European Archaeology Abroad
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Dongola 2015–2016
Book chapter title: Women in the Southwest Annex Authors: Adam Łajtar https://orcid.org/0000-0003-3842-2180 Vincent W.J. van Gerven Oei https://orcid.org/0000-0003-1637-4261 Book: Dongola 2015–2016. Fieldwork, conservation and site management Editors: W. Godlewski, D. Dzierzbicka, & A. Łajtar Series: PCMA Excavation Series 5 Year: 2018 Pages: 75–78 https://doi.org/10.31338/uw.9788323534877.pp.75-78 Publisher: Polish Centre of Mediterranean Archaeology, University of Warsaw (PCMA UW); University of Warsaw Press www.pcma.uw.edu.pl – [email protected] – [email protected] www.wuw.pl How to cite this chapter: Łajtar, A., and van Gerven Oei, V.W.J. (2018). Women in the Southwest Annex. In W. Godlewski, D. Dzierzbicka, & A. Łajtar (Eds.), Dongola 2015–2016. Fieldwork, conservation and site management (pp. 75–78). PCMA Excavation Series 5. Warsaw: University of Warsaw Press. https://doi.org/10.31338/uw.9788323534877.pp.75-78 DONGOLA 2015–2016 FIELDWORK, CONSERVATION AND SITE MANAGEMENT EDITORS Włodzimierz GodleWski dorota dzierzbicka adam łajtar POLISH CENTRE OF MEDITERRANEAN ARCHAEOLOGY UNIVERSITY OF WARSAW POLISH CENTRE OF MEDITERRANEAN ARCHAEOLOGY UNIVERSITY OF WARSAW PCMA Excavation Series 5 EDITORIAL COMMITTEE Piotr Bieliński Krzysztof M. Ciałowicz Wiktor Andrzej Daszewski Michał Gawlikowski Włodzimierz Godlewski Tomasz Waliszewski EDITORIAL ADVISORY BOARD Jean Charles Balty Charles Bonnet Giorgio Bucellatti Stan Hendrickx Johanna Holaubek PARTNERS IN THE PROJECT POLISH CENTRE OF MEDITERRANEAN ARCHAEOLOGY UNIVERSITY OF WARSAW QATAR-SUDAN ARCHAEOLOGICAL -
Polish Archaeological Unit in Khartoum Is Now Open
Polish Archaeological Unit in Khartoum is now open Polish Archaeological Unit in Khartoum is the second foreign research centre of the Polish Centre of Mediterranean Archaeology, University of Warsaw (PCMA). The opening ceremony took place in the gardens of the National Museum in Khartoum. It was hosted by Mohamed Abou Zaid Mustafa, Minister of Tourism, Antiquities and Wildlife, and Dr. Abdelrahman Ali Mohamed, Director General of the National Corporation for Antiquities and Museums on the Sudanese side, and on the Polish side by Michał Murkociński Ambassador of the Republic of Poland in Egypt, Sudan and Eritrea and Prof. Marcin Pałys, the Rector of the University of Warsaw. The proceedings were also attended by a delegation from the Ministry of Science and Higher Education of the Republic of Poland: Deputy Minister, Sebastian Skuza and Director General, Anna Budzanowska. It was also an occasion to honor Prof. Włodzimierz Godlewski, who for over a decade headed the PCMA archaeological mission in Dongola, with a special diploma of recognition from the University of Warsaw. During the ceremony Prof. Stefan Jakobielski from the Institute of Mediterranean and Oriental Cultures, Polish Academy of Sciences, delivered a lecture outlining the history of Polish Nubiological research. More than 50 years ago Polish archaeologists took part in the UNESCO international campaign to save the monuments of Nubia. Prof. Kazimierz Michałowski and Stefan Jakobielski led a team that discovered the cathedrals at Faras and saved the wall paintings from destruction in the waters of the lake created by the construction of the Aswan Dam. Today, teams from the PCMA and other academic institutions in Poland regularly excavate and survey archaeological sites in Sudan. -
Ritual Landscapes and Borders Within Rock Art Research Stebergløkken, Berge, Lindgaard and Vangen Stuedal (Eds)
Stebergløkken, Berge, Lindgaard and Vangen Stuedal (eds) and Vangen Lindgaard Berge, Stebergløkken, Art Research within Rock and Borders Ritual Landscapes Ritual Landscapes and Ritual landscapes and borders are recurring themes running through Professor Kalle Sognnes' Borders within long research career. This anthology contains 13 articles written by colleagues from his broad network in appreciation of his many contributions to the field of rock art research. The contributions discuss many different kinds of borders: those between landscapes, cultures, Rock Art Research traditions, settlements, power relations, symbolism, research traditions, theory