DOCSLIB.ORG

Windows Fonts

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Windows Fonts Windows Standard Fonts Agency FB Agency FB R T B EB I algerian Algerian R T B EB I Arial Arial R T B EB I Arial Black Arial Black R T B EB I Arial Narrow Arial Narrow R T B EB I Arial Rounded MT Arial Rounded MT R T B EB I Baskerville Old Face Baskerville Old Face R T B EB I Bell MT Bell MT R T B EB I Berlin Sans FB Berlin Sans FB R T B EB I Bernard MT Condensed Bernard MT Condensed R T B EB I Blackadder ITC Blackadder ITC R T B EB I Bodoni MT Bodoni MT R T B EB I Bodoni MT Condensed Bodoni MT Condensed R T B EB I Bookman Old Style Bookman Old Style R T B EB I Book Antiqua Book Antiqua R T B EB I Bradley Hand ITC Bradley Hand ITC R T B EB I Britannic Bold Britannic Bold R T B EB I Broadway Broadway R T B EB I Brush Script MT Italic Brush Script MT Italic R T B EB I Calibri Calibri R T B EB I Californian FB Californian FB R T B EB I Calisto MT Calisto MT R T B EB I Cambria Cambria R T B EB I Cambria Math Cambria Math R T B EB I Candara Candara R T B EB I castellar Castellar R T B EB I Centaur Centaur R T B EB I Century Century R T B EB I Century Gothic Century Gothic R T B EB I Century Schoolbook Century Schoolbook R T B EB I Windows Standard Fonts Chiller Chiller R T B EB I Colonna MT Colonna MT R T B EB I Comic Sans MS Comic Sans MS R T B EB I Consolas Consolas R T B EB I Constantia Constantia R T B EB I Cooper Black Cooper Black R T B EB I Copperplate Gothic Copperplate Gothic R T B EB I Corbel Corbel R T B EB I Courier New Courier New R T B EB I Curlz MT Curlz MT R T B EB I Ebrima Ebrima R T B EB I Edwardian Script ITC Edwardian Script ITC R T B EB I Elephant Elephant R T B EB I Engravers MT Engravers MT R T B EB I Eras ITC Eras ITC R T B EB I Felix Titling Felix Titling R T B EB I Footlight MT Footlight MT R T B EB I Forte Forte R T B EB I Franklin Gothic Franklin Gothic R T B EB I Freestyle Script Freestyle Script R T B EB I French Script MT French Script MT R T B EB I Gabriola Gabriola R T B EB I Garamond Garamond R T B EB I Georgia Georgia R T B EB I Gigi Gigi R T B EB I Gill Sans MT Gill Sans MT R T B EB I Gill Sans MT Condensed Gill Sans MT Condensed R T B EB I Gloucester Gloucester R T B EB I Goudy Old Style Goudy Old Style R T B EB I Goudy Stout Goudy Stout R T B EB I Windows Standard Fonts Haettenschweiler Haettenschweiler R T B EB I Harlow Solid Italic Harlow Solid Italic R T B EB I Harrington Harrington R T B EB I High Tower Text High Tower Text R T B EB I Impact Impact R T B EB I Informal Roman Informal Roman R T B EB I Jokerman Jokerman R T B EB I Juice ITC Juice ITC R T B EB I Kristen ITC Kristen ITC R T B EB I Kunstler Script Kunstler Script R T B EB I Leelawadee Leelawadee R T B EB I Lucida Bright Lucida Bright R T B EB I Lucida Calligraphy Lucida Calligraphy R T B EB I Lucida Fax Lucida Fax R T B EB I Lucida Handwriting Lucida Handwriting R T B EB I Lucida Sans Lucida Sans R T B EB I Lucida Typewriter Lucida Typewriter R T B EB I Magneto Magneto R T B EB I Maiandra GD Maiandra GD R T B EB I Matura MT Script Capitals Matura M7 Script Capitals R T B EB I Microsoft Himalaya Microsoft Himalaya R T B EB I Microsoft JhengHei Microsoft JhengHei R T B EB I Microsoft New Tai Lue Microsoft New Tai Lue R T B EB I Microsoft PhagsPa Microsoft PhagsPa R T B EB I Microsoft Sans Serif Microsoft Sans Serif R T B EB I Microsoft Tai Le Microsoft Tai Le R T B EB I