Saturday Evening, February 20, 2016, at 8:30

Andy Karl & Orfeh

Steven Jamail, Music Director and Piano Britt Bonney, Keyboards and Vocals Tim Kodres, Vocals Arielle Murphy, Vocals Micah Burgess, Guitar The The Program Colin Dean, Bass Jeremy Yaddaw, Percussion

Charles Randolph-Wright, Director

This evening’s program is approximately 75 minutes long and will be performed without intermission.

Please make certain all your electronic devices are switched off.

Major support for Lincoln Center’s American Songbook is provided by Amy & Joseph Perella. Endowment support provided by Bank of America This performance is made possible in part by the Josie Robertson Fund for Lincoln Center.

Steinway Piano The Appel Room Jazz at Lincoln Center’s Frederick P. Rose Hall American Songbook

Additional support for Lincoln Center’s American Songbook is provided by The DuBose and Dorothy Heyward Memorial Fund, The Shubert Foundation, Jill and Irwin B. Cohen, The G & A Foundation, Inc., Great Performers Circle, Chairman’s Council, and Friends of Lincoln Center. Public support is provided by the New York State Council on the Arts. Artist catering provided by Zabar’s and zabars.com MetLife is th e National Sponsor of Lincoln Center

UPCOMING AMERICAN SONGBOOK EVENTS IN THE APPEL ROOM:

Wednesday Evening, February 24, at 8:30 Rhiannon Giddens, Leyla McCalla & Bhi Bhiman: Swimming in Dark Waters—Other Voices of the American Experience

Thursday Evening, February 25, at 8:30 La Santa Cecilia

Friday Evening, February 26, at 8:30 Charles Busch: The Lady at the Mic A cabaret tribute to Elaine Stritch, Polly Bergen, Mary Cleere Haran, Julie Wilson & Joan Rivers

Saturday Evening, February 27, at 8:30 Terri Lyne Carrington’s Mosaic Project: Love & Soul featuring Valerie Simpson & Oleta Adams

IN THE STANLEY H. KAPLAN PENTHOUSE:

Wednesday Evening, March 16, at 8:00 Luluc

Thursday Evening, March 17, at 8:00 Anaïs Mitchell

Friday Evening, March 18, at 8:00 The Cooper Clan All Together

The Appel Room is located in Ja zz at Lincoln Center’s Frederick P. Rose Hall. The Stanley H. Kaplan Penthouse is located in the Samuel B. and David Rose Building at 165 West 65th Street, 10th floor.

For tickets, call (212) 721-6500 or visit AmericanSongbook.org. Call the Lincoln Center Info Request Line at (212) 875-5766 or visit AmericanSongbook.org for complete program information.

Join the conversation: #LCSongbook

We would like to remind you that the sound of coughing and rustling paper might distract the performers and your fellow audience members. In consideration of the performing artists and members of the audience, those who must leave before the end of the performance are asked to do so between pieces. Flash photography and the use of recording equipment are not allowed in the building. American Songbook I Meet the Artists JENNY ANDERSON

Andy Karl & Orfeh

Meet the Artists the Meet Andy Karl is a back-to-back Tony, Drama Desk, Outer Critics Circle, and Drama League nominee for the 2014 and 2015 theater seasons. He won over audiences with his critically acclaimed performance as Rocky Balboa in the Broadway musical Rocky and later by showing his comedic skills starring opposite Kristin Chenoweth in the Broadway revival of On the Twentieth Century. Mr. Karl’s other Broadway credits include the Roundabout Theatre Company’s revival of The Mystery of Edwin Drood (Drama Desk nomination), Jersey Boys opposite John Lloyd Young, 9 to 5 opposite Allison Janney, Legally Blonde opposite Orfeh (ACCA Award), Wicked, The Wedding Singer, and Saturday Night Fever. Notably, he was in the original company of the Off-Broadway smash Altar Boyz and the Paper Mill Playhouse production of Romeo and Bernadette. Film and tele- vision credits include Law & Order: SVU, The Silent Treatment, Forever, And So It Goes (opposite Michael Douglas and Diane Keaton), Joyful Noise (opposite Dolly Parton and Queen Latifah), and Legally Blonde: The Search for Elle Woods. He is also a composer/lyricist.

