Linley Sambourne's Diary 1903
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Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding Aid Prepared by Lisa Deboer, Lisa Castrogiovanni
Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding aid prepared by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier and revised by Diana Bowers-Smith. This finding aid was produced using the Archivists' Toolkit September 04, 2019 Brooklyn Public Library - Brooklyn Collection , 2006; revised 2008 and 2018. 10 Grand Army Plaza Brooklyn, NY, 11238 718.230.2762 [email protected] Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Table of Contents Summary Information ................................................................................................................................. 7 Historical Note...............................................................................................................................................8 Scope and Contents....................................................................................................................................... 8 Arrangement...................................................................................................................................................9 Collection Highlights.....................................................................................................................................9 Administrative Information .......................................................................................................................10 Related Materials ..................................................................................................................................... -
Theater Playbills and Programs Collection, 1875-1972
Guide to the Brooklyn Theater Playbills and Programs Collection, 1875-1972 Brooklyn Public Library Grand Army Plaza Brooklyn, NY 11238 Contact: Brooklyn Collection Phone: 718.230.2762 Fax: 718.857.2245 Email: [email protected] www.brooklynpubliclibrary.org Processed by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier. Finding aid created in 2006. Revised and expanded in 2008. Copyright © 2006-2008 Brooklyn Public Library. All rights reserved. Descriptive Summary Creator: Various Title: Brooklyn Theater Playbills and Programs Collection Date Span: 1875-1972 Abstract: The Brooklyn Theater Playbills and Programs Collection consists of 800 playbills and programs for motion pictures, musical concerts, high school commencement exercises, lectures, photoplays, vaudeville, and burlesque, as well as the more traditional offerings such as plays and operas, all from Brooklyn theaters. Quantity: 2.25 linear feet Location: Brooklyn Collection Map Room, cabinet 11 Repository: Brooklyn Public Library – Brooklyn Collection Reference Code: BC0071 Scope and Content Note The 800 items in the Brooklyn Theater Playbills and Programs Collection, which occupies 2.25 cubic feet, easily refute the stereotypes of Brooklyn as provincial and insular. From the late 1880s until the 1940s, the period covered by the bulk of these materials, the performing arts thrived in Brooklyn and were available to residents right at their doorsteps. At one point, there were over 200 theaters in Brooklyn. Frequented by the rich, the middle class and the working poor, they enjoyed mass popularity. With materials from 115 different theaters, the collection spans almost a century, from 1875 to 1972. The highest concentration is in the years 1890 to 1909, with approximately 450 items. -
The History of the Great Southern Theater, Columbus, Ohio
THE HISTORY OF THE GREAT SOUTHERN THEATER, COLUMBUS, OHIO A Thesis Presented in Partial Fulfillment of the Requirements for the Degree Master of Arts By MARCIA A. SIENA, B.A. The Ohio State University 1957 Approved by: Speech TABLE OF CONTENTS CHAPTER PAGE I. INTRODUCTION, REVIEW OF THE LITERATURE, AND HISTORICAL BACKGROUND • • • • • 1 Introduction • 1 Review of the Literature . 1 Historical Background • • 3 II. THE GREAT SOUTHERN THEATER • • • • 8 The Financial Backing 8 The Physical Plant . • • 8 LObby, foyer, and promenade balcony • • 9 Auditorium • • 11 Stage Area • • • • 16 Changes . • • 28 III. PRODUCTION IN THE GREAT SOUTHERN THEATER • 37 Scenery • 39 Lighting . • • 42 Special Effects • • 51 Traps . • 51 Treadmills • 54 Flying • 54 Others 56 IV. SUMMARY AND CONCLUSIONS • • • 57 Summary • • • 57 Conclusions • 58 ii PAGE APPENDIX • • 59 BIBLIOGRAPHY • 100 iii LIST OF FIGURES FIGURE PAGE 1. The Great Southern Hotel and Theater, 1896 • • 10 2. Original Interior Design • 12 3. Orchestra Seating Chart • 14 4. Balcony and Gallery Seating Chart 15 5. Proscenium Arch and Stage 17 6. Proscenium Arch • • 18 7. Light Board • • • • • 20 8. Pin Rail • 21 9. Paint Frame and Workbench • 22 10. Grid and Pulley Bank • • 24 11. Bull Wheel • • • 25 12. Tunnel • 26 13. Elevators • 27 14. Top of Elevators • • 29 15. Great Southern Theater, 1914 • • 31 16. Great Southern Theater, 1957 • • 32 17. Foyer • 33 18. Gallery • • 34 19. Sketch of Auditorium, 1896 • 35 20. Auditorium, 1957 • 36 21. Under The ~ ~ Act III • • • 43 22. Under The Red ~ Act III, Scene II • 44 23. The Devil's Disciple Act IV • 45 iv FIGURE PAGE 24. -
