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Dzhokhar Tsarnaev Had Murdered Krystle Marie Campbell, Lingzi Lu, Martin Richard, and Officer Sean Collier, He Was Here in This Courthouse
United States Court of Appeals For the First Circuit No. 16-6001 UNITED STATES OF AMERICA, Appellee, v. DZHOKHAR A. TSARNAEV, Defendant, Appellant. APPEAL FROM THE UNITED STATES DISTRICT COURT FOR THE DISTRICT OF MASSACHUSETTS [Hon. George A. O'Toole, Jr., U.S. District Judge] Before Torruella, Thompson, and Kayatta, Circuit Judges. Daniel Habib, with whom Deirdre D. von Dornum, David Patton, Mia Eisner-Grynberg, Anthony O'Rourke, Federal Defenders of New York, Inc., Clifford Gardner, Law Offices of Cliff Gardner, Gail K. Johnson, and Johnson & Klein, PLLC were on brief, for appellant. John Remington Graham on brief for James Feltzer, Ph.D., Mary Maxwell, Ph.D., LL.B., and Cesar Baruja, M.D., amici curiae. George H. Kendall, Squire Patton Boggs (US) LLP, Timothy P. O'Toole, and Miller & Chevalier on brief for Eight Distinguished Local Citizens, amici curiae. David A. Ruhnke, Ruhnke & Barrett, Megan Wall-Wolff, Wall- Wolff LLC, Michael J. Iacopino, Brennan Lenehan Iacopino & Hickey, Benjamin Silverman, and Law Office of Benjamin Silverman PLLC on brief for National Association of Criminal Defense Lawyers, amicus curiae. William A. Glaser, Attorney, Appellate Section, Criminal Division, U.S. Department of Justice, with whom Andrew E. Lelling, United States Attorney, Nadine Pellegrini, Assistant United States Attorney, John C. Demers, Assistant Attorney General, National Security Division, John F. Palmer, Attorney, National Security Division, Brian A. Benczkowski, Assistant Attorney General, and Matthew S. Miner, Deputy Assistant Attorney General, were on brief, for appellee. July 31, 2020 THOMPSON, Circuit Judge. OVERVIEW Together with his older brother Tamerlan, Dzhokhar Tsarnaev detonated two homemade bombs at the 2013 Boston Marathon, thus committing one of the worst domestic terrorist attacks since the 9/11 atrocities.1 Radical jihadists bent on killing Americans, the duo caused battlefield-like carnage. -
RAMIRO GOMEZ Happy Hills
RAMIRO GOMEZ Happy Hills ).'82/+0'3+9-'22+8? RAMIRO GOMEZ Happy Hills Ramiro Gomez was born on June 24th, 1986 in San Bernardino, CA. His parents immigrated from Mexico and established themselves in the Inland Empire region east of Los Angeles.In 2009, Ramiro moved to West Hollywood and took a job as a live-in nanny for an affluent family. While on duty, he observed the many Latino workers who would arrive daily to assist in the household maintenance. Growing up as a member of a working class Hispanic family, Ramiro sympathized with their work and began a series of observational drawings that would later form the body of work he titled “Happy Hills”. This body of work, the artist explains, is a “…documentation of the predominantly Hispanic workforce who work tirelessly behind the scenes to maintain the beautiful imagery of these affluent areas.” Through the help of social media, Gomez’s paintings and street installations in Beverly Hills began to garner attention. The immigrant experience is the exclusive focus of Ramiro and he continues to expand his work in a public manner. His practice honors the contributions of the many individuals who work diligently on a daily basis to provide a better life for themselves and their families. RAMIRO GOMEZ Happy Hills No Splash 58” x 41” Acrylic on panel RAMIRO GOMEZ Happy Hills A 1930’s dining room table, oh, and Erlina cleaning Olympia et Janus et Cie 11 x 8½ inches 11 x 8½ inches Acrylic on magazine Acrylic on magazine RAMIRO GOMEZ Happy Hills Beatriz on a Break Alejandra 11 x 8½ inches 11 x 8½ -
