DOCSLIB.ORG

Art of Living Bhajans

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Art of Living Bhajans Art Of Living Bhajans His Holiness Sri Sri Ravi Shankar BEGINNING OF SATSANG........................................................................................... 8 OM NAMAH SHIVAYA......................................................................................................... 8 VER 1................................................................................................................................... 8 VER 2................................................................................................................................... 8 OM NAMO BHAGAVATE VASUDEVAYA.............................................................................. 8 VER 1................................................................................................................................... 8 VER 2................................................................................................................................... 8 VER 3................................................................................................................................... 9 VER 4................................................................................................................................... 9 VER 5................................................................................................................................... 9 VER 6................................................................................................................................... 9 VER 7................................................................................................................................... 9 GURU BRAHMA GURU VISHNU GURU MAHESHWARAHA ................................................. 9 VER 1................................................................................................................................... 9 VER 2................................................................................................................................... 9 VER 3................................................................................................................................. 10 GANESHA SONGS ........................................................................................................ 11 GANESHA SHARANAM SHARANAM GANESHA ................................................................. 11 VER 1................................................................................................................................. 11 VER 2................................................................................................................................. 11 GOURI NANDANA GAJANANA........................................................................................... 11 SHRI GANARAYA JAY GANARAYA ................................................................................... 12 VISHWADHARA VINAYAKA .............................................................................................. 12 GANAPATI OM JAYA GANAPATI OM ............................................................................... 13 GANESHA OM ................................................................................................................... 13 DIVINE MOTHER SONGS .......................................................................................... 14 BHAJAMANA MA............................................................................................................... 14 AMBA KALI MA................................................................................................................ 14 DURGE JAYA MA KALI KAPALINA MA ........................................................................... 14 VER 1................................................................................................................................. 14 VER 2................................................................................................................................. 15 DEVI JAGA-JANANI .......................................................................................................... 15 KALI DURGE NAMO NAMAH............................................................................................ 16 VER 1................................................................................................................................. 16 VER 2................................................................................................................................. 16 JAY MA KALI DURGE MA................................................................................................ 16 SATYA MA MA.................................................................................................................. 16 VER 1 [CHRISTINA]............................................................................................................ 16 VER 2................................................................................................................................. 17 VER 3 [SACRED CHANTS] .................................................................................................. 17 KALI KALI MAHAMAYA................................................................................................... 17 JAI AMBE JAGADAMBE .................................................................................................... 18 VANDE BHUVANESHWARI ................................................................................................ 19 2 JAI JAI DURGE MA SHRI BHUVANESHWARI MA............................................................. 19 AMBA AMBA JAYA JAGADAMBA...................................................................................... 19 JAI DURGA LAXMI SARASWATI ....................................................................................... 20 AMBA BHAVANI JAYA JAGADAMBE................................................................................. 20 JAGADODHARINI MATA DURGA ...................................................................................... 20 AMBA MA…KALI MA…GAURI MA…............................................................................ 21 MAHA BHAVANI MAHESHWARI....................................................................................... 21 OM MATA KALI OM MATA DURGA ................................................................................ 22 SARASWATI MAHA LAKSHMI DURGA DEVI NAMAH....................................................... 22 SHAKTI DEVI KI JAI ......................................................................................................... 22 VER 1................................................................................................................................. 22 VER 2................................................................................................................................. 22 GURU SONGS ................................................................................................................ 23 GURUJI SHARANAM.......................................................................................................... 23 GURU DEVA SHARANAM .................................................................................................. 23 JAYA GURU OM ................................................................................................................ 23 VER 1................................................................................................................................. 23 VER 2................................................................................................................................. 24 GURU DEVA SHANKARA................................................................................................... 24 JAYA GURU OMKARA....................................................................................................... 24 JAYA GURU DEVA GURU OM NAMO NARAYANA............................................................ 24 VER 1................................................................................................................................. 24 VER 2................................................................................................................................. 25 OM NAMAH SHIVAYA GURAVE........................................................................................ 25 VER 1................................................................................................................................. 25 VER 2................................................................................................................................. 25 OM GURU OM GURU DEVA DEVA ................................................................................... 25 (VER 1) .............................................................................................................................. 25 (VER 2) .............................................................................................................................. 25 GURU KRIPA KARO .......................................................................................................... 26 GURU OM.......................................................................................................................... 26 TERE NAAM KE SIVA ....................................................................................................... 26 SHIVA SONGS ..............................................................................................................
