Read Ebook {PDF EPUB} Towers of Stone The Battle of Wills in by Wojciech Jagielski War correspondent. A war correspondent is a journalist who covers stories firsthand from a war zone. In the 19th century they were also called Special Correspondents . Contents. Methods [ edit | edit source ] Their jobs require war correspondents to deliberately go to the most conflict-ridden parts of the world. Once there they attempt to get close enough to the action to provide written accounts, photos, or film footage. Thus, being a war correspondent is often considered the most dangerous form of journalism. On the other hand, war coverage is also one of the most successful branches of journalism. Newspaper sales increase greatly in wartime and television news ratings go up. News organizations have sometimes been accused of militarism because of the advantages they gather from conflict. William Randolph Hearst is often said to have encouraged the Spanish-American War for this reason. (See Yellow journalism) Only some conflicts receive extensive worldwide coverage, however. Among recent wars, the Kosovo War received a great deal of coverage, as did the Persian Gulf War. Many third-world wars, however, tend to receive less substantial coverage because corporate media are often less interested, the lack of infrastructure makes reporting more difficult and expensive, and the conflicts are also far more dangerous for war correspondents. History [ edit | edit source ] Battle council on the De Zeven Provinciën by Willem van de Velde the Elder. The prelude to the Four Days Battle in 1666. Written war correspondents have existed as long as journalism. Before modern journalism it was more common for longer histories to be written at the end of a conflict. The first known of these is Herodotus's account of the Persian Wars, however he did not himself participate in the events. Thucydides, who some years later wrote a history of the Peloponnesian Wars was an observer to the events he described. The first modern war correspondent is said to be Dutch painter Willem van de Velde, who in 1653 took to sea in a small boat to observe a naval battle between the Dutch and the English, of which he made many sketches on the spot, which he later developed into one big drawing that he added to a report he wrote to the States General. A further modernization came with the development of newspapers and magazines . One of the earliest war correspondents was Henry Crabb Robinson, who covered Napoleon's campaigns in Spain and Germany for The Times of London. Crimean War [ edit | edit source ] William Howard Russell, who covered the Crimean War, also for The Times , is often described as the first modern war correspondent. The stories from this era, which were almost as lengthy and analytical as early books on war, took numerous weeks from being written to being published. Third Italian War of Independence [ edit | edit source ] Another renowned journalist, Ferdinando Petruccelli della Gattina, Italian correspondent of European newspapers such as La Presse , Journal des débats , Indépendance Belge and The Daily News , was known for his extremely gory style in his articles but involving at the same time. Jules Claretie, critic of Le Figaro , was amazed about his correspondence of the Battle of Custoza, during the Third Italian War of Independence: «Nothing could be more fantastic and cruelly true than this tableau of agony. Reportage has never given a superior artwork». [1] Russo-Japanese War [ edit | edit source ] Western military attachés and war correspondents with the Japanese forces after the Battle of Shaho in 1904. It was not until the telegraph was developed that reports could be sent on a daily basis and events could be reported as they occurred that the short mainly descriptive stories of today became common. Press coverage of the Russo-Japanese War was affected by restrictions on the movement of reporters and strict censorship. In all military conflicts which followed this 1904-1905 war, close attention to more managed reporting was considered essential. [2] First World War [ edit | edit source ] The First World War was characterized by rigid censorship. British Lord Kitchener hated reporters, and so reporters were banned from the Front at the start of the War. But reporters such as Basil Clarke and Philip Gibbs lived as fugitives near the Front, sending back their reports. The Government eventually allowed some accredited reporters in April 1915, and this continued until the end of the War. This meant, though, that the Government was able to control what they saw. French authorities were equally