DOCSLIB.ORG

28 Anika Nilles Repeatedly Made Music History

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
28 Anika Nilles Repeatedly Made Music History THE DRUMMER’S CHOICE® it’s okay to dream. Collector’s Series® Stainless Steel 1.5mm Polished Stainless Steel shells in a variety of sizes and California Custom Shop drum hardware options. www.dwdrums.com 12©2017 DrumModern Workshop, Drummer Inc. All Rights Reserved. June 2014 Stage or Studio Audix is the pioneer of application-specific microphones for drums and percussion. The result, award-winning microphones that perfectly balance tone and attack across your entire kit. Photo of Gregg Bissonette Audix. Today’s Mic. audixusa.com ©2017 Audix Corporation All Rights Reserved. Audix and the Audix Logo are trademarks of Audix Corporation. Hit the Road Jack. Classic, thin, all Maple Masters Series shells are now available from our Music City Custom Shop. Built for the working Pro in 14 business days or less. Video at pearldrum.com CONTENTS Volume 41 • Number 6 CONTENTS Cover and Contents photos by Alex Solca FEATURES 24 GRAND FUNK RAILROAD’S DON BREWER Back in the ’70s he was known as one of the hardest-hitting players in rock. And you know what? He still is. by Bob Girouard 26 POISON’S RIKKI ROCKETT The notorious glam-rock drummer tackles ad- versity and storms back in front of the masses. by Patrick Berkery 40 RIVAL SONS’ MICHAEL MILEY After logging thousands of miles opening for legends like Deep Purple and Black Sabbath, the drummer and his bandmates are poised for massive success. by Ken Micallef 46 REASONS TO LOVE: ROGER HAWKINS As a member of the famed Muscle Shoals Rhythm Section, he laid down tracks with a spontaneity and exhilarating groove that 28 Anika Nilles repeatedly made music history. by Jeff Potter “I got all this attention on YouTube, but it took me two years to understand what was happening. I was look- 48 A DIFFERENT VIEW: RUSS TITELMAN ing for a title that described that experience.” The man at the helm of classic recordings by Steve Winwood, Eric Clapton, and many others A German drummer unexpectedly fi nds her mojo online, becomes a star takes us inside the making of a hit. overnight, and uses her debut album to work out what it all means. by Billy Amendola by Michael Dawson LESSONS EQUIPMENT DEPARTMENTS 54 Basics 16 Product Close-Up 8 An Editor’s Overview Hi-Hat Splashes Zildjian K Custom Special Dry Series MD Archive Online Spicing Up Your Backbeats Vic Firth Modern Jazz Collection by Michael Dawson by Rich Redmond Brass Ball Drums Stave-Shell Snares Nord Drum 3P Multipad 10 Readers’ Platform 55 Rock ’n’ Jazz Clinic Bucks County Semi-Solid Mahogany/ Hybrid Setups: Pros? Cons? Groove Construction Poplar Drumset Part 13: Left-Handed Split Grooves 12 News by Jost Nickel 52 Gearing Up Dr. Dog’s Eric Slick goes solo, Medeski, Martin and Wood’s Billy Martin Josh Eppard tours with 56 Strictly Technique Coheed and Cambria, and more 1,000 Ways to Practice a Single Page 64 New and Notable Part 4: Orchestrated Flams on the Drumset 70 Showcase by Libor Hadrava featuring Drum Market Enter to win a 58 Jazz Drummer’s Workshop 74 Critique Playing Melodically Love Drums setup worth Marcus Baylor takes the reins, Part 1: “Billie’s Bounce” more than $3,800! Page 69 Bowie memoir, and more by Peter Erskine 78 Encore 60 Rock Perspectives Chicago II Septuplet Permutations Diving Deep Into an Odd Subdivision 80 Inside Methods by Aaron Edgar Stanton Moore Drum Academy 62 Concepts 82 In Memoriam Hone Your Human GPS Alphonse Mouzon Setting Goals, Defi ning Problems, and Devising Solutions 84 Backbeats by Mark Schulman 2016 Drum-Off Grand Finals 86 Kit of the Month Split Hybrid ANAN EDITOR’S EDITOR’S OVERVIEW OVERVIEW Founder Ronald Spagnardi MD Archive Online 1943–2003 Publisher/CEO