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JEREMY STANBRIDGE Production Designer Stanbridgedesign.Com
JEREMY STANBRIDGE Production Designer stanbridgedesign.com PROJECTS DIRECTORS PRODUCERS/STUDIOS GOOD BOYS Lee Eisenberg Joe Drake, Evan Goldberg, Seth Rogen Feature Film & Gene Stupnitsky Universal COLONY Various Directors Brian Parker, Tim Southam, Ryan Condal Season 3 Carlton Cuse / USA Network ROADIES Cameron Crowe Iain Paterson, Peter Schindler / Showtime Pilot - Add’l Photography Warner Bros. INTO THE FOREST Patricia Rozema Ron McLeod, Niv Fichman, Aaron L. Gilbert Feature Film Margot Hand, / Rhombus Media THE MOVIE OUT HERE David Hicks Cynthia Chapman, Laurie Maxwell, Shel Piercy Feature Film Alliance Atlantis THE GUARD Various Directors Shawn Williamson, Cynthia Chapman Seasons 1 & 2 Brightlight Pictures / Global MEMORY LANES Pilot Brian K. Roberts Cynthia Chapman / CBC Partial List ART DIRECTOR GAME OVER, MAN! Kyle Newacheck Ted Gidlow, Barbara Kelly / Netflix FIFTY SHADES FREED James Foley Marcus Vicidi, Barbara Kelly / Universal Supervising Art Director FIFTY SHADES DARKER James Foley Marcus Vicidi, Barbara Kelly / Universal Supervising Art Director STAR TREK BEYOND Justin Lin Jeffrey Chernov / Paramount SHUT IN Farren Blackburn Olivier Glas, Christine Haebler / A24 ROADIES Pilot Cameron Crowe Iain Paterson, Peter Schindler / Showtime Warner Bros. TOMORROWLAND Brad Bird Jeffrey Chernov, Bernie Bellew / Disney FIFTY SHADES OF GREY Sam Taylor-Johnson Greg Goodman / Universal HORNS Alex Aja Sean Williamson, Cathy Schulman / Lionsgate THE COMPANY YOU KEEP Robert Redford Sean Williamson, Bill Holderman / Sony TWILIGHT SAGA: BREAKING DAWN II Bill Condon Bill Bannerman, Wyck Godfrey, Barbara Kelly Supervising Art Director Lionsgate TWILIGHT SAGA: BREAKING DAWN I Bill Condon Bill Bannerman, Wyck Godfrey, Barbara Kelly Summit TWILIGHT SAGA: ECLIPSE David Slade Bill Bannerman, Wyck Godfrey, Barbara Kelly Summit THE THING Matthijs van Mark Abrams, J Miles Dale, Eric Newman & Heijningen Jr. -
DAN LEIGH Production Designer
(3/31/17) DAN LEIGH Production Designer FILM & TELEVISION DIRECTOR COMPANIES PRODUCERS “GYPSY” Sam Taylor-Johnson Netflix Rudd Simmons (TV Series) Scott Winant Universal Television Tim Bevan “THE FAMILY” Paul McGuigan ABC David Hoberman (Pilot / Series) Mandeville Todd Lieberman “FALLING WATER” Juan Carlos Fresnadillo USA Gale Anne Hurd (Pilot) Valhalla Entertainment Blake Masters “THE SLAP” Lisa Cholodenko NBC Rudd Simmons (TV Series) Michael Morris Universal Television Ken Olin “THE OUTCASTS” Peter Hutchings BCDF Pictures Brice Dal Farra Claude Dal Farra “JOHN WICK” David Leitch Thunder Road Pictures Basil Iwanyk Chad Stahelski “TRACERS” Daniel Benmayor Temple Hill Entertainment Wyck Godfrey FilmNation Entertainment D. Scott Lumpkin “THE AMERICANS” Gavin O'Connor DreamWorks Television Graham Yost (Pilot) Darryl Frank “VAMPS” Amy Heckerling Red Hour Adam Brightman Lucky Monkey Stuart Cornfeld Molly Hassell Lauren Versel “PERSON OF INTEREST” Various Bad Robot J.J. Abrams (TV Series) CBS Johanthan Nolan Bryan Burk Margot Lulick “WARRIOR” Gavin O’Connor Lionsgate Greg O’Connor Solaris “MARGARET” Kenneth Lonergan Mirage Enterprises Gary Gilbert Fox Searchlight Sydney Pollack Scott Rudin “BRIDE WARS” Gary Winick Firm Films Alan Riche New Regency Pictures Peter Riche Julie Yorn “THE BURNING PLAIN” Guillermo Arriaga 2929 Entertainment Laurie MacDonald Walter F. Parkes SANDRA MARSH & ASSOCIATES Tel: (310) 285-0303 Fax: (310) 285-0218 e-mail: [email protected] (3/31/17) DAN LEIGH Production Designer ---2-222---- FILM & TELEVISION COMPANIES -
International Production Notes