opposed to war journalism, but less competent (criticisms of the French high command were leaked to the press during the Battle of Verdun in 1916). By far the most rigid and authoritarian regime was imposed by the United States, though General John J. Pershing allowed embedded reporters (Floyd Gibbons was severely wounded at Belleau Wood in 1918). The discourse in mediated conflicts is influenced by its public character. By forwarding information and arguments to the media, conflict parties attempt to gain support from their constituencies and persuade their opponents. [3] The continued progress of technology has allowed live coverage of events via satellite up-links. The rise of twenty-four hour news channels has led to a heightened demand for coverage. Early film and television news rarely had war correspondents. Rather they would simply collect footage provided by other sources, often the government, and the news anchor would then add narration. This footage was often staged as cameras were large and bulky until the introduction of small, portable motion picture cameras during WWII. The situation changed dramatically with the Vietnam War when networks from around the world sent cameramen with portable cameras and correspondents. This proved damaging to the United States as the full brutality of war became a daily feature on the nightly news. Notable war correspondents [ edit | edit source ] 19th century [ edit | edit source ] , Germany and Spain (1807-1809). , Walcheren Campaign (1809). , North China Campaign (1860). (1874–1965); covered the Siege of Malakand, the Mahdist War and the Second Boer War. (1864–1915), first female war correspondent,covering the Spanish-American War for the Toronto Mail in 1898. (1855–1905); covered the First Boer War[4] , Second Opium War, 1857-1858. (1871–1900); covered the 1897 Greco-Turkish War, where he contracted tuberculosis. , Expedition of the thousand, Second and Third Italian War of Independence, Paris Commune (1864–1916); covered the Spanish-American War, Second Boer War and the fighting on the Macedonian front during World War I. was a war correspondent for the Chicago Times in The Great Sioux War of 1876-1877. , covered Boer Wars influential yellow journalist in Spanish-American War was a fighting war correspondent in The Great Sioux War of 1876-1877. 20th century [ edit | edit source ] United States World War II correspondents. Some of them became authors of fiction drawing on their war experiences, including Davis, Crane and Hemingway. Towers of Stone. In Towers of Stone , award-winning Polish reporter Wojciech Jagielski brings into focus the tragedy of Chechnya, its inhabitants, and the war being waged there by a handful of desperate warriors against a powerful state-backed army. Jagielski's narrative is told through the lens of two men: Shamil Basaev, a hero to some, a dangerous warlord to others; and , a calculating and sober politician, who is viewed as a providential savior by some of his compatriots and a cowardly opportunist by the rest. Caught up in a war to which they owe everything and without which they could not live, the two fighters face enemy forces—and one another—in protean conflicts that prove hard to quell. Viewing the two men’s personal stories as a microcosm of the conflict threatening to devour a land and its peoples, Jagielski distills the bitter history of the region with forceful clarity. Towers of Stone: The Battle of Wills in Chechnya. WOJCIECH JAGIELSKI is a journalist at Gazeta Wyborcza, Poland's first and biggest independent daily, where he specializes in , Central Asia, the Trans-, and the Caucasus. He has been witness to some of the most important political events of the end of the twentieth century and is a permanent observer of developments in . He is the author of A Good Place to Die, the result of several years of travel to the Caucasus in the era of the Soviet Union's collapse and of the emergence of new independent states; Praying for Rain, the bestseller chronicling Afghan regimes; and The Night Wanderers, a book about child soldiers from Northern . Jagielski is the recipient of the Dariusz Fikus Award, one of Poland's most prestigious awards for excellence in journalism. In 2008, Towers of Stone received the Letterature Dal Fronte Award in Italy. Reviews. Review this book and you'll be entered for a chance to win $50! ( Log-in or create an account first!) Details Terms of Sale Store Description. Details. Terms of Sale. World of Books Ltd. If you are not completely satisfied with your purchase for any reason, simply email [email protected] and we will quickly resolve any issues