Cathedral Floor Damage Survey
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WICK's VARIETY STORE Bicycles and Automobiles |
REV. MR. BURK’S LETTERS. it is, ami now tlie plaster has been removed WEST DEPTFORD. j CLARKSBORO. MULLICA HILL. ©lottccslcts «& Urmocral. one can see how Roman and Saxon, Eng- A WEEK’S NEWSCONDENSED. lish and Norman have contributed to its C. B. Platt and Samuel Sweeten Mr. ami Mrs. J. I). and Miss Tamsen Cole and Mrs. Hor- Income PUBLISHED EVERY Capt. Hoffman, Sr., sister, Surplus THURSDAY, AT Here was the each are the of a new of have been FAMILIAR WORDS ON ENTERING THE erection. chapel of Queen proud grandfather Miss Elsie Hoffman are spending tlie week ner, Phila., visiting their Friday, August 29. ■Woodbury, New Jersey. Bertha before came, and it grandson. Platt’s son Charlie, Hweeten’s at Ocean Grove. uncles, Joseph and Ira Coles. The boat destroyer cannot be HARBOR OF DOVER. Augustine here, torpedo Barry better spent than is St. son Forrest. said, Augustine baptized King Etbel- | Mr. C. Walter Higgins, of Philadelphia, A very light shower fell here on Wednes- made 28.12 knots an hour in her offi- PRICE—PAYABLE IN ADVANCE: bert. How much before Bertha’s Queen Irvin Starr’s five children and three and Carlton B. Higgins, of Long Island day evening, but entirely insufficient for cial trial yesterday. One Year.*1.30 A RIDE TO CANTERBURY—DESCRIPTION OF time there was a Christian church there no their the in Life Insur- others, of Thorofare, were visiting were over of Mr. and Mrs. needs. colored purchasing Hix Snnday guests Frank Smith, a lad, aged 11 Months.73 THE OLD TOWN—THE CATHEDRAL AND one can say. -
Medieval Heritage and Pilgrimage Walks
Medieval Heritage and Pilgrimage Walks Cleveland Way Trail: walk the 3 miles from Rievaulx Abbey, Yorkshire to Helmsley Castle and tread in the footsteps of medieval Pilgrims along what’s now part of the Cleveland Way Trail. Camino de Santiago/Way of St James, Spain: along with trips to the Holy Land and Rome, this is the most famous medieval pilgrimage trail of all, and the most well-travelled in medieval times, at least until the advent of Black Death. Its destination point is the spot St James is said to have been buried, in the Cathedral of Santiago de Compostela. Today Santiago is one of UNESCO’s World Heritage sites. Read more . the Cathedral of Santiago de Compostela holds a Pilgrims’ Mass every day at noon. Walk as much or as little of it as you like. Follow the famous scallop shell symbols. A popular starting point, both today and in the Middle Ages, is either Le Puy in the Massif Central, France OR the famous medieval Abbey at Cluny, near Paris. The Spanish start is from the Pyrenees, on to Roncevalles or Jaca. These routes also take in the Via Regia and/or the Camino Frances. The Portuguese way is also popular: from the Cathedrals in either Lisbon or Porto and then crossing into Falicia/Valenca. At the end of the walk you receive a stamped certifi cate, the Compostela. To achieve this you must have walked at least 100km or cycled for 200. To walk the entire route may take months. Read more . The route has inspired many TV and fi lm productions, such as Simon Reeve’s BBC2 ‘Pilgrimage’ series (2013) and The Way (2010), written and directed by Emilio Estevez, about a father completing the pilgrimage in memory of his son who died along the Way of St James. -
REACHING out a Celebration of the Work of the Choir Schools’ Association
REACHING OUT A celebration of the work of the Choir Schools’ Association The Choir Schools’ Association represents 46 schools attached to cathedrals, churches and college chapels educating some 25,000 children. A further 13 cathedral foundations, who draw their choristers from local schools, hold associate membership. In total CSA members look after nearly 1700 boy and girl choristers. Some schools cater for children up to 13. Others are junior schools attached to senior schools through to 18. Many are Church of England but the Roman Catholic, Scottish and Welsh churches are all represented. Most choir schools are independent but five of the country’s finest maintained schools are CSA members. Being a chorister is a huge commitment for children and parents alike. In exchange for their singing they receive an excellent musical training and first-class academic and all-round education. They acquire self- discipline and a passion for music which stay with them for the rest of their lives. CONTENTS Introduction by Katharine, Duchess of Kent ..................................................................... 