Load more

Recommended publications
  • A Thesis Submitted for the Award of the Ph.D. Degree of UNIVERSITY of KOTA in the Faculty of Arts by TANU RAJPAL Under the Supe
    MYTHOLOGICAL AND FOLK ELEMENTS: A CRITICAL STUDY OF THE SELECTED NOVELS OF RAJA RAO AND R.K.NARAYAN A Thesis Submitted for the Award of the Ph.D. degree of UNIVERSITY OF KOTA in the Faculty of Arts By TANU RAJPAL Under the supervision of Dr. (Mrs.) Jatinder Kohli Department of English Government College Kota, Kota. UNIVERSITY OF KOTA, KOTA 2017 (i) Dedicated to my Father & Mother, For their ceaseless Love and Inspiration. (ii) DECLARATION I, Ms. Tanu Rajpal D/o Sh. Anil Rajpal resident of Vigyan Nagar, Kota, hereby, declare that the research work incorporated in the present thesis entitled Mythological and Folk Elements: A Critical Study of Selected Novels of Raja Rao and R. K. Narayan is my own work and is original. This work (in part or in full) has not been submitted to any University for the award of a Degree or a Diploma. I have properly acknowledged the material collected from secondary sources wherever required. I solely own the responsibility for the originality of the entire content. Date: Signature of the Candidate Place: Kota (iii) SUPERVISOR'S CERTIFICATE I feel great pleasure in certifying that the thesis entitled Mythological and Folk Elements: A Critical Study of Selected Novels of Raja Rao and R. K. Narayan embodies a record of the results of investigations carried out by Ms Tanu Rajpal for the degree of Doctor of Philosophy in the Department of English, Govt. College, Kota, Kota (Rajasthan) under my guidance. I am satisfied with the analysis of data, interpretation of results and the conclusions drawn. It is an original piece of research carried out by the candidate under my supervision.
    [Show full text]
  • The Essence of Bhagavad Gita
    With the inspiration from great saints who are well known for their Bhakti and Bhajan compositions Copyright © 2013 First Edition, Dec 2013. All rights reserved. ii Contents Introduction ....................................................................................... v Chapter 1: Prayer .............................................................................. 2 Chapter 2: Guru Bhajan ................................................................... 3 Chapter 3: Lord Ganesha Bhajans .................................................. 4 Lord Ganesha Bhajan - 2 ................................................................. 5 Lord Ganesha Bhajan - 3 ................................................................. 6 Chapter 4: Lord Muruga Bhajans ................................................... 7 Lord Muruga Bhajan - 2 .................................................................. 8 Lord Muruga Bhajan - 3 .................................................................. 9 Chapter 5: Divine Mother (Durga) Bhajans ................................. 10 Durga Bhajan - 2 ........................................................................... 11 Chapter 6: Lord Shiva Bhajans ..................................................... 12 Lord Shiva Bhajan - 2 ................................................................... 13 Lord Shiva Bhajan - 3 ................................................................... 14 Lord Shiva Bhajan - 4 ................................................................... 15 Lord Shiva Bhajan