you may have. If you have any other queries about your order, please email [email protected]. Our goal is to deliver to our customers the best possible service and we hope your experience of dealing with us lives up to our promise. If for whatever reason we fail to meet your expectations then please let us know. About the Seller. World of Books Ltd. About World of Books Ltd. Subscribe. Sign up for our newsletter for a chance to win $50 in free books! Learn about Bayntun- Rivière Binders. Are you enchanted by books clad in fine bindings? This is the gallery for you to peruse! Learn more about Bayntun, Rivière & Sons, and their combined work as Bayntun-Rivière. Collecting Signed Books. Read through our tips, hints, and information on collecting books signed or inscribed by the author or illustrator. All Lara's Wars. In All Lara's Wars , the great events of the last half-century—the realignment of Eastern Europe after the fall of the Soviet Union, and the rise in the Middle East of ISIS and its quest for a new Caliphate—converge in this account of a Chechen-Georgian family whose two sons become radicalized, and how their mother—Lara—travels to Syria by bus and at great risk, not to join them but to bring them home. By then, the older son is a high level commander and the younger son a respected soldier in ISIS's army. The story is told with a sense of wonder at the contemporary world and all the ways it resembles a primitive and violent land where all struggles are to the death, and there is an epic battle going on between forces of good and evil that cannot be understood other than as mythic and larger than life. Lara is a Kist—one of a tiny ethnicity that crossed the Caucasus mountains a century ago to settle in the remote Pankisi Gorge in northern Georgia, a peaceful and isolated paradise. She married a Chechen, moved to Grozny, and became the mother of two sons. When war came to Chechnya, she took her children home to the safe Georgian valley, and later sent them to Western Europe to live with their father—to protect them from the influence of the radical Islamic freedom fighters who had come to the Pankisi Gorge as refugees from the Chechnyan wars. As in all of Wojciech Jagielski's books, he tells here the story of any modern war, how the individual lives of civilians and combatants are obliterated in the sweep of the larger narrative—and how the humanity of these individual lives is revealed, and the price paid in human endurance and persistence and loss. Jagielski observes, listening to Lara and letting her story emerge through the filter of his literary skill. This unusual reportage tells us the facts of the Chechnyan wars and the reality of the Syrian war from the viewpoint of ISIS recruits, but it is also the true account of one ordinary family that became part of the larger tragedy that has claimed so many victims in recent years. Collected in. Buying options. “Polish war correspondent Jagielski (Burning the Grass) tells the story of one mother’s struggle to save her sons from Islamic radicalization in this heartrending account. A member of the Kist ethnic minority in the Pankisi Gorge region of Georgia, Lara (no last name given) married a Chechen man and settled in Grozny, Russia. However, when conflict erupted between Russia and Chechnya’s separatist leader in the mid-1990s, she fled with her two sons back to Georgia. As refugees from the second war in Chechnya and as Islamic fighters who had joined the cause encroached into Pankisi Gorge, Lara sent her boys to Western Europe to live with their father. After losing contact for eight years, she discovered that both sons had joined the Islamic State’s fight against Bashar al-Assad’s regime in Syria. She traveled by bus from Georgia to an ISIS compound in Syria, where she learned that her eldest son was second-in-command to the local emir. “I have put my life in the hands of God,” he tells her. Days after returning home alone, Lara received news that both sons had been killed by Syrian forces. Jagielski maintains a tight focus on Lara and her family while placing their struggles within the context of such larger historical events as the breakup of the Soviet Union and the war on terror. This empathetic and deeply reported chronicle deserves a wide readership. ” – Publishers Weekly (Starred Review) “All Lara’s Wars,” translated from the Polish by Antonia Lloyd-Jones, is Jagielski’s journalistic account of one woman’s journey from an improbably idyllic childhood in the mountains of Georgia — “there was no finer place on Earth” — through one conflict after another. . The author of previous books on wars in