Microsoft YaHei Microsoft YaHei R T B EB I Microsoft Yi Baiti Microsoft Yi Baiti R T B EB I Mistral Mistral R T B EB I Modern No. 20 Modern No. 20 R T B EB I Windows Standard Fonts Mongolian Baiti Mongolian Baiti R T B EB I Monotype Corsiva Monotype Corsiva R T B EB I MS Gothic MS Gothic R T B EB I MV Boli MV Boli R T B EB I Niagara Niagara R T B EB I OCR A Extended OCR A Extended R T B EB I Old English Text MT Old English Text MT R T B EB I Onyx Onyx R T B EB I Palace Script MT Palace Script MT R T B EB I Palatino Linotype Palatino Linotype R T B EB I Papyrus Papyrus R T B EB I Parchment Parchment R T B EB I Perpetua Perpetua R T B EB I Perpetua Titling MT Perpetua Titling MT R T B EB I Playbill Playbill R T B EB I Poor Richard Poor Richard R T B EB I Pristina Pristina R T B EB I Rage Italic Rage Italic R T B EB I Ravie Ravie R T B EB I Rockwell Rockwell R T B EB I Rockwell Condensed Rockwell Condensed R T B EB I Rockwell Extra Bold Rockwell Extra Bold R T B EB I Script MT Bold Script MT Bold R T B EB I Segoe Print Segoe Print R T B EB I Seg�� S���p� Segoe Script R T B EB I R T B EB I Segoe UI Symbol Segoe UI Symbol Segoe UI Segoe UI R T B EB I Showcard Gothic Schowcard Gothic R T B EB I SimSun-ExtB SimSun-ExtB R T B EB I Snap ITC Snap ITC R T B EB I Windows Standard Fonts stencil Stencil R T B EB I Sylfaen Sylfaen R T B EB I Tahoma Tahoma R T B EB I Tempus Sans ITC Tempus Sans ITC R T B EB I Times New Roman Times New Roman R T B EB I Trebuchet MS Trebuchet MS R T B EB I Tw Cen MT Tw Cen MT R T B EB I TW Cen MT Condensed TW Cen MT Condensed R T B EB I Verdana Verdana R T B EB I Viner Hand ITC Viner Hand ITC R T B EB I Vivaldi Vivaldi R T B EB I Vladimir Script Vladimir Script R T B EB I Wide Latin Wide Latin R T B EB I.
Load more

Recommended publications
  • Supreme Court of the State of New York Appellate Division: Second Judicial Department
    Supreme Court of the State of New York Appellate Division: Second Judicial Department A GLOSSARY OF TERMS FOR FORMATTING COMPUTER-GENERATED BRIEFS, WITH EXAMPLES The rules concerning the formatting of briefs are contained in CPLR 5529 and in § 1250.8 of the Practice Rules of the Appellate Division. Those rules cover technical matters and therefore use certain technical terms which may be unfamiliar to attorneys and litigants. The following glossary is offered as an aid to the understanding of the rules. Typeface: A typeface is a complete set of characters of a particular and consistent design for the composition of text, and is also called a font. Typefaces often come in sets which usually include a bold and an italic version in addition to the basic design. Proportionally Spaced Typeface: Proportionally spaced type is designed so that the amount of horizontal space each letter occupies on a line of text is proportional to the design of each letter, the letter i, for example, being narrower than the letter w. More text of the same type size fits on a horizontal line of proportionally spaced type than a horizontal line of the same length of monospaced type. This sentence is set in Times New Roman, which is a proportionally spaced typeface. Monospaced Typeface: In a monospaced typeface, each letter occupies the same amount of space on a horizontal line of text. This sentence is set in Courier, which is a monospaced typeface. Point Size: A point is a unit of measurement used by printers equal to approximately 1/72 of an inch.
