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Horseracing Filmography

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HORSERACING FILMOGRAPHY (in chronological order of general release) 1896 Derby (Robert W. Paul) 1903 Welshed—A Derby Day Incident (Alf Collins) 1905 The Attempted Nobbling of the Derby Favourite (Tom Green) How Jones Saw the Derby (Charles Raymond) 1906 Father’s Derby Trip (Tom Green) An Episode of the Derby (Lewin Fitzhamon) 1909 The Curate at the Races (Lewin Fitzhamon) Simple Simon at the Races (S. Wormald) The Stolen Favourite (Percy Stow) 1910 Rogues of the Turf (unknown) Neil Gow Mad (Charles Urban) © The Editor(s) (if applicable) and The Author(s), under exclusive 143 license to Springer Nature Switzerland AG, part of Springer Nature 2019 S. Glynn, The British Horseracing Film, https://doi.org/10.1007/978-3-030-05180-8 144 HORSERACING FILMOGRAPHY 1911 A Ride for a Bride (Charles Raymond) 1912 Hubby Goes to the Races (Frank Wilson) 1913 A Race for Love (Lewin Fitzhamon) The Favourite for the Jamaica Cup (Charles Raymond) Two To One On Pimple (Fred Evans) Kissing Cup (Jack Hulcup) How Pimple Saved Kissing Cup (Fred Evans) 1914 How Pimple Won the Derby (Fred Evans) The Double Event (Warwick Buckland) The Jockey (F. L. Lyndhurst) 1915 The Derby Winner (Harold Shaw) By the Shortest of Heads (Bert Haldane) The White Star (Bertram Phillips) 1916 The Chance of a Lifetime (Bertram Phillips) 1917 Pimple in The Whip (Fred and Joe Evans) A Gamble for Love (Frank Wilson) 1918 A Fortune at Stake (Walter West) A Turf Conspiracy (Frank Wilson) The Great Game (A. E. Coleby) 1919 Pallard the Punter (J. L. V. Leigh) Hughie at the Victory Derby (George Pearson) The Gentleman Rider (Walter West) A Member of Tattersalls (Albert Ward) The Silver Lining (A. E. Coleby) A Great Coup (George Dewhurst) HORSERACING FILMOGRAPHY 145 1920 Garryowen (George Pearson) A Dead Certainty (George Dewhurst) The Hundredth Chance (Maurice Elvey) Won by a Head (Percy Nash) All the Winners (Geoffrey Malins) Kissing Cup’s Race (Walter West) The Rank Outsider (Richard Garrick) 1921 A Sportsman’s Wife (Walter West) The Double Event (Kenelm Foss) The Sport of Kings (Arthur Rooke) 1922 The Scarlet Lady (Walter West) Boy Woodburn (Guy Newall) Long Odds (A. E. Coleby) Stable Companions (Albert Ward) A Sporting Double (Arthur Rooke) Son of Kissing Cup (Walter West) Down Under Donovan (Harry Lambert) Squibs Wins the Calcutta Sweep (George Pearson) Weavers of Fortune (Arthur Rooke) 1923 Rogues of the Turf (Wilfred Noy) The Lady Owner (Walter West) Beautiful Kitty (Walter West) What Price ‘Loving Cup’? (Walter West) 1924 The Great Turf Mystery (Walter West) The Stirrup Cup Sensation (Walter West) The Flying Fifty-Five (A. E. Coleby) 1925 Trainer and Temptress (Walter West) 1926 The Steve Donoghue Shorts (Walter West) 146 HORSERACING FILMOGRAPHY 1928 A Reckless Gamble (Widgey Newman) 1929 The Thoroughbred (Sidney Morgan) Over The Sticks (A. E. Coleby) 1930 Warned Off (Walter West) Kissing Cup’s Race (Castleton Knight) 1931 The Sport of Kings (Victor Saville) The Calendar (T. Hayes Hunter) P.C. Josser (Milton Rosmer) 1932 A Game of Chance (Charles Barnett) A Lucky Sweep (A. V. Bramble) The Thoroughbred (Charles Barnett) Lucky Ladies (John Rawlins) Don’t Be a Dummy (Frank Richardson) 1933 Up for the Derby (Maclean Rogers) A Hundred to One (Walter West) Eyes of Fate (Ivar Campbell) 1934 Lucky Blaze (Widgey Newman) Lucky Loser (Reginald Denham) Easy Money (Redd Davis) The Double Event (Leslie Howard Gordon) 1935 Strictly Illegal (Ralph Ceder) Dandy Dick (William Beaudine) Be Careful, Mr. Smith (Max Mack) Smith’s Wives (H. Manning Hayes) The Price of a Song (Michael Powell) Luck of the Irish (Donovan Pedelty) HORSERACING FILMOGRAPHY 147 1936 Sporting Love (J. Elder Wills) Two on a Doorstep (Lawrence Huntington) 1937 Luck of the Turf (Randall Faye) Wings of the Morning (Harold Schuster) Educated Evans (William Beaudine) Silver Blaze (Thomas Bentley) Take a Chance (Sinclair Hill) Spring Handicap (Herbert Brenon) 1938 