The Ithacan, 1972-12-08

Total Page:16

File Type:pdf, Size:1020Kb

The Ithacan, 1972-12-08 Ithaca College Digital Commons @ IC The thI acan, 1972-73 The thI acan: 1970/71 to 1979/80 12-8-1972 The thI acan, 1972-12-08 The thI acan Follow this and additional works at: http://digitalcommons.ithaca.edu/ithacan_1972-73 Recommended Citation The thI acan, "The thI acan, 1972-12-08" (1972). The Ithacan, 1972-73. 11. http://digitalcommons.ithaca.edu/ithacan_1972-73/11 This Newspaper is brought to you for free and open access by the The thI acan: 1970/71 to 1979/80 at Digital Commons @ IC. It has been accepted for inclusion in The thI acan, 1972-73 by an authorized administrator of Digital Commons @ IC. J;;;~/f}!?.:~~,';';; ••.. '. ,. ' ' ·, ~ ... ~#\;.:~·1' "•J,S: The Ithacan, Ithaca, New York Vol. XLVI No. 12 December 8. 197'2 : : '~ . '..:. '. ART C.M.I.: DEPARTMENT COMPLAINTS BRANCHING AND OUT ••• CHANGES BY BA"RY KING FINALLY BY GARYM. REING The end of the Fall semester is only a couple of weeks away, and Catering Management Incorporated, the college's newly hired food service, has felt the brunt of student complaints through the results of two polls. The last poll, On the far south end of the Ithaca College which was taken at the end of October, showed an campus below the football field, there is a line of increasing number of students who· are still connected garages. Housed in this edifice, rather than trucks or cars, is the Ithaca College Art dissatisfied'with the food service. Department. This is the third home of the Art It has been claimed by Dan Alfonso, this Department in the past ten years. At its inception, college's Director of Food Services, that these the Art Department was housed in the 14th fl~or results have not been neglected. Since the study of of the West Tower and other various locations on the results of the surveys, it has been pointed out campus. _ to this reporter by Mr. Alfonso that many changes Presently with a center in which to base its have already been made or are in the process of activities, the Art Department has diversified and being resolved. expanded itself to the point where there are As direct reaction to the survey, one of the first approximately 300 students participating in art courses. The faculty consists of two full time changes was that a serious evaluation of the professors and three-part time employees. While menues have been made. There are _now a new set small, this faculty along with student input devised of menues, and a student may find in a three week a curriculum unique in this country. They have period some thirty different sandwiches, and an only two formal c<lurses for majors. The first, increase i11 those sandwiches more requested by which is requirect;-is.in Art Foundations, which is students •. basically an introduction to creative processes. The Many of the complaints have centered around other course is Studio Art;, This course offers the food either being uncooked orconstantlycold. many educational opportunities not available elsewhere. Advanced and b_eginning students work The reasons for this have been said to be together, giving them an opportunity to learn from production control and -~l}e need to better educate e.ach other, instead of only learning from a the workers on the handling of their equipment. It professor. Another feature of this program is that was also noted that it is hard to maintain correct the students can work. with any combination of temperatures when you have multiple entree media. The ictea is to break down the menus and very long serving times. When you have compartment11iz~tion of art. AccordJng Jo_ Mr. food that is hot and ready, a person likes to see it Richenberg, a professor. in the Art Department, the · displayed. Often times, however, there has been no purpose of this program is to ·'Create the situation one in line when it was ready, and so consequently which would permit maximum freedom··m the food would get cold until someone came. The relations to the actualities of the art world today."· Another feature of the Art Department is their CMI Director here has said that while steps are '.\laterial and Equipment Fund. This funct-ena~les being taken to improve this situation, he has never students to obtain· material for .t~ work that seen anyone in the business overcome this problem would othetwise be too expensive an·d too.hanHo· completely. come by. Unfortunately. due to budgetary One of the foods that seem to be constantly r~strh:tions. this fund has been cut, ·which w.ill -cold, not to mention tasteless, are the hamburgers. affei:t .dh·~rsity · in a· n~gative way. Funds such 8$ There have been some great, creative comments on this might be a possibility for other dep!ift~ents the survey .about this: "Those hamburgers at lunch i:011ri1111ed on page 2 Continued on page 3 ·.