Motte. [n.d. c.1826.] and bringing back dispatches announcing the death of Lithograph with very large margins. Sheet 444 x Napoleon; and in 1824 he took part in the Anglo- 596mm (17½ x 23½"). £220 Burmese war, publishing a book of scenes of the The handing over of the keys of Vienna to Napoleon at campaign. He left the Navy in 1830 to devote himself the Schonbrunn Palace, as part of the 1805 treaty of to writing: his most famous novel, Mr Midshipman friendship and co-operation, which was signed at the From a series of prints portraying the members of palace. Napoleon's campaign in Egypypt. Published in A.V. Arnault's 'Vie politique et militaire Stock: 31237 de Napoléonn', Paris, 1822-1826. Stock: 30836 364. N. Baudin, Capitaine de Vaisseay, Commandant en chef l'Expedition, entreprise 360. Portraits of two Great Friends / Portraits en l'An IX, pour des recherches relatives aux de deux Grands Amis. An Allegorical Puzzle, Sciences et aux Arts [...] invented by Mr Orme Engraver to the King Dessiné d'après Nature par Joseph Jauffret; et Gravé &c. paar Mecou. [n.d., c.1803.] Puv & sold by Mr. Orme, 118 New Bond Str.t & E Stipple, very rare. 200 x 140mm (8 x 5½"). Slight Orme, 59 corner of Brook Str. Oct. 17 1801____Price horizontal crease; trimmed to platemark. £220 1 Shilling. Nicolas-Thomas Baudin (1754-1803) was a French Engraving, sheet 125 x 85mm (5 x 3¼"). Trimmed on explorer, cartographer, naturralist and hydrographer, platemark two sides; glued to backing sheet. Very rare. beest known for his expedition to map the coast £360of Puzzle print with silhouette profiles of George III and Australia, 1800-3. While stopped at the British colony Napoleon, during a short-lived peace in the Napoleonic at Sydney for supplies he prepared a report for Wars. Napoleon on a potential French attack on the colony. Stock: 33192 He named the coastline from Wilson's promantory to Cape Leevwin "Terre Napoleon". He died of Tuberculosis at Mauritius in 1803 aged 49. Verses below celebrating his achievements and how he will be celebrated alongside Cook and Bougainville amongst the great explorers. Not in Kivell & Spence. Stock: 31831

365. [Austria] The R:H:ye Archduke Charles, late commander of Austrian Armies. born A.D. 1771. London, Publish'd Oct.r 28 1800, by R. Cribb, No.288 High Holborn. Price 2' 6. Stipple engraving, 228 x 178mm. 9 x 7". £160 Archduke Charles of Austria, Duke of Teschen (1771- 1847) was an Austrian field-mmarshal. He was a 361. [The Shade of Napoleon.] commander and a reformer of the Austrian army; [n.d., c.1830.] "late" Commander of the Austrian Armies refers to a Lithograph, uncut. 252 x 352mm. 10 x 14". Small stain peeriod when he briefly retireed due to ill health but was spot outside title area left. Vertical crease down right- quickly recalled to undertake the defence of Vienna. hand side. £180 He was compared to Wellington for his skills as a Spot the ghostly silhouette of Napoleon by his grave on strategist and considered to be one of Napoleon's most the Isle of Elba. formidable opponents. Stock: 19762 Stock: 17170

362. Spooner's Protean Views, No. 21. 366. [Austria] Franciscuus II. Rom. Imperator. Napoleon at the Battle of Wagram, Changingg Hungariae Bohemiae &c. Rex. Archidux to The Conflagration of Moscow. Austriae &c.&c. London, William Spooner, No. 337 Strand. [n.d., Joh. Ziterer pinx.t F.V. Durmer sculp.t a Vienna chez c.1840.] Artaria & Compp. [n.d. c.1820.] Coloured lithograph, 150 x 170mm, trimmed and laid Stipple with very small margins. Plate 285 x 202mm on card with title label, backed with tissue, as issued. (11¼ x 8"). Very slight foxing to edges. £160 £220 Francis II (1768-1835) was tthhe last Holy Roman The scene changes when held up to a light source. Emperor, ruling from 1762 until 1806, when he Stock: 5701 dissolved the Empire after the disastrous defeat of the Third Coalition by Napoleon at the Battle of Austerlitz. 363. H. Reedouté. In 1804, he had founded the AAustrian Empire and Dutertre. [n.d. c.1811.] beecame Francis I, the first Emperor of Austria; he also Engraving and etching, rare. Plate 115 x 102mm (4½½ x served as the first president of the German 4"). £90 Confederation following its establishment in 1815. Henri Joseph Redouté (1766-1852) the painter who Provenance: Elizabeth Annee Hippisley of Ston Easton. was a member of the Committee on Science and the Stock: 29453 Arts during Napoleon's Egyptian Campaign (1798- 1799). Stipple. 330 x 242mm. 13 x 99½". Trimmed to the pllatemark. £110 Antonie-François Andreossy (1761-1828) was a French general and diplomatt of noble and Italian descent. He served under Naappoleon during the French Revolutionary Wars and accelerated through the ranks until in 1800 he was made Général de Division after assisting Napoleon during thhe 18 Brumaire Coup. After various artillery appointmentts he was made Ambassador to Britain, the Austrian Empire and the Ottoman Empire until in 1809 he was created a count of the First French Empire. On the fall of Napoleon he was called back to France and held high military administrative offices after the Bourbon Restoration, beeing elected to the Chamberr of Deputies in 1827. Ex Norman Blackburn Collection. Stock: 18705

370. [France] Le Général Ferdinand, Baron de Geramb, &c. &c. &c. Huet Villiers pinx.t. N. Schiavonetti sculp.t. [n.d., c.1810] Stipple, rare. Sheet: 170 x 230mm, (6¾ x 9"). Trimmed within plate. £130 A half portrait of Ferdinand de Garamb (1772-1848) an 367. [Austria] Denkmal des Andreas Edlen aristocrat and soldier who aided the allies of Europe von Hofer Oberkomandanten in Tirol im Jah against Napoleon, he later became a Trappist Monk. 1809... [&] Der Fahnen Schwur der Tiroler The origins of de Garamb are unknown as historians Landesvertheidiger. Basrelief zu Hofers have been unable to trace dettails of his birth. Stock: 35674 Denkmahl von Prog. Klieber in Wien. J. Benz. [&] Hans Macler del. [n.d., c.1820 & 1830.] Two lithographs, one sheet 265 x 200mm, 10½ x 8", 371. [France] Il General Dugoumier. the other 235 x 380mm, 9¼ x 15". First one top margin in Napoli presso Talani e Geervasi al Gigante. No.37. browned and frayed, affecting the edge of image, the [Italian, c.1795.] second laid on album paper. £250 Engraving, 200 x 135mm. 8 x 5¼". £75 Two lithographs of monuments to Andreas Hofer Portrait of Jacques François CCoquille, named (1767-1810), the Tyrolean innkeeper who led a Dugommier (1738 - 1794), French general, in a rebellion against Napoleon's forces in 1809, captured circular frame, vignette of a ffortress below. Dugommier entered service iin 1759 in the defence of and executed in 1810. Stock: 14192 Guadeloupe against the Engllish and fought in Martinique in the Seven Years' War. He joined the Revolutionary cause, and while a Deputy in the French 368. Carlo Denina. Convention, succeeded General Jean François Carteaux Engraved byy Tho.s. Trotter of London & Published as as commander of the army beesieging Royalist and the Act directs. Nov.r. 30 1781. British forces in Toulon. Recognizing that the attack Engraving, rare. Sheet: 135 x 185mm, (5½ x 7¼"). pllan of a artillery major nammed Napoleon Bonaparte Trimmed within plate. Laid on album sheet. £160 was the correct one, in December 1793 he brought the Half portrait in profile of Italian historian Carlo Siege of Toulon to a successfful conclusion. In January Giovanni Maria Denina (1731-1813). Original from 1794, Dugommier was named head of the Army of the Turin Denina wrote several books on history, in 1782 Eastern Pyrenees. he moved to Berlin on the invitation of Frederick the Stock: 15441 Great and then in 1804 he took up the post of imperial librarian in Paris on the invitation of Napoleon. Manuscript below the portrait states 'Of Turin where I 372. [France] Louis Hennry de Bourbon Duc knew him in 1764. he came afterwards into England'. d'Enghien. Stock: 35727 Painted by Villiers Huet. Engraved by Anth.y Cardon. London, Published 1804 by Anth.y Cardon, No 32 369. [France] Andreossy. Déposé à la Clipstone Street, Fitzroy Square. Bibliothèque Nationale le 15 Prairial, an onze Stipple. Sheet 290 x 235mm (11½ x 9¼"). Trimmed within plate. £120 an 9 de la Répl.que Fran.se Oval portrait of the Duc d'Enghien in ceremonial Drawn by J. Guerin and engraved by Anth.y Cardon. à military dress, with a border of trophies. Paris, chez A.A. Renouard Rue Andrés des Arcs. Louis-Antoine-Henri de Bourbon-Condé (1772-1804), No.42. [n.d. c.1800.] Duke d’Enghien, was falsely accused of involvement in a coup against Napoleon in 1804. Nappoleon sent 376. [France - Louis Philippe instructing his troops over the Rhine on a covert mission to kidnap the children at Orleans Housse.] Duke. He was taken to the Château de Vincennes neaar pinx: Chretien del. IImpie. Lithogque. de C. Paris, where the evidence was proved false. Napoleon Motte. [n.d., c.1830.] then altered the charges, accusing him of being in the Lithograph, proof before title, image 390 x 510mm. pay of the British government. Less than a week after £220 his arrest he was shot in the ditch around the chateau. An interior scene of domesticcity at Orleans House, The execution of such a prominent noble shocked Twickenham, fef aturing at itss centre the house's most Europe, bringing back memories of the Terror, and famous resident Louis Philippe, Duc d'Orleans (1773 - most of European royalty would never trust Napoleon 1850). Forced into exile from France in the period again. Joseph Fouché said about his execution 'C'est leading up to Napoleon's deffeat at Waterloo, Louis pire qu'un crime, c'est une faute' ('It was worse than a Philippe made this house hiss home in London between crime; it was a blunder'). 1815 and 1817. Attracted too the tranquillity of the area Stock: 36196 he wrote to a friend: 'I bless heaven, noon and night that I am in my peaceful house in old Twick'. In 1844 373. [France] 46.ème Grand Maitre des he returned to England as Kiinng of the French, and Templiers. S.P.E.P. Elu le 4 Novembre 1804. visited his former residence accompanied by Queen [&] Souverain Pontife et Patriarche de la Victoria. Religion Chrétienne primitive. G.M.D.T. The pupils are portraits of his children. F.A. Lecler 1832. Lith d'A. Didion. A Paris, chez A.lle Stock: 8065 Didion, Quai Conti No.5. [n.d., 1833.] Pair of coloured lithographs, very scarce. 410 x 290mm, 16 x 11½". Several tears in edges of the papeer and all over paper discolouration. £280 Two portraits of Bernard-Raymond Fabré-Palaprat, one in the uniform of Grand Master of the Knights Templar, thee other as Patriarch of the Johannite Church of Primitive Christians. Fabré-Palaprat (1773-1838)), a Catholic priest turned chiropodist (because of the Revolution), who founded a revival of the Knights Templar called l'Orde du Temple and the Johannite Church in 1805. He claimed that it had been a secret continuation of the original Order which had gone underground upon its disolution in the 14th century. With the approval of Napoleon Boneparte the order spread quickly through the French empire, but internal divisions caused it to collapse after Fabré-Palaprat's death. However his church still exists as the Apostolic Johannite Church. Stock: 20872

374. [France] Mr. Le Cte. De Flahault. Lieutenant General. George Hayter pinxt. W. Sharp Lith. Lith. de Lemercier. [Paris, c.1835.] Lithograph on india laid paper, india 355 x 275mm. 14 x 10¾". A fine impression. £90 Auguste Charles Joseph de Flahaut de La Billarderie, Comte de Flahaut de La Billarderie (1785 – 1870) was 377. [France] Louis XVIII Roi=de France. a French general and statesman. He was the lover of Engraved by James Ward Painter and Engraver in Napoleon Bonaparte's step-daughter, Hortense de Mezzotinto to His Royal Highness the Price of Wales. Beauharnais, Queen of Holland, by whom he had an London. Pub.d Sep.t 20 1795, by James Ward, No 13, illegitimate son, Charles Auguste Louis Joseph Southampton Row, Paddingtton. Demorny, known later as the Duc de Morny. Mezzotint, proof with open lletters. 630 x 455mm. Top Stock: 12378 margin chipped. £480 Louis-Stanislas-Xavier (1755-1824), younger brother 375. [France] [Marquis de Lafayette]. of Louis XVI, declaring himsself Louis XVIII after the [n.d. c.1800]. death of his nephew in a Revolutionary prison. Only Stipple engraving, proof before all letters. 220 x after the fall of Napoleon in 1815 could be claim his 155mm. Trimmed to plate. £160 throne. Frankau 54, this statte not listed. Ex: Collection Marie Joseph Paul Yves Roch Gilbert du Motier, of The Hon. C. Lennox-Boyd. Stock: 6449 Marquis de Lafayette [1757 - 1834]. Stock: 244 378. [France] Le Père Des Français. 381. [France] Monge. Semblable au bon Henri, sa vie est à l'État, son Hesse. J. Lith de Delpech. [Paris, c.1825.] coeur à ses Sujets. Lithograph, sheet 500 x 330mm. 19¾ x 13". £120 Déposé. A Paris, chez Charon, rue St Jean de Gaspard Monge, Comte de Péluse (1746 – 1818) was a Beauvais, N° 26, et chez Bance aîné, Md. d'Estampes, French mathematician and inventor of descriptive rue Saint Denis N° 214 [1816]. geometry, which allows the rrepresentation of three- Scarce stipple and etching, first state, 345 x 265mm. dimensional objb ects in two dimensions, by using a 13½ x 10½". Slight crease through lower left of plate. specific set of procedures. He accompanied Napoleon Wide margins. £220 Bonaparte's expeditions to Eggypt and Syria. W: 2038-3 Louis XVIII King of France (1755 – 1824), sitting at Stock: 16376 his desk in his study, writing a “méditation sur le bonheur de la France”; in a circular frame surmounteed 382. [France] Victor Moreau Général en chef by the allegorical image of a pelican feeding chicks on de Rhin. Né à Morlaix, en 1763. a nest. Emblems of the garde royale and the garde Gravé D'après le Dessin original de Girard. [Paris: nationale flanking the medallion, which in turn is Auber, 1804.] positioned above a pediment with bas-relief showing Mezzotint and etching. 430 x 285mm (17 x 11¼"). the changing of the guard and inscribed “Il Veille Pour £120 Nous, Veilloons Pour Lui” ("He watches over us, we Oval mezzotint portrait of Viictor Moreau (1763-1813), watch over him"). surrounded by an etched bordder and a scene of the An interesting piece of royalist propaganda published Battle of Hohenlinden, 1800,, which helped end the when Louis XVIII had been on the throne for less than War of the Second Coalitionn. However his rivalry with a year since his second restoration following Napoleon forced him into exile in the United States. Napoleon's Hundred Days', in July 1815. Louis XVIII On the outbreak of the War of 1812 he was offered was King of France and of Navarre from 1814 to 1824 command of the U.S. Army, but he returned to Europe, (omitting the Hundred Days). He spent twenty-three where he died at the Battle of Dresden, advising the years in exile during the French Revolution and the Russians on how to beat his native country. Published First French Empire, living in Prussia, the United in the 'Collection complète des tableaux historiques de Kingdom and Russia. la révolution française'. Stock: 22968 Stock: 28221

379. [France] S.M. Louis XVIII Ordonne que la Descripttion de l'Egypte soit continuée et que les Éditions en soient Multiplées. Lafitte del. E. Rubiezze. sc. 1826. Archi.ture Par Bénard. Engraving. 686 x 503mm. 27 x 19¾". Tear into centre left. £290 Bust of Louis XVIII of France (1755-1824) with allegorical representations of the arts and sciences. Louis XVIII went into exile at the beginning of the French Revolution following the decision taken by the French Republic to abolish the monarchy. It was not until 1814 when the coalition armies captured Paris from Napoleon that Louis XVIII was restored to the throne. He ruled during the Bourbon Restoration, but his royal prerogative was reduced substantially by the Charter of 1814. Stock: 20417