Racing Romance (Maclean Rogers) Thank Evans (Roy William Neil) On Velvet (Widgey Newman) 1939 Trouble Brewing (Anthony Kimmins) Flying 55 (Reginald Denham) Come On George! (Anthony Kimmins) Happy Event (Patrick Brunner) 1944 The Hundred Pound Window (Brian Desmond Hurst) Dreaming (John Baxter) 1948 Brighton Rock (John Boulting) The Calendar (Arthur Crabtree) 1949 The Rocking Horse Winner (Anthony Pélissier) 1951 The Galloping Major (Henry Cornelius) 1952 Derby Day (Herbert Wilcox) 1953 Grand National Night (Bob McNaught) The Oracle (C. M. Pennington-Richards) 148 HORSERACING FILMOGRAPHY 1954 Devil On Horseback (Cyril Frankel) The Rainbow Jacket (Basil Dearden) The Belles of St. Trinian’s (Frank Launder) 1956 The March Hare (George More O’Ferrall) Dry Rot (Maurice Elvey) 1958 Just My Luck (John Paddy Carstairs) 1964 The Yellow Rolls-Royce (Anthony Asquith) 1965 I’ve Gotta Horse (Kenneth Hume) 1974 Dead Cert (Tony Richardson) 1979 The Bitch (Gerry O’Hara) 1983 Champions (John Irvin) 1999 Shergar (Dennis Lewiston) 2012 Outside Bet (Sacha Bennett) 2018 Lean on Pete (Andrew Haigh) BIBLIOGRAPHY Allen, R. C., & Gomery, D. (1985). Film History: Theory and Practice. New York: McGraw-Hill. Altman, R. (1996). Cinema and Genre. In G. Nowell-Smith (Ed.), The Oxford History of World Cinema. Oxford: Oxford University Press. Babington, B. (Ed.). (2001). British Stars and Stardom: From Alma Cogan to Sean Connery. Manchester: Manchester University Press. Babington, B. (2002). Launder and Gilliat. Manchester: Manchester University Press. Babington, B. (2014). The Sports Film: Games People Play. London: Wallfower. Bakhtin, M. (1984 [1965]). Rabelais and His World (H. Iswolsky, Trans.). Bloomington: Indiana University Press. Bamford, K. (1999). Distorted Images: British National Identity and Film in the 1920s. London: I.B. Tauris. Barnes, J. (1976). The Beginnings of the Cinema in England. Newton Abbot: David & Charles. Barr, C. (1967). Laurel & Hardy. London: Studio Vista. Barr, C. (1977). Ealing Studios. Newton Abbot: Cameron and Tayleur. Bergan, R. (1982). Sports in the Movies. London: Proteus. Brewster, B., & Jacobs, L. (1997). Theatre to Cinema: Stage Pictorialism and the Early Feature Film. Oxford: Oxford University Press. Brown, G. (1977). Launder and Gilliat. London: BFI. Budd, G. (1997). Racing Art and Memorabilia: A Celebration of the Turf. London: Philip Wilson Publishers. Burton, A. (2016). Historical Dictionary of British Spy Fiction. Lanham: Rowman and Littlefeld. © The Editor(s) (if applicable) and The Author(s), under exclusive 149 license to Springer Nature Switzerland AG, part of Springer Nature 2019 S. Glynn, The British Horseracing Film, https://doi.org/10.1007/978-3-030-05180-8 150 BIBLIOGRAPHY Chibnall, S. (2000). Purgatory at the End of the Pier: Imprinting a Sense of Place Through Brighton Rock. In A. Burton, T. O’Sullivan, & P. Wells (Eds.), The Family Way: The Boulting Brothers and British Film Culture. Trowbridge: Flicks Books. Chibnall, S. (2007). Quota Quickies: The Birth of the British ‘B’ Film. London: BFI. Chibnall, S., & McFarlane, B. (2009). The British ‘B’ Film. London: BFI/ Palgrave Macmillan. Clapson, M. (1992). A Bit of a Flutter: Popular Gambling and English Society c.1823–1961. Manchester: Manchester University Press. Clarke, T. E. B. (1974). This Is Where I Came In. London: Michael Joseph. Dixon, B. (n.d.). The “Pimple” Films. BFI. http://www.screenonline.org.uk/ flm/id/1151483/index.html. Accessed 2 September 2018. Docherty, D., Morrison, D., & Tracey, M. (1987). The Last Picture Show? Britain’s Changing Film Audiences. London: BFI. Donegan, L. (2008). Shergar: The Final Word. London: Harper Collins. Durgnat, R. (1970). A Mirror for England: British Movies from Austerity to Affuence. London: Faber & Faber. Dyer, R. (1992). Only Entertainment. London: Routledge. East, J. M. (1977). Max Miller: The Cheekie Chappie. London: W. H. Allen. Eliot, V., & Haffenden, J. (Eds.). (2012). The Letters of T.S. Eliot Volume 3: 1926–7. London: Faber & Faber. Eyles, A. (1979, December). Will