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Emily Peasgood CV
Emily Peasgood Tel: 07749 115 484 | Email: [email protected] Artist statement Rubber Chicken House, 2 Kent Kent, Ramsgate, Kent, CT11 8LT Emily Peasgood is a composer, sound artist and visual artist. Her work aims to transform how we perceive our environment by creating invitations to connect with people and places that are forgotten, overlooked, or surrounded by histories that can be remembered and celebrated through sound and music. Peasgood’s work takes place in outdoor public locations, with specific communities of people, and utilises innovative technology and design to serve her concepts and enhance visitor interaction. Her artistic practice is underpinned by an aesthetic belief in creating artworks that enrich people’s lives through embodying the values of accessibility, inclusion and engagement. Peasgood’s work has consistently demonstrated high quality community and visitor engagement in the creative output, through considered community programmes, well-researched accessible concepts, and working with a team that engages with and supports her creative ambition. For full portfolio please visit: www.emilypeasgood.com Selected site-specific and community engagement works | To read more or listen to sound content please Emilyclick Peasgood: the image I Would linkRather adjacent Walk With You to each work Pioneering Places East Kent: West Wing Battery at Fort Burgoyne Dover I Would Rather Walk With You | Pioneering Places, East Kent, 2020-2021 Permanent site-specific public artwork in The West Wing Battery at Fort Burgoyne, Dover. Visitors are invited to experience a sound-world that captures its history and future as a community space. It is a multi-channel choral work and sound installation with spoken word and sound effects record- ed by 180 residents during lockdown. -
Scrutiny Review of Maintaining and Protecting Seafront / Delivery of the Seafront Strategy
Agenda Item No: 5 Report to: Overview and Scrutiny (Services) Date of Meeting: 16th March 2009 Report Title: Scrutiny Review of Maintaining and Protecting Seafront / Delivery of the Seafront Strategy Report By: Adrian Rogerson Head of Projects Purpose of Report To report on the findings of the Scrutiny Review of Maintaining and Protecting Seafront / Delivery of the Seafront Strategy Recommendation(s) 1. That the O&S Services committee agree this report and the associated action plan 2. That potential seafront development opportunities continue to be investigated and evaluated to make best use of future external funding streams when available. Reasons for Recommendations Significant progress has already been made with partners in delivering the 10 priority initiatives identified in the May 2005 Seafront Strategy. The four-year old Seafront Strategy still remains an appropriate economic framework within which seafront regeneration activities in Hastings can be both delivered and measured. However, we recognise that an action plan is required to address the most recent developments, opportunities, legislation and sustainability issues that the Council faces now and in the foreseeable future. $xyrm0fl4 Page 1 of 57 Review Team Membership 1. Cllr Peter Chowney was appointed to chair the Scrutiny Review of Maintaining and Protecting Seafront / Delivery of the Seafront Strategy and the first formal meeting of the group was 1st October 2007. 2. The Scrutiny Review team consisted of:- a. Peter Armstrong Councillor (initial part of review only) b. Peter Chowney Councillor (Chair) c. Terry Fawthrop Councillor d. Simon Hubbard Corporate Director, Regeneration & Planning e. Adrian Rogerson Head of Projects f. Nick Sangster Resort Services Manager g. -
Visit 1066 Country Guide