Senior Art Director Isabel Spagnardi Scott G. Bienstock ello, longtime subscribers, casual Hreaders, and newcomers to the MD Senior Vice President Editorial Director family! We are super-excited to announce John Leiby Lori Spagnardi Adam J. Budofsky that—for the fi rst time in our forty-plus- year history—every single issue of Modern Vice President Managing Editor Drummer is now available for viewing Kevin W. Kearns Michael Dawson via our new iOS and Android app and the Associate Publisher Associate Editor special Archive section of moderndrum- Tracy A. Kearns Willie Rose mer.com. If you’re a current subscriber, you Advertising Director Editor at Large should have received an email with Bob Berenson Billy Amendola instructions on how to set up your Advertising Assistant Business and account. If you overlooked that email, LaShanda Gibson Content Development feel free to send a message to mdinfo@ Miguel Monroy moderndrummer.com, and we’ll walk you through the process. Basically what you need to do is click on the The MD Pro Panel: Chris Adler, Gregg Bissonette, Jason Bittner, Will Calhoun, “My Profi le” button at the top of moderndrummer.com, click “Lost Terri Lyne Carrington, Matt Chamberlain, Jeff Davis, Peter Erskine, Bob Gatzen, Daniel Glass, Benny Greb, Matt Halpern, Horacio Hernandez, Gerald Heyward, Password,” and then enter the email address that’s associated with your Taku Hirano, Susie Ibarra, Jim Keltner, Pat Mastelotto, Allison Miller, Rod Morgenstein, subscription. Once you receive the password-reset email, click the link Chris Pennie, Stephen Perkins, Dafnis Prieto, Rich Redmond, Brian Reitzell, Jim Riley, in the message to take you to a page where you can create a password to Antonio Sanchez, Gil Sharone, Chad Smith, Steve Smith, Todd Sucherman, Billy Ward, Kenny Washington, Paul Wertico access content on our website. The “My Profi le” page also has a section where you can add up to fi ve mobile devices (smartphone, tablet, etc.). MODERN DRUMMER ADVISORY BOARD: SUBSCRIPTIONS: U.S. $29.95, Canada Make sure you also download the Modern Drummer app on your devices Kenny Aronoff, Eddie Bayers, Bill Bruford, $33.95, other international $44.95 per Harry Cangany, Dennis DeLucia, Les year. For two- and three-year subscription so you can check out the digital editions of the magazine without having DeMerle, Peter Erskine, Bob Gatzen, prices go to www.moderndrummer.com. to use a web browser. Danny Gottlieb, Jim Keltner, Paul Leim, Single copies $5.99. Creating an account on our website and in our app gives you access Peter Magadini, George Marsh, Rod Morgenstein, Andy Newmark, Neil Peart, SUBSCRIPTION CORRESPONDENCE: to whichever issues you’ve paid for with your subscription. The entire Steve Smith, Billy Ward, Dave Weckl, Modern Drummer, PO Box 274, Oregon, forty-year archive can then be unlocked for $2.50 per month for the Paul Wertico. IL 61061-9920. Change of address: remainder of your subscription. Allow at least six weeks for a change. CONTRIBUTING WRITERS: Please provide both old and new When it comes time to renew, or if you’re considering purchasing a Patrick Berkery, Stephen Bidwell, address. Call 800-551-3786 subscription for the fi rst time, there are several options. You can access David Ciauro, Bob Girouard, Mike Haid, or 815-732-5283. Phone hours, the entire archive in addition to receiving the print and digital copies John Martinez, Rick Mattingly, Ben Meyer, 8AM–4:30PM Monday–Friday CST, Ken Micallef, Jeff Potter, Will Romano, or visit Subscriber Services at of each new issue for $54.95 per year, or you can forgo the print for just Bernie Schallehn, Ilya Stemkovsky, www.moderndrummer.com. the digital edition and archive for $49.95 per year. If you don’t want the Robin Tolleson, Lauren Vogel Weiss, archive, you