Orfeh was nominated for Tony, Drama Desk, and Outer Critics Circle Awards for her portrayal of Paulette in the Broadway prod uction of Legally Blonde under the direction of Jerry Mitchell. Her other Broadway credits include the original casts of Saturday Night Fever, Footloose, and The Gershwins’ Fascinating Rhythm. Television and film credits include Sleeping with the Fishes, Life of an Actress, Across the Universe, Sex and the City, Law & Order: Criminal Intent, Kiss Me Again, and Temptation. Orfeh landed a record deal with EMI Records immediately after graduating from a performing arts high school, and in the early 1990s headlined the dance group Or-N-More. A whirlwind of coast-to-coast concerts, music- video shoots, and press appearances followed the release of the group’s self-titled album and single “Everyotherday.” As a songwriter, Orfeh earned a publishing deal with Warner/Chappell, and she has written and American Songbook I Meet the Artists

produced songs for other artists. She balances her acting and singing work with a career as one of the top voiceover artists around. Her debut solo CD, What Do You Want from Me, was released on Sh-K-Boom/Ghostlight Records.

Steven Jamail

A Texas native and Rice University alum, Steven Jamail’s (music director, piano) original music and arrangements have been performed on Broadway, in a sold- out solo d ebut at the New York Public Library for the Performing Arts, and at New York City Center, the Public Theater, Theater Under the Stars, and the White House. Television work includes original music and lyrics for Rachael Ray’s 40th birthday special, an arrangement for Howard Stern’s 60th birthday show, music direction for episodes of The Martha Stewart Show and The Apprentice, and arrangements for The Rosie Show, the 2014 Winter Olympics, and NBC’s Christmas in Rockefeller Center, which he also conducted. Mr. Jamail has soloed onstage with the U.S. Army Band and with jazz legend Chick Corea, and has conducted tribute concerts on Broadway for Chita Rivera, Cyndi Lauper, Queen Latifah, and Ian McKellan. His arrangement of “Fever” (with Rosie O’Donnell and Bobby Pearce) was heard on the final Oprah show. He music-directs for Grammy Award winner BeBe Winans, Olympic medalist Jeremy Abbott, and Tony nominees Andy Karl and Orfeh, as well as Broadway vets Katie Rose Clarke, Rachelle Rak, Teal Wicks, Danielle Hope, and more. Mr. Jamail is musical director of Rosie’s Theater Kids and has received the Envision Award for Arts Education.

Britt Bonney

Britt Bonney (keyboards, vocals) is a New York–based composer, music director, and vocalist. As a singer, she has performed on the Weather Channel, Fox, and the Hunchback of Notre Dame studio cast recording, which she also mixed and mastered together with Stephen Schwartz. Ms. Bonney’s eclectic vocal arrange- ments and orchestrations have been heard all over the country, on national tele- vision as well as in regional venues and on and Off-Broadway. She frequently works as an assistant to composer Alan Menken; recent projects include Disney’s Hunchback of Notre Dame, Mrs. Doubtfire, and ABC’s Galavant. She is an alumna of the BMI Lehman Engel Musical Theatre Workshop, and her orig- inal work has been featured at Lincoln Center, 54 Below, New York Musical Theatre Festival, Prospect Theater, and the New York Fringe Festival. She received a master of arts degree in vocal pedagogy from Columbia University.

Tim Kodres

Tim Kodres (vocals) is the lead singer and co-songwriter for the band Blacktop Daisy, whose new EP, Super Deluxe, is now available. Previous EPs include Tear It Down and Evolution. American Songbook I Meet the Artists

Arielle Murphy

Arielle Murphy’s (vocals) performing journey spans Kailua, Hawaii, to Texas via a short stint in Indiana. She began her professional career at the age of three. Classically trained in opera and musical theater, Ms. Murphy received her bachelor of music degree in vocal performance from Texas Tech University while doing regional theater both domestically and internationally. This evening ma rks Ms. Murphy’s Lincoln Center debut.