1 Opportunity for All ................................................................................................................. 2 The Scholarship Scheme ....................................................................................................... 4 CSA’s Chorister Fund ............................................................................................................. 6 Finding Choristers ................................................................................................................. -
Books Available to Buy
The Stained Glass Centre: Books Available to Buy If you are interested in purchasing any of the books listed below, please get in contact with the Friends Administrator by post or email: The Stained Glass Centre Friends Administrator, c/o York Glaziers Trust, 6 Deangate, York YO1 7JB, or [email protected] Books can be picked up from the centre by arrangement, made available to collect at any of our upcoming events, or will be posted to you. Postage and packaging prices will be dependent on the weight and size of purchase. Many thanks The Stained Glass Centre Author Title Price Stock History of York Minster (no cover so title and author £1.00 1 unknown) Albutt, R. Stained Glass Windows of AJ Davies of the £25.00 1 Bromsgrove Guild, Worcestershire Albutt, R. Stained Glass Windows of Bromsgrove and Redditch, £8.00 1 Worcestershire Angus, M. Modern Stained Glass in British Churches £5.00 3 Archer, M. Introduction to English Stained Glass £2.00 7 Archer, M. Stained Glass £1.00 4 Armitage, L. Stained Glass £10.00 1 Atterbury, P. Pugin £25.00 2 Aubert, M. Stained Glass of the Xiith and Xiiith Centuries from £12.00 1 French Cathedrals Aubert, M. Le Vitrail en France £5.00 1 Baker, E. Church Archaeology £5.00 1 Baker, J. English Stained Glass of the Medieval Period (83 £10.00 3 Plates) Beaulah, K. Church Tiles of the Nineteenth Century £1.00 1 Beckett, L. & A. York Minster £3.00 1 Hornak Beckett, W. & G. Pains of Glass: The Story of the Passion from King's £2.00 2 Pattison College Chapel, Cambridgeshire Bell, C.C. -
Issue 18 • Spring 2014 Patron: the Duchess of Kent Singing Out!
NEWS FROM THE CHOIR SCHOOLS’ ASSOCIATION The benefits of a Choir School education ISSUE 18 • SPRING 2014 PATRON: THE DUCHESS OF KENT SINGING OUT! l Canterbury Cathedral Girls’ Choir sang their first Evensong on Saturday 25 January which included music by Vaughan Williams, Dyson and SS Wesley. As the girls processed out from the Quire stalls they received a standing ovation. Under the baton of Assistant Organist, David COnHAIRMAN 22 November moreR thanOGER 100,000O youngVEREND people worldwide, WRITES including… Newsholme, the girls will initially sing at many of our choristers, sang the music of Benjamin Britten. They were services when the boy choristers are on celebrating the centenary of the birth of one of the greatest composers of their twice-termly breaks. Their next the 20th century. Evensong is on Saturday 29 March, followed by the Diocesan Service Our cathedrals and college chapels taken for granted and that they are fully celebrating the 20th anniversary of continued to ring with the sound of supported, musically, socially and Women’s Ministry on Saturday 10 May. glorious music sung by our choristers financially. Music of a high quality often The sixteen girls are aged 12-16 and attend through Christmas, with much of it brought comes at a price, but I believe that any eight different schools in the area. to the fore through radio and television. money spent on cathedral music pays for This term we are working towards Easter itself many times over. It gives pleasure to permeates each day and where what they and I asked Christopher Walji, Head the listener, engaging many entering our do is highly-respected by fellow non- Chorister of Rochester Cathedral, to reflect cathedrals and college chapels for the first chorister pupils. -