and methods. We are grateful to the Department of Historical studies, NTNU; the Faculty of Humanities; NTNU, Papers in Honour of The Royal Norwegian Society of Sciences and Letters and The Norwegian Archaeological Society (Norsk arkeologisk selskap) for funding this volume that will add new knowledge to the field and Professor Kalle Sognnes will be of importance to researchers and students of rock art in Scandinavia and abroad. edited by Heidrun Stebergløkken, Ragnhild Berge, Eva Lindgaard and Helle Vangen Stuedal Archaeopress Archaeology www.archaeopress.com Steberglokken cover.indd 1 03/09/2015 17:30:19 Ritual Landscapes and Borders within Rock Art Research Papers in Honour of Professor Kalle Sognnes edited by Heidrun Stebergløkken, Ragnhild Berge, Eva Lindgaard and Helle Vangen Stuedal Archaeopress Archaeology Archaeopress Publishing Ltd Gordon House 276 Banbury Road Oxford OX2 7ED www.archaeopress.com ISBN 9781784911584 ISBN 978 1 78491 159 1 (e-Pdf) © Archaeopress and the individual authors 2015 Cover image: Crossing borders. Leirfall in Stjørdal, central Norway. Photo: Helle Vangen Stuedal All rights reserved. No part of this book may be reproduced, or transmitted, in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior written permission of the copyright owners. -
December 2016
Search “Santiam Flycasters” SANTIAM FLYCASTERS SANTIAMFLYCASTERS.COM December 2016 December Program — Thursday Dec. 8 Board Meeting Monday December 5 “Fly Fishing Photography 101: How to Capture What 7:00 pm You See” Garibaldi Family Restaurant With Carol Ann Morris General Meeting Over the past two decades Carol Ann Thursday December 8 Morris's photographs have not only Doors open at 6:00 appeared in most of her husband Skip Morris's 18 fly-fishing and -tying books but Meal at 6:30 pm on the covers and interior pages of such Pringle Community Center magazines as Grey's Sporting Journal and Fly Fishing & Tying Journal. Carol also speaks at fly clubs and fly-fishing shows. She has performed her PowerPoint show "Fly-Fishing Photography 101: How to Capture What You See" all over the West- In This Issue -in Washington, Oregon, British Columbia- -and in the East--Michigan, Ohio--at fly- Devil’s Lake Outing Report fishing clubs and sportsmen's shows and 2017 SFC Officers fly-fishing expositions. It seems fly fishers want to record their Fishing Detroit Lake biggest and most beautiful fish, the Pontoon Boat Raffle fascinating rivers and lakes and beaches they fish and explored--the very heart of Welcome to New Members joining their beloved sport--with a camera. Carol in November teaches them how to make their photos crisp and vivid, balanced and expressive. She demonstrates and explains the Rule of Thirds, effective use of light, the Magic Time to Renew Your Membership Hour, UFOs (Unidentified Foreign Objects), how to photograph fish, and many other straightforward concepts anyone can use to improve their photographs. -
THE PYRAMIDS of MADRID 1 the Purpose of This Illustration Is to Suggest That the Various Localities Around Madrid, Spain Incorporate the Great Pyramid of Giza Pattern
THE PYRAMIDS OF MADRID 1 The purpose of this illustration is to suggest that the various localities around Madrid, Spain incorporate the Great Pyramid of Giza pattern. In this specific case, the Almudena Cometary appears to approximate the layout of the Grand Gallery that matches the M-23 motorway. The ‘Pit’ corresponds to the Sacred Family College area. It is suggestive but as the powers that rule and design the various layouts of their world capitals, they incorporate the motifs of their Mystery Babylonian religion. In the case of Madrid, as with many other world empire capitals, there are various pyramid layouts and have actual relics from Egypt itself. They are mostly obelisks and parts of temples as it is the case with the Temple of Debod that was moved from Aswan and rebuilt just north of the Royal Palace. M1088 miles The other prominent pyramid layout involves the Spanish Air Force mili- tary base of Torrejon. The runway is the base of the pyramid and an oval 1.88 nautical miles is centered on the pyramid in phi ration proportions. In a lot of cases Cementerio de Almudena around the world, the various Air Forces of nations are situated next to sacred ley-lines. In many bases, it is believed that secret experiments, alien technologies and abductions are carried out. Based on some eye witness accounts, even the experimentation with Stargates goes on. Grand Gallery Base Aerea Torrejon M Plaza Ortega y Obelisco -23 Citra. Eje. Odennell In the case of the Spanish Royal Air Force, the very ensign appears to suggest the winged disk of Assyria. -
