Cashbox, - Country Roundup
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Silly Love Songs
Wk 25 – 1976 June 19 – USA Top 100 1 1 11 SILLY LOVE SONGS Wings 2 2 15 GET UP AND BOOGIE Silver Convention 3 3 14 MISTY BLUE Dorothy Moore 4 4 12 LOVE HANGOVER Diana Ross 5 7 21 SARA SMILE Hall & Oates 6 6 17 SHANNON Henry Gross 7 8 8 SHOP AROUND Captain & Tennille 8 9 15 MORE MORE MORE Andrea True Connection 9 25 7 AFTERNOON DELIGHT Starland Vocal Band 10 13 8 I'LL BE GOOD TO YOU Brothers Johnson 11 5 12 HAPPY DAYS Pratt & McClain 12 21 10 KISS AND SAY GOODBYE Manhattans 13 15 10 LOVE IS ALIVE Gary Wright 14 16 10 TAKIN' IT TO THE STREETS Doobie Brothers 15 17 12 MOVIN' Brass Construction 16 18 9 I WANT YOU Marvin Gaye 17 19 8 NEVER GONNA FALL IN LOVE AGAIN Eric Carmen 18 24 10 MOONLIGHT FEELS RIGHT Starbuck 19 23 7 TAKE THE MONEY AND RUN Steve Miller Band 20 20 11 BARETTA'S THEME Rhythm Heritage 21 10 9 FOOL TO CRY Rolling Stones 22 26 6 THE BOYS ARE BACK IN TOWN Thin Lizzy 23 11 16 RIHANNON Fleetwood Mac 24 12 13 WELCOME BACK John Sebastian 25 14 19 BOOGIE FEVER Sylvers 26 30 10 GET CLOSER Seals & Crofts 27 32 5 YOU'RE MY BEST FRIEND Queen 28 34 11 THAT'S WHERE THE HAPPY PEOPLE GO Trammps 29 54 2 GOT TO GET YOU INTO MY LIFE Beatles 30 35 6 TODAY'S THE DAY America 31 36 8 LET HER IN John Travolta 32 38 7 MAKING OUR DREAMS COME TRUE Cyndi Grecco 33 37 6 TEAR THE ROOF OFF THE SUCKER Parliament 34 22 16 FOOLED AROUND AND FELL IN LOVE Elvin Bishop 35 42 7 SAVE YOUR KISSES FOR ME Brotherhood Of Man 36 41 11 TURN THE BEAT AROUND Vicki Sue Robinson 37 40 7 I'M EASY Keith Carradine 38 27 19 RIGHT BACK WHERE WE STARTED Maxine Nightingale 39 43 5 MAMMA MIA Abba 40 58 3 ROCK & ROLL MUSIC Beach Boys 41 51 3 SOMEBODY'S GETTING IT Johnnie Taylor 42 52 2 LAST CHILD Aerosmith 43 53 4 SOPHISTICATED LADY Natalie Cole 44 50 4 YOUNG HEARTS RUN FREE Candi Staton 45 55 2 I NEED TO BE IN LOVE Carpenters 46 46 7 YES YES YES Bill Cosby 47 57 4 WHO LOVES YOU BETTER Isley Brothers 48 45 9 THINKING OF YOU Paul Davis 49 59 4 A FIFTH OF BEETHOVEN Walter Murphy 50 60 3 GOOD VIBRATIONS Todd Rundgren 51 61 4 SILVER STAR Four Seasons 52 56 3 CAN'T STOP GROOVIN' NOW B.T. -
THE MUSICAL FEATURES of 2015'S TOP-RANKED COUNTRY SONGS
THE MUSICAL FEATURES OF 2015’s TOP-RANKED COUNTRY SONGS By Mason Taylor Allen Senior Honors Thesis Department of Music University of North Carolina at Chapel Hill April 22, 2016 Approved: Dr. Jocelyn R. Neal, Thesis Advisor Dr. Allen Anderson, Reader Dr. Andrea Bohlman, Reader © 2016 Mason Taylor Allen ALL RIGHTS RESERVED ii ABSTRACT Mason Taylor Allen: The Musical Features of 2015’s Top-Ranked Country Songs Under the direction of Dr. Jocelyn R. Neal The 2015 top-ten country songs analyzed in this study are characterized by the various formats of their song form, harmonies, and lyrics. This thesis presents a comprehensive study of the structure and narratives in sixty-seven songs that summarizes the distinctive features within those domains of contemporary commercial country music. A detailed description of the norm along with identifiable trends emerges. The song form that features most prominently in this repertory includes a verse-chorus-bridge form with three iterations of the chorus, an intro and outro section, and instrumental sections immediately following each chorus. The top-ten country songs have varying degrees of departure from this typical model. Primary features of the harmonies of these top songs include the frequent use of a double-tonic complex, the absence of a 5-1 authentic cadence, the same chord progression throughout the verse, chorus, and bridge, and the use of only two chords throughout the song. Lyrical analyses show that 2015 songs are continuing the traditional themes about romantic attraction, love, heartache, good times and partying, home, family, nostalgia, religion, and inspiration, within the context of small-town country life that this genre has used for years. -