•.... , ·'.~ '' ....... - ~ ;_ ·... -~ ' . ::~'; ' .. """ -i(la Davis Conrl!J'utg from rr J, Congress Chairm.an Resigns Government. Of course Greg was' one ot· S icilliano·s Vice Presidents. and he feels his ·•act ministration·• is doing even hetter. By Ken Holcombe constitution and By-Laws o{ Congress and.be responsible for. ··we have strong college-wide committees which Congress make him an ideal recommending changes. The have a fair number of students pn them.. , We've candidate for the job. Levin, motion was tabled until next raised the level of consdousness of administrators Chairman of Student Congress who is presently Chairman of semester. to the point where they consult students before Chairman of Activities Peter Barrett will step down · the Activities Committee, has making decisions.'' as of this semester's end in . served_ as Co-Chairman of Committee Seth Levin reported that his committee Greg is convinced that I.C. is ·'way ahead of order to study at Ithaca College Orientation for two years, is other colleges· from my research" in the field of member of the Steering recommended the recognition in London. Barrett anounced decision-making . "In structure we're ahead of h1~ forthcoming resignation, Committee for the Center for by Congress of the I nterfraternity Council,- the most other schools in the country. In reality we're al Tuesday evening's regular Individual and Interdisciplinary meeting of Congress. He was Studies, and is a past President Math Club, the Women's kind of behind ourselves. We're not utilizing our ~lected · lo the position by the of HilleJ. Coalition, and the fine arts own structure." members of Congre~s last April. magazine proposed by Steve The question often asked by the student is why · Eliot Golub is presently the Sternberg. The point was raised Acwrding to the bylaws of Vice Chairman of Congress, that there might be some doesn't Student Congress producemore meaningful Congress a new Chairman must having been appointed by Peter conflict between the magazine change?Why is the body characterized by a lack he clcded hy it~ members the Barrett at the beginning of this and Congress at a later date. of innovation'!Greg Davis isn't at all convinced week following the academic year. His supporters Sternberg pointed out, however, that the Congress should be concerned with annount:ement of the position's feel that his experience as Vice that the magazine would not be initiating change. "I think our function is to insure opening. It was argued by several Chairman tltis year makes him of a political nature and will that the ideas of innovative students are voiced. seek to deal with man as· an members on Tuesday night that an able candidate. Golub is C.ongress should act as a beacon for individual if an election for a new currently serving on the Search individual, not as a political unit. Chairman was not held on that Committee for a Vice President Both the magazine, and the students with innovative ideas." Greg is really night that it would probably of Student and Campus other three organizations were pleased with ring of that last statement. "I'll have have to wait for next semester as Affairs, a postion currently held recognized. to remember that, it sounds pretty good." a quorum might not be present by Acting Vice President Gus The "Every Other Sunday When pressed for his opinion of this year's next week. A motion was Perialis. Golub has also served as Supper Club" is also seeking Executive Board of Student Congress, Creg grins offered and carried which makes the Treasurer of Hillel for two recognition and funding. and says "No comment." But that answer won't the only agenda item on years. According to Executive Board sit well with a few people. "I have to say that Tuesday December 12 the member, Ellie Fisher, the George (Hester, Vice President of Business and In other business Tuesday purpose of the club is to meet election of a new Chairman. Finance) and Jeff (White, Accountant for the niRht the Congress members every other Sunday eveningfor Nominations for the Executive Board) have done a wonderful job in Chairmanship will not be. made elected Natalie Scholl to dining and interesting until the meeting of December serve on the Search Committee conversation. The meetings administrating the budget." He thinks about it for 12. It is no scaet, however, that for a new Dean of the Music would be open to anyone. The a minute and decides the txecutive Board has the l w o con tenders for the School. Ms. Scholl is a senior food, according to Ms. Fisher, done a pretty good job considering the obstacles.