    [Show full text]
  • Cloud Fonts in Microsoft Office
    APRIL 2019 Guide to Cloud Fonts in Microsoft® Office 365® Cloud fonts are available to Office 365 subscribers on all platforms and devices. Documents that use cloud fonts will render correctly in Office 2019. Embed cloud fonts for use with older versions of Office. Reference article from Microsoft: Cloud fonts in Office DESIGN TO PRESENT Terberg Design, LLC Index MICROSOFT OFFICE CLOUD FONTS A B C D E Legend: Good choice for theme body fonts F G H I J Okay choice for theme body fonts Includes serif typefaces, K L M N O non-lining figures, and those missing italic and/or bold styles P R S T U Present with most older versions of Office, embedding not required V W Symbol fonts Language-specific fonts MICROSOFT OFFICE CLOUD FONTS Abadi NEW ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Abadi Extra Light ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Note: No italic or bold styles provided. Agency FB MICROSOFT OFFICE CLOUD FONTS ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Agency FB Bold ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Note: No italic style provided Algerian MICROSOFT OFFICE CLOUD FONTS ABCDEFGHIJKLMNOPQRSTUVWXYZ 01234567890 Note: Uppercase only. No other styles provided. Arial MICROSOFT OFFICE CLOUD FONTS ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Arial Italic ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Arial Bold ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 01234567890 Arial Bold Italic ABCDEFGHIJKLMNOPQRSTUVWXYZ
    [Show full text]
  • 15 the Effect of Font Type on Screen Readability by People with Dyslexia
    The Effect of Font Type on Screen Readability by People with Dyslexia LUZ RELLO and RICARDO BAEZA-YATES, Web Research Group, DTIC, Universitat Pompeu Fabra, Barcelona, Spain Around 10% of the people have dyslexia, a neurological disability that impairs a person’s ability to read and write. There is evidence that the presentation of the text has a significant effect on a text’s accessibility for people with dyslexia. However, to the best of our knowledge, there are no experiments that objectively 15 measure the impact of the typeface (font) on screen reading performance. In this article, we present the first experiment that uses eye-tracking to measure the effect of typeface on reading speed. Using a mixed between-within subject design, 97 subjects (48 with dyslexia) read 12 texts with 12 different fonts. Font types have an impact on readability for people with and without dyslexia. For the tested fonts, sans serif , monospaced, and roman font styles significantly improved the reading performance over serif , proportional, and italic fonts. On the basis of our results, we recommend a set of more accessible fonts for people with and without dyslexia. Categories and Subject Descriptors: H.5.2 [Information Interfaces and Presentation]: User Interfaces— Screen design, style guides; K.4.2 [Computers and Society]: Social Issues—Assistive technologies for per- sons with disabilities General Terms: Design, Experimentation, Human Factors Additional Key Words and Phrases: Dyslexia, learning disability, best practices, web accessibility, typeface, font, readability, legibility, eye-tracking ACM Reference Format: Luz Rello and Ricardo Baeza-Yates. 2016. The effect of font type on screen readability by people with Dyslexia.
    [Show full text]
  • Publication Notes – 3Nt.Xyz
    Publication Notes – 3nt.xyz Pete Matthews Jr – https://3nt.xyz – © June 19, 2021 Some of the material in this document originally appeared on the MIT/DL Bridge Club site, at http://web.mit.edu/mitdlbc/www/contrib.html. This article, at https://3nt.xyz/about/, is now the official home of this material. Look for updates here. Most of the MS Office documents about the game of bridge use the free Cards font. Starting in 2018, this font is also used in writing up deals with Bridge Composer. Many of the Portable Bridge Notation (PBN) files on this site were created or edited with BridgeComposer; some were created with Dealmaster Pro. The PDF files should be complete and need only Acrobat Reader. That is, all necessary font components are embedded in the files. Items are noted (I) when appropriate for Intermediate players, or (A) for Advanced or Advancing players. Titles of mainstream articles are bold, while more esoteric or less important titles are in italics. Media Codes To describe attributes of the intended media, PDF documents are noted with these Media Codes: Media Size Description Portrait orientation, 1-2 columns, US Letter, usually single column, best 8.5"W for printing and viewing on a moderate to large screen. Articles P x 11"H published before July 1, 2018 and most other bridge material is in this format. 11"W x Landscape orientation, 1-2 columns, US Letter. Only used fort the L 8.5"H occasional spreadsheet that is too wide for some other format. Portrait orientation, 1 column, US Junior (Half Letter).