Lives of Eminent Serjeants
00024288 i ' 1 I the I I A siatic Society of Bombay | Towf-n MaM, Bombay, ® Digitized with financial assistance from the Government of Maharashtra on 19 September, 2016 LIVES OF EMINENT SERJEANTS-AT-LAW / r ' ‘ A t, ■*< (■; 1' ■ ■ > 1 \\ \ ' '-'’1'- l ;r L -*y ’i« v_ *■ ' y LIVES EMINENT 8ERJEANT8-AT-LAW OP THE ENGLISH BAB. BY HUMPHRY WILLIAM WOOLRYCH. Serjeant-at-Lavt. 24288 — IN TWO VOLUMES. VOL. II. ■ ■■] LONDON: W m . h . ALLEN & CO., 13, WATERLOO PLACE, PALL MALL. S.W. 1869. t’j'-o // ,v 00024288 00024288 L0KD0N!_L swx8 & s, Alo(orgate Street. LIVES OF EMINENT SERJEANTS. THE DARNALS. W hether Darnal, Darnel, or DameU, or even Darnall, according to various readings, these lawyers were of high promise. The elder was spoken of in 1700, amongst other gossip, by Luttrell, as the new Baron of the Exchequer, and actually, though incorrectly, named by him as such.* A classical pim is extant upon the name. Kett, or Horse Kett, as he was called at Oxford, from the resemblance which his head bore to that animal, was a master of the schools at Oxfoi’d, and with him was Mr. Dai’nell. The following line was immediately applied to these gentlemen:— “ Infclix Lolium, et steriles dominantur avenffi.” “ Oats and Davnol choke the rising corn.”’ Or rather, according to Covington, nascimtur. “ Nas- 1 “ Diary,’* voL iv. pp. 652, 653. Sir Salathiol Lovol, Recorclor of London, got the vacant place, '' Dryden*3 “ Pastorals," vol. v. p. 56.—“ Virg. Eclog.,*’ v. 37- yoL . II. 1 Limes OF EMPBNT SBHJEAKTS. «uiii'tur,” he observes, is fouaad:^ ¿¡H th e M SS.” A nd ’ he dhsthigudshes the ^vord “dornikiantur'' iaa th e “ dreorgÌGS,.” -where exactly the sa®ae passage appears, ■ b y i^eferriag th e ikist to“ Weeds giiow higdmongst th e Gora,” whereas, here the “ weeds are ^?owipgvmtmà of baadey.” * tS© ia Job: Goekle or darabl iastead o i barley. -
'Champing, Crawlers and Heavenly Cafes'
‘Champing, Crawlers and Heavenly Cafes’ Can Sussex Churches make more of the Visitor Economy ? Nigel Smith Chief Executive Tourism South East www.tourismsoutheast.com Tourism South East Tourism South East………. - is a not-for-profit member and partnership organisation - ‘Provides services and expertise to support the performance and growth of tourism businesses and destinations.’ - primarily covers Hants, IoW, Sussex, Kent, Surrey, Berks, Bucks and Oxon – but delivers UK wide. - offers marketing, training, research, visitor information, consultancy and advocacy services and the Beautiful South Awards www.tourismsoutheast.com Tourism South East Cathedral and Church Members Guildford Cathedral Winchester Cathedral Chichester Cathedral Canterbury Cathedral Rochester Cathedral Churches Conservation Trust St Mary’s, Itchen Stoke, Hampshire All Saints, Nuneham Courteney, Oxfordshire St Bartholomew’s, Lower Basildon, Berks St Peter’s, Sandwich, Kent St Mary’s Pitstone, Bucks St Peter and St Paul, Albury, Surrey St Peter’s, Preston Park, Sussex www.tourismsoutheast.com Economic Value of the Visitor Economy in the South East • Worth £12+ billion • Supports 400,000 jobs • Larger than Scotland and Wales put together….. www.tourismsoutheast.com Economic Value of the Visitor Economy in Sussex • West Sussex 2016 £1.0 billion • East Sussex 2016 £1.5 billion • Brighton & Hove 2016 £0.85 billion Total £3. 35 billion www.tourismsoutheast.com Visitors to Sussex - Domestic overnight stays are mostly ABC1(69%), adult couples on short breaks - Family Groups account for 35% of staying visitors - Over 80% are on holiday for pleasure - Over 40% stay with or are with VFR - Over half stay in ‘seaside’ locations and 21% in countryside locations - Visits to cultural and heritage attractions and events are significant for both staying and day visitors - International visitors are mostly from Nr Europe with nearly half arriving via Gatwick or Heathrow www.tourismsoutheast.com Churches What do we know? • Est. -
A View from the Archives of Durham, St Paul's, and York Minster