380. [France] Louis XVIII Roi=de France. Engraved byy James Ward Painter and Engraver in Mezzotinto to His Royal Highness the Price of Wales. London. Pub.d Sep.t 20 1795, by James Ward, No 13, Southampton Row, Paddington. Mezzotint. 630 x 455mm. Some spotting to margins and inscription area. £520 383. [France] Louis. Philippe. I. Louis-Stanisllas-Xavier (1755-1824), younger brother A. Chenavard invt. Barre Pèrre et Fils scult. Procédé de of Louis XVII, declaring himself Louis XVIII after the Ach. Collas. Se vend à Paris au Bureau de Trésor de death of his nephew in a Revolutionary prison. Onlyy Numismatique et de Glyptique, Rue du Colombier, 30 after the fall of Napoleon in 1815 could be claim his et chez Rittner et Goupil, Booulevart montmartre, 15. throne. Frankau 54, state ii of ii. Ex: Collection of The [n.d., c.1830.] Hon. C. Lennox-Boyd. Line engraving. 617 x 485mm. 24¼" x 19". £180 Stock: 6447 Louis Philippe (6 October 1773 –26 August 1850) was King of the French from 18330 to 1848 in what was known as the July Monarchy. He was the last king to Commissioner for the exchange of prisoners of war. He rule France. Louis Phillippe ruled in an unpretentious was, however, also Napoleon's agent and it was fashion, avoiding the pomp and lavish spending of his through him that Hawkesburry negotiated the Peace of predecessorss. Despite this outward appearance of Amiens, signed 1802. simplicity, his support came from the wealthy middle During the very brief lull in hostilities the painter classes. At first, he was much loved and called the Benjamin West visited Paris,, with introductions from "Citizen King" and the "bourgeois monarch," but his Otto to the most distinguished members of the French popularity suffered as his government was perceived as government. increasingly conservative and monarchical. Under his This extremely rare portrait was painted during his management the conditions of the working classes time in London: St Paul's Cathedral can be seen in the deteriorated, and the income gap widened baackground. Ex: Collection of the Hon. Christopher considerably. An economic crisis in 1847 led to the Lennox-Boyd. citizens of France revolting against their king again the Stock: 7360 following year. On February 24, 1848, during the February 1848 Revolution, to general surprise, King 385. [France] Louis G. Otto, Plenipotentiary Louis Philippe abdicated in favor of his nine-year-old of the French Republick in Great Britain 1801. grandson, Philippe. Fearful of what had happened to F. Jukes ad vivum pinxt. Octt. 1801. S. Phillips Sculpt. Louis XVI, Louis Philippe quickly disguised himself London. Published Jany. 1. 1802, by Saml. Phillips, and fled Paris. Riding in an ordinary cab under the Saville House, Leicester Square. name of "Mr. Smith", he escaped to England. Stipple and engraving. 268 x 203mm. 10½ x 8". £90 According to The Times of March 6, 1848, the King Louis-Guillaume Otto (1753-1754) was a French and Queen were received at Newhaven, East Sussex diplomat. His career started iin the USA as secretary to before travelling by train to London. the Chevalier de la Luzerne. It was in 1800 when he The National Assembly initially planned to accept was appointed to London, firrst as the commissioner for young Philippe as king, but the strong current of public the exchange of prisoners off war and then as minister opinion rejected that. On February 26, the Second pllenipotentiary. He was, however, also Napoleon's Republic was proclaimed. Prince Louis Napoleon agent and it was through him that Hawkesbury Bonaparte was elected President in December; a few negotiated the Peace of Amiens, signed 1802. years later he declared himself president for life and Stock: 15305 then Emperor Napoleon III. Louis Philippe and his family lived in England until his 386. [France.] Général Pichegru. death in Claremont, Surrey. He is buried with his wife, C.H. Hodges, ad vivum Pinxit et Fecit. J. Allart Amelia (April 26, 1782–March 24, 1866), at the Excudit 1795. Chapelle Royale, the family necropolis he had built in Mezzotint with large marginnss, very rare. 420 x 305mm 1816, in Dreux. (16½ x 12"). Repaired tear in left edge, crease in top Stock: 8321 left corner. £380 Jean-Charles Pichegru (17611-1804), a French soldier who briefly served in the American Revolutionary War, and rose through the raanks to become commander-in-chief of Revolutionary France's army of the Rhine-and-Moselle. Unddeer his leadership Belgium and the Netherlands were ovverrun. However, despite coming from peasant stock, he was suspected of conspiring against the Directtory in 1795 and fell from grace. In 1797 he planned the Coup of 18 Fructidor, buut was arrested and deporteed to Cayenne. In 1803 he tried to start a Royalist uprisiing against Napoleon Bonaparte, but was betrayed,, arrested and strangled in his prison cell. Stock: 33011

387. [France] Vivant Deenon. [n.d. c.1825.] Stipple. Plate 133 x 83mm. 5¼ x 3¼". Foxing. £120 384. [France] Monsieur Otto, Minster from Dominique Vivant, Baron de Denon (1747-1825) was a the French Republic, when the Peace was made French artist, writer, diplomat, author and at Amiens, given to Lord Newark, by Gen.l archaeologist. He was appointed the first director of the Paoli. [Old ink mss. on label.] Louvre Museum by Napoleon after the Egyptian [n.d., c.1801.] campaign of 1798-1801. He bbecame a favourite of Stipple and aquatint, proof before letters, printed in Louis XV, who entrusted him with the collection and colours. 560 x 440mm. Very fine. £750 arrangement of a cabinet of medals and antique gems During the French Revolutionary Wars Otto remained for Madame de Pompadour, and subsequently in London under the guise of being the French appointed him attache to the French embassy at St Petersburg. He was then transferred to Sweden, Switzerland and later Naples where he met Sir William 390. [France] Le Baron Denon. and Lady Hamilton. In 1787 he was recalled to Paris Augustin pinx. Fremy del. ett sculp. [n.d. c.1817.] and was admitted a member of the Academie de Engraving and etching. 204 x 132mm (8 x 5¼"). £30 Peinture et de Sculpture. Dominique Vivant, Baron Deenon (1747-1825), French Stock: 26005 paainter, archaeologist and traveller. He had a brilliant career as an artist and diplomat under the ancien 388. [France] Denon. regime, rubbing shoulders wiith the likes of , J. lith. de Delpech. [n.d. c.1825.] Voltaire, and Robespiere. He followed Napoleon on his Lithograph. 216 x 152mm (8½ x 6"). £35 campaign in Egypt and in 18804 became director- Dominique Vivant, Baron Denon (1747-1825), French general of museums, playing a key role in bringing painter, archaeologist and traveller. He had a brilliant foreign masterpieces into the Louvre. His accounts of career as an artist and diplomat under the ancien his travels and his treatise on ancient monuments regime, rubbbing shoulders with the likes of Diderot, contain collections of his engravings. Voltaire, and Robespiere. He followed Napoleon on his Stock: 31232 campaign in Egypt and in 1804 became director- general of museums, playing a key role in bringing 391. [Italy] Ferino. Déposé à la Bibliothèque foreign masterpieces into the Louvre. His accounts of Nationale le 1. Thermidor an 9 de la Répl.que his travels and his treatise on ancient monuments Fran.se contain collections of his engravings. Desiné d’après nature, par J. Guerin et Gravé par Stock: 31230 Elis.th Herhan. à Paris, chez A.A. Renouard Rue Andrés des Arcs. No.42. [n.d. c.1800.] Stipple. Plate 330 x 242mm. 13 x 9½". £110 Pietro Maria Bartolomeo, Count Ferino (1746-1816) was one of Napoleon's Generrals during the French Revolutionary Wars. In 1793 he was made senator of the French Republic as part of the Italian Division. Ex Norman Blackburn Collection. Stock: 18706

392. [Netherlands] Z. E. De Generaal Der Infanterie, Baron Chassé. In de Citadel van Antwerpen, December 18832. Heerenbrood, Lith. Gedeponeerd. Uitgegeven en Gedruckt bij Desguerrois en co. Amsterdam. [n.d., 1840]. Lithograph on india paper. Size: 225 x 320mm. (9 x 12½"). £120 A portrait of David Hendrik,, Baron Chassé (1765 – 1849), standing in a battle field, looking to the right and pointing to the left. In thhe background is a Dutch flag bearing the personal coat of arms of the monarch of the Netherlands and the motto 'Je Maintiendrai', meaning 'I will maintain'. In 1788 Chassé received a commission as a first lieutenant in the royal French army. After the 389. [France] D.e V.t Denon. Denon revolution of 1789 he took paart in the campaigns of the [facsimile.] né à Chalons sur Saône, en 1747, revolutionary French armies as a captain. Chassé mont à Paris le 28 avril 1825. fought both for and against Napoleon and commanded E=Belliau. J.lith de Delpech. [n.d. c.1824.] the Third Netherlands Divisiion that intervened at a Lithograph. 305 x 210mm (12 x 8¼"). Cut close on crucial moment in the Battle of Waterloo. In 1830 he left; slight creasing. £140 boombarded the city of Antwerp as commander of its Dominique Vivant, Baron Denon (1747-1825), French citadel during the Belgian Revolution. painter, archaeologist and traveller. He had a brilliant Stock: 31539 career as an artist and diplomat under the ancien regime, rubbbing shoulders with the likes of Diderot, 393. [Netherlands] General Chassé. Voltaire, and Robespiere. He followed Napoleon on his Lith. v Paalzom, gedr. bei J. Stock in Berlin. campaign in Egypt and in 1804 became director- Eigenthum v. Carl Marz, Jerusalemer str. 56. [n.d., general of museums, playing a key role in bringing 1850]. foreign masterpieces into the Louvre. His accounts of Lithograph. Size: 230 x 280mm. (9 x 11"). £90 his travels and his treatise on ancient monuments A portrait of David Hendrik,, Baron Chassé (1765 – contain collections of his engravings. 1849), standing in a battle field, holding a flag with his Stock: 29650 sword raised. In 1788 Chassé received a commission as a first lieutenant in the royal French army. After the revolution of 1789 he took part in the campaigns of the Naar het leven geschilderd dooor C.H.Hodges.1805. en revolutionary French armies as a captain. Chassé door denzelven gegravd. en Vitgegeven.1806. fought both for and against Napoleon and commanded Amsterdam, op de Prinsegraccht, over het Aalmoesniers the Third Netherlands Division that intervened at a Weeshuis, No.205. crucial moment in the Battle of Waterloo. In 1830 hee Mezzotint in frame. 718 x 4556mm. Chaloner Smith on bombarded the city of Antwerp as commander of its Hodges above "His Manipulaation also was very able, citadel during the Belgian Revolution. the portrait of Schimmmelpennick being generally Stock: 31538 quoted as one of the most exxcellent examples of workmanship in mezzotinto oof feathers, lace, satins, and other textures." £650 Rutger Jan Schimmelpenninck (Deventer, 31 October 1761 - Amsterdam, 15 February 1825) was a Dutch poolitician of the Batavian Reepublic. He studied law at Leiden Unniversity between 1781 and 1784. He became a lawyer in Amsterdam in 1784. He was one of the leaders of thee revolution against Prince William V of Orange, when tthe French army defeated the Dutch in January 1795. He was a member of the Nattiional Assembly (1796 - 1798) and belonged to the moderate unitarians, who were advocates of a central government. He was prresident of the National Assembly and acting head of state of the Batavian Republiic between 17 May 1796 and 30 May 1796 and between 15 May 1797 and 29 May 1797. He was the Batavian (Dutch)) ambassador to France beetween 1798 and 1801 and from 1803 to 1805 and the Batavian ambassador to Great Britain in 1802 and 1803. Napoleon made him the sole ruler of the 394. [Netherlands] Z.K.H. De Prins Van Batavian Republic with the ttiitle of Raadspensionaris Oranje. ('Grand Pensionary') and he rruled for one year from J.B.V.D. Hulst, Koninklijke hofschilder pinxt. Get. 1805. He had no employment between 1806 and 1811. door Last en V.D. Hulst: gedr. by Desguerrois en Co. The Netherlands became a paart of France in 1810 and Uitgegeven door A.H. Bakhuijsen, te S'Gravenhage Schimmelpenninck was a member of the French senate [n.d., c.1825]. beetween 1811 and 1813. He wwas a member of the Lithograph on india laid paper, image 320 x 250mm. senate of the Kingdom of the United Netherlands 12½ x 9¾". Small tears to left paper edge. £190 beetween 1815 and 1820. CS:: pg. 625. William Frederick George Louis, Prince of Orange and Stock: 3209 future King Willliam II of the Netherlands (1792 – 1849). He entered the British Army, and in 1811, as 396. [Netherlands] Admiral De Winter. (from aide-de-camp to Arthur Wellesley, Duke of the Original Picture) Paiinted by Mr. Orme, & Wellington, took part in several campaigns in the presented by the Admiral The Lord Viscount Peninsular War. He returned to the Netherlands in Duncan. 1813 when his father became sovereign prince. D. Orme Pinx. & Sculp. Engraved to his Majesty & the In 1815, William became crown prince and he took Prince of Wales. Sold & Pub. Accor.g lo Act of service in the army when Napoleon escaped from Elba. Parliament Jan.y 10.th 1798 bby D. Orme 23 Holles St.t He fought ass commander of the Dutch-Belgian forces Cavendish Sq.e Where Subscriptions are Received for at the Battle of Quatre Bras (16 June 1815) as well as his 2 Prints of L.d Duncan's & L.d St. Vincents at Waterloo. He showed personal courage and energy, Victory's & at E. Orme Printtseller 25 Conduit St. but frequently displayed atrocious military judgement, Hanover Sq.e leading to many heavy casualties. The Duke of Stipple, very fine with large mmargins. Plate 184 x Wellington attributed this to his lack of command 127mm. 7¼ x 5". £120 experience, however, rather than to him being a bad Jan Willem de Winter (1761--1812) was a Dutch leader. Admiral of the Napoleonic Wars. He was defeated at Stock: 9760 the Battle of Camperdown and was taken prisoner until later liberated by exchange. His conduct was declared 395. [Netherlands] Rutger Jan byy a court-martial to have nobly maintained the honour Schimmelpenninck, Raad Pensionaris der of the Dutch flag. Bataafsche Republiek. Opgedragen aan Stock: 24385 Hoogstdeszelfs Echtgenote Vrouwe Eschimmelpenninck geln. Nahuys. Door Haar Excellenties, zeer verplichten en gehoorzame Dienaar, C.H.Hodges. Napoleon and later. He was present at all engagements fought during 1792-1794 and was publicly complimented by General Niicolas Oudinot for his extraordinary valour. He disttinguished himself at the baattles of Modena, Busano, Casablanca and Ponto. In 1814, Tsar Alexander I made him a General in the new Polish army with the rank off a general officer. Stock: 29923

400. [Poland] Jean Henri Dombrowski. Général d'un corps d'armée polonais en 1794 [...] Michel Stachowicz pinx. James Hopwood sc. P. Dien impr. [Paris, n.d., c. 1840.] Stipple engraving on steel. Sheet 270 x 185mm, 10½ x 7¼". £65 397. [Ottomans] [A Mamaluke delivering a Jan Henryk Dąbrowski (1755-1818), fought under message from Mourad Bey.] Poniatowski in the campaign of 1792 against the [C. Willyams. J.C. Stadler.] [London: J. White, Russians, in the 1794 Kościuszko Insurrection, set up c.1801.] the Polish Legions in Italy during the Napoleonic Sepia aquatint, proof before letters, with large margins, Wars, joining Napoleon on the march on Moscow in very fine, 180 x 245mm. 7 x 9¾". Captioned in ink by 1812. His name appears on the Arc de Triomphe in hand to lower margin; 'P. 136' in the same hand to Paris. upper right margin. £160 A portrait from the collection of Leonard Chodzko Egyptians and two Europeans, one in a naval officer's (1800-71), a Polish historiann active in the November uniform, smoking pipes and assembled in an interior. Uprising of 1830 and the Great Emigration that Murad Bey (c.1750 – 1801) was an Egyptian Mamluk followed it. chieftain (Bey), joint ruler of Egypt with Ibrahim Bey. Stock: 21276 Following his defeat at the hands of Napoleon's armies at the Battle of the Pyramids, Murad fled to Upper 401. [Poland] Charles Kniaziewicz Général Egypt, mounting a brief guerrilla campaign against the French. en 1794 sous Kosiusko, et dans les Légions After Cooper Willyams (1762 - 1816), for his 'A polonaises en Italie de 1797 [...] Voyage up the Mediterranean in His Majesty’s Ship Joseph Korowski pinx. Jamees Hopwood sc. P. Dien the Swiftsure, one of the squadron under the command impr. [Paris, n.d., c. 1840.] of Rear-Admiral Sir Horatio Nelson, K.B. ... with a Stipple engraving on steel. Sheet 270 x 185mm, 10½ x description of the battle of the Nile on the first of 7¼". £65 August 17988' (1802). Willyams served as chaplain of Baron Karol Otto Kniaziewicz (1762-1842), fought in the Swiftsure. He was present at the Battle of the Nile the Polish-Russian war of 1792, the Kościuszko and according to DNB his is 'the first, the most Uprising in 1794, the Napoleonic Wars in the Polish particular, and the most authentic account of the battle'. Legions, including the Russiiaan Campaign of 1812. See BL 210.ii.5. Abbey Travel 196, 21. During the November Uprisiing of 1830 he was a Stock: 22172 representative of the "Polish National Government" in Paris. 398. [Ottomans] Esseid Aly Effendi A portrait from the collection of Leonard Chodzko Ambassadeur de la Portte Ottomane prés la (1800-71), a Polish historiann active in the November Uprising of 1830 and the Great Emigration that Rep. francaise. followed it. F. Bonneville del. sculp. a Paris Rue St Jacques No. Stock: 21274 196. [n.d, c.1805.] Engraving. Sheet 195 x 125mm (7¾ x 5"). Trimmed to 402. [Poland] Kasimir Malachowski, plate, laid on album paper. Few marks above image. £75 Cannonnier en 1784 - Major en 1794, en Esseid Ali, Ottoman ambassador to France when Pologne. Chef de bataillon dans les légions Napoleon Bonaparte invaded Egypt. He later became d'Italie, en 1797. Commandant la Lègion Vizier. polonaise à St Domingue, en 1803. Général de Stock: 29888 Brigade en 1812-Générallissime en 1831. Né à Wisxniow et Litavnie, le 24 Février 1765. Mort 399. [Poland] Chlopicki. Revue des Armees. à Chantilly en France le Janvier 1845. Journal. No.8. Kwiaskowski del. J. Hopwood sc. [De la Coll.on de Julien [facsimile.] Imp. Aubert et C.ie. [n.d. c.1820.] Léonard Chodzko.] [Paris: P. Dien, n.d., c. 1840.] Rare lithograph. 246 x 159mm (9¾ x 6¼"). Small Mezzotint on steel. Printed area 140 x 95mm (5½ x crease. £140 3¾"). £95 Josef Chlopicki (1771-1854) the Polish general who A portrait of Kazimierz Małachowski of Gryf (1765- was involved in fighting in Europe at the time of 1845), a general of both the armed forces of Duchy of Warsaw and the Kingdom of Poland. After fighting Waterloo, in which the French, under the personal with the French during the Napoleonic Wars, he is best command of Napoleon, were defeated. It is based on a remembered as one of the last Commanders-in-Chief buust by François Joseph Bosiio. of the failed November Uprising, assuming command Stock: 33005 shortly after the disastrous battle of Warsaw in 1831. From the collection of Leonard Chodzko (1800-71), a 406. [Prussia] G.L. vonn Blucher. Field Polish historian active in the November Uprising of Marshal of the Prussian Forces from an 1830 and the Great Emigration that followed it. Original Drawing by Her Royal Highness Stock: 31846 Princess Wilhelmina of Prussia. London: Pub: March 10 1814 at R. Ackermanns 403. [Poland] Joseph Poniatowski. Général Repository of Arts, 101 Strand. en chef dess troupes polonaises dans les Terres Stipple, with very large margins, rare. 305 x 255mm Russiennes [...] (De la Coll.on de L. Chodzko)) (12 x 10"). £260 Antoine Brodowski pinx. James Hopwood sc. P. Dien Sketch portrait of Gebhard Leberecht von Blücher, impr. [Paris, n.d., c. 1840.] Marshal of the Prussian armiies at the battles of Liepzig Stipple engraving on steel. Sheet 270 x 185mm, 10½ x and Waterloo, in which the French, under the personal 7¼". £70 command of Napoleon, were defeated. The artist, Prince Josef Poniatowski (1763-1813), nephew of the Wilhelmina of Prussia (17511-1820) was consort of last king of Poland, Stanisław August Poniatowski, a William V of Orange and mother of King William I of general who became one of Napoleon's marshals, killed the Netherlands, the founder of the present Dutch at the Battle of Leipzig. monarchy. A portrait from the collection of Leonard Chodzko Stock: 35332 (1800-71), a Polish historian active in the November Uprising of 1830 and the Great Emigration that 407. [Prussia] [Blücher] To his Royal followed it. Highness the Duke of Gllooucester, Chancellor of Stock: 21249 the University of Cambrriidge This Print of