can get the digital edition for $24.95, or the print and digital Paul Wells. MUSIC DEALERS: Modern Drummer is for $29.95. (These prices are for U.S. subscribers. International rates are distributed by Hal Leonard Corp., MODERN DRUMMER magazine 800-554-0626, [email protected], available at moderndrummer.com/subscribe.) (ISSN 0194-4533) is published monthly www.halleonard.com/dealers Combing through the digital archive is sure to keep you informed, by MODERN DRUMMER Publications, entertained, and practicing for hours on end. There are dozens of Inc., 271 Route 46 West, Suite H-212, INTERNATIONAL LICENSING Fairfi eld, NJ 07004. PERIODICALS REPRESENTATIVE: Robert J. Abramson lessons from legendary drummers/educators like Joe Morello, David MAIL POSTAGE paid at Fairfi eld, NJ & Associates, Inc., Libby Abramson, Garibaldi, Peter Magadini, Terry Bozzio, and Rod Morgenstein. And there 07004 and at additional mailing offi ces. President, 7915 Via Grande, Boyton are hundreds of amazing interviews with the greatest drummers of all Copyright 2017 by MODERN DRUMMER Beach, FL 33437, [email protected]. Publications, Inc. All rights reserved. time. Tony Williams, Steve Gadd, Bill Bruford, Phil Collins, Billy Cobham, Reproduction without the permission of the POSTMASTER: Send address changes to Neil Peart, Vinnie Colaiuta, Dave Weckl, Max Roach, Elvin Jones…the publisher is prohibited. Modern Drummer, PO Box 274, Oregon, list goes on and on! It’s also really fun to fl ip through the older issues to IL 61061-9920. EDITORIAL/ADVERTISING/ check out the advertisements and the various gear and fashion trends of ADMINISTRATIVE OFFICES: Canadian Publications Mail Agreement the time. MODERN DRUMMER Publications, No. 41480017 Return undeliverable Enjoy this issue—and go to moderndrummer.com to enjoy all the rest! 271 Route 46 West, Suite H-212, Canadian addresses to: PO Box 875, Stn A, Fairfi eld, NJ 07004. Tel: 973-239- Windsor ON N9A 6P2 4140. Fax: 973-239-7139. Email: [email protected]. MEMBER: National Association for Music Development, National Association of MODERN DRUMMER welcomes Music Merchants, Percussive Arts Society manuscripts and photographic material Michael Dawson but cannot assume responsibility for MODERN DRUMMER ONLINE: Managing Editor them. www.moderndrummer.com PRINTED IN THE UNITED STATES Music Key facebook.com/moderndrummer @modern_drummer +moderndrummer @modern_drummer 8 Modern Drummer June 2017 “Best service I’ve received from ANY store!” Robby, Vista, CA Shell pack only — cymbals and hardware not included.
Load more

Recommended publications
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
    [Show full text]
  • University of Southampton Research Repository Eprints Soton
    University of Southampton Research Repository ePrints Soton Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", University of Southampton, name of the University School or Department, PhD Thesis, pagination http://eprints.soton.ac.uk UNIVERSITY OF SOUTHAMPTON School of Humanities: Music Making the weather in contemporary jazz: an appreciation of the musical art of Josef Zawinul by Alan Cooper Thesis for the degree of Doctor of Philosophy October 2012 i UNIVERSITY OF SOUTHAMPTON ABSTRACT Making the weather in contemporary jazz: an appreciation of the musical art of Josef Zawinul by Alan Cooper Josef Zawinul (1932-2007) holds a rare place in the world of jazz in view of the fact that as a European he forged a long and distinguished musical career in America. Indeed, from a position of relative obscurity when he arrived in New York in 1959, he went on to become one of contemporary jazz’s most prolific and commercially successful composers. The main focus of this dissertation will be Zawinul’s rise to prominence in American jazz during the 1960s and 1970s.
