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												  Ed 304 500 Title Institution Pub Date Note Available FromDOCUMENT RESUME ED 304 500 UD 026 678 TITLE Recent Activities against Citizens and Residents of Asian Descent. Clearinghouse Publication No. 88. INSTITUTION Commission on Civil Rights, Washington, D.C. PUB DATE 87 NOTE 99p. AVAILABLE FROMU.S. Commission on Civil Rights, Washington, DC 20425. PUB TYPE Reports - Research/Technical (143) -- Information Analyses (070) -- Legal/Legislative/Regulatory Materials (090) EDRS PRICE MF01/PC04 Plus Postage. DESCRIPTORS *Asian Americans; Crime; *Ethnic Discrimination; Ethnic Distribution; Ethnic Relations; Ethnic Stereotypes; Federal Legislation; Immigrants; Racial Discrimination; Refugees; State Legislation; Victims of Crime; *Violence IDENTIFIERS *Immigration Law; Refugee Resettlement ABSTRACT This report describes some recent examples of racially motivated conduct directed against Asian Americans, and identifies factors that contribute to them. The report reviews the following sources of information: (1) literature on the topic; (2) hearings by local human rights agencies; (3) data from the Bureau of the Census, the Office of Refugee Resettlement, and the Immigratio- and Naturalization Service; (4) state laws on racially motivated crimes; and (5) field investigations in eight states and the District of Columbia. Chapter 1 is an overview of early, discriminatory legislation and other activities directed against Asian immigrants and Americans of Asian ancestry in the United States. The chapter also examines more recent legislation liberalizing the immigration laws. Chapter 2 describes the geographic distribution of persons of Asian descent and their socioeconomic status relative to that of Whites. Chapter 3 discusses factors that contribute to racially motivated activities against persons of Asian ancestry. Chapter 4 discusses some apparently racially motivated incidents that have occurred in various parts of the country since the 1982 murder of Vincent Chin, a Chinese American, and the community responses to them.
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												  THE GROUPE MSLGROUP Olivier Fleurot, CEOMessage from Elisabeth Badinter .......................................................................................................... p. 3 The Supervisory Board ........................................................................................................................... p. 5 Message from Maurice Lévy .................................................................................................................. p. 9 The Strategic Leadership Team ............................................................................................................. p. 10 The Human Digital Agency .................................................................................................................... p. 14 Headcount by Region at December 31 2011 .......................................................................................... p. 18 The VivaKi Offer ..................................................................................................................................... p. 19 Advertising Brands ................................................................................................................................. p. 30 Specialized Agencies .............................................................................................................................. p. 43 Shared Service Centers ........................................................................................................................... p. 52 Major Clients .........................................................................................................................................
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												  Crazy Rich Asians Y El Debate Sobre La Diversidad Cultural En La Industria CinematográficaHollywood bajo la mira: Crazy Rich Asians y el debate sobre la diversidad cultural en la industria cinematográfica Neruska R. Rojas La Chica Investigadora Centro Nacional de Estudios Históricos – Venezuela RESUMEN El pasado mes de agosto del año 2018, la audiencia internacional recibió con agrado el estreno de la comedia romántica Crazy Rich Asians (conocida en América Latina bajo el nombre de “Locamente millonarios”), un largometraje inspirado en el exitoso betseller homónimo escrito por Kevin Kwan (2013). Desde la puesta en circulación del primer tráiler, las redes sociales se llenaron de cientos de comentarios celebrando el estreno de una película que incluía, después de dos largas décadas, un talentoso reparto integrado por actrices y actores asiáticos. Tras su premier en Estados Unidos, la cinta Crazy Rich Asians se sumó a las banderas insignes de las campañas mediáticas que desde 2015 exigen mayor diversidad e inclusión en la industria cinematográfica controlada por Hollywood. Tales movimientos demandan la erradicación definitiva de los estereotipos e imágenes distorsionadas que desde otrora han discriminado al talento asiático, en beneficio de un catálogo blanco limpio de distintos matices y colores. Palabras clave: Crazy Rich Asians – asiáticos-norteamericanos – Hollywood – Minoría Modelo – Estereotipos asiáticos Neruska R. Rojas La Chica: Magíster en Estudios de Cine (Universidad de Shanghái: 2018). Licenciada en Historia (UCV: 2014). Investigadora del Centro Nacional de Estudios Históricos (Venezuela) e Investigadora del Centro Venezolano de Estudios sobre China (CVEC). Columnista para la Revista Memorias de Venezuela (CNH: MPPC) en el área de estudios culturales. Articulista para la página web Tusanaje.org en el área de cine chino.