The Evolution of Broadway Musical Entertainment, 1850-2009: Interlingual and Intermedial Interference
Washington University in St. Louis Washington University Open Scholarship All Theses and Dissertations (ETDs) Spring 4-6-2013 The volutE ion of Broadway Musical Entertainment, 1850-2009: Interlingual and Intermedial Interference DJ Kaiser Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/etd Part of the Comparative Literature Commons Recommended Citation Kaiser, DJ, "The vE olution of Broadway Musical Entertainment, 1850-2009: Interlingual and Intermedial Interference" (2013). All Theses and Dissertations (ETDs). 1076. https://openscholarship.wustl.edu/etd/1076 This Dissertation is brought to you for free and open access by Washington University Open Scholarship. It has been accepted for inclusion in All Theses and Dissertations (ETDs) by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS Program in Comparative Literature Dissertation Examination Committee: Robert Hegel, Chair Todd Decker Robert Henke Ignacio Infante Lara Teeter Julia Walker Gerhild Williams The Evolution of Broadway Musical Entertainment, 1850-2009: Interlingual and Intermedial Interference by DJ Kaiser A dissertation presented to the Graduate School of Arts and Sciences of Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy May 2013 St. Louis, Missouri ii © Copyright 2013 by DJ Kaiser. All rights reserved. iii TABLE OF CONTENTS List of Figures……………………………………………………………………………………. iii List of Tables……………………………………………………………………………………. vii Acknowledgements……………………………………………………………………………...viii Abstract………………………………………………………………………………………….... x Chapter 1: Introduction…………………………………………………………………………… 1 Chapter 2: The Methods, Problems, and Possibilities of Cataloguing Musical Entertainment…. 43 Chapter 3: Interlingual Interference during the Operetta Century: 1850-1949…………………. 91 Chapter 4: Intermedial Interference in Broadway Musical Entertainment……………………. -
The Merry-Go-Round
The Merry-Go-Round By Carl Van Vechten The Merry-Go-Round In Defence of Bad Taste In America, where men are supposed to know nothing about matters of taste and where women have their dresses planned for them, the household decorator has become an important factor in domestic life. Out of an even hundred rich men how many can say that they have had anything to do with the selection or arrangement of the furnishings for their homes? In theatre programs these matters are regulated and due credit is given to the various firms who have supplied the myriad appeals to the eye; one knows who thought out the combinations of shoes, hats, and parasols, and one knows where each separate article was purchased. Why could not some similar plan of appreciation be followed in the houses of our very rich? Why not, for instance, a card in the hall something like the following: This house was furnished and decorated according to the taste of Marcel of the Dilly-Billy Shop or We are living in the kind of house Miss Simone O'Kelly thought we should live in. The decorations are pure Louis XV and the furniture is authentic. It is not difficult, of course, to differentiate the personal from the impersonal. Nothing clings so ill to the back as borrowed finery and I have yet to find the family which has settled itself fondly and comfortably in chairs which were a part of some one else's aesthetic plan. As a matter of fact many of our millionaires would be more at home in an atmosphere concocted from the ingredients of plain pine tables and blanket-covered mattresses than they are surrounded by the frippery of China and the frivolity of France. -
Famous Prima Donnas
jiMjgujguAJiujiuajujLixiujuiiAJiLJJUiLJU^ajg K L ]fVVAVWWWWWSVWWWWWW^TWW SALT LAKB cr Famous Prima Donnas t 1 5 1 > > » 5 » O J >0 '} 3 t t f € r e t r • ' I c EDNA MAY As Violet Grey in " The 15elle of New York." ^ »v;o M • • • » , t i - . * , ' - • • • " By L. C. Page & Company (incorporated) All rights reserved Third Impression, February, 1906 COLONIAL PRESS Electrotyped and Printed by C. H. Sivtonds &= Co. Boston, U.S.A. CONTENTS CHAPTBR ^^^^ Introduction ^x I Alice Nielsen ' 21 II. Virginia Earle III. Lillian Russell 3° IV. Josephine Hall 4^ V. Mabelle Oilman S^ VI. Fay Templeton 67 VII. Madge Lessing 81 VIII. Jessie Bartlett Davis 88 IX. Edna Wallace Hopper 104 X. Paula Edwardes 113 XI. Lulu Glaser 120 XII. Minnie Ashley '34 XIII. Edna May i47 XIV. Marie Celeste 156 XV. Christie MacDonald 172 « 95'7'' > •« vi Contents CHAPTER PAGB XVI. Marie Dressler i8i XVII. Della Fox 192 XVIII. Camille D'Arville 208 XIX. Marie Tempest 222 XX. Maud Raymond 233 XXI. Pauline Hall 239 XXII. Hilda Clark 253 LIST OF ILLUSTRATIONS FAGB Edna May as Violet Grey in " The Belle of New York " . Frotitispiece " " Alice Nielsen in The Fortune Teller . 7 Virginia Earle as Winnifred Grey in " A Runaway Girl" 21 " Lillian Russell as * The Queen of Brilliants 42 " Mabelle Gilman in The Casino Girl " . 56 Fay Templeton singing the " coon" song, " My Tiger Lily " 67 Madge Lessing Si Edna Wallace - Hopper . .104 Paula Edwardes '^3 Lulu Glaser 120 Minnie Ashley ^34 Christie Macdonald 172 List of Illustrations PAGE Marie Dressler i^^ Della Fox ^9^ Marie Tempest 222 Introduction The musical stage in the United States may be said to be a birthright rather than a profession.