    [Show full text]
  • Central Reserve Police Force Roll No Wise List of Not Qualified Candidates for the Written Examination of Asi (Steno) 2016-17
    EXAM DATE : 16/07/2017 Page 1 CENTRAL RESERVE POLICE FORCE ROLL NO WISE LIST OF NOT QUALIFIED CANDIDATES FOR THE WRITTEN EXAMINATION OF ASI (STENO) 2016-17 Srl No Roll No App. No. Candidate's Name / Father's Name Catg. Result 1 011000001 ASI10000056 GELIME SRIDHAR REDDY / GELIME VENKAT RANGA REDDY GEN Fail 2 011000034 ASI10011659 SURE BRAHMAM / S RAMAIAH GEN Fail 3 011000041 ASI10012786 SHAIK ABDUL RASHEED / SHAIK KHAJA HUSSAIN GEN Absent 4 011000110 ASI10042175 LAVANYA KUNCHALA / VISWESWARA REDDY KUNCHALA GEN Absent 5 011000132 ASI10045432 MADDURI POTHI REDDY / M JAYACHANDRA REDDY GEN Absent 6 011000145 ASI10048381 PRASHANT LAXMAN PARATE / LAXMAN SOMAJI PARATE GEN Absent 7 011000147 ASI10048782 DANDU SULTHAN BASHA / DANDU YUSUF GEN Fail 8 011000165 ASI10054321 SAYYAPUREDDI CHINNA APPANNA DORA / SAYYAPUREDDI GEN Absent SRINIVAS RAO 9 011000171 ASI10057125 BHARGAVI KUNCHALA / VISWESWARA REDDY KUNCHALA GEN Absent 10 011000214 ASI10082854 SHAIK MAHABOOBSUBHANI / SHAIK VALLI GEN Fail 11 011000217 ASI10083817 SHAIK SHAREEF / SHAIK MASTAN GEN Absent 12 011000245 ASI10091589 MAMIDIPALLI SAIKUMAR / SITHA RAMAYYA GEN Absent 13 011000254 ASI10094378 THANNIRU RAMESH / SAMBASIVARAO GEN Fail 14 011000331 ASI10114842 ADDALA HARI SESHA SAI / ADDALA THRIMURTHULU GEN Absent 15 011000338 ASI10116117 SHAIK CHINNA MOULALI / SHAIK HUSSAIN SAHEB GEN Absent 16 011000353 ASI10118310 DAVA SANDHYA / DAVA SRINU GEN Absent 17 011000401 ASI10130118 POOSARLA RAMAKRUSHNA / POOSARLA SRINIVASARAO GEN Absent 18 011000410 ASI10133396 TADIKOTLA VINAY KUMAR REDDY / TADIKOTLA
    [Show full text]
  • Second Round up State Merit List of Md/Ms/Diploma Medical
    SECOND ROUND UP STATE MERIT LIST OF MD/MS/DIPLOMA MEDICAL State Rank Rollno Name Father name UPCategory NeetMarks weightage in % MarkswithWeightage NeetRank 1 2066092594 ATHAR SHAMIM SHAMIM AHMAD BC 890 0 890 291 2 2066121003 ARSHDEEP TIWARI B N TIWARI UR 882 0 882 405 3 2066066230 SHWETA MISHRA GAYA PRASAD MISHRA UR 677 30 880.1 13311 4 2066093175 VASAV TYAGI ARUN TYAGI UR 870 0 870 571 5 2066042561 HIMANSHU MISHRA MANOJ MOHAN MISHRA UR 866 0 866 636 6 2066091741 NEELANSHA VARSHNEY SURENDRA KUMAR VARSHNEY UR 861 0 861 720 7 2066114623 DHIRAJ KUMAR GUPTA GHANSHYAM GUPTA BC 662 30 860.6 15195 8 2066121065 PRASANT AGRAWAL GOPAL PRASAD AGRAWAL EW 860 0 860 748 9 2066005996 PRAJWAL GUPTA ARUN KUMAR GUPTA UR 858 0 858 778 10 2066124674 KISLAYA KAMAL SANJIVA KUMAR UR 857 0 857 813 11 2066001260 KANIKA AGARWAL KAMAL AGARWAL UR 852 0 852 958 12 2066042028 SATYA PRAKASH KUSHAWAHA RAJ BANSH KUSHAWAHA BC 709 20 850.8 9578 13 2066001312 PRANAV MISHRA SHIV LAL MISHRA UR 849 0 849 1039 14 2066092450 VAIBHAV THAKUR RAJ KUMAR THAKUR UR 847 0 847 1091 15 2066112919 GUNJAN RAJ KUMAR SHARMA UR 846 0 846 1112 16 2066092248 AISHWARYA RAKESH KUMAR UR 841 0 841 1242 17 2066092846 ARBAZ ZUBAIR ZUBAIR AHMAD KHAN UR 837 0 837 1348 18 2066116113 NARENDRA KUMAR DURGA PRASAD UR 696 20 835.2 10926 19 2066117900 KRITI LALIT UR 833 0 833 1495 20 2066093086 EESHA SHUKLA ARUN KUMAR SHUKLA UR 832 0 832 1530 21 2066091595 RADHIKA RANJAN BISWAS SUSHIL CHANDRA BISWAS UR 639 30 830.7 18640 22 2066098836 GEETIKA BANSAL PRAVEEN KUMAR BANSAL UR 828 0 828 1666 23 2066006287 SANYAM
