Spiro Malas (1933-2019)

Total Page:16

File Type:pdf, Size:1020Kb

Spiro Malas (1933-2019) OBITUARIO Spiro Malas (1933-2019) por Ingrid Haas l bajo greco-estadounidense Spiro Malas falleció el pasado 23 de junio en su casa de Manhattan Een Nueva York; tenía 86 años. Su nombre completo fue Spiro Samuel Malas, hijo de inmigrantes griegos, nacido en Baltimore, Maryland. Sus padres tenían un restaurante de comida del mar de nombre Duffy’s y querían que Spiro se dedicara al negocio familiar pero, al escuchar de pequeño las transmisiones de radio de la Metropolitan Opera House de Nueva Como Sulpice en La fille du régiment, con York, Malas decidió que lo que quería Luciano Pavarotti y Joan Sutherland hacer en la vida era cantar. Foto: Royal Opera House, 1966 Estudió en el Towson State College de Maryland y en el Peabody Conservatory Además de aparecer en óperas, Malas de Baltimore. Fue ganador en 1960 de Spiro Malas cantó más de tres décadas participó en comedias musicales, siendo la Metropolitan Opera National Council en el Met, la NYCO y Broadway la más famosa de ellas The Most Happy Audition (MONCA) e hizo su debut Foto: Metropolitan Opera Fella, donde interpretó con enorme éxito en la City Opera de Nueva York ese el papel de Tony. Cantó el rol primero mismo año con el rol de Spinelloccio en la Goodspeed Opera House en en Gianni Schicchi. En dicha compañía grabaciones juntos que son ya míticas: Connecticut en 1991 y, posteriormente, cantaría durante los años 60 y 70 un L’elisir d’amore, La fille du régiment en la producción que pasó a Broadway. sinnúmero de roles tales como Fígaro de Donizetti, así como Semiramide de Tenía 58 años de edad cuando decidió en Le nozze di Figaro, Daland en Der Rossini. Colaboró con ellos en giras por hacer este giro sorpresivo en su carrera. fliegende Holländer, Don Magnifico en Australia y en una serie de televisión Participó también en programas de La Cenerentola, el Rey Dodón en Le llamada Who’s Afraid of Opera? televisión como Law & Order, Sex and Coq d’Or, Osmin en Die Entführung the City y Spenser: For Hire. Dio clases aus dem Serail y Selim en Il turco in Al lado de Sutherland como Adina, en la Manhattan School of Music y en el Italia. Desde ese entonces se veía que, en 1983 debutó como Dulcamara en Curtis Institute of Music de Filadelfia. además de contar con una contundente L’elisir d’amore en el Metropolitan voz de bajo, Malas poseía una vis Opera House. Desde entonces participó Dos de sus grabaciones discográficas cómica que lo caracterizaría siempre en en más de 155 funciones con esta más famosas son las ya mencionadas escena. compañía, y entre sus participaciones participaciones con Sutherland, Pavarotti más memorables están su Sulpice en y Bonynge (L’elisir d’amore y La fille Conoció a quien sería su esposa, la La fille du régiment, Frank en Die du régiment) además de Semiramide mezzosoprano Marlena Kleinman, Fledermaus, Capulet en Roméo et con Sutherland y Horne, Griselda de durante el tiempo en que cantó en la Juliette y Zuniga en Carmen. Bononcini y Orfeo ed Euridice de Ópera de Santa Fe. En 1963 se casaron Haydn, ambas también con la soprano y, al año siguiente, Malas cantó Sir El rol de Sulpice lo cantó también al australiana. Cuenta también con la Giorgio en I puritani con el Boston lado de la Marie de la soprano Beverly grabación de The Most Happy Fella para Opera Group dirigido por Richard Sills en la Ópera de San Francisco, la marca RCA Victor, con el elenco de la Bonynge, esposo de la afamada soprano otro papel con el cual se le identificaba reposición de 1991 en Broadway. Joan Sutherland. Fue entonces cuando mucho, además de Dulcamara. Cantó comenzó la legendaria colaboración en el Festival de Edinburgo, el Maggio Le sobreviven su esposa Marlena, sus entre Malas, Bonynge, Sutherland Musicale Fiorentino y en el Festival de hijos Nicol y Alexis, su hermana Mary y Luciano Pavarotti. Hicieron tres Salzburgo. Aiello y cinco nietos. o septiembre-octubre 2019 pro ópera 21.