Volume 8, Number 1
POPULAR CULTURE STUDIES JOURNAL VOLUME 8 NUMBER 1 2020 Editor Lead Copy Editor CARRIELYNN D. REINHARD AMY DREES Dominican University Northwest State Community College Managing Editor Associate Copy Editor JULIA LARGENT AMANDA KONKLE McPherson College Georgia Southern University Associate Editor Associate Copy Editor GARRET L. CASTLEBERRY PETER CULLEN BRYAN Mid-America Christian University The Pennsylvania State University Associate Editor Reviews Editor MALYNNDA JOHNSON CHRISTOPHER J. OLSON Indiana State University University of Wisconsin-Milwaukee Associate Editor Assistant Reviews Editor KATHLEEN TURNER LEDGERWOOD SARAH PAWLAK STANLEY Lincoln University Marquette University Associate Editor Graphics Editor RUTH ANN JONES ETHAN CHITTY Michigan State University Purdue University Please visit the PCSJ at: mpcaaca.org/the-popular-culture-studies-journal. Popular Culture Studies Journal is the official journal of the Midwest Popular Culture Association and American Culture Association (MPCA/ACA), ISSN 2691-8617. Copyright © 2020 MPCA. All rights reserved. MPCA/ACA, 421 W. Huron St Unit 1304, Chicago, IL 60654 EDITORIAL BOARD CORTNEY BARKO KATIE WILSON PAUL BOOTH West Virginia University University of Louisville DePaul University AMANDA PICHE CARYN NEUMANN ALLISON R. LEVIN Ryerson University Miami University Webster University ZACHARY MATUSHESKI BRADY SIMENSON CARLOS MORRISON Ohio State University Northern Illinois University Alabama State University KATHLEEN KOLLMAN RAYMOND SCHUCK ROBIN HERSHKOWITZ Bowling Green State Bowling Green State -
CARLOS M. N. EIRE Curriculum Vitae May 2021 Department of History
CARLOS M. N. EIRE Curriculum Vitae May 2021 Department of History Office: (203) 432-1357 Yale University [email protected] New Haven, Connecticut 06520 EDUCATION Ph.D. 1979 -Yale University M. Phil. 1976 -Yale University M.A. 1974 -Yale University B.A. 1973 - Loyola University, Chicago PROFESSIONAL EXPERIENCE - T. L. Riggs Professor of History and Religious Studies, Yale University, 2000 - present - Chair, Renaissance Studies Program, Yale University, 2006 -2009; 2013-2021 - Chair, Department of Religious Studies, Yale University, 1999-2002 - Professor, Yale University, Departments of History and Religious Studies, 1996-2000 - Professor, University of Virginia, Departments of History and Religious Studies, 1994 - 1996 - Associate Professor, University of Virginia, History, 1989 - 94; Religious Studies, 1987 -94. - Assistant Professor, University of Virginia, Department of Religious Studies, 1981-87. - Assistant Professor, St. John's University, Collegeville, Minnesota, 1979-81. - Lecturer, Albertus Magnus College, New Haven, Connecticut, 1978. HONORS AND AWARDS - Jaroslav Pelikan Prize for the best book on religion, Yale University Press, 2018 - Grodin Family Fine Writers Award, Wilton Public Library, Connecticut, 2017 - R.R. Hawkins Award for best book, Reformations, and Award for Excellence in Humanities and the European & World History, American Publishers Awards for Professional & Scholarly Excellence (PROSE), 2017. - Doctor of Humane Letters, honoris causa, University of Massachusetts, Dartmouth, 2015 - New American Award, Archdiocese -
Sergeant Andrew Tahmooressi: Our Marine in Mexican Custody