Afghanistan and Uganda, Jagielski seems less interested in a historical inquiry of jihad than in an intimate account of the toll war exacts on one woman. At the same time, this is a book that in its way seeks to explain what unfolds each time a terrorist attack is carried out by a young Chechen immigrant, like the recent stabbing of a teacher in France. . The story, though, is riveting. In the end, Lara says she doesn’t really know what radicalized her sons. Nor do we as readers, though there are clues: the glorification of armed resistance, the anomie of modern life, the venomous corruption of faith.” – Steven Lee Myers, The New York Times Book Review. “Wojciech Jagielski has a well-deserved reputation as a serious and sensitive writer who cares deeply about people, history and the truth. He does not shy away from the messy and often painful reality, but translates it into limpid, elegant prose. All Lara's Wars is a powerful, moving, disturbing and important work of both literature and reporting.” – Jason Burke, author of The 9/11 Wars. “ All Lara’s Wars is narrative nonfiction at its best. Gripping, moving, informative and ultimately heart-breaking, it stayed on my mind even after I laid it aside for the day, and it’s still on my mind now and will be for a long time. I’ve read several of Jagielski’s previous books, admiring them all. But this one seems to me the finest, just as he seems the finest of the many first-rate Polish literary journalists. This volume has been beautifully translated by Antonia Lloyd-Jones.” – Steve Yarbrough, author of The Unmade World. “All Lara’s Wars is an epic but intimate journey through the wreckage caused by the end of the Soviet Union in the Caucasus, taking us all the way from a small village in Georgia to war in Chechnya to the inferno of the Syrian conflict. At its center is a memorable portrait of Lara, a Caucasian Mother Courage, who loses her beloved menfolk in a chain of wars. Along the way we see how idealism was lost and nationalist struggles morphed into violent radical Islam. Wojciech Jagielski has researched and written a very original and powerful book.” – Thomas de Waal, Senior Fellow, Carnegie Europe, author of The Caucasus: An Introduction. “With exhaustive scrutiny and a deep sense of compassion, Jagielski’s latest chronicles the harrowing ordeal of a mother whose sons are driven toward violent conflict in the name of a radical cause.” – Justin W., Bookshop.org. Formerly a reporter at Gazeta Wyborcza , Poland’s first and biggest independent daily, Wojciech Jagielski has been witness to some of the most important political events of the end of the twentieth century. He is the recipient of several of Poland’s most prestigious awards for journalism, including a Bene Merito honorary decoration from the Polish government and the Dariusz Fikus award for excellence in journalism. Seen by many as the literary heir to Ryszard Kapuściński, he is the author of several books of in-depth reportage, including Towers of Stone: The Battle of Wills in Chechnya , which won Italy’s Letterature dal Fronte Award. Arguably Poland’s best-known contemporary non-fiction writer, Jagielski lives outside Warsaw. GEORGIA & SOUTH CAUCASUS. Politik, Kultur, Geschichte, Wirtschaft, Internet und andere Aspekte über den Süd-Kaukasus // Politic, Culture, History, Economy, Internet And Other Aspects About South-Caucasus // Re-Blogged & Posted By Ralph Hälbig. Sunday, December 13, 2009. BOOK: Towers of Stone: The Battle of Wills in Chechnya. By Wojciech Jagielski. A small corner, very bloody Dec 10th 2009 From The Economist print editionChechnya may have been largely pacified, but it is far from being at peace Towers of Stone: The Battle of Wills in Chechnya. By Wojciech Jagielski. Translated by Soren Gauger. Seven Stories Press; 329 pages; $19.95. FORMIDABLE, useful in war and, though picturesque, impractical in peacetime, the stone towers that dot Chechnya’s mountains could be regarded as symbols of its people. Wojciech Jagielski’s book sets new standards for gritty reporting of Russia’s most miserable corner, and the dreadful damage done to it by both outsiders and the Chechens’ own leaders. full text >>> No comments: Now I'm Author for Travel Guide Book "Georgien | Reise Know-How Verlag" Georgisches Kulturzentrum Berlin. CITY TRIP: Tbilisi's Soviet Concrete Walking Tour with Brutal Tours BrutalTours in Georgia. A Walking tour through the capital of Georgia, spiced up with more concrete and soviet architecture than you could probably handle! Tour Runs Daily 35 EUR Brutal Tours loves urbex, brutalism and soviet architecture. Join the people on a