Recommended publications
  • Austin's Progressive Country Music Scene and the Negotiation
    Space, Place, and Protest: Austin’s Progressive Country Music Scene and the Negotiation of Texan Identities, 1968-1978 Travis David Stimeling A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements of the Doctor of Philosophy in the Department of Music. Chapel Hill 2007 Approved by: Jocelyn R. Neal, Chair Jon W. Finson David García Mark Katz Philip Vandermeer © 2007 Travis David Stimeling ALL RIGHTS RESERVED ii ABSTRACT TRAVIS DAVID STIMELING: “Space, Place, and Protest: Austin’s Progressive Country Music Scene and the Negotiation of Texan Identities, 1968-1978” (Under the direction of Jocelyn R. Neal) The progressive country music movement developed in Austin, Texas, during the early 1970s as a community of liberal young musicians and concertgoers with strong interests in Texan country music traditions and contemporary rock music converged on the city. Children of the Cold War and the post-World War II migration to the suburbs, these “cosmic cowboys” sought to get back in touch with their rural roots and to leave behind the socially conservative world their parents had created for them. As a hybrid of country music and rock, progressive country music both encapsulated the contradictions of the cosmic cowboys in song and helped to create a musical sanctuary in which these youths could articulate their difference from mainstream Texan culture. Examining the work of the movement’s singer-songwriters (Michael Murphey, Guy Clark, Gary P. Nunn), western swing revivalists (Asleep at the Wheel, Alvin Crow and the Pleasant Valley Boys), and commercial country singers (Willie Nelson, Waylon Jennings), this dissertation explores the proliferation of stock imagery, landscape painting, and Texan stereotypes in progressive country music and their role in the construction of Austin’s difference.
    [Show full text]
  • V11 I12 12071972.Pdf (12.00Mb)
    Monroe DOCTRIN"Respect All. Fear None" E Volume 1 1 December 7, 1972 Issue Twelve Faculty Votes In Winterim For This Year Al By Mark Finkelstt-in & two semesters and therefore Jim Maloney should be paid extra money for Malone teaching during Winterim; the In what was one of the most other camp believes that teachers heated issues of the semester, the are paid to teach for the year; the faculty last Thursday approved an situation is such that at one point a LONG ammended proposal leaving the faculty member suggested that if way open for MCC's first Winterim teachers do not get paid specifical- Semester. The final decision is in ly for teaching during Winterim the hands of the Administration. then the students should not have TO The meeting began with Chair- to pay to participate in Winterim. man. Charles Ruff reading the The ammendment stated simply proposal which included a partial that if a teacher or student desired BE listing of some of the courses to be to teach a NON-CREDIT course he offered. These would be courses at could do so and the school would the 101 level, advanced courses, supply the facilities. The vote REMEMBERED and new "innovative" courses. which passed the amendment was Most of the latter would not be for close (47-52). credit but would zero in on specific The vote which passed the areas of interest both for the stu- ammended proposal however was BY dent and the teacher. not so close. One faculty member Then. David NcNitt. Pres. of the i name withheld I commented that Faculty Association, offered a if the ammendment had been HIS rider to the proposal which led to defeated the entire proposal would nearly fourty minutes of emotional have been defeated.
    [Show full text]
  • New Riders of the Purple Sage – Nrpsmusic.Com in the Summer Of
    New Riders of the Purple Sage – nrpsmusic.com In the summer of 1969, John Dawson was looking to showcase his songs while Jerry Garcia was looking to practice his brand new pedal steel guitar. The two played in coffeehouses and small clubs initially, and the music they made became the nucleus for a band—the New Riders of the Purple Sage. That same year, David Nelson, expert in both country and rock guitar, joined the group on electric lead guitar. Filling out the rhythm section in those early days were Grateful Dead drummer Mickey Hart and engineer Bob Matthews on bass, who was later replaced by Phil Lesh. In 1970, Dave Torbert took over on bass and the New Riders played every chance they got. Soon enough, smoky clubs all over the San Francisco bay area were filling up with whooping, foot-stomping crowds as their music got tighter and more dynamic. They began to tour extensively with the Dead, and in December of 1970, Spencer Dryden, who had previously showed his impeccable drumming style with the Jefferson Airplane, had stepped in on drums. One of the many gigs with the Dead included the Trans-Canadian Festival Express with Janis Joplin, The Band, and other American and Canadian artists like Ian and Sylvia, who had with them a brilliant, innovative pedal steel player named Buddy Cage. When Garcia's busy schedule made it increasingly difficult for him to play with the New Riders, the talented Cage was the perfect choice to fill the pedal steel spot. He moved from Toronto where he had been working in Anne Murray's band, to California in the fall of 1971 to join the New Riders.