INTERNATIONAL PRODUCTION NOTES PUBLICITY CONTACT Julia Benaroya Lionsgate +1 310-255-3095 [email protected] US RELEASE DATE: SEPTEMBER 28, 2018 RUNNING TIME: 89 MINUTES TABLE OF CONTENTS PRODUCTION INFORMATION ..................................... 4 ABOUT THE CAST ................................................ 14 ABOUT THE FILMMAKERS ..................................... 18 END CREDITS ...................................................... 26 3 PRODUCTION INFORMATION In this terrifying thrill ride, college student Natalie is visiting her childhood best friend Brooke and her roommate Taylor. If it was any other time of year these three and their boyfriends might be heading to a concert or bar, but it is Halloween which means that like everyone else they will be bound for Hell Fest – a sprawling labyrinth of rides, games and mazes that travels the country and happens to be in town. Every year thousands follow Hell Fest to experience fear at the ghoulish carnival of nightmares. But for one visitor, Hell Fest is not the attraction – it is a hunting ground. An opportunity to slay in plain view of a gawking audience, too caught up in the terrifyingly fun atmosphere to recognize the horrific reality playing out before their eyes. As the body count and frenzied excitement of the crowds continue to rise, he turns his masked gaze to Natalie, Brooke, Taylor and their boyfriends who will fight to survive the night. CBS FILMS and TUCKER TOOLEY ENTERTAINMENT present a VALHALLA MOTION PICTURES production HELL FEST Starring Amy Forsyth, Reign Edwards, Bex Taylor-Klaus and Tony Todd. Casting by Deanna Brigidi, CSA and Lisa Mae Fincannon. Music by Bear McCreary. Costume Designer Eulyn C. Hufkie. Editors Gregory Plotkin, ACE and David Egan. -
Milla Jovovich
Textes : COMING SOON COMMUNICATION • Design : Fabrication Maison / TROÏKA . SAMUEL HADIDA et METROPOLITAN FILMEXPORT présentent une production CONSTANTIN FILM/ DAVIS FILMS/ IMPACT PICTURES un film de RUSSELL MULCAHY MILLA JOVOVICH ODED FEHR ALI LARTER IAIN GLEN ASHANTI MIKE EPPS Un film produit par Bernd Eichinger, Samuel Hadida, Robert Kulzer, Jeremy Bolt et Paul W.S. Anderson SORTIE LE 3 OCTOBRE 2007 Durée : 1h30 Vous pouvez télécharger l'affiche et des photos du film sur : http://presse.metropolitan-films.com www.metrofilms.com www.re3.fr DISTRIBUTION RELATIONS PRESSE METROPOLITAN FILMEXPORT PROGRAMMATION PARTENARIATS KINEMA FILM / François Frey 29, rue Galilée - 75116 Paris Region Paris GRP-Est-Nord ET PROMOTION 15, rue Jouffroy-d’Abbans [email protected] Tél. : 01 56 59 23 25 AGENCE MERCREDI 75017 Paris Tél. : 01 56 59 23 25 Region Marseille-Lyon-Bordeaux Tél. : 01 56 59 66 66 Tél. : 01 43 18 80 00 Fax : 01 53 57 84 02 Tél. : 05 56 44 04 04 Fax : 01 56 59 66 67 Fax : 01 43 18 80 09 Le virus expérimental mis au point par la toute-puissante Umbrella Corporation a détruit l’humanité, transformant la population du monde en zombies avides de chair humaine. Fuyant les villes, Carlos, L.J., Claire, K-Mart, Nurse Betty et quelques survivants ont pris la route dans un convoi armé, espérant retrouver d’autres humains non infectés et gagner l’Alaska, leur dernier espoir d’une terre préservée. Ils sont accompagnés dans l’ombre par Alice, une jeune femme sur laquelle Umbrella a mené autrefois de terribles expériences biogéniques qui, en modifiant son ADN, lui ont apporté des capacités surhumaines. -
Pr-Dvd-Holdings-As-Of-September-18
CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
MARCUS ALEXANDER Stereographer/Stereo Producer/Stereo Supervisor
MARCUS ALEXANDER Stereographer/Stereo Producer/Stereo Supervisor PROJECTS DIRECTOR STUDIO & PRODUCERS “WARCRAFT” DUNCAN JONES ATLAS ENTERTAINMENT Stereo Consultant LEGENDARY PICTURES Alex Gartner, Jon Jashni, Charles Roven, Thomas Tull “GODZILLA” GARETH EDWARDS WARNER BROS. PICTURES Stereo Consultant LEGENDARY PICTURES Jon Jashni, Mary Parent, Brian Rogers, Thomas Tull LEGENDARY PICTURES LOGO EMILY CASTEL LEGENDARY PICTURES Stereo Consultant TRAILER PARK Jake Rice “THE SEVENTH SON” SERGEI BODROV LEGENDARY PICTURES Stereographic Supervisor Basil Iwanyk, Thomas Tull, Lionel Wigram “WRATH OF THE TITANS” JONATHAN LIEBESMAN WARNER BROS. PICTURES Post Stereographer/Stereo Producer