The Reception of Palaeolithic Art at the Turn of the Twentieth Century: Between Archaeology and Art History
The reception of Palaeolithic art at the turn of the twentieth century: between archaeology and art history Oscar Moro Abadía If I am asked to define any further what I mean by ‘the primitive’ I must refer the reader to the pages of this book, which will show that the term was associated in its time with early Greek vases, with quattrocento painting and with tribal art.1 These words by Ernst Gombrich summarize some of the main meanings associated with the term ‘primitive’ in the field of art history. In its original sense, the word refers to a movement of taste that, in the story of art, runs parallel to the progress towards naturalism. According to Gombrich, while art history may be described as the story of how ‘the artist got better and better in the imitation of nature’,2 there have been a number of artistic movements that have called for a deliberate abandonment of classical standards.3 This ‘preference for the primitive’ has been expressed in ‘the revulsion from that very perfection that art had been said to aim at’.4 During the last years of the nineteenth century, the theory of evolution ‘gave a new meaning to the term ‘primitive’ which […] came to denote the beginnings of human civilization’.5 As a result of this development, the term ‘primitive art’ was incorporated into art historians’ vocabulary to refer to a set of non-Western arts coming from Africa, America and Oceania.6 At the beginning of the twentieth century, ‘primitive art’ was used interchangeably with terms such as ‘savage art’, ‘tribal art’ and ‘art nègre’.7 Since then, the label has been intensively criticized for Acknowledgements. -
Two Private Prayers in Wall Inscriptions in the Faras Cathedral
Études et Travaux XXX (2017), 303–314 Two Private Prayers in Wall Inscriptions in the Faras Cathedral A Ł, G O Abstract: The present paper aims at analysing two inscriptions from the Faras Cathedral. Both contain prayers addressed to God by certain individuals. The fi rst of them is in Greek and is modelled on Ps. 85:1–2; the second is an original composition in Old Nubian with information about the protagonist and the author in Greek. The publication gives the descrip- tion of inscriptions, transcript of texts with critical apparatus, translation, and commentary elucidating all signifi cant aspects of the texts. Keywords: Christian Nubia, Faras, wall inscriptions, Greek in Christian Nubia, Old Nubian, Biblical citations Adam Łajtar, Institute of Archaeology, University of Warsaw, Warszawa; [email protected] Grzegorz Ochała, Institute of Archaeology, University of Warsaw, Warszawa; [email protected] The present article has come into existence in connection with our work on a catalogue of wall inscriptions in the Faras cathedral.1 It off ers the publication of two inscriptions, which, although they diff er from one another in many respects (a diff erent location within the sacral space, a diff erent technique of execution, and a diff erent language), belong to the same genre of texts, namely prayers addressed to God by individuals. A typical private prayer put into an epigraphic text in Christian Nubia consists of two elements: (1) an invocation of God or a saint, and (2) a request for a favour made in the name of a person. The inscriptions studied here follow this general model but develop it in a diff erent way with respect to both the form and the contents. -
Palaeolithic Continental Europe