SERGEANT ANDREW TAHMOORESSI: OUR MARINE IN MEXICAN CUSTODY HEARING BEFORE THE SUBCOMMITTEE ON THE WESTERN HEMISPHERE OF THE COMMITTEE ON FOREIGN AFFAIRS HOUSE OF REPRESENTATIVES ONE HUNDRED THIRTEENTH CONGRESS SECOND SESSION OCTOBER 1, 2014 Serial No. 113–236 Printed for the use of the Committee on Foreign Affairs ( Available via the World Wide Web: http://www.foreignaffairs.house.gov/ or http://www.gpo.gov/fdsys/ U.S. GOVERNMENT PUBLISHING OFFICE 90–725PDF WASHINGTON : 2015 For sale by the Superintendent of Documents, U.S. Government Publishing Office Internet: bookstore.gpo.gov Phone: toll free (866) 512–1800; DC area (202) 512–1800 Fax: (202) 512–2104 Mail: Stop IDCC, Washington, DC 20402–0001 VerDate 0ct 09 2002 13:48 Feb 04, 2015 Jkt 000000 PO 00000 Frm 00001 Fmt 5011 Sfmt 5011 F:\WORK\_WH\100114\90725 SHIRL COMMITTEE ON FOREIGN AFFAIRS EDWARD R. ROYCE, California, Chairman CHRISTOPHER H. SMITH, New Jersey ELIOT L. ENGEL, New York ILEANA ROS-LEHTINEN, Florida ENI F.H. FALEOMAVAEGA, American DANA ROHRABACHER, California Samoa STEVE CHABOT, Ohio BRAD SHERMAN, California JOE WILSON, South Carolina GREGORY W. MEEKS, New York MICHAEL T. MCCAUL, Texas ALBIO SIRES, New Jersey TED POE, Texas GERALD E. CONNOLLY, Virginia MATT SALMON, Arizona THEODORE E. DEUTCH, Florida TOM MARINO, Pennsylvania BRIAN HIGGINS, New York JEFF DUNCAN, South Carolina KAREN BASS, California ADAM KINZINGER, Illinois WILLIAM KEATING, Massachusetts MO BROOKS, Alabama DAVID CICILLINE, Rhode Island TOM COTTON, Arkansas ALAN GRAYSON, Florida PAUL COOK, California JUAN VARGAS, California GEORGE HOLDING, North Carolina BRADLEY S. SCHNEIDER, Illinois RANDY K. WEBER SR., Texas JOSEPH P. -
Wildflowers E-Edition
Crawling Back to You A critical and personal breakdown of Tom Petty’s masterpiece, “Wildflowers” by Nick Tavares Static and Feedback editor Static and Feedback | www.staticandfeedback.com | September, 2012 1 September, 2012 Static and Feedback www.staticandfeedback.com ooking at the spine of the CD, it’s would resume, the music would begin, and clear that the color has mutated a I’d lie with my head on my pillow and my L bit through the years, trapped in hands over my stomach, eyes closed. sunbeams by windows and faded from it’s Sometimes, I’d be more alert and reading brown paper bag origins to a pale bluish the liner notes tucked away in the CD’s grey. The CD case itself is in excellent booklet in an effort to take in as much shape save for a few scratches, spared the information about this seemingly magic art cracks and malfunctioning hinges so many form as possible. other jewel boxes have suffered through The first time I listened to Wildflowers, I drops, moves and general carelessness. All was in high school, in bed, laying out in all, the disc holds up rather well. straight, reading along with the lyrics, More often than not, however, it sits inspecting the credits, the thanks and the on the shelf, tucked below a greatest hits photographs included with this Tom Petty collection and above a later album. Thanks solo record. One hour, two minutes and 41 to technology, the more frequent method seconds later, I felt an overwhelming rush, a of play is the simple mp3, broadcasting out warmth that covered my entire body from of a speaker the size of the head of a head to toe and reached back within my pencil’s eraser mounted above the skull to fill my insides. -
Blood-Soaked Secrets Why Iran's 1988 Prison