Recommended publications
  • Media Release
    Media Release FOR IMMEDIATE RELEASE: July 16, 2019 Contact: Edward Wilensky (619) 232-7636 [email protected] San Diego Opera’s 2019-2020 Season Opens with Verdi’s masterpiece Aida Verdi specialist Michelle Bradley to make Company debut as Aida Theatrical Concert Opera will use sets, costumes, and lighting with the San Diego Symphony, San Diego Opera Chorus, and principal singers on stage Tenor Carl Tanner makes welcome return as Radames San Diego, CA – Verdi’s beloved opera Aida opens San Diego Opera’s 2019-2020 season in an entirely new theatrical concert performance utilizing set elements, costumes, lighting, and featuring the San Diego Symphony and San Diego Opera chorus onstage, alongside some of the greatest interpreters of Verdi’s music performing today. Aida opens on October 19, 2019 for four performances. Additional performances are October 22, 25, and 27 (matinee), 2019. All evening performances for the 2019-2020 season will begin at 7:30 PM for the convenience of our audiences. The matinee will remain at 2 PM. Assembled for the opening opera of the season is an exciting cast of singers including the Company debut of soprano Michelle Bradley as Aida who is quickly becoming one of the most sought after Verdi sopranos performing today. Making a welcome return to San Diego Opera in the role of Radames is tenor Carl Tanner who was last heard in San Diego Opera’s 2018 production of Turandot as Calaf. Also making house debuts are mezzo-soprano Olesya Petrova as Amneris and baritone Nelson Martinez as Amonasro. Bass Mikhail Svetlov returns to sing the King of Egypt, having last been heard as Ambimelech in 2013’s Samson and Delilah.
    [Show full text]
  • Anna Nicole Composed by Mark-Anthony Turnage Libretto by Richard Thomas Directed by Richard Jones Conducted by Steven Sloane
    BAM 2013 Next Wave Festival #AnnaNicole Brooklyn Academy of Music New York City Opera Alan H. Fishman, Charles R. Wall, Chairman of the Board Chairman of the Board William I. Campbell, George Steel, Vice Chairman of the Board General Manager and Artistic Director Adam E. Max, Vice Chairman of the Board Jayce Ogren Music Director Karen Brooks Hopkins, President Joseph V. Melillo, present Executive Producer Anna Nicole Composed by Mark-Anthony Turnage Libretto by Richard Thomas Directed by Richard Jones Conducted by Steven Sloane BAM Howard Gilman Opera House Sep 17, 19, 21, 24, 25, 27 & 28 at 7:30pm Approximate running time: two hours and 30 minutes including one intermission Anna Nicole was commissioned by the Royal Opera House, Covent Garden, London and premiered there in February 2011 Set design by Miriam Buether Costume design by Nicky Gillibrand Leadership support for opera at BAM provided by: Lighting design by Mimi Jordan Sherin & D.M. Wood The Andrew W. Mellon Foundation Choreography by Aletta Collins The Peter Jay Sharp Foundation Stage director Richard Gerard Jones Stavros Niarchos Foundation Supertitles by Richard Thomas Major support provided by Chorus master Bruce Stasyna Aashish & Dinyar Devitre Musical preparation Myra Huang, Susanna Stranders, Lynn Baker, Saffron Chung Additional support for opera at BAM provided by The Francena T. Harrison Foundation Trust Production stage manager Emma Turner Stage managers Samantha Greene, Jenny Lazar New York City Opera’s Leadership support for Assistant stage director Mike Phillips Anna Nicole provided by: Additional casting by Telsey + Company, Tiffany Little John H. and Penelope P. Biggs Canfield, CSA Areté Foundation, Edward E.