45 / Reviews/Lp
45 REVIEWS/LP / T. Hall RCA -APL 1-3018 BILL ANDERSON (MCA MCA 40964) PLACES I'VE DONE TIME - Tom - Double S (4:45) (Stallinon Music/Tree Pub. - BMI) (Bill Anderson/Budy Killen) - Producers: Tom T. Hall and Roy Dea - List: 6.98 Bill Anderson and Buddy Killen have matched almost every word possible that begins Tom T. Hall can really write songs. His perceptions are ac- a with "S" to describe a romance between a swinging Sam and a sexy Susie. D.J. copies curate, his taste is impeccable and his words and music are Each of come with a short and stretched version and should bring salubrious salutations to Ander- marriage born in the eyes of a man who can really see. son. his albums is a collection of ideas ... most brilliant. This album WILLIE NELSON (United Artists UA -X -1254-Y) is brilliant. If nothing else, Tom T. Hall is a humanist who honors There'll Be No Teardrops Tonight (2:15) (Fred Rose Music, Inc. - BMI) (H. Williams) his fellow man in a song. This single is from the vintage Liberty Records catalog of the early sixties which was purchased by United Artists. This song written by Hank Williams will probably catch more Pride RCA -APL 1-2983 airplay because of the short timing (2:15), rather than the overall quality. BURGERS AND FRIES - Charley - Pride List: 6.98 JERRY REED (RCA PB 11407) - Producers: Jerry Bradley and Charley - watches each of Glmme Back My Blues (3:01) (Sleepy Hollow Music ASCAP) (Billy Edd Wheeler) Charley Pride continues to sell records and - the chart. -
Number One Country Singles the Number One Country Singles from Record World's Chart Each Week from October 19, 1974 Through October 11, 1975
Number One Country Singles The number one country singles from Record World's chart each week from October 19, 1974 through October 11, 1975 DATE RECORD & PUBLISHER ARTIST LABEL 4/19 BLANKET ON THE GROUND Billie Jo Spears United Artists 1974 (Brougham Hall, BMI) 10/19 I OVERLOOKED AN ORCHID Mickey Gilley Playboy 4/26 STILL THINKING ABOUT YOU Billy Crash Craddock ABC (Peer, Intl., BMI) (Chriswood/Easy Nine, BMI) 10/26 I SEE THE WANT TO IN YOUR EYES Conway Twitty MCA 5/3 (HEY WON'T YOU PLAY) ANOTHER B. J. Thomas ABC (Rose Bridge, BMI) SOMEBODY DONE SOMEBODY 11/2 I HONESTLY LOVE YOU Olivia Newton -John MCA WRONG SONG (Irving/Woolnough/Broadside, BMI) (Press/Tree, BMI) 11/9 MISSISSIPPI COTTON PICKIN' DELTA TOWN Charley Pride RCA 5/10 I'M NOT LISA Jessi Colter Capitol (Hall Clement, BMI) (Baron, BMI) 11/16 LOVE IS LIKE A BUTTERFLY Dolly Parton RCA 5/17 SHE'S ACTIN' SINGLE (I'M Gary Stewart RCA (Owepar, BMI) DRINKIN' DOUBLES) 11/23 TROUBLE IN PARADISE Loretta Lynn MCA (Rose Bridge, BMI) (House of Gold, BMI) 5/24 THANK GOD, I'M A COUNTRY BOY John Denver RCA 11/30 COUNTRY IS Tom T. Hall Mercury (Cherry Lane, ASCAP) (Hallnote, BMI) 5/31 MISTY Ray Stevens Barnaby 12/7 I CAN HELP Billy Swan Monument (Combine, BMI) (Vernon/Octave, ASCAP) 12/14 BACK HOME AGAIN John Denver RCA 6/7 WINDOW UP ABOVE Mickey Gilley Playboy (Cherry Lane, ASCAP) (Glad, 8Ml) 12/21 SHE CALLED ME BABY Charlie Rich RCA 6/14 I AIN'T ALL BAD Charley Pride RCA (Central, BMI) (Roz Tense, BMI) 12/28 WE'RE OVER Johnny Rodriguez Mercury 6/21 YOU'RE MY BEST FRIEND Don Williams ABC Dot -
