Philip Pullman

Total Page:16

File Type:pdf, Size:1020Kb

Philip Pullman BOOKWORLD CONTENTS / INHOUD Philip Pullman - Displaying his brilliant material Carina Diedericks-Hugo takes a look at this controversial author 18 Dansmusieke PHILIP PULLMAN A talk by the author to the reading circle of Bloubergstrand Library 19 Displaying his brilliant material Geraamtes dra nie klere nie The impressions of16-year-old Cara Meintjies 20 'n Stringetjie blou krale CARINA DIEDERICKS-HUGO Lorraine Matthewson berig oor 'n praatjie deur EKM Dido 21 Author / Editor Wicca weavesits magic ritish children'sbook author Philip A fascinating insight into this source of Pullman shot to fame when he won interest by Erich Buchhaus 21 B the 2001Whitbread Award. He Booklist writes bravelyand speaks loudly. Carina Erich Buchhaus'selection of reading Diedericks-Hugo takes a look at one of matter on wicca and witchcraft 23 Britain's most prolific, yet controversial authors. At the bottom of a garden in Oxford, publications such as the New YorkTimes metaphysical, but never stoop to the England stands a shabbyshed, peeping Literary Supplement and the Washington supernatural', described one critic. And through an overly-zealousivy web. Inside, Post have hailed Pullman's His dark mate - the intricate, yet paradoxically simple nar- aninteresting arrayof clutter: a six-foottall rials as`verygrandindeed',`morallycom- rative is masterfullycrafted byan author stuffed rat, thousands of yellow Post-it plex'and a work of `extravagant wonders'. who exhumes brilliance. notes, apple cores, dust, a heater, two One even went as far as saying`it was the In comparison, other children'sliterature comfortable chairs, an old computer,spi- momentthatliterature for theyoung finally now seems feeble and frivolous. One critic der'swebs, a saxophone, pencils, a cob- came of age'. described Pullman's magnum opus as`a blestone from Prague, splashes of Mont His dark materials consist of Northern sparkling addition to the canon of great Blanc and Cape Codwine and alargetable. lights (published asThe golden compassin children'sfictionthatleaves poor Harry Somewhere, on the table to be precise, is a the United States of America), The subtle Potter helplesslystrandedinthe compara- knife and The amber spyglass.Thestoryis 3 small, uncluttered space with a few blank tive banalityof his Platform 9 /4 '. piecesofpaperneatlystackedtogether and setin a world as we knowit, a world slightly Butit wasn'tonlythe critics who a broken pencil lying on top. An exorbi- differentto ours, and worlds parallel to swooned - academics and prize commit- tantlyexpensive Danishtilting-in-all-direc- ours, but unlike anything we know. It fol- teesjoined the chorus of approval and tions orthopaedic gas-powered swivelling lows the tale of11-year-old Lyra Belacqua made His dark materials the most chair pushed under the table completes the as she sets outto accomplish a task that acclaimed British children's book ever. picture. It is on this exact awaits her. Northern lights was awarded the spot that British children's `Stories are the In Northern lights Lyra Guardian Children's Fiction Awardin1996, book author Philip Pullman journeys to the far and cold the British Book Award and the presti- worked for seven years to most important thing Northinsearchofherfather gious Carnegie Medal. In1998 The subtle create a work which has in the world. andto saveherbestfriend and knife clinched the United Kingdom other children from lethal Reading Award and was short-listed for catapulted children'slitera- Without stories, ture into a new dimension. scientific experiments. Will the FCBG Children's Book of theYear `Ihave a high enough we wouldn't be Parry, a boy from our world, Awards. It reallywas the concluding opinion of myreaders to human beings at all' meets Lyra inThe subtle knife volume, The amber spyglass, which caused expectthemto take a little and as theydiscover a secret, astirthough.Pullmanwalkedawaywith difficultyin their stride... theirlives areintertwined and numerous prizes, including the 2001 Weareallstupid,andweareallintelligent. theirjourneycontinues to Whitbread Children's BookoftheYear and The line dividing the stupid from the intelli- fulfil their tasks. Finally, inThe amber spy- the overall Whitbread BookoftheYear- an gentgoes rightdownthe middle of our glass, both Lyraand Willhavetomakegreat unprecedented first. He was also long- heads. Othersmayfindtheirreadership on personal sacrifices and face tremendous listed for the Booker Prize. Again a firstfor the stupid side:I don't. Ipaymyreaders the dangerin an earth-shattering war ofthe anychildren'sbook. compliment of assuming that theyare intel- worlds. Pullman is no stranger to storytelling or lectuallyadventurous.' Thereisahintofthepastandatrace of writing. Born in Norwich in 1946, the son Philip Pullman has done the impossible. legend, historical references and a folklore ofaRoyalAirForcepilot,helivedin Believing that his readers are, in fact, intel- flavour. Fromthe familiar streets of Oxford Australia before settling down in North lectuallyadventurous, he hasgone and the readeris takento the far North where Wales atthe age of11. It was here where he created a1 500 page