    [Show full text]
  • Later the Same Evening Later Later the Same Evening Is Used by Arrangement with Peermusic Classical, a Division of Songs of Peer, Ltd., Publisher and Copyright Owner
    Manhattan School of Music Opera Theater Dona D. Vaughn, Artistic Director Presents Later the Same Evening Music by John Musto Libretto by Mark Campbell Michael Barrett, Conductor Leon Major, Stage Director Erhard Rom, Set Designer Opera Theater Opera David Roberts, Costume Designer Scott Bolman, Lighting Designer Wednesday, December 10, 2008, 7:30 p m Friday, December 12, 2008, 7:30 p m Sunday, December 14, 2008, 2:30 p m John C. Borden Auditorium Manhattan School of Music School of Music Manhattan Wednesday, December 10, 2008, 7:30 p m Friday, December 12, 2008, 7:30 p m Sunday, December 14, 2008, 2:30 p m John C. Borden Auditorium Manhattan School of Music Opera Theater Dona D. Vaughn, Artistic Director Presents Later the Automat, 1927 by Edward Hopper Automat courtesy of the Des Moines Art Center Permanent Collections; Same Evening Purchased with funds from the Edmundson Art Foundation, Inc., 1958.2 Music by John Musto Libretto by Mark Campbell Michael Barrett, Conductor Leon Major, Stage Director Erhard Rom, Set Designer David O. Roberts, Costume Designer Scott Bolman, Lighting Designer Anne Ford-Coates, Makeup and Hair Designer Christiaan Crans, Assistant Conductor William Tracy, Head Coach June Marano-Murray, Vocal Coach Elizabeth Rodgers, Vocal Coach Kathryn LaBouff, Diction Coach Elizabeth Cheslock, Production Stage Manager Victor Catano, Production Manager Gordon Ostrowski, Opera Producer Silas Huff, Associate Producer LATER THE SAME EVENING LATER Later the Same Evening is used by arrangement with Peermusic Classical, a division of Songs of Peer, Ltd., publisher and copyright owner. 3 THE CAST SCENE 4. A room in the Hudson Hotel for Young Women Ruth Baldwin shuts off her radio, which is broadcasting the Pearladent jingle, WEDNESDAY & SUNDAY CAST FRIDAY CAST and reads a letter she has just written to her boyfriend explaining that she is leaving him to move back home to Indianapolis after a failed career as a dancer.
    [Show full text]
  • New Production Fund at the Jewish Community Foundation
    Media Release For immediate release: July 31, 2018 Contact: Edward Wilensky, Director of Media Relations San Diego Opera [email protected] 619.232.7636 Lizbeth Persons Price, SDSU Public Affairs for the Arts College of Professional Studies and Fine Arts (PSFA) [email protected] 619.254.9965 (mobile) Alan E. Hicks will be the first Joint SDSU-San Diego Opera Director of Opera Theatre Shared position is the result of an innovative partnership San Diego, CA – San Diego Opera and the SDSU School of Music and Dance announce that Alan E. Hicks has been appointed as Director of Opera Theatre, a new, shared position between the two organizations. The Director of Opera Theatre is a full-time, faculty position that will direct SDSU Opera’s Fall production, teach acting and stage movement for singers, and then act as assistant director on San Diego Opera’s mainstage productions in the Spring. Only three other programs of this type exist in the nation. Hicks’ first project will be to direct the November 2018 SDSU production of Flight, by Jonathan Dove. “I’m thrilled about the creation of this shared position between San Diego Opera and SDSU, and about Alan Hick’s appointment,” shares David Bennett, San Diego Opera’s General Director. “By combining resources and needs of both institutions, we are able to elevate the producing expertise of both the Opera and SDSU’s opera program, and in ways we couldn’t achieve alone. Alan’s appointment signals a deepened relationship between the Opera and SDSU.” "In addition to the wise use of limited resources, this innovative position provides synergies and collaborations between two organizations with similar mission, that previously didn’t exist.
