28 Anika Nilles Repeatedly Made Music History
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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
University of Southampton Research Repository Eprints Soton
University of Southampton Research Repository ePrints Soton Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", University of Southampton, name of the University School or Department, PhD Thesis, pagination http://eprints.soton.ac.uk UNIVERSITY OF SOUTHAMPTON School of Humanities: Music Making the weather in contemporary jazz: an appreciation of the musical art of Josef Zawinul by Alan Cooper Thesis for the degree of Doctor of Philosophy October 2012 i UNIVERSITY OF SOUTHAMPTON ABSTRACT Making the weather in contemporary jazz: an appreciation of the musical art of Josef Zawinul by Alan Cooper Josef Zawinul (1932-2007) holds a rare place in the world of jazz in view of the fact that as a European he forged a long and distinguished musical career in America. Indeed, from a position of relative obscurity when he arrived in New York in 1959, he went on to become one of contemporary jazz’s most prolific and commercially successful composers. The main focus of this dissertation will be Zawinul’s rise to prominence in American jazz during the 1960s and 1970s. -
Arisia 2015 Pocket Program
Overview Friday Saturday Sunday Monday Participant Schedules Mezzanine Level (3W) HOTEL MAPS 1 Health Club Hotel Oces Conference Level (3E) Carlton Grin Locker Frost Pool Room Video Gaming Registration Indepen- Burroughs Lewis dence Green Room Adams Alcott Bul- LARP nch Douglas Gender- Faneuil III II I Free Executive Harbor Ballroom Hale Boardroom Program Tabletop Lobby Level (2W) Nexus Art Show Gaming Business Quincy Center Starbucks Hancock Otis Paine Volun- Fast Track Films Anime teers Lobby Level (2E) Gift Webster Stone Revere Shop Info Birch Bar Fast Track Ops/Security Video Desk City Bar MJ O’Connor’s Laugh Boston Innkeeper Sauciety Front Desk 4 3 2 1 Marina Ballroom Author/Artist Alley Concourse Level (1W) Galleria Level (1E) A B E Dealers Room C D Common- Freebies Grand Ballroom B wealth Ballroom C A Dancing Dealers Room To Food Con Suite Trucks Tables Fan 2 QUICK REFERENCE QUICK REFERENCE 3 Access/Handicapped Services see Info Desk Hotels Anime Room Paine (2W) Westin main number: 617-532-4600 Renaissance main number: 617-338-4111 Arisia TV Channel 86 in Guest Rooms Information Desk Lobby near elevators Art Show Harbor Ballroom II/III (3E) Friday noon–11pm Friday 6pm–9pm Sat/Sun 9am–9pm Saturday 10am–6pm, 8pm–10pm Monday 9am–1pm Sunday 10am–6pm Paper auction ends at 5:30 Internet Access Wireless Only 6pm–7:30pm Sales Pickup In Public areas—use ‘WestinBostonLobby’ (no password) Monday 10am–noon Sales Pickup/Artist Checkout In Guest Rooms—Password: arisia2015 Artists & Authors Alley Galleria (1E) Lost and Found Hotel Front Desk Friday 5pm–9pm Go to Registration for lost badges. -
Tony Taylor Jr. Named Winner of Guitar Center's 27Th Annual Drum-Off
FOR IMMEDIATE RELEASE Tony Taylor Jr. Named Winner of Guitar Center’s 27th Annual Drum-Off ANNOUNCEMENT HIGHLIGHTS: Guitar Center to grant Taylor with career-altering endorsement deals, gear and cash in a grand prize package valued at over $45,000 Past Drum-Off winners have gone on to see successful careers, playing with the likes of Prince, Jay Z, Beyoncé, The Mars Volta and more The evening included performances by Taylor Hawkins (Foo Fighters), Mike Mangini (Dream Theater), Gil Sharone (Marilyn Manson) and more Westlake Village, CA (January 20, 2016) – Starting in August, drummers from across the country signed up to compete in Guitar Center’s 27th Annual Drum-Off, and out of the thousands of hopefuls, five talented finalists competed for the winning title last Saturday, January 16, 2016. At stake was a prize package including endorsement deals, gear and cash valued at nearly $45,000. An all-star panel of judges was on hand to critique the performances including Steve Ferrone (Tom Petty & The Heartbreakers), Matt Garstka (Animals as Leaders), George “Spanky” McCurdy (Lady Gaga), Ced Mitchell (Nick Jonas), Cora Dunahm (Beyonce), Glen Sobel (Alice Cooper), Mike Reid (Rhianna), Gerald Heyward (Chris Brown), Tony Royster Jr. (Jay Z), Jim Riley (Rascall Flatts), Dave Elitch (Antemasque) and Nisan Stewart (Dancing With The Stars). As the winner, Tony Taylor Jr., joins an esteemed group of talented drummers who have gone on to play for the likes of Prince, Beyoncé, Jay Z and more. Growing up in Matteson, IL, just outside of Chicago, Tony Taylor Jr. comes from a family with deep musical roots. -