    [Show full text]
  • Lesson 4 – Vishnu Lakshmi
    Mangal Mandir Jagrati Class Lesson 4 September 27, 2015 Vishnu: Among, the Hindu Trinity of Gods, Lord Vishnu is the maintainer of the Universe. Forms of Vishnu Lord Vishnu is the protector of creation. Most of the time, good and evil forces are evenly matched in the world. But at times, the balance is destroyed and evil demons get the upper hand. Often in response to a request by the other gods, Vishnu then incarnates to set the balance right again. He maintains the cosmic order Dharma in the universe. The most popular human forms of Vishnu are Ram and Krishna. Lord Vishnu took the form of Ram to kill evil king Ravana. He came as Krishna to kill his uncle evil Kamsa. He is known to have taken many other forms such as fish, tortoise, and the divine form of half lion and half man. Vishnu’s vahana: Garuda the eagle. Vishnu’s Astra: Sudarshan Chakra, the discus. Of all weapons, Sudarshan Chakra is the one which is constantly in motion. Lord Vishnu holds it in his index finger. After the enemy is destroyed, the chakra returns to Lord Vishnu. Even after releasing it, it remains under His control. Vishnu’s Mantra: Narayan Narayan Vishnu’s abode: Vishnu's abode, Vaikuntha, is made of gold and jewels. However, he is usually depicted reclining on Seshnaga, who floats on the cosmic ocean. Lakshmi Lakshmi is the goddess of light, beauty, good fortune and wealth. Being the consort of Vishnu, the preserving principle, Lakshmi also signifies love and grace. Lakshmi often expresses her devotion to Vishnu by massaging his feet as he lies on the coils of the snake Shesha.
    [Show full text]
  • 9Th Counselling.Xlsx
    9th Common Counselling List of B.A. Hons Date of Counselling - 23.12.2020, Reporting time 12.30 pm, Place : Wheeler Senate House, Patna University Fee : Rs. 2500/-only (to be adjustable at College in due course if there is any difference, (For SC/ST & Women - Rs.170/-only) Payment through Bank Challan / Demand Draft drawn in favour of Registrar, Patna University, payable at Patna, Original SLC/CLC is mandatory. Other original documents will be returned after verification. Admission is subject to availability of seats in the respective subject and category. For vacancy see the table. Bring application forms alongwith the cut of marks. All the applicants who appeared in the Entrance test and willing to take admission in the following subjects of the Faculty of Humanities may attend counselling irrespective of the marks they obtianed. For details vacancy see the table. 1 Sanskrit 2 Urdu 3 Maithili 4 Persian 5 Music 6 Home Science 7 Arabic 8 Bengali For other subjects under the Faculty of Social Sciences like Political Science, History, Economics, Sociology, Geography, Mathematics, Statistics, the following candidates may attend the counselling. For details of vacancy see the table. Sl.No.