Prince Blucher, in the Costume of D.r in Civil 404. [Poland] Sophia Countess Zamoyski. Law of that University, is Humbly Dedicated, Born Princess Czartorski. by His Royal Highnessess most obedient Isabel del.t. Agar sculp.t. London, Pub. Jan.y 1, 1804, at R. Ackermann's Gallery, 101 Strand. Servant W. Mason. Stipple, with large margins, very rare. 345 x 280mm W. Mason del.t. J. Swaine sc. Pub.d Oct.r 5 1815 by (13¾ x 11"). Slight repaired hole in crown. £330 W. Mason, near the Hospitall, Cambridge. Countess Sophie Zamoyska (1780-1837), a renowned Aquatint. 330 x 235mm (13 x 9¼"). Scuffing lower beauty of the Napoleonic period. Daughter of Prince right. Bit dusty. £130 Adam Kazimierz Czartoryski, she married Stanislaw Portrait of Gebhard Leberecht von Blücher, Marshal of Kostka Zamoyski in 1798. She died in Florence: her the Prussian armies at the baatttles of Liepzig and Waterloo, in which the French, under the personal tomb, sculpted by Lorenzo Bartolini, is in S. Croce. Stock: 35041 command of Napoleon, were defeated. Stock: 34262

408. [Prussia] W.m Fred.k King of Prussia. London: Pub.d June 8. 1814,, by Colnaghi & Co. 23, Cockspur Street, Charing Crooss. Stipple and etching with large margins. Plate 273 x 210mm (10¾ x 8¼"). Very ffine. £120 Friedrich Wilhelm III (1770--1840) was King of Prussia from 1797 to his death, rulinng during the tut rbulent peeriod of the Napoleonic Wars. Provenance: Elizabeth Annne Hippisley of Ston Easton. Stock: 29440

409. [Prussia] Frederick William III. King of Prussia. Fred.k Bolt del.t. Berlin. H. Meyer sculp.t. Published July 16, 1814 by R. Ackermann, 101 Strand. 405. [Prussia] [Blucher. Copied from a Bust, Stipple with very large marggiins, fine. 305 x 230mm Modeled at Paris, by M. Bosin.] (12 x 9"). Paper watermaked 'J. Whatman 1810'. [Engraved by Charles Turner.] [Pub. Aug.t 1814, by R. Uncut. £120 Ackermanns Repository of Arts, 101 Strand.] Friedrich Wilhelm III (1770--1840), King of Prussia Mezzotint, proof before all letters with large marginss. from 1797 to his death. 355 x 255mm (14 x 10"). £280 Stock: 35330 Portrait of Gebhard Leberecht von Blücher, Marshal of the Prussian armies at the battles of Liepzig and 410. [Prussia] William Frederic King of Prussia. Drawn from the Life/ Published by S. Phillips July 21 1814 Etching with very large margins, platemark 205 x 150mm (8 x 6"). Fine impression; foxing; crease through title; tipped into album sheet. Rare. £120 Friedrich Wilhelm III (1770-1840) was King of Prussia from 1797 to his death, ruling during the turbulent period of the Napoleonic Wars. Having attempted to pursue a policy of neutrality, Friedrich Wilhelm entered the war in 1806. This portrait was published soon after the Treaty of Paris in May 1814, which established peace in Europe, in the wake of Napoleon's capture and exile to Elba, although his return and the Battle of Waterloo still lay ahead. Probably from a drawing by Thomas Phillips made at the time of the visit of the Allied Sovereigns to England in June 1814 to celebrate the Peace of Paris. In 1817 Phillips (who also had the rare distinction of having painted Napoleon from life, in 1802) painted a large canvas (now in Petworth House, Sussex) commemorating the event, showing Friedrich Wilhellm in profile. Stock: 34934

411. [Prussia] Friedrich Wilhelm Ludwig Prinz Von Preussen. Nach der Natur gez. von Fr. Kruger. Lithogr. von Oldermann. Gedr. im Konigl. Lith. Institut, Berlin 1829. v. Helmlehner. Berlin, bei C.G. Luderitz. The prince, shown here wearring the Star of the Order Lithograph, image 270 x 240mm. 10½ x 9½". Light of the Black Eagle, was the brother of Frederick II the soiling. £160 Great, with whom he rowed frequently. As a general Frederick William IV of Prussia (1795 - 1861), the during the Seven Years' Warr (1756–1763) he never lost eldest son and successor of Frederick William III of a battle, as a diplomat he helpped plan the First Partition Prussia, reigned as King of Prussia from 1840 to 1861. of Poland (1772) and when on two diplomatic missions He gained military experience by serving in the army to France in the 1780s. He atttempted to become king of during the War of Liberation against Napoleon in Poland, and Friedrich Wilhellm von Steuben, a Prussian 1814, though he was an indifferent soldier. He is in general who served in the Continental Army, suggested military dress, with a battle being fought behind him.. to Alexander Hamilton that Henry should become Publisher's blindstamp lower right of image. President or King of the Unitted States, a short-lived Stock: 9772 poossibility. Von Wittenberg joined the Prussian army in 1775; in 412. [Prussia] [Frederic Henri Louis Prince 1793 he became the royal aide-de-camp, serving the de Prusse.] le Capitaine de Tauentzien. Dedié King directly. He fought through the Napoleonic Wars a Monsigneur le Duc de Nivernois L.E par son and commanded the VI. Armeekorps during the tres humblle Obeissant Serviteur Jean Marc Hundred Days; however Waatterloo had been fought Pascal.] beefore he reached France. A sscarce portrait, only [Cuningham pinxit. C. Townley Graveur du Roi acquired by the BM in 2010 (2010,07081.6487, Sculp.] [Berlin Mois de May, 1787.] lettered state). Stock: 34635 Mezzotint, proof before title. Plate: 390 x 650mm (15¾ x 25½"). Fraamed. Unexamined out of frame. £480 Full length portraits of Friedrich Heinrich Ludwig 413. [Prussia] Heinrichh Julius von Goldbeck. (1726-1802), Prince of Prussia, and Bogislav Friedrich Ofrosz-Canzler des Koenigreichs Preuszen u. Emmanuel (1760 -1824), Graf Tauentzein von aller Koeniglichen Proviinnzen [...] Wittenberg. von A. Graff ist der Kopf gemahld, die Figur von Elisabeth Sintzenich. / von Sintzenich geschahl, Churfuerslich Pfalz Bayrischer Hof. Kupfef rsticher [...] [illegible] in Sintzenichs Kunst Verlag zu Berlin im Septem. 1795 Mezzotint, platemark 485 x 315mm (19 x 12½"). Rubbed; spot to right of head; creasing. Very scarce. £260 Heinrich Julius von Goldbeck (1733-1818), minister of 416. [Russia] Alexander 1st. Emperor of justice and chancellor for Prussia. Three-quarter lenggth Russia. portrait with allegorical figure of justice behind. C.MF. Dien sc. London, Pub. June 14 - 1814, by Engraved (and partly painted) by Elisabeth Sintzenich Hassell & Rickards, 344, Strrand. (b.1778), daughter of Heinrich Sintzenich (1752-1812), Engraving with very large margins, platemark 185 x an engraver who studied under Francesco Bartolozzi in 130mm (7¼ x 5"). Good impression. £160 London before becoming court engraver in Mannheim. Alexander I (1777-1825) serrvved as Emperor of Russia Stock: 35957 from 1801 to 1825, and the ffirst Russian King of Poland from 1815 to 1825. He was also the first Russian Grand Duke of Finland and Lithuania. Stock: 35230

417. [Russia] Alexander Emperor of Russia. Drawn from the Life. Published by S. Phillips, July 21 1814 Etching with very large margins, platemark 205 x 150mm (8 x 6"). Fine impression; slight foxing; tipped into album sheet. Rare. £220 Alexander I of Russia (1777--1825), known as Alexander the Blessed, Tzar from 1801, Ruler of Poland from 1815, as well as the first Russian Grand Duke of Finland and Lithuania. Probably from a drawing by Thomas Phillips made at the time of the visit of the Alllied Sovereigns to England in June 1814 to celebrate the Peace of Paris. In 1817 Phillips (who also had the rare distinction of having painted Napoleon froom life, in 1802) painted a large canvas (now in Petwortth House, Sussex) commemorating the event, showing Alexander. Stock: 34935

418. [Russia] [Cyrillic name] Lieutenant

414. [Russsia] General Field Marshal Prince General Prince Kavansky. Kutusoff of Smolensk. Painted by order of H.I.M. Alexander 1st by G.Dawe Esqr. Member of the Royal Academy of Arts, London, From a Print lately come from Germany. Engrav'd by that of St Petersburg &c &c: Engraved by Hen.y Dawe Facius. London, Publish'd May 25, 1813, for the London. London. Published AAug. 1st 1825 for the Proprietors, by Mes. Colnaghi, Cockspur Street. Proprietor by Mess.rs Colnaghi [Russian publishers in Stipple with etching, title in open letters, with very Cyrillic]. large marginns. 205 x 155mm. 8 x 6". £140 Mezzotint. 370 x 280mm. £240 Portrait of Marshal Kutusov, Prince of Smolensk (1745 Nikolai N. Khovansky (1777-1837). - 1813), Russian supreme commander during the George Dawe (1781-1829) sppent from 1819 to 1828 in Napoleonic Wars. In profile to left, with short wavy St Petersburg, invited by Tsar Alexander to paint the hair, wearing a military coat with epaulettes, three stars poortraits of the superior officers who had fought in the and a sash; in an oval. Napoleonic Wars. Over 300 of these are in the The same poortrait was used to decorate a wine glass Hermitage Museum. Ex: Colllection of The Hon. C. made by the Imperial Glassworks of St Petersburg, in Lennox-Boyd. the same year. For the 'Print lately come from Stock: 1581 Germany' from which this was presumably engraved, see ref. 22543 Stock: 27662 419. [Russia] [Cyrillic name] Lieutenant General Kourouta. 415. [Russsia] Alexander 1st. Emperor of Painted by order of H.I.M. Alexander 1st by G.Dawe Russia. Esq.re. Member of the Royall Acad.y of Arts, London, that of St Petersburg &c &c: Engraved on Steel by C.MF. Dien sc. London, Pub. June 14 - 1814, by Hen.y Dawe London. Londoonn. Published May 1st 1825 Hassell & Rickards, 344, Strand. for the Proprietor by Mess.rs Colnaghi [Russian Engraving, 185 x 130mm. 7¼ x 5". Wide margins. puublishers in Cyrillic]. £140 Mezzotint. 370 x 280mm. £230 Bust profile of Emperor Alexander I of Russia (1777 – Dimitry D. Kuruta (1770-1833). 1825). Provenance: Pemberton family of Trumpington George Dawe (1781-1829) sppent from 1819 to 1828 in Hall. Stock: 13019 St Petersburg, invited by Tsar Alexander to paint the poortraits of the superior officers who had fought in the Napoleonic Wars. Over 300 of these are in the Hermitage Museum. Ex: Collection of The Hon. C. Lennox-Boyd. Stock: 1582

420. [Russsia] Furst Kutuson Smolenskoi Generalissimus der Russischen Armeen. Nach d Natur gezeichn v. Smit. gestochen von Bollinger. Im Verlag bei Gaspare Weiss et Co. u. J. Bapt. weiss zu Berlin [German, n.d., c.1820.] Stipple with etching, 205 x 165mm. 8 x 6½". A good impression, with margins. £130 Portrait in profile of Mikhail Illarionovich Golenishchev-Kutuzov (1745 - 1813), Field Marshal of the Russian Empire; in uniform. He served as one of the finest military officers and diplomats under three Romanov Tsars: Catherine II, Paul I and Alexander I. He took part in the suppression of the Polish Bar Confederation's uprising, in the Russo-Turkish Wars and in the Napoleonic War, including two major battles at Austerlitz and Borodino. This print was published in 1799, soon after Suvorov He was created Prince of Smolensk in 1812. Stock: 22543 (aged 68) led his forces to viicctories at Cassano d'Adda and Trebbia in the Italian campaign which contributed to driving French troops from Italy and therefore 421. [Russsia] The Hetman Platoff. ensured his popularity in England. Rambauer Pinx.t / H.R. Cook Sculp.t London, Pub. Stock: 35227 June 20 1814 by Colnaghi & Co 23 Cockspur Street. Soft-ground etching with very large margins, 423. platemark 280 x 220mm (11 x 8¾"). Slight stain on [Russia] Count Wiittgenstein. Lieutenant right. £160 General of the Imperial Russian Armies. Count Matvei Ivanovich Platov (1757-1818), Russian Engrav'd by Facius, after a sketch lately arrived from general and 'hetman' of the Don Cossacks during the Russia. Napoleonic wars. His horsemen scourged the French Stipple. Sheet size: 185 x 1200mm (7¼ x 4¾"). during their retreat from Moscow in 1812 and again Trimmed inside platemark. £65 after their deefeat at the Battle of Leipzig, 1813. He Ludwig Adolph Peter, Prince Wittgenstein (1769 - accompanied Alexander I to London where he received 1843) was a Russian Field Marshal distinguished for an honorary degree from the University of Oxford and his services in the Napoleoniic wars. He was promoted was painted by Sir Thomas Lawrence for the Waterloo to Major in 1793 of the Ukrainian light cavalry Chamber at Windsor Castle. regiment. He fought with the unit in the Kościuszko Stock: 35232 Uprising. In 1800 he took coommand of the Mariupolski Hussars Regiment and lead thhe Russian army in 422. [Russsia] Field Marshal Count Alexander numerous campaigns. In 1828 he was appointed to command the Russian army iin the war against Turkey, Suwarrow Rimniskoy Commander in Chief of buut ill health soon obliged hiim to retire. In 1834 the the Combined Armies in Italy. King of Prussia gave him the title of Fürst (Prince) zu C. Hamper del. / N. Schiavonetti Sculp. London Sayn-Wittgenstein. Publish'd June 21st 1799 by Messrs Schiavonetti, Noo Stock: 34453 12 Michaels Place Brompton. Sitpple with very large margins, very fine; platemarkk 424. [Russia] General Wittgenstein. 355 x 250mm (14 x 10"). Mint. £330 [n.d., c. 1810]. Aleksandr Vasilyevich Suvorov (1729-1800), Russiaan Stipple. Sheet: 125 x 170mm, (5 x 6¾"). Scuffing and military commander. He was the fourth and last surface dirt. £45 generalissimo of the Russian Empire. He was one of Half-portrait of Ludwig Adoolf Peter Prince the few great generals in history who never lost a Wittgenstein (1769-1845), a Russian Field Marshall battle, and he was famed for his military manual 'The who was distinguished for services during the Science of Victory'. Napoleonic Wars. Stock: 34494