BattleVISIT / Bexhill / Bodiam / Camber / Hastings Herstmonceux / Pevensey / Rye / Winchelsea VISIT1066COUNTRY.COM 1066 COUNTRY VISITOR ATTRACTIONS 2020 1066 COUNTRY BEXHILL from their childhood in Bexhill for RETRO ON SEA their song, ‘Sovereign Light Cafe’. The date is easy to remember. Behind its modern vintage Bexhill’s blend of unique character façade, quirky Bexhill conceals and quirkiness are what people The place is hard to forget. an eventful past. Not only was come here for. The Victorian it the trailblazing birthplace of promenade mixes attractive listed British motor racing, it was also shelters with sailing boats and Where the wooded hills of the Sussex Weald stretch down infamously the fi rst resort to allow a rowing club (founded 1893) and touch the sea of England’s south coast, you’ll fi nd 1066 men and women to swim together giving way further west to award- Country. Set deep in history, its ancient settlements nestle in on the same beach. What scandal! winning modern shelters, play a rich landscape of woods, marshes, shorelines and horizons. Home to the innovative De La Warr fountains and eye-catching classic Yesterday’s traditions meet today’s thriving art and music scene, Pavilion, the UK’s fi rst public building seaside planting. while castles and forts tell timeless stories of invasion and conquest. BATTLE UNFOLDING At Battle’s beating heart is a built in the Modernist style, the town The same quirkiness is refl ected in ENGLAND’S STORY bustling mix of independent is a pioneering centre for the arts the town’s eclectic mix of shops; Despite its feeling of seclusion, 1066 Country is living proof that hosting contemporary exhibitions, Named after the most famous businesses, including a revival of think modern vintage, retro and a breath of fresh air doesn’t need to mean a long journey. -
Perception Research
Innovation and Change in Community Music Proceedings of the XV International Seminar of the ISME Commission on Community Music Activity Edinburgh College, Edinburgh, Scotland 19-23 July 2016 Editor Mary L. Cohen i All abstracts presented at the 2016 CMA Conference in Edinburgh, Scotland, were peer refereed before inclusion in the Conference program. Editorial Board Brydie Leigh-Bartlett Flavia Candusso Mary L. Cohen Magali Kleber Peter Moser Mari Shiobara National Library of Australia Cataloguing-in-Publication Author: ISME Community Activity Commission International Seminar (XV: 2016: Edinburgh, Scotland) Title: Innovation and Change in Community Music: Proceedings of the XV International Seminar of the Commission on Community Music Activity, Edinburgh, Scotland [electronic resource] ISBN: 978-0-6481219-1-6 (ebook) Notes: Includes bibliographical references. Subjects: Music--Congresses. Music in education--Congresses. ISME Commission on Community Music Activity Dewey Number: 780.7 ©International Society for Music Education 2016 www.isme.org ii The Community Music Activity Commission Delegates are grateful to the following people who provided expert support in the planning and hosting of the 2016 Pre-conference seminar of the ISME World Conference. Seminar Host Institution and contact: Edinburgh College, Jess Abrams Sage Gateshead, Dave Camlin Sound Sense, Kathryn Deane Commissioners 2014-2016 Brydie Leigh-Bartlett, Co-Chair, Australia Flavia Candusso, Brazil Mary L. Cohen, United States of America Magali Kleber, Brazil Peter Moser, England Mari Shiobara, Co-Chair, Japan Mary L. Cohen was an Obermann Fellow at the University of Iowa which provided support for her to complete the editing process of these proceedings in the fall of 2016. Vision We believe that everyone has the right and ability to make, create, and enjoy their own music. -
Map, Family Guide and Details of Our Triennial’S Title Double Edge, Focusing on 1 Bob and Roberta Smith 12 Gary Woodley Impingement No
11 Michael Craig-Martin Folkestone Lightbulb The Clearing – Folkestone Triennial Symposia This image of an everyday object in stylish strong colours picks Visitor Centre at Quarterhouse On the Edge: Time and Truth up formally on the curving façade of the building. Located at the Mill Bay, Folkestone CT20 1BN Sat 2 September, 11am – 6.30pm junction of The Old High Street and Tontine Street, the gateway Open 10am – 5pm daily Folkestone Quarterhouse More information on the artworks and artists is available in the Folkestone to the Creative Quarter, conceptually the lightbulb suggests ideas, 01303 760 750 This year’s commissioned artists talk Triennial 2017 Guide Book (£5 from the Visitor Centre at Quarterhouse) inspiration, sustainable energy, the essence of regeneration. Head here for an exhibition guide and about their projects in the context of this map, family guide and details of our Triennial’s title double edge, focusing on 1 Bob and Roberta Smith 12 Gary Woodley Impingement No. 66 ‘Cube public programme, merchandise, two major subthemes: the edges of truth FOLKESTONE IS AN ART SCHOOL Circumscribed by Tetrahedron – Tetrahedron café, accessible