World Archaeology at the Pitt Rivers Museum: A Characterization edited by Dan Hicks and Alice Stevenson, Archaeopress 2013, page 216-239 10 Palaeolithic Continental Europe Alison Roberts 10.1 Introduction The collection of Palaeolithic material from Continental Europe in the Pitt Rivers Museum (PRM) is almost of equivalent size to the collection from the British Isles (see Chapter 9), but is not nearly as well known or as well published. It consists mainly of material from France that seems to have been an under-acknowledged highlight of the PRM archaeological collections for most of the 20th century. Despite the obvious care with which French Palaeolithic material was acquired by the museum, especially during the curatorship of Henry Balfour, the collection has mainly been used for teaching and display, rather than as a research resource. Due to the historic lack of work on the collection so far, this chapter presents a preliminary overview, to orient and inform future research, rather than a full account of the collections. The exact numbers of Palaeolithic objects from Europe are difficult to state with certainty due to factors such as unquantified batch registration of groups of objects in the past, and missing or incorrect cultural attributions in the documentation. However, it is estimated that there are c. 3,760 Palaeolithic objects from continental Europe in the PRM, c. 534 of which are from the founding collection of the PRM (PRMFC)(1). The majority of the material comprises c. 3,585 objects from France (Figure 10.1), with smaller collections from Belgium (c. 63 objects), Italy (c. -
In Dem Schwankenden Meere Prähistorischer Hypothesen“1 Die Germanenfrage Am Berliner Museum Für Vor- Und Frühgeschichte (1799–1945)
„In dem schwankenden Meere prähistorischer Hypothesen“1 Die Germanenfrage am Berliner Museum für Vor- und Frühgeschichte (1799–1945) Marion Bertram Die Geschichte des Berliner Museums für Vor- und Frühgeschichte zeigt anschaulich, wie sich das Verständnis von Altertümern und Vergangenheit hin zu einem interdisziplinä- ren Forschungsfeld entwickelte und welche organisatorischen und konzeptionellen Ent- scheidungsprozesse von einer reinen Sammlung zu einem nach konkreten Prinzipien Dsammelnden, ordnenden und ausstellenden Museum führten.2 Die Sammlungsstücke, welche den Germanen zugewiesen wurden, standen dabei selten im Mittelpunkt des In- teresses der Museumsmacher, ebenso wenig die Germanen selbst. Vielmehr beschäftig- ten sich die früheren Leiter, Direktoren und Kustoden weitaus häufiger mit der Frage, ob und wie den Impulsen zur Datierung, Ethnogenese und Ausbreitung der Germanen, wie sie in der zeitgenössischen Forschung diskutiert wurden, im Ausstellungsbetrieb zu fol- gen sei.3 Detail des Vaterländischen Saals im Neuen Museum (2009): An der DIE „SAMLUNG DER SLaviSCHEN UND ALTGERMANISCHEN ALTERTHÜMER“ um 1850 konzipierten Südwand (1799–1829) befindet sich ein früher Versuch der bildlichen Darstellung des Die Ursprünge des heutigen Museums für Vor- und Frühgeschichte liegen in der Kunst- Dreiperiodensystems; im Bild die Bestattung eines „eisenzeitlichen kammer der Hohenzollern, die im Berliner Stadtschloss zunächst im Apothekenflügel Germanen“. Die Zusammenstel- und seit dem 18. Jahrhundert im Lustgartenflügel untergebracht war. Bereits um 1700 lung der Beigaben zeigt deutliche befanden sich dort auch einige prähistorische Keramikgefäße, die als „heidnisch-slawi- Unsicherheiten (z. B. ein bronzezeit- sche Urnen“ angesehen wurden. Erst unter Jean Henry (1761–1831), seit 1794 unter ande- liches Vollgriffschwert), die dem Forschungsstand der Mitte des rem Vorsteher des Antiken- und Münzkabinetts sowie der Kunstkammer und des Natu- 19. -
The Crown of the Divine Child in the Meroitic Kingdom. a Typological Study 1
ANNALS OF THE NÁPRSTEK MUSEUM 37/1 • 2016 • (pp. 17–31) THE CROWN OF THE DIVINE CHILD IN THE MEROITIC KINGDOM. A TYPOLOGICAL STUDY 1 Eric Spindler2 ABSTRACT: The crown of the divine child was one of the headdresses that transferred from Egypt to the Meroitic Kingdom. It was integrated in the Egyptian decoration program in the early Ptolemaic time. The first king of Meroe to use this crown in the decoration of the Lion Temple in Musawwarat es-Sufra was Arnekhamani (235–218 BCE). It also appeared later in the sanctuaries of his successors Arkamani II (218– 200 BCE) and Adikhalamani (ca. 200–190 BCE) in Dakka and Debod. The Egyptians presented it as the headdress of child gods or the king. In the Kingdom of Meroe the crown was more like a tool to depict the