    [Show full text]
  • Art of Living Bhajans
    1. Lambodara Lambodara Hey Vigneshwara Shambo kumara Vigneshwara Ambika Tanaya Om kareshwar Hey Ramba Hey Ramba Vigneshwara Mourya re bappa mourya re (Low , High ) Ganapati Bappa Mourya, Mangal Moorthy Mourya (High ,Low ) 2. Vakratunda Mahakaya Vakratunda Mahakaya Koti Surya Samaprabha Nirvignam Kurumedeva (2) Sarvakaryeshu Sarvada (2) Mahaganapate Gajaanana Sri Mahaganapate Gajaanana Uma Maheswara Priya Nandana (2) Mahaganapate Gajaanana Gana Nayaka Vandita Vharana (2) Taba Charanam Bhava Bhaya Haranam (2) Sri Mahaganapate Gajaanana (2) [Repeat Para] Gajaanana Gaja Vadhana Hey Rambha Gajaanana [Repeat many times at different speed] Hey Rambha Gajaanana [Repeat many times at different speed] 3. Vinayaka Vinayaka Vinayaka vinayaka Vishwadhara vinayaka …. Vinayaka vinayaka…. Siddhi vinayak bhav bhaya hara Sur muni vandit shri ganesha Vishwadhara vinayaka… Vinayaka Vinayaka… 4. Gouri Nanadana Gajanara Gouri Nanadana Gajanara, Girijananda Niranjana Parvati Nanadana Shubanana Shubanana Shubanana Pahi praBho maam Pahi praSanna Gouri Nanadana Gajanara, Girijananda Niranjana Nartana sundara niranjana Niranjana…Niranjana…. Pahi praBho maam Pahi praSanna Gouri Nanadana Gajanara, Girijananda Niranjana 5. Pratham Vandan Pratham vandan… Gauri nandan… He shiv nandan… Pahi gajanan.. Pratham vandana.. Gauri nandan… Ek danth..Gunvanth Vinayak Mangala charana….Sankat harna Pranav Swaroopa pahi gajanan.. Pratham vandan… Gauri nandan… 6. Ganesha om Ganesha om Ganesha om Ganesha om, Ganesha om Ganesha om Ganesha om Ganesha om, Ganesha om gavo Ganesha om, Ganapati bapa moriya Ganesha om Ganesha om Ganesha om, Ganesha om gavo Ganesha om, Siddhi vinayaka ganesha om Lambodara hai ganesha om Ganesha om Ganesha om, Ganesha om gavo Ganesha om, Vishwadara ganesha om Mangala-murthi ganesha om Ganesha om Ganesha om, Ganesha om gavo Ganesha om, 7.
    [Show full text]
  • Discussion611.Pdf
    VCD.No.611 T.P.G. वातालाप नं 611, दनांक 24.08.2008, ट.पी.जी. Disc.CD No. 611, dated 24.08. 2008, at T.P.G. समय- 00.58-01.44 िजास:::-ु:--- बाबा अट लमी अलग है, अट देवी अलग है। बाबा :::-:--- अट देव ह तो उनक अट देवयाँ भी ह और आठ नारायण ह सतयगु के। तो उनक आठ लमी भी ह। सतयगु म नारायण कतने होग? 8 नारायण होग। तो लमी भी कतनी हगी ? 8 लमी हगी। और? िजास:::-ु:--- धन लमी , धाय लमी , देवी लमी... बाबा :::-:--- हाँ-हाँ, वो तो चाहे गनाते चले जाओ। Time: 00.58-01.44 Student: Baba, the eight Lakshmis and the eight devis are different. Baba: There are eight deities so there are their eight devis (female deities) as well. And there are eight Narayans of the Golden Age. So, they have eight Lakshmis as well. How many Narayans will there be in the Golden Age? There will be eight Narayans. So, how many Lakshmis will there be as well? There will be eight Lakshmis. Student: Dhan Lakshmi, Dhaanya Lakshmi, Devi Lakshmi… Baba: Yes, they can be counted as many as you wish. समय- 01.54-10.35 िजास:::-ु:--- बाबा, महाभारत म दखाया है क खदु इ ने कण के पास जा करके कवच, कंु डल मांा ना। बाबा :::-:--- कसके पास जाके ? िजास:::-ु:--- कण के पास । बाबा :::-:--- कु ती ने? िजास:::-ु:--- इ ने। बाबा :::-:--- इ ने जा करके दान मांगा। िजास:::-ु:--- खास अजुन के लये ह मांगा ना ? बाबा :::-:--- वो उसका बचा था ना। िजास:::-ु:--- इ म भी ऐसा ममव होता है तो ये तो ..