425. [Spain] Le G.al Miina. Lith. de Lemercier rue du Four S.G. No.35 Paris chez Chaillou Editeur rue St Honoré No. 140 Lithograph, image 175 x 120mm (7 x 4¾"). Wove paaper; uncut sheet; foxing too margins; publisher's bllindstamp. £90 Francisco Espoz Ilundain (1781-1836), better known as Napoleon, whose plans he called 'imperialistic and Francisco Espoz y Mina, Spanish guerilla and general. despotic', and was dismissedd from the navy. Espoz y Mina first established himself running a Besides his wartime activities Mazarredo studied and guerilla group after Napoleon actions in Spain in 1810, taught naval theory. In 1778,, as commander of the ship and soon after the national government made him a of the line San Juan Bautistaa,, he compiled commander-iin-chief. Later in the Peninsular Wars he hydrographic surveys in the IIberian Peninsula, served under the Duke of Wellington. The restoration contributing to the creation of a Maritime Atlas. He of Ferdinand VII saw him fall from favour, and he tried also surveyed ports of South America. A large map is to organise two uprisings against the king. Having open on the table showing Auustralia. From a escaped to England, he returned to Spain following sccrapbook compiled by Rev. Willaim Bradford (1780- Ferdinand's death, although the government continueed 1857), Chaplain and war arttist during the Peninsula to fear his radicalism. Wars. From a series of portraits by lithographer Antoine Stock: 33267 Maurin dit l'aîné (1793 - 1860). Stock: 34515 427. [Sweden] Charles Jean XIV. Roi de Suède et de Norvege. A. Maurin 1836 [in image] / Lith. de Lemercier rue du Four S.G. No.35 Paris chez Chaillou Editeur rue St Honoré No. 140 Lithograph, image 155 x 130mm (6 x 5"). Wove paper; uncut sheet; foxing to margins; publisher's blindstamp. £120 Charles XIV John (1763-1844), king of Sweden and Norway. Born Jean Bernadottte in France, he served as a general in Napoleon's army before being stripped of his command for acting conttrrary to Napoleon's commands. He was then uneexpectedly elected the heir- prresumptive to the elderly swedish king Charles XIII, assuming the throne in 1818 and ruling until his death. From a series of portraits of EEuropean monarchs by lithographer Antoine Maurin dit l'aîné (1793 - 1860). Foor Bernadotte when a soldiier, see ref. 28215. Stock: 34521

428. N. Baudin. Schifs-Capitain Haupt Commandeur der neuesten Ento- eckungs Reise in die Südsee Jauffret pi. Westermayr sc. 1801. [Weimar: n.d., c.1805.] Stipple. Plate 140 x 90mm (5½ x 3½"). Trimmed into pllate on left. £140 Nicolas-Thomas Baudin (1754-1803) was a French explorer, cartographer, naturralist and hydrographer, beest known for his expedition to map the coast of 426. [Spain] Joseph de Mazarredo nació en Australia, 1800-3. While stopped at the British colony Bilbao en S. de Marzo de 1745. at Sydney for supplies he prepared a report for Dubois ad vivum pinxit anno 1800. Ferdin.s Selma deel. Napoleon on a potential French attack on the colony. et sculp. He named the coastline from Wilson's promantory to Engraving very scarce. Image 260 x 180mm (10¼ x Cape Leevwin "Terre Napoleon". He died of 7"). Slight creasing. £480 tuberculosis at Mauritius in 1803 aged 49. Don Jose de Mazarredo y Salazar de Muñatones The portrait was published in 'Allgemeine Cortázar (1745-1812), considered to be one of the best Geographische Ephemeriden' (Universal Geographical Spanish naval commanders of all time. In 1780, with Ephemerides (i.e. encyclopedia)) by Friedrich Bertuch the Spanish and French siding against Britain in the et al. See Kivell & Spence: Pg. 24 - not in. American War of Independence, he inflicted a huge Stock: 29613 blow on Britain's war efforts by attacking a convoy en route to Florida and capturing 55 out of the 63 ships and 3000 soldiers and sailors, along with their cargo oof 80,000 muskets, many field guns, 300 barrels of gunpowder, more than £1,000,000 in gold and silver and uniforms for more than a dozen regiments. During the French Revolutionary Wars Mazarredo initially had some success but he antagonised Lieutenant-Colonel in December 1814. When war with France broke out again on Naapoleon’s escape from Elba Sir Augustus joined thee allied army in Flanders, under the Duke of Wellingtoon, in March 1815 and resumed command of the Horse Artillery, the post he held during the battle of Watterloo. On return to England he was appointed Coommander HQ RHA, Woolwich until promoted Colonel in January 1825. Subsequently he was Assistant Inspector of the Ordnancer Carriage Department, and finally Director of the Royal Laboratory, a position he held till his death in 1835. Frazer was a prolific letter writer and the letters contained in a book written to his wife, Lady Emma Frazer and to his wife’s sister and her husband, Major and Mrs Moore. Theyy give a fascinating account of the stirring events of the tiime. 140 of them were written during the Peninsularr campaign and a further 41 during the Waterloo campaign. Not in Parker. Stock: 28264

430. [Sir Augustus Frazer.] [Facsimile:] Y Sincerely Aug S Frazer. [n.d. c.1859.] Lithograph. Collector's stamp lower right corner 429. Sir Augustus S. Frazer. Knight outside image. 222 x 132mm. 8¾ x 5¼". £95 Commander of the Bath. Colonel of the Royal Colonel Sir Augustus Simonn Frazer, K.C.B, (1776- Horse Artillery and Director of the Royal 1835). Lugt: 2832; Ex Collection: Sir W.A. Frazer. Laboratory. Stock: 20169 On Stone by C. Hamberger. Printed by C. Hullmandel. [n.d. c.1820.] 431. L'armee blanche est l'armee du Courage Scarce lithograph, India proof. Sheet 610 x 507mm (24 c'est l'armee des Francaiis! Muller, Auteur de x 20"). Mount staining, paper toning, Laid on card. l'escrime a cheval, du Maaniement de la £280 Bayonnette, etc. etc. A wonderful heroic portrait of a Gunner next to his A. Reynier del.t. 1828. Lith de Ducarme. [n.d., c.1828.] cannon. Colonel Sir Augustus Simon Frazer, K.C.B, Lithograph with very large margins. Sheet size: 585 x (1776-1835). A month before his fourteenth birthday 425mm (23 x 16¾"). Foxingg. Small stains to left and he was admitted as a Gentleman Cadet into the Royal right edges. Nick in paper at top edge. £140 Military Academy, Woolwich. In 1793 he was A full length portrait of Alexandre Muller, who in 1828 commissioned as a Second Lieutenant in the Royal puublished 'Maniement de la baïonnette, appliqué à Regiment of Artillery and in December he joined the l’attaque et à la défense de l’’infanterie army in Flanders, then under the command of HRH the individuellement et en Duke of York. He was promoted Lieutenant in Januaarry masse (Handling of the Bayonet, as applied to the 1794 and saw action in the Flanders campaign, attack and the defense of the infantry, alone or en returning to England with the army in May 1795 when masse). Shortly after, French Military Authorities he was appointed to the Royal Horse Artillery (RHA). considered 'officialising' the teaching of this art, In September 1799, now a Captain-Lieutenant, he introducing various exercises and manoeuvres and again went on active service, to North Holland, baayonet fencing lessons. Muulller stands, slightly to returning to England in November. He became a right, pointing at a large rifle and bayonet which he captain in 1803 and was given command of a troop of holds in his left hand. On the ground below are two RHA which, in 1807 he took to South America where instructional books written by Muller, 'Theorie de he commanded the Artillery of the expedition against l'Escrime a Cheval', and 'Esccrime de la Bayonette'. Buenos Airess. Promoted Major in June 1811 he went to Soldiers can be seen performing various drills, on the Peninsula in November 1812, and it is from this horseback and practising fenncing techniques. date that the letters begin. In April 1813 Frazer was Stock: 36190 appointed to command the Horse Artillery of the army and as such saw action at Salamanca, Osma, Vitoria, St Sebastian, the crossings of the Bidassoa, Nive and 432. Field Marshal the Marquis of Adour. He was severely wounded at the siege of Wellington, K.G. Marquis of Torres Vedras & Bayonne on 227 February 1814 but was back for the Duke of Vittoria, Knight of the Grand Military final battle of Toulouse in April which brought Order of the Tower & Sword in Portugal, hostilities against the French to a close. He then Duke of Ciudad Rodrigo, Knight of the Order returned to England, receiving the Peninsular Medal of the Golden Fleece, & Generalissimo of the with two clasps and KCB, and appointed to command Combined Armies in Spain. of the Artillery in the eastern district. He was promotted Engraved byy A. Easto pupil of the late Mr Cardon from Majestys very humble and much obliged the picture in the possession of the Marquis of Subjects and Servants Colnaghi Son & Co. Wellesley & touched from the bust executed from lifefe Painted by Sir Tho.s Lawrennce P.R.A. &c.&c.&c. by Garahan in 1809. Publish'd for the proprietor by Engraved by Wm. Dean Tayylor. Printed by Dixon. Mess.rs Boydell & Co, Cheapside London, August London Published March 15.th 1827 by Colnaghi Son 1813. & Co Pall Mall East. Stipple, fine with very large margins. 265 x 210mm Engraving and etching with llarge margins. Plate 355 x (10½ x 8¼"). £320 280mm (14 x 11"). Very slight foxing. £180 Half-length portrait of Arthur Wellesley, later first Arthur Wellesley, 1st Duke of Wellington (1769- Duke of Wellington, in uniform. 1852), Field Marshal and Priime Minister. A soldier and Stock: 35333 statesman, Wellington's early victories were in India and the Spanish Peninsula. In 1815, he was hailed as the man who finally achieved the peace of nations when he led the defeat of Napoleon at the Battle of Waterloo. He later entered Paarliament, where he was a baastion of ultra-Tory values aagainst the forces of liberal change. He was Prime Minister between 1828 and 1830 and again in 1834. Engraved from a painting by Thomas Lawrence (private collection) which was reputedly Wellington's favourite, and of which he sent engraved portraits such as thhiis to his friends. Provenance: Elizabeth Annee Hippisley of Ston Easton. Stock: 29446

435. Wellington [facsimile signature.] Woburn Abbey July 28 1841 London. A. Maurin [within image, lower right]. Imp. Lemercier, Benard et Cie [within image,, lower left]. Published by A.H. & C.E. Baily Printselleerrs to her Majesty. No 1 Freemans Court & 83 Cornhhiill. Lithograph on india. 475 x 387mm. 18¾ x 15¼". £140 This portrait of Arthur Wellesley, 1st Duke of Wellington (1769-1852), Field Marshal and Prime Minister shows him in a reflective demeanour surrounded by military memmoorabelia. Wellington's early victories were in India and the Spanish Peninsula. In 1815, he was hailed as the man who finally achieved 433. Wellington the peace of nations when he led the defeat of W.L. Walton delt. Vincent Brooks, Lith. Printed at 421 Napoleon at the Battle of Waterloo. He later entered Oxford St. Parliament, where he was a bastion of ultra-Tory Tinted lithograph with large margins, fine & very rarre. values against the forces of liiberal change. He was Printed area 430 x 320mm (17 x 12½"). £260 Prime Minister between 1828 and 1830 and again in Portrait of Arthur Wellesley, 1st Duke of Wellington, 1834. In the BM. in uniform with the 'Order of the Golden Fleece' at his Stock: 17948 collar. The Order, founded by Philip III, Duke of Burgundy in 436. The Duke of Wellinngton &c. &c. &c. 1430 'to honor and exalt the noble order of Th: Phillips pinx. N. Strixnerr del: 1825. [Munich: J. knighthood', was later inherited by the Hapsburgs and Stuntz, c.1825.] split between the Spanish and Austrian branches. Tinted lithograph, rare & verry fine. Printed area 370 x During the Peninsular War, when France was 285mm (14½ x 11¼"). £420 occupying Spain, the order was presented to Napoleon Portrait of Arthur Wellesley,, 1st Duke of Wellington. and his brother Joseph but these were revoked by King This print, from the portrait by Thomas Phillips Ferdinand on the restoration of Bourbon rule in 1813. showing Wellington's many mmedals from the However the king confirmed the award made by the Peninsular and Napoleonic wars, was made in 1825, acting government of Spain to Wellington in 1812, while Wellington was a cabinet minister but before he with the approval of Pope Pius VII, making the Duke beecame Prime Minister (18288). the first Protestant recipient. Published in 'Les Oeuvres Liithographiques', a huge Stock: 35267 series of reproductive plates of paintings, by Johann Nepomuk Strixner (1782 - 1855) and Ferdinand Piloty 434. To the King's most Excellent Majesty (1786-1844). Their work did much to popularise This Portrait of Field Marshal The Duke of lithography, as they showed the technique could Wellington, K.G. Commander in Chief, achieve all the same effects as other engraving &c.&c.&c. Is by permission dedicated by His techniques. Stock: 31796 437. The Marquis of Wellington, K.G. Field 439. [The Most Noble Arthur Marquis of Marshall. Onorate l'altissimo Campione, Wellington. K.B. &c.] Dedicated with Permission to the R.t. Hon.ble. [Pelegrina pinxt. E. Bocquet Sculpt.] [London. Pub. Lady Anne Culling Smith. June 4. 1813, & may be had at Mess. Fricker & A. Aglio etch.d. Engraved by H. S. Minasi from a Henderson's Plate Glass Warrehouse No. 80 New Bond picture by A. Aglio. The por.t. improved from the Bust Street, near Oxford Street, & at Mr. Asperne's No.32 by P. Turnerelli Sculptor to her Majesty. Stadler Cornhill, & no where else in London.] Aqua.t. H. S. Minasi 16 Broad Street Golden Squ.e. & Stipple on india. Rare proof before all letters. Plate 248 to be had of Mess.rs. Colnaghi & Co. [n.d., c.1813.] x 197mm. 9¾ x 7¾". £110 Hand coloured Aquatint with large margins. 420 x Arthur Wellesley, 1st Duke of Wellington (1769- 310mm (16½ x 12"). Staining on left margin. Scarce. 1852), Field Marshal and Priime Minister. A soldier and £420 statesman, Wellington's early victories were in India Mounted portrait of The Marquis of Wellington and the Spanish Peninsula. In 1815, he was hailed as pointing into the distance, several cavalrymen, some the man who finally achieved the peace of nations with drawn swords. Arthur Wellesley, 1st Duke of when he led the defeat of Napoleon at the Battle of Wellington (1769-1852) was a stateman and military Waterloo. He later entered Paarliament, where he was a leader who rose to prominence during the Napoleonic baastion of ultra-Tory values aagainst the forces of liberal Wars. change. He was Prime Minister between 1828 and Stock: 32152 1830 and again in 1834. Stock: 18917

440. Wellington. Waterloo June 18, 1815. Modelled by Hry. Weigall. Bates, patent Anaglyptograph. Engraved by Freebairn. Printed by Mc Queen. Proof. London. Published by Henry Moseley, No.4, St.James's Sttreet, June 18th.1838, beeing the 23rd Anniversary of the Battle of Waterloo. Rare engraving. Plate 509 x 3358mm. 20 x 14". Some spotting. £220 Field Marshal Arthur Wellesley, 1st Duke of Wellington, KG, KP, GCB, GCH, PC, FRS (1769- 1852) was the Anglo-Irish soldier and statesman that commanded the British Troops at the Battle of Ligny, Quatre Bras and Waterloo. This rare portrait of him, features the medallion below. This was a medal awarded, to all soldiers present at all three battles, by the British Government. This is the reverse side with a seated winged figure of Victoory seated facing left with the words "Wellington", "Waterloo" and at the base of her seat, the date "June 18 1835." On the front of the medal is the head of the Prinnce Regent looking left wearing a laurel wreath and tthe legend "George P./Regent." Stock: 14594