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Artist Song 2 Unlimited Maximum Overdrive 2 Unlimited Twilight Zone 2Pac All Eyez On Me 3 Doors Down When I'm Gone 3 Doors Down Away From The Sun 3 Doors Down Let Me Go 3 Doors Down Behind Those Eyes 3 Doors Down Here By Me 3 Doors Down Live For Today 3 Doors Down Citizen Soldier 3 Doors Down Train 3 Doors Down Let Me Be Myself 3 Doors Down Here Without You 3 Doors Down Be Like That 3 Doors Down The Road I'm On 3 Doors Down It's Not My Time (I Won't Go) 3 Doors Down Featuring Bob Seger Landing In London 38 Special If I'd Been The One 4him The Basics Of Life 98 Degrees Because Of You 98 Degrees This Gift 98 Degrees I Do (Cherish You) 98 Degrees Feat. Stevie Wonder True To Your Heart A Flock Of Seagulls The More You Live The More You Love A Flock Of Seagulls Wishing (If I Had A Photograph Of You) A Flock Of Seagulls I Ran (So Far Away) A Great Big World Say Something A Great Big World ft Chritina Aguilara Say Something A Great Big World ftg. Christina Aguilera Say Something A Taste Of Honey Boogie Oogie Oogie A.R. Rahman And The Pussycat Dolls Jai Ho Aaliyah Age Ain't Nothing But A Number Aaliyah I Can Be Aaliyah I Refuse Aaliyah Never No More Aaliyah Read Between The Lines Aaliyah What If Aaron Carter Oh Aaron Aaron Carter Aaron's Party (Come And Get It) Aaron Carter How I Beat Shaq Aaron Lines Love Changes Everything Aaron Neville Don't Take Away My Heaven Aaron Neville Everybody Plays The Fool Aaron Tippin Her Aaron Watson Outta Style ABC All Of My Heart ABC Poison Arrow Ad Libs The Boy From New York City Afroman Because I Got High Air -
Mexican American History Resources at the Briscoe Center for American History: a Bibliography
Mexican American History Resources at the Briscoe Center for American History: A Bibliography The Briscoe Center for American History at the University of Texas at Austin offers a wide variety of material for the study of Mexican American life, history, and culture in Texas. As with all ethnic groups, the study of Mexican Americans in Texas can be approached from many perspectives through the use of books, photographs, music, dissertations and theses, newspapers, the personal papers of individuals, and business and governmental records. This bibliography will familiarize researchers with many of the resources relating to Mexican Americans in Texas available at the Center for American History. For complete coverage in this area, the researcher should also consult the holdings of the Benson Latin American Collection, adjacent to the Center for American History. Compiled by John Wheat, 2001 Updated: 2010 2 Contents: General Works: p. 3 Spanish and Mexican Eras: p. 11 Republic and State of Texas (19th century): p. 32 Texas since 1900: p. 38 Biography / Autobiography: p. 47 Community and Regional History: p. 56 The Border: p. 71 Education: p. 83 Business, Professions, and Labor: p. 91 Politics, Suffrage, and Civil Rights: p. 112 Race Relations and Cultural Identity: p. 124 Immigration and Illegal Aliens: p. 133 Women’s History: p. 138 Folklore and Religion: p. 148 Juvenile Literature: p. 160 Music, Art, and Literature: p. 162 Language: p. 176 Spanish-language Newspapers: p. 180 Archives and Manuscripts: p. 182 Music and Sound Archives: p. 188 Photographic Archives: p. 190 Prints and Photographs Collection (PPC): p. 190 Indexes: p. -