Cathedral music and the First World War: A view from the Archives of Durham, St Paul’s, and York Minster Enya Helen Lauren Doyle Master of Arts (by research) University of York Music July 2016 Abstract This thesis explores the impact of the First World War on English Cathedral music, both during the long four years and in its aftermath. Throughout this study, reference will be made specifically to three English cathedrals: York Minster, Durham and St Paul’s. The examination will be carried out chronologically, in three parts: before the war (part one), during the war (part two) and after the war (part three). Each of these three parts consists of two chapters. Chapter 1 and Chapter 2 help to set the scene and offer context. In chapters 2- 5 there is a more focused and systematic investigation into the day-to-day administrative challenges that the Cathedrals faced, followed in each chapter by an assessment of the musical programme. Chapter 6 examines the long-term impact of the war on British cathedral music, especially in the centenary anniversary years. The Great War is often perceived as a complete break with the past, yet it also represented an imaginative continuity of sorts. As such, 1914-18 can be seen as a period of twilight in a lot of senses. The war managed to bring the flirtation with modernism, which was undoubtedly happening at the beginning of the century, to at least a temporary halt. Through the examination of the archives of the three cathedrals, this thesis investigates how the world war left its mark on the musical life of this portion of English religious and music life, during and after the war, drawing national comparisons as well as showing the particulars of each cathedral. -
Herefordshire News Sheet
CONTENTS ARS OFFICERS AND COMMITTEE FOR 1991 .................................................................... 2 PROGRAMME SEPTEMBER 1991 TO FEBRUARY 1992 ................................................... 3 EDITORIAL ........................................................................................................................... 3 MISCELLANY ....................................................................................................................... 4 BOOK REVIEW .................................................................................................................... 5 WORKERS EDUCATIONAL ASSOCIATION AND THE LOCAL HISTORY SOCIETIES OF HEREFORDSHIRE ............................................................................................................... 6 ANNUAL GARDEN PARTY .................................................................................................. 6 INDUSTRIAL ARCHAEOLOGY MEETING, 15TH MAY, 1991 ................................................ 7 A FIELD SURVEY IN KIMBOLTON ...................................................................................... 7 FIND OF A QUERNSTONE AT CRASWALL ...................................................................... 10 BOLSTONE PARISH CHURCH .......................................................................................... 11 REDUNDANT CHURCHES IN THE DIOCESE OF HEREFORD ........................................ 13 THE MILLS OF LEDBURY ................................................................................................. -
A Journey Through Sacred Space: Medieval Tree and Cross Symbolism in the Apse Mosaic and Floor of San Clemente in Rome Joe Hartm
1 A Journey through Sacred Space: Medieval Tree and Cross Symbolism in the Apse Mosaic and Floor of San Clemente in Rome Joe Hartman PhD candidate, Art History, Southern Methodist University Introduction: Cross, Tree, and Vine Symbolism in the Church of San Clemente In medieval Rome, the cross – also called the lignum vitae (tree or wood of life) – represented a Christian belief that the sins of humankind, associated with the tree of knowledge, were overcome through Christ’s sacrifice.1 The cross and vine in the apse mosaic of the twelfth- century church of San Clemente in Rome are a case in point (Figs. 1-2). In the center of the mosaic, on top of a gold inlaid background, Christ appears crucified on a