Lars Von Trier
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Asta Wellejus Has 19 Years of Experience As a Cross-Media Director and Producer
Asta Wellejus – interactive director and producer, digital pioneer Summary: Asta Wellejus has 19 years of experience as a cross-media director and producer. CEO and founder of Die Asta Experience Aps., former CEO and co-founder of Zentropa Interaction Aps. and Zentropa Works Aps. Asta Wellejus b. 1973 Asta Wellejus was headhunted by Lars von Trier in 1997 to develop new ways of combining film, theater, roleplaying and games, Asta co-founded Zentropa Interaction in 1999, producing interactive formats (Films, Games, ARG´s, Alternate Launch, Exhibition, Roleplays etc.). In 2007 she founded ”Die Asta Experience" to focus internationally on digital interactive media and audience participation. Markets; Broadcast/ film, NGOS, brands, games, attractions and experimental art. She has produced 30+ interactive formats, from ARG´s for Lars von Trier’s/ Thomas Vinterberg’s titles, to the North Sea museum, transforming the whole attraction into an interactive experience on mobile, games, interactive films, web, installations and augmented reality with a budget of 54 mill. DDK, to the Globe in COP15, on mobile, web and physical installation on the central square, where more than 10.000.000+ users joined the virtual global demonstration. She has developed and produced the National Museums permanent exhibition Brede Værk, with interactive cinemas onsite and online, interactive tickets and physical installations. She has been a mentor in Swedish/ Danish transmedia project SWIM running from 2013-2014, and has been a member in the Digital Emmy jury for factual content. She has been an expert in SOLID; the recent programme from Shareplay/ Interactive Denmark, mentoring companies in digital content, made for web (MFW) and business cases, for example the Sun Creature Studio from Viborg. -
LUCY (2014) Risk Society and Global Connectivity OUTLINE
LUCY (2014) Risk Society and Global Connectivity OUTLINE A. Introduction (1): Director Luc Besson & Film Genre (2): Risk Society B. Discussion Questions C. Analysis (1) Lucy: Characters (2) Lucy’s Changes (3) Lucy vs. the Scientists and Gangsters: Their Theories & Messages (4) Image Presentation: Cell Fusion and Nebulous Cloud vs. Chaos (5) “fabricated uncertainties” a) Taipei vs. Paris b) Jang & gangsters LUC BESSON • Cinema du look* • The Big Blue • Know for his action films such as • Nikita (1990); Léon: The Professional (1994); sci-fi action film The Fifth Element (1997) • Violence aestheticized and “embodied” rather than verbalized • Lucy: different because of its narration Image source: Wikipedia LUCY, DR. STRANGELOVE & GLOBAL GANG • It is said that we use only 10% of our brain • Dr. Strangelove & Nootropic drug • The drugs we use (True Science of Lucy 4:45) • Lucy brain expands after it reaches 20%, with obstacles falling “like domino”; she is “colonizing [her] brain” • When she reaches 40%, her body starts to disintegrate. • Another example: disease-free designer baby (ref) • Gangsters: The far reaches of the gang and their drug (C.P.H.4): for “kids in Europe,” Berlin, Paris, Rome, and another city (Lucy is supposed to go to). RISK • Anthony Giddens on Reflexive Modernity • two disembedding mechanisms – symbolic tokens and expert systems, both expanding and impersonal, and thus involving trust and risk. • Risk: anticipated danger; sometimes institutionalized (e.g. insurance policy; alternative plan for an activity); • different from danger, because danger is a threat to desired outcome, while one who risks courts danger • Security: balance of trust and acceptable risk • Urlich Beck on Radicalized Modernity • Risk: anticipated catastrophe or fabricated*(1) uncertainties (unpredictable, unmanageable) • “What signifies the risk society are manufactured uncertainties which tend to be intangible to our senses. -
Theeditor-Epk.Pdf