toilets and baby and time. Free, booking essential. This artwork is in four parts: a ‘declaration’ in the streets; twelve Circumscribed by Cube’ 2017 changing facilities. short pedagogical videos; a ‘directory’ of art teaching facilities Cézanne proposed: ‘treat nature by means of the cylinder, the Border and talents; and a teaching programme / exhibition. The artist sphere, the cone’. Woodley’s ‘impingements’ are about the Other Information Points Sat 4 November, 10am – 5pm discovered that everything needed for an art school is already in interaction between ideas and reality, ‘platonic’ forms in dialogue Folkestone Central Railway Station Folkestone Quarterhouse Folkestone – the resources just need to be recognised differently. -
The Fourth Edition of Folkestone Triennial, One of the UK's Most
‘Folkstone Triennial, double edge’, Press Release, 31 August 2017 The fourth edition of Folkestone Triennial, one of the UK’s most ambitious art exhibitions, will open on Saturday 2 September and run until 5 November 2017. Internationally recognised artists have been commissioned to create 19 new site-specific artworks to be exhibited in Folkestone’s public spaces under the title double edge. Some of the works will remain in the town to add to its expanding art collection, Folkestone Artworks. double edge refers to the two main axes around which Folkestone’s development as a town has taken place historically and geographically: the seashore and the Pent Stream, an ancient watercourse flowing from the North Downs into the sea, dividing East and West Folkestone. double edge makes use of the specifics of the locality to explore universal ‘edge’ issues, including borders and frontiers; margins and the periphery; thresholds, gateways and the liminal. It will also further develop the inquiry into ‘sense of place’ that guided Folkestone Triennial 2014, Lookout. Lewis Biggs, curator of Folkestone Triennial, said: "We are delighted to have commissioned 19 new site-specific works for Folkestone as part of the 2017 Triennial, titled double edge, the other part being an amazing programme of events. It has been a pleasure to see how these imaginative artists extend their practice to create work outdoors, engaging with the history and fabric of the town, to explore the universal issues that are always their concern. We hope that the artworks will excite and inspire a wide variety of audiences over the next nine weeks and in some cases for many years to come." New works commissioned for Folkestone Triennial 2017 are as follows: Rigo 23 will present Through the Glassworks; Earth’s Oldest Satellite. -
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CANTERBURY CHRIST CHURCH UNIVERSITY SPRING 2019 SPRING events exhibitions & screenings 2 music 9 heritage 25 dance & drama 30 word 32 A pull-out section can be found in the centre spread which includes: booking 15 calendar 16 directions 18 To keep up to date with all of our latest events and goings-on, why not follow us on social media, or sign up to our mailing list from the Arts and Culture homepage. /artsandcultureCCCU @cccu_culture @CCCU_ArtsExtra canterbury.ac.uk/arts-and-culture Cover image: Chthonic Kore Soteira, 2015 © Cathy Ward (see page 7) For alternative formats, please email: [email protected] welcome Creative arts – a new era It’s an exciting time for arts and culture at Canterbury Christ Church University (CCCU) with our new creative arts building opening early in 2019 bringing new specialist and other facilities to use and enjoy for students, local people and partner organisations, as well as national and international visitors. The new building takes forward the traditions of music, performance, visual arts and digital media, and engagement with heritage and history, which have characterised the contributions of CCCU and its staff and students to the cultural life of Canterbury, welcome Kent and beyond. The building will expand our potential to showcase the creative work of students and staff year round, as well as to engage local people and businesses in joint events, activities and projects. We will draw on the state-of-the-art spaces and equipment to enhance our teaching and student experience in ever widening ways and to add to our innovative work in arts, culture and humanities. -
Ramsgate Matters Spring 2020