black cross. A lush, green acanthus plant grows beneath him. Sinuous vines surround the cross on either side. The mosaic’s theme follows a typical fourth- or fifth-century configuration, which likens the emblematic cross to the paradisiacal “Tree of Life.”2 The visually literate laity of the twelfth century would have understood the image as a symbol of redemption and renewal. As such, the apse mosaic also depicts the cross as the Vine of Christ that abundantly provides the wine of the Eucharist and represents Christ’s sacrificial blood.3 The ornament and furnishings of San Clemente emphasize this central tree and vine motif. For example, San Clemente’s iconographic 1 All translations are the authors’ own. For more on the semiotics of the Tree of Life and the Tree of Knowledge, see Gerhart Ladner’s influential article “Medieval and Modern Understanding of Symbolism: A Comparison.” Speculum 54/ 2 (1979), 223-256. -
From: the Dean the Very Revd Nicholas Henshall
From: The Dean The Very Revd Nicholas Henshall 9 June 2020 CHELMSFORD CATHEDRAL RE-OPENING Chelmsford Cathedral is re-opening for personal prayer and reflection on 4th July and will then be open every day from 11 am to 3 pm. The Dean writes: I am delighted to announce that Chelmsford Cathedral is re-opening for personal prayer and reflection on 4th July. The Cathedral will then be open daily from 11 am to 3 pm. This is a great moment, and it is important to stress that is just a first step. Public worship will not resume for some time to come, but it has been wonderful to welcome so many joining us on-line for the daily prayer. That will continue to be streamed live on Facebook at 7.45 am and 5.15 pm every day, with the Eucharist streamed on Sundays at 10.30 am. From 4th July the interior of the Cathedral will be laid out in a different way. This is to comply fully with guidance from the Government and from the Church of England. We are determined to ensure that everyone who visits the Cathedral can do so in full confidence that it is a safe and secure environment. A one-way system will be in operation through the Cathedral, with everyone entering through the South Door and leaving through the North Door. There will be handwash at the door which everyone must use, and certain areas will not accessible, including the vestry block. Any seating in the Cathedral will be appropriately distanced, and every chair will be cleaned after every use, in accordance with the guidelines. -
Cathedral Statistics 2016
Cathedral Statistics 2016 Research and Statistics Church House Great Smith Street London SW1P 3AZ Tel: 020 7898 1547 Published 2017 by Research and Statistics. Copyright © Research and Statistics 2017 All rights reserved. This document is available on line at http://www.churchofengland.org/about-us/facts-stats/research-statistics.aspx. Any reproduction of the whole or any part of the document should reference: Church of England Research and Statistics, Great Smith Street, London SW1P 3AZ Email: [email protected] Twitter: @cofestats The opinions expressed in this booklet are those of the authors and do not necessarily reflect the official policy of the General Synod or National Church Institutions of the Church of England. 1 Executive summary This report presents information about worship and other activities taking place in Church of England cathedrals from 1st January to 31st December 2016. Data are collected from all 42 Church of England cathedrals, and from Westminster Abbey, in the annual cathedral statistics survey. Among other things, the survey asks about attendance at Sunday and midweek services; Easter and Christmas services; school visits; baptisms, marriages, and funerals; musical activities and volunteering. For reference, the survey form and guidance notes can be found in the appendix. Attendance (pages 7 to 11) • 37,000 people per week (82% adults and 18% children aged under 16) were reported attending cathedral services in 2016. This remains the same as in 2015, but is an increase of 17% from 31,600 in 2006. • Community roll increased by 2% from 15,900 in 2015 to 16,200 in 2016; there was a slight decline of 1% from 16,300 in 2006.