Directed by Adam Brooks and Matthew Kennedy Written by Adam Brooks, Matthew Kennedy and Conor Sweeney Produced by Social Media sales Adam Brooks and Matthew Kennedy Twitter Producer’s Reps @theeditormovie Starring @astron6 Nate Bolotin Paz de la Huerta [email protected] Adam Brooks Facebook 310 909 9318 Facebook.com/editormovie Laurence R. Harvey Facebook.com/astron6 Mette-Marie Katz Samantha Hill [email protected] Udo Kier INTERWeb 323 983 1201 Jerry Wasserman www.theeditormovie.com Matthew Kennedy International Sales www.astron-6.com Conor Sweeney Dan Bern Paul Howell Tristan Risk CONTACT [email protected] Brett Donahue Kennedy/Brooks Inc. +44 (0)207 434 4176 738-3085 Pembina Hwy. Brent Neale Winnipeg MB R3T4R6 Sheila E. Campbell Kevin Anderson Matthew Kennedy Jasmine Mae [email protected] Tech Details Adam Brooks 99 min | Color | DCP | 2.39:1 | 5.1 | Canada | 2014 [email protected] LOGLINE A once-prolific film editor finds himself the prime suspect in a series of murders haunting a seedy 1970s film studio in this absurdist throwback to the Italian Giallo. SYNOPSIS Rey Ciso was once the greatest editor the world had ever seen. Since a horrific accident left him with four wooden fingers on his right hand, he’s had to resort to cutting pulp films and trash pictures. When the lead actors from the film he’s been editing turn up murdered at the studio, Rey is fingered as the number one suspect. The bodies continue to pile up in this absurdist giallo-thriller as Rey struggles to prove his innocence and learn the sinister truth lurking behind the scenes. -
Nature and the Feminine in Lars Von Trier's Antichrist
PARRHESIA NUMBER 13 • 2011 • 177-89 VIOLENT AFFECTS: NATURE AND THE FEMININE IN LARS VON TRIER’S ANTICHRIST Magdalena Zolkos [Of all my films] Antichrist comes closest to a scream. Lars von Trier INTRODUCTION / INVITATION: “THE NATURE OF MY FEARS”1 Lars von Trier’s 2009 film Antichrist, produced by the Danish company Zentropa, tells a story of parental loss, mourning, and despair that follow, and ostensibly result from, the tragic death of a child. The film stars two protagonists, identified by impersonal gendered names as She (Charlotte Gainsbourg) and He (Willem Dafoe). This generic economy of naming suggests that Antichrist, in spite of, or perhaps because of, the eschatological signification of its title, is a story of origins. Antichrist stages a quasi-religious return (within the Abrahamic tradition) to a lapsarian space where the myth of the female agency of the originary transgression,2 and the subsequent establishment of human separateness from nature, are told by von Trier as a story of his own psychic introspection. In the words of Joanne Bourke, professor of history at Birkbeck College known for her work on sexual violence and on history of fear and hatred, Antichrist is a re-telling of the ancient Abrahamic mythology framed as a question “what is to become of humanity once it discovers it has been expelled from Eden and that Satan is in us.”3 This mythological trope grapples with the other-than-human presence, as a demonic or animalistic trace, found at the very core of the human.4 At the premiere of Antichrist at the 2009 -
Curriculum Vitae Profile Filmography
Curriculum Vitae JETTE LEHMANN PRODUCTION DESIGNER [email protected] www.jettelehmann.com Jacobys Alle 12 4tv, 1806 Frederiksberg C Mobile : +45 20 67 55 34 Working Fields JL has mainly worked as a production designer on feature film and commercials. Furthermore as a designer on architectural projects and exhibitions. Teaching on Station Next, filmeducation for children in primary and secondary school. Teaching on National Film School Denmark. Cinematographers, directors and producers. Education Diploma in Art and Culture june 2011 Fatamorgana Fotographic Artschool 2009 Educated in Architecture from the Royal Academy of fine Arts in Copenhagen in 1987 Profile Film, televison, exhibition, concepts, education Filmography 2017 A fortunate man/ Lykke Per feature film - TV series- dir. Bille August - Nordisk Film 2017 Lykkeland TV series- dir. Petter Næss - Maipo Film 2016 God speaks out feature film - dir. Henrik Ruben Genz - Toolbox Film 2016 Parents feature film - dir. Christian Tafdrup - Nordisk Film 2015 — Tordenskjold og Kold feature film- dir. Henrik Ruben Genz - Nimbus Film 2014 Bedrag TV series - 19 - episodes -DR 2014 1864 TV series - 8 - episodes -DR art direction 2014 Badehotellet TV series - 24 - episodes -SF Film 2013 Stille Hjerte feature film - dir. Bille August - Nordisk Film 2012 I Lossens Time feature film - dir. Søren Kragh Jacobsen - Nimbus Film 2011 Marie Krøyer feature film - dir. Bille August - Nordisk Film 2010 Melancholia feature film - dir. Lars von Trier - Zentropa Film EFA Award - European Production Designer Robert Award - Best Production Design Curriculum Vitae JETTE LEHMANN PRODUCTION DESIGNER 2010 Happy End feature film - dir. Bjørn Runge - Zentropa Film Sweden 2010 Dyret short film - dir. Malene Choi - Zentropa Film DK 2009-12 The Killing TV series - season II + III - DR 2007 Den du frygter feature film - dir. -