trilogytackling armoured bears, fierce and sensual started gathering stories in a time when themes such as quantumphysics, the origin witches, angels, miniature people and fear- children could still wander freelyto play of sin and the concept of good and evil. some phantoms or`Spectres'await. `You and roam about andlettheirimaginations Critics from famouslysceptical and blase¨ soar into the metaphorical and the do the same. After reading English at Cape Libr., Mar/Apr 2003 18 BOEKWEêRELD Exeter College,Oxford,Pullmantaught at Satan...but a figure who might stand for Later, having read the whole Narnia various middle schools. He wrote many Wisdom'. series as an adult, he was`angered and school plays - some of which were later This stance has caused some religious nauseated bythe sneakiness ofthat transformed into novels such asTherubyin critics to name Pullman as the`most dan- powerful seductive narrative voice, that the smoke.HereturnedtoOxfordwithhis gerous writer in Britain'. (No mean feat favourite-uncle stance, assumingmyassent wife,Jude,andtwosons-thistimeaslec- considering that Britain is home to authors to his sneering attitude to anything remo- turer at Westminster College. He taught such as JeffreyArcher.) Nevertheless, in telyprogressive in social terms, or to courses on theVictorian novel, the folk tale response to the criticism, a sardonic people with brown faces, or to children and a specialistcourse examining how Pullmantold a newspaper`if you find that who don't seem like his own favourites'. words and pictures fittogether. Spending youinadvertently become a Satanist (when Quiteironic, seeing that Pullman'swork has more and more time writing,Pullman reading His dark materials), youcanwriteto been compared toTolkien and especiallyCS decided to start writing full-time. the publisher and get your money back'. Lewis. His first published attempt was a novel On a differentlevel Pullman made head- Pullman is notthe onlyone who is critical for adults, but he soon began writing for linesin Britain when he criticised govern- of whattheybelieve is Lewis'patriarchal, children. Some of his works includeThe mentguidelines ontheteachingof Englishin paternal and morallyovert writing style. In shadow in the north, The tiger in the wall, primaryschools in an article he wrote for A natural history of make-believe (19 96), The tin princessand I am a rat! He relishes theTimes Educational Supplement.Calling John Goldthwaite compares Lewis to a type the factthat writing for children means the guidelines`half-baked drivel slapped of teacher who tries to befriend the bullies writing stories. In his acceptance speech for down in front of us like greasyfood on a of the school bymocking the children the theCarnegieMedalhesaid:`Inabookfor dirtyplate'he said the nationalliteracy bullies would have victimised anyway. children, youcan'tputtheplotonholdwhile strategy(which aims at improving literacy These are strong wordsin an emotional you cut artistic capers for the amusement levels in Britain) is smothering creativity debate,butonewehavenotyetseenthe of your sophisticated readers, because, and does nothing to nurture a child's end of. thank God, your readers are not enjoyment of books. The department for There can be no doubtthat Philip sophisticated. They've got more important education has dismissed his criticisms Pullman has established himself in a rela- things in mind than your dazzling wordplay. saying,`More children (can) have the tivelyshort space of time as a prolific Theywantto know what happens next.' reading and writing skills thattheyneed for author and a controversial figure. For the Similarlyto what JK Rowling has accom- their future learning.' time being though,Philip Pullmanwouldlike plished with HarryPotter,Pullmanisluring Pullman'smost controversial comment to move out of the limelight and settle back notonlychildren, but also adults to his though, was directed againstone of into his routine of sittingin his shed atthe stories. And the successin doing so has England'sbest-loved authors and theolo- bottom of his garden in Oxford, writing made him sceptical of labels. In an interview gians,CS Lewis. At a conference at norm-transcending novels and rushing on Scholastic'swebsite, he negates the idea Cambridge Universityin August 2001and back to watch his favourite soap-opera, that His dark materials was written solely later in an extensive article inThe Guar-
Recommended publications
  • The Case of Philip Pullman's Northern Lights