    [Show full text]
  • Powerpoint 2007
    Office 2007 Microsoft Office Fluent User Interface ........................................................................................................................................................ 2 Key Components ......................................................................................................................................................................................... 2 The Office Button .................................................................................................................................................................................... 2 The Ribbon .............................................................................................................................................................................................. 3 Contextual Tabs ....................................................................................................................................................................................... 3 Galleries .................................................................................................................................................................................................. 3 Live Preview ........................................................................................................................................................................................... 3 Mini Toolbar ..........................................................................................................................................................................................
    [Show full text]
  • A Catalogue of the Wood Type at Rochester Institute of Technology David P
    Rochester Institute of Technology RIT Scholar Works Theses Thesis/Dissertation Collections 11-1-1992 A Catalogue of the wood type at Rochester Institute of Technology David P. Wall Follow this and additional works at: http://scholarworks.rit.edu/theses Recommended Citation Wall, David P., "A Catalogue of the wood type at Rochester Institute of Technology" (1992). Thesis. Rochester Institute of Technology. Accessed from This Thesis is brought to you for free and open access by the Thesis/Dissertation Collections at RIT Scholar Works. It has been accepted for inclusion in Theses by an authorized administrator of RIT Scholar Works. For more information, please contact [email protected]. School ofPrinting Management and Sciences Rochester Institute ofTechnology Rochester, New York Certificate ofApproval Master's Thesis This is to Certify that the Master's Thesis of David P. Wall With a major in Graphic Arts Publishing has been approved by the Thesis Committee as satisfactory for the thesis requirement for the Master ofScience degree at the convocation of DECEMBER 1992 Da,e Thesis Committee: David Pankow Thesis Advisor Marie Freckleton Graduate Program Coordinator George H. Ryan Direcmr or Designa[e A Catalogue of the Wood Type at Rochester Institute of Technology by David P. Wall A thesis project submitted in partial fulfillment of the requirements for the degree of Master of Science in the School of Printing Management and Sciences in the College of Graphic Arts and Photography of the Rochester Institute ofTechnology November 1992 Project Advisor: Professor David Pankow Introduction type,' When Adobe Systems introduced in 1990 their first digital library of 'wood the event marked the latest step forward in a tradition dating back to 1828, when Darius Wells, ofNew Wells' York City, perfected the equipment and techniques needed to mass produce wood type.
    [Show full text]
  • Lushootseed Unicode Keyboard Help
    Lushootseed Unicode Keyboard 1.1 Overview Design This Keyman keyboard is designed for Lushootseed, a language of the Pacific Northwest spoken in Washington state. The arrangement of Lushootseed letters on this keyboard closely follow the arrangement of keys in a standard English QWERTY keyboard. On Screen Keyboard This keyboard includes an On Screen Keyboard view for easy reference. The On Screen Keyboard works best when associated with a QWERTY US layout. Fonts This is a Unicode keyboard and works with any Unicode font which has support for Lushootseed characters. Common fonts which work with Lushootseed are: Arial Consolas Arial Unicode MS Courier New Calibri Tahoma Cambria Times New Roman This keyboard also includes the following fonts which work well with Lushootseed: Lushootseed Sulad Gentium Plus Lushootseed School Keyboard Layout Lushootseed Unicode: Unshifted ` 1 2 3 4 5 6 7 8 9 0 - = Backspace © 1 2 3 4 5 6 7 8 9 0 - = Tab q w e r t y u i o p [ ] \ q w ə š t y u i ʷ p [ ] \ Caps Lock a s d f g h j k l ; ' Enter a s d ʔ g h ǰ k l ɬ ' Shift z x c v b n m , . / Shift & x c č b n m , . / Ctrl Alt Alt Ctrl Lushootseed Unicode: Shifted ~ ! @ # $ % ^ & * ( ) _ + Backspace © ! @ # $ % ^ & * ( ) _ + Tab Q W E R T Y U I O P { } ¦ ; < ;ʷ = > kʷ ? { } ¦ Caps Lock A S D F G H J K L : " Enter qʷ dᶻ gʷ Aʷ A B C " Shift Z X C V B N M < > ? Shift &ʷ xʷ E F G H I < > ? Ctrl Alt Alt Ctrl Keyboard Details You can find most keys on the Lushootseed keyboard by thinking of a similar letter in English.