1715 Total Tracks Length: 87:21:49 Total Tracks Size: 10.8 GB
Total tracks number: 1715 Total tracks length: 87:21:49 Total tracks size: 10.8 GB # Artist Title Length 01 Adam Brand Good Friends 03:38 02 Adam Harvey God Made Beer 03:46 03 Al Dexter Guitar Polka 02:42 04 Al Dexter I'm Losing My Mind Over You 02:46 05 Al Dexter & His Troopers Pistol Packin' Mama 02:45 06 Alabama Dixie Land Delight 05:17 07 Alabama Down Home 03:23 08 Alabama Feels So Right 03:34 09 Alabama For The Record - Why Lady Why 04:06 10 Alabama Forever's As Far As I'll Go 03:29 11 Alabama Forty Hour Week 03:18 12 Alabama Happy Birthday Jesus 03:04 13 Alabama High Cotton 02:58 14 Alabama If You're Gonna Play In Texas 03:19 15 Alabama I'm In A Hurry 02:47 16 Alabama Love In the First Degree 03:13 17 Alabama Mountain Music 03:59 18 Alabama My Home's In Alabama 04:17 19 Alabama Old Flame 03:00 20 Alabama Tennessee River 02:58 21 Alabama The Closer You Get 03:30 22 Alan Jackson Between The Devil And Me 03:17 23 Alan Jackson Don't Rock The Jukebox 02:49 24 Alan Jackson Drive - 07 - Designated Drinke 03:48 25 Alan Jackson Drive 04:00 26 Alan Jackson Gone Country 04:11 27 Alan Jackson Here in the Real World 03:35 28 Alan Jackson I'd Love You All Over Again 03:08 29 Alan Jackson I'll Try 03:04 30 Alan Jackson Little Bitty 02:35 31 Alan Jackson She's Got The Rhythm (And I Go 02:22 32 Alan Jackson Tall Tall Trees 02:28 33 Alan Jackson That'd Be Alright 03:36 34 Allan Jackson Whos Cheatin Who 04:52 35 Alvie Self Rain Dance 01:51 36 Amber Lawrence Good Girls 03:17 37 Amos Morris Home 03:40 38 Anne Kirkpatrick Travellin' Still, Always Will 03:28 39 Anne Murray Could I Have This Dance 03:11 40 Anne Murray He Thinks I Still Care 02:49 41 Anne Murray There Goes My Everything 03:22 42 Asleep At The Wheel Choo Choo Ch' Boogie 02:55 43 B.J. -
Salsa2bills 1..3
By:AAOrtiz, Jr. H.R.ANo.A796 RESOLUTION 1 WHEREAS, Nearly 2-1/2 years have gone by since Freddy Fender 2 died on October 14, 2006, but the passage of time has in no way 3 diminished the stature of this Texas music legend, and his legacy 4 remains as poignant as ever; and 5 WHEREAS, Born Baldemar Huerta on June 4, 1937, in the South 6 Texas town of San Benito, he began singing at a young age and 7 originally focused on performing the conjunto, Tejano, and 8 traditional Mexican music that was popular in his Hispanic 9 neighborhood; after serving three years in the U.S. Marine Corps, 10 he launched his music career in the late 1950s by playing Texas 11 honky-tonks and recording Spanish versions of popular hits by other 12 performers; when Imperial Records offered him a contract in 1959, 13 he adopted the stage name Freddy Fender; and 14 WHEREAS, The following year, that name became well known all 15 across the country as Mr. Fender 's song "Wasted Days and Wasted 16 Nights" became a national hit; sadly, his good fortune was 17 short-lived, as an arrest for possession of a small amount of 18 marijuana led to a three-year prison term in Louisiana; by the late 19 1960s, he had returned to the Rio Grande Valley, where he earned a 20 living as a mechanic, playing music only on the weekends; and 21 WHEREAS, Mr. Fender 's talent refused to be denied, however, 22 and in 1975, his career was reborn when "Before the Next Teardrop 23 Falls" became a number one hit on both the pop and country charts; 24 he followed "Teardrop" with a remake of his original hit, "Wasted 81R9785 JH-D 1 H.R.ANo.A796 1 Days and Wasted Nights," and it once again swept the country, 2 becoming his second consecutive number one country song; two more 3 number one smashes from the same multi-platinum album confirmed his 4 status as a major country music star and earned him the 1975 Best 5 Male Artist award from Billboard magazine; and 6 WHEREAS, Ever the versatile performer, Mr. -