    [Show full text]
  • Arisia 2015 Pocket Program
    Overview Friday Saturday Sunday Monday Participant Schedules Mezzanine Level (3W) HOTEL MAPS 1 Health Club Hotel Oces Conference Level (3E) Carlton Grin Locker Frost Pool Room Video Gaming Registration Indepen- Burroughs Lewis dence Green Room Adams Alcott Bul- LARP nch Douglas Gender- Faneuil III II I Free Executive Harbor Ballroom Hale Boardroom Program Tabletop Lobby Level (2W) Nexus Art Show Gaming Business Quincy Center Starbucks Hancock Otis Paine Volun- Fast Track Films Anime teers Lobby Level (2E) Gift Webster Stone Revere Shop Info Birch Bar Fast Track Ops/Security Video Desk City Bar MJ O’Connor’s Laugh Boston Innkeeper Sauciety Front Desk 4 3 2 1 Marina Ballroom Author/Artist Alley Concourse Level (1W) Galleria Level (1E) A B E Dealers Room C D Common- Freebies Grand Ballroom B wealth Ballroom C A Dancing Dealers Room To Food Con Suite Trucks Tables Fan 2 QUICK REFERENCE QUICK REFERENCE 3 Access/Handicapped Services see Info Desk Hotels Anime Room Paine (2W) Westin main number: 617-532-4600 Renaissance main number: 617-338-4111 Arisia TV Channel 86 in Guest Rooms Information Desk Lobby near elevators Art Show Harbor Ballroom II/III (3E) Friday noon–11pm Friday 6pm–9pm Sat/Sun 9am–9pm Saturday 10am–6pm, 8pm–10pm Monday 9am–1pm Sunday 10am–6pm Paper auction ends at 5:30 Internet Access Wireless Only 6pm–7:30pm Sales Pickup In Public areas—use ‘WestinBostonLobby’ (no password) Monday 10am–noon Sales Pickup/Artist Checkout In Guest Rooms—Password: arisia2015 Artists & Authors Alley Galleria (1E) Lost and Found Hotel Front Desk Friday 5pm–9pm Go to Registration for lost badges.
    [Show full text]
  • Tony Taylor Jr. Named Winner of Guitar Center's 27Th Annual Drum-Off
    FOR IMMEDIATE RELEASE Tony Taylor Jr. Named Winner of Guitar Center’s 27th Annual Drum-Off ANNOUNCEMENT HIGHLIGHTS: Guitar Center to grant Taylor with career-altering endorsement deals, gear and cash in a grand prize package valued at over $45,000 Past Drum-Off winners have gone on to see successful careers, playing with the likes of Prince, Jay Z, Beyoncé, The Mars Volta and more The evening included performances by Taylor Hawkins (Foo Fighters), Mike Mangini (Dream Theater), Gil Sharone (Marilyn Manson) and more Westlake Village, CA (January 20, 2016) – Starting in August, drummers from across the country signed up to compete in Guitar Center’s 27th Annual Drum-Off, and out of the thousands of hopefuls, five talented finalists competed for the winning title last Saturday, January 16, 2016. At stake was a prize package including endorsement deals, gear and cash valued at nearly $45,000. An all-star panel of judges was on hand to critique the performances including Steve Ferrone (Tom Petty & The Heartbreakers), Matt Garstka (Animals as Leaders), George “Spanky” McCurdy (Lady Gaga), Ced Mitchell (Nick Jonas), Cora Dunahm (Beyonce), Glen Sobel (Alice Cooper), Mike Reid (Rhianna), Gerald Heyward (Chris Brown), Tony Royster Jr. (Jay Z), Jim Riley (Rascall Flatts), Dave Elitch (Antemasque) and Nisan Stewart (Dancing With The Stars). As the winner, Tony Taylor Jr., joins an esteemed group of talented drummers who have gone on to play for the likes of Prince, Beyoncé, Jay Z and more. Growing up in Matteson, IL, just outside of Chicago, Tony Taylor Jr. comes from a family with deep musical roots.