journey to places you won't find in other travel programs FB facebook.com/brutaltours FB-Group facebook.com/groups/brutaltours Instagram instagram.com/brutaltours Website brutaltours.com Email: [email protected]. Hotel Suliko in Tbilisi. GEDICHTE: Die Kartoffelernte. Neue Georgische Lyrik II. Die Kartoffelernte. Neue Georgische Lyrik II. Ab dem 26.10. lieferbar. Jetzt schon bestellbar bei Corvinus Presse. Das Buch hat 88 Seiten und kostet 20 €. Herausgegeben von Matthias Unger. Gedichte von Besik Kharanauli, Temur Chkhetiani, Rusudan Kaishauri, Lela Tsutskiridze, Nato Ingorokva, Giorgi Lobzhanidze und Nika Jorjaneli. Zeichnungen von Dieter Goltzsche. Nachsichtungen von Norbert Hummelt und Sabine Schiffner (nur Nika Jorjaneli). Deutsche Erstausgabe, Herbst 2017 Die Grafike von Dieter Goltzsche entstanden speziell zu diesen Gedichten. Interlinear ins Deutsche übertragen von Nana Tchigladze. Book a Brutal Tour in Georgia. A journey through Georgia's Soviet past. Georgian Products. vino.ge - amazing site about georgian wine. Wine News from Republic of Georgia. DESIGN FROM CAUCASUS. FRONTLINE CLUB GEORGIA. Place to meet, discuss and be inspired. 62 Lado Asatiani str, Tbilisi, Georgia. Tel: +995 32 2995952 | [email protected] Frontline Georgia is a media club that aims to serve as a politically-neutral venue for journalists, public officials, students, intellectuals come together in a dialogue over media, social, political and cultural issues important for Georgia and the region. Frontline Georgia holds panel discussions, screenings, exhibitions, conferences and master classes. Frontline Georgia’s mission is to contribute to quality journalism and exchange of views. Its Events Program will bring together the key players and thinkers in politics and the media and give a member an opportunity not only to hear from experts but to ask questions and contribute to the discussion in a relaxed and informal atmosphere. While there are other meeting places for important public discussions, Frontline Georgia is among the very few, where people from different ideological and political camps meet together. This neutrality has been one of the biggest achievements of the club, which operates in Georgia’s highly politicized and polarized social and media environment. ALL EVENTS ARE OPEN TO THE PUBLIC. Twitter @southcaucasus. Georgische Küche von Tamar Dugladze. www.letuscook.de stellt eine zweisprachige – deutsch-georgische Webseite dar. Hier finden Sie verschiedenste Rezepte zum Nachkochen sowie Tipps und Tricks für Anfänger und Kochliebhaber. Die Rezepte sind schrittweise beschrieben und mit dazugehörigen Fotos unterstützt. Ich möchte Sie gerne dazu auffordern mir Ihre Rezepte und Bilder zu schicken. Ich hoffe, dass mit Hilfe von www.letuscook.de oder www.facebook.com/Letuscook.de ein interessanter Informations- und Meinungsaustausch zwischen den beiden „Sprachseiten“ zu Stande kommt. Ihre Meinungen, Vorschläge und Verbesserungswünsche sind sehr willkommen. Ich stehe Ihnen für die Fragen gerne zu Verfügung. Ich hoffe, www.letuscook.de gefällt Ihnen und inspiriert Sie und natürlich hoffe ich, Sie schauen öfters mal vorbei. Viel Spaß beim Nachkochen! Translate in your Language. Georgian Wine Association. Weinreisen nach Georgien. Follow by Email. Kaukasus-Reisen. For Journalists and Guests are interesting - also with German Guides. Total Pageviews. OAT Gallery and artcafe 144 stairs in Tbilisi. in old tbilisi under the narikala fortress. - artcollection - exhibitions and events - home cuisine - private dinners and parties - guest studio for rent. address: 14 silamazis line 0105 tbilisi, georgia tel.: +995 599 720 906. Search This Blog. Letzte Exemplare. GTA - Georgian Tourism Association. Blog Archive. ► 2020 (49) ► November (2) ► October (11) ► September (2) ► August (7) ► July (2) ► June (5) ► May (7) ► April (3) ► March (6) ► February (3) ► January (1) ► 2019 (46) ► December (5) ► November (3) ► October (7) ► September (11) ► August (1) ► May (4) ► April (13) ► March (1) ► February (1) ► 2018 (70) ► December (6) ► November (5) ► October (8) ► September (6) ► August (3) ► July (3) ► June (5) ► May (4) ► April (6) ► March (1) ► February (13) ► January (10) ► 2017 (133) ► December (2) ► November (8) ► October (7) ► September (13) ► August (9) ► July (26) ► June (24) ► May (13) ► April (10) ► March (13) ► February (8) ► 2016 (65) ► December (17) ► November (1) ► October (1) ► March (11) ► February (12) ► January (23) ► 2015 (29) ► May (1) ► April (8) ► March (8) ► February (3) ► January (9) ► 2014 (245) ► December (15) ► November (8) ► October (30) ► September (12) ► August (21) ► July (14) ► June (23) ► May (13) ► April (19) ► March (13) ► February (34) ► January (43) ► 2013 (465) ► December (54) ► November (26) ► October (55) ► September (32) ► August (44) ► July (20) ► June (22) ► May (49) ► April (45) ► March (50) ► February (27) ► January (41) ► 2012 (640) ► December (33) ► November (44) ► October (91) ► September (68) ► August (102) ► July (52) ► June (85) ► May (54) ► April (53) ► March (36) ► February (13) ► January (9) ► 2011 (261) ► November (10) ► October (15) ► September (14) ► August (13) ► July (18) ► June (6) ► May (17) ► April (23) ► March (40) ► February (42) ► January (63) ► 2010 (536) ► December (56) ► November (81) ► October (72) ► September (26) ► August (23) ► July (42) ► June (51) ► May (49) ► April (49) ► March (5) ► February (35) ► January (47) ▼ 2009 (1235) ▼ December (47) ► November (68) ► October (91) ► September (56) ► August (66) ► July (61) ► June (118) ► May (114) ► April (141) ► March (213) ► February (175) ► January (85) ► 2008 (1492) ► December (83) ► November (90) ► October (53) ► September (91) ► August (398) ► July (97) ► June (93) ► May (108) ► April (131) ► March (141) ► February (106) ► January (101) ► 2007 (1701) ► December (72) ► November (160) ► October (47) ► September (97) ► August (139) ► July (161) ► June (193) ► May (185) ► April (163) ► March (183) ► February (144) ► January (157) ► 2006 (1240) ► December (130) ► November (113) ► October (148) ► September (78) ► August (55) ► July (128) ► June (78) ► May (79) ► April (69) ► March (89) ► February (140) ► January (133) ► 2005 (560) ► December (60) ► November (91) ► October (61) ► September (62) ► August (87) ► July (106) ► June (84) ► May (9) globalvoicesonline.org. EURASIANET.ORG TO Armenia, Azerbaijan, Georgia & Central Asia. DOCUMENTARY: LIKE THE AIR TO BREATHE. WIE LUFT ZUM ATMEN ist eine Reise in ein kleines Land zwischen Asien und Europa, das zu unrecht zwischen den Grenzen der Kulturen vergessen wird: Georgien, das hier in seiner ganzen Schönheit, seinem Zauber und seiner Vielfältigkeit eingefangen ist. Der Dokumentarfilm von Ruth Olshan entdeckt vor allem die beeindruckende Musik Georgiens, in der die kulturelle Identität seiner Bewohner tief verwurzelt ist. In den fast verloren gegangenen und wieder entdeckten Gesängen und Tänzen, die die UNESCO auf die Liste des Weltkulturerbes gesetzt hat, meint man Stimmen und Lieder aus einer vergangenen Zeit zu hören. Musik sei für sie so wichtig wie die Luft zum Atmen, erzählt eine Protagonistin im Film und man versteht sie sofort. Ruth Olshans vielschichtiges Porträt eines Landes, seiner Menschen und ihrer Musik zeigt, was das Besondere an der georgischen Musik ist: die Lebendigkeit der Folklore im Alltag, die aufrecht erhaltene Tradition, die in den Texten gespeicherten Mythen, das soziale Erleben der Musik, die regionale Unterschiedlichkeit der Kultur, und die Musiker, die die Musik heute auch in Pop- und Jazzbereiche weiterführen. "Großartige Bilder, sympathische Protagonisten und schöne, unvertraute Musik!" ( filmdienst ) "Ruth Olshan hat einen sehr feinen Musikfilm gemacht, der einen Ort 90 Minuten zum Klingen bringt" ( zitty ) "Eine berückende Hommage an ein Volk, dessen große Kultur durchströmt wird von Gesang" ( Rheinischer Merkur ) "Folklore kann ganz schön cool sein!" ( Die Welt ) "Ein ‚Hit’ für musikbegeisterte Weltreisende im Kino!" ( programmkino.de ) Ruth Olshan in her film portrays musicians who work with different approaches: a male choir searching and cultivating old folk songs in the Caucasus region, a female choir, a school dance company and musicians who enhance Georgian folk music. There is a common denominator that links the diverse protagonists in Olshan’s film: Singing, dancing and music are crucial elements of their lifestyle. Music is as important as “air to breath,” explains the director of the female choir . The subtle camera work discreetly catches moments and spontaneous encounters, showing that the rehearsals and the singing brings moments to these women where they are taken away from their normal course of life. For life in Rustavi, a small town near Tiflis, seems bleak. The industry is dead, the unemployment rate is enormous. You ask yourself how people can live. The choir women’s beauty and positive energy exude an affirmative sign of life, even in mournful moments. Men and women sing and dance both joy and sorrow off their chest. In Georgia, music seems to be omnipresent, almost existential. Even if a young singer does not think folk music is “sexy”, he still gets hooked. It gets under his skin. The film pays tribute to this fascination, vitality, and spiritedness.