Some Kind of Wonderful.” Sponsored By: WLDE and ABC Us Alive”
REO Speedwagon Free Concerts Wednesday, September 26, 8 p.m. Fort Wayne Philharmonic Youth Symphony Founding member Neal Doughty and & Youth Concert Orchestra Kevin Cronin bring this Champaign, Sunday, May 20, 2 p.m. IN 46805 Wayne, Fort Blvd. 705 E. State Ill originated boy band back to the Midwest. They’ll play their The Foellinger Theatre is proud to bring back these local groups biggest hits “Keep on Lovin’ You,” “Time for me to Fly,” and many for an afternoon of spectacular musical entertainment. Some Kind of more of your favorites from their 40 million albums sold. Presented by Pacific Coast Concerts. Tickets: $60-$100, Fort Wayne Area Community Band $6 ticket fee Tuesday, June 12, 7:30 p.m. The Community Band will be joined by area band students in grades Wonderful 8-12 as they present “Side By Side,” a concert of All-American band music. Tickets Old Crown Brass Bandh Tuesday, June 19, 7:30 p.m. Old Crown Brass Band is an all-volunteer band that is modeled On-line By Phone after traditional British brass bands. The group is based in Fort www.foellingertheatre.org (260) 427-6000 Wayne and composed of a diverse group of professionals and very talented, dedicated amateur musicians. The band is under In Person the direction of T. J. Faur and Tony Alessandrini. Fort Wayne Parks & Recreation Department 705 E. State Blvd., Fort Wayne, IN 46805 Fort Wayne Area Community Band Monday-Friday, 8:00 a.m.-5:00 p.m. Tuesday, July 10, 7:30 p.m. The Fort Wayne Area Community Band presents “A Really Big Show” featuring music from the best and biggest movies and Foellinger Theatre Broadway shows. -
An American Band by Tibbieb
An American Band By TibbieB Dear Readers, A summers ago, a group of S&H sibs and I met in the Great Smokey Mountains for a few days of watching episodes and sharing our obsession for the boys. While watching “The Specialist” late one night, we noticed Starsky was wearing a t-shirt with something printed on the front. Ever desperate for any minute detail about the private lives of our heroes, we pursued the clue with a fervor equal to Sherlock Holmes tracking down Dr. Moriarty. Thank God for that marvelous invention on the DVD player the zoom! JackieH, always up to a challenge, maneuvered and manipulated the device until the words emblazoned on the t-shirt miraculously flashed on the screen before our eyes: “We’re An American Band.” “I know what that is!” I shouted to the others. “Grand Funk Railroad! That’s one of Grand Funk’s biggest hits!” Who would have taken Starsky for a Grand Funk Railroad fan? He was a rocker a hard rocker, no less! Until that moment, we had had little insight into his taste in music (aside from disco music, Jim Croce, and a little “Black Bean Soup”). We knew Starsky played the guitar, but had been treated to only a smattering of his musical ability in “The Avenger.” Could it be true? Starsky liked hardcore rock-and-roll? We pontificated on this for hours and, on the following day, rushed into town in search of Grand Funk’s CD by the same title. It wasn’t easy, but we finally returned home from a hard day of shopping in Gatlinburg, Tennessee, Londonmaid proudly clutching the trophy in her hand. -
Ebook Download the Mccoy Tyner Collection