Micah Burgess

Micah Burgess (guitar) is a versatile guitarist whose credits include Cirque du Soleil’s Banana Shpeel, the first national tour of Come Fly Away, and numer- ous Off-Broadway productions. He has also been a sub on the Broadway pro- ductions of Beautiful, Newsies, Soul Doctor, and Mary Poppins. He has shared the stage with Matthew Broderick, Bebe Neuwirth, Ian McKellan, Christopher Meloni, Stephen Schwartz, Lynn Ahrens, Stephen Flaherty, Megan Hilty, Jeremy Jordan, Chuck Cooper, Richard Kind, Danielle Hope, Jane Monheit, Charlotte Jaconelli, Stephanie D’Abruzzo, and many more. His playing has been heard on television and radio, including the 2014 Winter Olympics, ABC Family’s Becoming Us, and National Public Radio.

Colin Dean

Colin Dean (bass) is a bassist, composer, music director, and artist manager. He currently works as a freelance musician in New York with some of the city’s best talent in the jazz, hip-hop, world music, and Broadway communi- ties, and has toured extensively across North America and internationally. Recent projects include a tour through Nepal, Mozambique, and Swaziland with Nomadic Wax Collective, for the U.S. Department of S tate’s flagship cultural diplomacy program, American Music Abroad. He also recently worked for several months in Sudan with American Voices, teaching music and acting as deputy director for a media-production training program. Other recent projects as a music director include performances supporting artists from Senegal and Cuba for the Kennedy Center’s One Mic Global Hip-Hop Festival, and from Algeria, the UK, and the U.S. for Wesleyan University’s Muslim Women’s Voices Festival.

Jeremy Yaddaw

Born in Texas and raised in the Adirondacks, Jeremy Yaddaw (percussion) is a drummer and percussionist now based in New York City. He plays regularly with the Nunziata Twins, Rosie’s Theater Kids, and Ryan Scott Oliver, and for a wide variety of Feinstein’s/54 Below concerts. Mr. Yaddaw is principal percussionist for the American Pops Orchestra in Washington, D.C., and for American Songbook I Meet the Artists

Weezer cover band Surf Wax America. He is also active in the New York City theater scene; credits include Piaf: A Centennial Celebration (Town Hall), Sisters’ Follies (Abrons Arts Center), Our Guy, Cy: The Songs of Cy Coleman and Jasper in Deadland (Prospect Theater), and Altar Boyz (New World Stages). His album Seven Songs can be found on iTunes.

Charles Randolph-Wright

Charles Randolph-Wright (director) is a director, writer, and producer for theater, film, and television. Theater directing credits include the record-breaking musi- cal Sophisticated Ladies (starring Maurice Hines) and the Pulitzer Prize–winning play Ruined at Arena Stage, the 75th anniversary international tour of Porgy and Bess, Brian Stokes Mitchell in Love/Life (Lincoln Center), Daniel Beaty’s Through the Night and Emergency, the na tional tour of Guys and Dolls, Blood Knot (featuring music by Tracy Chapman at American Conservatory Theater in San Francisco), The Diva is Dismissed (starring Jenifer Lewis), and They’re Playing Our Song (in Portuguese in Brazil). Mr. Randolph-Wright wrote the plays Blue (starring Phylicia Rashad and Diahann Carroll), The Night Is a Child (starring JoBeth Williams), Cuttin’ Up, and co-wrote Just Between Fr iends (starring Bea Arthur) on Broadway. He directed the award-winning film Preaching to the Choir, and has written screenplays for HBO, Showtime, Disney, and Fox. Television credits include directing Lincoln Heights (ABC Family), South of Nowhere (The N), BeBe Winans’s special America America, and producing and writing the Showtime series Linc’s. He was chosen for a playwright residency in Arena Stages’ A merican Voices New Play Institute, and was the recipient of the Paul Robeson Citation Award from the Actors Equity Foundation.