Ein Film Von Thomas Vinterberg Nach Einem Buch Von Lars Von Trier
EIN FILM VON THOMAS VINTERBERG NACH EINEM BUCH VON LARS VON TRIER JAMIE BELL BILL PULLMAN MICHAEL ANGARANO DANSO GORDON NOVELLA NELSON CHRIS OWEN ALISON PILL MARK WEBBER LUCKY PUNCH I/S PRESENTS A NIMBUS - ZENTROPA PRODUCTION „DEAR WENDY“ DIRECTED BY THOMAS VINTERBERG WRITTEN BY LARS VON TRIER STARRING JAMIE BELL, BILL PULLMAN, MICHAEL ANGARANO, DANSO GORDON, NOVELLA NELSON, CHRIS OWEN, ALISON PILL, MARK WEBBER DIRECTOR OF PHOTOGRAPHY ANTHONY DOD MANTLE DFF. BSC CASTING BY AVY KAUFMAN PRODUCTION DESIGNER KARL JULIUSSON ART DIRECTOR JETTE LEHMANN FILM EDITOR MIKKEL E.G. NIELSEN SOUND DESIGNER KRISTIAN EIDNES ANDERSEN COSTUME DESIGNER ANNIE PERIER ORIGINAL SCORE BY BENJAMIN WALLFISCH CO-EXECUTIVE PRODUCERS BETTINA BROKEMPER, MARIANNE SLOT UK CO-PRODUCER GILLIAN BERRIE EXECUTIVE PRODUCERS PETER AALBÆK JENSEN, BO EHRHARDT, BIRGITTE HALD EXECUTIVE PRODUCER PETER GARDE CO-PRODUCER MARIE CECILIE GADE PRODUCER SISSE GRAUM JØRGENSEN www.dearwendy.de IN CO-PRODUCTION WITH PAIN UNLIMITED FILMPRODUKTION GMBH, SLOT MACHINE SARL, LIBERATOR2 SARL, DEAR WENDY LTD/SIGMAIII FILMS LTD. SUPPORTED BY DANISH FILM INSTITUTE, FILMSTIFTUNG NRW, EURIMAGES, NORDIC FILM- & TV FUND, THE I2I PREPARATORY ACTION OF THE EUROPEAN COMMUNITY ALSO IN CO-PRODUCTION WITH TV 2/DANMARK, ARTE FRANCE CINÉMA IN COLLABORATION WITH CANAL + FRANCE, ARTE – ZDF, SVT – SVERIGES TELEVISION AB, ZOMA FILMS LTD., TRUST FILM SALES2 APS, INVICTA CAPITAL LTD. NORDIC DISTRIBUTION IN CO-OPERATION WITH NORDISK FILM AN EGMONT COMPANY CO-DEVELOPED WITH THE FILM DEVELOPMENT PARTNERSHIP LLP, IN ASSOCIATION WITH LITTLE WING FILMS, THE SUPPORT OF THE MEDIA PROGRAM OF THE EUROPEAN UNION AN OFFICIAL DANISH, GERMAN, BRITISH AND FRENCH CO-PRODUCTION IN ACCORDANCE WITH THE 1992 EUROPEAN CONVENTION ON CINEMATOGRAPHIC CO-PRODUCTION ©COPYRIGHT 2004. -
Film Appreciation Wednesdays 6-10Pm in the Carole L
Mike Traina, professor Petaluma office #674, (707) 778-3687 Hours: Tues 3-5pm, Wed 2-5pm [email protected] Additional days by appointment Media 10: Film Appreciation Wednesdays 6-10pm in the Carole L. Ellis Auditorium Course Syllabus, Spring 2017 READ THIS DOCUMENT CAREFULLY! Welcome to the Spring Cinema Series… a unique opportunity to learn about cinema in an interdisciplinary, cinematheque-style environment open to the general public! Throughout the term we will invite a variety of special guests to enrich your understanding of the films in the series. The films will be preceded by formal introductions and followed by public discussions. You are welcome and encouraged to bring guests throughout the term! This is not a traditional class, therefore it is important for you to review the course assignments and due dates carefully to ensure that you fulfill all the requirements to earn the grade you desire. We want the Cinema Series to be both entertaining and enlightening for students and community alike. Welcome to our college film club! COURSE DESCRIPTION This course will introduce students to one of the most powerful cultural and social communications media of our time: cinema. The successful student will become more aware of the complexity of film art, more sensitive to its nuances, textures, and rhythms, and more perceptive in “reading” its multilayered blend of image, sound, and motion. The films, texts, and classroom materials will cover a broad range of domestic, independent, and international cinema, making students aware of the culture, politics, and social history of the periods in which the films were produced. -
Luc Besson B.1959 Le Grand Bleu 1988