    Translating and Adapting Fictional Speech: the Case of Philip Pullman’s Northern Lights A thesis submitted to the University of Manchester for the degree of Doctor of Philosophy in the Faculty of Humanities 2013 Andrew Read School of Arts, Languages and Cultures Contents List of figures ....................................................................................................6 Editions used and abbreviations.....................................................................8 Abstract .............................................................................................................9 Declaration ......................................................................................................10 Copyright statement .......................................................................................10 Dedication........................................................................................................11 Acknowledgements ........................................................................................12 Statement about the author ...........................................................................13 1 INTRODUCTION..................................................................... 14 1.1 Background to the study.....................................................................14 1.2 The distinctive nature of fictional speech..........................................16 1.3 Philip Pullman’s His Dark Materials trilogy........................................19 1.3.1 The trilogy and its
    [Show full text]
  • The Exploration of Will's Maturation Through Intersubjectivity in Philip
    DOI: 10.7816/idil-06-35-03 idil, 2017, Cilt 6, Sayı 35, Volume 6, Issue 35 THE EXPLORATION OF WILL’S MATURATION THROUGH INTERSUBJECTIVITY IN PHILIP PULLMAN’S HIS DARK MATERIALS TRILOGY1 Gözde ERSOY2 ABSTRACT This paper, through focusing on Philip Pullman’s The Subtle Knife (1997) and The Amber Spyglass (2000) from His Dark Materials trilogy, analyses the maturation process of young co-protagonist Will, who in the beginning is introduced to the readers as a boy carrying the world on his shoulders. It showcases his gradual coming of age through the effect of his actions with others, and whilst doing this social thinker Jürgen Habermas’s interpretation of the intersubjectivity theory helps to trace the changes in him. Moreover, the article briefly discusses the way in which intersubjectivity differs from Bakhtinian interpretation of multi-voiced narratives. Therefore, concepts such as mutual understanding and self-reflection are shown to affect the process of maturation in quest style young adult narratives. In the meantime, the whole discussion is backed up with a framework belonging to the doyen of fantasy literature critic John Clute, whose “full fantasy Story” (1997; 2011) model with its gradual four phases, is incorporated into the analysis. Keywords: Intersubjectivity, Growth and Maturation, Philip Pullman, Full- fantasy Story, Jürgen Habermas. 1 This article has partly been produced from the author’s Ph.D. thesis, for which she was awarded the degree in 2016 from Brunel University London, entitled: “Trajectories, Theresholds, Transformations: Coming of Age in Classic Modern Fantasy Fiction.” 2 Research Assistant Dr. Gözde ERSOY, Süleyman Demirel University (Isparta / Turkey), Faculty of Arts and Letters, Department of Western Languages and Literatures, contact e-mail: gozdeersoy(at)sdu.edu.tr 1915 www.idildergisi.com Ersoy, G.
    [Show full text]
  • Philip Pullman, CS Lewis, and the Fantasy Tradition
    Volume 28 Number 3 Article 4 4-15-2010 The Marriage of Heaven and Hell? Philip Pullman, C.S. Lewis, and the Fantasy Tradition Marek Oziewicz University of Wroclaw, Poland Daniel Hade Pennsylvania State University Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Oziewicz, Marek and Hade, Daniel (2010) "The Marriage of Heaven and Hell? Philip Pullman, C.S. Lewis, and the Fantasy Tradition," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 28 : No. 3 , Article 4. Available at: https://dc.swosu.edu/mythlore/vol28/iss3/4 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Closely scrutinizes Pullman’s frequent denials of his quite obvious debt to C.S. Lewis, finding the hidden nuances in Pullman’s statements by separating out his responses to Lewis as a reader, author, and critic.
    [Show full text]
  • The Golden Compass Library Lessons
    The Golden Compass Grades 4–7 • Library Lessons • by | Lynne Farrell Stover The Golden Compass is the first in Philip Pullman’s His Dark Materials trilogy. Lyra Belacqua, an unruly child, finds herself at Jordon College, where she is free to roam as she pleases unaware that she is a key player in an ancient prophecy. Here she is visited by Lord Asriel who she believes to be her uncle. He has returned to get support for his return to the North to study Dust. He considers this mysterious phenomenon a threat from an alternate universe. After Lord Asriel returns to the artic wastelands, Lyra’s best friend, Roger, is kidnapped. Lyra takes advantage of an offer made by the power- ful Mrs. Coulter to become her apprentice and uses this opportunity as a chance to search for Roger. (The reader knows that Mrs. Coulter is not a nice person because in Lyra’s world, every human has a daemon, an animal counterpart that is an extension of that person’s soul and Mrs. Coulter’s is a nasty golden monkey.) Before Lyra leaves, the Master of Jordon College gives her an alethiometer, a rare and magical device used to discover the truth. After escaping Mrs. Coulter, Lyra locates Roger who is being held captive in a research facility. They are rescued by the Lee Scoresby and Iorek Byrnison, an armored bear and escape in a hot air balloon. Many adventures follow including the reinstatement of Iorek Byrnison’s reign as bear-king, the cruel death of Roger, and Lord Asriel’s entry into another world.