American Songbook

In 1998, Lincoln Center launched American Songbook, dedicated to the cele- bration of popular American song. Designed to highlight and affirm the cre- ative mastery of America’s songwriters from their emergence at the turn of the 19th century up through the present, American Songbook spans all styles and genres, from the form’s early roots in Tin Pan Alley and Broadway to the eclecticism of today’s singer-songwriters. American Songbook also show- cases the outstanding interpreters of popular song, including established and emerging concert, cabaret, theater, and songwriter performers.

Lincoln Center for the Performing Arts, Inc.

Lincoln Center for the Performing Arts (LCPA) serves three primary roles: pre- senter of artistic programming, national leader in arts and education and com- munity relations, and manager of the Lincoln Center campus. A presenter of more than 3,000 free and ticketed events, performances, tours, and educa- tional activities annually, LCPA offers 15 programs, series, and festivals includ- American Songbook ing American Songbook, Great Performers, Lincoln Center Festival, Lincoln Center Out of Doors, Midsummer Night Swing, the Mostly Mozart Festival, and the White Light Festival, as well as the Emmy Award–winning Live From Lincoln Center, which airs nationally on PBS. As manager of the Lincoln Center campus, LCPA provides support and services for the Lincoln Center complex and the 11 resident organization s. In addition, LCPA led a $1.2 bil- lion campus renovation, completed in October 2012.

Lincoln Center Programming Department Jane Moss, Ehrenkranz Artistic Director Hanako Yamaguchi, Director, Music Programming Jon Nakagawa, Director, Contemporary Programming Jill Sternheimer, Director, Public Programming Lisa Takemoto, Production Manager Kate Monaghan, Associate Director, Programming Charles Cermele, Pr oducer, Contemporary Programming Mauricio Lomelin, Producer, Contemporary Programming Regina Grande, Associate Producer Amber Shavers, Associate Producer, Public Programming Luna Shyr, Senior Editor Nick Kleist, Company Manager Olivia Fortunato, House Seat Coordinator

For American Songbook Matt Berman, Lighting Design Scott Stauffer, Sound Design Angela Fludd, Wardrobe Assistant

Matt Berman

Matt Berman is the resident lighting designer for Lincoln Center’s American Songbook. He continues his design work for Kristin Chenoweth, Liza Minnelli, Alan Cumming, Brian Stokes Mitchell, Lea Salonga, and Elaine Paige on the road. Through his work with ASCAP and several U.S.-based charities, Mr. Berman has designed for a starry roster that includes Bernadette Peters, Barbra Streisand, Reba McEntire, Melissa Errico, Deb orah Voigt, Michael Urie, Stevie Wonder, India Arie, Garth Brooks, Billy Joel, and Sting. His international touring schedule has allowed him to design for iconic venues such as Royal Albert Hall, the Paris Opera, the Olympia the- ater in Paris, Royal Theatre Carré in Amsterdam, the Sporting Club in Monte Carlo, the Acropolis, the famed amphitheater in Taormina, Sicily, Luna Park in Buenos Aires, and the Sydney Opera House. Closer to home, he has done work for the Hollywood Bowl, Alice Tully Hall, and Carnegie Hall. Mr. Berman’s television work includes Chenoweth’s recently released special, Coming Home, as well as seven Live From Lincoln Center broadcasts, and the Tony Award–winning Liza’s at the Palace, which he also designed for American Songbook

Broadway. Other Broadway credits include Bea Arthur on Broadway, Nancy LaMott’s Just in Time for Christmas, and Kathy Griffin Wants a Tony at the Belasco Theater.

