Sept–Nov 2017

Total Page:16

File Type:pdf, Size:1020Kb

Sept–Nov 2017 M SPONSORS M PLATINU SPONSORS ERNMENT GOV e itiativ In s s tist Ar t n i hpo las F n ciatio o ss A NSORS NSORS SPO d d o ho r o b h g i e N k r a P an Inm PATRON SPONSORS BRONZE Sponsors Sh o w some l some w o v f e or our or e for our Show some lov @atlantabeltline Sponsors #beltlineart art.beltline.org For More Information: More For BRONZE SPONSORS PATRON Inman Park Neighborhood SPONSORS Association Flashpoint Artists Initiative media. social on exhibition submitting for the fall 2018 show should check art.beltline.org in early 2018, and follow the the follow and 2018, early in art.beltline.org check should show 2018 fall the for submitting GOV in ERNMENTinterested Artists exhibition. annual the for selection determine to process juried a undergo industry, which has a $2.2 billion impact in Georgia. Artists submit proposals every spring and and spring every proposals submit Artists Georgia. in impact billion $2.2 a has which industry, Atlanta BeltLine, Inc. commissions over 100 artists in contribution to and support of the arts arts the of support and to contribution in artists 100 over commissions Inc. BeltLine, Atlanta SPONSORS ALL ARTISTS ARE INVITED TO SUBMIT PROPOSALS FOR ART ON THE ATLANTA BELTLINE ATLANTA THE ON ART FOR PROPOSALS SUBMIT TO INVITED ARE ARTISTS ALL Art on the Atlanta BeltLine more accessible to all. to accessible more BeltLine Atlanta the on Art BeltLine exhibits. Now, several miles of paved, multi-use trails are complete and open, making making open, and complete are trails multi-use paved, of miles several Now, exhibits. BeltLine and Eastside Trail extension! Previously, these interim hiking trails featured Art on the Atlanta Atlanta the on Art featured trails hiking interim these Previously, extension! Trail Eastside and We are thrilled to include four miles of added gallery space on the newly finished Westside Trail Trail Westside finished newly the on space gallery added of miles four include to thrilled are We NEWLY OPENED SEGMENTS ALLOW FOR MORE EXHIBITION SPACE EXHIBITION MORE FOR ALLOW SEGMENTS OPENED NEWLY an experience as well as a place. a as well as experience an art-making along the trails, interactive art, and works that embody navigating urban space as as space urban navigating embody that works and art, interactive trails, the along art-making PLATINUM SPONSORS performances, street-style through adventure and discovery of sense visitor’s the enhance Atlanta BeltLine trail users are at the forefront of this year’s exhibition. Art pieces seek to to seek pieces Art exhibition. year’s this of forefront the at are users trail BeltLine Atlanta theater, photography, and more. In 2016, over 1.7 million people visited the Eastside Trail, and and Trail, Eastside the visited people million 1.7 over 2016, In more. and photography, theater, Atlanta, the nation, and the world in a variety of mediums: sculpture, murals, dance, music, music, dance, murals, sculpture, mediums: of variety a in world the and nation, the Atlanta, Now in its eighth year, the linear gallery is free to the public and represents artists from across across from artists represents and public the to free is gallery linear the year, eighth its in Now LARGEST TEMPORARY OUTDOOR ART EXHIBITION IN THE SOUTH THE IN EXHIBITION ART OUTDOOR TEMPORARY LARGEST visit www.arts.gov. visit make the Atlanta BeltLine come to life. to come BeltLine Atlanta the make grants impact individuals and communities, and individuals impact grants love for Atlanta and the arts helped helped arts the and Atlanta for love more about how National Endowment for the Arts Arts the for Endowment National how about more ART.BELTLINE.ORG the National Endowment for the Arts. To find out out find To Arts. the for Endowment National the Joan