Hay and Co. Focus on Film, 34. Eyles, A., & Meeker, D. (1992). Missing Believed Lost: The Great British Film Search. London: BFI. Falk, Q. (2000). Travels in Greeneland: The Complete Guide to the Cinema of Graham Greene (3rd ed.). London: Reynolds & Hearn. Feuer, J. (1992). Genre Study and Television. In R. C. Allen (Ed.), Channels of Discourse Reassembled: Television and Contemporary Criticism. London: Routledge. Fisher, J. (1975). George Formby. London: Woburn-Futura. Gardner, C. (2004). Joseph Losey. Manchester: Manchester University Press. Gifford, D. (1973). The British Film Catalogue 1859–1970: A Guide to Entertainment Films. Newton Abbot: David and Charles. Gilbert, L. (2010). All My Flashbacks: Sixty Years as a Film Director. Richmond: Reynolds & Hearn. Glancy, H. M. (1999). When Hollywood Loved Britain: The Hollywood ‘British’ Film. Manchester: Manchester University Press. Gledhill, C. (2007). Reframing Women in 1920’s British Cinema: the Case of Violet Hopson and Dinah Shurey. Journal of British Cinema and Television, 4, 1. BIBLIOGRAPHY 151 Gledhill, C. (2008). Genre. In P. Cook (Ed.), The Cinema Book (3rd ed.). London: BFI. Glynn, S. (2013). The British Pop Music Film: The Beatles and Beyond. London: Palgrave Macmillan. Glynn, S. (2018). The British Football Film. London: Palgrave Macmillan. Grant, B. K. (2007). Film Genre: From Iconography to Ideology. London: Wallfower. Grieff, L. K. (2001). D.H. Lawrence: Fifty Years on Film. Carbondale and Edwardsville: Southern Illinois University Press. Hall, S., & Jefferson, T. (Eds.). (2006). Resistance Through Rituals: Youth Sub- Cultures in Post-War Britain (2nd ed.). London: Routledge. Hammond, M. (2000). “Cultivating Pimple”: Performance Traditions and the Film Comedy of Fred and Joe Evans. In A. Burton & L. Porter (Eds.), Pimple, Pranks and Pratfalls: British Film Comedy Before 1930. Trowbridge: Flicks Books. Hardy, F. (Ed.). (1981). Grierson on the Movies. London: Faber & Faber. Harper, S., & Porter, V. (2003). British Cinema of the 1950s: The Decline of Deference. Oxford: Oxford University Press. Harper, S., & Smith, J. (2012). British Film Culture in the 1970s: The Boundaries of Pleasure. Edinburgh: Edinburgh University Press. Harris, E. (2012). Britain’s Forgotten Film Factory: The Story of Isleworth Studios.
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  • April 4-6 Contents

    April 4-6 Contents

    MEDIA GUIDE #TheWorldIsWatching APRIL 4-6 CONTENTS CHAIRMAN’S WELCOME 3 2018 WINNING OWNER 50 ORDER OF RUNNING 4 SUCCESSFUL OWNERS 53 RANDOX HEALTH GRAND NATIONAL FESTIVAL 5 OVERSEAS INTEREST 62 SPONSOR’S WELCOME 8 GRAND NATIONAL TIMELINE 64 WELFARE & SAFETY 10 RACE CONDITIONS 73 UNIQUE RACE & GLOBAL PHENOMENON 13 TRAINERS & JOCKEYS 75 RANDOX HEALTH GRAND NATIONAL ANNIVERSARIES 15 PAST RESULTS 77 ROLL OF HONOUR 16 COURSE MAP 96 WARTIME WINNERS 20 RACE REPORTS 2018-2015 21 2018 WINNING JOCKEY 29 AINTREE JOCKEY RECORDS 32 RACECOURSE RETIRED JOCKEYS 35 THIS IS AN INTERACTIVE PDF MEDIA GUIDE, CLICK ON THE LINKS TO GO TO THE RELEVANT WEB AND SOCIAL MEDIA PAGES, AND ON THE GREATEST GRAND NATIONAL TRAINERS 37 CHAPTER HEADINGS TO TAKE YOU INTO THE GUIDE. IRISH-TRAINED WINNERS 40 THEJOCKEYCLUB.CO.UK/AINTREE TRAINER FACTS 42 t @AINTREERACES f @AINTREE 2018 WINNING TRAINER 43 I @AINTREERACECOURSE TRAINER RECORDS 45 CREATED BY RACENEWS.CO.UK AND TWOBIRD.CO.UK 3 CONTENTS As April approaches, the team at Aintree quicken the build-up towards the three-day Randox Health Grand National Festival. Our first port of call ahead of the 2019 Randox welfare. We are proud to be at the forefront of Health Grand National was a media visit in the racing industry in all these areas. December, the week of the Becher Chase over 2019 will also be the third year of our the Grand National fences, to the yard of the broadcasting agreement with ITV. We have been fantastically successful Gordon Elliott to see delighted with their output and viewing figures, last year’s winner Tiger Roll being put through not only in the UK and Ireland, but throughout his paces.