Basil Iwanyk, Polly Johnsen Film nominated for I3DS Callum McDougall (Best Post Supervision 2D to 3D) “STAR WARS: EPISODE I – GEORGE LUCAS TWENTIETH CENTURY FOX THE PHANTOM MENACE 3D” LUCASFILM Stereo Producer (Prime Focus) Rick McCallum + Stereography Support - UC “THE CHRONICLES OF NARNIA:THE MICHAEL APTED TWENTIETH CENTURY FOX VOYAGE OF THE DAWN TREADER” WALDEN MEDIA Stereoscopic Support Andrew Adamson, Mark Johnson, (Prime Focus) Philip Steuer “DEAD CRAZY” FRANK SCANTORI THE FILM THEATRE COMPANY Cinematographer “YELLING TO THE SKY” VICTORIA MAHONEY ELEPHANT EYE FILMS Digital Intermediate Producer (Deluxe NYC) “LAST NIGHT” MASSY TADJEDIN GAUMONT/NICK WECHSLER PRODS. D. I. Manager (Deluxe New York) "SHANGHAI" MIKAEL HAFSTROM PHOENIX PICTURES Digital Intermediate Manager (Deluxe NYC) “LETTERS TO JULIETTE” GARY WINICK SUMMIT ENTERTAINMENT Digital Intermediate Manager (Deluxe NYC) "THE BOUNTY HUNTER" ANDY TENNANT COLUMBIA PICTURES D. I. Manager (UC) (Deluxe New York) Marcus Alexander -Continued- "REMEMBER ME" ALLEN COULTER SUMMIT ENTERTAINMENT D. I. Manager (Deluxe New York) "GREENBERG" NOAH BAUMBACH FOCUS FEATURES Digital Intermediate Producer (EFILM) "THE LAST SURVIVOR" (Documentary) MICHAEL KLEIMAN RIGHTEOUS PICTURES D.I. -
Martin Moszkowicz Filmographie
FILMOGRAPHIE MARTIN MOSZKOWICZ FILMOGRAPHIE MARTIN MOSZKOWICZ JAHR TITEL REGIE 2022 Liebesdings Anika Decker EXECUTIVE PRODUCER Der Nachname Sönke Wortmann EXECUTIVE PRODUCER 2021 Welcome to Raccoon City Johannes Roberts EXECUTIVE PRODUCER Contra Sönke Wortmann EXECUTIVE PRODUCER Caveman Laura Lackmann EXECUTIVE PRODUCER Tides Tim Fehlbaum EXECUTIVE PRODUCER Ostwind - Der große Orkan Lea Schmidbauer CO-PRODUZENT The Foundation Mike P. Nelson EXECUTIVE PRODUCER Monster Hunter Paul W.S. Anderson EXECUTIVE PRODUCER 2 020 Drachenreiter Tomer Eshed EXECUTIVE PRODUCER Black Beauty Ashley Avis EXECUTIVE PRODUCER Berlin, Berlin Franziska Meyer Price CO-PRODUZENT Das geheime Leben der Bäume Jörg Adolph EXECUTIVE PRODUCER 2019 Das perfekte Geheimnis Bora Dagtekin EXECUTIVE PRODUCER Eine ganz heiße Nummer 2.0 Rainer Kaufmann CO-PRODUZENT Die drei !!! Viviane Andereggen CO-PRODUZENT The Silence John R. Leonetti EXECUTIVE PRODUCER Der Fall Collini Marco Kreuzpaintner EXECUTIVE PRODUCER Ostwind – Aris Ankunft Theresa von Eltz CO-PRODUZENT Polar Jonas Akerlund EXECUTIVE PRODUCER FILMOGRAPHIE MARTIN MOSZKOWICZ JAHR TITEL REGIE 2018 Der Vorname Sönke Wortmann EXECUTIVE PRODUCER Fünf Freunde und das Tal der Dinosaurier Mike Marzuk CO-PRODUZENT Asphaltgorillas Detlev Buck EXECUTIVE PRODUCER Verpiss Dich, Schneewittchen Cüneyt Kaya EXECUTIVE PRODUCER Nur Gott kann mich richten Özgur Yildrim CO-PRODUZENT 2017 Dieses bescheuerte Herz Marc Rothemund PRODUZENT Das Pubertier Leander Haußmann EXECUTIVE PRODUCER Tigermilch Ute Wieland EXECUTIVE PRODUCER Ostwind – Aufbruch nach Ora Katja von Garnier CO-PRODUZENT Axolotl Overkill Helene Hegemann EXECUTIVE PRODUCER Tiger Girl Jakob Lass EXECUTIVE PRODUCER Jugend ohne Gott Alain Gsponer EXECUTIVE PRODUCER Timm Thaler oder das verkaufte Lachen Andreas Dresen EXECUTIVE PRODUCER Shadowhunters (TV) McG u.a. PRODUZENT Resident Evil: The Final Chapter Paul W.S. -
Television Sharknados and Twitter Storms
Television Sharknados and Twitter Storms: Cult Film Fan Practices in the Age of Social Media Branding Stephen William Hay A thesis submitted to Victoria University of Wellington in fulfilment of the regulations for the degree of Master of Arts in Media Studies Victoria University of Wellington 2016 Abstract This thesis examines the Syfy channel’s broadcast of the television movie Sharknado and the large number of tweets that were sent about it. Sharknado’s audience engaged in cult film viewing practices that can be understood using paracinema theory. Paracinema engagement with cult films has traditionally taken place in midnight screenings in independent movie theatres and private homes. Syfy’s audience