    [Show full text]
  • Giacomo Puccini
    150 anys del naixement de Giacomo Puccini Plaça del Sol, 11 - 17600 Figueres | T 972 67 70 84 | [email protected] Giacomo Puccini (Lucca, Itàlia, 22 de desembre de 18581858–––– Brussel·les, 29 de novembre de 1924) És un dels més grans compositors d'òpera italians que visqueren entre el segle XIX i el XX. Les seves òperes destaquen per la intensa emoció i teatralitat, tendre lirisme, orquestració colorista i rica línia vocal. Plaça del Sol, 11 - 17600 Figueres | T 972 67 70 84 | [email protected] GIACOMO PUCCINI A LA BIBLIOTECA DE FIGUERES LLIBRES Adami, Giuseppe . Turandot ; libreto original en italiano: Giuseppe Adami y Renato Simoni ; música de: Giacomo Puccini completada por Franco Alfano. Madrid : Daimon, Manuel Tamayo; Barcelona [etc.], cop. 1982. 781 ADA Fernández-Cid Antonio. Puccini : el hombre, la obra, la estela. Madrid : Guadarrama, DL 1974. 151 p. : il. ; 18 cm. Punto Omega / Guadarrama ; 183. ISBN: 84-250-0183-8. 780 Puccini FER MÚSICA Puccini, Giacomo . Arias para soprano [Enregistrament sonor]. Montserrat Caballé, soprano; London Symphony Orchestra; [director:] Sir Charles Mackerras. Barcelona : Salvat, DL 1991. 1 disc sonor (CD) 43 min. (Los Grandes temas de la música ; 20). CD 1 PUC Puccini, Giacomo . La Bohème [Enregistrament sonor]. soloists: Jussi Björling, Victoria e los Ángeles, Robert Merrill, John Reardon ... [et al.] ; R.C.A. Victor Orchestra & Chorus ; The Columbus Boychoir ; conducted by Thomas Beechman. [S.l.] : EMI Records, cop. 1993. 2 discos sonors (CD) ca. 109 min. mono; 12 cm + 1 llibre en contenidor. CD 1 PUC Puccini, Giacomo. La Bohème [Enregistrament sonor]. Slovak Philharmonic Chorus; Czecho-Slovak Radio Symphony Orchestra ; Will Humburg, conductor.
    [Show full text]
  • Joan Sutherland and Richard Bonynge 2
    AUSTRALIAN EPHEMERA COLLECTION FINDING AID DAME JOAN SUTHERLAND, OM, AC, DBE AND RICHARD BONYNGE, AC, CBE PERFORMING ARTS PROGRAMS AND EPHEMERA (PROMPT) PRINTED AUSTRALIANA NOVEMBER 2017 The Sutherland/Bonynge file in the Library’s PROMPT collection documents the extensive and intertwined Australian and overseas careers of opera singer Joan Sutherland, and orchestral conductor Richard Bonynge. This husband and wife team of musicians helped the career of the other by frequently performing together, her usually as principal singer under his baton. It was Bonynge who discovered Sutherland’s ability to sing the great bel canto roles and to this end he researched and conducted the operatic repertoire which most suited his wife’s unique coloratura voice. CONTENT Printed materials in the PROMPT collection include programs and printed ephemera such as brochures, leaflets, tickets, etc. Theatre programs are taken as the prime documentary evidence of a performance by Sutherland/Bonynge. In a few cases however, the only evidence of a performance is a piece of printed ephemera. In these cases the type of piece is identified, eg, brochure. The list is based on imperfect holdings and is updated as gaps in the Library’s holdings for these artists are filled. Unless otherwise stated, all entries are based on published programs in the PROMPT collection. For a list of Joan Sutherland’s performances to 31 December 1990, please refer to Richard Bonynge’s A prima donna's progress : the autobiography of Joan Sutherland. ACCESS The Sutherland/Bonynge PROMPT files may be accessed through the Library’s Special Collections Reading Room by eCallslip request: http://nla.gov.au/nla.cat-vn2657303.