Ramsgate Matters The Bi-Annual Journal of The Ramsgate Society Spring 2020 Contents P2 Across the Chairman’s Desk P3 A Crisis of Affordability P4 Glass to the Rescue P5 Who am I ? by Terry Prue P6 Iconic Rock Gardens P8 Manston P9 Conservation Across the P10 Spectacular Tiles Chairman’s Desk P12 Talks P14 Radford House CITiZAN P15 The Granville P16 Splendour in St George’s P17 Who I am P18 Diary Notes At the start of 2020, climate catastrophe, drought, deluge, P19 New Members, In Memoriam food, fames and extremes dominated the news. Ramsgate Credits, Committee, Subscriptions Matters set out to offer some reasons to be cheerful. Last autumn we looked at the value of Allotments. The series continues with Chairman John Walker writing on current Land and Property values. His views closely match those of John Stuart Mill in 1885 and Winston Churchill in 1919. It is clear that even when solutions have long been evident, implementation may take time. Professor Jan Pahl of the Canterbury Society and the University of Kent writes on a growing funding crisis for local authorities later this year. Ramsgate Heritage Action Zone advances on many fronts including the High Street, Central Harbour Ward and a new project, Pulhamite and Promenade. Spring will bring Geraint Franklin’s book, Ramsgate, the town and its Seaside Heritage’ part of Historic England’s Informed Conservation series. The Society is about to celebrate its 40th year as a member of Civic Voice. A decade ago, South Thanet MP Laura Sandys and new society committee member John Walker held a litter pick and collected an outstanding two tons of litter. -
The New Independent Coastal Currents Arts Festival Now Stretching from Eastbourne to Rye to Robertsbridge
Welcome to the new independent Coastal Currents Arts Festival now stretching from Eastbourne to Rye to Robertsbridge Firstly we want to thank you, the public, for helping us crowd fund to keep this vital celebration of culture and energy of the coast alive. The White Rock Hotel has We have new partners and more supporters than ever, working together to create legacy pieces concerned with bringing art and the perfect location with culture to you, as accessible, free, immersive experiences that stunning views over award inspire, educate and enliven. This year we are starting on the road to be consciously greener, winning Hastings Pier note no laminate on the cover and impactful pieces that carry less Coastal Currents is devised and managed and the sea, a fabulous of a footprint. We have looked at introducing projects with an by Sweet & Dandy Ltd. environmental slant, from Juliet Russell’s A Pledge to the Land sweetanddandy.co.uk cafe-bar, and lovely rooms. and Sea to Felicity Truscott’s artist in residence piece with Groundwork South. Why stay anywhere else? We are truly proud to present a new phase in the life of this 21 year old festival whilst continuing to showcase the quality of this unique Situated in a prime location on Hastings area, with innovative outdoor performances, interventions and seafront, the White Rock is a great place commissions rooted in reinventing and rejuvenating unusual areas, to stay for your visit to Hastings whether venues and locations. for business or pleasure. Come spend September by the sea. Our hotel offers modern comfortable rooms Tina Morris Director With Art Fund support and professional but friendly service. -
Coastal Currents Arts Festival Brochure 2017
7 02 SEPT - 01 OCT COASTALCURRENTS.ORG.UK @COASTALCURRENTS #CCFEST2017 Coastal Currents 2017 1 A word from the Director Tina Morris Welcome to Coastal Currents Arts Festival 2017 7 The White Rock Hotel, with stunning sea This year, we’ve grown up a little. Not in the conventional sense perhaps, but we know what we do best; accessible art views, fabulous cafe which makes you look at your environment a little differently, bar, lovely rooms and in an area of immense talent with a supportive and wholly unique creative community on which we depend. perfect location, why stay anywhere else? We’ve got a bit bigger; with a little extra hard work we’ve raised a little more money and given you a little bit more Coastal Currents 2017 in the way of a curated programme, keeping as much of it is devised and managed Situated in a prime position on Hastings FREE in order to make this festival as accessible as possible. by Sweet & Dandy Ltd. seafront, the White Rock Hotel is the perfect sweetanddandy.co.uk place