BLOOD-SOAKED SECRETS WHY IRAN’S 1988 PRISON MASSACRES ARE ONGOING CRIMES AGAINST HUMANITY Amnesty International is a global movement of more than 7 million people who campaign for a world where human rights are enjoyed by all. Our vision is for every person to enjoy all the rights enshrined in the Universal Declaration of Human Rights and other international human rights standards. We are independent of any government, political ideology, economic interest or religion and are funded mainly by our membership and public donations. © Amnesty International 2017 Except where otherwise noted, content in this document is licensed under a Creative Commons Cover photo: Collage of some of the victims of the mass prisoner killings of 1988 in Iran. (attribution, non-commercial, no derivatives, international 4.0) licence. © Amnesty International https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode For more information please visit the permissions page on our website: www.amnesty.org Where material is attributed to a copyright owner other than Amnesty International this material is not subject to the Creative Commons licence. First published in 2017 by Amnesty International Ltd Peter Benenson House, 1 Easton Street London WC1X 0DW, UK Index: MDE 13/9421/2018 Original language: English amnesty.org CONTENTS GLOSSARY 7 EXECUTIVE SUMMARY 8 METHODOLOGY 18 2.1 FRAMEWORK AND SCOPE 18 2.2 RESEARCH METHODS 18 2.2.1 TESTIMONIES 20 2.2.2 DOCUMENTARY EVIDENCE 22 2.2.3 AUDIOVISUAL EVIDENCE 23 2.2.4 COMMUNICATION WITH IRANIAN AUTHORITIES 24 2.3 ACKNOWLEDGEMENTS 25 BACKGROUND 26 3.1 PRE-REVOLUTION REPRESSION 26 3.2 POST-REVOLUTION REPRESSION 27 3.3 IRAN-IRAQ WAR 33 3.4 POLITICAL OPPOSITION GROUPS 33 3.4.1 PEOPLE’S MOJAHEDIN ORGANIZATION OF IRAN 33 3.4.2 FADAIYAN 34 3.4.3 TUDEH PARTY 35 3.4.4 KURDISH DEMOCRATIC PARTY OF IRAN 35 3.4.5 KOMALA 35 3.4.6 OTHER GROUPS 36 4. -
2020 – 2022 College Catalog
San Carlos Apache College 2020 – 2022 College Catalog (Version 20.0) San Carlos Apache College Catalog 2020-2022 (v. 20.0) Table of Contents Introduction 13 College Contact Information 13 History, Vision, Mission, and Goals 14 History 14 Vision 14 Mission 14 Goals 14 Welcome from the Board of Regents 15 President’s Welcome Message 16 Accreditation 17 Chapter 1 – Getting Started 18 Admissions Policies 18 Full-Time and Part-Time Status 18 SCAC Admission Categories 18 Regular Admissions 18 Cases for Special Admissions 18 Underage Student Admissions 19 Student Orientation 19 Bookstore Services 19 Student Identification Number and ID Cards 19 Use of Social Security Numbers 19 Third Party Transactions 20 Transcript Request 20 Privacy of Student Records and Family Educational Rights and Privacy Act (FERPA) 20 Student’s Right to Have Information Withheld 20 Schedule of Classes 20 Declaring a Program of Study 21 Maximum Credit Hours 21 Course Prerequisites 21 Transfer of Credits 21 2 San Carlos Apache College Catalog 2020-2022 (v. 20.0) Credit by Examination and Prior Learning 22 Advanced Placement (AP) Credits 22 College-Level Examination Program 22 Application Period 23 SCAC Admissions – Documents Required for students 23 Placement Testing Requirements 23 Meet with an Advisor 23 New Students Registering for Classes 24 Current SCAC Students May Register for Classes Online 24 Apply for Financial Aid 24 Tuition, Books, and Fees 24 Textbook Payments 25 Payment Due Date 25 Accepted Forms of Payment 25 Tuition and Student Activity Fees 25 Processing Fees 26 Miscellaneous Credit Course Fees 26 Other Costs and Payments 27 Account Holds 27 Reasons for Financial Holds 27 Tuition Deferment 28 Refund Due to Class Cancellation 28 Semester Refund Deadlines 28 Refund Rates 28 Special Provisions Refunds 28 Tuition and Fee Refunds 29 Chapter 2 – Student Life 30 Community Life at SCAC 30 Student Services and Resources 30 Advising and Mentoring 30 Counseling 30 Tutoring 30 Health and Wellness 30 3 San Carlos Apache College Catalog 2020-2022 (v. -