    [Show full text]
  • Trends in American Culture in the Post-1960S Period: Proceedings of the 9Th Biennial Conference of the Hungarian Association of American Studies
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by SZTE Publicatio Repozitórium - SZTE - Repository of... Trends in American Culture in the Post-1960s Period: Proceedings of the 9th Biennial Conference of the Hungarian Association of American Studies Líceum Kiadó Eger, 2013 Editors: Zoltán Peterecz, Judit Szathmári, András Tamóc Reader, native reviewer: Jack Judson ISBN 978-615-5250-27-9 A kiadásért felelős az Eszterházy Károly Főiskola rektora Megjelent az EKF Líceum Kiadó gondozásában Igazgató: Kis-Tóth Lajos Felelős szerkesztő: Zimányi Árpád Műszaki szerkesztő: Nagy Sándomé Borítóterv: Bíró Tünde Megjelent: 2013-ban Készítette: az Eszterházy Károly Főiskola nyomdája Felelős vezető: Kérészy László Table of contents Foreword ..................................... ........................................................... 5 American History, .......... ................................... .................................. 9 Andrea Kökény: A Foreigner in His Native Land: Juan Nepomuceno Seguin and the Texas Revolution...........................11 Károly Pintér: Livin’ on a Prayer: The Supreme Court and the Constitutionality of Religious Activities in Public Schools .........27 Zoltán Peterecz: The Obama Phantom Doctrine...............................53 American Literature, .................................................. ....... ................ 71 Márta Asztalos: Instances of Patricide and Fathering in Flannery O’Connor’s The Violent Bear it Away..........................................73 Shohreh
    [Show full text]
  • 0Ff2727 Pdf the Golden Compass: His Dark Materials
    pdf The Golden Compass: His Dark Materials, Book 1 Philip Pullman - download pdf free book The Golden Compass: His Dark Materials, Book 1 Full Collection, Read Best Book Online The Golden Compass: His Dark Materials, Book 1, Download PDF The Golden Compass: His Dark Materials, Book 1, Download The Golden Compass: His Dark Materials, Book 1 E-Books, The Golden Compass: His Dark Materials, Book 1 Download PDF, PDF The Golden Compass: His Dark Materials, Book 1 Free Download, Read Online The Golden Compass: His Dark Materials, Book 1 Book, online pdf The Golden Compass: His Dark Materials, Book 1, Read Best Book The Golden Compass: His Dark Materials, Book 1 Online, book pdf The Golden Compass: His Dark Materials, Book 1, book pdf The Golden Compass: His Dark Materials, Book 1, Download Free The Golden Compass: His Dark Materials, Book 1 Book, Read The Golden Compass: His Dark Materials, Book 1 Full Collection, Download The Golden Compass: His Dark Materials, Book 1 E-Books, The Golden Compass: His Dark Materials, Book 1 Free Read Online, the book The Golden Compass: His Dark Materials, Book 1, pdf download The Golden Compass: His Dark Materials, Book 1, Free Download The Golden Compass: His Dark Materials, Book 1 Books [E-BOOK] The Golden Compass: His Dark Materials, Book 1 Full eBook, PDF The Golden Compass: His Dark Materials, Book 1 Free Download, The Golden Compass: His Dark Materials, Book 1 Free PDF Download, CLICK HERE TO DOWNLOAD pdf, kindle, mobi, azw Description: We were told that the exams only would be filled if we had no papers, and they should usually do their part at home before any time in my life as opposed to when I was sitting on an empty couch with his mom.