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												  The Lived Experience of Chinese American Christians in Family Life Jessica Lynn ChenfengLoma Linda University TheScholarsRepository@LLU: Digital Archive of Research, Scholarship & Creative Works Loma Linda University Electronic Theses, Dissertations & Projects 6-2014 The Lived Experience of Chinese American Christians in Family Life Jessica Lynn ChenFeng Follow this and additional works at: http://scholarsrepository.llu.edu/etd Recommended Citation ChenFeng, Jessica Lynn, "The Lived Experience of Chinese American Christians in Family Life" (2014). Loma Linda University Electronic Theses, Dissertations & Projects. 191. http://scholarsrepository.llu.edu/etd/191 This Dissertation is brought to you for free and open access by TheScholarsRepository@LLU: Digital Archive of Research, Scholarship & Creative Works. It has been accepted for inclusion in Loma Linda University Electronic Theses, Dissertations & Projects by an authorized administrator of TheScholarsRepository@LLU: Digital Archive of Research, Scholarship & Creative Works. For more information, please contact [email protected]. LOMA LINDA UNIVERSITY School of Behavioral Health in conjunction with the Faculty of Graduate Studies ____________________ The Lived Experience of Chinese American Christians in Family Life by Jessica Lynn ChenFeng ____________________ A Dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Marital and Family Therapy ____________________ June 2014 © 2014 Jessica Lynn ChenFeng All Rights Reserved Each person whose signature appears below certifies that this dissertation in his/her opinion is adequate, in scope and quality, as a dissertation for the degree Doctor of Philosophy. , Chairperson Carmen Knudson-Martin, Professor of Counseling and Family Sciences Brian Distelberg, Associate Professor of Counseling and Family Sciences Douglas Huenergardt, Professor of Counseling and Family Sciences Timothy Nelson, Professor of Marriage and Family Therapy, Friends University iii ACKNOWLEDGEMENTS I am deeply grateful to my dissertation committee for the time and energy they have expended to support me through this process.
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												  Asian Americans: the "Reticent" Minority and Their ParadoxesWilliam & Mary Law Review Volume 36 (1994-1995) Issue 1 Article 2 October 1994 Asian Americans: The "Reticent" Minority and Their Paradoxes Pat K. Chew Follow this and additional works at: https://scholarship.law.wm.edu/wmlr Part of the Civil Rights and Discrimination Commons Repository Citation Pat K. Chew, Asian Americans: The "Reticent" Minority and Their Paradoxes, 36 Wm. & Mary L. Rev. 1 (1994), https://scholarship.law.wm.edu/wmlr/vol36/iss1/2 Copyright c 1994 by the authors. This article is brought to you by the William & Mary Law School Scholarship Repository. https://scholarship.law.wm.edu/wmlr William and Mary Law Review VOLUME 36 No. 1, 1994 ASIAN AMERICANS: THE "RETICENT" MINORITY AND THEIR PARADOXES PAT K. CHEW* I. DISTORTIONS AND PARADOXES ..................... 8 A. Paradox:Asian Americans Are Not DiscriminatedAgainst, but They Are ........... 8 1. History of Express Discrimination ......... 9 2. Ongoing Express Discrimination .......... 18 * Professor of Law, University of Pittsburgh School of Law. J.D. 1982, M.Ed. 1974, University of Texas; A.B. 1972 Stanford University. This Article is dedicated to my children, Lauren and Luke. I also thank the fol- lowing individuals for reviewing a draft of the Article and for their many valuable insights: Robert Kelley, Anita Allen, Jody Armour, Ruth Colker, Richard Delgado, Nitya Iyer, Jules Lobel, Mari Matsuda, Michael Olivas, Syed Shariq, Johnna Torsonne, Rhonda Wasserman, and Alfred Yen. The views and conclusions voiced in this Article, however, may not reflect the views of these individuals. My research assistants Nancy Burkoff, Jennifer Su Kim, and George Magera were very helpful. I also am grateful for the financial assistance and support provided for this project by former Dean Mark Nordenberg and the Dean's Scholarship Award, and the secre- tarial assistance provided by the Law School's Word Processing Department.