Scott Stauffer

Scott Stauffer has been the sound designer for Lincoln Center’s American Songbook since 1999; the Actors Fund concerts of Frank Loesser, Broadway 101, Hair, and On the Twentieth Century; and Brian Stokes Mitchell at Carnegie Hall. His Broadway credits include A Free Man of Color, The Rivals, Contact (also in London and Tokyo), Marie Christine, Twelfth Night, and Jekyll & Hyde. Off- Broadway Mr. Stauffer has worked on Promises, Hereafter, A Minister’s Wife, Bernarda Alba, Third, Belle Epoque, Big Bill, Elegies, Hello Again, The Spitfire Grill, Pageant, and Hedwig and the Angry Inch. His regional credits include pro- ductions at the Capitol Repertory Theatre, University of Michigan, Hanger Theatre, Berkshire Theatre Festival, Chicago Shakespeare Theater, and Alley Theatre. As a sound engineer, Mr. Stauffer has worked on The Lion King, Juan Darién, Chronicle of a Death Foretold, Carousel, Once on This Island, and Little Shop of Horrors (Off-Broadway). UPCOMING EVENTS Jazz at Lincoln Center’s Frederick P. Rose Hall February 2016 March 2016

ROSE THEATER THE APPEL ROOM

Christian McBride/Henry Butler, Steven Moonglow: The Magic of Benny Goodman Bernstein & The Hot 9 March 4–5 at 7pm & 9:30pm February 26–27, 2016 at 8pm The story of jazz’s first popular integrated band is Two world-class bands explore the relationship told by scriptwriter and seven-time Emmy Award- between jazz and American popular song. The winner Geoffrey Ward (Ken Burns’ Jazz), narrated double bill is headlined by Christian McBride. The live by host Wendell Pierce (HBO’s Treme and master musician has appeared on over 300 record- The Wire), and performed by an ensemble of ings and is considered one of the most accom- pianist Christian Sands (in the role of Teddy plished bassists alive. Now a leader of his own Wilson), drummer Sammy Miller (Gene Krupa), Grammy Award-winning Big Band, featuring a 20-year-old vibraphone sensation Joel Ross staggering and diverse lineup of top musicians, (Lionel Hampton), and a host of special guest clar- McBride simultaneously shows off his composi- inetists. Peter Anderson, Will Anderson, Patrick tional talent and unmatched ability to drive a band Bartley, and Janelle Reichman each take a turn from behind the bass. The other portion of the representing the unparalleled voice of Benny concert features Henry Butler, Steven Bernstein & Goodman. These unique and informative perfor- The Hot 9, featuring New Orleans piano virtuoso mances will channel the “King of Swing” and tell Henry Butler. Described by the New York Times the story of his groundbreaking band. as “both historically aware and fully prepared to cut loose,” th is exhilarating group introduces the Aaron Diehl: The Real Deal hot jazz of years past to the endless possibilities of March 18–19 at 7pm & 9:30pm the modern jazz landscape. Pianist Aaron Diehl has been a Jazz at Lincoln Free pre-concert discussion nightly at 7pm. Center favorite since he was named “Out - standing Soloist” in the Essentially Ellington com- THE APPEL ROOM petition in 2002. He has since toured the world in the bands of Cécile McLorin Salvant, Wycliffe Cécile McLorin Salvant Gordon, and more. Now a respected leader and February 12–14 at 7pm & 9:30pm prolific sideman, the prestigious winner of the It doesn’t get more perfect than singer Cécile 2011 Cole Porter Fellow of the American Pianists McLorin Salvant for a Valentine’s Day–inspired Association makes his Appel Room debut as a performance. An innovative singer with extraordi- leader. These concerts will feature vibraphonist nary soul, intuition, and deep character, Salvant is Warren Wolf, trumpeter Dominick Farinacci, sax- the next great jazz vocalist in the lineage of Ella Fitzgerald, Betty Carter, and Dianne Reeves. The ophonist Stephen Riley, bassist Paul Sikivie, 2010 Thelonious Monk International Vocal drummer Lawrence Leathers, and Jazz at Competition winn er and 2014 and 2016 Grammy Lincoln Center Orchestra saxophonist Joe Award nominee has become a Jazz at Lincoln Temperley. Center regular, and her growing reputation for Free pre-concert discussion, nightly, at 6pm & having an exceptional command of diverse and 8:30pm. challenging repertoire will serve audiences well for this romance-laden occasion.