P. Garner, whose service to and and to service whose Garner, P. Joan project is also supported in part by an award from from award an by part in supported also is project Commissioner and ABI Board Member Member Board ABI and Commissioner 7 1 0 2 V O N T– P E S the Fulton County Board of Commissioners. This This Commissioners. of Board County Fulton the exhibition in honor of Fulton County County Fulton of honor in exhibition Major funding for this organization is provided by by provided is organization this for funding Major 2017 Art on the Atlanta BeltLine BeltLine Atlanta the on Art 2017 City of Atlanta Mayor’s Office of Cultural Affairs. Affairs. Cultural of Office Mayor’s Atlanta of City Atlanta BeltLine, Inc. dedicates the the dedicates Inc. BeltLine, Atlanta Major support for this project is provided by the the by provided is project this for support Major In Remembrance In [email protected]. help the Atlanta BeltLine, please email email please BeltLine, Atlanta the help For more information on how you can can you how on information more For Become a Sponsor a Become NTING SPONSORS NTING E PRES ONSORS SP GOLD Stand] [Positive Paperwork-Based Performance] Paperwork-Based [Positive Robin Schwartzman [Interactive Trinket Bartering Bartering Trinket [Interactive Schwartzman Robin Supportive Bureaucracy) Bureaucracy) Supportive comprised of Anna Abhau Elliott, Desiree Moore, and and Moore, Desiree Elliott, Abhau Anna of comprised (Center for (Center Network Clerks Empowering Ongoing will take place in the EVEREMAN Tea House Tea EVEREMAN the in place take will Ongoing Ongoing Collective, Collective, RADAR by created Boat: Barter [Bluegrass]; performance performance [Bluegrass]; Trio McQueen Muleskinner 8pm [Funky / Top 40] Top / [Funky Band Shonuff The Art on the Atlanta BeltLine Performing Artists 8:45pm Projection] Eastside Trail at Ponce City Market Market City Ponce at Trail Eastside Oct 21st Oct 8:45pm [Ambient Music & Silent Film Film Silent & Music [Ambient Project Ghosts [Blues] Butter Distilled 7:30pm No Tables, No Chairs V [Afrofunk Music] [Afrofunk V Chairs No Tables, No [Spoken Word / Lyrical Hip-Hop] Lyrical / Word [Spoken Westview Dr and Langhorn St Langhorn and Dr Westview Sept 24th Gordon White Park 7:30pm Collective: Collective: Ground Common the and Scales Mausiki Soul Food Cypher Cypher Food Soul 6:30pm performance will take place on the trail just north of of north just trail the on place take will performance 4pm Atlanta Taiko Project: Never Give Up! 3:30 pm 3:30 Crossover Movement Arts [Contemporary Dance]; Dance]; [Contemporary Arts Movement Crossover 6:15pm [Music] Band House the in Blues the and Peterson Pete [Traditional Japanese Drumming] Dance] [Contemporary Oct 15th Oct Sept 9th Eastside Trail at IrwinTrail Street Westside Oct 7th Eastside Trail 5:30pm Beau-e-tudes Theater: Dance Gate City [Snare Drum Line] Drum [Snare Unplugged POP 7:15 pm The Krewe of the Grateful Gluttons: 5pm Esther de Monteflores: Tiny Cities 5pm Rachel Parish: Opera in the Shower [Soloist]; Stand] [Theater] [Slack Wire & Circus Act] Theater Essential Art on the Atlanta BeltLine Lantern Parade performances will take place under Freedom Parkway4pm 3:45pm [Operatic Performance] [Operatic Opera Small Robin Schwartzman [Interactive Trinket Bartering Bartering Trinket [Interactive Schwartzman Robin 6pm Full Radius Dance [Contemporary Dance] Act] Circus & Wire [Slack comprised of Anna Abhau Elliott, Desiree Moore, and and Moore, Desiree Elliott, Abhau Anna of comprised 2:45pm [Contemporary Dance] [Contemporary Ensemble Dance Zoetic Esther de Monteflores: Monteflores: de Esther Tiny Cities Cities Tiny 3pm Ongoing is which Collective, Sept 16th Eastside TrailRADAR by at Northcreated AveBoat: Barter 7:15pm Pete Peterson and the Blues in the House Band [Music] Oct 8th Historic