    [Show full text]
  • Tommy James: Überleben Dank Der Alten Hits
    EUR 7,10 DIE WELTWEIT GRÖSSTE MONATLICHE 04/08 VINYL -/ CD-AUKTION April Tommy James: Überleben dank der alten Hits Powered and designed by Peter Trieb - 84453 Mühldorf Ergebnisse der AUKTION 353 Hier finden Sie ein interessantes Gebot dieser Auktion sowie die Auktionsergebnisse Anzahl der Gebote 2.916 Gesamtwert aller Gebote 42.051,00 Gesamtwert der versteigerten Platten / CD’s 24.140,00 Höchstgebot auf eine Platte / CD 307,99 Highlight des Monats März 2008 SI - The Rackets - The Breezes Blow - Elite 9459-45 - D - 66 - M / M So wurde auf die Platte / CD auf Seite 17, Zeile 18 geboten: Die anfangs als Jimmy&The Rackets Mindestgebot EURO 10,00 firmierende Beatband aus England hatte dort einmal als The Hearts Bieter 1 15,80 angefangen (2 Singles 1964 auf Stateside und Parlophone), die Bieter 2 16,00 erfolglos blieben, und siedelte dann nach Deutschland über, wo sie schon Bieter 3 35,00 1963 in Ludwigsburg als The Continentals aufgeschlagen waren, um 16 Songs für eine LP einzuspielen. Mit einer gut abgehenden Rock'n'Roll- Show hatten sie dann Erfolg in Süddeutschland. Elite kaufte die Rechte an der LP auf und brachte zuerst mit einem guten Ergebnis 1964 die Single My Soul heraus. Bis 1965 hielt der Erfolg vor allem wegen der guten Konzerte (die sie 1965 auch ins Vorprogramm der Rolling Stones führte) und aus diesem Jahr stammt die vorliegende Single, die preislich um Bieter 4 76,00 die 25 Euro anzusetzen ist. Das Höchstgebot ist deutlich zu hoch. Sie finden Highlight des Monats ab Juni 1998 im Internet unter www.plattensammeln.de Werden Sie reich durch OLDIE-MARKT – die Auktionszahlen sprechen für sich ! Software und Preiskataloge für Musiksammler bei Peter Trieb – D84442 Mühldorf – Fax (+49) 08631 – 162786 – eMail [email protected] Kleinanzeigenformulare WORD und EXCEL im Internet unter www.plattensammeln.de Schallplattenbörsen Oldie-Markt 3/08 3 Plattenbörsen 2008 Schallplattenbörsen sind seit einigen Jahren fester Bestandteil der europäischen Musikszene.
    [Show full text]
  • Airwaves (1981-07 And
    - AIRW\VES A Service of Continuing Education and Extension l5il University of Minnesota, Duluth VOL. 2 NUMBER 8 JULY 1981 AUGUST 1981 Elbo Grease, appearing at Cornstock Festlval, August 14-16. 1 SU PPORT PU BLIC Re crl to the Listener RADIO WUTt1 itaff Station Manager .. ... Tom Livingston By Tom Livingston, Station Manager Program Director ..... ... John Ziegler Asst. Program Director .. .. Paul Schmitz Engineering . • . Kirk Kirsten GOOD NEWS/BAD NEWS Cuts will be made in two major areas. 5. Other Programs-possibilities Producer/ Outreach ....... Jean Johnson First, about half of the funding cut will include "Ja;.z Alive," "Folk Festival Layout ...... ....... - ... Cathe Hice This has been a month of good news come from money that was scheduled to USA," "NPR Theatre" and many be used for purchase of new equipment, and bad news, that all came on the same more. AIRWAVES is the monthly program dayl and the other half will come from the guide of WDTH, which is the 100,000 areas of programming, maintenance, While none of these changes will take wall public radio station at the First, the good news is that as reported office supplies, travel, and the program place until we can arrange to get access University of Minnesota-Duluth. in this column last month, the guide. Hopefully, the only area where to the programs (perhaps as much as a WDTH is part of University Media Corporation for Public Broadcasting you will immediately notice these cuts year from now), we'd like to hear what Resources, a department of Continuing , has officially qualified WDTH for will be in the program guide, which you think about these possibilities.