    [Show full text]
  • Some Kind of Wonderful.” Sponsored By: WLDE and ABC Us Alive”
    REO Speedwagon Free Concerts Wednesday, September 26, 8 p.m. Fort Wayne Philharmonic Youth Symphony Founding member Neal Doughty and & Youth Concert Orchestra Kevin Cronin bring this Champaign, Sunday, May 20, 2 p.m. IN 46805 Wayne, Fort Blvd. 705 E. State Ill originated boy band back to the Midwest. They’ll play their The Foellinger Theatre is proud to bring back these local groups biggest hits “Keep on Lovin’ You,” “Time for me to Fly,” and many for an afternoon of spectacular musical entertainment. Some Kind of more of your favorites from their 40 million albums sold. Presented by Pacific Coast Concerts. Tickets: $60-$100, Fort Wayne Area Community Band $6 ticket fee Tuesday, June 12, 7:30 p.m. The Community Band will be joined by area band students in grades Wonderful 8-12 as they present “Side By Side,” a concert of All-American band music. Tickets Old Crown Brass Bandh Tuesday, June 19, 7:30 p.m. Old Crown Brass Band is an all-volunteer band that is modeled On-line By Phone after traditional British brass bands. The group is based in Fort www.foellingertheatre.org (260) 427-6000 Wayne and composed of a diverse group of professionals and very talented, dedicated amateur musicians. The band is under In Person the direction of T. J. Faur and Tony Alessandrini. Fort Wayne Parks & Recreation Department 705 E. State Blvd., Fort Wayne, IN 46805 Fort Wayne Area Community Band Monday-Friday, 8:00 a.m.-5:00 p.m. Tuesday, July 10, 7:30 p.m. The Fort Wayne Area Community Band presents “A Really Big Show” featuring music from the best and biggest movies and Foellinger Theatre Broadway shows.
    [Show full text]
  • An American Band by Tibbieb
    An American Band By TibbieB Dear Readers, A summers ago, a group of S&H sibs and I met in the Great Smokey Mountains for a few days of watching episodes and sharing our obsession for the boys. While watching “The Specialist” late one night, we noticed Starsky was wearing a t-shirt with something printed on the front. Ever desperate for any minute detail about the private lives of our heroes, we pursued the clue with a fervor equal to Sherlock Holmes tracking down Dr. Moriarty. Thank God for that marvelous invention on the DVD player the zoom! JackieH, always up to a challenge, maneuvered and manipulated the device until the words emblazoned on the t-shirt miraculously flashed on the screen before our eyes: “We’re An American Band.” “I know what that is!” I shouted to the others. “Grand Funk Railroad! That’s one of Grand Funk’s biggest hits!” Who would have taken Starsky for a Grand Funk Railroad fan? He was a rocker a hard rocker, no less! Until that moment, we had had little insight into his taste in music (aside from disco music, Jim Croce, and a little “Black Bean Soup”). We knew Starsky played the guitar, but had been treated to only a smattering of his musical ability in “The Avenger.” Could it be true? Starsky liked hardcore rock-and-roll? We pontificated on this for hours and, on the following day, rushed into town in search of Grand Funk’s CD by the same title. It wasn’t easy, but we finally returned home from a hard day of shopping in Gatlinburg, Tennessee, Londonmaid proudly clutching the trophy in her hand.
    [Show full text]
  • Ebook Download the Mccoy Tyner Collection
    THE MCCOY TYNER COLLECTION PDF, EPUB, EBOOK McCoy Tyner | 120 pages | 01 Nov 1992 | Hal Leonard Corporation | 9780793507474 | English | Milwaukee, United States The Mccoy Tyner Collection PDF Book Similar Artists See All. There's magic in the air, or at the very least a common ground of shared values that makes this combination of two great musicians turn everything golden. That's not to say their progressive ideas are completely harnessed, but this recording is something lovers of dinner music or late-night romantic trysts will equally appreciate. McCoy Tyner. Extensions - McCoy Tyner. Tyner died on March 6, at his home in New Jersey. They sound empathetic, as if they've played many times before, yet there are enough sparks to signal that they're still unsure of what the other will play. Very highly recommended. Albums Live Albums Compilations. Cart 0. If I Were a Bell. On this excellent set, McCoy Tyner had the opportunity for the first time to head a larger group. McCoy later said, Bud and Richie Powell moved into my neighborhood. He also befriended saxophonist John Coltrane, then a member of trumpeter Miles Davis' band. A flow of adventurous, eclectic albums followed throughout the decade, many featuring his quartet with saxophonist Azar Lawrence, including 's Song for My Lady, 's Enlightenment, and 's Atlantis. McCoy Tyner Trio. See the album. Throughout his career, Tyner continued to push himself, arranging for his big band and releasing Grammy-winning albums with 's Blues for Coltrane: A Tribute to John Coltrane and 's The Turning Point. However, after six months with the Jazztet, he left to join Coltrane's soon-to-be classic quartet with bassist Jimmy Garrison and drummer Elvin Jones.