441. The Most Noble Arrthur Marquis of 438. The Duke of Wellington &c. &c. &c. Wellington. K.B. &c. Proof. Painted by Tho.s Phillips Esq.r R.A. Engraved by W. Pelegrina pinxt. E. Bocquet Sculpt. London. Pub. June Say. Engraver to H.R.H. the Duke of Gloucester. 4. 1813, & may be had at Mess. Fricker & Henderson's Lononm Publish'd Nov. 8. 1814, for the Proprietors, by Plate Glass Warehouse No. 80 New Bond Street, near the Engraver, 92 Norton Str.t Fitzroy Sq.r. Oxford Street, & at Mr. Asperne's No. 32 Cornhill, & Mezzotint, very fine proof impression with large no where else in London. margins. Platemark: 350 x 250mm (13¾ x 9¾"). Scufff Stipple. Plate 250 x 195mm. Sheet 431 x 294mm. in right margin. £360 Rare. Small tear to the bottom right-hand corner of the Portrait of Arthur Wellesley, 1st Duke of Wellington. sheet. £75 This print, from the portrait by Thomas Phillips Arthur Wellesley, 1st Duke of Wellington (1769- showing Wellington's many medals from the 1852), Field Marshal and Priime Minister. A soldier and Peninsular and Napoleonic wars, was made in 1825, statesman, Wellington's early victories were in India while Wellington was a cabinet minister but before he and the Spanish Peninsula. In 1815, he was hailed as became Prime Minister (1828). the man who finally achieved the peace of nations For a later, German published lithograph of the same when he led the defeat of Napoleon at the Battle of portrait, see item ref: 31796. Ex Collection: The Waterloo. He later entered Paarliament, where he was a Honourable Christopher Lennox-Boyd. baastion of ultra-Tory values aagainst the forces of liberal Stock: 35124 change. He was Prime Minister between 1828 and before fleeing to England at the time of the French 1830 and again in 1834. Revolution. He spent eleven years in London working Stock: 12651 as a piano teacher and giving concerts, appearing with Haydn when the latter visited London. He then lived in 442. Arthur Duke Of Wellington Field Prussia before accepting a position with the politician Marshall &c.&c. Talleyrand to spend his final years in France. Engd. by W.H. Lizars Edinr. [n.d., c.1815.] By Edme Quénedey (1756 - 1830), miniature painter Stipple engraving with hand coloured aquatint, sheet and engraver, who made much use of the 260 x 195mm. Trimmed to plate, into printed area. physionotrace, a mechanised drawing instrument that £220 could reproduce the outline profile of a portrait. Arthur Wellesley, 1st Duke of Wellington, Field It was invented by Gilles-Louis Chretien, who Marshal and Prime Minister (1769 - 1852). This engraved Quenedey’s portraits from 1787 to 1789, in portrait commemorating his part in the final defeat of 1786. Chretien and Quenedey founded a very Napoleon, with a crown and inscription 'Waterloo' successful portrait studio in Paris together in 1788. above. Between 1786 – c.1810 there were only two studios in Strong colour. Paris which produced a relatively small number of Stock: 7933 physionotrace engravings. Consequently very few of these intriguing portraits are preserved today. Because 443. Lord Wellington, Généralissime des of their origins and the realism physionotrace portraits Troupes Britanniques. have, they can be seen as true photo-graphic objects Benoist sc. à Paris chez Basset rue St. Jacques No. 64 / and are therefore classified as a forerunner of Déposé &c... photography. Stock: 35220 Stipple engraving, platemark 170 x 115mm (6¾ x 4½"). Faint crease on left. £75 French portrait of Arthur Wellesley, 1st Duke of 446. [Jean Paul Egide Martini.] Wellington (1769-1852), Field Marshal and Prime [n.d. c.1813.] Minister. A soldier and statesman, Wellington's early Stipple. Plate 272 x 203mm. 10¾ x 8". Uncut. £140 victories were in India and the Spanish Peninsula. In Jean Paul Egide Martini (1741-1816) was a composer 1815, he was hailed as the man who finally achieved of classical music. He is best known for his vocal the peace of nations when he led the defeat of romance 'Plaisir d'Amour', on which the 1961 Elvis Napoleon at the Battle of Waterloo. He later entered Presley standard 'Can't Help Falling in Love' was Parliament, where he was a bastion of ultra-Tory based. Leaving Germany and settling in France he values against the forces of liberal change. He was established a successful career as a court musician. He Prime Minister between 1828 and 1830 and again in directed concerts for the Queen but adatpted well to the 1834. changing regimes throughout the French Revolution, Stock: 32466 and later wrote music for Napoleon's marriage as well as for the restored Chapelle Royale. Stock: 20036 444. Herzog von Wellington. Nach dem Leben von Fleischman London July, 1814 Nuernberg, bei Friedrich Campe. 447. Sir John Jervis. Knight of the Bath, Vice Stipple with large margins, platemark 185 x 130mm Admiral of the White, & Commander in Chief (7¼ x 5"). £85 of his Majestys Ships at the Reduction of the Following the end of the War of the Sixth Coalition Islands of Martinique, St. Lucia, Guadaloupe, (1812-14), Arthur Wellesley was created Duke of Marie-Galante, Deseada, & the Saints. Wellington and accepted an invitation to act as British T. Stuart pinx.t. Rob.t Laurie fecit. Published 14th ambassador in Paris. This portrait was taken during August 1794, by Rob.t Laurie & Ja.s Whittle, No. 53 that time, before Napoleon's escape from Elba and the Fleet Street London. Waterloo campaign. Mezzotint with large margins. Rare. Platemark: 375 x By Johann Andrea Fleischmann, Nuremberg engraver 275mm (14 x 10¾"). £290 who also worked in London. A portrait of Sir John Jervis, Earl of St. Vincent (1735 Stock: 32464 - 1823) standing directed to right, looking towards the viewer, with his left arm outstretched. He is wearing a 445. Dussek naval uniform with sash and star, frilled cravat and Dess au Physionotrace d'après le Buste de feu powdered wig tied at the nape. Admiral of the Fleet Callamard et grave par Quenedey. Se vend chez John Jervis, was an admiral in the Royal Navy and Quenedey rue neuve des Petits Champs No.15 a Paris. Member of Parliament in the United Kingdom. Jervis Etching and aquatint with small margins, platemark served throughout the latter half of the 18th century 250 x 195mm (9¾ x 7¾"). Slightly stained. £260 and into the 19th, and was an active commander during Jan Ladislav Dussek (1760-1812), pianist and the Seven Years' War, American War of Independence, composer. Born in Čáslav (now part of the Czech French Revolutionary War and the Napoleonic Wars. Republic), Dussek travelled widely across Europe as a He is best known for his victory at the 1797 Battle of young man. In Paris, he performed before Marie Cape Saint Vincent, from which he earned his titles, Antoinette and made the acquaintance of Napoleon, and as a patron of Horatio Nelson. A dedication to the owner of the original 'Capital' Sir Pulteney Malcolm GCB, GCMG, (1768–1838) was painting, Francis Stevens Esqr, from the publishers is a British naval officer. He entered the navy in 1778, inscribed beneath titles. CS 31. II of III. Ex: Collection during the American Revoluuttionary War, on the books of The Hon. C. Lennox-Boyd. of the Sybil, commanded by his uncle, Captain Pasley. Stock: 33826 With Pasley he afterwards served in the Jupiter, in the squadron under Commodoree George Johnstone, and 448. Vice Admiral Sir Pulteney Malcolm was present at the action in Porto Praya and at the G.C.B. &c.&c. capture of the Dutch Indiamen in Saldanha Bay. In Painted by Samuel Lane. Engraved by W.m Ward, 1782 the Jupiter carried out Admiral Pigot to the West Engraver to His Majesty. London, Published March Indies. Malcolm was thus brought under the admiral's 15th 1836, by Francis Graves & Co. Late Colnaghi & notice, was taken by him into the flagship, and some Co. Cockspur Street, Charing Cross. months later, on 3 March 1783, was promoted to be Mezzotint. 405 x 330mm, 16 x 13". Crease in margin. lieutenant of the Jupiter. He ccontinued serving during £290 the peace, and in 1793, at the beginning of the French Sir Pulteney Malcolm (1768–1838), GCB, GCMG. In Revolutionary Wars, was first lieutenant of the 1805 a refit to his ship caused him to miss the battle of Penelope frigate on the Jamaica station, under the Trafalgar, although he helped with the mopping-up. command of Captain Barthollomew Rowley. The Promoted to be rear-admiral on 4 December 1813, he Penelope's service was peculliarly active. In company carried a detachment of the army from Bordeaux to with the Iphigenia she capturred the French frigate North America for the War of 1815. In 1816–17 he Inconstante, on the coast of San Domingo, on 25 was Commander-in-chief on the Saint Helena stationn, November 1793; she captured or cut out many ensuring that Napoleon Bonaparte remained. After prrivateers or merchant vessells; and Malcolm, as first being appointed vice-admiral in 1821, he was lieutenant, commanded her boats in several sharp commander-iin-chief in the Mediterranean 1828-18311. conflicts. On 18 June, Malcolm was appointed by His final rank was Admiral of the Blue, from 1837. Rear-Admiral Rainier to be his flag captain in the As this portrait was published a decade after the death Suffolk, and aftterwards in thhe Victorious. He was of William Ward, the engraver is likely to be his son, prromoted to be rear-admiral on 4 December 1813, but William James Ward. remained with Lord Keith tilll June 1814, when, with Stock: 11906 his flag in the Royal Oak, hee convoyed a detachment of the army from Bordeaux to North America, and served during the war with the United States as third in command under Sir Alexander Cochrane and Rear- admiral (afterwards Sir) George Cockburn. On 2 January 1815 he was nominated a K.C.B., and during "The Hundred Days' War" commanded a squadron in the North Sea, in co-operation with the army under the Duke of Wellington. In 1816–17 he was Commander- in-chief on the Saint Helena station, specially appointed to enforce a rigid blockade of the island and to keep a close guard on Napoleon Bonaparte. He was advanced to vice-admiral on 19 July 1821, and commander-in-chief in the Mediterranean from 1828 to 1831. In 1832 he commanded on the coast of Holland, with the fleets of France andd Spain under his orders; and in 1833–4 was again commander-in-chief in the Mediterranean. He was nomiinated a G.C.M.G. on 21 January 1829, and a G.C.B. on 26 April 1833. In the final years of his life, he became Chairman of the Oriental Club which had beeen founded by his brother General Sir John Malcolm. He attained the rank of Admiral of the Blue in 1837.. DNB: J. K. L. 1893. From the Collection of Viscount HoHood. Not in CSC . Not in Frrankau. Stock: 12395

450. Nelson. 449. Vice Admiral Sir Pulteney Malcolm A.ne Maurin. 1834. Imp.ie Lith. de le 1.e dic.on Mit.e, G.C.B. &c. &c. rue du Peron S. Painted by Samuel Lane. Engraved by Wm. Ward, Lithograph with large margins. Printed area 220 x Engraver to His Majesty. London, Published March 15, 170mm (8¾x 6¾"). £130 1836, by Fraanncis Graves, & co. Late Colnaghi & Co. A head and shoulders portraiit of Admiral Lord Nelson, 23, Cockspur Street, Charing Cross. with his emptry sleeve tuckeed into his coat and A fine mezzotint. Plate 355 x 269mm. 14 x 10½. £240 showing his blind eye. Nelson (1758 – 1805) was a British flag officer famous in the Royal Navy, particularrly during the Napoleonic for his service in the Royal Navy, particularly during Wars. He won several victorriies, including the Battle of the Napoleonic Wars. He was involved in several Trafalgar in 1805, during which he was killed. Parker: important victories, including the Battle of Trafalgar,, 687. From the Collection of Viscount Hood. in which he was killed. Stock: 12414 Stock: 31887 453. [Admiral Lord Viscount Nelson.] 451. Nelson. A. Stewart Wright [pencil signature] Published April [Alfred Carlile. Lith. London.] [n.d. c.1845.] 23rd 1924 by H.C. Dickins 9 Great Pulteney St W1 Lithograph. 266 x 209mm. 10½ x 8¼". Small nicks London Copyright in USA 1924 by H.C. Dickins and tears around edges. £130 Mezzotint printed in colours,, 650 x 440mm (25½ x Probably from the "Royal Album". 17¼"). £250 Horatio Nelson, Viscount Nelson (1758-1805) the Full-length portrait of Nelson after Hoppner. Print British flag officer famous for his service during the made by A. Stewart Wright ((fl.1923-32) who engraved Napoleonic Wars. He achieved several victories, several plates after famous prrints from the preceding including the 1805 Battle of Trafalgar, in which he was two centuries. For the original 1806 mezzotint of killed; Britannia with her trident and the Lion of Great Nelson by Charles Turner, see ref. 16015 Britain to the left, and anchor below and HMS Victory Stock: 27622 to the right. Stock: 27761 454. Horatio, Lord Viscount Nelson, Duke of Bronte, K.B. Vice Admiral of The White, &c.&c.&c. Engrav'd from the Original Picture in St. Andrew's Hall, Norrwich, Painted at the particular request of thee Corporation of that City. To whom this Plate is most respectfully dedicated by their much oblied fellow Citizen & humble Serv.t Jeremiah Freeman. Painted by Sir W.m Beechey R.A. Engrav'd by Edward Bell. Publish'd May 1. 1806, as the Act directs, by J. Freeman & E. Bell, No.2 London Lane, Norwich. Mezzotint with small margins, fine impression. Plate 694 x 430mm. 27¼ x 17". Few small nicks scratches, slight surface loss to head. £450 Whole-length, standing on deeck of a ship, directed to the left, facing and looking to the right, wearing uniform with medals and starr, right sleeve pinned to waistcoat, sword at left leaniinng against a cannon, ship rigging on the right. Vice Admiral Horatio Nelson, 1st Viscount Nelson, 1st Duke of Bronté, KB (1758-11805), the British flag officer famous for his service in the Royal Navy, paarticularly during the Napolleonic Wars. He won several victories, including the Battle of Trafalgar in 1805, during which he was killed. CS: 13; for a different print from the same Beechey portrait, see ref. 580 Stock: 27514 452. To His Excellency the Marquis of Circello, His Sicilian Majesty's Envoy 455. [Horation Nelson, Viscount.] Extraordinary & Minister Plenipotentiary to R. Bowyer Pinx.t W. Bromley Sculp. Pub. by R. his Britanic Majesty. This Portrait of Admiral Bowyer, 80 Pall Mall, London, Oct. 21, 1809. Lord Nelson, Baron Nelson of the Nile, and of Engraving, 635 x 420mm. 25 x 16½". Pin-hole in head Burnham Thorpe in the County of Norfolk, & area. Cut at bottom and top. £260 K.B. is by Permission Dedicated. Full length portrait of Horatiion Nelson, his left hand Gahagen Modelr. Barnard Sculp. London, Publish'd as resting on a rock. Vice Admiiral Horation Nelson, a the Act directs 21t. Octr. 1805 being the day for British flag officer famous for his service during the commemorating his Lordship's ever memorable & Napoleonic Wars. He achieved several victories, Glorious Victory over the French, &c. &c. &c. including the 1805 Battle of Trafalgar, in which he was A rare mezzotint. 381 x 278mm. Trimmed to within killed. the platemark. Some light scuffing. £380 Stock: 11277 Vice Admiral Horatio Nelson, 1st Viscount Nelson, 1st Duke of Bronté, KB (29 September 1758 – 21 Octobeer 1805) was a British flag officer famous for his service 456. Nelson. A fine stipple and engraving.. 241 x 178mm. 9½ x 7". Engrav'd by E. Scriven from a Miniature for Which Uncut. £220 Lord Nelson sat to Mr. Bowyer. Published the 9th of Vice Admiral Horatio Nelson, 1st Viscount Nelson, 1st Dec.r 1805. by R. Bowyer Pall Mall. Duke of Bronté, KB (1758-11805) was a British flag A fine stipple and engraving with vry large margins. officer famous for his service in the Royal Navy, 241 x 178mm. 9½ x 7". Uncut; slight creasing. £230 paarticularly during the Napolleonic Wars. He won Vice Admiral Horatio Nelson, 1st Viscount Nelson, 1st several victories, including the Battle of Trafalgar in Duke of Bronté, KB (1758-1805) was a British flag 1805, during which he was killed. NPG: D5331. In the officer famous for his service in the Royal Navy, NMM. particularly during the Napoleonic Wars. He won Stock: 20129 several victories, including the Battle of Trafalgar in 1805, during which he was killed. NPG: D5331. In the 459. Nelson. NMM. =h= Gievedon. 1826 [in platee.] Lith de C. Motte. Stock: 33699 [Stampted:] Contemporains Estrangers. [n.d. c.1830.] Lithograph. 451 x 345mm. 17¾ x 13½". £220 Horatio Nelson (1758-1805),, the English flag officer famous for his victories throughout the Napoleonic Wars and as head-of-the-helm aboard HMS Victory. Stock: 20808

460. Rear Adm.l Pringlle. From the original Picture in the Possession of Francis Stephen Esq.r. Stuart pinx.t. Orme Jun.r sculp. Sold & Published March 25, 1797, by Orme Jun.r, 25 Conduit Street, London. Stipple, printed in colours and hand-finished. Uncut. 180 x 125m (7 x 5"). Crease in very large margins. £130 Head & shoulders portrait off Thomas Pringle, a Royal Navy officer who served durring the American War of Independence and the French Revolutionary & Napoleonic Wars, once descrribed by Nelson as 'my paarticular friend, and a man of great honour'. He died in Edinburgh in 1803. Pringlle is amongst those portrayed in the large print commemorating the Glorious 1st of June [1794], for which see ref. 5572 Stock: 31989

461. Sir Will.m Sidney Smith K.T. of Sweden. Drawn & Engraved by W. Riidley. Pubd. by Bunney & Gold. Shoe Lane, Jan.1.18011. Stipple. 222 x 140mm. 8¾ x 5½". Slight creasing. £65 Sir William Sidney Smith ( 1764-1840), admiral. He 457. The most noble Lord Horatio Nelson. distinguished himself at the Battle of the Chesapeake in Viscount and Baron Nelson of the Nile. 1781 and, by helping the Turrks repell Napoleon's siege Sir Wm. Beechey R.A. Richard Earlom 1805. of Acre in 1799, caused Bonnaparte to say 'That man Published as the Act directs 17 June 1806. made me miss my destiny'. He was made Rear Admiral Coloured stipple. 158 x 108mm (6¼ x 4¼"). Mount in 1805. In 1790, he was appointed to command the burn. £180 light squadron and to King Gustav III's principal naval Vice Admiral Horatio Nelson, 1st Viscount Nelson, 1st adviser in the Royal Swedish Navy during the war Duke of Bronté, KB (1758-1805), the British flag beetween Sweden and Russia.. The Swedish lost only officer famous for his service in the Royal Navy, four ships and had few casualties, for which Smith was particularly during the Napoleonic Wars. He won knighted by the king with the Swedish Svärdsorden. Ex several victories, including the Battle of Trafalgar in Collection: R. Hobson of Hoove. 1805, during which he was killed. Stock: 25312 Stock: 30028