    [Show full text]
  • Ti HE OLONNADE
    Georgia College Knowledge Box Colonnade Special Collections 2-16-1973 Colonnade February 16, 1973 Colonnade Follow this and additional works at: https://kb.gcsu.edu/colonnade Part of the Higher Education Commons, and the Mass Communication Commons Recommended Citation Colonnade, "Colonnade February 16, 1973" (1973). Colonnade. 683. https://kb.gcsu.edu/colonnade/683 This Book is brought to you for free and open access by the Special Collections at Knowledge Box. It has been accepted for inclusion in Colonnade by an authorized administrator of Knowledge Box. It's It's Your Our Right HE Duty To Ti OLONNADE To Know Inform February 16, 1973 Georgia College, Milledgeville, Georgia 31061 Volume 49, Issue 6 Senate Backs Ravelo The Student Senate of Georgia Bill. Senator Tim Walker was by the next Senate meeting. College met February 8,1973 at 8 called on for a report on the President Ravelo then Twas A Method p.m. Out of 47 Senators, 30 Student Activities Budget, but he established a temporary com- showed up for the meeting. didn't have a report. Senator mittee headed by Frank Howell. President Juan Ravelo called Jacquelyn Jones asked to This committee is to establish a for old business. Senator Ross dissolve the Golden Slipper Food Supervisory Board and a Free read Bill No. 34 concerning Committee because there was no Traffic Court for students to In The Madness need for it. It was approved by appeal to it. the President's Advisory Board. William H. Littleton Senator Jacquelyn Jones made a the Senate. President Ravelo then motion to add three amendments Senator Wayne Sewell in- relinquished his chair to Senator Now that the "Great Snow of we have become members of an to the bill: (1) if a new club is troduced Bill No.
    [Show full text]
  • Stàndvs. Pirate Ads
    March 3, 1973 NEWSPAPER $1.25 IODIC/4,LS II Maturity On Industry Discourse (Ed) .. H Izn ön EA Discrete Disk Move: it Fits Our A : 1v, lei n, Harrison Action: ABC Net Strong StàndVs. Pirate Ads... Metromedia Label Via RCA . New Cash Box Feature: Country Radio Additions O ODY UES: SQIN TO THE CHARTS www.americanradiohistory.com "FRANKENSTEIN:' THE NEW EDGAR WINTER GROUP SINGLE. DEMANDED FROM TH a I H ALBUM BY SOME GREAT RADIO PEOPLE ALL OPER 111E COUNTRY. For the last souple cf weeks. "Franken_sTeir :tas been the hat- -test LP c- it wound They've been ont :n Cleve- land L.A. and Det_ ci=. miry It's been highlighted on the *Aar front page of Gavin. And ncw in coaer the latest Friday Morning Qa.ar_er- *DT AT back Rudman flashes that " LLVV MG/VT Detroit has been receiving Top - 10 prone requests and it has blasted Erom 1.27 cLi status :c a char: de" --)u: at n-jnber 30" RFRANKENSTEIN9S A MINISTER. IN EPIC RECORDS ZF EPIC, MARCA REG. TAC PRINKED I U. -J. www.americanradiohistory.com THE INTERNATIONAL MUSIC -RECORD WEEKLY girls Vol. XXXIV Number Sox3, - 37/March 1973 Publication Office/119 West 57th Street, New York, New York 10019/Telephone: JUdson 6-2640/Cable Address Cash Box, N. Y. GEORGE ALBERT President and Publisher MARTY OSTROW Executive Vice President IRV LICHTMAN Vice President and Director of Editorial CHRISTIE BARTER West Coast Manager Editorial New York KENNY KERNER ROBERT ADELS DON DROSSELL Hollywood RON BARON Research NARM Spells Maturity MIKE MARTUCCI Research Manager BOBBY SIEGEL Advertising ED ADLUM On Industry Discourse Art Director WOODY HARDING Coin Machine & Vending ED ADLUM liminary results of Fry's initial study in Manager A 15th anniversary of an industry DON DROSSELL gathering is a good juncture at which this area.