Handbook Slet 44-45
SvcMen WW II Letters FULTON COUNTY, INDIANA HANDBOOK Service Men, World War II, Letters 1944-1945 SERVICE MEN, WORLD WAR II, LETTERS, Contd. __________ LETTER FROM MALCOLM KESTNER [Editor’s Note: - Malcolm Kestner arrived in Attu, Alaska shortly after the Japanese had evacuated the island, writing this letter on Jap stationery which was left behind by the enemy.) Dear Mom and Dad: I imagine you are wondering already where I got this exta thin paper. Well it’s wrting paper that the Japanese use. The envelope is the kind of envelope they use too. After you finish reading this, have Genevieve take it to school and show Miss Fultz and the rest of the faculty who are interested in such things. It’s never warm enough to go outside without your coats on, and there is snow on the ground practically all the time. In the summer you can easily get a sunburn but you still have to wear your coat. We live in a tent which is boarded up on all four sides. There is no window in the tent but we have electric lights. We have a little coal stove in the middle of the tent which furnishes plenty of heat. The dance band I’m in plays at different places all over the island once a night and sometimes twice a night. Besides playing in the band, we all are on a working party every morning. There is a show on every night at the theatre but they are all the shows which we have seen in the states; although its something to pass the time away. -
H. Con. Res. 113
IV 116TH CONGRESS 2D SESSION H. CON. RES. 113 Expressing the sense of Congress regarding the achievements of Tejano music artists such as Freddy Fender, Roberto Pulido, Flaco Jimenez, and Selena Quintanilla, in recognition of their contributions to the cultural heritage and diversity of the United States. IN THE HOUSE OF REPRESENTATIVES AUGUST 21, 2020 Mr. VELA submitted the following concurrent resolution; which was referred to the Committee on Education and Labor CONCURRENT RESOLUTION Expressing the sense of Congress regarding the achievements of Tejano music artists such as Freddy Fender, Roberto Pulido, Flaco Jimenez, and Selena Quintanilla, in rec- ognition of their contributions to the cultural heritage and diversity of the United States. Whereas Freddy Fender, a Texan from San Benito, is known for putting Tejano music on the map, starting his music career in 1947 when he was 10 years old and expanding his work with Los Super Seven and the Texas Tornados; Whereas Roberto Pulido, a native of the Rio Grande Valley, Texas, is accredited for being one of the most influential Tejano artists in history with an album, Te Vi Partir, making it into the Billboard Top Latin Albums chart; VerDate Sep 11 2014 00:38 Aug 22, 2020 Jkt 099200 PO 00000 Frm 00001 Fmt 6652 Sfmt 6300 E:\BILLS\HC113.IH HC113 kjohnson on DSK79L0C42PROD with BILLS 2 Whereas Flaco Jimenez, a Grammy award winning Tejano music star, pioneered the recognition of Tejano music around the globe, having worked with artists such as Bob Dylan and Dr. John; Whereas Selena Quintanilla, -