    [Show full text]
  • Choosing Fonts – Quick Tips
    Choosing Fonts – Quick Tips 1. Choose complementary fonts – choose a font that matches the mood of your design. For business cards, it is probably best to choose a classic font. *Note: These fonts are not available in Canva, but are in the Microsoft Office Suite. For some good Canva options, go to this link – https://www.canva.com/learn/canva-for-work-brand-fonts/ Examples: Serif Fonts: Sans Serif Fonts: Times New Roman Helvetica Cambria Arial Georgia Verdana Courier New Calibri Century Schoolbook 2. Establish a visual hierarchy – Use fonts to separate different types of information and guide the reader - Use different fonts, sizes, weights (boldness), and even color - Example: Heading (Helvetica, SZ 22, Bold) Sub-heading (Helvetica, SZ 16, Italics) Body Text (Garamond, SZ 12, Regular) Captions (Garamond, SZ 10, Regular 3. Mix Serifs and Sans Serifs – This is one of the best ways to add visual interest to type. See in the above example how I combined Helvetica, a sans serif font, with Garamond, a serif font. 4. Create Contrast, Not Conflict: Fonts that are too dissimilar may not pair well together. Contrast is good, but fonts need a connecting element. Conflict Contrast 5. Use Fonts from the Same Family: These fonts were created to work together. For example, the fonts in the Arial or Courier families. 6. Limit Your Number of Fonts: No more than 2 or 3 is a good rule – for business cards, choose 2. 7. Trust Your Eye: These are not concrete rules – you will know if a design element works or not! .
    [Show full text]
  • Perceived Legibility of Onscreen English Fonts: an Exploration Into Readers and Font Types
    Perceived Legibility of Onscreen English Fonts: An Exploration into Readers and Font Types Dr. Chatpong Tangmanee, Chulalongkorn Business School, Chulalongkorn University, Thailand Thanaphorn Rotworaphorn, Chulalongkorn Business School, Chulalongkorn University, Thailand ABSTRACT Onscreen English fonts have a critical role in communicating information. Although there has been research into the legibility of these fonts, no study has yet explored font legibility in the context of ethnicity across font types. The present study attempts to fill this void. 402 Thai and non-Thai participants completed questionnaires that displayed texts using serif, sans serif and script fonts. The analysis revealed that Thai and non-Thai readers’ perception of font legibility are similar. Comparing between the two ethnicities, the differences in perceived legibility of the serif and script fonts are statistically significant however the difference when compared to the sans serif was not significant. In addition, Thai readers perceived significantly different degrees of legibility among the three fonts. Yet, non-Thai readers perceived legibility of the serif and the sans serif fonts to be about the same but significantly different from the script font. In addition to extending theoretical insights into digital typography across two groups of viewers, practitioners could adopt the findings and use the onscreen English fonts that enhance viewers’ legibility Keywords: Perceived legibility; Onscreen English fonts; Thai and Non-Thai readers; Serif; Sans serif; Script INTRODUCTION An onscreen English font is a set of English characters on a computer monitor of a certain design. A font is conceptually different from a typeface. In traditional typography, a font refers to a complete character set of a single size and style of a given typeface.
    [Show full text]
  • Vision Performance Institute
    Vision Performance Institute Technical Report Individual character legibility James E. Sheedy, OD, PhD Yu-Chi Tai, PhD John Hayes, PhD The purpose of this study was to investigate the factors that influence the legibility of individual characters. Previous work in our lab [2], including the first study in this sequence, has studied the relative legibility of fonts with different anti- aliasing techniques or other presentation medias, such as paper. These studies have tested the relative legibility of a set of characters configured with the tested conditions. However the relative legibility of individual characters within the character set has not been studied. While many factors seem to affect the legibility of a character (e.g., character typeface, character size, image contrast, character rendering, the type of presentation media, the amount of text presented, viewing distance, etc.), it is not clear what makes a character more legible when presenting in one way than in another. In addition, the importance of those different factors to the legibility of one character may not be held when the same set of factors was presented in another character. Some characters may be more legible in one typeface and others more legible in another typeface. What are the character features that affect legibility? For example, some characters have wider openings (e.g., the opening of “c” in Calibri is wider than the character “c” in Helvetica); some letter g’s have double bowls while some have single (e.g., “g” in Batang vs. “g” in Verdana); some have longer ascenders or descenders (e.g., “b” in Constantia vs.