    [Show full text]
  • Ceishc TOP 100 Albums
    ceishc TOP 100 Albums . 101 GODSPELL 125 THE 5th DIMENSION 148 REMINISCING 153 ORIGINAL CAST (Bell 1102) (8/5 1102) 103 GREATEST HITS LAWRENCE WELK (Ranwood 5001) 102 SEVEN SEPARATE FOOLS (Bell 1106) (8/5 1106) 97 DOUG SAHM AND BAND 3 DOG NIGHT (Dunhill DSD 501-18) (8/5 50119) 106 126 AZTECA (Atlantic SD 7254) 161 LIFE IN A TIN CAN KC 129 150 TRILOGY BEE GEES S0870) (Dist: 112 (RSO Atlantic) 127 THE INCOMIPARABLEumbia 76C(HARLEY6) EMERSON, LAKE & PALMER (Cotillion SD 9903) 141 SONGS OF LOVE PRIDE (TP/CS 9903) CHARLEY PRIDE (RCA LSP 4837) 117 (Camden CAS 2584) (C8S 1208) (Dist: RCA) 102 151 BABY DON'T GET HOOKED ON ME BE 105 WILL THE CIRCLE UNBROKEN 128 WILLIE REMEMBERS MAC DAVIS (Columbia KC 31770) (CT/CS 41770) 125 NITTY GRITTY DIRT BAND (United Artists 9801) 109 RARE EARTH (Rare Earth R5431) (Dist: Motown) 93 152 ONE NIGHT STAND HEARTBREAKER THE FIRST SONGS PAUL STOOKEY (Warner Bros. BS 2674) 152 FREE (Island SW 9324) (Dist: Capitol) 120 LAURA NYRO (Columbia KC 31410) 140 153 JERMAINE 107 CLASS CLOWN 130 MAN WHO SOLD THE WORLD JERMAINE JACKSON (Motown M752L) 156 GEORGE CARLIN (Little David LD 1104) 92 DAVID BOWIE (RCA LSP 4816) (P8S/PK 2103) 105 (TP/CS 1104) (Dist: Atlantic) 154 BETTER DAYS 131 THE LONDON CHUCK BERRY PAUL BUTTERFIELD/BETTER DAY 158 108 HOT ROCKS 1964-1971 (Bearsville BR 2119) (Dist: W.B.) ROLLING STONES (London 2PS 606/7) 108 SESSIONS (Chess CH 60020) 110 155 LED ZEPPELIN MOVING WAVES (Atlantic 7208) 157 FOCUS (Sire SAS -7401) (Dist: Paramount) 118 132 DANCING IN THE MOONLIGHT KING HARVEST (Perception PLP-36) 134 156 SAM NEELY-2 110 GYPSY COWBOY (Capitol 1143) NEW RIDERS OF THE PURPLE SAGE 96 133 FIDDLER ON THE ROOF (Columbia KC 31930) SOUNDTRACK (United Artists 10900) 133 157 GIVE IT UP 114 SLOPPY SECONDS 134 CARNEY BONNOE RAITT (W.B.
    [Show full text]
  • Collection "Pop / Rock / Punk / Prog / Kraut / Etc..."