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												  0813535026.PdfFaithful Generations ^^^^^^^^^^^^^^^^^^^^^ Faithful Generations Race and New Asian American Churches RUSSELL JEUNG FOREWORD BY ROBERT N. BELLAH ^^^^^^^^^^^^^^^^^^^^^ RUTGERS UNIVERSITY PRESS NEW BRUNSWICK, NEW JERSEY, AND LONDON LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA Jeung, Russell, 1962– Faithful generations : race and new Asian American churches / Russell Jeung. p. cm. Includes bibliographical references and index. ISBN 0–8135–3502–6 (hardcover : alk. paper) — ISBN 0–8135–3503–4 (pbk. : alk. paper) 1. Asian Americans—Religion. 2. United States—Religion. I. Title. BL2525.J48 2005 277.3’083’08995—dc22 2004003827 A British Cataloging-in-Publication record for this book is available from the British Library. Copyright © 2005 by Russell Jeung All rights reserved No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, or by any information storage and retrieval system, without written permission from the publisher. Please contact Rutgers University Press, 100 Joyce Kilmer Avenue, Piscataway, NJ 08854–8099. The only exception to this prohibition is “fair use” as defined by U.S. copyright law. Manufactured in the United States of America CONTENTS Foreword by Robert N. Bellah vii Preface ix 1 Introduction 1 2 Chinese and Japanese Churches in the United States 16 3 The Emergence and Institutionalization of Asian American Churches 42 4 Evangelical Constructions of Asian American Panethnicity 63 5 Mainline Christian Constructions of Asian American Panethnicity 82 6 Asian American Panethnicity at Grace Faith Church 103 7 Asian American Panethnicity at Park Avenue United Methodist Church 125 8 Conclusion: Asian American Christians in a Multiethnic Society 146 Appendix A: Research Methodology 169 Appendix B: Description of Congregations 171 Notes 175 Bibliography 193 Index 209 v FOREWORD The changing configuration of American society, at once the most secular and the most religious of all the advanced industrial societies, is full of surprises.
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												  Asian American Pan-Ethnic Formation and Congregational CulturesAsian American Pan-Ethnic Formation and Congregational Cultures Russell Jeung Professor of Sociology Foothill College (Chapter Draft) Paul would say, “To the Jews I’ll be a Jew and to the Greeks I’ll be a Greek.” So maybe, in order to share the gospel among Asians, you must first understand what does it mean to be Asian. Why is it that you can do outreach to Asian Americans while another Anglo congregation can’t? What is it that attracts people to each other?” --Chinese American minister of an Asian American congregation When China and Japan were at war, Chinese and Japanese churches in the United States organized their members to support homeland movements.1 During World War II, Chinese Americans wore buttons declaring “I am Chinese” to distinguish themselves from Japanese Americans who were being rounded up for internment camps. As the primary social institutions in the community, these congregations served to maintain ethnic ties and to reinforce a specific linguistic/cultural identity. Two generations later, Chinese and Japanese American congregations are undergoing a significant transformation into pan-ethnic congregations. Groups who were once at war now pray and worship together with common songs, liturgies and religious understandings. Those who distanced themselves from the other now unite under a single group identity and new subculture. In fact, half of this study’s churches in the San Francisco Bay Area now target Asian Americans instead of focusing on a single ethnic group. As congregational entrepreneurs, Christian leaders
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												  Primary & Secondary SourcesPrimary & Secondary Sources Brands & Products Agencies & Clients Media & Content Influencers & Licensees Organizations & Associations Government & Education Research & Data Multicultural Media Forecast 2019: Primary & Secondary Sources COPYRIGHT U.S. Multicultural Media Forecast 2019 Exclusive market research & strategic intelligence from PQ Media – Intelligent data for smarter business decisions In partnership with the Alliance for Inclusive and Multicultural Marketing at the Association of National Advertisers Co-authored at PQM by: Patrick Quinn – President & CEO Leo Kivijarv, PhD – EVP & Research Director Editorial Support at AIMM by: Bill Duggan – Group Executive Vice President, ANA Claudine Waite – Director, Content Marketing, Committees & Conferences, ANA Carlos