    [Show full text]
  • The Singing Guitar
    August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW.
    [Show full text]
  • Muni 20081106
    MUNI 20081106 JAZZ ROCK, FUSION… 01 Ballet (Mike Gibbs) 4:55 Gary Burton Quartet : Gary Burton-vibes; Larry Coryell-g; Steve Swallow-b; Roy Haynes-dr. New York, April 18, 1967. RCA LSP-3835. 02 It’s All Becoming So Clear Now (Mike Mainieri) 5:25 Mike Mainieri -vib; Jeremy Steig-fl; Joe Beck-elg; Sam Brown-elg,acg; Warren Bernhardt-p,org; Hal Gaylor-b; Chuck Rainey-elb; Donald MacDonald-dr. Published 1969. Solid State SS 18049. 03 Little Church (Miles Davis) 3:17 Miles Davis -tp; Steve Grossman-ss; Chick Corea, Herbie Hancock-elp; Keith Jarrett-org; John McLaughlin-g; Dave Holland-b,elb; Jack DeJohnette-dr; Airto Moreira-perc; Hermeto Pascoal-dr,whistling,voc,elp. New York, June 4, 1970. Columbia C2K 65135. 04 Medley: Gemini (Miles Davis) /Double Image (Joe Zawinul) 5:56 Miles Davis -tp; Wayne Shorter-ss; Joe Zawinul, Chick Corea-elp; John McLaughlin-g; Dave Holland-b; Khalil Balakrishna-sitar; Billy Cobham, Jack DeJohnette-dr; Airto Moreira-perc. New York, February 6, 1970. Columbia C2K 65135. 05 Milky Way (Wayne Shorter-Joe Zawinul) 2:33 06 Umbrellas (Miroslav Vitouš-W. Shorter-J. Zawinul) 3:26 Weather Report : Wayne Shorter -ss,ts; Miroslav Vitouš-b; Joe Zawinul -p,kb; Alphonse Mouzon-dr; Airto Moreira-perc. 1971. Columbia 468212 2. 07 Birds of Fire (John McLaughlin) 5:39 Mahavishnu Orchestra : John McLaughlin -g; Jerry Goodman-vio; Jan Hammer-kb,Moog syn; Rick Laird-b; Billy Cobham-dr. New York, 1973. Columbia KC 31996. 08 La Fiesta (Chick Corea) 7:49 Return to Forever : Joe Farrell-ss; Chick Corea -elp; Stanley Clarke-b; Airto Moreira-dr,perc; Flora Purim-perc.
    [Show full text]
  • An Interview with Chris Fryar Cris Cohen
    An Interview With Chris Fryar Cris Cohen An Interview With Chris Fryar of the Zac Brown Band Cris Cohen Bands To Fans 2 An Interview With Chris Fryar Cris Cohen Copyright © Cris Cohen. All rights reserved, including the right to reproduce this book or portions thereof in any form whatsoever. All photos: Andy Sapp / Southern Reel Bands To Fans 3 An Interview With Chris Fryar Cris Cohen Contents “The Owl” ................................................................................................................................................................ 5 Dave Grohl ............................................................................................................................................................... 8 Vinnie Colaiuta ......................................................................................................................................................... 9 Solos ...................................................................................................................................................................... 10 Switching It Up ....................................................................................................................................................... 11 Three Questions ..................................................................................................................................................... 12 Love Or Money .....................................................................................................................................................