    Collection "Pop / Rock / Punk / Prog / Kraut / etc..... " de floyd71 Artiste Titre Format Ref Pays de pressage 10,000 Maniacs The Wishing Chair LP 960 428-1 Allemagne 10,000 Maniacs Blind Man's Zoo LP 960 815-1 Allemagne 10cc Deceptive Bends LP 9102 502 Royaume-Uni 10cc Bloody Tourists LP 6310 504 Allemagne 21 Japonesas El Paso Del Tiempo LP 210 901 Allemagne 2nd Vision First Steps LP 6307 696 Allemagne 3 Mustaphas 3 Moushmoumkine LP OTT 10006 France 38 Special Special Forces LP AMLH 64888 Pays-Bas A B C Beauty Stab LP 814 661-1 France A Flock Of Seagulls The Story Of A Young Heart LP 66 202 France A Flock Of Seagulls Listen LP JIV 15006 Pays-Bas A Flock Of Seagulls A Flock Of Seagulls LP 610614 Portugal A. R. & Machines Die Grune Reise LP 2371 128 Allemagne Abel Please World LP 30 AM 6040 France Abrasive Wheels When The Punks Go Marching InLP CITY 001 France Abrax Abrax 2LP LF 211 France Absalom What Do You Mean, They're Dead...LP VMP001 France Ac/dc Powerage LP ATL 50483 Allemagne Ac/dc Let There Be Rock LP 50366 France Ac/dc If You Want Blood You've Got I...LP ATL 50532 Allemagne Ac/dc Highway To Hell LP ATL 50628 Allemagne Ac/dc High Voltage LP ATL 50257 Allemagne Ac/dc For Those About To Rock We Sal...LP ATL K 50851 Allemagne Ac/dc Dirty Deeds Done Dirt Cheap LP ATL 50323 Allemagne Ac/dc Back In Black LP ATL 50735 Allemagne Ace Moment Of Truth LP 30-878 Suisse Adam & The Ants Kings Of Wild Frontier LP CBS 84549 Pays-Bas Aerosmith Toys In The Attic LP CBS 80773 Pays-Bas Aerosmith Rocks LP CBS 32360 Pays-Bas Aerosmith Night In The
    [Show full text]
  • Strike Drags on State,Union Reps Meet in Trenton
    Montclair State University Montclair State University Digital Commons The onM tclarion Student Newspapers 11-21-1974 The onM tclarion, November 21, 1974 The onM tclarion Follow this and additional works at: https://digitalcommons.montclair.edu/montclarion Recommended Citation The onM tclarion, "The onM tclarion, November 21, 1974" (1974). The Montclarion. 255. https://digitalcommons.montclair.edu/montclarion/255 This Book is brought to you for free and open access by the Student Newspapers at Montclair State University Digital Commons. It has been accepted for inclusion in The onM tclarion by an authorized administrator of Montclair State University Digital Commons. For more information, please contact [email protected]. MONTCLARION Thun., Nov. 21, 1974 Vol. 49, No. 12 Montclair, N J 07043 Strike Drags On State, Union Reps Meet in Trenton By Dia Palmieri Representatives of the New Jersey. American Federation of Teachers (N JA F T ) walked out of yesterday's meeting with Department of Higher Education representatives. The meeting, arranged by Jeffrey Tener, acting director of the Public Employment Relations Commissions, had been the first time that both sides met since negotiations broke down last week. According to Marioantonio Lacatena, N J A F T president, the PERC meeting was not a success because the state would not give in to union demands. The PERC sponsored meeting was the result of an invitation to both sides to see if there was any possibliity of resuming contract negotiations. Tener had indicated before the meeting took place that he had hopes but not expectations that the meeting would produce positive results. A spokesman for the PERC office, where the meeting took place, stated that it was "a closed door" meeting and was not able to give any further information as to what was said at the meeting.