THE MCCOY TYNER COLLECTION PDF, EPUB, EBOOK McCoy Tyner | 120 pages | 01 Nov 1992 | Hal Leonard Corporation | 9780793507474 | English | Milwaukee, United States The Mccoy Tyner Collection PDF Book Similar Artists See All. There's magic in the air, or at the very least a common ground of shared values that makes this combination of two great musicians turn everything golden. That's not to say their progressive ideas are completely harnessed, but this recording is something lovers of dinner music or late-night romantic trysts will equally appreciate. McCoy Tyner. Extensions - McCoy Tyner. Tyner died on March 6, at his home in New Jersey. They sound empathetic, as if they've played many times before, yet there are enough sparks to signal that they're still unsure of what the other will play. Very highly recommended. Albums Live Albums Compilations. Cart 0. If I Were a Bell. On this excellent set, McCoy Tyner had the opportunity for the first time to head a larger group. McCoy later said, Bud and Richie Powell moved into my neighborhood. He also befriended saxophonist John Coltrane, then a member of trumpeter Miles Davis' band. A flow of adventurous, eclectic albums followed throughout the decade, many featuring his quartet with saxophonist Azar Lawrence, including 's Song for My Lady, 's Enlightenment, and 's Atlantis. McCoy Tyner Trio. See the album. Throughout his career, Tyner continued to push himself, arranging for his big band and releasing Grammy-winning albums with 's Blues for Coltrane: A Tribute to John Coltrane and 's The Turning Point. However, after six months with the Jazztet, he left to join Coltrane's soon-to-be classic quartet with bassist Jimmy Garrison and drummer Elvin Jones. -
The Singing Guitar
August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW. -
Muni 20081106
MUNI 20081106 JAZZ ROCK, FUSION… 01 Ballet (Mike Gibbs) 4:55 Gary Burton Quartet : Gary Burton-vibes; Larry Coryell-g; Steve Swallow-b; Roy Haynes-dr. New York, April 18, 1967. RCA LSP-3835. 02 It’s All Becoming So Clear Now (Mike Mainieri) 5:25 Mike Mainieri -vib; Jeremy Steig-fl; Joe Beck-elg; Sam Brown-elg,acg; Warren Bernhardt-p,org; Hal Gaylor-b; Chuck Rainey-elb; Donald MacDonald-dr. Published 1969. Solid State SS 18049. 03 Little Church (Miles Davis) 3:17 Miles Davis -tp; Steve Grossman-ss; Chick Corea, Herbie Hancock-elp; Keith Jarrett-org; John McLaughlin-g; Dave Holland-b,elb; Jack DeJohnette-dr; Airto Moreira-perc; Hermeto Pascoal-dr,whistling,voc,elp. New York, June 4, 1970. Columbia C2K 65135. 04 Medley: Gemini (Miles Davis) /Double Image (Joe Zawinul) 5:56 Miles Davis -tp; Wayne Shorter-ss; Joe Zawinul, Chick Corea-elp; John McLaughlin-g; Dave Holland-b; Khalil Balakrishna-sitar; Billy Cobham, Jack DeJohnette-dr; Airto Moreira-perc. New York, February 6, 1970. Columbia C2K 65135. 05 Milky Way (Wayne Shorter-Joe Zawinul) 2:33 06 Umbrellas (Miroslav Vitouš-W. Shorter-J. Zawinul) 3:26 Weather Report : Wayne Shorter -ss,ts; Miroslav Vitouš-b; Joe Zawinul -p,kb; Alphonse Mouzon-dr; Airto Moreira-perc. 1971. Columbia 468212 2. 07 Birds of Fire (John McLaughlin) 5:39 Mahavishnu Orchestra : John McLaughlin -g; Jerry Goodman-vio; Jan Hammer-kb,Moog syn; Rick Laird-b; Billy Cobham-dr. New York, 1973. Columbia KC 31996. 08 La Fiesta (Chick Corea) 7:49 Return to Forever : Joe Farrell-ss; Chick Corea -elp; Stanley Clarke-b; Airto Moreira-dr,perc; Flora Purim-perc. -
An Interview with Chris Fryar Cris Cohen
An Interview With Chris Fryar Cris Cohen An Interview With Chris Fryar of the Zac Brown Band Cris Cohen Bands To Fans 2 An Interview With Chris Fryar Cris Cohen Copyright © Cris Cohen. All rights reserved, including the right to reproduce this book or portions thereof in any form whatsoever. All photos: Andy Sapp / Southern Reel Bands To Fans 3 An Interview With Chris Fryar Cris Cohen Contents “The Owl” ................................................................................................................................................................ 5 Dave Grohl ............................................................................................................................................................... 