    [Show full text]
  • Religion, Death and Love in Philip Pullman's His Dark Materials A
    A Myth of Loss: - Religion, Death and Love in Philip Pullman’s His Dark Materials A Thesis Submitted to Leiden University In Partial Fulfillment of the Requirements for the Master’s Degree In Literary Studies Specialization English Literature and Culture By Durba I. Telkamp S1496115 June 2015 Supervisor: Michael Newton Second Reader: Evert van Leeuwen Telkamp 2 Tell them stories. They need the truth. You must tell them true stories, and everything will be well, just tell them stories. Philip Pullman, The Amber Spyglass Telkamp 3 This paper is dedicated to Shudha/Dobby-chan. First of all, thank you for reading every chapter and giving me feedback, and for discussing ideas with me, even when I made no sense whatsoever. But most of all, thank you for existing! For being such a huge part of my life, being who you are, and being around for me every single time I needed you, and even when I didn’t. Although you might not know this, you’ve been a wonderful inspiration to me, and a very good reason to live. I guess, in the end, we learned it the hard way that truth and courage work together to make a person strong and beautiful. And being true to yourself and fighting for what you believe in is what makes existence worth the effort. That’s something you have done so well, besides also giving me the strength to fight for what I believe in. I hope that by telling you stories of (my) life, pain and loss, I have not made your own life too heavy, and hope that you understand why there were not too many happy stories to tell.
    [Show full text]
  • Subversive Theology in John Milton's Paradise Lost and Philip Pullman's His Dark Materials
    Trinity College Trinity College Digital Repository Senior Theses and Projects Student Scholarship Spring 2017 God the Father or Mother Divine? : Subversive Theology in John Milton's Paradise Lost and Philip Pullman's His Dark Materials Jordan Pace Trinity College, Hartford Connecticut, [email protected] Follow this and additional works at: https://digitalrepository.trincoll.edu/theses Part of the Biblical Studies Commons, Catholic Studies Commons, Children's and Young Adult Literature Commons, Christianity Commons, Comparative Methodologies and Theories Commons, Comparative Philosophy Commons, Feminist Philosophy Commons, History of Christianity Commons, Literature in English, British Isles Commons, New Religious Movements Commons, Other Feminist, Gender, and Sexuality Studies Commons, Practical Theology Commons, Religious Thought, Theology and Philosophy of Religion Commons, and the Women's Studies Commons Recommended Citation Pace, Jordan, "God the Father or Mother Divine? : Subversive Theology in John Milton's Paradise Lost and Philip Pullman's His Dark Materials". Senior Theses, Trinity College, Hartford, CT 2017. Trinity College Digital Repository, https://digitalrepository.trincoll.edu/theses/620 TRINITY COLLEGE Senior Thesis God the Father or Mother Divine? : Subversive Theology in John Milton’s Paradise Lost and Philip Pullman’s His Dark Materials submitted by Jordan Pace 2017 In Partial Fulfillment of Requirements for the Degree of Bachelor of Arts 2017 Director: Professor Sarah Bilston Reader: Professor Chloe Wheatley
    [Show full text]
  • {TEXTBOOK} His Dark Materials: Serpentine Ebook
    HIS DARK MATERIALS: SERPENTINE PDF, EPUB, EBOOK Philip Pullman | 80 pages | 15 Oct 2020 | Alfred A. Knopf Books for Young Readers | 9780593377680 | English | United States His Dark Materials: Serpentine PDF Book Nor is it technically new: it dates from , although it is only being published now. Even if that other Here, the relationship between Lyra and Pantalaimon — and between humans and their daemons more generally — is very much the core of this short story, much as it had formed a central part of the original trilogy as well as The Secret Commonwealth. Duxbury's simple but elegant work is influenced by Lino Printing, which he employs to demonstrate feeling, movement, and nostalgia. Your purchase helps us remain independent and ad-free. Lanselius tells her how the witches, who separate from their daemons on purpose, deal with this trauma. Top Stories. Many churches and Christian organizations, including the Catholic League, called for a boycott of the film due to the books' atheist themes. Lewis and Tolkien. If you chose to provide an email address, it will only be used to contact you about your comment. Curious to see Pullman having ideas in this direction all along And as always, it makes me simu Perhaps closer to 3. Young Adult. Credit: Random House. For more information about how we hold your personal data, please see our privacy policy. Interesting Literature. Original Title. PA Media. The book told of Lyra, an orphan girl from a parallel world to our own—one where a person's soul resides outside their body as a talking animal companion.