CD Brochure $19.95 to $24.95 Per CD Download
Bobby Bare – 20 Greatest Hits Johnny Paycheck 10 Greatest Hits Moe Bandy – 10 Best of Best Detroit City - Miller's Cave - Come Take This Job and Shove It - Don't It's a Cheating Situation - Hank Sunday - Please Don't Tell Me How Take Her She's All I Got - A 11 - For a Williams You Wrote My Life - I the Story Ends - Streets of Baltimore - Minute There - Someone to Give My Cheated Me Right Out Of You - Til I'm Daddy What If - All American Boy - Love to - I'm the Only Hell My Mama Too Old To Die Young - She's Not Five Hundred Miles - Green Green Ever Raised - Mister Love Maker - Really Cheatin' (She's Just Gettin' Grass of Home - The Winner - The Something About You I Love, A Good Even) - Barstool Mountain … Mermaid Song - Tender Years … Year for the Roses … Floyd Cramer – 20 Greatest Hits Stoneman Family – 28 Classics Jim Reeves - Last Date - Beautiful Isle - Arkansas 100 Years Ago - Life's Railway to 2 CD's – 20 Hits Traveler - Tonight's The Night For Heaven - Turn Me Loose – In the Mexican Joe - Welcome Love - Our Last Goodbye - I Can't Sweet By and By - Orange Blossom to My World - Bimbo - Stop Loving You - Fancy Free - Breakdown - Little Susie - That Pal Adios Amigo - When Louisiana Man - I Can't Help It If I'm of Mine - Lee Highway Blues - Two World Collides - Still In Love With You - Making Nobody's Darling But Mine - When Am I Losing You - Four Walls - Billy Bayo - He'll Have to Go Believe - Foolin' Around … the Roses Bloom Again … - Blue Side of Lonesome - I Fall to Pieces w Patsy Cline … Jack Greene & Jeanie Seely Lewis Family -
Austin's Progressive Country Music Scene and the Negotiation
Space, Place, and Protest: Austin’s Progressive Country Music Scene and the Negotiation of Texan Identities, 1968-1978 Travis David Stimeling A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements of the Doctor of Philosophy in the Department of Music. Chapel Hill 2007 Approved by: Jocelyn R. Neal, Chair Jon W. Finson David García Mark Katz Philip Vandermeer © 2007 Travis David Stimeling ALL RIGHTS RESERVED ii ABSTRACT TRAVIS DAVID STIMELING: “Space, Place, and Protest: Austin’s Progressive Country Music Scene and the Negotiation of Texan Identities, 1968-1978” (Under the direction of Jocelyn R. Neal) The progressive country music movement developed in Austin, Texas, during the early 1970s as a community of liberal young musicians and concertgoers with strong interests in Texan country music traditions and contemporary rock music converged on the city. Children of the Cold War and the post-World War II migration to the suburbs, these “cosmic cowboys” sought to get back in touch with their rural roots and to leave behind the socially conservative world their parents had created for them. As a hybrid of country music and rock, progressive country music both encapsulated the contradictions of the cosmic cowboys in song and helped to create a musical sanctuary in which these youths could articulate their difference from mainstream Texan culture. Examining the work of the movement’s singer-songwriters (Michael Murphey, Guy Clark, Gary P. Nunn), western swing revivalists (Asleep at the Wheel, Alvin Crow and the Pleasant Valley Boys), and commercial country singers (Willie Nelson, Waylon Jennings), this dissertation explores the proliferation of stock imagery, landscape painting, and Texan stereotypes in progressive country music and their role in the construction of Austin’s difference.