    [Show full text]
  • Raja Rao, RK Narayan and Mulk Raj Anand
    6 5 ?5 ASPECTS OF IDENTITY IN THE INDO-ENGLISH NOVEL: A STUDY OF THREE NOVELISTS : RAJA RAO, R. K. NARAYAN AND MULK RAJ ANAND by Ronal d Shepherd B"A. (Hons) . A thesis submitted for the degree of Doctor of Philosophy in the Department of Eng'lÍsh, University of Adelaide June1974. TABLE OF CONTENTS Page SUMMARY iv DECLARATION vi ACKNOÌdLEDGEMENTS vii PREFACE ix INTRODUCTION Chapter RAJA RAO I. SYMBOLIC ORGANIZATION IN THE SERPENT AND THE ROPE 9 II. CHARACTER 0F RAMASI^,AMY 43 III. DUALISM AND NON-DUALISM 60 IV. SYMBOLISM IN THE CAT AND SHAKESPEARE 77 V. MOVEMENT IN KANTHAPURA sv R.K. NARAYAN VI. QUE ST, CYCLIC AND LINEAR DIMENSIONS IN THE INANCIAL EXPERT, THE GUIDE AND THE VENDOR OF 112 VI I. AND IN THE OTHER NOVELS 141 MULK RAJ ANAND UII. THE POWER OF DARKNESS IN ANAND'S NOVELS 160 IX. SOME COMPARISONS IN THE NOVELS OF RAO, NARAYAN AND ANAND 201 General Approach 201 Styl e 206 't1 Chapter Page Myth 211 Myth as Al legory 219 CONCLUSION 229 APPENDIX. 232 BIBL IOGRAPHY 233 't1'l SUMMARY This thesis attempts to examine certain features in the novels of three Indo-Eng'lish authors which might, in some sense,, be calIed "Indian." Chapter I considers the Indian mandala or yantra as a possible conceptual model in Raj a Rao's novel The Serpent and the Rope. Chapter II deals with Raja Rao's central character Ramaswamy in the light of the traditional Indian hero and the modern novel hero. In Chapter III we look at some of the com- plexities inherent in Ramaswamy's "pi'lgrimage." Chapter IV con- siders Raja Rao's modification in The Cat and Shakespeare of the more overt'ly emblematic symbol'ism discussed'in Chapter I.