    [Show full text]
  • Die Fledermaus
    1964 Eighty-sixth Season 1965 UNIVERSITY MUSICAL SOCIE TY THE UNIVERSITY OF MICHIGAN Charles A. Sink, President Gail W. Rector, Executive Director Lester McCoy, Conductor Special Presentation Complete Series 3447 NEW YORK CITY OPERA JULIUS RUDEL, General Director DIE FLEDERMAUS Opera in Three Acts Music by JOHANN STRAUSS English Version by RUTH and THOMAS MARTIN FRIDAY EVENING, NOVEMBER 20, 1964, AT 8:30 HILL AUDITORIUM, ANN ARBOR, MICHIGAN A R S LON G A V I T A BREVIS CAST Gabl'iel von Eisenstein JOHN STAMFORD Rosalinda, his wife BEVERLY SILLS Fmnk, the governor of the prison SPIRO MALAS Pl'ince Orlo f sky, a rich Russian DAVID SMITH Alfred, a singer JON CRAIN Dr. Falke, a friend of Eisenstein's WILLIAM LEDBETTER D/". Blind, Eisenstein's attorney KELLIS MILLER Adele, Rosalinda's maid ANNE ELGAR Frosch, the jailer . COLEY WORTH Sally BEVERLY EVANS [van, Major Domo GLENN DOWLEN Solo Dancers Corps de Ballet Conductor: FELIX POPPER Stage Director: JULIUS RUDEL Scenic Designer: WILLIAM PITKIN Costume Designer: HENRY HEYMANN Choreographer: THOMAS ANDREW Chorusmaster: WILLIAM JONSON Act I-Villa of Gabriel von Eisenstein, Vienna, 1875. Act II-Parlor of Prince Orlofsky's villa. Act III-Entrance to the jail-outer office of the prison warden. SYNOPSIS ACT 1. An off-stage tenor is serenading Rosalinda. Adele, her pretty maid, has received an invitation to a ball that evening at Prince Orlofsky's. Naturally, she wants to accept. She asks for the nigh t off on the plea that a sick aunt needs her immediately, hut this doesn't work. Rosalinda is distraught over her hushand's impending five-day jail sentence (for having insulted an official).
    [Show full text]
  • Australian Ephemera Collection Finding Aid (PROMPT): Joan Sutherland and Richard Bonynge 2
    AUSTRALIAN EPHEMERA COLLECTION FINDING AID DAME JOAN SUTHERLAND, OM, AC, DBE AND RICHARD BONYNGE, AC, CBE PERFORMING ARTS PROGRAMS AND EPHEMERA (PROMPT) PRINTED AUSTRALIANA APRIL 2018 The Sutherland/Bonynge file in the Library’s PROMPT collection documents the extensive and intertwined Australian and overseas careers of opera singer Joan Sutherland, and orchestral conductor Richard Bonynge. This husband and wife team of musicians helped the career of the other by frequently performing together, her usually as principal singer under his baton. It was Bonynge who discovered Sutherland’s ability to sing the great bel canto roles and to this end he researched and conducted the operatic repertoire which most suited his wife’s unique coloratura voice. CONTENT Printed materials in the PROMPT collection include programs and printed ephemera such as brochures, leaflets, tickets, etc. Theatre programs are taken as the prime documentary evidence of a performance by Sutherland/Bonynge. In a few cases however, the only evidence of a performance is a piece of printed ephemera. In these cases the type of piece is identified, eg, brochure. The list is based on imperfect holdings and is updated as gaps in the Library’s holdings for these artists are filled. Unless otherwise stated, all entries are based on published programs in the PROMPT collection. For a list of Joan Sutherland’s performances to 31 December 1990, please refer to Richard Bonynge’s A prima donna's progress : the autobiography of Joan Sutherland. ACCESS The Sutherland/Bonynge PROMPT files may be accessed through the Library’s Special Collections Reading Room by eCallslip request: http://nla.gov.au/nla.cat-vn2657303.