    [Show full text]
  • Wrestling with Religion: Pullman, Pratchett, and the Uses of Story Elisabeth Rose Gruner University of Richmond, [email protected]
    University of Richmond UR Scholarship Repository English Faculty Publications English 2001 Wrestling with Religion: Pullman, Pratchett, and the Uses of Story Elisabeth Rose Gruner University of Richmond, [email protected] Follow this and additional works at: http://scholarship.richmond.edu/english-faculty-publications Part of the Creative Writing Commons, and the Religion Commons Recommended Citation Gruner, Elisabeth Rose. "Wrestling with Religion: Pullman, Pratchett, and the Uses of Story." Children's Literature Association Quarterly 36, no. 3 (2011): 276-95. doi:10.1353/chq.2011.0035. This Article is brought to you for free and open access by the English at UR Scholarship Repository. It has been accepted for inclusion in English Faculty Publications by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. Wrestling with Religion: Pullman, Pratchett, and the Uses of Story Elisabeth Rose Gruner While children’s and young adult fantasy literature is often concerned with “first things,” with the struggle between good and evil, or with the fate of the cosmos, still it is rarely overtly religious in the sense of direct engagement with “faith, religion and church(es)” (Ghesquière 307). Perhaps it is children’s literature’s vexed relationship with didacticism that keeps fantasy writers for children from engaging directly with religious language and concepts, or perhaps it is the setting in an alternate world that enables an allegorizing impulse rather than direct engagement. In either case, despite a tradition of fables, parables, and allegorical treatments of Christianity that ranges from George MacDonald and Charles Kingsley through C. S. Lewis to Madeleine L’Engle, children’s fantasy has typically cloaked its religious allegiances.1 The central exception to this generalization is, of course, Philip Pullman’s His Dark Materials trilogy.
    [Show full text]
  • The Soul of Storytelling
    BOOK REVIEW The Soul of Storytelling Daemon Voices: On Stories and Storytelling Philip Pullman (Vintage Books 2017), 433 pages Pamela A. Wilkins, rev’r* What could a spinner of fantasy tales about armored bears, parallel universes, and humans with daemons—souls in the form of animals— have to say about the art of lawyering? Quite a lot, as it turns out. Philip Pullman’s Daemon Voices: On Stories and Storytelling1 is an exquisite guide to the craft of storytelling, useful both to neophytes and to more experienced writers. Pullman is best known as the author of the His Dark Materials2 trilogy, a reinterpretation of Paradise Lost that takes place in a variety of parallel universes, including an Oxford, England at once intimately familiar—consider the hierarchies and airs of the various Oxford colleges; and utterly foreign—consider the externalized souls of humans in animal form. The tale’s unwitting heroine is eleven-year-old Lyra Belaqua, a “coarse and greedy little savage, for the most part,”3 who lives largely unsu- pervised as a ward of Oxford’s (fictitious) Jordan College. The story takes Lyra and Pantalaimon, her daemon, away from the safety of Jordan College to the arctic North and to cities in other worlds (including our Oxford), where they encounter, among other things, children severed from their daemons, a boy with a knife that cuts through worlds, and “dust,” a mysterious substance somehow connected with human consciousness. Fantasy genre notwithstanding, His Dark Materials tastes nothing like the fluff of fan fiction. Rather, it’s hearty fare that has the reader ruminating on meaty questions: the human tendency to absolutism, the gains and losses * Associate Professor of Law, Mercer University School of Law.
    [Show full text]
  • Isis Lecture I'm Going to Talk About Culture This
    1 Isis Lecture I’m going to talk about culture this afternoon, in the widest sense; about education and the arts, especially literature. It’s my conten- tion that something has gone bad, something has gone wrong in the state of education, and that we can see this very clearly in the way schools deal with books, and reading, and writing – with everything that has to do with literature, and the making of it. When more and more good teachers are leaving the profession in disillusion and dis- appointment; when the most able undergraduates are taking one look at a career in teaching, and deciding that it offers no scope for their talents, and turning away to do something else; when school headships are proving harder and harder to fill – then we’re doing something wrong. I think it boils down to this: that education now is suffused with the wrong emotion. Somehow, over the past quarter of a century, ever since James Callaghan’s famous Great Debate speech, we have seen confidence leaking away, and something else slowly seeping in to take its place. What that something else is, I shall come to near the end. No doubt some of the confidence was misplaced; no doubt we needed a Great Debate. But I think the benefits that came from it have long since been exhausted. It’s time for another way of doing things. So first of all, I’m going to look at what’s happening now, and I’m going right in to the glowing, radioactive core at the heart of the engine that drives the whole thing: the National Curriculum and the SATs.
    [Show full text]