    [Show full text]
  • SHOPC Minutes
    · IOLu\f\ Clex-~ Kc.J 1 \) 1 Approved May 6, 2020 SJlo Izozo 2 I).' LI J'.W1 3 s 4 ~ ~ 5 THE SOUTHBOROUGH HOUSING OPPORTUNITY PARTNERSHIP COMMITTEE 6 (SHOPC) 7 MEETING MINUTES 8 Wednesday, April 29, 2020 8:30 AM 9 VIRTUAL MEETING/REMO E PARTICIPATION 10 11 Members present: Doriann Jasinski, Lisa Braccio, John Wood, Alex Frisch, Tom Bhisitkul, Tom Marcoulier 12 and Jesse Stein. Also present: Karina Quinn, Town Planner, Sarah Hoecker, Business Administrator I and 13 Kathleen Battles, Recording Secretary. Sarah Hoecker managed virtual connection through ZOOM 14 application. 15 16 CALL TO ORDER: The meeting was called to order at 8:44 AM. 17 18 Ms. Jasinski read the following statement: 19 Pursuant to Governor Baker's March 12, 2020 Order Suspending Certain Provisions of the Open Meeting 20 Law, G.L. c. 30A, &18, and the Governor's March 15, 2020 Order imposing strict limitations on the 21 number of people that may gather in one place, this meeting of the Southborough Housing Opportunity 22 Partnership Committee (SHOPC) is being conducted via remote participation to the greatest extent 23 possible. Specific information and the general guidelines for the remote participation by members of 24 the public and/ or parties with a right and/or requirement to attend this meeting can be found on the 25 Town of Southborough's website, at https://www.southboroughtown.com/. 26 For this meeting, members of the pubic who wish to listen to the meeting or participate in the public 27 hearing may do so in the following manner: 28 https://www.southboroughtown.com/remotemeetings 29 30 No in-person attendance of members of the public will be permitted, but every effort will be made to 31 ensure that the public can adequately access the proceedings in real time, via technological means.
    [Show full text]
  • System Profile
    Steve Sample’s Power Mac G5 6/16/08 9:13 AM Hardware: Hardware Overview: Model Name: Power Mac G5 Model Identifier: PowerMac11,2 Processor Name: PowerPC G5 (1.1) Processor Speed: 2.3 GHz Number Of CPUs: 2 L2 Cache (per CPU): 1 MB Memory: 12 GB Bus Speed: 1.15 GHz Boot ROM Version: 5.2.7f1 Serial Number: G86032WBUUZ Network: Built-in Ethernet 1: Type: Ethernet Hardware: Ethernet BSD Device Name: en0 IPv4 Addresses: 192.168.1.3 IPv4: Addresses: 192.168.1.3 Configuration Method: DHCP Interface Name: en0 NetworkSignature: IPv4.Router=192.168.1.1;IPv4.RouterHardwareAddress=00:0f:b5:5b:8d:a4 Router: 192.168.1.1 Subnet Masks: 255.255.255.0 IPv6: Configuration Method: Automatic DNS: Server Addresses: 192.168.1.1 DHCP Server Responses: Domain Name Servers: 192.168.1.1 Lease Duration (seconds): 0 DHCP Message Type: 0x05 Routers: 192.168.1.1 Server Identifier: 192.168.1.1 Subnet Mask: 255.255.255.0 Proxies: Proxy Configuration Method: Manual Exclude Simple Hostnames: 0 FTP Passive Mode: Yes Auto Discovery Enabled: No Ethernet: MAC Address: 00:14:51:67:fa:04 Media Options: Full Duplex, flow-control Media Subtype: 100baseTX Built-in Ethernet 2: Type: Ethernet Hardware: Ethernet BSD Device Name: en1 IPv4 Addresses: 169.254.39.164 IPv4: Addresses: 169.254.39.164 Configuration Method: DHCP Interface Name: en1 Subnet Masks: 255.255.0.0 IPv6: Configuration Method: Automatic AppleTalk: Configuration Method: Node Default Zone: * Interface Name: en1 Network ID: 65460 Node ID: 139 Proxies: Proxy Configuration Method: Manual Exclude Simple Hostnames: 0 FTP Passive Mode:
    [Show full text]