    [Show full text]
  • Order Form Full
    JAZZ ARTIST TITLE LABEL RETAIL ADDERLEY, CANNONBALL SOMETHIN' ELSE BLUE NOTE RM112.00 ARMSTRONG, LOUIS LOUIS ARMSTRONG PLAYS W.C. HANDY PURE PLEASURE RM188.00 ARMSTRONG, LOUIS & DUKE ELLINGTON THE GREAT REUNION (180 GR) PARLOPHONE RM124.00 AYLER, ALBERT LIVE IN FRANCE JULY 25, 1970 B13 RM136.00 BAKER, CHET DAYBREAK (180 GR) STEEPLECHASE RM139.00 BAKER, CHET IT COULD HAPPEN TO YOU RIVERSIDE RM119.00 BAKER, CHET SINGS & STRINGS VINYL PASSION RM146.00 BAKER, CHET THE LYRICAL TRUMPET OF CHET JAZZ WAX RM134.00 BAKER, CHET WITH STRINGS (180 GR) MUSIC ON VINYL RM155.00 BERRY, OVERTON T.O.B.E. + LIVE AT THE DOUBLET LIGHT 1/T ATTIC RM124.00 BIG BAD VOODOO DADDY BIG BAD VOODOO DADDY (PURPLE VINYL) LONESTAR RECORDS RM115.00 BLAKEY, ART 3 BLIND MICE UNITED ARTISTS RM95.00 BROETZMANN, PETER FULL BLAST JAZZWERKSTATT RM95.00 BRUBECK, DAVE THE ESSENTIAL DAVE BRUBECK COLUMBIA RM146.00 BRUBECK, DAVE - OCTET DAVE BRUBECK OCTET FANTASY RM119.00 BRUBECK, DAVE - QUARTET BRUBECK TIME DOXY RM125.00 BRUUT! MAD PACK (180 GR WHITE) MUSIC ON VINYL RM149.00 BUCKSHOT LEFONQUE MUSIC EVOLUTION MUSIC ON VINYL RM147.00 BURRELL, KENNY MIDNIGHT BLUE (MONO) (200 GR) CLASSIC RECORDS RM147.00 BURRELL, KENNY WEAVER OF DREAMS (180 GR) WAX TIME RM138.00 BYRD, DONALD BLACK BYRD BLUE NOTE RM112.00 CHERRY, DON MU (FIRST PART) (180 GR) BYG ACTUEL RM95.00 CLAYTON, BUCK HOW HI THE FI PURE PLEASURE RM188.00 COLE, NAT KING PENTHOUSE SERENADE PURE PLEASURE RM157.00 COLEMAN, ORNETTE AT THE TOWN HALL, DECEMBER 1962 WAX LOVE RM107.00 COLTRANE, ALICE JOURNEY IN SATCHIDANANDA (180 GR) IMPULSE
    [Show full text]
  • Muscle Shoals Sound Records
    WHO'S WHO AT MUSCLE SHOALS SOUND RECORDS 1000 Alabama Avenue, P.O. Box 915, Sheffield, Ala. 35660 (205) 381-9200 Muscle Shoals Sound Records was more or less the natural extension of what had become one of the most successful production organizations in the business. The four principals of the production company, Jimmy Johnson, Barry Beckett, David Hood and Roger Hawkins made up what became the legendary "Muscle Shoals Rhythm Section". Jimmy and Roger met while playing in local bands at school dances and clubs along the state line. They were later members of an early 60's group called the Delrays. At the same time David Hood was playing in a group called the Mystics. Johnson was the first to move into studio work when he began working with producer Rick Hall as an engineer and their session guitarist. By 1964 Jimmy and Roger were working regularly at Fame Studios with the occasional assistance of David Hood, when Hood could get away from his father's tire store a block and a half away from the studio. In 1966 Hawkins and Johnson played on their first million seller, "When A Man Loves A Woman" by Percy Sledge. In 1967 Barry Beckett came to Muscle Shoals to cut "I'm Your Puppet" by James and Bobby Purify. It was about that time that Spooner Oldham, the Muscle Shoals keyboard player, decided to move to Mem- phis. Shortly thereafter, Barry Becket and his family came to Muscle Shoals and the Rhythm Section was formed. By the late 1960's there were 3 studios in Muscle Shoals and the Rhythm Section was working at all of them.
    [Show full text]