    [Show full text]
  • Cbs, 1963–1992
    AUSTRALIAN RECORD LABELS THE C.B.S. LABEL 1963–1992 COMPILED BY MICHAEL DE LOOPER NOVEMBER 2019 CBS, 1963–1992 AUSTRALIAN RECORD COMPANY (A.R.C.) / C.B.S. /SONY RECORDS TIMELINE OCT 1936 FEATURADIO SOUND PRODUCTIONS (NSW) ACQUIRES THE NEW SOUTH WALES BUSINESS CARRIED OUT BY FEATURADIO SOUND PRODUCTIONS PTY LTD. IT COMMENCES OPERATIONS AT 92 PITT ST, SYDNEY, TO RECORD, PRESS AND DISTRIBUTE TRANSCRIPTIONS DISCS OF RADIO SERIALS AND COMMERCIALS. JUL 1938 MACQUARIE BROADCASTING SERVICES PTY LTD REORGANISES ITS INTERESTS INTO THE MACQUARIE BROADCASTING NETWORK. IT INCLUDES A BROADCASTING DIVISION OF PARTICIPATING RADIO STATIONS, A TALENT ORGANISATION, AND A TRANSCRIPTION PRODUCTION AND SALES BUSINESS. SIR HUGH DENISON IS CHAIRMAN OF THE BOARD. THE HEAD OFFICE IS AT SAVOY HOUSE, 29 BLIGH ST, SYDNEY. FEATURADIO SOUND PRODUCTIONS (NSW) IS INCORPORATED INTO THE MACQUARIE COMPANY AS THE AUSTRALIAN RECORD COMPANY (A.R.C.), UNDER THE MANAGEMENT OF C. H. GENDLE. AUG 1939 A.R.C. BEGIN RECORDING AND DISTRIBUTING COMMERCIAL 78 RPM RECORDS, MOSTLY ON THE MACQUARIE LABEL. MACQUARIE 501 IS TITLED ‘AFTER THE STORM / LEILA’, BY THE SEMPRINI ORCHESTRA. DISCS ARE MANUFACTURED AT THE PRESSING PLANT IN HARRINGTON ST, THE ROCKS. 1940 THE SHORT-LIVED MACQUARIE LABEL IS WOUND UP 1949 COMMERCIAL RECORDING RECOMMENCES WITH THE RODEO AND PACIFIC LABELS, SPECIALISING IN HILLBILLY, AND JAZZ / BOOGIE. GEORGE J. AITKEN IS A.R.C.’S PRODUCTIONS MANAGER. OCT 1951 A.R.C. ACQUIRES THE LONDON (U.K.) AND CAPITOL (U.S.) LABELS. THE FIRST CAPITOL RELEASE IS: CP 001 ‘HOW HIGH THE MOON / WALKIN’ AND WHISTLIN’ BLUES’ BY LES PAUL & MARY FORD 1951 G.
    [Show full text]
  • George Plimpton Speaks at ND
    -~----~--~~-~ ~--~ On The Inside Place Bureau Schedule ...see page 2 Homecoming ticket scandal ...see page 3 serving the notre dame -st. mary's community Vol. X II, No. 21 Wednesday, October 3, 1973 At Washington Hall GeOrge Plimpton speaks at ND by Terry Keeney to replace Jack Havlicek, the Celtics were trailing the Staff Reporter Atlanta Hawks by 15 points. Although his role in the action was nil, the Celtics came within 6 points of their George Plimpton shared his experiences as an opponents. When Havlicek replaced Plimpton, the amateur in a professional world with a capacity Celtics went on to lose. audience in Washington Hall last night. The noted "I remember going up to Russell in the locker room author and editor of the Paris Review, who has im­ and I told him that I thought he made a tactical error. personated athletes, musicians, actors, and comics Russell didn't speak to me for about a week." emphasized the dream of every man to be a hero. "James Thurber once said that 93 per cent of the males in this country fell asleep at night striking out Plimpton the Musician the New York Yankee line-up." Plimpton explained. He believes that every man wants to feel "that smug sense of satisfaction of being invovled in someone His most agonizing role according to Plimpton was else's profession." not played in a sports arena, but in a concert hall as a "My- editor for Sports Illustrated went to bed each percussionist for the New York Philharmonic and Leonard Bernstein. As a musician he was more con­ night beside his wife, sinking 60-foot putts," said scious of his mistakes.
    [Show full text]