    [Show full text]
  • VAI 2005 Fall Catalog.Pmd
    2005 FALL CATALOGUE THE LEADER IN RECORDINGS OF HISTORIC PERFORMANCES AND RARE REPERTOIRE A-18 GEN TWO NEW DVDS IN ALICIA ALONSO ON VVVAI’sss BROADWAAAY SERIES Listing on page 2 Listings on page 3 New Compact Disc Releases on Page 22 These and other recent VAI DVD releases pp. 2-8! New Hardy & Kicco Classics DVDs on Page 21 A Tribute to the “Voice of an Angel” Listing on page 3 Listing on page 3 February 1, 1922 ••• December 20, 2004 Details of this 2-DVD retrospective on page 3 Listing on page 7 Listing on page 6 From the President of VAI Recently Released Dance & Orchestral DVDs from VAI Dear Friends, Our current listings feature some of HARDY CLASSICS DVD Broadway’s brightest stars. Most of this material derives from the rich archives of the Bell Telephone Hour which has provided us with performances by some of the greatest artists from the worlds of opera, dance and the concert stage. The Broadway offerings were no less luminous with star turns from such legendary greats as Ethel Merman, Barbara Cook, Robert Goulet, Alfred Drake, Carol Lawrence, Larry Kert, Dolores Gray John Raitt, Howard Keel and Gretchen Wyler. Highlighting our new releases are TWO NEW DANCE DVDS FROM VAI DVDs devoted to the art of Barbara Cook and Carol Lawrence. Both ladies ALICIA ALONSO – PRIMA BALLERINA ASSOLUTA This GISELLE are still very much in the public eye. compilation from 1958 to 1985 includes extracts from many of Alicia Miss Cook, a cabaret favorite, is about NUREYEV • FRACCI Alonso’s most celebrated roles.
    [Show full text]
  • 21.92 More Lps, Laser Discs. Pp 164-177
    LP SETS and SINGLES ALL IN EXCELLENT CONDITION (records and jackets) AND CONTAINING ORIGINAL PAPER MATERIALS, UNLESS OTHERWISE INDICATED, FOR SETS THAT ORIGINALLY INCLUDED THEM . MINIMUM BID AS INDICATED PER ITEM. A few have a small cut in the box usually on the right side. These were made by the dealer to indi- cate that the set was on sale. In some cases a small hole was punched in the upper right hand area instead. They are both indicated as “ small box cut ”. A few others have a neat plastic tape index label attached to the upper right cover and/or spine. “ Index lbl ” indicates such items. IN SUBMITTING YOUR BIDS FOR ITEMS IN THIS SECTION, PLEASE BE SURE TO INCLUDE THE CORRECT CATALOGUE NUMBER. OPERAS, OPERETTAS and EXTENDED VOCAL WORKS 5000. [FRANCO ALFANO ]. SAKUNTALA. Casapietra, Michele Molese, Tomleich, Mazzoli, dir. Ottavio Ziino. 2 LP boxed MRF 196. Factory sealed . $5.00. 5001. [ ALFANO] . CYRANO DE BERGERAC . Olivia Stapp, Johns, Blancas, dir. Maurizio Arenas. 2 2 LP boxed MRF 131. Factory sealed . $5.00. 5032. [ WILLIAM ALWYN ]. MISS JULIE . Jill Gomez, Benjamin Luxon, Della Jones, John Mitchinson, etc., dir. Vilem Tausky. 2 LP boxed Lyrita Stereo 121-2. Cover signed by Gomez, Jones and Luxon. $5.00. 5003. [DOMINICK ARGENTO ]. POSTCARDS FROM MOROCCO . 2 LP boxed set. Barbara Brandt, Barry Busse, Foreman, Hardy, Marshall, etc., dir. Philip Brunelle. 2 LP boxed Desto 7137/8. Factory sealed. $5.00. 5002. [ RAFFAELLO DE BANFIELD ] [libretto TENNESSEE WILLIAMS ]. LORD BYRON’S LOVE LETTER. Astrid Varnay, Gertrude Ribla, Carlin, Carrruba, dir. Nicola Rescigno. 1 LP.