458. Nelson. Engrav'd by E. Scriven from a Miniature for Which Lord Nelson sat to Mr. Bowyer. Published the 9th of Dec.r 1805. by R. Bowyer Pall Mall. 464. Sir William Sidney Smith Comandant der Englisch Turckischen Flotte in Aegypten. Painted by J.W. Chandler. Engraved by Schleich. Publish'd by J.G. Schleich [n.d., c.1800]. Stipple with etching in brown ink, 180 x 130mm. 7 x 5". £120 Sir William Sidney Smith KCB (1764-1840), the admiral of whom Napoleon Bonaparte said 'That man made me miss my destiny', having aided the Turks in their resistance to Napoleon iin Egypt and the Levant. Published in Germany by the engraver Johann Carl Schleich (1759 - 1842). Afteer John Westbrooke Chandler (1763? - 1807). Stock: 10704

465. Sir William Sidney Smith. Seige Of Acre. Painted by Robert Ker Porterr. The Portrait Engraved byy Anth.y Cardon__the Battlle by Ja.s Mitan. London, Published April 1804, by Anth.y Cardon, 31, Clipstone Street, Fitzroy Square. Portrait, stipple with etching,, and engraved battle scene from one plate. Plate 439 x 266mm. 17¼ x 10½". Large margins. Bit dusty. £110 Sir William Sidney Smith KCB (1764-1840), the admiral of whom Napoleon Bonaparte said 'That man made me miss my destiny', having aided the Turks in their resistance to Napoleon iin Egypt and the Levant. 462. Sir Sidney Smith. The Siege of Acre of 1799 was an unsuccessful French Robert Ker Porter pinxt. W.Say sculpt. London siege of the Ottoman-defenddeed, walled city of Acre Published as the Act directs, June 19, 1802, John (now Akko in modern Israel)) and was the turning point P.Thompsonn, Printseller to his Majesty and their Royal of Napoleon's invasion of Egypt and Syria. A Royal Highness's the Duke & Duchess of York. Gt.Newporrt Navy flotilla under Commodore William Sidney Smith Street, and No.51 Dean Street, Soho. helped to reinforce the Turkiish defences and supplied Coloured mezzotint. 630 x 438mm. Framed. £850 the city with additional cannoon manned by sailors and Sir William Sidney Smith KCB (21 June 1764 – 26 marines. The seige was evenntually raised and Napoleon May 1840) fought in the American Revolutionary War, withdrew to Egypt. where he saw action in 1778 against the American Stock: 21291 frigate Raleigh. He also distinguished himself in the Batthe of Cape St Vincent (1780), Battle of the 466. Sir William Sidney Smith. Chesapeake (1781) and the Battle of the Saintes Chandler pinx.t. Bell sculp.t.. Sold & Published March (1782). 1st. 1803, by Edw.d. Orme, Printseller to His Majesty His subsequent career included important service & the Royal Family, 59 New Bond S.t London. during the Napoleonic Wars, notably in the defence Mezzotint, image 360 x 290mm, with separate title and relief of Acre. Stock: 4705 pllate, 90 x 290mm. Trimmed, false margins on three sides. £250 Sidney Smith ( 1764-1840), aadmiral. He distinguished 463. Sir Sidney Smith. himself at the Battle of the Chesapeake in 1781 and, by Robert Ker Porter pinx.t. W.Say sculp.t. London helping the Turks repell Nappoleon's siege of Acre in Published as the Act directs, June 19 1802, by John P. 1799, caused Bonaparte to say 'That man made me Thompson, Printseller to his Majesty and their Royall miss my destiny'. He was made Rear Admiral in 1805. Highness's the Duke and Duchess of York; Great CSC 17, variant later state. From the collection of the Newport Street, and No 51, Dean Street, Soho. Hon. Christopher Lennoz-Boyd. Mezzotint. 650 x 430mm. Repair in margin under title, Stock: 11419 foxed in titlee area and margins, appears to be laid down, un examined out of frame. £550 467. Sir Sidney Smith. Chef de l'Escadre Sir William Sidney Smith KCB (1764-1840), the British admiral of whom Napoleon Bonaparte said Anglaise...[etc.] 'That man made me miss my destiny', having aided the F. Bonneville del Sculp. A Paris, Rue Jacques, No.195. Turks in their resistance to Napoleon in Egypt and the [n.d., c.1800.] Levant. Ex: Collection of The Hon. C. Lennox-Boyd. Stipple with etching, 200 x 130mm. 8 x 5". £85 Not in CS. Sir William Sidney Smith KCB (1764 - 1840), the Stock: 3574 British admiral of whom Napoleon Bonaparte said 'That man made me miss myy destiny', having aided the Turks in their resistance to Napoleon in Egypt and the Stipple engraving with etching. 285 x 455mm. Very Levant. fine impression. £360 Quite an unccommon portrait. Admiral Sir John Borlase Waarren [1753 - 1822]. Stock: 13113 Defeated a French invasion squadron under Admiral JBF Bompart off Tory Island off Donegal, capturing 468. Sir Edward Thornbrough, K.C.B. seven out of the ten enemy ships. The battle on 12th Admiral of the Blue and Commander in Chieef, October 1798 effectively ended Napoleon's plans for &c, &c, &c. Portsmouth. an invasion of Ireland. Painted by A. Huey / Engraved by W.T. Fry [c.1815]] Prov: Sir William Fowle Middleton Bart. bought Stipple engraving on india with very large margins, Shrublands in 1788. His colllection passed with platemark 240 x 165mm (9½ x 6½"). Uncut sheet. £85 marriage to 4th Lord de Saurrmarez, in 1882. Sir Edward Thornbrough (1754-1834), naval officer. Stock: 4477 Serving for nearly fifty years at sea, he fought in the American War of Independence, commanded the the 470. Arthur O'Connor Esq.r Late Member in frigate 'Hebe' on which the future William IV served as the Irish Parliament for the Borough of lieutenant in 1785; helped thwart the planned French Philipstown. invasion of Ireland in 1798 and guarded Sicily and Painted by J.Dowling / Engraved by W. Ward London, blockaded Toulon during the Napoleonic Wars. In later Published April 18 1798 by J. Dowling years he wass commander-in-chief of the Irish station Mezzotint, 385 x 295mm (15¼ x 11¼"). Trimmed and then in Portsmouth. inside platemark lower edge;; creases and rubbed. Rare. Stock: 34526 Arthur O'Connor (1763-1852), Irish nationalist and poolitical theorist. Prominent iin radical politics of the 1790s, O'Connor was friends with and Richard Brinsley Sheridan and helped negotiate French military support for an independent Irish republic, the result of which was the abortive Bantry Bay landing of December 1796. O'Connor was imprisoned for treason for most of the period from 1797 to 1802 (during which tthis portrait was puublished). After his release,, Napoleon appointed him général de division in his army, and his Aide de Camp; he bought land, and took French nationality. Frankau 212 Stock: 34236

471. [Spencer Perceval..] [engraved by Anthony Cardon after Miles.] [Published byy Colnaghi, 1812.] Stipple on india, sheet 165 x 120mm (6½ x 4¾"). Proof beefore letters; trimmed inside platemark. £90 Spencer Perceval (1762-1812), the only prime minister to be assassinated, from a miiniature showing him aged thirty when he first entered politics. A lawyer initially, after becoming Chancellor off the Exchequer in 1807, he was made Prime Ministerr in 1809 after the death of the duke of Portland, governniing during the upheavals of the Industrial Revolution and the Napoleonic Wars. 469. Admiral Sir J.B. Warren, Bart. K.B. and He was shot dead in the lobby of the House of the Victory off Ireland. The French Squadron, Commons by John Bellingham, a merchant who had commanded by M. Bompard….in their thus incurred debt in Russia and had been refused frustrated intention of invading Ireland. [Lisst compensation by the government. O'D 6. of ships with their respective guns and Stock: 35827 commanders in the British and French Squadrons]. This Plate is by Permission 472. [Spencer Perceval..] respectfully Inscribed to the Most Noble The [engraved by Anthony Cardon after Miles.] [Published byy Colnaghi, 1812] Marquis Cornwallis Master Genl. Of the Stipple on india with very larrge margins, platemark Ordnance, Lieut. General & General Governoor 180 x 130mm (7 x 5"). Prooff before letters. Slight of His Majesty's Kingdom of Ireland, By his crease near bottom. £130 Excellency''s obliged Servant George Riley. Spencer Perceval (1762-1812), the only prime minister The Portrait painted by Jas. Opie Esqr. R.A. the to be assassinated, from a miiniature showing him aged Shipping by W. Anderson. Engraved by H. Richter. thirty when he first entered politics. A lawyer initially, London, Published by G. Riley 65 Old Bailey Ludgate after becoming Chancellor off the Exchequer in 1807, Hill April 1800. he was made Prime Minister in 1809 aftter the death of Caroline of Brunswick-Wolffenbüttel, later Queen the duke of Portland, governing during the upheavals Caroline (1768 – 1821), was the wife of George IV of the Industrial Revolution and the Napoleonic Wars. from 1795, and his queen consort from 29 January He was shot dead in the lobby of the House of 1820 until her death. Shortlyy after giving birth to Commons by John Bellingham, a merchant who had Princess Charlotte of Wales, Caroline and George incurred debt in Russia and had been refused separated, and after she moveed to Italy in 1814 compensation by the government. O'D 6. rumours surrounding her relationship with her servant Stock: 35826 Bartolomeo Pergami (also spelt Bergami) culminated in her trial for adultery in 18220. Not in O'D. 473. The Right Hon.ble Will.m Windham Stock: 35959 M.P. Painted by J. Hoppner Esq.r R.A. Engraved by W. Say. London Published May 2: 1803, by the Engraver. 91 Norton Street. Mezzotint with small margins. Plate 387 x 280mm (15¼ x 11"). Sight foxing. £180 William Windham (1750-1810), the British Whig statesman who was appointed Lord Lieutenant of Ireland in 1783. Pitt made him Secretary at War from 1794 to 1801, during the first phase of the conflict with France. In 1806 he was appointed Secretary for War and Colonies. Provenance: Elizabeth Anne Hippisley of Ston Easton. Stock: 29456

474. [William Smith.] Drawn and Engraved by W.C. Edwards from a whole length picture painted by H. Thompson, Esq. R.A. in the Guildhall, Norwich. [n.d. c.1833.] Engraving. Proof before letters. Plate 432 x 325mm. 17 476. J.B.Bory de Saint Vincent (Voyageur, x 12¾". Slight scratch in left margin just inside plate Zoologiste, Botaniste et Géographe), Membre mark. £360 correspondant de l'Académie de Paris etc. Né à William Smith (1756-1835) was a politician of great Agen (Dép.t de Lot et Garonne) le...Juillet power and change. He was a friend and close associaatte 1780. of William Wilberforce and was at the forefront of Dessiné d'apres nature en 18226, et Gravé par Ambroise many campaaigns for social justice and prison reform Tardieu. [n.d. c.1830.] but most notably was his campaign for the abolition of Stipple. 214 x 152mm (8½ x 6"). Cut to platemark at slavery. He was Member of Parliament for Suffolk and top & bottom. £65 Norwich for some years but it was in 1787 that he Jean Baptiste Bory de Saint Vincent (1778-1846) the acted as the first to campaign for the abolition for the French naturalist who went with Captain Nicholas slave trade. In 1790 he supported Wilberforce in the Baudin's expedition to Austrraalia in 1798. He left the slave trade debate and once the trade had been halted voyage at Mauritius and spent two years exploring he helped Zachary Macaulay in 1823 found the Reunion and other islands inn the Indian Ocean. He then ‘London Society for the Abolition of Slavery in our returned to France to join the army and serve under Colonies’, thereby launching the next phase of the Marshal Soult and later Napoleon. In 1829 he headed a campaign to eradicate slavery. His involvement in the scientific expediton to the Pelopennese and in 1839 he French Revolution was controversial, and he swiftly had charge of the exploration of Algeria. W: 371-1. gained a reputation as a radical. He secretly arranged Stock: 29634 several meetings between William Pitt and Maret, Napoleon’s foreign minister, in a desperate attempt to 477. P.re L.s Ant.ne Coordier (Géologiste), avoid war. Stock: 20317 Membre de l’Académie des Sciences, Professeur de Géologie au Jardin-du-Roi, 475. Her Royal Highness Caroline Amelia Inspecteur divsionnaire ddes Mines &a. Né à Elizabeth Princess of Wales Princess of Abbeville (Dép.t de la Somme) le 31 Mars 1777. Brunswickk and Luneburgh etc etc most Dessiné d’après Nature en 1825, et Gravé par humbly Dedicated to Her Royal Highness the Ambroise Tardieu. [n.d. c.1830.] Reigning Duchess of Bronswick & Luneburgh Stipple with small margins. 210 x 145mm (8¼ x 5¾"). £80 by Their Highnesses Pierre Louis Antoine Cordierr (1777-1861) the French Schroeder [n.d., c.1790]. geologist and mineralogist, and a founder of the French Stipple printed in brown, rare; sheet 155 x 110mm (6 x Geological Society. He was professor of Geology at 4¼"). Trimmed, losing text at bottom; staining £120 the Museum National d'Histoire Naturelle in Paris from 1819 until his death. He served as a scientist on Napoleon's expedition to Egypt from 1798 to 1799. 479. Anton. Frgr. von Zach. K.K. General Cordierite, a magnesium iron aluminium cycloscilicate, Major. Geb. zu Pesth. d. 14ten Iun. 1748. is named after him. W: 677. C Westermayr f. [German.] [[n.d. c.1810.] Stock: 29589 Stipple. Plate 140 x 89mm (5½ x 3½"). £120 Anton Freiherr von Zach (1748-1826) the Hungarian military officer. He joined the Austrian army and saw active service during the French Revolutionary Wars and Napoleonic Wars. He played an important role at the Battle of Marengo, but was captured. In 1809 he was appointed fortress commander and was Proprietor of the Austrian Infantry Regiiment #15. He was awarded the Military Order of Maria Theresa and the Order of Leopold. Astronomer. The portrait was published in 'Allgemeine Geographische Ephemeriden' (Universal Geographical Ephemerides (i.e. encyclopedia) by Friedrich Bertuch et al. Stock: 29754

480. Le Cabriolet. Barbbares Anglois! que du même Couteau / Coupoient le tête aux Roi et les queues aux cheveaux / mais les Francois polis laifsent aux Rois leurs têtes / Et Encore comme vous voyez les Queues a leurs bêtes. [after H.W. Bunbury.] Pub.dd according to Act March 17. 1771. Etching, small margins. 175 x 210mm (7 x 8¼"). £160 A postillion on horseback driives a cabriolet in which is a macaroni clutching his hat;; a footman rides behind and in the background a pedestrian holding a parasol or umbrella doffs his hat. A dog runs alongside in foreground. BM Satires: 1048. Stock: 36059

478. Iean. Bapt. Ios. . Mitglied des 481. Le Fameux Blaise Lacoste, Limosin. National-Instituts der Künste und F:R:S. Wissenschaften, und der Commision der H.W.Bunbury delin. J.Bretherton f. Publish'd as the Mecres=Länge in Paris. gebohren zu Amiens Act directs Jan. 1 1773 By J.Bretherton No.134. New Bond Street. den 19ten Septbr 1749. Etching with large margins. 225 x 210mm (9 x 8¼"). Guennedey gez: Westermayr gest. [German.] [n.d. £120 c.1810.] A youth standing beside a donkey with his hands in his Stipple. Plate 177 x 102mm (7 x 4"). Cut to platemark poockets. BM Satire 4758. on two sides. £120 Stock: 36060 Jean Baptiste Joseph Delambre (1749-1822) the French mathematician and astronomer. In 1801, Napoleon appointed him Permanent Secretary for the 482. Petite Fille de la France. Mathematical Sciences at the French Academy of H.W.Bunbury del. J.Brethertton f. Publish'd as the Act Sciences, a post he held until his death. In 1804 he was directs 2d. Feb: 1773 By J.Bretherton No.134 New appointed director of the Paris Observatory and he waas Bond Street. also made professor of Astronomy at the College de Engraving with large margins. 270 x 180mm (10½ x France. He was one of the first astronomers to derivee 7"). £130 astronomical equations from analytical formulas and A young French girl, hands iin a fur muff. According was one of the 72 names inscribed on the Eiffel Tower. to Clayton, this isone of a group of six prints of peasant The crater Delambre on the is named after him. girls in regional costume thatt Bunbury encountered on The portrait was published in 'Allgemeine his grand tour. Stock: 36061 Geographische Ephemeriden' (Universal Geographical Ephemerides (i.e. encyclopedia)) by Friedrich Bertuch et al. 483. [Town Crier.] Stock: 29734 [n.d. c.1640.] Coloured lithograph. Sheet 381 x 241mm. 15 x 9½". Cut and laid on scrap sheet. Some spotting. £85 A town crier dressed as Napoleon, reading from a sheet in his left hand and ringing his bell in his right. Sporting a red and blue tail-jacket, and a bicorn with a Coloured etching. 335 x 235mmm (13¼ x 9¼". Mounted fluffy blue, red and white feather. A sword hangs from in album paper. £280 the sash across his chest. Town criers were the means An English dandy in Paris, dressing for the evening. It of communication with the people of the town, as most is Bob Fudge, a character from Thomas Moore's people could not read nor write. epistolary verse novel 'The Fudge Family in Paris' Stock: 17520 (1818), a comedic critique of the tourism that flourished after the Napoleonic Wars ended. Various 484. Girl of Dauphiny. torn pages on flloor including "Essay on Man" etc. E. Harding Sculp. H.Bunbury Esq.r Del.t. London, By Charles Williams (1797 -- 1830; active), prolific Pub. Aug.t 1 1791 by E. Harding No. 132 Fleet Streeet. etcher of satires of his own or others' designs. BM Etching. Sheet 280 x 235mm (11 x 9¼"). Trimmed Satires: 13071. within plate, old ink mss price in margin. £130 Stock: 31730 A seated girl wearing clogs, a caged bird on her lap. Stock: 36062 487. Elle a le Coeur fraaçais!...l'ancienne! Charlet. Imp. Litho. de. M.lle. Formentin. Lithograph. Sheet: 490 x 365mm, (19¼ x 14¼"). Large margins. Some light foxing. £160 Exterior scene in which an olld woman, sat outside her house offers an old soldier a warm drink. BM 1855,1414.146 Stock: 36167