was able to engage in paracinematic activity that included making jokes about Sharknado’s low quality of production and interacting with others who were doing the same through the affordances of Twitter. In an age where branding has become increasingly important, Syfy clearly benefited from all the fan activity around its programming. Critical branding theory argues that the value generated by a business’s brand comes from the labour of consumers. Brand management is mostly about encouraging and managing consumer labour. The online shift of fan practices has created new opportunities for brand managers to subsume the activities of consumers. Cult film audience practices often have an emphasis on creatively and collectively engaging in rituals and activities around a text. These are the precise qualities that brands require from their consumers. Sharknado was produced and marketed by Syfy to invoke the cult film subculture as part of Syfy’s branding strategy. -
Directed By: Josephine Decker Written By: Sarah Gubbins Starring: Elisabeth Moss, Odessa Young, Michael Stuhlbarg, Logan Lerman
SHIRLEY Directed by: Josephine Decker Written by: Sarah Gubbins Starring: Elisabeth Moss, Odessa Young, Michael Stuhlbarg, Logan Lerman Running Time: 107 Minutes CORNERSTONE FILMS CONTACTS: Publicity: Anna Bohlin/ [email protected] Marketing: Joanne Michael/ [email protected] SYNPOSIS Fred and Rose move to a small Vermont college town in pursuit of a job for Fred as an assistant professor of literature. The young couple receives an offer for free room and board from professor Stanley Hyman, as long as Rose agrees to spend time cleaning up the home and looking after his wife, acclaimed horror author Shirley Jackson. At first Fred and Rose detest the rocky household of the eccentric couple, but they eventually establish deep bonds with their counterparts, which will test the limits of their young love. Director Josephine Decker makes an exciting return with a biographical portrait brought alive with energy and imagination, based on a novel by Susan Merrill and screenplay by Sarah Gubbins. Shirley is a fresh take on the period drama, full of contemporary intrigue and dynamic in style. It features a stellar lead cast—Elisabeth Moss, Michael Stuhlbarg, Odessa Young, and Logan Lerman—who all return to the Festival to give another memorable performance. DIRECTOR’S STATEMENT Shirley Jackson was a wildly unorthodox human and storyteller. Encountering her work was like finding a map towards becoming the kind of artist I would like to be. Daring. Intimate. Structured yet dreamlike. Shirley’s work rides on the skin between imagined and real, seducing with its oddness and humble cracks until you can’t tell if you’re looking up the stairwell or into your own mouth. -
The Statement
THE STATEMENT A Robert Lantos Production A Norman Jewison Film Written by Ronald Harwood Starring Michael Caine Tilda Swinton Jeremy Northam Based on the Novel by Brian Moore A Sony Pictures Classics Release 120 minutes EAST COAST: WEST COAST: EXHIBITOR CONTACTS: FALCO INK BLOCK-KORENBROT SONY PICTURES CLASSICS SHANNON TREUSCH MELODY KORENBROT CARMELO PIRRONE ERIN BRUCE ZIGGY KOZLOWSKI ANGELA GRESHAM 850 SEVENTH AVENUE, 8271 MELROSE AVENUE, 550 MADISON AVENUE, SUITE 1005 SUITE 200 8TH FLOOR NEW YORK, NY 10024 LOS ANGELES, CA 90046 NEW YORK, NY 10022 PHONE: (212) 445-7100 PHONE: (323) 655-0593 PHONE: (212) 833-8833 FAX: (212) 445-0623 FAX: (323) 655-7302 FAX: (212) 833-8844 Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com THE STATEMENT A ROBERT LANTOS PRODUCTION A NORMAN JEWISON FILM Directed by NORMAN JEWISON Produced by ROBERT LANTOS NORMAN JEWISON Screenplay by RONALD HARWOOD Based on the novel by BRIAN MOORE Director of Photography KEVIN JEWISON Production Designer JEAN RABASSE Edited by STEPHEN RIVKIN, A.C.E. ANDREW S. EISEN Music by NORMAND CORBEIL Costume Designer CARINE SARFATI Casting by NINA GOLD Co-Producers SANDRA CUNNINGHAM YANNICK BERNARD ROBYN SLOVO Executive Producers DAVID M. THOMPSON MARK MUSSELMAN JASON PIETTE MICHAEL COWAN Associate Producer JULIA ROSENBERG a SERENDIPITY POINT FILMS ODESSA FILMS COMPANY PICTURES co-production in association with ASTRAL MEDIA in association with TELEFILM CANADA in association with CORUS ENTERTAINMENT in association with MOVISION in association with SONY PICTURES -