Cinéma du Look Spring 2021 Luc Besson b.1959 Le Grand Bleu 1988 The Big Blue: Film From Time Out: https://www.timeout.com/movies/the-big-blue Time Out says The action centres on the rivalry between free-divers Barr and Reno - they dive deep without an aqualung - which begins when they are little boys. The first time you see someone plunging into alien blackness is exciting, but the novelty soon wears off. The first half-hour is the best part of the movie. Going through her usual kooky routine, Arquette plays a New York insurance agent who encounters Barr in Peru, and is captivated by his wide- eyed innocence (which others might describe as bovine stupidity). Her sole purpose seems to be to reassure the audience that there is nothing funny going on between best buddies Barr, who talks to dolphins, and Reno, a macho mother's boy (a performance of much comic credibility). The ending is the worst part of the movie: Barr rejects the pregnant Arquette in favour of going under one last time to become a dolphin-man. Such bathos reeks of cod-Camus. What lies in between is a series of CinemaScopic swathes of blue seas and white cliffs. Besson's film is exactly like his hero: very pretty but very silly. Details Release details Rated: 15 Duration: 119 mins Cast and crew Director: Luc Besson Screenwriter: Luc Besson, Robert Garland, Marilyn Goldin, Jacques Mayol, Marc Perrier Cast: Rosanna Arquette, Jean-Marc Barr, Jean Reno, Paul Shenar, Sergio Castellitto, Jean Bouise, Griffin Dunne Luc Besson Filmography as Director Thirty years ago, Le Grand Bleu (The Big Blue) shook the Croisette Article sourced from Festival de Cannes: https://www.festival-cannes.com/en/72- editions/retrospective/2018/actualites/articles/thirty-years-ago-le-grand-bleu-the-big-blue-shook-the-croisette# In 1988, the Festival de Cannes opened to Le Grand Bleu (The Big Blue) by the young Luc Besson. -
Woman in Lars Von Triers Cinema 1996-2014 1St Edition Ebook
WOMAN IN LARS VON TRIERS CINEMA 1996-2014 1ST EDITION PDF, EPUB, EBOOK Ahmed Elbeshlawy | 9783319406381 | | | | | Woman in Lars Von Triers Cinema 1996-2014 1st edition PDF Book I believe that my biological father's German family went back two further generations. He needs a female to provide his work soul. His main crew members and producer team has remained intact since the film Europa. Beyond any narrative justification of it that it is his heroines suffering that either allows or is redeemed by their act or any psychological explanation of it it is something either in them or von Trier that explains it , it is possible that the suffering of these women is inflicted in itself: their acts neither come out of nor justify any prior circumstance, but break with everything that comes before them, leaving it behind. PAGE 1. Spread the word Enjoy MAI? In her paper she attributes to the militant aesthetic of Dogme 95 the unexpected opening up of von Trier to the feminine, that is, to those more emotionally intense and borderline areas that women have traditionally occupied relative to patriarchy. Filmography Awards and nominations. However — and the question is whether this makes it better or worse for von Trier — it is possible that there is no direct relationship between the suffering these women undergo and the act they perform. As such, they confront an impasse of Being or the Real of a contingent event and must find a way to go on from there. That woman was stronger than both Lars von Trier and me and our company put together. -
Jean-Marc Barr to Receive Bratislava IFF's Award for Artistic Excellence In
Star of The Big Blue, Renowned European Actor and Director Jean-Marc Barr to Receive Bratislava IFF’s Award for Artistic Excellence in World Cinema The 19th edition of the Bratislava International Film Festival will welcome one of the most distinctive European actors and a unique director JEAN-MARC BARR, who has received world recognition thanks to his cooperation with the controversial Danish director Lars von Trier on films such as Europa, Dogville or Nymphomaniac, and especially as the star of Luc Besson’s hit The Big Blue. In Bratislava, Jean-Marc Barr will receive the festival’s own Award for Artistic Excellence in World Cinema. On this occasion, Mr. Barr will personally present the selection of films screened as part of the Tribute section as well as his latest film, a post-apocalyptic sci-fi Grain. Jean-Marc Barr launched his abundant acting career with smaller roles in British historical films such as King David (1985) or Hope and Glory (1987). His rise to international fame came with the lead role in Luc Besson’s cult picture, The Big Blue (Le grand bleu, 1988), for which he received a César nomination. He stars as Jacques Mayol, a romantic free-diver obsessively devoted to his only love – the sea. Another milestone in Barr’s filmography was his first cooperation with Lars von Trier on a stylised allegory Europe (Europa, 1991), where his idealistic character Leo fatefully clashes with manipulative power and destruction in “post-war Germany’s year 0”. The role enabled Barr to develop his acting register and made him a true star of European cinema. -