8 Vinnie Colaiuta ......................................................................................................................................................... 9 Solos ...................................................................................................................................................................... 10 Switching It Up ....................................................................................................................................................... 11 Three Questions ..................................................................................................................................................... 12 Love Or Money ..................................................................................................................................................... -
Order Form Full
JAZZ ARTIST TITLE LABEL RETAIL ADDERLEY, CANNONBALL SOMETHIN' ELSE BLUE NOTE RM112.00 ARMSTRONG, LOUIS LOUIS ARMSTRONG PLAYS W.C. HANDY PURE PLEASURE RM188.00 ARMSTRONG, LOUIS & DUKE ELLINGTON THE GREAT REUNION (180 GR) PARLOPHONE RM124.00 AYLER, ALBERT LIVE IN FRANCE JULY 25, 1970 B13 RM136.00 BAKER, CHET DAYBREAK (180 GR) STEEPLECHASE RM139.00 BAKER, CHET IT COULD HAPPEN TO YOU RIVERSIDE RM119.00 BAKER, CHET SINGS & STRINGS VINYL PASSION RM146.00 BAKER, CHET THE LYRICAL TRUMPET OF CHET JAZZ WAX RM134.00 BAKER, CHET WITH STRINGS (180 GR) MUSIC ON VINYL RM155.00 BERRY, OVERTON T.O.B.E. + LIVE AT THE DOUBLET LIGHT 1/T ATTIC RM124.00 BIG BAD VOODOO DADDY BIG BAD VOODOO DADDY (PURPLE VINYL) LONESTAR RECORDS RM115.00 BLAKEY, ART 3 BLIND MICE UNITED ARTISTS RM95.00 BROETZMANN, PETER FULL BLAST JAZZWERKSTATT RM95.00 BRUBECK, DAVE THE ESSENTIAL DAVE BRUBECK COLUMBIA RM146.00 BRUBECK, DAVE - OCTET DAVE BRUBECK OCTET FANTASY RM119.00 BRUBECK, DAVE - QUARTET BRUBECK TIME DOXY RM125.00 BRUUT! MAD PACK (180 GR WHITE) MUSIC ON VINYL RM149.00 BUCKSHOT LEFONQUE MUSIC EVOLUTION MUSIC ON VINYL RM147.00 BURRELL, KENNY MIDNIGHT BLUE (MONO) (200 GR) CLASSIC RECORDS RM147.00 BURRELL, KENNY WEAVER OF DREAMS (180 GR) WAX TIME RM138.00 BYRD, DONALD BLACK BYRD BLUE NOTE RM112.00 CHERRY, DON MU (FIRST PART) (180 GR) BYG ACTUEL RM95.00 CLAYTON, BUCK HOW HI THE FI PURE PLEASURE RM188.00 COLE, NAT KING PENTHOUSE SERENADE PURE PLEASURE RM157.00 COLEMAN, ORNETTE AT THE TOWN HALL, DECEMBER 1962 WAX LOVE RM107.00 COLTRANE, ALICE JOURNEY IN SATCHIDANANDA (180 GR) IMPULSE -
Muscle Shoals Sound Records
WHO'S WHO AT MUSCLE SHOALS SOUND RECORDS 1000 Alabama Avenue, P.O. Box 915, Sheffield, Ala. 35660 (205) 381-9200 Muscle Shoals Sound Records was more or less the natural extension of what had become one of the most successful production organizations in the business. The four principals of the production company, Jimmy Johnson, Barry Beckett, David Hood and Roger Hawkins made up what became the legendary "Muscle Shoals Rhythm Section". Jimmy and Roger met while playing in local bands at school dances and clubs along the state line. They were later members of an early 60's group called the Delrays. At the same time David Hood was playing in a group called the Mystics. Johnson was the first to move into studio work when he began working with producer Rick Hall as an engineer and their session guitarist. By 1964 Jimmy and Roger were working regularly at Fame Studios with the occasional assistance of David Hood, when Hood could get away from his father's tire store a block and a half away from the studio. In 1966 Hawkins and Johnson played on their first million seller, "When A Man Loves A Woman" by Percy Sledge. In 1967 Barry Beckett came to Muscle Shoals to cut "I'm Your Puppet" by James and Bobby Purify. It was about that time that Spooner Oldham, the Muscle Shoals keyboard player, decided to move to Mem- phis. Shortly thereafter, Barry Becket and his family came to Muscle Shoals and the Rhythm Section was formed. By the late 1960's there were 3 studios in Muscle Shoals and the Rhythm Section was working at all of them.