The Jazz Age 1921–1929 Why It Matters the 1920S Was an Era of Rapid Change and Clashing Values
The Jazz Age 1921–1929 Why It Matters The 1920s was an era of rapid change and clashing values. Many Americans believed society was losing its traditional values, and they took action to preserve these values. Other Americans embraced new values associated with a freer lifestyle and the pursuit of individual goals. Writers and artists pursued distinctively American themes, and the Harlem Renaissance gave African Americans new pride. The Impact Today The 1920s left permanent legacies to American culture. • National celebrities in sports and film emerged. • Jazz music became part of American culture. • F. Scott Fitzgerald and Ernest Hemingway wrote classics of American literature. The American Republic Since 1877 Video The Chapter 15 video, “The Harlem Renaissance,” focuses on Harlem’s lively arts and music scene and the movement’s contributions to American culture. 1915 • New Ku Klux Klan founded 1921 1922 • Emergency Quota • Antilynching bill Act passed, limiting passes in House immigration 1920 • Marcus Garvey leads L Wilson march through Harlem Harding 1913–1921 L L 1921–1923 L 1915 1920 M M M 1921 • Ireland becomes an 1917 independent country • British government’s Balfour 1922 Declaration supports national home • Mussolini and Fascists for Jewish people in Palestine take power in Italy 480 This photograph of jazz musicians captures the boisterous spirit of the 1920s. 1925 • Scopes trial begins • F. Scott Fitzgerald’s The 1927 Great Gatsby published • First feature film with 1924 1926 sound debuts • National Origins • Langston Hughes’s The • Lindbergh completes first HISTORY Act passed Weary Blues published solo transatlantic flight Coolidge Hoover 1923–1929 L L L L 1929–1933 Chapter Overview Visit the American Republic Since 1877 Web site at 1925 1930 tarvol2.glencoe.com and click on Chapter Overviews— M M M M Chapter 15 to preview chapter 1928 information. -
Mathematical Sciences Meetings and Conferences Section
OTICES OF THE AMERICAN MATHEMATICAL SOCIETY Richard M. Schoen Awarded 1989 Bacher Prize page 225 Everybody Counts Summary page 227 MARCH 1989, VOLUME 36, NUMBER 3 Providence, Rhode Island, USA ISSN 0002-9920 Calendar of AMS Meetings and Conferences This calendar lists all meetings which have been approved prior to Mathematical Society in the issue corresponding to that of the Notices the date this issue of Notices was sent to the press. The summer which contains the program of the meeting. Abstracts should be sub and annual meetings are joint meetings of the Mathematical Associ mitted on special forms which are available in many departments of ation of America and the American Mathematical Society. The meet mathematics and from the headquarters office of the Society. Ab ing dates which fall rather far in the future are subject to change; this stracts of papers to be presented at the meeting must be received is particularly true of meetings to which no numbers have been as at the headquarters of the Society in Providence, Rhode Island, on signed. Programs of the meetings will appear in the issues indicated or before the deadline given below for the meeting. Note that the below. First and supplementary announcements of the meetings will deadline for abstracts for consideration for presentation at special have appeared in earlier issues. sessions is usually three weeks earlier than that specified below. For Abstracts of papers presented at a meeting of the Society are pub additional information, consult the meeting announcements and the lished in the journal Abstracts of papers presented to the American list of organizers of special sessions. -
