Universe Is a Solid Elastic Continuum. 0. Table of Contents
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Global Nomads: Techno and New Age As Transnational Countercultures
1111 2 Global Nomads 3 4 5 6 7 8 9 1011 1 2 A uniquely ‘nomadic ethnography,’ Global Nomads is the first in-depth treat- 3111 ment of a counterculture flourishing in the global gulf stream of new electronic 4 and spiritual developments. D’Andrea’s is an insightful study of expressive indi- vidualism manifested in and through key cosmopolitan sites. This book is an 5 invaluable contribution to the anthropology/sociology of contemporary culture, 6 and presents required reading for students and scholars of new spiritualities, 7 techno-dance culture and globalization. 8 Graham St John, Research Fellow, 9 School of American Research, New Mexico 20111 1 D'Andrea breaks new ground in the scholarship on both globalization and the shaping of subjectivities. And he does so spectacularly, both through his focus 2 on neomadic cultures and a novel theorization. This is a deeply erudite book 3 and it is a lot of fun. 4 Saskia Sassen, Ralph Lewis Professor of Sociology 5 at the University of Chicago, and Centennial Visiting Professor 6 at the London School of Economics. 7 8 Global Nomads is a unique introduction to the globalization of countercultures, 9 a topic largely unknown in and outside academia. Anthony D’Andrea examines 30111 the social life of mobile expatriates who live within a global circuit of counter- 1 cultural practice in paradoxical paradises. 2 Based on nomadic fieldwork across Spain and India, the study analyzes how and why these post-metropolitan subjects reject the homeland to shape an alternative 3 lifestyle. They become artists, therapists, exotic traders and bohemian workers seek- 4 ing to integrate labor, mobility and spirituality within a cosmopolitan culture of 35 expressive individualism. -
Arsha Vidya Gurukulam Bookstore
ARSHA VIDYA GURUKULAM 34th Anniversary Souvenir September 20, 2020 In Celebration of the 90th Jayanti of Pujya Sri Swami Dayananda Saraswati न िह ानने सश ं पिवऽम इ् ह िवते na hi jñānena sadṛśaṁ pavitram iha vidyate “In this word, there is indeed no purifier equivalent to knowledge” (Bhagavad Gītā, 4.38) Anniversary Message Swami Dayananda Saraswati In day-to-day life, you need a lot of grace. .That is the beauty of grace. You have to earn the grace of the guru. It may be easily available, but you have to earn it with śraddhā and bhakti. With śraddhā, in seeking knowledge you go through what is taught again. You need not write it down–keep it in your mind and ruminate over that. That is earning the guru’s grace. When the guru’s grace is there, the words of the śāstra he teaches become real to you. They become a reality. In fact, you become that reality. The guru’s grace will help you cross the distance between understanding and having the words. It is called lakṣya; that lakṣya is accomplished by guru’s grace. May all enjoy guru’s grace, Īśvara’s grace, śāstra’s grace, and one’s own grace. We all live in grace. We live upon grace. May the grace of all the sources of grace be with you all. Page Sponsored by Nalini and Prabhu Dev 3 4 Anniversary Message Swami Viditatmananda Saraswati We are happy that, with the support of the devotees, well-wishers and donors, we are able to celebrate this 34th anniversary of the Gurukulam in spite of the difficulties posed by the pandemic. -
Razorcake Issue #84 As A
RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California non-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS. -
FALUN GONG in the UNITED STATES: an ETHNOGRAPHIC STUDY by NOAH PORTER a Thesis Submitted in Partial Fulfillment of the Requireme
FALUN GONG IN THE UNITED STATES: AN ETHNOGRAPHIC STUDY by NOAH PORTER A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts Department of Anthropology College of Arts and Sciences University of South Florida Major Professor: S. Elizabeth Bird, Ph.D. Michael Angrosino, Ph.D. Kevin Yelvington, Ph.D. Date of Approval: July 18, 2003 Keywords: falungong, human rights, media, religion, China © Copyright 2003, Noah Porter TABLE OF CONTENTS LIST OF TABLES...................................................................................................................................iii LIST OF FIGURES................................................................................................................................. iv ABSTRACT............................................................................................................................................ vi CHAPTER 1: INTRODUCTION............................................................................................................. 1 CHAPTER 2: METHODS ....................................................................................................................... 6 Establishing Rapport ............................................................................................................................ 6 Methods Used and Research Setting ..................................................................................................... 6 Justification for Methodology............................................................................................................