Nosferatu. Revista De Cine (Donostia Kultura)
Nosferatu. Revista de cine (Donostia Kultura) Título: Abstracts Autor/es: Nosferatu Citar como: Nosferatu (2002). Abstracts. Nosferatu. Revista de cine. (39):90-92. Documento descargado de: http://hdl.handle.net/10251/41275 Copyright: Reserva de todos los derechos (NO CC) La digitalización de este artículo se enmarca dentro del proyecto "Estudio y análisis para el desarrollo de una red de conocimiento sobre estudios fílmicos a través de plataformas web 2.0", financiado por el Plan Nacional de I+D+i del Ministerio de Economía y Competitividad del Gobierno de España (código HAR2010-18648), con el apoyo de Biblioteca y Documentación Científica y del Área de Sistemas de Información y Comunicaciones (ASIC) del Vicerrectorado de las Tecnologías de la Información y de las Comunicaciones de la Universitat Politècnica de València. Entidades colaboradoras: LESS DOGMA THAN ONE WOULD CARETO from an aesthetic point of view. They also show the BE LlEVE strong visual influence in their making of Russian Nuria Vida/ director Andrei Tarkovski. The Dogma movement was bom at the 1998 Cmmes Festival with the screening of Festen (Thomas BREAKING TV, SHOOTING IN THE DARK Vinterberg) and Idioterne (Lars von Trier). These two Quim Casas directors had drawn up a document in 1995 known as the "Dogma 95 Manifesto" (to which Soren Kragh Lars von Trier's relationship with te levision, while not Jacobsen and Kristian Levring were later to add their particularly productive, is highly interesting. His first names), in which they defended a tmth-revealing experience dates back to \987, when he took another look cinema, with no tricks, no special or "cosmetic" e ffects, at the tragedy of Euripides in the shape of Medell, made filmed with a handheld camera, fa r removed from genre fo r television and based 011 a screenplay signed by movie conventions, and shot on locati on. -
Movieguide.Pdf
Movies Without Nudity A guide to nudity in 8,345 movies From www.movieswithoutnudity.com Red - Contains Nudity Movies I Own 300: Rise of an Empire (2014) A. I. - Artificial Intelligence (2001) A La Mala (aka Falling for Mala) (2014) A-X-L (2018) A.C.O.D. (2013) [Male rear nudity] Abandon (2002) The Abandoned (2007) Abe Lincoln in Illinois (1940) Abel's Field (2012) The Abolitionists (2016) Abominable (2019) Abominable (2020) About a Boy (2002) About Adam (2001) About Last Night (1986) About Last Night (2014) About Schmidt (2002) About Time (2013) Above and Beyond (2014) Above Suspicion (1995) Above the Rim (1994) Abraham (1994) [Full nudity of boys playing in water] The Absent-Minded Professor (1961) Absolute Power (1997) Absolutely Fabulous: The Movie (2016) An Acceptable Loss (2019) Accepted (2006) The Accountant (2016) Ace in the Hole (1951) Ace Ventura: When Nature Calls (1995) [male rear nudity] Achilles' Love (2000) Across the Moon (1995) Across the Universe (2007) Action Jackson (1988) Action Point (2018) Acts of Violence (2018) Ad Astra (2019) Adam (2009) Adam at 6 A.M. (1970) Adam Had Four Sons (1941) Adam Sandler's Eight Crazy Nights (2002) Adam's Apples (2007) Adam's Rib (1949) Adaptation (2002) The Addams Family (2019) Addams Family Values (1993) Addicted (2014) Addicted to Love (1997) [Depends on who you ask, but dark shadows obscure any nudity.] The Adjuster (1991) The Adjustment Bureau (2011) The Admiral: Roaring Currents (aka Myeong-ryang) (2014) Admission (2013) Adrenaline Rush (2002) Adrift (2018) Adult Beginners (2015) Adult Life Skills (2019) [Drawings of penises] Adventures in Dinosaur City (1992) Adventures of Baron Munchausen (1989) Adventures of Buckaroo Banzai Across the 8th Dimension (1984) The Adventures of Elmo In Grouchland (1999) The Adventures of Huck Finn (1993) Adventures of Icabod and Mr.