Except where noted, all venues are located in Jazz at Lincoln Center’s Frederick P. Rose Hall, Time Warner Center, 5th floor. Tickets starting at $10. To purchase tickets: Visit jazz.org or call CenterCharge: 212-721-6500. The Jazz at Lincoln Center Box Office is located on Broadway at 60th Street, Ground Floor. Hours: Monday-Saturday, 10am-6pm; Sunday, 12pm-6pm. For groups of 15 or more: 212-258-9875 or jazz.org/groups. For more information about our education programs, visit academy.jazz.org. For Swing University and WeBop enrollment: 212-258-9922. Find us on Facebook (jazzatlincolncenter), Twitter (@jazzdotorg), YouTube (jazzatlincolncenter), and Instagram (jazzdotorg). UPCOMING EVENTS

Jazz at Lincoln Center’s Frederick P. Rose Hall

Brandee Younger February 2016 “Wax & Wane” Album Release Concert Co- Freddy Cole: Songs for Lovers Presented by Revive Music with Elias Bailey, Quentin Baxter, and Harry Allen with Anne Drummond, Chelsea Baratz, Dezron February 11–12 / 7:30pm & 9:30pm Douglas, and Dana Hawkins February 13* / 7:30pm & 10pm February 17 February 14* / 6:30pm & 9pm 7:30pm & 9:30pm *prix fixe menu – special pricing applies. Visit jazz.org/dizzys for details. Ben Allison Group with Steve Cardenas, Allison Miller, and Jeremy “One for My Baby:” Antoinette Henry Sings Pelt the Great Jazz Standards February 18–21 with Hendrik Helmer, Yasushi Nakamura, Emmet 7:30pm & 9:30pm Cohen, and Jonathan Barber February 15 Akua Allrich 7:30pm & 9:30pm with Warren Wolf, Kris Funn, Carroll Dashiell III, and Braxton Cook Greg Lewis Organ Monk Quintet February 22 Flip Side Sessions 7:30pm & 9:30pm with Ron Jackson, Riley Mullin, Reggie Woods, Joe Chambers Outlaw Band and Jeremy Bean Clemons with Rick Germanson, Ira Coleman, and Bobby February 16 Sanabria 7:30pm February 23–24 7:30pm & 9:30pm Emmet Cohen Organ Quartet Flip Side Sessions The Music of Dexter Gordon: A Celebration with Benny Benack III, Tivon Pennicott, and Dexter Gordon Leg acy Ensemble Joe Saylor with Dezron Douglas, Victor Lewis, Joe Locke, February 16 Abraham Burton, and Craig Handy 9:30pm February 25–28 7:30pm & 9:30pm

In deference to the artists, patrons of Dizzy’s Club Coca-Cola are encouraged to keep conversations to a whisper during the performance. Artists and schedule subject to change.

Dizzy’s Club Coca-Cola is located in Jazz at Lincoln Center’s Frederick P. Rose Hall, Time Warner Center, 5th floor New York. Reservations: 212-258-9595 or jazz.org/dizzys; Group Reservations: 212-258-9595 or jazz.org/dizzys-reservations Nightly Artist sets at 7:30pm & 9:30pm. Late Night Session sets Tuesday through Saturday; doors open at 11:15pm Cover Charge: $20–45. Special rates for students with valid student ID. Full dinner available at each artist set. Rose Theater and The Appel Room concert attendees, present your ticket stub to get 50% off the late-night cover charge at Dizzy’s Club Coca-Cola Fridays and Saturdays. Jazz at Lincoln Center merchandise is now available at the concession stands during performances in Rose Theater and The Appel Room. Items also available in Dizzy’s Club Coca-Cola during evening operating hours. Dizzy’s Club Coca-Cola gift cards now available. Find us on Facebook (DizzysClubCocaCola), Twitter (@jazzdotorg), YouTube (jazzatlincolncenter), and Instagram (jazzdotorg). jazz at lincoln center february family concert: who is frank sinatra? FEB † • ˆPM & ‹PM | ROSE THEATER | JAZZ FOR YOUNG PEOPLE With vocalist Kenny Washington, storyteller Allan Harris, and Andy Farber & His Orchestra