to stay for your visit to Hastings, We’ve become independent although we couldn’t do whether for business or pleasure. without the funding support of Hastings Borough Council, Our hotel offers modern comfortable rooms East Sussex Arts Partnership and of course Arts With thanks to The Arts Council England. Council England, Hastings and professional but friendly service. We offer Borough Council and the the security and convenience of a 24 hour East Sussex Arts Partnership. reception, food and drink available all day in We can now start to plan ahead for 2018 and 2019 and work our stylish cafe-bar and room service at no with an ever increasing number of partners and artists, extra charge. -
Hastings Borough Council – Property Portfolio
Appendix 1 Renewal of Minor Works Maintenance Contract Cabinet 12th July 2010 Hastings Borough Council – Property Portfolio Background 1. The Council owns, operates and lets out a considerable amount of property assets and associated grounds and external areas with a rebuilding cost value exceeding £88 million. The Council's property assets are very diverse and widely spread across the Borough, they are of widely differing sizes and building types, some of which are very aged, and which reflect the materials and methods of construction prevailing at the time they were built. Almost none has been newly constructed and very little of it has been built in recent years or refurbished to current standards. Consequently there is a continual requirement for planned, cyclical and responsive building maintenance works. 2. The pressure on the Council’s built assets to be adapted and upgraded to meet the demands of a rapidly developing organisation is constant, and often requires rapid access to a flexible multi-trade building maintenance contractor. Offices & Operational Buildings 3. Major operational buildings within which the Council’s staff perform their duties and provide services to the public include: Town Hall & Tourism Information Centre Aquila House Renaissance House 6 Bank Buildings Bulverhythe Depot Offices Cemetery & Crematorium Corporate Archive, Castleham Industrial Estate Cultural & Leisure Buildings 4. The main cultural and leisure buildings and assets either operated directly or by third parties on behalf of the Council include: Hastings Castle The White Rock Theatre St Mary in the Castle Arts Centre Summerfields Sports Centre Falaise Hall Fitness Centre C:\Hastings\Data\Committ\IntranetOLD\Cabinet\20100712\Agenda\$k4qx4gxs.doc John’s Place Museum Old Town Museum Fishermen’s Museum Falaise Road Indoor Bowls Centre St Clements Caves Marina Pavilion (Azur) Parks & Open Spaces 5. -
Skull Cakes, Seaside Sculpture and a Renaissance Dream Team – the Week in Art | Art and Design | the Guardian
07/09/2017 Skull cakes, seaside sculpture and a Renaissance dream team – the week in art | Art and design | The Guardian Skull cakes, seaside sculpture and a Renaissance dream team – the week in art The Notre Dame embarks on a gargoyle-rescue mission, Gormley arrives in Kent and a master provocateur comes to Tate Modern – https://www.theguardian.com/artanddesign/2017/sep/01/week-in-art-antony-gormley-tate-modern-notre-dame 1/7 07/09/2017 Skull cakes, seaside sculpture and a Renaissance dream team – the week in art | Art and design | The Guardian Holiday Home by Richard Woods, part of Folkestone Triennial 2017. Photograph: Thierry Bal Jonathan Jones Friday 1 September 2017 16.56 BST https://www.theguardian.com/artanddesign/2017/sep/01/week-in-art-antony-gormley-tate-modern-notre-dame 2/7 07/09/2017 Skull cakes, seaside sculpture and a Renaissance dream team – the week in art | Art and design | The Guardian Exhibition of the week Folkestone Triennial The contemporary art scene hits the seaside in this admired festival of experimental interventions whose eclectic mix this year ranges from sculptor of found objects Bill Woodrow to Turner prize-nominated Lubaina Himid, among an array that also takes in Emily Peasgood, Amalia Pica, Sinta Tantra and more. Read our review here. • Folkestone venues from 2 September to 5 November. Also this week Nature Morte Contemporary twists (from twisted contemporaries) on the still life tradition should make this a highly diverting exhibition. Mat Collishaw, Cindy Wright, Nancy Fouts and Gabriel Orozco are among the emblematists of mortality playing with fruit and bones.