    [Show full text]
  • Donizetti / Joan Sutherland, Luciano Pavarotti, Dominic Cossa, Spiro
    Donizetti L'Elisir D'Amore mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical / Stage & Screen Album: L'Elisir D'Amore Country: UK Released: 1971 Style: Opera, Romantic MP3 version RAR size: 1630 mb FLAC version RAR size: 1905 mb WMA version RAR size: 1578 mb Rating: 4.5 Votes: 697 Other Formats: AC3 ASF MMF RA FLAC RA MMF Tracklist A Act I, Part 1. Overture - "Bel Conforto...." 22:55 B Act I, Part 2. "Intanto, O Mia Ragazza..." 28:20 C Act I, Conclusion. "Caro Elisir..." 24:18 D Act II, Part 1. "Cantiamo..." 20:32 E Act II, Part 2. "Saria Possibile?..." 22:02 F Act II, Conclusion. "Una Furtiva Lagrima..." 21:57 Companies, etc. Record Company – The Decca Record Company Limited Credits Chorus – Ambrosian Opera Chorus* Composed By – Donizetti* Conductor – Richard Bonynge Libretto By – Felice Romani Libretto By [English Translation] – Laura Mardon, Peggie Cochrane Mastered By – Decca Recording Studio's UK* Orchestra – The English Chamber Orchestra* Vocals, Performer [Adina] – Joan Sutherland Vocals, Performer [Belcore] – Dominic Cossa Vocals, Performer [Dulcamara] – Spiro Malas Vocals, Performer [Giannetta] – Maria Casula Vocals, Performer [Nemorino] – Luciano Pavarotti Other versions Category Artist Title (Format) Label Category Country Year Donizetti*, Joan Sutherland, Luciano Donizetti*, Joan Pavarotti, Dominic Sutherland, Luciano Cossa, Spiro Malas, Pavarotti, Dominic Maria Casula, Cossa, Spiro Malas, Ambrosian Opera 475 7514 Maria Casula, Decca 475 7514 Europe 2006 Chorus*, English Ambrosian Opera Chamber Orchestra, Chorus*,
    [Show full text]
  • 2019-2023 Elected AGMA Officers
    AGMAzineSUMMER 2019 VOL. 73. 1 ©Paul Kolnik ©Paul Raymond Menard John Coleman Elizabeth Sciblo Teresa Reichlen President 1st Vice President 2nd Vice President 3rd Vice President Jane Shaulis Samuel Schultz Louis Perry J Austin Bitner 4th President 5th Vice President Recording Secretary Treasurer 2019-2023 Elected AGMA Officers Official Publication of the American Guild of Musical Artists A Branch of the Associated Actors and Artistes of America Affiliated with the AFL-CIO 151964 2019 Summer issue.indd 1 7/8/19 1:19 PM By Tim Smith Treasurer J Austin Bitner talks about MMRC Chair, AGMA’s participation in Arts Advocacy AGMA Governor, Day, as well as telling us how we can all Chorister help. The Area News section is very well represented with news updates and SUMMER, 2019 many photographs from the various The American Guild of Musical Artists areas. 1430 Broadway, 14th Floor New York, New York 10018-3308 The National Office is always willing (212) 265-3687; Fax: (212) 262-9088 AT LONG LAST—AND I know you’ve to help any AGMA member and direct www.MusicalArtists.org been waiting by your mailboxes—the them to the proper place for help, but Lawrence Tibbett, Founding President latest issue of AGMAzine is here! We if you ever feel uncomfortable contact- Jascha Heifetz, Founding Vice President took a different path with this issue by ing staff, please know that your elected Raymond Menard, President not having a theme and asking people leaders are also there for you. Never be John Coleman, 1st Vice President to write about things that were timely afraid to reach out and ask a question or Elizabeth Sciblo, 2nd Vice President Teresa Reichlen, 3rd Vice President or they found interesting.
    [Show full text]