A Labour History of Irish Film and Television Drama Production 1958-2016
A Labour History of Irish Film and Television Drama Production 1958-2016 Denis Murphy, B.A. (Hons), M.A. (Hons) This thesis is submitted for the award of PhD January 2017 School of Communications Faculty of Humanities and Social Sciences Dublin City University Supervisor: Dr. Roddy Flynn I hereby certify that this material, which I now submit for assessment on the programme of study leading to the award of PhD, is entirely my own work, and that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge breach any law of copyright, and has not been taken from the work of others save and to the extent that such work has been cited and acknowledged within the text of my work. Signed: ___________________________________ (Candidate) ID No.: 81407637 Date: _______________ 2 Table of Contents Introduction ....................................................................................................................................... 12 The research problem ................................................................................................................................. 14 Local history, local Hollywood? ............................................................................................................... 16 Methodology and data sources ................................................................................................................ 18 Outline of chapters ....................................................................................................................................... -
The Political Agenda of Todd Haynes's Far from Heaven Niall Richardson, University of Sunderland, UK
Poison in the Sirkian System: The Political Agenda of Todd Haynes's Far From Heaven Niall Richardson, University of Sunderland, UK Certainly Haynes's work does qualify as queer, but in the traditional sense of the word: unusual, strange, disturbing. (Wyatt, 2000: 175) Haynes "queers" heterosexual, mainstream narrative cinema by making whatever might be familiar or normal about it strange, and in the process hypothesising alternatives that disrupt its integrity and ideological cohesiveness. (DeAngelis, 2004: 41) Todd Haynes is one of the most controversial directors of contemporary cinema. From his student film Superstar: The Karen Carpenter Story (1987), to his most controversial, Poison (1991), Haynes has continually challenged spectators' expectations by making the familiar appear unfamiliar and evoking a sense of the unusual, strange, or "queer" within everyday lives. Committed to an agenda of political filmmaking, Haynes's films not only subvert Hollywood's storytelling conventions and assail the spectator with challenging images (especially Poison) but also ask the spectator to acknowledge the alienation of minority groups from mainstream society. It would, therefore, seem odd that Haynes should have recently directed Far From Heaven (2002), a homage to the melodramas of the 1950s. Unlike Haynes's other films -- Superstar, Poison, Dottie Gets Spanked (1993), Safe (1995) and Velvet Goldmine (1998) -- Far From Heaven is Haynes's first "commercial" success, popular with both mainstream audiences and critics. This paper will argue that Far From Heaven is more than simply an affectionate pastiche of Douglas Sirk's classic melodrama All That Heaven Allows (1955). Instead, Far From Heaven combines the social critique of the "Sirkian System" with the political agenda found in Poison.