Fourth Ward Park Parade] [African Dance Class and Performance] and Class Dance [African Ongoing [Interactive Music Machine] Music [Interactive 1-3pm Lee Butler, Bardess of the BeltLine:Tilton A Wade new poem 2pm Toni Marie Young: Class on the Grass Ongoing and EmpoweringBand Line Clerks[Second V NetworkChairs (CenterNo Tables, for No Supportive Toni Marie Young: Class on the Grass Grass the on Class Young: Marie Toni Saturdays every week. Not religious, not political, always [African Dance Class and Performance] 2pm 1:30pm Collective: Collective: Bureaucracy) Ground [PositiveCommon the Paperwork-Basedand Scales Mausiki Ongoing [En Plein Air Painting] Air Plein [En (excl. Nov 11; positive. [Poetry] Evans Rachel Gordon White Park White Gordon Performance] 23rd Sept 3pm Atlanta Women’s Chorus [Choral Medley] bit.ly/notables2017 incl. Sun, Oct 8) 8:30pm [Soloist and Projection Performance] Projection and [Soloist Jhana Grant Grant Jhana Ongoing Rachel Evansat: [Enonline Pleinmap V; Air Painting]Chairs No Tables, 4:15pm Historic Fourth Ward Park ConservancyHouse Tea Talent Show 7:15pm Drag Show Drag Conservancy Park Ward Fourth Historic Sept 16th Eastside Trail at Ponce City Market No with Park to Skatepark Ward Fourth Historic performance will take place in the EVEREMAN EVEREMAN the in place take will performance 1:15pm from from Oct 7th HistoricRoute Parade] FourthBicycle Ward Park[Costumed KOLOSSOS 6pm Tray Dahl and the Jugtime Ragband [Ragtime Music] [Ragtime Muleskinner McQueen Trio [Bluegrass]; Trio McQueen Muleskinner 8pm Muleskinner McQueen Trio [Bluegrass]; [Ragtime Music] 8pm Oct 7th Oct Historic Fourth Ward Park Ward Fourth Historic 6pm performance Ragband will takeJugtime the place and in theDahl EVEREMANTray 1:15pm KOLOSSOS [Costumed Bicycle Parade] Route from Market City Ponce at Trail Eastside Historic Fourth Ward Skatepark to Park with No 7:15pm Historic Fourth Ward Park Conservancy Drag Show16th Sept 4:15pm Conservancy Talent Show Show Talent Conservancy Tea House Park Ward Fourth Historic [En Plein Air Painting] Air Plein [En Tables, No Chairs V; map online at:Evans Rachel Ongoing Jhana Grant [Soloist and Projection Performance] ct 8) ct O un, S l. c n bit.ly/notables2017 8:30pm i 3pm [Choral Medley] [Choral Chorus Women’s Atlanta Sept 23rd Gordon White Park Performance] positive.
Recommended publications
  • Atlanta Beltline Quarterly Briefing 2013 Q4
    // Atlanta BeltLine Quarterly Briefing Fourth Quarter // December 10, 2013 12/18/2013 Atlanta BeltLine // © 2013 Page 1 // Agenda • Welcome • Atlanta BeltLine, Inc. Update . Parks, Trails, Transit . Art & Design . Proactive Rezoning . Affordable Housing . Brownfield Remediation • Atlanta BeltLine Partnership Update • Q & A 12/18/2013 Atlanta BeltLine // © 2013 Page 2 // Where is the Atlanta BeltLine? • In the heart of the Atlanta region • Connects many of Atlanta’ s cultural destinations • Utilizes historic fihfreight rail rihights of way around the center of town 12/18/2013 Atlanta BeltLine // © 2013 Page 3 // Opportunity for Significant Impact • Connects 45 neighborhoods • 22% of City of Atlanta population lives in the planning area • 19% of the City’s land mass is iidinside the plilanning area • 40% increase in Atlanta’s parkland • 6,500 acre TAD 12/18/2013 Atlanta BeltLine // © 2013 Page 4 // The Atlanta BeltLine: Key Elements 22 MILES 1,300 ACRES of Transit & of Greenspace Transportation Infrastructure 33 MILES Jobs & Economic of Trails Development 5,600 UNITS of Affordable Historic Workforce Preservation Housing 1,100 ACRES Streetscapes & of Environmental PbliPublic AtArt Clean‐up 12/18/2013 Atlanta BeltLine // © 2013 Page 5 // Atlanta BeltLine, Inc. 2013 Year in Review 12/18/2013 Atlanta BeltLine // © 2013 Page 6 // Parks: Lang Carson • May 2013: Dedicated new access path to the City of Atlanta • Site cleaned of debris and invasive vegetation • Mulch path and shade trees added to connect to the existing park 12/18/2013 Atlanta