Santiago – President & Chief Strategist, Santiago Solutions Group Except by express prior written permission from PQ Media LLC or the Association of National Advertisers, no part of this work may be copied or publicly distributed, displayed or disseminated by any means of publication or communication now known or developed hereafter, including in or by any: (i) directory or compilation or other printed publication; (ii) information storage or retrieval system; (iii) electronic device, including any analog or digital visual or audiovisual device or product. PQ Media and the Alliance for Inclusive and Multicultural Marketing at the Association of National Advertisers will protect and defend their copyright and all their other rights in this publication, including under the laws of copyright, misappropriation, trade secrets and unfair competition. All information and data contained in this report is obtained by PQ Media from sources that PQ Media believes to be accurate and reliable. However, errors and omissions in this report may result from human error and malfunctions in electronic conversion and transmission of textual and numeric data.
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												  Julian Smith CSFabrizio Cilento What Julian Smith Hates (and Loves) About Facebook: Social Media Parody As Self-Promotion YouTube is the third most trafficked site on the Internet, after Google and Facebook. Each month over one billion unique users watch six billion hours of video, with one hundred hours of video being uploaded every minute. The YouTube Partner Program launched in 2007 has allowed more than a million creators to earn money from their YouTube videos, with the result that the number of people subscribing daily has more than tripled in the last year.1 As a consequence of this exponential acceleration of production and consumption, the modality through which users experience humor online has transformed, creating a scene of young comedians who are especially skilled in circulating their own content. Through the case study of humorist Julian Smith, this essay investigates what makes YouTube comedians/entrepreneurs successful. In order to understand and critique the channel juliansmith87 and its connections to various social media platforms, I adopt two strategies. On one hand, I focus on a specific video from the channel called 25 Things I Hate About Facebook; on the other I discuss the channel on a macro-level, looking at it from inception to current state. While 25 Things has not achieved the viral success of other videos by Smith,2 it created an aesthetic formula characterized by two elements: a self-reflexive approach to digital media and a high production value. Today Smith’s channel has an average of two and a half million views per video, with peaks of thirteen million, and his visual style has become widely imitated.
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												  IN FOCUS: Asian American Film and Media IntroductionIN FOCUS: Asian American Film and Media Introduction by BRIAN HU and VINCENT N. PHAM, editors he opportunity to assemble an In Focus section dedicated to Asian American film and media, a first for Cinema Journal, is a special moment, bringing a field at least a quarter century in the making into the mainstream of cinema and media studies. But if Asian American media history has taught us anything, it’s that crossing overT should always give us pause. The Oliver Stone–produced The Joy Luck Club’s (Wayne Wang, 1993) cross-generational story of four Chinese American families earned critical acclaim, being placed on Roger Ebert and Gene Siskel’s list of top ten films of 1993. All-American Girl (ABC, 1994–1995) debuted in 1994 as the first prime-time sitcom with an all Asian American cast and marked Margaret Cho’s entrée into the living rooms of mainstream America. Better Luck Tomorrow ( Justin Lin, 2002) rocked the 2002 Sundance Film Festival, legendary for its conflict-ridden question-and-answer session that spurred Ebert to come to defend the movie against hostile audience members, and became the first movie acquired by MTV Films. Despite this collective excitement, these well-heralded instances of rare prime-time and commercial exposure have all proved less pivotal than audiences, commentators, and studios once imagined, relegated to discussions of missed opportunities or representational politics in the Asian American community. Repeatedly in the mainstream, Asian American communities have seen hopes dashed and voices marginal- ized in a racial landscape that is predominantly white and occasionally black.