488. Coup de Pommade. Le Jour de la fête du Village. [H.F printed within image.] A Paris chez Passet, rue S.t. Jaques N.o.64. Hand-coloured etching. Sheet: 240 x 310mm, (9½ x 12"). Trimmed within plate. £140 An interior scene in which a French peasant sits before a fire while his wife dresses his hair in preparation for the Village Fete. Plate 6 from a series titled 'Le Démocrite du Siecle, N.o.6'. Stock: 36165

489. Courier Francois. H.W.Bunbury Delin. Js.Bretherton f. Publish'd by Js.Bretherton No.134 New Bond Street as the Act directs. [n.d., c.1774.] Coloured etching. 420 x 280mm. Small tear. £160 485. Napoléon et le Curé. Napoléon_Est-ce A rider in oversized boots, riiding a shaggy horse. BM que ainsi que vouse observez les lois de Satire 4737. Stock: 36056 l'Empire? [/] Le Curé_Sire, je fais commme votre Majesté, je bûle les denrées Coloniales! 490. Les Invalides en Goguette. Peint par C. Jacquand. Lith. par Soulange Teissier. [Charlet.] [printed in image.]] Lithog de C. de Last. Entered according to Act of Congress in the year 1851 Lithograph. Sheet: 335 x 500mm, (13¼ x 19¾"). Large by W.Schauss in the clerk's Office of the United States margins. Some foxing and water staining to margins. for Southern district of New-York. New-York_Goupiil £160 & Co. 289 Broadway. Paris, Goupil et Comp.ie. Two elderly soldiers supportt each other as they Editeurs, 19 Boule.t. Montmatre et 12 rue d'Enghien. drunkenly walk home. London_ E. Gambart & Co. 25 Berners S.t. Oxf. S.t. Stock: 36170 Lithograph with Goupil stamp bottom centre. Sheet size: 460 x 580mm (18 x 23"). Large margins. £360 491. Plate 44 from 'Le Musée des Rieurs.' Interior scene. L'Accolade Perfide. [/] Le Baiser Napoleon stands by a curate who is sitting in a large Impossible. [The Treachherous Hug. Impossible comfortable chair. A metal heater is situated between Kiss.] Ce cher Parent! je vole dans ses bras. [/] them. Published in New York, Paris and London. Mon gros ami, qu'ily a longtems que nous ne Stock: 32621 nous sommes ous, embrassons nous. A Paris chez Martinet. Rue du Coq St. Honoré. 486. A Dandy. A lad who goes into the world Hnad coloured etching with llarge margins. Platemark: dick like me, / Should have his neck tied up, 260 x 350mm (10¼ x 13½").. £140 you know, there's no doubt of it [...] Two humorous satirical scenes on one sheet, both C.W. Etched. Pub.d, 1818 by S W Fores No 50 showing men greeting each other, with words Piccadilly. expressing their feelings in frfrench below. By caricaturist, etcher and lithographer Victor Auger (1787-1833) who worked for Martinet, and seems to have made most of the series 'Goût du Jour'. Stock: 36171

492. Carte vivante du Restaurateur. Une Oie. Et un Lapin. Panneuier Lith d'apres grandville. Lith de Delaporte. Ches Aubert, E.eur du J.al la caricature galerie véro dodat. [n.d., c.1830.] Hand coloured lithograph with large margins. Sheet size: 280 x 365mm (11 x 14¼"). Paper toning. Top left corner missing. £75 Plate 5 from Jean Grandville's series 'Carte vivante du Restaurateur' (You Are What You Eat). Originally published in the early 1830s the prints are from a folio printed for the French pharmaceutical company 'Laboratoires Robert et Carriére' as a gift for clients in the mid 1900s. Stock: 36184

493. The Fifth of November or The Gun Powder Plot. HB Sketches 229. HB [John Doyle]. A. Ducote's Lithography. 70 St. Martins Lane. Published by Tho.s Mc.Lean, 26, Haymarket, Nov. 9th 1832. Lithograph. Size: 370 x 280mm. (14½ x 11"). £95 A background of similar figures, fat and smiling, hold A depiction of Talleyrand, as Guy Fawkes and up their bayoneted muskets, looking up at the bleeding Palmerston, also a cloaked conspirator. Some regard head. Above the image is an inscription which reads, Talleyrand as one of the most versatile, skilled and 'This is to give information fofor the benifit of all Jacobin influential diplomats in European history, and some Adventurers, that Policies are now open'd at Lloyd's - believe that he was a traitor, betraying in turn, the where the depositer of One Guinea is entitled a Ancien Régime, the French Revolution, Napoleon, and Hundred if the Corsican Cut--throat is Alive 48 Hours the Restoration. BM satires: 17297 after Landing on the British Coast'. BM Satire Ref: Stock: 31417 10041. Stock: 32174 494. L'Insubordination. Si les mieux habillés veut toujours être les Générals, j'leurs y fiche 496. Questions to be Answered; ot Policy's des Calottes. last Struggle. [Charlet.] [printed in image.] Imp. lith de M.lle. Pub. Aug 13 1830, by G. Tregear Cheapside. Formentin et C.ie. Chez les Editeurs, rue S.t. André des Hand-coloured etching with very large margins; paper Arts, N.o.59 Paris. watermarked: 1822. Plate 2447 x 348mm (9¾ x 13¾"). Lithograph. Blind stamp of G.Formentin below imagge. £260 Sheet: 540 x 380mm, (21¼ x 15"). Large margins. Satire published in the wake of the French Revolution Some light foxing. £130 of 1830 in which Charles X ((seen in despair in the A large group of children play at being soldiers while centre) was deposed. Jules de Polignac, the most some actual soldiers look on. One child dressed in important politician in Francce under Charles X, is on patched trousers faces two well-dressed children. the right accusing Wellington of supporting French Stock: 36169 poolicy but failing to assist Charles X and Polignac in their time of need. On the lefft Metternich whispers 495. Buonaparte, 48 Hours after Landing. reassurances to Charles, and on the far left (as a Js Gillray. des. & fect Pub.d July 26th 1803, by H. counterpart to Wellington) Napoleon's son the duc de Humphrey St James Street London. Reichstadt in uniform, laments the 'vile combination of Etching. Platemark: 350 x 250mm (13¾ x 9¾"). kings' which stand between him and power. The ghost Trimmed to platemark. Light crease to lower area of of his father Napoleon, emerrges from clouds to hold a print. £260 crown over his son's head, urrging him 'now or never'. The head of Napoleon in profile to the left, is held high BM Satires: 16221. on a pitchfork by John Bull. He is a volunteer, and Stock: 30597 wears a three-cornered hat turned up with a favour inscribed 'Britons strike home', and with a bunch of 497. [Cyrillic letters: 'The peasant John oak-leaves on it. Chiseller: - 'Halt, M'sieu! Don't carry on so fast!—Look, here are men and Russians! See, there are carts ready to pack up and carry you off! Now then, M'sieu! Get out right now!'] A the British Museum, remainiing there for several weeks. Russian Peasant Peasant loading a Dung Cart. BM: 5924 Copied fromm a Russian Print. Etched by G. Cruikshank. Stock: 36180 Pub.d March 1st 1813 by H. Humphrey St James's Street. 500. Chien de Metier! Coloured etching, rare. Sheet 245 x 345mm (9¾ x H. Vernet [in image lower leeft] lith de Delpech 13½"). Trimmed to printed border. £320 [c.1830] A Russian muzhik about to toss a smartly-dressed Lithograph with very large margins, printed area 175 x French officer into a cart with a pitchfork, with other 210mm (7 x 8¼"). £60 French soldiers in rout behind. It refers to Napoleon's A disgruntled soldier cleans rrifles, complaining about disasterous retreat from Moscow in 1812. BM Satire his 'dog of a job'. The prolific publisher Delpech sold 12015. many lithographs by artists such as the Vernet family Stock: 32693 and Boilly. For a similar priinnt published by Delpech seee ref. 17315. 498. [Military Sketches.] Characteristic Stock: 35955 Traits of Old Stagers, Big Wigs, Staff, Martinets, Humbugs, Deep Files, Duty 501. Corporal Perpendiicular. Officers, Skulks, Good Fellows, Paymasters, [Pub.d May 20 1775 by M Darly 39 Strand.] Doctors, et Multis Aliis.] Etching with hand-colouring, sheet 145 x 105mm (5¾ x 4"). Trimmed around imagge and text, losing [London: T. McLean, Repository of Wit & Humour, puublication line; glued to albbum sheet. £65 1823.] Half-length caricature of man wearing a soldier's 11 (of 18) coloured lithographs, lacking illustrated title conical cap on which the lettters 'G.R.' clearly visible. & frontispiece, with two endpapers and rear paper The print was also reissued tthhe following year in the wrapper with publisher's ads. Each sheet 300 x 240mm volume 'Darly's Comic Prints of Characters, (11¾ x 9½"). £650 Caricatures, Macaronies &c'.. Two-thirds of the plates from an extremely rare plate The husband and wife partnership of Matthew and book. The caricatures run down the left of the sheet Mary Darly were prolific producers of polite with a printed text in imitation of handwriting for each caricatures in the late 18th century. Except for in one. Not in Abbey. Stock: 35808 certain cases, it has not been clearly identified who was responsible for etching each plate. BM Satires 5316 Stock: 35935

502. Drill. Why you infernal rascal_how dare you stand there making ssuch horrible ugly faces! _ Make the fly leave my nose Serjeant. Drawn & Etched by W. Heatth. [n.d., c.1820.] Hand coloured etching. Sheet size: 175 x 240mm (7 x 9½"). Trimmed to border, lossing platemark. £140 An angry Serjeant berates a soldier, who stands to the left in a line up of four, who makes faces as a wasp lands on his nose. Troops can be seen in the baackground, with a windmilll in the distance. Stock: 36182

503. [The Life Of A Solldier, Plate 13.] [William Heath.] London Pub by W. Sams 1823. 499. The Relief. Hand coloured etching. Platemark: 140 x 225mm (5½ H. Bunbury Esq.r delin.t. W. Dickinson Excud.t. x 9"). Some light staining in margins. £45 London. Publish'd Oct.r 21st 1781, by W. Dickinson, An exterior scene of a militarry camp, with a number of Engraver No. 158 New Bond Street. soldiers huddling around a smoking fire, with others Stipple with large margins. Platemark: 310 x 360mmm gathering fire wood on the riight, and in the distance to (12¼ x 14¼"). Light foxing. £240 the left. Three soldiers stand at attention outside a tent holding Plate 13 from William Heath's 'The Life Of A Soldier; bayoneted muskets. Two are wearing high plumed A Narrative And Descriptive Poem', published in 1823 busbies, the third a laced three cornered hat. The byy William Sams. officer opposite them to the left, gives the word of Stock: 36188 command. In the foreground, a drummer boy sitting on the ground, places a hat on a dog who stands beside 504. [The Life Of A Solldier, Plate 18.] him. Two men stand to the right possibly Gordon [William Heath.] London Pub by W. Sams 1823. Rioters, pointing jeeringly at the soldiers. Camps such Hand coloured etching. Platemark: 140 x 225mm (5½ as these were established in London during the Gordon x 9"). £75 Riots in Hyde Park, St. James's Park, and the garden on A battle scene in which a commander leads his troops 509. A Visit to the Camp. on horseback. One soldier in the foreground has been W. H. Bunbury delin. Watsoon & Dickinson Excud.t. thrown from his horse and lies on the ground, looking Published 12th May 1794 by Laurie & Whittle, No 53 towards the battle. Fleet Street, London. Plate 18 from William Heath's 'The Life Of A Soldier; Stipple. Sheet 295 x 355mm (11½ x 14"). Trimmed A Narrative And Descriptive Poem', published in 1823 within plate, losing most of publication line, slight by William Sams. surface scuff in sky. £140 Stock: 36189 Two soldiers showing a party of civilians around their encampment. BM Satires 4765. 505. [The Life Of A Soldier, Plate 9.] Stock: 36055 [William Heath.] London Pub by W. Sams 1823. Hand coloured etching. Platemark: 140 x 225mm (5½ x 9"). £50 A scene within an interior, as a well dressed gentleman holds the arm of a young woman, preventing her from leaving. A woman sleeps in a chair to the left, a large harp is on the right, and in the centre hang two paintings of Venus and Cupid. Plate 9 from William Heath's 'The Life Of A Soldier;; A Narrative And Descriptive Poem', published in 1823 by William Sams. Stock: 36187

506. A Military Salutation. [Piercy Roberts crudely scratched from plate.] Pub.d Jan.y 1. [1807 scratched from plate] by T. Tegg 111 Cheapside. 510. Ferdinand the VIII leading Liberty in Hand coloured etching. Sheet size: 273 x 410mm (10¾ chains to the shrine of Our Lady of Loretto. x 16"). Trimmed inside plate. Light creasing. Some [n.d., c.1814.] surface dirt. £260 Hand coloured etching. Very rare. Printed area: 230 x A fashionably dressed slim young man, stands with his 325mm (9 x 12¾"). Tear tapeed on reverse, unexamined clasped hands, facing a man with his arms and legs in out of frame. £240 wrappings, and says, 'stand at ease'. The ailing figuree, A satire depicting Ferdinandd VII of Spain (1784 - wearing a night cap, sits in an armchair with his legs 1833), leading 'Liberty' in chains to the shrine of 'Our resting on a stool, answers, his face distorted with pain, Lady of Loretto', who standss to the left holding a small 'Yes - its very fine talking - but if you had such a child in her arms. Her dress iis inscribed 'This drapery Confounded Gout, as I have young man You'd find it was work'd & presented to the holy virgin by the proud d----d difficult to sit at ease'. Stock: 36181 King of Spain in gratitude for his miraculous Restoration to his Throne & Kingdom. 1814'. After beeing overthrown by Napoleeon in 1808, Ferdinand was 507. The Great. The Fat. The Past. The forced to abdicate, with Napoleon choosing his brother Present. Joseph Bonaparte as king of Spain. Uprisings broke out [n.d. c.1840.] throughout the country, marking the beginning of the A scarce lithograph. 212 x 330mm. 8¼ x 13". Cut and Peninsular War. Napoleon kept Ferdinand under guard laid on scrapp sheet. Some staining. £160 in France for six years at the Chateau of Valençay, 'The Great': A soldier with a great past and probably until 11th December 1813 whhen he signed the Treaty considered a great leader. 'The Fat': that same soldierr, of Valençay, which acknowlledged Ferdinand VII as having retired has resorted to eating and drinking. king of Spain once again. Not in BM. Satirical comparison between Napoleon and Louis Stock: 35201 XVIII. Not in BM. Stock: 14500 511. St Swithins Chapeell _ Cold bath fields -

(NB not a Chapel of Ease.) 508. The Life of a Soldier. Sketched Etched & Published by George Cruikshank [n.d., c.1850.] Myddleton Terrace Pentonviille Decr. 1833. Woodcut. Sheet size: 265 x 215mm (10¼ x 8½"). Light Etching on india laid paper, 1190 x 280mm. 7½ x 11". creasing. £60 £60 Six individual scenes on one sheet depicting various A preacher addresses a crowwd under umbrellas in the stages of the life of a British soldier; Enlisting, rain outside Coldbath Fields Prison (later also known Drilling, Woounded in Battle, In Hospital, In Battle as Clerkenwell Gaol) in the Clerkenwell area of again - taking a French Eagle, Promoted and at the London. Also other vignettes of figures under head of a Forlorn Hope, taking a Fort. umbrellas in the rain, and Napoleon wrestling with a Stock: 36185 huge globe lower left.