    [Show full text]
  • Sept - Nov 2014 D
    & DONORS SPONSORS ART ON THE THANK YOU TO OUR PRESENTING SPONSOR: ATLANTA BELTLINE Atlanta’s largest temporary public art exhibition celebrates its fifth season within the historic railroad corridor! New and returning, established and emerging artists showcase EIGHT MILES OF DYNAMIC INSTALLATIONS AND PERFORMANCES on trails PLatinuM SPONSORS in southwest, east and southeast Atlanta. Brought to you by Atlanta BeltLine, Inc. and the Mayor’s Office of Cultural Affairs, Art on the Atlanta BeltLine is an inspiring way to explore this emerging system of parks, trails, transit and development that reclaims a 22-mile loop of historic rail lines CONTINUING EXHIBITION GOLD SPONSOR SILVER SPONSORS around the city’s core. A. HENSE AND BORN 2011 B. GREGOR TURK: Apparitions, 2013 C. SPENCER MURRILL: Spatial Tension Mural, 2013 SEPT - NOV 2014 D. BRANDON SADLER: How are You?, 2012 E. JAC COFFEY: Railroad Workers, 2012 facebook.com/ F. ALEX RODRIGUEZ: Whirling Wheels, 2012 ART.BELTLINE.ORG artontheatlantabeltline G. BRANDON SADLER: Henkaku, 2013 H. LOSS PREVENTION COLLECTIVE: BeltLine, 2012 @atlantabeltline I. KING PIG: Cheeseburgers and Unicycles, 2013 J. ROBIN MORRIS AND H.E.R. PEOPLE: Return to Nature #beltlineart K. LESLIE THARP: Startle, 2012 BRONZE SPONSORS L. LOSS PREVENTION COLLECTIVE: Dusted, 2010 @atlantabeltline M. HENSE 2010 GUST L O #beltlineart N. PHIL PROCTOR: Iron Column I bistro O. MR. NEVER Satisfied 2011 P. David LANDIS: Northern White, 2012 o4w Q. KYLE BROOKS: Faces and Friends, 2012 R. DR. DAX: All Dogs Go to Heaven, 2011 Full descriptions of artists’ work, performance S. LOSS PREVENTION COLLECTIVE: Steel Fabric, 2011 schedule and maps of events are available on: T.
    [Show full text]
  • Beltlineart #Beltlineart Email [email protected]
    22-mile loop of historic rail lines around the city’s core. city’s the around lines rail historic of loop 22-mile emerging system of parks, trails, transit and development that reclaims a a reclaims that development and transit trails, parks, of system emerging Affairs, Art on the Atlanta BeltLine is an inspiring way to explore this this explore to way inspiring an is BeltLine Atlanta the on Art Affairs, Brought to you by Atlanta BeltLine, Inc. and the Mayor’s Office of Cultural Cultural of Office Mayor’s the and Inc. BeltLine, Atlanta by you to Brought ART.BELTLINE.ORG/MAP currently closed for construction. for closed currently hiking trails. The 3-mile Westside Trail and 1-mile Eastside Trail Extension are are Extension Trail Eastside 1-mile and Trail Westside 3-mile The trails. hiking on our interactive map, please visit: visit: please map, interactive our on INSTALLATIONS AND PERFORMANCES AND INSTALLATIONS on the Eastside Trail and interim interim and Trail Eastside the on To view all access points and art locations locations art and points access all view To FOUR MILES OF DYNAMIC DYNAMIC OF MILES FOUR THAN MORE and emerging artists showcase showcase artists emerging and ART.BELTLINE.ORG in the south, celebrates its seventh season! New and returning, established established returning, and New season! seventh its celebrates south, the in ART ON THE ATLANTA BELTLINE ATLANTA THE ON ART , the largest temporary public art exhibition exhibition art public temporary largest the , events are available on: available are events performances schedule, and maps of of maps and schedule, performances Full descriptions of artists’ work, work, artists’ of descriptions Full and performances and 4 @AtlantaBeltLine @ArtOnTheAtlantaBeltLine @AtlantaBeltLine of dynamic art installations installations art dynamic of MILES + #beltlineart email [email protected].