The Jazz for Young People Family Concert is funded through the generosity of Mica and Ahmet Ertegun. cécile mclorin salvant FEB ˆ”–ˆ– • —PM & ˜:‹™PM | THE APPEL ROOM Vocalist Cécile McLorin Salvant performs for Valentine’s Day weekend monty alexander & friends: frank sinatra at 100 FEB ˆ”–ˆ‹ • ›PM | ROSE THEATER Pianist Monty Alexander and special guest vocalist Kurt Elling christian mcbride/henry butler, steven bernstein & the hot 9 FEB ”†–”— • ›PM | ROSE THEATER An outstanding double bill of two of today’s most exciting and energetic jazz ensembles

Frederick P. Rose Hall Broadway at 60th Street Box Oce: Ground Floor CenterCharge: 212-721-6500 jazz.org jazz at lincoln center march moonglow: the magic of benny goodman MAR ‡–‰ • ‹PM & Ž:‘’PM | THE APPEL ROOM With narrator Wendell Pierce, pianist Christian Sands, drummer Sammy Miller, vibraphonist Joel Ross, plus clarinetists Peter Anderson, Will Anderson, Patrick Bartley, and Janelle Reichman webop family jazz party: sophisticated ladies MAR ˜™ • ˜PM & ‘PM | VARIS LEICHTMAN STUDIO Join Ms. Patrice and our WeBop all-star band as we celebrate the sophisticated ladies of jazz. You’ll enjoy WeBop-friendly renditions of the music of Ella Fitzgerald, Billie Holiday, Sarah Vaughan and more with your wee-boppers, including “All of Me” and “Stormy Weather” aaron diehl: the real deal MAR ˜¡–˜Ž • ‹PM & Ž:‘’PM | THE APPEL ROOM Pianist Aaron Diehl with vibraphonist Warren Wolf, trumpeter Dominick Farinacci, tenor saxophonist Stephen Riley, bassist Paul Sikivie, drummer Lawrence Leathers, and Jazz at Lincoln Center Orchestra baritone saxophonist Joe Temperley

Frederick P. Rose Hall Broadway at 60th Street Box Oce: Ground Floor CenterCharge: 212-721-6500 jazz.org jazz at lincoln center

Create your own season with any three concerts and save on the best seats today. jazz.org/subs 212-258-9999

        winter 2016 swingg university Sign up now for jazz courses curated by legendary instructor Phil SchaapS , including Jazz 101, Horace Silv ver, and Ragtime. Enroll today! Save 15% with promo code SWINGU15W 212-258-9922 jazz.orgg/swingu

Jazz at Lincoln Center gratefully acknowledges The Irene Diamond Fund for its leadership support of programming in the Irene Diamond Education Center. J AZZMEIA

live jazz nightly HORN • B Y LA WRENCE swing by tonight jazz.org / dizzys jazz at lin ncoln center SUMUL 7:30pm & 9:30pm 212-258-9595 broadway at 60th st., 5th fl. ONG Jazz at Lincoln Center

Explore your family’s creativity and musicality in interactive jazz classes for children ages 8 months to 5 years and their parents or caregivers. Participants stomp, strut, and swing to the joyous rhythms of jazz as they learn about the core concepts, instruments, and great performers of the music in these 45-minute classes.

Enroll today! Frederick P. Rose Hall jazz.org/webop Broadway at 60th St., 212-258-9922 5th Floor

PHOTO BY ELIZABETH LEITZELL