THE ROSE of PERSIA;
THE ROSE of PERSIA; or, the Story-Teller and the Slave New Comic Opera BY BASIL HOOD AND ARTHUR SULLIVAN 2 Dramatis Personæ THE SULTAN MAHMOUD OF PERSIA HASSAN (a philanthropist) YUSSUF (a professional story-teller) ABDALLAH (a priest) THE GRAND VIZIER THE PHYSICIAN-IN-CHIEF THE ROYAL EXECUTIONER SOLDIER OF THE GUARD THE SULTANA ZUBEYDEH (named "Rose-in-Bloom") “SCENT-OF-LILIES” “HEART’S DESIRE” (her favourite slaves) “HONEY-OF-LIFE”} “DANCING SUNBEAM” (Hassan’s first wife) “BLUSH-OF-MORNING” (his twenty-fifth wife) “OASIS-IN-THE-DESERT” “MOON-UPON-THE-WATERS” (Wives of Hassan) “SONG-OF-NIGHTINGALES” “WHISPER-OF-THE-WEST-WIND}” Chorus (Act I). – Hassan’s Wives, Mendicants, and Sultan’s Guards. (Act II.) – Royal Slave Girls, Palace Officials, and Guards. ACT I. – COURT OF HASSAN’S HOUSE. ACT II. – AUDIENCE HALL OF THE SULTAN’S PALACE. ACT I. SCENE. – Court of HASSAN’s house. Entrance to house on left. At back and on right view of streets. HASSAN is seated contemplating the view over the city. He is surrounded by his wives, who are lying on divans. It is a beautiful moonlit night. CHORUS of WIVES. As we lie in languor lazy, Lounging on a low divan, Flood of interesting chatter Flows behind each dainty fan: “Is our husband going crazy? Neighbours call him Mad Hassan!” Not an unimportant matter For the wives of any man! (addressing HASSAN.) Hassan! Hassan! Hassan! Inform us if you can! Irresponsible and hazy, Unconventional and mazy Seem your actions – are you crazy? Are you crazy, O Hassan? HASSAN turns round on his seat, and faces the audience. -
Petition for a Writ of Certiorari to the United States Court of Appeals for the First Circuit
No. 20-443 In the Supreme Court of the United States UNITED STATES OF AMERICA, PETITIONER v. DZHOKHAR A. TSARNAEV ON PETITION FOR A WRIT OF CERTIORARI TO THE UNITED STATES COURT OF APPEALS FOR THE FIRST CIRCUIT PETITION FOR A WRIT OF CERTIORARI JEFFREY B. WALL Acting Solicitor General Counsel of Record JOHN C. DEMERS Assistant Attorney General BRIAN C. RABBITT Acting Assistant Attorney General ERIC J. FEIGIN Deputy Solicitor General CHRISTOPHER G. MICHEL MICHAEL R. HUSTON Assistants to the Solicitor General WILLIAM A. GLASER JOSEPH F. PALMER Attorneys Department of Justice Washington, D.C. 20530-0001 [email protected] (202) 514-2217 QUESTIONS PRESENTED 1. Whether the court of appeals erred in concluding that respondent’s capital sentences must be vacated on the ground that the district court, during its 21-day voir dire, did not ask each prospective juror for a specific accounting of the pretrial media coverage that he or she had read, heard, or seen about respondent’s case. 2. Whether the district court committed reversible error at the penalty phase of respondent’s trial by ex- cluding evidence that respondent’s older brother was allegedly involved in different crimes two years before the offenses for which respondent was convicted. (I) RELATED PROCEEDINGS United States District Court (D. Mass.): United States v. Tsarnaev, No. 13-cr-10200 (Jan. 15, 2016) (amended judgment) United States Court of Appeals (1st Cir.): In re Tsarnaev, No. 14-2362 (Jan. 3, 2015) (denying first mandamus petition) In re Tsarnaev, No. 15-1170 (Feb. 27, 2015) (denying second mandamus petition) United States v.