    [Show full text]
  • Beyond the Rockies; a Spring Journey in California. by Charles Augustus Stoddard
    Beyond the Rockies; a spring journey in California. By Charles Augustus Stoddard AN AVENUE IN SOUTHERN CALIFORNIA BEYOND THE ROCKIES A SPRING JOURNEY IN CALIFORNIA BY CHARLES AUGUSTUS STODDARD EDITOR OF “THE NEW YORK OBSERVER,” AUTHOR OF “ACROSS RUSSIA,” “SPANISH CITIES,” ETC. ILLUSTRATED NEW YORK CHARLES SCRIBNER's SONS 1894 COPYRIGHT, 1894, BY CHARLES SCRIBNER's SONS To MARY PRIME STODDARD WHOSE COMPANY IN THIS JOURNEY AS IN LIFE's LONGER PILGRIMAGE HAS DOUBLED ITS PLEASURES AND LIGHTENED ITS CARES THIS BOOK IS AFFECTIONATELY INSCRIBED BY THE AUTHOR vii CONTENTS I. SOUTH AND WEST PAGE From Winter to Spring— Plans for Mexico nipped in the Bud— A Raymond Excursion — Virginia and Tennessee —Lookout Mountain — Its Scenes and Memories 1 II. FROM THE MOUNTAINS TO THE GULF Birmingham and its Activities — Spring in New Beyond the Rockies; a spring journey in California. By Charles Augustus Stoddard http://www.loc.gov/resource/calbk.016 Orleans —Beauty and Business — The Louisiana Lottery — Growth, Enterprise, and Prosperity — Dr. Palmer and his Church 7 III. ALONG THE SUNSET ROAD Louisiana and its Fertile Acres — Bayous and Rice-fields —Galveston and its Beach — Houston and its Boom — Literary Curiosities 14 IV. SAN ANTONIO DE BEXAR The Border Fortress — A Thrilling History — The Alamo and its Defenders — Scenes in the Town — The Jesuit Missions— A Government Post and Evening Parade 19 V. ALONG THE RIO GRANDE Wild and Picturesque Scenery — The Town of Langtry — A One-Man Government — Desert Views — Marathon and its Greeks — Time at El Paso 24 VI. NEW MEXICO AND ARIZONA The Town of Juares — Over the Border — Climate and Health — Indian Villages — Sunday at Tucson — Its Schools and University 30 viii VII.
    [Show full text]
  • Downtown Atlanta Contemporary Historic Resources Survey
    Downtown Atlanta Contemporary Historic Resources Survey GNAHRGIS Identification Numbers of All Resources Meeting the Survey Criteria by Atlanta Preservation & Planning Services, LLC; Karen Huebner; Morrison Design, LLC, September 2013 GNAHRGIS Street Year Built NR Individually COA Designated COA Designated ID Number Number Street Name Location Information Building Name(s)-oldest first Parcel ID Year Built Decade Building Type Architectural Style Original Use CurrentUse Levels Notes NR Eligibility Listed NR Historic District District Building City State Zip County 244070 64 PEACHTREE ST SW Lerner Shops; Rainbow 14 007700030758 1939 1935-1939 Single Retail Art Deco Commercial Commercial 2 Maybe Atlanta GA 30303 Fulton Federal Emergency Administration of Public Capitol Square west of Department of Works Building, or the Federal Emergency Relief Augustus E. Constantine. On raised Transportation Building and east of Administration (F.E.R.A.) Building; Paul D. basement with solid stone staircase 31754 18 CAPITOL SQ SW Judicial Building Coverdell Legislative Office Building 14 007700110246-A 1939 1935-1939 Commercial Block Stripped Classical Government Office Government Office 6 with arch at base. Yes Atlanta GA 30303 Fulton Italian Renaissance 240939 215 PRYOR ST SW King & King Law Office 14 007700090166 1937 1935-1939 Commercial Block Revival Unknown Professional/Office 2 Heavily renovated No Atlanta GA 30303 Fulton University Fairlie-Poplar Historic Peachtree and Broad Building; Helen M. Departments / District, 9/9/1992, 244090 60 LUCKIE ST NW aka 66 Luckie Street NW Aderhold Learning Center (GSU) 14 007800121028 1935 1935-1939 Tall Office Building No academic style Professional/Office Classrooms 5 Heavily renovated in 2002. No NRIS #82002416 Atlanta GA 30303 Fulton 243517 119 LUCKIE ST NW 14 007800120145 ca.