fully legitimised king before he faced the main deity of the sanctuary. To show this the Meroitic artists changed its iconography in such a way that the primarily Egyptian focus on the aspects of youth and rebirth withdrew into the background so that the elements of cosmic, royal and divine legitimacy became the centre of attention. Even if the usage and parts of the iconography were different, the overall meaning remained the same. It was a headdress that combined all elements of the cosmos as well as of royal and divine power. KEY WORDS: Crowns – divine child – Meroitic culture – Dakka – Debod – Musawwarat es-Sufra Introduction The beginning of the third century BCE witnessed a marked change in political relations between Egypt and its southern neighbour – Nubia (for a more specified overview of this topic see: Török 1997: 424-432; Welsby 1996: 66-67). -
Where Germans Make Peace with Their Dead (.Pdf)
Where Germans Make Peace with Their Dead Through a practice that is part therapy and part séance, children of war come to terms with their history. By Burkhard Bilger Germany s secrets run dark and deep. How can a people bent on silence for so long learn their true history? Credit Illustration by Miguel Porlan My great grandmother Luise G"nner had a keen eye for dead people. She would see them sitting by the side of the road sometimes when she worked in her garden in the morning, or waiting by the village crossroads at dusk, a look of mournful reproof in their eyes. Whether the sight alarmed or consoled her, I can t say. Luise was born in 1871 and died six months after my mother s birth, in 19,5. I know only the stories about her that my mother heard growing up. She says that Luise was in most ways a sturdy, commonsensical soul, so I like to imagine that she took her visitations in stride. old friends and neighbors stopping by to pick up the conversation where they d left off. Her/ogenweiler, the village where Luise was born and spent nearly every day of her life, lies in the heart of the 0lack 1orest, hemmed in on three sides by dark ranks of pines. 2he land belonged to the Prince of 13rstenberg in Luise s day and was worked by tenant farmers not much better off than serfs. Although the people of Her/ogenweiler were deeply devout, theirs was a pre Reformation sort of Catholicism6a murky brew of folklore, superstition, and pitiless religion. -
Historiographical Approaches to Past Archaeological Research
Historiographical Approaches to Past Archaeological Research Gisela Eberhardt Fabian Link (eds.) BERLIN STUDIES OF THE ANCIENT WORLD has become increasingly diverse in recent years due to developments in the historiography of the sciences and the human- ities. A move away from hagiography and presentations of scientifi c processes as an inevitable progression has been requested in this context. Historians of archae- olo gy have begun to utilize approved and new histo- rio graphical concepts to trace how archaeological knowledge has been acquired as well as to refl ect on the historical conditions and contexts in which knowledge has been generated. This volume seeks to contribute to this trend. By linking theories and models with case studies from the nineteenth and twentieth century, the authors illuminate implications of communication on archaeological knowledge and scrutinize routines of early archaeological practices. The usefulness of di erent approaches such as narratological concepts or the concepts of habitus is thus considered. berlin studies of 32 the ancient world berlin studies of the ancient world · 32 edited by topoi excellence cluster Historiographical Approaches to Past Archaeological Research edited by Gisela Eberhardt Fabian Link Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliographie; detailed bibliographic data are available in the Internet at http://dnb.d-nb.de. © 2015 Edition Topoi / Exzellenzcluster Topoi der Freien Universität Berlin und der Humboldt-Universität zu Berlin Typographic concept and cover design: Stephan Fiedler Printed and distributed by PRO BUSINESS digital printing Deutschland GmbH, Berlin ISBN 978-3-9816384-1-7 URN urn:nbn:de:kobv:11-100233492 First published 2015 The text of this publication is licensed under Creative Commons BY-NC 3.0 DE.