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												  Hollywood's Portrayals of Asian American Men: the Sick Man OfRunning Head: HOLLYWOOD’S PORTRAYALS OF ASIAN AMERICAN MEN 1 Hollywood’s Portrayals of Asian American Men: The Sick Man of America T.K. Vang Sociology, University Of Wisconsin Superior Dr. Chris Cherry Texas A&M University HOLLYWOOD’S PORTRAYALS OF ASIAN AMERICAN MEN 2 ABSTRACT The American audience of film theatre can be seen since the 20th century. A domicile, where it’s a reflection of our society’s ambiguous and unambiguous biases. Where sometimes the reel become real. This can be seen through Hollywood’s insidious ways of their portrayal of Asian Men in their movies. These reinforcements of misconceptions have led to a manifestation of discrimination in real life. 2 HOLLYWOOD’S PORTRAYALS OF ASIAN AMERICAN MEN 3 Introduction Just hearing the name, Long Duk Dong, a racist character created by Hollywood, puts a sinister smile on someone’s face. Think of one of the latest Hollywood films you watched, the chances are that it is surrounded by negative Asian stereotypes and you probably did not notice it. This unawareness of racism/sexism against Asian men has become socially accepted as “normal,” which no one wants to talk about and has now become symbolic of all Asian American men. This research is to analyze and inform people to make them comprehend these biases that lurk in front of them through the institution of American cinema. Movies are one of the many forms of pedagogies to the social world and give choppy narrative knowledge on subjects of race, gender, sex and class. According to bell hooks, American author, feminist, social activist and professor at Berea College, states, “(movies) give the reimagined, reinvented version of the real” (hooks, 1996).
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												  Chinese Representation at San Diego's 1915 and 1935 Expositions in Balboa ParkCALIFORNIA STATE UNIVERSITY SAN MARCOS THESIS SIGNATURE PAGE THESIS SUBMITTED IN PARTIAL FULFILLMENT Or- THE REQUIREMENTS FOR THE DEGREE MASTER OF ARTS IN HISTORY THESIS TITLE: From Underground Chinatown to Hall of China: Chinese Representation at San Diego's 1915 and 1935 Expositions in Balboa Park AUTHOR: Michael Yee DATE OF SUCCESSFUL DEFENSE: May 13, 2020 THE THESIS HAS BEEN ACCEPTED BY THE THESIS COMMITTEE IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN HISTORY. r.litt /1/affJ. Dr. Jill Watts Jill Watts (May 13, 2020) 05/13/2020 THESIS COMMITTEE CHAIR SIGNATURE DATE 05/13/2020 Dr. Jeff Charles �� Tl IESIS COMMITTEE MEMBER SIGNATURE DATE zfuwe-?Xuw- 05/13/2020 Dr. Zhiwei Xiao Zhiwei Xiao (May 13, 2020) THESIS COMMITTEE MEMBER SIGNATURE DATE From Underground Chinatown to Hall of China: Chinese Representation at San Diego’s 1915 and 1935 Expositions in Balboa Park A thesis presented by Michael Yee to The Department of History in partial fulfillment of the requirements for the degree of Master of Arts in the subject of History California State University, San Marcos San Diego, California Thesis Advisor: Dr. Jill Watts Committee Members: Dr. Jeffrey Charles and Dr. Zhiwei Xiao May 13, 2020 1 Advisor: Dr. Jill Watts Michael Yee From Underground Chinatown to Hall of China: Chinese Representation at San Diego’s 1915 and 1935 Expositions in Balboa Park Abstract “From Underground Chinatown to Hall of China” explores the representation of the Chinese and Chinese Americans in San Diego’s two expositions in Balboa Park. The first, the 1915-16 Panama-California Exposition (PCE), degraded the Chinese as the enigmatic “Celestials” and, at the time, the community that composed Chinatown had little agency.