    [Show full text]
  • Dossier 8 (PDF Full File)
    international working party for documentation and conservation of buildings, sites and neighborhoods of the modern movement Restoring Postwar Heritage preservation technology dossier 8 August 2008 Theodore H.M. Prudon FAIA Kyle Normandin Editors Cover Design Technology Seminar Sponsors Unjoo Noh The original seminars were supported by ISBN 978-0-9820365-0-1 many fi rms, companies and individuals. DO- COMOMO US acknowledges gratefully their © 2008 DOCOMOMO US support. PO Box 230977 New York, NY 10023 This publication has been made possible Email- [email protected] through a grant from the Getty Foundation, the www.docomomo-us.org Conproco Corporation and the generous sup- port of Brent Harris. Cover Photographs View of the United Nations Campus, c. 1953. Photo courtesy of the United Nations Archive. www.conproco.com The editors have exercised their best efforts to identify the source of all illustrations and obtain permission for publication. Any discrepancies should be brought to our attention. Technology Seminars: Restoring Postwar Buildings was offered by DOCOMOMO US in conjunction with the VIIIth International DOCOMOMO Conference: Import/Export: Postwar Modernism in an Expanding World, 1945-1975 September 30 to October 2, 2004, New York City international working party for documentation and conservation of buildings, sites and neighborhoods of the modern movement Restoring Postwar Heritage View of United Nations, c. 1952. Courtesy United Nations Photo Archives preservation technology dossier 8 August 2008 Theodore H.M. Prudon FAIA Kyle Normandin Editors DOSSIER 8 CONTENT Restoring Postwar Heritage: Selections from the 2004 DOCOMOMO US Technology Seminars (New York) 1 Introduction Theodore Prudon, Kyle Normandin, Editors Plenary Stone and Technology in the Modern Movement 5 University of Chicago Preservation Guidelines for 93 Experiencing Stone, Structure and Cladding Contemporary Architecture Ola Wedebrunn Harry J.
    [Show full text]
  • National Register of Historic Places Inventory—Nomination Form
    FHR-8-300 (11-78) United States Department of the Interior Heritage Conservation and Recreation Service National Register of Historic Places Inventory—Nomination Form See instructions in How to Complete National Register Forms Type all entries—complete applicable sections_______________ 1. Name historic Underground Atlanta Historic District and/or common Underground Atlanta; Underground 1 ^^*»JLS^«« . Location •vut . street & number [ see continuation sheet] not for publication city, town Atlanta vicinity of congressional district 5th-Wyche Fowler state Georgia code 013 county Fulton code 121 3. Classification Category Ownership Status Present Use x district public x occupied agriculture museum building(s) x private x unoccupied x commercial park structure both work in progress educational private residence site Public Acquisition Accessible x entertainment religious object in process yes: restricted government scientific being considered x yes: unrestricted industrial x transportation no military other: 4. Owner of Property name Multiple Owners (more than 50) street & number city, town vicinity of state 5. Location of Legal Description courthouse, registry of deeds, etc. Clerk of the Superior Court, Fulton County Courthouse street & number Pryor Street_________________________________________ city, town Atlanta state Georgia 6. Representation in Existing Surveys title [see continuation sheet] has this property been determined elegible? x yes no date federal __ state __ county local depository for survey records city, town state 7. Description Condition Check one Check one excellent deteriorated unaltered x original site good ruins x altered moved date __x_fair unexposed Describe the present and original (iff known) physical appearance Summary Description The Underground Atlanta Historic District consists of several components: an approximately two-block area of buildings bounded by Alabama Street, Central Avenue, Peachtree Street, and the rear lot lines of properties along the north side of Mar­ tin Luther King, Jr.
    [Show full text]
  • ATIAIJTA ARCHITECTURE a Survey of the Architecture of Atlanta for The
    ATIAIJTA ARCHITECTURE A survey of the architecture of Atlanta for the last hundred years prepared by students of the School of Architecture, Georgia Institute of Technology. * Winter Quarter .School Year 1?U8 - h9 NA "}1 w ,*; 1 \ a 1 b''/ c . 1 r£|w*. D>£ i*7 CONTENTS INTRODUCTION Professor James H. Grady ANTE- BELLUM ATLANTA B.C. Hafrell J.T. howe119 Jr. Hg Levy THE ROMVi'TIC REVIVALS K.H, Ashby B#H# Breen, ,,r. W#W« Vaughn THE VIC'iCRIAN HOUSE D.F. Tomlinson T.O. Fukm^r M» Pound THE VI6T0RIAN CITY J.E. Ashley r.P. Norris O.K. Houstoun, Jr. NEW CONSTRUCTION METHODS J.H, Summer C.^. Cunnungham E.O. Mastin THE GREAT EXPOSITIONS M.A. Rayfield E, Gremli 11 T,;.R. Tapp ARCHITECTURE IE ATLANTA 1900-1919 D.A. Crane D.3. Payne \7.D« Heasley THE CITY . — THE TWENTIES B.D. Lowenshin V. Smolen PoB. '.indsor ATLANTA'S KESIDAITIAL ARCHITECTURE B. Guvenc R.G. Hecht J.A. Cochrane VATCMCfA" 3. AC 'II ;,I^CTURE The papers makirg up this survey of Atlanta architecture were prepared by a class studying the architecture of the last hundred years. Almost all significant movements that culminated in the forms and materials that characterize the arch­ itecture of today were of that period. Atlanta, because it was formed completely during that time, offered a laboratory for studying the architectural changes of "bhe century. ohe interpretations are often provincial, there is sometimes a time lag before a new idea is tried, though less often in Atlanta then most Southern cities, but most of the story is there.