A satirical print on wet British weather from 'My 514. The Siege of Copenhagen. Respectfully Sketch Book' by George Cruikshank (1792 - 1878). dedicated by Boydell & Co. to Lord Cathcart, Swithun is one of the few Anglo-Saxon saints still Admiral Gambier, the Officers, Soldiers and known to most ordinary people because of his Seamen employed in this undertaking, This patronage of the English weather. He gives his name to View represents the Castles of Cronborg and a British weather lore proverb, which says that if it rains on Saint Swithun's day, 15th July, it will rain for Elsimborg, the entrance into the Sound, with 40 days. the British Fleet & Transsports. Stock: 12021 Drawn by Captain Cockburn of the Royal Artillary. Engraved by R.Pollard & J.C.Stadler. Pub.d Nov.r 512. A Discharg'd Fife=r. Lord Fife. 1807, by Boydell & Co., No..90 Cheapside, London. Drawn Etched by Richard Dighton1821 April 25. Coloured aquatint. 440 x 550mm, 17¼ x 21½". Very Pub.d. by T M.c.Lean Haymarket. scarce. £650 Hand-coloured etching with very large margins. Plate: From a series of views aboutt the 'Second Battle of 180 x 310mm, (7 x 12"). £140 Copenhagen', (16 August - 5 September 1807), a Full length portrait in profile, facing right, of James prreemptive attack on Copenhagen by the British to Duff, 4th Earl of Fife (1776-1827) who, while serving seize the Danish fleet and stop the Danish from barring as MP for Banffshire, was dismissed from his positioon British access to the Baltic unnder pressure from as Lord of the Bedchamber for voting against the malt Napoleon. Crookshank: Secttion 36, no.22, "A fine and tax. Duff also served alongside the Spanish in their war very rare set of aquatints; the only others known to the author are in the British Museum". against Napoleon. BM 14264. Stock: 8568 Stock: 34429

515. To the Right Hon.ble Earl Spencer, This View of Porto Ferrajo, from within the Bay, is with great respect inscribed by his Lordships obedient Servant, Jamess Weir. Drawn by Capt.n James Weiir. Engraved by F. Jukes. London, Published by Ja.s , 480, Strand, April, 1814. Aquatint with large margins,, printed in colours and hand finished. 275 x 390mmm, 10¾ x 15¼". Repaired damage in margin. £380 A view of the Fort at Portoferraio on the island of Elba. Major James Weir of the Royal Marines commanded two companies of the Maltese Light Infantry (or 513. View of the Convent of Batalha 'Cacciatori Maltesi', which trranslates as 'Maltese Dedicated by permission to The Right Hunters), which garrisoned Portoferraio and took part Honourable Lord Viscount Wellington of in the defence of Elba against the French in 1800. The Talavera annd Baron Douro of Vellesley, Knigght engraver Jukes originally published four of Weir's of the most Honourable order of the Bath, views of Portoferraio in 1799; this edition by James Commander in Chief of His Majesty's Forces Daniell seems to have been published to capitalise on in Portugal &c. &c. &c. By His Lordship's renewed interest in Elba because of Napoleon's exile most obediient and very humble Servant, Hennry there. However this evaporatted with his escape and L'Eveque. subsequent exile to the far more remote St Helena. Abbbey: 80. H. L'Eveque del. B. Comte sculp. 1810 London: Pub. Stock: 26303 March 2, 1812, for the Proprietor by Messrs. Colnaghi & Co. 23 Coockspur Street. Line engravinng, very scarce, approx 545 x 790mm 516. Modèle de l'Elephant de la Place de la (21½ x 31"). Outside of frame 680 x 940mm (26½ x Bastille. 37"). Stain on left. In original French gilt frame J. Nash del.t A. Pugin direx.tt Fenner Sears & Co. sc. (damaged and without glass). £700 London Robert Jennings & William Chaplin, The Mosteiro Santa Maria da Vitoria, a Dominican Cheapside August 1,1830. convent in Batalha. Taking over a century to build, itt Engraving. 202 x 133mm. 8 x 5¼". £45 was completed circa 1517 but was sacked and burned Model in wood of the celebrated bronze elephant that by the troops of Napoleon's General André Massena iin Napoleon designed to have at the Place de la Bastille, 1810-1 during the Peninsular Wars. It is now a Paris. UNESCO word heritage site. Stock: 24194 Engraved byy the Swiss engraver Benjamin Rudolph Comte (1760/2-1851) after his compatriot Henri L'Eveque (1769-1832). Both artists spent time working in Portugal. Stock: 23421 517. Jour de Fête at St Cloud Sept.r 1815 with Waterloo' from 1816. The 1811 watermark suggests the British Troops on Duty. this example is from the 'Triumphs'. A. Long. [n.d., c.1815.] Stock: 35514 Rare amateur lithograph. Printed area 240 x 320mm (9½ x 12½"). Margins dusty. £140 520. Leipzic. A fête at the Château de Saint-Cloud, just to the west Publish'd by R. Bowyer, Palll Mall, 1814. of Paris. Although Napoleon had abdicated in June, Very fine coloured aquatint with large margins. 305 x some French forces kept up resistance into Septembeer, 400mm (12 x 15¾"). Cut to plate at bottom. £230 accounting for the British troops in this scene. A view of Leipzig, soon afteerr the 1813 Battle of Amelia Long (née Hume) (1772-1837), married Leipzig (or 'Battle of the Nattions') broke Napoleon's Charles Long who was created Baron Farnborough in hold on Germany. It was published in Robert Bowyer's 1826. Lady Farnborough was Girtin's favourite pupil, 'Triumphs in Europe, in the Campaigns of the Years and her work was widely admired by professional 1812, 1813, 1814 commemoorrated by a Series of artists and drawing masters. For a sketchbook by the Twelve Views...', which celebrated (prematurely) the artist see V&A E.21080-1957. end of the Napoleonic Wars. This work was Stock: 35813 republished the following yeear as 'An Illustrated Record of Important Events iin the Annals of Europe', 518. Berlin. and again with an sister publlication 'The Campaign of Publish'd by R. Bowyer, Pall Mall, 1814. Waterloo' from 1816. Very fine coloured aquatint with large margins. 305 x Stock: 35511 400mm (12 x 15¾"). Cut to plate at bottom. £260 A view of Berlin, shortly after Napoleon's troops had 521. Joachim Haspingeer. Tyrol. been driven from Germany. It was published in Robert Valerio nach Ortners Skizzen. Lith: von August Bry. Bowyer's 'Triumphs in Europe, in the Campaigns of the Innsbruck [Austria], bei F. Unterberger [n.d., c.1840s]. Years 1812, 1813, 1814 commemorated by a Series of Lithograph in fif ne original colour by hand with gum Twelve Views...', which celebrated (prematurely) the arabic, on scrap book page. IImage 205 x 165mm, 8 x end of the Napoleonic Wars. This work was 6½". Lacking some margin. £140 republished the following year as 'An Illustrated Johann Simon Haspinger (1776 - 1858) was a Catholic Record of Important Events in the Annals of Europe', prriest and leader of the Tyrollese revolt against and again with an sister publication 'The Campaign of Napoleon. In a monk's habit with large crucifix, he Waterloo' from 1816. clutches the hilt of his sword and raises his right finger Stock: 35512 in the air; mountainous scenery, dotted with castles (a more modest chalet lower right), in the background. From a patriotic series of Tyyrrolese personalities (from the Eastern Alps). Stock: 25044

522. Andreas Hofer. Tyrol. Valerio nach Ortners Skizzen. Lith: von August Bry. Innsbruck [Austria] bei F. Unterberger [n.d., c.1840s]. Lithograph in fif ne original colour by hand with gum arabic, on scrap book page. IImage 225 x 190mm, 9 x 7½". Lacking some margin. £140 Andreas Hofer (1767 – 18100) was an innkeeper and Tyrolese patriot; holding flag, his right arm resting on a rock upon which he has placeed his hat. Hofer fought for Austria against the Frencch during the War of the Third Coalition. In 1809, he bbecame the leader of a 519. Dresden. rebellion against Franco-Bavarian forces that sparked Publish'd by R. Bowyer, Pall Mall, 1814. the War of the Fifth Coalitionn, which pitted a coalition Very fine coloured aquatint, with small margins. 305 x of the Austrian Empire and thhe United Kingdom 400mm (12 x 15¾"). Watermarked 'J Whatman 1811'. against Napoleon's French Emmpire and Bavaria. He was Very slight offset. £230 subsequently captured and executed. A view of Dresden, with the Frauenkirche in the From a patriotic series of Tyyrrolese personalities (from centre, shortly after Napoleon's troops had been driven the Eastern Alps). from Germany. It was published in Robert Bowyer's Stock: 25046 'Triumphs in Europe, in the Campaigns of the Years 1812, 1813, 1814 commemorated by a Series of 523. The Castle of Ischiia. From the original Twelve Views...', which celebrated (prematurely) the Picture in the possessionn of George Knott end of the Napoleonic Wars. This work was Esq.r. republished the following year as 'An Illustrated Painted by C. Stanfield R.A. Engraved by E. Goodall. Record of Important Events in the Annals of Europe', Printed by McQueen. Art Union of London 1844. and again with an sister publication 'The Campaign of Engraving, with very large margins. 430 x 630mm, 17 x 24¾". With blind stamp of Britannia. A few filled in worm holes, a tear and spotting in margins. £260 A view of the Aragonese Castle, on an island off Ischia but now linked by a stone causeway. The scene appears to be Napoleeonic, : in 1799 the island joined the , backed by the French, but thhe rebellion was put down by the Royal Navy; in 1806 the island was captured by the French, who withstood a British counter-attack, holding it until 1814. The original painting is in the Sunderland Museum and Art Gallery, in the city of the artist's birth. Stock: 26776

524. Amsterdam. Publish'd by R. Bowyer, Pall Mall, 1814. 527. Dantzic. Very fine coloured aquatint with large margins. 305 x Publish'd by R. Bowyer, Palll Mall, 1814. 400mm (12 x 15¾"). Cut to plate at bottom. £140 Very fine coloured aquatint with large margins. 305 x A view of Dam Square in Amsterdam shortly after the 400mm (12 x 15¾"). Watermarked 'J Whatman 1811'. withdrawl of French troops. It was published in Robert Cut to plate at bottom. £280 Bowyer's 'Triumphs in Europe, in the Campaigns of the A view of Gdansk, with St Mary's Church (Bazylika Years 1812, 1813, 1814 commemorated by a Series of Mariacka), the largest brick church in the world, Twelve Views...', which celebrated (prematurely) the dominating the skyline. At the time Gdansk was still a end of the Napoleonic Wars. This work was Free City, prior to its incorporation into West Prussia republished the following year as 'An Illustrated in 1815. It was published in Robert Bowyer's Record of Important Events in the Annals of Europe', 'Triumphs in Europe, in the Campaigns of the Years and again with an sister publication 'The Campaign of 1812, 1813, 1814 commemoorrated by a Series of Waterloo' from 1816. Twelve Views...', which celebrated (prematurely) the Stock: 35513 end of the Napoleonic Wars. This work was republished the following yeear as 'An Illustrated 525. View at the Hague. Record of Important Events iin the Annals of Europe', Publish'd by R. Bowyer, Pall Mall, 1814. and again with an sister publlication 'The Campaign of Very fine coloured aquatint with small margins. 305 x Waterloo' from 1816. 400mm (12 x 15¾"). Watermarked 'J Whatman 1811'. Stock: 35515 £240 A view of the Binnenhof, home of the of the States 528. To the Right Honble Earl Spencer, This General of the Netherlands, from Robert Bowyer's View of the West Side of Porto Ferrajo Bay 'Triumphs in Europe, in the Campaigns of the Years With the positions of thee Captain 74. __Flora, 1812, 1813, 1814 commemorated by a Series of Twelve Views...', which celebrated (prematurely) the Inconstant, Southampton Frigates. [&] This end of the Napoleonic Wars. This work was View of Porto Ferrajo frrom the Sea... republished the following year as 'An Illustrated Drawn by Capt. James Weir.. Engraved by F. Jukes. Record of Important Events in the Annals of Europe', London Pubd. by F. Jukes Hoowland Street Jan. 1st. and again with an sister publication 'The Campaign of 1799. Waterloo' from 1816. The 1811 watermark suggests Pair of hand coloured etchings and aquatint, two from this example is from the 'Triumphs'. four from a first edition of 'Island of Elba. With four Stock: 35510 interesting views of the capittal', very rare. 275 x 390mm, 10¾ x 15¼". Some light staining and patched 526. A View of the City of Oporto. Vue holes and stain on Porto Ferrrajo from the sea. £380 Two prospects showing the ffortifications and harbour Perspective de la Ville de Oporto. of Portoferraio on the island of Elba, which was London Printed for Robt. Sayer Print & Mapseller, at contested in the 18th century due to its strategic the Golden Buck in Fleet-street [n.d., c.1760s]. poosition; several ships to foreground of first plate, Hand coloured engraving, image 220 x 410mm, 8¾ x including a fishing boat conttaaining three men who let 16¼". Trimmed to image and laid on card in near- out a net (left). contemporary presentation by or for collector 'E J Major James Weir of the Royal Marines commanded Myles'; inscribed to verso with his name (probably two companies of the Maltese Light Infantry (or signature) in ink, and numbered '86'. Inscription 'Cacciatori Maltesi', which trranslates as 'Maltese detached and pasted to verso, as often. Contemporary Hunters), which garrisoned Portoferraio and took part colour; some surface scuffing and rubbing. £160 in the defence of Elba against the French in 1800. This important trading city on the Douro, Portugal - the Scarce early issues: in 1814 James Daniell re-published so-called 'The Unvanquished City' - was never them to capitalise on reneweed interest in Elba because conquered, although Romans, Moors, and Napoleon of Napoleon's exile there. However this evaporated tried. with his escape and subsequent exile to the far more Stock: 21765 remote St Helena. See Abbey Travel 80 (1 & 2) for the Edw.d Orme, Printseller to His Majesty, 59 Bond republished edition by James Daniell. Parker: 3097.. Street, the Corner of Brook Street, London. Stock: 20583 Aquatint, part printed in colours. 530 x 690mm (21 x 27"). £1550 529. Speckbacher. Tyrol. A view of the Cape of Good Hope from the sea, Valerio nach Ortners Skizzen. Lith: von August Bry. puublished less than six months after General Sir David Innsbruck [Austria] bei F. Unterberger [n.d., c.1840s]. Baird (1757-1829) won the Battle of Blaauwberg, Lithograph in fine original colour by hand with gum taking Cape Town from the Dutch, who were arabic, on scrap book page. Image 200 x 170mm, 8 x Napoleon's allies in the War of the Third Coalition 6¾". Lacking some margin. £140 (1805-6). British sovereignty of the area was Josef Speckbacher (1767 - 1820), leading figure in the recognised at the Congress of Vienna in 1815, and rebellion of the Tyrol against Napoleon; in military remained so until the 20th century. Under the main uniform, holding a sword, mountain scenery behind. view is a vignette scene titled 'The Battle previous to From a patriotic series of Tyrolese personalities (from the Surrender of the Cape off Good Hope, to Sir Home the Eastern Alps). Popham, and Sir David Baird, Jan.y 8th 1806', with Stock: 25045 Baird directing the troops. The engraver, J. Clark, is known for his series of 530. Inhuldiging Van Willem Den 1sten te aquatints of Scottish cities. Although it cannot be Brussel; den 21 September 1815. (Trien.) prroved it is believed he is the Scottish painter John Inauguration De Guillaume Ier a Bruxelles, le Heaviside Clark, famed as 'Waterloo Clark' for his 21 Septembre 1815. (Cortege.) early sketches of the Battle. Clark also published a matching view of the Battle of Alexandria See: BM Leroy pinxt. Grave par P.L. Debucourt. [&] Grave paar 1917,1208.4318 & NAM. 1971-02-33-99-1, both with Nepomuck Gibele. J.L. Van Bever, Editeur, a 'J.Hamble' rather than Merkke in the inscripi tion. Bruxelles [n.d., c.1815]. Stock: 31422 Pair of coloured aquatints, each image 470 x 675mm. 18½ x 26½". Centrefold as issued. Stain from mounts. £2200 532. [In pencil:] A Hunndred Years' Peace. William Frederick (William I), born Willem Frederik The Signature of the Treaty of Ghent between Prins van Oranje-Nassau (1772 - 1843), was a Princee Great Britain and the United States of of Orange and the first King of the Netherlands. America. December 24th 1814. [In pencil:] Feeling threatened by Napoleon who had escaped from A.St. John Baker; Henry Boulburn; John Elba, William proclaimed himself King of the United Quincy Adams; Christopher Hughes; (a Kingdom of the Netherlands on 16 March 1815 at the secretary); Jonathan Russsell; Walliam Adams; urging of the powers gathered at the Congress of Admiral Lord Gambier; Albert Ballatin; Vienna. His sson, the future king William II, fought as a James A. Bayard; Henry Clay. (British commander at the Battle of Waterloo. Delegates.) (American Delegates.) These are two handsome views of his inauguration Aforestier 1914. [Pencil signature:] Forestier. No. procession through the streets of Brussells. 3014. Copyright 1914 in London & Washington by the After Sébastien Leroy, painter who worked in Paris. Stock: 8485 Fine Arts Publishing Co Ltd.. 15 Green Street, London. Printed in England. Coloured lithograph. Stamped: zz3. Remarque to lower right. Board 692 x 832mm. £520 The Treaty of Ghent, 1814, was the peace treaty that marked the end of the War of 1812 between the United States and the United Kingdom. It took so long for news of the treaty to reach the United States, that in fact the Battle of New Orleans was fought after it was signed. Remarque of the Brittish and American flags intertwined to suggest unity. Print after the painting 'The Signing of the Treay of Ghent, Christmas Eve, 1814'' (1914) by Sir Amèdée Forestier (1854-1930) in the collection of the Smithsonian Museum, Washington, D.C. Stock: 19629

531. A View of the Cape of Good Hope. Thiis Engraving In Commemoration of the Taking of the Cape of Good Hope, Is Inscribed to Sirr David Baird & Sir Home Popham by their most obed.t serv.t Edw.d Orme. Drawn by W.M. Craig. J Clark & H. Merke sculp.t. Edw.d Ormee Excu.t. Published & Sold June 4, 1806 by