    [Show full text]
  • Bauddhik Plan for Age Group
    Syllabus Year II, Quarter IV Age Group : 5 to 8 Gokulam is the place where Lord Krishna‛s magical days of childhood were spent. It was here that his divine powers came to light. Every child has that spark of divinity within. Bala- Gokulam is a forum for children to discover and manifest that divinity. It‛s objective is to enable Hindu children in US to appreciate their cultural roots and learn Hindu values in an enjoyable manner. This is done through weekly gatherings and planned activities which include games, yoga, stories, shlokas, bhajan, arts and crafts and much more...... Balagokulam is a program of Hindu Swayamsevak Sangh (HSS). Visit http://www.balagokulam.org Table of Contents October Shloka/Bhajan/Geet ......................................................................4 Vijayadashami ..............................................................................6 Story of King Ambarish ................................................................9 Story of King Rantideva .............................................................10 Project ........................................................................................12 Exercise ......................................................................................13 November Shloka/Bhajan/Geet ....................................................................16 Story of Satyakam .....................................................................18 Story of Ajamil ...........................................................................20 Story of Sage Valmiki
    [Show full text]
  • Shree Janmangal Kathasaar: Shree Janmangal - Its Divine Essence
    ll Shree Swaminarayan Vijaytetram ll Shree Janmangal Kathasaar: Shree Janmangal - Its Divine Essence Published with the due blessings of: H.H. Acharya Maharaj 1008 Shree Koshalendraprasadji Maharajshree, Shree NarNarayan Dev Desh Diocese, Ahmedabad In loving memory of our great Saint: Late Brahmnishth Sadguru Mahant Shastri Swami Shree Dharmajeevandasji Printed and Published by: Shree Swaminarayan Mandir Bhuj – Kutch India Mahant Purani Swami Dharmanandandasji Samvat 2074 First English Edition Date: 09/05/2008 Vaishakh Sud 5 3000 Copies Friday Available at: Shree NarNarayan Dev, Kothar Shree Swaminarayan Mandir Bhuj – Kutch. 3700001 This English Edition of the Scripture ‘Shree Janmangal – Its Divine Essence’ from Gujarati to English is Sponsored by: (London Residents) Late Father Gorasia Valjibhai Gangji - Wife Dhanbai, Son Gorasia Laljibhai Valji - Wife Premilaben, Grandson Arjanbhai Lalji - Wife Kantaben, Kerai Navinbhai Harji - Wife Kasturben, Bhanderi Meghjibhai Khimji - Wife Kantaben, Kerai Ravjibhai Meghji - Wife Manjulaben, Granddaughter Meenabai Lalji Gorasia, along with Sankhyogi Shyambai Arjan Hirani (Mirzapur) Printed by: Shree NarNarayan Printing Press, Shree Swaminarayan Mandir, Bhuj – Kutch India CONTENTS Preface Preface Introduction Intro The name of Shree Hari guides one to auspiciousness. It is a wing directing one to eternal bliss. Intro Shree Hari’s name only, is worthy of chanting. Intro Mantra (1) Aum Shree ShreeKrushnay Namah 1 Wed the soul with Supreme Shree Hari. 1 Mantra (2) Aum Shree ShreeVasudevay Namah 2 Shree Hari is in every atom and every particle. 2 Mantra (3) Aum Shree NarNarayanay Namah 3 One performing penance should remain a great distant apart from females. 3 Mantra (4) Aum Shree Prabhave Namah 4 Mantra (5) Aum Shree Bhakti-dharmatma-jay Namah 5 The fruit of devotion is Bhagwan.
    [Show full text]
  • Who Wants to Be a Goddess? Jai Santoshi Maa Revisited
    1 Who Wants to be a Goddess? Jai Santoshi Maa Revisited Philip Lutgendorf Audiences were showering coins, flower petals and rice at the screen in appreciation of the film. They entered the cinema barefoot and set up a small temple outside…. In Bandra, where mythological films aren’t shown, it ran for fifty weeks. It was a miracle. Anita Guha (actress who played goddess Santoshi Ma; cited in Kabir 2001:115) Ganesh, lord of beginnings and father of goddess Santoshi Ma. Genre, Film, and Phenomenon Cecil B. DeMille’s famously cynical adage, “God is box office,” may be applied to Indian popular cinema, the output of the world’s largest film industry, albeit with certain adjustments—one must pluralize and sometimes feminize its subject. The genres known as “mythologicals” and “devotionals” were present at the creation of the Indian film and have remained hardy perennials of its vast output, yet they constitute one of the least-studied aspects of this comparatively under-studied cinema. Indeed, I will venture that for scholars and critics, mythologicals have generally been “hard to see.” Yet DeMille’s words also belie the fact that most mythologicals—like most commercial films of any genre—flop at the box office. The comparatively few that have enjoyed remarkable and sustained acclaim hence merit study both as religious expressions and as successful examples of popular art and entertainment. Of the four hundred and seventy-five Indian films released in 1975, three enjoyed enormous success. All were in Hindi, the lingua franca of the entertainment industry based in Bombay (a.k.a.
    [Show full text]