    [Show full text]
  • Atlanta's Hotel District: ADA Transition Plan
    2015 Final Report Atlanta’s Hotel District: ADA Transition Plan (A Supplement to STRIDE Project #2012-067S) Shane Mudrinich, Graduate Student, GaTech Randall Guensler, Ph.D., GaTech Alice Grossman, Grad1uate Student, GaTech July 2015 Atlanta’s Hotel District: ADA Transition Plan (A Supplement to STRIDE Project # 2012-067S) R DISCLAIMER The contents of this report reflect the views of the authors, who are responsible for the facts and the accuracy of the information presented herein. The document is disseminated under the sponsorship of the U.S. Department of Transportation’s University Transportation Centers Program, in the interest of information exchange. The U.S. Government assumes no liability for the contents or use thereof. ACKNOWLEDGEMENTS Data and observations for this ADA transition plan were collected and interpreted by Georgia Institute of Technology Honors Program undergraduate students enrolled in CEE 4803, “Boulevard of Broken Sidewalks” with Dr. Randall Guensler and Alice Grossman in the fall of 2014. The undergraduate students worked in groups of two to three, inspecting an assigned zone in the Hotel District to assess pedestrian accessibility and ADA compliance for public and private sidewalks and pathway infrastructure. This report compiles the individual reports and expands on the work of the undergraduate students enrolled in the honors course, including: Amanda Burke, Jillian Cagliostro, Jamie Clark, Andy Karsai, Shane Mudrinich, Aylin Nazli, Golda Nguyen, Connor Paton, Breanna Poteet, Mark Rickabaugh, Earl Rousseau, Alberto Sainz De-la Peña, Stephen Song, Lucy Squires, Justin Tamayo, Patrick Tarrant, and Sanmeshkumar Udhayakumar. The students worked very hard conducting field inspections and preparing various elements of this report.
    [Show full text]
  • Global Market Assessment for Handicrafts
    GLOBAL MARKET ASSESSMENT FOR HANDICRAFTS VOLUME I FINAL DRAFT JULY 2006 This publication was produced for review by the United States Agency for International Development. It was prepared by Ted Barber and Marina Krivoshlykova of Development Alternatives, Inc. GLOBAL MARKET ASSESSMENT FOR HANDICRAFTS VOLUME I FINAL DRAFT The authors’ views expressed in this publication do not necessarily reflect the views of the United States Agency for International Development or the United States Government. FOREWORD This paper was written as part of the Accelerated Microenterprise Advancement Project (AMAP) Business Development Services Knowledge and Practice (BDS K&P) research initiative. The AMAP BDS initiative’s major objective is “integrating micro and small enterprises into productive value chains to create wealth in poor communities.” The research draws on experience and insights from: • Interviews with leading handicraft buyers in the United States, the European Union, and the Caribbean, including importers and retailers currently sourcing from Haiti, those who have done so in the past, and those who source handmade products from other destinations; • Interviews with market experts, such as product development consultants, designers, enterprise development consultants, and marketing specialists who work with handicraft producers in developing countries; • Discussions with market experts and USAID at a roundtable conducted in Washington, D.C., on April 12, 2006; and • Existing literature on the handicraft market and home accessory industry. This study provides an overview and analysis of the global market for handicrafts and the key trends that affect producers in developing countries, with the ultimate objective of offering practical recommendations for the Haitian handicraft sector. This paper represents Volume I of the Global Market Assessment for Handicrafts study and includes Chapters I and II.
    [Show full text]